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Jaz Se Vrtim

Ne verjamem ko gre za oc'itne laz'i
ne panic'arim dokler ne vidim krvi
se ne zaljubim c'e ne gre za boz'ji dar
in ne pozdravim dokler ne slis'im fanfar
ne c'ujem zvoka dokler ne slis'im kitar
in ne ubijam c'e ni v igri velik dnar
se ne zalaufam c'e lih avtobus odhaja nisem pes da bi v avte se zaganjal
Jaz se vrtim jaz se vrtim jaz se vrtim dosti bolj dalec' kot se zdi
Ne gledam kart v nobenem sluc'aju
moc'no dvomim da se bom sonc'il v raju
me ne s'okira bela mis' iz klobuka
in ne joc'em c'e ni res velika muka
si ne predstavljam kako iz nic' nastane vse
in sovraz'im dolgoc'asne govore
ne izzivam ker sem prelen za pretep
nisem bogat ker dnar sovraz'i moj z'ep
Jaz se vrtim jaz se vrtim jaz se vrtim dosti bolj dalec' kot se zdi

song performed by Zmelkoow
Added by Lucian Velea
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Dar-Thula

ARGUMENT.

It may not be improper here to give the story which is the foundation of this poem, as it is handed down by tradition. Usnoth, lord of Etha, which is probably that part of Argyleshire which is near Loch Eta, an arm of the sea in Lorn, had three sons, Nathos, Althos, and Ardan, by Slissáma, the daughter of Semo, and sister to the celebrated Cuthullin. The three brothers, when very young, were sent over to Ireland by their father, to learn the use of arms under their uncle Cuthullin, who made a great figure in that kingdom. They were just landed in Ulster, when the news of Cuthullin's death arrived. Nathos, though very young, took the command of Cuthullin's army, made head against Cairbar the usurper, and defeated him in several battles. Cairbar at last, having found means to murder Cormac, the lawful king, the army of Nathos shifted sides, and he himself was obliged to return into Ulster, in order to pass over into Scotland.

Dar-thula, the daughter of Colla, with whom Cairbar was in love, resided at that time in Seláma, a castle in Ulster. She saw, fell in love, and fled with Nathos; but a storm rising at sea, they were unfortunately driven back on that part of the coast of Ulster, where Cairbar was encamped with his army. The three brothers, after having defended themselves for some time with great bravery, were overpowered and slain, and the unfortunate Dar-thula killed herself upon the body of her beloved Nathos.

The poem opens, on the night preceding the death of the sons of Usnoth, and brings in, by way of episode, what passed before. it relates the death of Dar-thula differently from the common tradition. This account, is the most probable, as suicide seems to have been unknown in those early times, for no traces of it are found in the old poetry.

DAUGHTER of heaven, fair art thou! the silence of thy face is pleasant! Thou comest forth in loveliness. The stars attend thy blue course in the east. The clouds rejoice in thy presence, O moon! They brighten their dark-brown sides. Who is like thee in heaven, light of the silent night? The stars are shamed in thy presence. They turn away their sparkling eyes. Whither dost thou retire from thy course when the darkness of thy countenance grows? Hast thou thy hall, like Ossian? Dwellest thou in the shadow of grief? Have thy sisters fallen from heaven? Are they who rejoiced with thee, at night, no more? Yes, they have fallen, fair light! and thou dost often retire to mourn. But thou thyself shalt fail one night and leave thy blue path in heaven. The stars will then lift their heads: they who were ashamed in thy presence, will rejoice. Thou art now clothed with thy brightness. Look from thy gates in the sky. Burst the cloud, O wind! that the daughters of night may look forth; that the shaggy mountains may brighten, and the ocean roll its white waves in light!

Nathos is on the deep, and Althos, that beam of youth! Ardan is near his brothers. They move in the gloom of their course. The sons of Usnoth move in darkness, from the wrath of Cairbar of Erin. Who is that, dim by their side? The night has covered her beauty! Her hair sighs on ocean's wind. Her robe streams in dusky wreaths. She is like the fair spirit of heaven in the midst of the shadowy mist. Who is it but Dar-thula, the first of Erin's maids? She has fled from the love of Cairbar, with blue-shielded Nathos. But the winds deceive thee, O Dar-thula! They deny the woody Etha to thy sails. These are not the mountains of Nathos; nor is that the roar of his climbing waves. The halls of Cairbar are near: the towers of the foe lift their heads! Erin stretches its green head into the sea. Tura's bay receives the ship. Where have ye been, ye southern Winds, when the sons of my love were deceived? But ye have been sporting on the plains, pursuing the thistle's beard. O that ye had been rustling in the sails of Nathos, till the hills of Etha arose! till they arose in their clouds, and saw their returning chief! Long hast thou been absent, Nathos! the day of thy return is past!

But the land of strangers saw thee lovely! thou wast lovely in the eyes of Dar-thula. Thy face was like the light of the morning. Thy hair like the raven's wing. Thy soul was generous and mild, like tho hour of the setting sun. Thy words were the gale of the reeds; the gliding stream of Lora! But when the rage of battle rose, thou wast a sea in a storm. The clang of thy arms was terrible: the host vanished at the sound of thy course. It was then Dar-thula beheld thee, from the top of her mossy tower; from the tower of Seláma, where her fathers dwelt.

"Lovely art thou, O stranger!" she said, for her trembling soul arose. "Fair art thou in thy battles, friend of the fallen Cormac! Why dost thou rush on in thy valor, youth of the ruddy look? Few are thy hands in fight against the dark-brown Cairbar! O that I might be freed from his love, that I might rejoice in the presence of Nathos! Blest are the rocks of Etha! they will behold his steps at the chase; they will see his white bosom, when the winds lift his flowing hair!" Such were thy words, Dar-thula, in Seláma's mossy towers. But now the night is around thee. The winds have deceived thy sails- — the winds have deceived thy sails, Dar-thula! Their blustering sound is high. Cease a little while, O north wind! Let me hear the voice of the lovely. Thy voice is lovely, Dar-thula, between the rustling blasts!

