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I Am A Dreamer

Plz God be with me ezindleni zomnyama
Ngiyazi nginezono kodwa ngicela ubenami
God 10 years back we were dying from u-makazine
But manje sekuyithina sifela ebafazini
Emanyaleni
Wat worse awubhekeleli ngisho abantu abesebunzimeni
Abahlala sonke isikhathi bese mthandazweni
Besho ubaba osezulwini
Lot of children are dying from aids
Wat worse they got it from abantu abandala
Amanyala amanyala, lalela lana

God iam a dreamer
God iam a dreamer
God iam a dreamer
God iam a dreamer

Why God I have to die ngisasemncane kanje
Why God I have to experience this pain ngisase mncane kanje
Ngikhule kanzima kanje

God iam a dreamer
Plz be with me

Ukube kusase mandulo
Ngabe ngithi letha izazi zifafazele ulwazi
With an addition of uswazi
Sesikhathele ukuchitheka kwaleli ngazi
God just right nw iam watching my
Dream drain away by the rain into the drain
Only one thing is left is the pain
Not just the pain that hurt
But the pain that can lead to the damage of brain

God iam a dreamer

poem by Thokozani Magagula
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Afrikaans: Sterregordels, Stilsonjare, Tydsbroekspypdinge, Haarsliert

Sterregordels

Cosmology in Afrikaans is an ode to joy, the
terms form sing-song strings with delightful
sounds “ewigbewegende elektron”
continuously spinning electron

“elektron in die hart van die atoomkorrel”
electron in the centre of the atom particle
- what a song!

“Triljoene Melkwegstelsels waaromheen ons
Melkweg elke tweehonderdmiljoenjaar
wentel – ‘n mallemeule van sterregordels…”

“Dobberende patrone, mesone en elektrone,
'n konfigurasie van konvekse novae”…

- these terms are singing to me!

A merry-go-round of star systems

Quotes from Adriaan Snyman “Die Messias Kode” (The Messiah Code) pp.9,10

Bombardement Van Frekwensies (English Explanation)

Waarmee sal ek hierdie leë oomblikke,
ankerloos, betekenisloos; aan die ewigheid
vasmaak - die gevoelsruimte in my hart

Is leeg, alle gevoel en denke het gesamentlik
in die donker duisternis van my brein ingeval
‘n laserbrein wat die hologramwêreld

Self moet konsituteer uit ‘n bombardement
van betekenislose frekwensies – maar
vandag is die ligstraalfokus uit

My pendulumgedagtes swaai ongefokus rond
die opgerolde, ingevoude ses-en-twintig of
meer dimensies van die virtuele werklikheid

Wil nie vir my oopgaan nie…

All thought and feeling fell into the black hole in my brain and the twenty-six or more rolled-up frequencies of reality does not want to open for me today…

Geloof In Liefde - Faith In Love

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poem by Margaret Alice
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Jock O The Side

Now Liddisdale has ridden a raid,
But I wat they had better staid at hame;
For Mitchell o Winfield he is dead,
And my son Johnie is prisner tane?
With my fa ding diddle, la la dew diddle.

For Mangerton house auld Downie is gane,
Her coats she has kilted up to her knee;
And down the water wi speed she rins,
While tears in spaits fa fast frae her eie.

Then up and bespake the lord Mangerton:
'What news, what news, sister Downie, to me?'
'Bad news, bad news, my lord Mangerton;
Mitchel is killd, and tane they hae my son Johnie.'

'Neer fear, sister Downie,' quo Mangerton;
'I hae yokes of oxen, four-and-twentie,
My barns, my byres, and my faulds, a' weel filld,
And I'll part wi them a' ere Johnie shall die.

'Three men I'll take to set him free,
Weel harnessd a' wi best of steel;
The English rogues may hear, and drie
The weight o their braid swords to feel

'The Laird's Jock ane, the Laird's Wat twa,
O Hobie Noble, thou ane maun be!
Thy coat is blue, thou has been true,
Since England banishd thee, to me.'

Now, Hobie was an English man,
In Bewcastle-dale was bred and born;
But his misdeeds they were sae great,
They banished him neer to return.

Lord Mangerton then orders gave,--
'Your horses the wrang way maun a' be shod;
Like gentlemen ye must not seem,
But look like corn-caugers gawn ae road.

'Your armour gude ye maunna shaw,
Nor ance appear like men o weir;
As country lads be all arrayd,
Wi branks and brecham on ilk mare.'

Sae now a' their horses are shod the wrang way,
And Hobie has mounted his grey sae fine,
Jock his lively bay, Wat's on his white horse behind,
And on they rode for the water o Tyne.

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poem by Andrew Lang
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Ma Africa amahle!

Ma Afric' amahle,
Ngiyayibeka ezitheni,
Ngiyayibeka ukuba siyibhunge,
Kepha ngiyibhunga ngedwa,
Ngokuba iyinkondlo ebhalwe yimina.

Ngicela ukuba unezwi,
Izwi elakhayo izwe lethu,
Ungangithinta kulenombolo,
0790349478 ngumakhalekhukhwini,
0860556572 isikhahlamezi,
ditcomsandiledit.comdit@yahoo.com i-mail,
24/7 ubusuku nemini yabo.

Ngifisa i Afrika ebumbene.
Ngifisa siphelele ma Afrik' amahle,
Kepha ngifisa sibebahle nangokwezifiso zethu.
Ngifisa uwonkewonke ubhunge nami,
Ngingebani kepha nginombono.
Ngines'ifis'esihle ngani.

Afrika bas'hlukanisile ng'yavuma,
Kepha kasingaz'khohlisi sithi bayokus'hlanganisa,
Ngokuba siyabazi,
Bangabathokoza ngezililo zamaqhawe ezabalaza,
Bangabathokoza ngemuva kokuhlukana kwamabutho eqhawe elinenkani,
Bangabathokoza ngemuva kokugoba kophondo,
Uphondo lwenkunzi amanxebanxeba,
Imanxebanxeba nje bebeyigwaza bethi kay'lale,
Kuze beyakuzikholisa kwesayo isibaya,
Okuyisibaya esiqukethe izithole nezitholekazi,
Afrika vuka sebehambile,
Vuka kunzi sikuthobe amanxeba,
Kuze uyakuphulukiswa uhlanganise abakushiyile esibayeni,
Ukuhlanganise ukhiphe esisha isibaya,
Kuyakube kungasemuntu oyakumelana nawe,
Ngokuba amandla asengawakho,
Usunqobile ngokupheleleyo,
Usuyinqobile impi elwa buthule kungahlonyiwe futhi nangezikhali zegazi.
Yebo, izwi usunalo behlangene bebonke.
Usungohlonishwayo kepha kawuzihloniphi,
Usungotuswayo kepha kawuzitusi,
Usungobongwayo kepha kawuzibongi.
Kungabe sekuyisikhathi sokubuyiselwa kwesimilo sakho?

Afrika kushonephi ukuba nguwe?
Ngokuba kawusewena kepha igama lisele,
Igama lakho seliphiwe abezizwe,
Ngokuba nabo bebengelivume libahlambalaza,
Ngokuba babe namabhodwe kepha amathanga bekungawethu,

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poem by Saviour Mabaso
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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

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poem by Robert Browning from The Ring and the Book
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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

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poem by Robert Browning from The Ring and the Book
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The Aeneid of Virgil: Book 10