"Are these the rocks of Nathos?" she said, "this the roaring of his mountain streams? Comes that beam of light from Usnoth's nightly hall? The mist spreads around; the beam is feeble and distant far. But the light of Dar-thula's soul dwells in the chief of Etha! Son of the generous Usnoth, why that broken sigh? Are we in the land of strangers, chief of echoing Etha?"

"These are not the rocks of Nathos," he replied, "nor this the roar of his stream. No light comes from Etha's hall, for they are distant far. We are in the land of strangers, in the land of cruel Cairbar. The winds have deceived us, Dar-thula. Erin lifts here her hills. Go towards the north, Althos: be thy steps, Ardan, along the coast; that the foe may not come in darkness, and our hopes of Etha fail. I will go towards that mossy tower, to see who dwells about the beam. Rest, Dar-thula, on the shore! rest in peace, thou lovely light! the sword of Nathos is around thee, like the lightning of heaven!"

He went. She sat alone: she heard the roiling of the wave. The big tear is in her eye. She looks for returning Nathos. Her soul trembles at the bast. She turns her ear towards the tread of his feet. The tread of his feet is not heard. "Where art thou, son of my love! The roar of the blast is around me. Dark is the cloudy night. But Nathos does not return. What detains thee, chief of Etha? Have the foes met the hero in the strife of the night?"

He returned; but his face was dark. He had seen his departed friend! it was the wall of Tura. The ghost of Cuthullin stalked there alone; the sighing of his breast was frequent. The decayed flame of his eyes was terrible! His spear was a column of mist. The stars looked dim through his form. His voice was like hollow wind in a cave: his eye a light seen afar. He told the tale of grief. The soul of Nathos was sad, like the sun in the day of mist, when his face watery and dim.

"Why art thou sad, O Nathos!" said the lovely daughter of Colla. "Thou art a pillow of light to Dar-thula. The joy of her eyes is in Etha's chief. Where is my friend, but Nathos? My father, my brother is fallen! Silence dwells on Seláma. Sadness spreads on the blue streams of my land. My friends have fallen with Cormac. The mighty were slain in the battles of Erin. Hear, son of Usnoth! hear, O Nathos! my tale of grief.

"Evening darkened on the plain. The blue streams failed before mine eyes. The unfrequent blast came rustling in the tops of Seláma's groves. My seat was beneath a tree, on the walls of my fathers. Truthil past before my soul; the brother of my love: he that was absent in battle against the haughty Cairbar! Bending on his spear, the gray-haired Colla came. His downcast face is dark, and sorrow dwells in his soul. His sword is on the side of the hero; the helmet of his fathers on his head. The battle grows in his breast. He strives to hide the tear.

"'Dar-thula, my daughter,' he said, 'thou art the last of Colla's race! Truthil is fallen in battle. The chief of Seláma is no more! Cairbar comes, with his thousands, towards Seláma's walls. Colla will meet his pride, and revenge his son. But where shall I find thy safety, Dar-thula with the dark-brown hair! thou art lovely as the sunbeam of heaven, and thy friends are low!' 'Is the son of battle fallen?' I said, with a bursting sigh. 'Ceased the generous soul of Truthil to lighten through the field? My safety, Colla, is in that bow. I have learned to pierce the deer. Is not Cairbar like the hart of the desert, father of fallen Truthil?'

"The face of age brightened with joy. The crowded tears of his eyes poured down. The lips of Colla trembled. His gray beard whistled in the blast. 'Thou art the sister of Truthil,' he said; 'thou burnest in the fire of his soul. Take, Dar-thula, take that spear, that brazen shield, that burnished helm; they are the spoils of a warrior, a son of early youth! When the light rises on Seláma, we go to meet the car-borne Cairbar. But keep thou near the arm of Colla, beneath the shadow of my shield. Thy father, Dar-thula, could once defend thee; but age is trembling On his hand. The strength of his arm has failed. His soul is darkened with grief.'

"We passed the night in sorrow. The light of morning rose. I shone in the arms of battle. The gray haired hero moved before. The sons of Seláma convened around the sounding shield of Colla. But few were they in the plain, and their locks were gray. The youths had fallen with Truthil, in the battle of car-borne Cormac. 'Friends of my youth,' said Colla, 'it was not thus you have seen me in arms. It was not thus I strode to battle when the great Confaden fell. But ye are laden with grief. The darkness of age comes like the mist of the desert. My shield is worn with years! my sword is fixed in its place! I said to my soul, Thy evening shall be calm; thy departure like a fading light. But the storm has returned. I bend like an aged oak. My boughs are fallen on Seláma. I tremble in my place. Where art thou, with thy fallen heroes, O my beloved Truthil! Thou answerest not from thy rushing blast. The soul of thy father is sad. But I will be sad no more! Cairbar or Colla must fall! I feel the returning strength of my arm. My heart leaps at the sound of war.'

"The hero drew his sword. The gleaming blades of his people rose. They moved along the plain. Their gray hair streamed in the wind. Cairbar sat at the feast, in the silent plain of Lena. He saw the coming of the heroes. He called his chiefs to war. Why should I tell to Nathos how the strife of battle grew? I have seen thee in the midst of thousands, like the beam of heaven's fire: it is beautiful, but terrible; the people fall in its dreadful course. The spear of Colla flew. He remembered the battles of his youth. An arrow came with its sound. It pierced the hero's side. He fell on his echoing shield. My soul started with fear. I stretched my buckler over him: but my heaving breast was seen! Cairbar came with his spear. He beheld Seláma's maid. Joy rose on his dark-brown Taco. He stayed his lifted steel. He raised the tomb of Colla. He brought me weeping to Seláma. He spoke the words of love, but my soul was sad. I saw the shields of my fathers; the sword of car-borne Truthil. I saw the arms of the dead; the tear was on my cheek! Then thou didst come, O Nathos! and gloomy Cairbar fled. He fled like the ghost of the desert before the morning's beam. His host was not near; and feeble was his arm against thy steel! Why art thou sad, O Nathos?" said the lovely daughter of Colla.

"I have met," replied the hero, "the battle in my youth. My arm could not lift the spear when danger first arose. My soul brightened in the presence of war, as the green narrow vale, when the sun pours his streamy beams, before he hides his head in a storm. The lonely traveller feels a mournful joy. He sees the darkness that slowly comes. My soul brightened in danger before I saw Seláma's fair; before I saw thee, like a star that shines on the hill at night; the cloud advances, and threatens the lovely light! We are in the land of foes. The winds have deceived us, Dar-thula! The strength of our friends is not near, nor the mountains of Etha. Where shall I find thy peace, daughter of mighty Colla! The brothers of Nathos are brave, and his own sword has shone in fight. But what are the sons of Usnoth to the host of dark-brown Cairbar! O that the winds had brought thy sails, Oscar king of men! Thou didst promise to come to the battles of fallen Cormac! Then would my hand be strong as the flaming arm of death. Cairbar would tremble in his halls, and peace dwell round the lovely Dar-thula. But why dost thou fall, my soul? The sons of Usnoth may prevail!"

"And they will prevail, O Nathos!" said the rising soul of the maid. "Never shall Dar-thula behold the halls of gloomy Cairbar. Give me those arms of brass, that glitter to the passing meteor. I see them dimly in the dark-bosomed ship. Dar-thula will enter the battles of steel. Ghost of the noble Colla! do I behold thee on that cloud! Who is that dim beside thee? Is it the car-borne Truthil? Shall I behold the halls of him that slew Seláma's chief? No: I will not behold them, spirits of my love!"

Joy rose in the face of Nathos when he heard the white-bosomed maid. "Daughter of Seláma! thou shinest along my soul. Come, with thy thousands, Cairbar! the strength of Nathos is returned! Thou O aged Usnoth! shalt not hear that thy son has fled. I remembered thy words on Etha, when my sails began to rise: when I spread them towards Erin, towards the mossy walls of Tura! 'Thou goest,' he said, 'O Nathos, to the king of shields! Thou goest to Cuthullin, chief of men, who never fled from danger. Let not thine arm be feeble: neither be thy thoughts of flight; lest the son of Semo should say that Etha's race are weak. His words may come to Usnoth, and sadden his soul in the hall.' The tear was on my father's cheek. He gave this shining sword!

"I came to Tura's bay; but the halls of Tara were silent. I looked around, and there was none to tell of the son of generous Semo. I went to the hall of shells, where the arms of his fathers hung. But the arms were gone, and aged Lamhor sat in tears. 'Whence are the arms of steel?' said the rising Lamhor. 'The light of the spear has long been absent from Tura's dusky walls. Come ye from the rolling sea? or from Temora's mournful halls?'

"'We come from the sea,' I said, 'from Usnoth's rising towers. We are the sons of Slissáma, the daughter of car-borne Semo. Where is Tura's chief, son of the silent hall? But why should Nathos ask? for I behold thy tears. How did the mighty fall, son of the lonely Tura?' 'He fell not,' Lamhor replied, 'like the silent star of night, when it flies through darkness and is no more. But he was like a meteor that shoots into a distant land. Death attends its dreary course. Itself is the sign of wars. Mournful are the banks of Lego; and the roar of streamy Lara! There the hero fell, son of the noble Usnoth!' 'The hero fell in the midst of slaughter,' I said with a bursting sigh. 'His hand was strong in war. Death dimly sat behind his sword.'

"We came to Lego's sounding banks. We found his rising tomb. His friends in battle are there: his bards of many songs. Three days we mourned over the hero: on the fourth I struck the shield of Caithbat. The heroes gathered around with joy, and shook their beamy spears. Corlath was near with his host, the friend of car-borne Cairbar. We came like a stream by night. His heroes fell before us. When the people of the valley rose, they saw their blood with morning's light. But we rolled away, like wreaths of mist, to Cormac's echoing hall. Our swords rose to defend the king. But Temora's halls were empty. Cormac had fallen in his youth. The king of Erin was no more!

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poem by James Macpherson
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Look At That

Words & music by paul simon
Look at that
Look at this
Drop a stone in the abyss
Then walk away and know that anything can happen
Just like that
Just like this
Look at that
Look at this
Gimme a hug, gimme a kiss
Then hey, hey, off to school we go
You might learn something
Yeah you never know
Look at that
Look at this
Lovers merge and make a wish
They close their eves and now their dreams are legal
Over the mountain the eagle flies
Through clouds of fire
Swoop and glide
You cant believe it,
You cant decide
Ask somebody to love you
Takes a lot of nerve
Ask somebody to love you
You got a lot of nerve
Ask somebody to love you
Takes a lot of nerve
Ask somebody to love you
Ma ma ma ma
Ma ma ma ma
Da da da da
Da da da da
La la la la
La la la la
Oom bop a doom
Look at that
Look at this
This is near enough to bliss
Then over the top we go and down
Down to the bottom
If youre looking for worries
You got em
Ask somebody to love you
You got a lot of nerve
Ask somebody to love you
Takes a lot of nerve
Tih tih tih tih
Tih tih tih tih
Gur gur gur gur

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song performed by Paul Simon
Added by Lucian Velea
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Na jaoo itne dur humse

Kyon ja rahe ho
Itne dur humse?