THE GATES of heav’n unfold: Jove summons all
The gods to council in the common hall.
Sublimely seated, he surveys from far
The fields, the camp, the fortune of the war,
And all th’ inferior world. From first to last, 5
The sov’reign senate in degrees are plac’d.
Then thus th’ almighty sire began: “Ye gods,
Natives or denizens of blest abodes,
From whence these murmurs, and this change of mind,
This backward fate from what was first design’d? 10
Why this protracted war, when my commands
Pronounc’d a peace, and gave the Latian lands?
What fear or hope on either part divides
Our heav’ns, and arms our powers on diff’rent sides?
A lawful time of war at length will come, 15
(Nor need your haste anticipate the doom),
When Carthage shall contend the world with Rome,
Shall force the rigid rocks and Alpine chains,
And, like a flood, come pouring on the plains.
Then is your time for faction and debate, 20
For partial favor, and permitted hate.
Let now your immature dissension cease;
Sit quiet, and compose your souls to peace.”
Thus Jupiter in few unfolds the charge;
But lovely Venus thus replies at large: 25
“O pow’r immense, eternal energy,
(For to what else protection can we fly?)
Seest thou the proud Rutulians, how they dare
In fields, unpunish’d, and insult my care?
How lofty Turnus vaunts amidst his train, 30
In shining arms, triumphant on the plain?
Ev’n in their lines and trenches they contend,
And scarce their walls the Trojan troops defend:
The town is fill’d with slaughter, and o’erfloats,
With a red deluge, their increasing moats. 35
Æneas, ignorant, and far from thence,
Has left a camp expos’d, without defense.
This endless outrage shall they still sustain?
Shall Troy renew’d be forc’d and fir’d again?
A second siege my banish’d issue fears, 40
And a new Diomede in arms appears.
One more audacious mortal will be found;
And I, thy daughter, wait another wound.
Yet, if with fates averse, without thy leave,
The Latian lands my progeny receive, 45
Bear they the pains of violated law,
And thy protection from their aid withdraw.
But, if the gods their sure success foretell;
If those of heav’n consent with those of hell,
To promise Italy; who dare debate 50

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poem by Publius Vergilius Maro
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II. Half-Rome

What, you, Sir, come too? (Just the man I'd meet.)
Be ruled by me and have a care o' the crowd:
This way, while fresh folk go and get their gaze:
I'll tell you like a book and save your shins.
Fie, what a roaring day we've had! Whose fault?
Lorenzo in Lucina,—here's a church
To hold a crowd at need, accommodate
All comers from the Corso! If this crush
Make not its priests ashamed of what they show
For temple-room, don't prick them to draw purse
And down with bricks and mortar, eke us out
The beggarly transept with its bit of apse
Into a decent space for Christian ease,
Why, to-day's lucky pearl is cast to swine.
Listen and estimate the luck they've had!
(The right man, and I hold him.)

Sir, do you see,
They laid both bodies in the church, this morn
The first thing, on the chancel two steps up,
Behind the little marble balustrade;
Disposed them, Pietro the old murdered fool
To the right of the altar, and his wretched wife
On the other side. In trying to count stabs,
People supposed Violante showed the most,
Till somebody explained us that mistake;
His wounds had been dealt out indifferent where,
But she took all her stabbings in the face,
Since punished thus solely for honour's sake,
Honoris causâ, that's the proper term.
A delicacy there is, our gallants hold,
When you avenge your honour and only then,
That you disfigure the subject, fray the face,
Not just take life and end, in clownish guise.
It was Violante gave the first offence,
Got therefore the conspicuous punishment:
While Pietro, who helped merely, his mere death
Answered the purpose, so his face went free.
We fancied even, free as you please, that face
Showed itself still intolerably wronged;
Was wrinkled over with resentment yet,
Nor calm at all, as murdered faces use,
Once the worst ended: an indignant air
O' the head there was—'t is said the body turned
Round and away, rolled from Violante's side
Where they had laid it loving-husband-like.
If so, if corpses can be sensitive,
Why did not he roll right down altar-step,
Roll on through nave, roll fairly out of church,
Deprive Lorenzo of the spectacle,

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poem by Robert Browning from The Ring and the Book
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Grif, of the Bloody Hand

In an immense wood in the south of Kent,
There lived a band of robbers which caused the people discontent;
And the place they infested was called the Weald,
Where they robbed wayside travellers and left them dead on the field.

Their leader was called Grif, of the Bloody Hand,
And so well skilled in sword practice there's few could him withstand;
And sometimes they robbed villages when nothing else could be gained,
In the year of 1336, when King Edward the III. reigned.

The dress the robbers wore was deep coloured black,
And in courage and evil deeds they didn't lack;
And Grif. Of the Bloody Hand, called them his devils,
Because they were ever ready to perform all kinds of ills.

'Twas towards the close of a very stormy day,
A stranger walked through the wood in search of Grif, without dismay;
And as the daylight faded he quickened his pace and ran,
Never suspecting that in his rear he was followed by a man.

And as the man to the stranger drew near,
He demanded in a gruff voice, what seek you here;
And when the stranger saw him he trembled with fear,
Because upon his head he wore a steel helmet, and in his hand he bore a spear.