Na jaaoo itne dur,
Itne dur,
Ke hum aawaj de,
Jo deewaro me goonj
Hum tak hi lout aaye,
aur
tum tak meri aah to kya
rooh ki phariyaad bhi na pahuch paaye.

Na jaaoo itne dur,
Itne dur,
Ke hum dastak de de ke thak jaaye
Aur
Koie darwaza, koie raah
Hume to kya humare janaje tak ko
tum tak na le ja paaye.

Na jaaoo itne dur,
Itne dur,
Ke hum youn hi raat ke aashko ko
Subah ki dhoop me sukhate phiree,
Aur
Palko tale tamam umr dard ko
khamooshi se sambhale rahe.

Kis khata ki saza de rahe ho hume?
Ke nabz bajti rahe,
Sans chalti rahe,
Aur,
Usee hum jindagi ka namm
Bhi na de paaye.

Kyun ja rahe ho itne dur humse,
Na jaaoo!
Lout aaoo!
Aakhir…
Tumhare rooh ka kuch
Humse bhi to hai wasta,
Khushi ka na sahi
Dard ka tumhare humse hai
Kuch poorana sa rishta.
Joodti hai
Jo tumhari tanhaee se
Meri tanhaee ko,
Deekho na,
Kitni dur se chala aa raha hai
Ye rasta.

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poem by Anjali Kakati
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People Panic

Tripped out,
Over their finances.
Doubts begin to cloud their minds...
With a suggestion to breathe deeply.
To prevent a panic to exist.
And if they don't breathe deeply,
That's exactly what they'll find!
That's exactly what they'll get...
Panic!

But do people listen?
No!
Is common sense from them missing?
Well...
I don't want to pass,
That as harrassment.
But if I'm allowed,
I would choose to brag.

I don't want to pass,
That as harrassment.
But people seem to get,
Just what they ask!

And everywhere you go,
You'll see them in their stubbornness to give!
In 'fits' like spoiled little kids.
And everywhere you go,
You'll see them in their stubbornness to give!
In 'fits' like spoiled little kids.

But do people listen?
No!
Is common sense from them missing?
Well...
I don't want to pass,
That as harrassment.
But if I'm allowed,
I would choose to brag.

Tripped out,
Over their finances.
Doubts begin to cloud their minds...
With a suggestion to breathe deeply.
To prevent a panic to exist.
And if they don't breathe deeply,
That's exactly what they'll find!
That's exactly what they'll get...
Panic!

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poem by Lawrence S. Pertillar
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Confessio Amantis. Explicit Liber Tercius

Incipit Liber Quartus

Dicunt accidiam fore nutricem viciorum,
Torpet et in cunctis tarda que lenta bonis:
Que fieri possent hodie transfert piger in cras,
Furatoque prius ostia claudit equo.
Poscenti tardo negat emolumenta Cupido,
Set Venus in celeri ludit amore viri.

Upon the vices to procede
After the cause of mannes dede,
The ferste point of Slowthe I calle
Lachesce, and is the chief of alle,
And hath this propreliche of kinde,
To leven alle thing behinde.
Of that he mihte do now hier
He tarieth al the longe yer,
And everemore he seith, 'Tomorwe';
And so he wol his time borwe,
And wissheth after 'God me sende,'
That whan he weneth have an ende,
Thanne is he ferthest to beginne.
Thus bringth he many a meschief inne
Unwar, til that he be meschieved,
And may noght thanne be relieved.
And riht so nowther mor ne lesse
It stant of love and of lachesce:
Som time he slowtheth in a day
That he nevere after gete mai.
Now, Sone, as of this ilke thing,
If thou have eny knowleching,
That thou to love hast don er this,
Tell on. Mi goode fader, yis.
As of lachesce I am beknowe
That I mai stonde upon his rowe,
As I that am clad of his suite:
For whanne I thoghte mi poursuite
To make, and therto sette a day
To speke unto the swete May,
Lachesce bad abide yit,
And bar on hond it was no wit
Ne time forto speke as tho.
Thus with his tales to and fro
Mi time in tariinge he drowh:
Whan ther was time good ynowh,
He seide, 'An other time is bettre;
Thou schalt mowe senden hire a lettre,
And per cas wryte more plein
Than thou be Mowthe durstest sein.'

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poem by John Gower
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Bridging The Gap

[Nas talking]
"The light is there."
[Intro: Olu Dara singing]
See I come from Mississippi
I was young and runnin' wild
Ended up in New York City, where I had my first child
I named the boy Nasir, all the boys call him Nas
I told him as a youngster, he'll be the greatest man alive
[Verse 1: Nas]
Let's go!... Hey-Hey-Hey-Hey --
Tribrary of these rap skits, styles I mastered
Many brothers snatched it up and tried to match it
But I'm still number one, everyday real
Speak what I want, I don't care what y'all feel
'Cause I'm my own master, my Pop told me be your own boss
Keep integrity at every cost, and his home was Natchez Mississippi
Did it like Miles and Dizzy, now we gettin' busy
Bridging The Gap from the blues, to jazz, to rap
The history of music on this track
Born in the game, discovered my father's music
Like Prince searchin' through boxes of Purple Rain
But my Minneapolis was The Bridge, home of the Superkids
Some are well-known, some doin' bids
I mighta ended up on the wrong side of the tracks
If Pops wouldn't've pulled me back an said yo
[Olu Dara singing]
Greatest man alive (Nas: Yeah, turn it up!)
Gre-Gre-Gre-Gre-Greatest man alive!
[Verse 2: Nas]
The blues came from gospel, gospel from blues
Slaves are harmonizin' them ah's and ooh's
Old school, new school, know school rules
All these years I been voicin' my blues
I'm a artist from the start, Hip-Hop guided my heart
Graffiti on the wall, coulda ended in Spoffard, juvenile delinquent
But Pops gave me the right type'a tools to think with
Books to read, like X and stuff
'Cause the schools said the kids had dyslexia
In art class I was a compulsive sketcher of
Teachers in my homeroom, I drew pix to mess them up
'Cause none'a them would like my style
Read more books than the curriculum profile
Said, "Mr. Jones please come get your child
'Cause he's writin' mad poems and his verses are wild"
[Olu Dara singing]
Greatest man ? The great-greatest man alive
[Verse 3: Nas]
Hey-Hey-Hey -- My Poppa was not a Rollin' Stone
He been around the world blowin' his horn, still he came home
Then he got grown, changed his name to Olu

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song performed by Nas
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Confessio Amantis. Explicit Liber Secundus

Incipit Liber Tercius

Ira suis paribus est par furiis Acherontis,
Quo furor ad tempus nil pietatis habet.
Ira malencolicos animos perturbat, vt equo
Iure sui pondus nulla statera tenet.
Omnibus in causis grauat Ira, set inter amantes,
Illa magis facili sorte grauamen agit:
Est vbi vir discors leuiterque repugnat amori,
Sepe loco ludi fletus ad ora venit.

----------------------------------- ------------------------------------------------

If thou the vices lest to knowe,
Mi Sone, it hath noght ben unknowe,
Fro ferst that men the swerdes grounde,
That ther nis on upon this grounde,
A vice forein fro the lawe,
Wherof that many a good felawe
Hath be distraght be sodein chance;
And yit to kinde no plesance
It doth, bot wher he most achieveth
His pourpos, most to kinde he grieveth,
As he which out of conscience
Is enemy to pacience:
And is be name on of the Sevene,
Which ofte hath set this world unevene,
And cleped is the cruel Ire,
Whos herte is everemore on fyre
To speke amis and to do bothe,
For his servantz ben evere wrothe.
Mi goode fader, tell me this:
What thing is Ire? Sone, it is
That in oure englissh Wrathe is hote,
Which hath hise wordes ay so hote,
That all a mannes pacience
Is fyred of the violence.
For he with him hath evere fyve
Servantz that helpen him to stryve:
The ferst of hem Malencolie
Is cleped, which in compaignie
An hundred times in an houre
Wol as an angri beste loure,
And noman wot the cause why.
Mi Sone, schrif thee now forthi:
Hast thou be Malencolien?
Ye, fader, be seint Julien,
Bot I untrewe wordes use,
I mai me noght therof excuse:
And al makth love, wel I wot,

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poem by John Gower
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Yips

When focusing too hard on putts
golfers suffer from the yips,
and those who focus hard on butts
and breasts and what’s below the hips
may not obtain a hole in one
because most eagles fly away,
and though a birdie can be fun
you’ll never catch one if you play
too focused. Nonchalance will launch
in sex, as golf, a thousand ships,
and when you’re ready for some raunch,
soft-focus rescues you from yips.

Inspired by an article by Katie Thomas in the NYT on August 1 explaining the phenomenon of yip[s which plagues archersm, golfers and all people who aim to carefully at targets (“The Secret Curse of Expert Archers”) :

There is an affliction so feared by elite archers that many in the sport refuse to even say its name. Archery coaches who specialize in treating the problem are sworn not to reveal the identities of archers in its grip, even though they estimate that 90 percent of high-level competitors will fall victim at least once in their careers. Target panic, as the condition is known, causes crack shots to suddenly lose control of their bows and their composure. Mysteriously, sufferers start releasing the bow the instant they see the target, sabotaging any chance of a gold-medal shot. Others freeze up and cannot release at all. Target panic is akin to the yips in baseball and golf, when accomplished athletes can no longer make a simple throw to first base or stroke an easy putt. The results can be mortifying, and archery is filled with tales of those who have caught the curse, never to shoot again. The problem has spawned a cottage industry of coaches, books and specialized accessories that claim to cure target panic….Lanny Bassham, a former Olympic rifle shooter and mental coach whose clients include the Olympic archer Brady Ellison, said the archery community had a peculiar obsession with target panic, which he noted had a horrifying ring. “The words target panic have induced an unnecessary amount of severity and concern about this condition among archers, ” he said. “I think if they had a better word for it, they’d have a lot less problem trying to cure it.” Many archers and their coaches refuse to say target panic. Those words are forbidden around the Nichols household, which is home to the Olympic archer Jennifer Nichols and her younger sister, Amanda, also a world-class competitor. “We try to stay away from the labels that are put on things by people in the archery industry because once you feel you’ve got that label, it’s hard to stay away from it, ” said their father, Brent Nichols. “We don’t want to hear those things.” Theories vary on how to cure target panic. Some switch their shooting hand, or change their grip slightly — techniques that have also proved successful in golf. Others use visualization techniques and positive reinforcement. Wunderle advises his clients to imagine seeing and feeling what a good shot is, without focusing on aiming the arrow. “Do not focus on results, ” he said. “When you focus on results, it builds anxiety. And anxiety is the kiss of death.” One of the most popular cures is to entirely remove the target. Sufferers instead practice shooting at a blank target, sometimes for weeks at a time, to retrain the mind. “The empty bale restores your confidence in your subconscious, ” said Bernie Pellerite, author of the book “Idiot Proof Archery” and a self-described expert on target panic. “Nobody flinches or punches or chokes on an empty bale.” Hunt spent weeks shooting at blank targets, but he also purchased a special release for his bow, which helped retrain him when to shoot. “It’s trying to engrave in your head when you should shoot, ” he said. “You just pull it back, let the safety off, and pull it until it decides to go. Then you get used to every shot being perfect.” Hunt placed second in his age group at the Junior Olympic Archery Development national championships in Oklahoma City earlier this month. His target panic, he said, had been cured. For now. There is an affliction so feared by elite archers that many in the sport refuse to even say its name. Archery coaches who specialize in treating the problem are sworn not to reveal the identities of archers in its grip, even though they estimate that 90 percent of high-level competitors will fall victim at least once in their careers. Target panic, as the condition is known, causes crack shots to suddenly lose control of their bows and their composure. Mysteriously, sufferers start releasing the bow the instant they see the target, sabotaging any chance of a gold-medal shot. Others freeze up and cannot release at all. Target panic is akin to the yips in baseball and golf, when accomplished athletes can no longer make a simple throw to first base or stroke an easy putt. The results can be mortifying, and archery is filled with tales of those who have caught the curse, never to shoot again. The problem has spawned a cottage industry of coaches, books and specialized accessories that claim to cure target panic.