What seek you here repeated the dark habited man,
Come, sir, speak out, and answer me if you can;
Are you then one of the devils demanded the stranger faintly,
That I am said the man, now what matters that to thee.

Then repeated the stranger, sir, you have put me to a stand,
But if I guess aright, you are Grif, of the Bloody Hand;
That I am replied Grif, and to confess it I'm not afraid,
Oh! Well then I require your service and you'll be well paid.

But first I must know thy name, I, that's the point,
Then you shall have the help of my band conjoint;
Before any of my men on your mission goes,
Well then replied the stranger call me Martin Dubois.

Well sir, come tell me what you want as quick as you can,
Well then replied Dubois do you know one Halbert Evesham
That dwells in the little village of Brenchley,
Who has a foster child called Violet Evesham of rare beauty.

And you seek my aid to carry her off,
Ha! Ha! A love affair, nay do not think I scoff;
For you shall enjoy her sir before this time to-morrow,
If that will satisfy you, or help to drown your sorrow.

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poem by William Topaz McGonagall
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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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poem by Robert Browning (1871)
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Satan Absolved

(In the antechamber of Heaven. Satan walks alone. Angels in groups conversing.)
Satan. To--day is the Lord's ``day.'' Once more on His good pleasure
I, the Heresiarch, wait and pace these halls at leisure
Among the Orthodox, the unfallen Sons of God.
How sweet in truth Heaven is, its floors of sandal wood,
Its old--world furniture, its linen long in press,
Its incense, mummeries, flowers, its scent of holiness!
Each house has its own smell. The smell of Heaven to me
Intoxicates and haunts,--and hurts. Who would not be
God's liveried servant here, the slave of His behest,
Rather than reign outside? I like good things the best,
Fair things, things innocent; and gladly, if He willed,
Would enter His Saints' kingdom--even as a little child.

[Laughs. I have come to make my peace, to crave a full amaun,
Peace, pardon, reconcilement, truce to our daggers--drawn,
Which have so long distraught the fair wise Universe,
An end to my rebellion and the mortal curse
Of always evil--doing. He will mayhap agree
I was less wholly wrong about Humanity
The day I dared to warn His wisdom of that flaw.
It was at least the truth, the whole truth, I foresaw
When He must needs create that simian ``in His own
Image and likeness.'' Faugh! the unseemly carrion!
I claim a new revision and with proofs in hand,
No Job now in my path to foil me and withstand.
Oh, I will serve Him well!
[Certain Angels approach. But who are these that come
With their grieved faces pale and eyes of martyrdom?
Not our good Sons of God? They stop, gesticulate,
Argue apart, some weep,--weep, here within Heaven's gate!
Sob almost in God's sight! ay, real salt human tears,
Such as no Spirit wept these thrice three thousand years.
The last shed were my own, that night of reprobation
When I unsheathed my sword and headed the lost nation.
Since then not one of them has spoken above his breath
Or whispered in these courts one word of life or death
Displeasing to the Lord. No Seraph of them all,
Save I this day each year, has dared to cross Heaven's hall
And give voice to ill news, an unwelcome truth to Him.
Not Michael's self hath dared, prince of the Seraphim.
Yet all now wail aloud.--What ails ye, brethren? Speak!
Are ye too in rebellion? Angels. Satan, no. But weak
With our long earthly toil, the unthankful care of Man.

Satan. Ye have in truth good cause.

Angels. And we would know God's plan,
His true thought for the world, the wherefore and the why
Of His long patience mocked, His name in jeopardy.

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poem by Wilfrid Scawen Blunt
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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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poem by Robert Browning from The Ring and the Book
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The Cenci : A Tragedy In Five Acts

DRAMATIS PERSONÆ

Count Francesco Cenci.
Giacomo, his Son.
Bernardo, his Son.
Cardinal Camillo.
Orsino, a Prelate.
Savella, the Pope's Legate.
Olimpio, Assassin.
Marzio, Assassin.
Andrea, Servant to Cenci.
Nobles, Judges, Guards, Servants.
Lucretia, Wife of Cenci, and Step-mother of his children.
Beatrice, his Daughter.

The Scene lies principally in Rome, but changes during the Fourth Act to Petrella, a castle among the Apulian Apennines.
Time. During the Pontificate of Clement VIII.