8/20/08

poem by Gershon Hepner
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Aei Ajnabi

Aei ajnabi
Kyon tum mujhko
Itne aapne se lage?

Ki jante the janmo se
Tum ko
Iitne chir parichit lage.

Yo to
Sath hota hai chand lamho ka
par kyo ye sath tumhara
hume sadiyo ka sa lage?

Aei ajnabi
Kyon tum mujhko
Itne aapne se lage?

Na to nayana mile
Na hi kabhi tan mile
Phir bhi man tumhara
Na jane kyo itna
Aapna sa lage.

Kahne ko hum hai paraye
Tum bhi na jane kaha se aaye
Phir bhi na jane kyon
Tum sang aant tak
chalne ka dil kare.

Aei ajnabi
Kyon tum mujhko
Itne aapne se lage?

Jante hai hum
Tumhara rasta hai dooja
Humara doosra
Shayad
Ek din humko
Tumse duur hi hai jaana
Par kyoun
Inehi raasto me thahar jaane
Ka mann kare

Aei ajnabi
Kyon tum mujhko
Itne aapne se lage?
-anjali

poem by Anjali Kakati
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Did. Did You Do A Panic

Did. Did you do a panic.
With a frantic...
Undoing panic?

Did. Did you do a panic...

Frantically?

Tell me did you do a panic.
With a frantic...
Undoing panic?

Did you really do a panic...

Frantically?

Or...

Did you feel romantic?

Or...
Was it really panic?

Tell me did you do a panic.
With a frantic...
Undoing panic?

Did you really do a panic...

Frantically?

Or...
Did you feel romantic?
Tell me, tell me now.
Or was it really panic?

poem by Lawrence S. Pertillar
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Book Of The Duchesse

THE PROEM

I have gret wonder, be this lighte,
How that I live, for day ne nighte
I may nat slepe wel nigh noght,
I have so many an ydel thoght
Purely for defaute of slepe
That, by my trouthe, I take no kepe
Of no-thing, how hit cometh or goth,
Ne me nis no-thing leef nor loth.
Al is y-liche good to me --
Ioye or sorowe, wherso hyt be --
For I have feling in no-thinge,
But, as it were, a mased thing,
Alway in point to falle a-doun;
For sorwful imaginacioun
Is alway hoolly in my minde.
And wel ye wite, agaynes kynde
Hit were to liven in this wyse;
For nature wolde nat suffyse
To noon erthely creature
Not longe tyme to endure
Withoute slepe, and been in sorwe;
And I ne may, ne night ne morwe,
Slepe; and thus melancolye
And dreed I have for to dye,
Defaute of slepe and hevinesse
Hath sleyn my spirit of quiknesse,
That I have lost al lustihede.
Suche fantasies ben in myn hede
So I not what is best to do.
But men myght axe me, why soo
I may not slepe, and what me is?
But natheles, who aske this
Leseth his asking trewely.
My-selven can not telle why
The sooth; but trewely, as I gesse,
I holde hit be a siknesse
That I have suffred this eight yere,
And yet my bote is never the nere;
For ther is phisicien but oon,
That may me hele; but that is doon.
Passe we over until eft;
That wil not be, moot nede be left;
Our first matere is good to kepe.
So whan I saw I might not slepe,
Til now late, this other night,
Upon my bedde I sat upright
And bad oon reche me a book,
A romaunce, and he hit me took

[...] Read more

poem by Geoffrey Chaucer
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Mit o postanku zla

I sotona rece:
'Neka bude laž! '
I bi laž.
Skrila se u kamenju
Pa sa visina sipa.

I sotona rece:
'Nek licemjerja bude! '
I bi licemjerje.
Skrilo se u rijecima
I ceka da progovori.
Pokrilo se paucinom
I pauke hrani.
Od samog sebe se skrilo.

I sotona rece:
'Nek otrova bude! '
I otrova bi.
Šejtani ga iz olujnog daha
Vitlajuc macem prosuli.
Nataložio se na zemlji
I njenim tokovima tece.
Skrio se u krvi.

I sotona rece:
'Da bude mržnja! '
I bi mržnja.
Prštala na sve strane
Kao krv koja ne može da se zgruša.
Šapama trigova hodala
Pa se i ona pod mahovinom
Na sjeveru lednom skrila.