ACT I

Scene I.
-An Apartment in the Cenci Palace.
Enter Count Cenci, and Cardinal Camillo.

Camillo.
That matter of the murder is hushed up
If you consent to yield his Holiness
Your fief that lies beyond the Pincian gate.-
It needed all my interest in the conclave
To bend him to this point: he said that you
Bought perilous impunity with your gold;
That crimes like yours if once or twice compounded
Enriched the Church, and respited from hell
An erring soul which might repent and live:-
But that the glory and the interest
Of the high throne he fills, little consist
With making it a daily mart of guilt
As manifold and hideous as the deeds
Which you scarce hide from men's revolted eyes.

Cenci.
The third of my possessions-let it go!
Ay, I once heard the nephew of the Pope
Had sent his architect to view the ground,
Meaning to build a villa on my vines
The next time I compounded with his uncle:
I little thought he should outwit me so!

[...] Read more

poem by Percy Bysshe Shelley
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U

Now see I aint the one to hold back all these words I'm sayin
cuz I like wat you doing to me
aint no time for wasting
so wont you follow me, there aint no need to say a thang
cuz I know just wat I want
and how to get it baby
(chorus)
tonight I need your body
tonight you got my time
tonight you won't be sorry
tonight you got my body
(chorus 2)
I want you, gotta have you, said I need you, can you feel me
Said I want you, gotta have you, said I need you, can you feel me
I've been known to crush a brother once or twice before
but wat you bringin to take looks like so much more
so can we go find out behind closed doors
cuz I know just wat I want
heres wat im asking for
(chorus)
tonight I need your body
tonight you got my time
tonight you won't be sorry
tonight you got my body
(chorus 2)
I want you, gotta have you, said I need you, can you feel me
Said I want you, gotta have you, said I need you, can you feel me
(ouhh)
can't help the way I'm feeling baby baby
keep doing wat you doin that drive me crazy
cuz I can never see nuttin betta than u and me
I'm lookin for a full time baby
who's lookin for a full time lady
to be, be wit me
(chorus 2)
I want you, gotta have you, said I need you, can you feel me
Said I want you, gotta have you, said I need you, can you feel

song performed by Ashanti
Added by Lucian Velea
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Maiden in the Mor Lay

Maiden in the mor lay--
in the mor lay--
Seuenyst fulle, seuenist fulle.
Maiden in the mor lay--
in the mor lay--
Seuenistes fulle ant a day.

Welle was hire mete.
wat was hire mete?
�e primerole ant the--
�e primerole ant the--
Welle was hire mete.
Wat was hire mete?
The primerole ant the violet.

Welle [was hire drying.]
wat was hire mete?
�e chelde water of pe--]
�e chelde water of �e welle-spring
Welle was hire drying.]
Wat ws hire drying?]
�e chelde water of �e welle-spring.

Welle was hire bour.
wat ws hire bour?
The rede rose an te--]
The rede rose an te--]
[Welle was hire bour.]
[Wat was hire bour?]
The rede rose an te lilie flour.

Translation

Maiden In The Moor

Maiden in the moor lay,
In the moor lay--
Seven nights full, seven nights full.
Maiden in the moor lay--
Seven nights full and a day.

Good was her meat.
What was her meat?
The primrose and the--
The primrose and the--
Good was her meat.
What was her meat?
The primrose and the violet.

Good was her drink.

[...] Read more

poem by Anonymous Olde English
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The Lonesome Drifter

thE man cAME upOn a NeW pLAce It Was FARtHeST Away FROM HoMe hE wAS eVeR HE WaS AlonE, HE Had nO fRieNdS hE TaLkEd an sEen tHe SaMe PEOpLe FOR OVeR a YeAR SLoWLY THOugH HE GOt mIsERable sad n dEPReSSEd fELt suiCidAL TeNDeNcieS hE goT BeAt Up n RObBeD stuFf sToLen He Wa AlsO KiNdA A DruNK lOvEd hIS BEeR fOR ThAT waS oNE of hIs DownFallS BeiNg LoNeSOmE seEKiNg oUT REfUgE IN wAtEvEr dark alLEY OR BUSh he coUlD Jus to SUrVIVe oNE NiGhT bUT iN hIs MiND hE WaS alwaYs optimiSTic BoUt thIs Or tHAT Now he doNt NoW wHat ThE Fuk tO ThINK bUt iN HiS hEaRT He HOPEs bUt wAT gOOD Is HOpE WeN SLowlY ThE FeELiNg of hoPeleSSNESs creEps Up BeHInd yA but in His LiFe He KnOWS wAT MaTtErs aNd wAt matTeRS nOT if He EvEr matTeReD WHO KNOwS HiS CraZY FeELinG hE haD In hIS head tHey mUs b EXpELLEd Foer ChanGeS WilL HapPIN He wILl bE lONLy foR A wHiLE LongEr aS WelL aS hoMlEsS, HOpElleSS? ? ? whom KnOWS ONLy He DoeS hiS hEarT HaS lEt Him Down lol OH wELl bUt WAT Has NoT kIlld hiM WiLl MAKE hIm mOrE thEN Wat hE iS FOr He iS nOt mUCh hE iS Not eVen nOtHiNg TO Some peoPlE ThE rEgulaR NorMAL pPl bUt sTiLl The man MuST ACcEPt alL His lIFe is an WAt itS BeEn tHe LaSt WHiLE tHE Plan is stiLl tHe saMe for HIm he iS goIng To Go ELSeWhErE ANd LoSe HImSelf fOR AWhIlE myBe tHiNgS WIlL B CleAr foR HIm If it doesNt kIlL hiM WHeRe he gOes TO he is Going to bE A dRIFtEr agAin AND TakE a ChanCe In hIs YoUNG lIfE AN acCepT wATeVeR lIfE oFfErs hIm on THe open Roads TO A nEw LiFe HOpEFUlLy foR he iS'tHe LoNEsoM DrIfTeR'.-.... s tO WateVeR gODs yeaH ILL pray to to StAr GodS i MAKE It to DESTINAtiON In onE pieCE.

poem by Dorian Suchelle
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Please wait

Please wait
‘O’ Moon,
‘O’ Moon uncle,
Plz give us money and medicine for my mother.
She is ill and on the bed.
Our mama (Maternal uncle) ,
Who is very kind and of helping nature is away from us.
Mother says that you are also our CHANDA Mama (Moon uncle)
So plz give us what ever we need.
The little child was praying to the moon
Who was blooming in the sky?
Her mother told him
‘O’ my child
This Moon uncle is also very kind and generous
And has only coolness and brightness.
He is giving all these things not only to us
also all those who are living on this Earth.
So, plz wait to your Mama (Maternal uncle) .
He will sure come and will give us money and medicine.

poem by Vijay Gupta
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Paradise Lost: Book 02

High on a throne of royal state, which far
Outshone the wealth or Ormus and of Ind,
Or where the gorgeous East with richest hand
Showers on her kings barbaric pearl and gold,
Satan exalted sat, by merit raised
To that bad eminence; and, from despair
Thus high uplifted beyond hope, aspires
Beyond thus high, insatiate to pursue
Vain war with Heaven; and, by success untaught,
His proud imaginations thus displayed:--
"Powers and Dominions, Deities of Heaven!--
For, since no deep within her gulf can hold
Immortal vigour, though oppressed and fallen,
I give not Heaven for lost: from this descent
Celestial Virtues rising will appear
More glorious and more dread than from no fall,
And trust themselves to fear no second fate!--
Me though just right, and the fixed laws of Heaven,
Did first create your leader--next, free choice
With what besides in council or in fight
Hath been achieved of merit--yet this loss,
Thus far at least recovered, hath much more
Established in a safe, unenvied throne,
Yielded with full consent. The happier state
In Heaven, which follows dignity, might draw
Envy from each inferior; but who here
Will envy whom the highest place exposes
Foremost to stand against the Thunderer's aim
Your bulwark, and condemns to greatest share
Of endless pain? Where there is, then, no good
For which to strive, no strife can grow up there
From faction: for none sure will claim in Hell
Precedence; none whose portion is so small
Of present pain that with ambitious mind
Will covet more! With this advantage, then,
To union, and firm faith, and firm accord,
More than can be in Heaven, we now return
To claim our just inheritance of old,
Surer to prosper than prosperity
Could have assured us; and by what best way,
Whether of open war or covert guile,
We now debate. Who can advise may speak."
He ceased; and next him Moloch, sceptred king,
Stood up--the strongest and the fiercest Spirit
That fought in Heaven, now fiercer by despair.
His trust was with th' Eternal to be deemed
Equal in strength, and rather than be less
Cared not to be at all; with that care lost
Went all his fear: of God, or Hell, or worse,
He recked not, and these words thereafter spake:--