I sotona rece:
'Neka bude covjek! '
I bi covjeka.
U laži i licemjerju se skrio
Otrovom ga mržnja ko mlijekom dojila.
Pirat se skrio u jedra umotan.
I bi covjeka
U zvijerima se skrio.

I sotona tece:
'Da misli da me nema! '
Ali tako ne bi
Bješe mu laž u pocetku rijeci.

Napisano 1989. rekonstruisano 2012-02-06.

©Miroslava Odalovic

poem by Miroslava Odalovic
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Tu Che Ne Sai

(pallavicini / amurri / f pisano)
Tu che ne sai
Delle volte che ho pianto per te
Un amore non pu? venir quando un amor ? cos? non dirmi pi? di rifarmi una vita sei tu
Questa sera mi fai morir
Mi fai morir di dolor
What do you know
About the times Ive cried over you?
There cant be love when its a love like this
Stop telling me to start a new life - its you
This evening you are killing me
Making me die of pain
A chi dar? le mie lacrime, yeah
A chi dar? le mie lacrime
Chi le vorr? le mie lacrime chi le vorr?
Who will I give my tears to? , yeah
Who will I give my tears to?
Who will want my tears, who will want them?
Non hai capito
Mi stai lasciando
E proprio quando, quando
Ho bisogno di te di te
You dont understand
Youre leaving me
Just when, just when
I need you, you
Ma tu che ne sai
Delle volte che ho pianto per te
Ora va non ti voglio pi? tu che ne sai del mio amor
But what do you know
About the times Ive cried over you?
Now go, I dont want you anymore
What do you know about my love?
A chi dar? le mie lacrime, yeah
A chi dar? le mie lacrime
Chi le vorr? le mie lacrime chi le vorr?
Ma chi le vorr? ma chi le vorr?
Who will I give my tears to? , yeah
Who will I give my tears to?
Who will want my tears, who will want them?
Who will want them?
Who will want them?
A chi dar? le mie lacrime, yeah
A chi dar? le mie lacrime, yeah
Chi le vorr? le mie lacrime chi le vorr?
Ma chi le vorr? yeah
Ma chi le vorr? ma chi le vorr? ma chi le vorr? yeah
Ma chi le vorr?
Ma chi le vorr? yeah
Ma chi le vorr? yeah

[...] Read more

song performed by Dusty Springfield
Added by Lucian Velea
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Panic In Detroit

Ah oooh
He looked a lot like che guevara, drove a diesel van
Kept his gun in quiet seclusion, such a humble man
The only survivor of the national peoples gang
Panic in detroit, I asked for an autograph
He wanted to stay home, I wish someone would phone
Panic in detroit (oh oh oh aahh, oh oh oh aahh)
He laughed at accidental sirens that broke the evening gloom
The police had warned of repercussions
They followed none too soon
A trickle of strangers were all that were left alive
Panic in detroit, I asked for an autograph
He wanted to stay home, I wish someone would phone
Panic in detroit (oh oh oh aahh, ah ah ah aahh)
Putting on some clothes I made my way to school
(oh oh oh)
And I found my teacher crouching in his overalls
I screamed and ran to smash my favourite slot machine (oh oh oh)
And jumped the silent cars that slept at traffic lights
Having scored a trillion dollars, made a run back home
Found him slumped across the table. a gun and me alone
I ran to the window. looked for a plane or two
Panic in detroit. hed left me an autograph
Let me collect dust. I wish someone would phone
Panic in detroit
Panic in detroit
Panic in detroit
Aoo

song performed by David Bowie
Added by Lucian Velea
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Johnny Panic & The Bible Of Dreams

I dream of heaven
I dream of heaven
I dream of heaven, yeah
High time we made a stand and shook up the views of the common man
And the lovetrain rides from coast to coast
D.j.s the man we love the most
Could you be, could you be squeaky clean
And smash any hope of democracry ?
As the headline says youre free to choose
Theres egg on your face and mud on your shoes
One of these days theyre gonna call it the blues
Johnny panic
Johnny panic and the Bible of dreams
I get excited by the news of today
What seems unstable may be able to stay
Johnny panic
Johnny panic and the Bible of dreams
I dream of heaven, yeah
I spy tears in thier eyes
They look to the skies for some kind of divine intervention
Food goes to waste !
So nice to eat, so nice to taste
Politician grannie with your high ideals
Have you no idea how the majority feels ?
So without love and a promise land
Were fools to the rules of a goverment plan
Kick out the style ! bring back the jam !
Bring back the jam !
My flame is heart, my baby do as she please
What good is living, when you live in disease
Johnny panic
Johnny panic and the Bible of dreams
I dream of heaven, its a heavenly place
Why fall in love? when you can fall from grace
With johnny panic
Johnny panic and the Bible of dreams
I dream of heaven
I dream of heaven
I dream of heaven, yeah

song performed by Tears For Fears
Added by Lucian Velea
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Skodljivec

Tez'ko priznat ampak jaz sem sebi najvec'ji sovraz'nik c'esarkoli se
lotim
naredim pizdarijo
kadarkoli vozim pijan naletim na policijo iskrena hvala vsem ki me
trpijo
C'udno slis'at ampak vsi me trpijo ker nobenmu ne s'kodim s tem ko
s'kodim
sebi zgubim vso
energijo c'e bi imel s'e energije bi samo s'e bolj zablodu s'e dobro da
s'kodljivci ne s'kodijo ko
spijo
Mali kje si dobu liziko kje si zgubu mamico vrni liziko nazaj mali solze
ne pomagajo v zapor te
vrz'emo vrni liziko nazaj (panika) mali kje si dobu liziko kje si zgubu
mamico vrni liziko nazaj
mali solze ne pomagajo v zapor te vrz'emo vrni liziko nazaj
Dokler bo modro nebo bomo plavali v njem in lovili ribice
dokler bo modro nebo bomo plavali v njem in lovili ribice

song performed by Zmelkoow
Added by Lucian Velea
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Tako Zaspan

Jaz sem tako zaspan ...
bolj zaspan kot moker vulkan
bolj zaspan kot mrzel katran
C'e bi me pekli na raz'nju se mi ne bi dalo dret
c'e bi me slac'li iz koz'e se mi ne bi dalo umret
c'e bi padel z aviona ne bi mogel letel
c'e bi me moc'no segreli se ni be hotel vnet
Jaz sem ...
C'e bi me bolel zob bi zaspal od bolec'ine
c'e bi me polili s kropom bi zaspal od vroc'ine
vedno ko mi je muka zaspim dokler ne mine
jaz bi rajs'i spal kot zobal rozine
Jaz sem ...
Niti inekcija kofeina mi ne more nic' naredit
rajs'i riskiram eno uko kot da bi se dal budit
ko zjutraj ura zvoni slis'im angele v glavi
ko potekajo spopadi spim v naravi
Jaz sem tako zaspan ...
bolj kot zariban kamion bolj kot zadavljen puran
Kdor spi zlo ne misli kdor je buden naj gre spat
ne spat za volanom c'e z'e spis' pa ne divjat
Jaz sem

song performed by Zmelkoow
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The Turnament of Tottenham

The Turnament of Tottenham; or, the Wooeing, Winning, and Wedding of Tibbe, the Reev's Davghter There.

Of all thes kene conquerours to carpe it were kynde;
Of fele feyztyng folk ferly we fynde;
The Turnament of Totenham have we in mynde;
It were harme sych hardynes were holden byhynde,
In story as we rede
Of Hawkyn, of Herry,
Of Tomkyn, of Terry,
Of them that were dughty
And stalworth in dede.

It befel in Totenham on a dere day,
Ther was mad a shurtyng be the hyway;
Theder com al the men of the contray,
Of Hyssylton, of Hy-gate, and of Hakenay,
And all the swete swynkers:
Ther hopped Hawkyn,
Ther daunsed Dawkyn,
Ther trumped Tomkyn,
And all were trewe drynkers.

Tyl the day was gon and evyn-song past,
That thay shuld reckyn ther scot and ther counts cast;
Perkyn, the potter, into the press past,
And sayd, 'Randol, the refe, a dozter thou hast,
Tyb the dere.
Therefor faine wyt wold I,
Whych of all thys bachelery
Were best worthye
To wed hur to hys fere.'

Upstyrt thos gadelyngys wyth ther lang staves,
And sayd, 'Randol, the refe, lo, thys lad raves;
Boldely amang us thy dozter he craves;
We er rycher men than he, and mor gode haves,
Of cattell and corn.'
Then sayd Perkyn, 'To Tybbe I have hyzt,
That I schal be alway redy in my ryzt,
If that it schuld be thys day sevenyzt,
Or elles zet to morn.'

Then sayd Randolfe, the refe, 'Ever be he waryd
That about thys carpyng lenger wold be taryd:
I wold not my dozter, that scho were miscaryd,
But at hur most worschip I wold scho were maryd.
Therfor a Turnament schal begynne
Thys day sevenyzt,-
Wyth a flayl for to fyzt:

[...] Read more

poem by Anonymous Olde English
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Gas Panic!

What tongueless ghost of sin crept through my curtains?
Sailing on a sea of sweat on a stormy night
I think he don't got a name but I can't be certain
And in me he starts to confide

That my family don't seem so familiar
And my enemies all know my name
And if you hear me tap on your window
Yer better get on yer knees and pray panic is on the way

My pulse pumps out a beat to the ghost dancer
My eyes are dead and my throat's like a black hole
And if there's a god would he give another chancer
An hour to sing for his soul

Cos my family don't seem so familiar
And my enemies all know my name
And when you hear me tap on yer window
Yer better get on yer knees and pray panic is on the way

Cos my family don't seem so familiar
And my enemies all know my name
And when you hear me tap on yer window
Then you get on your knees and you better pray
Cos my family don't seem so familiar
And my enemies all know my name
And when you hear me tap on your window
Yer better get on yer knees and pray panic is on the way

Panic is on the way
Panic is on the way
Panic is on the way

song performed by Oasis from Standing On The Shoulder Of Giants
Added by Lucian Velea
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Blind Faith

[ alternative version of planned obsolescence ]
Love, breaks apart is a myth of human kindness
Love, breaks apart is amyth of human kindness
Love, breaks apart is a myth of human kindness
Panic in the worried night with the tempting, rises
Panic in the worried night with the tempting, rises
Panic in the worried night the tempting rises
No doubt that shed desire blind faith in all surmises
No doubt that shed desire blind faith in all surmises
No doubt that shed deny blind faith in half-surmises
Because
Any modern man can see that
Any modern man can see that
Piety obsolete
Faith obsolete
Mysticism obsolete
Prophetic vision obsolete
Any modern man can see that
Any modern mad can see that
Love, breaks apart is a myth of human kindness
Love, breaks apart is a myth of human kindness
Love, breaks apart is a myth of human kindness
Panic in the worried night with the tempting, rises
Panic in the worried night with the tempting, rises
Panic in the worried night the tempting rises
No doubt that shed desire blind faith in all surmises
No doubt that shed desire blind faith in all surmises
No doubt that shed deny blind faith in half-surmises
Because
Any modern man can see that
Any modern man can see that
Piety obsolete
Faith obsolete
Mysticism obsolete
Prophetic vision obsolete
Any modern man can see that
Any modern mad can see that

song performed by 10000 Maniacs
Added by Lucian Velea
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