[...] Read more

poem by John Milton
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Dying

I'm Dying, Dying to wake up without you, without you in my head again
I'm Dying, Dying to forget about you, that you ever lived
There's a shade come over this heart that's coping with laying down to rest
I'm Dying to live without you again
I'm Dying, Dying to find a distraction, get you away from me
I'm Dying, Dying to reach a conclusion, so that the world can see
It's the same old story of love and glory that broke before it bent
I'm Dying to live without you again
The first time you left I said goodbye
Now there's not a prayer that can survive
Dying, Dying to die just to come back so we can meet again
Dying, Dying to say what I always should have said
It's a strange emotion this but there's still hope in this
As long as there's a breath...
I'm Dying and I can't live without you again
It's a strange emotion this but there's still hope in this
As long as there's a breath...
I'm Dying and I can't live without you
I'm Dying and I can't live without you again

song performed by Five For Fighting
Added by Lucian Velea
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IV. Tertium Quid

True, Excellency—as his Highness says,
Though she's not dead yet, she's as good as stretched
Symmetrical beside the other two;
Though he's not judged yet, he's the same as judged,
So do the facts abound and superabound:
And nothing hinders that we lift the case
Out of the shade into the shine, allow
Qualified persons to pronounce at last,
Nay, edge in an authoritative word
Between this rabble's-brabble of dolts and fools
Who make up reasonless unreasoning Rome.
"Now for the Trial!" they roar: "the Trial to test
"The truth, weigh husband and weigh wife alike
"I' the scales of law, make one scale kick the beam!"
Law's a machine from which, to please the mob,
Truth the divinity must needs descend
And clear things at the play's fifth act—aha!
Hammer into their noddles who was who
And what was what. I tell the simpletons
"Could law be competent to such a feat
"'T were done already: what begins next week
"Is end o' the Trial, last link of a chain
"Whereof the first was forged three years ago
"When law addressed herself to set wrong right,
"And proved so slow in taking the first step
"That ever some new grievance,—tort, retort,
"On one or the other side,—o'ertook i' the game,
"Retarded sentence, till this deed of death
"Is thrown in, as it were, last bale to boat
"Crammed to the edge with cargo—or passengers?
"'Trecentos inseris: ohe, jam satis est!
"'Huc appelle!'—passengers, the word must be."
Long since, the boat was loaded to my eyes.
To hear the rabble and brabble, you'd call the case
Fused and confused past human finding out.
One calls the square round, t' other the round square—
And pardonably in that first surprise
O' the blood that fell and splashed the diagram:
But now we've used our eyes to the violent hue
Can't we look through the crimson and trace lines?
It makes a man despair of history,
Eusebius and the established fact—fig's end!
Oh, give the fools their Trial, rattle away
With the leash of lawyers, two on either side—
One barks, one bites,—Masters Arcangeli
And Spreti,—that's the husband's ultimate hope
Against the Fisc and the other kind of Fisc,
Bound to do barking for the wife: bow—wow!
Why, Excellency, we and his Highness here
Would settle the matter as sufficiently

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Jamie Telfer

It fell about the Martinmas tyde,
When our Border steeds get corn and hay
The captain of Bewcastle hath bound him to ryde,
And he's ower to Tividale to drive a prey.

The first ae guide that they met wi',
It was high up Hardhaughswire;
The second guide that we met wi',
It was laigh down in Borthwick water.

'What tidings, what tidings, my trusty guide?'
'Nae tidings, nae tidings, I hae to thee;
But, gin ye'll gae to the fair Dodhead,
Mony a cow's cauf I'll let thee see.'

And whan they cam to the fair Dodhead,
Right hastily they clam the peel;
They loosed the kye out, ane and a',
And ranshackled the house right weel.

Now Jamie Telfer's heart was sair,
The tear aye rowing in his e'e;
He pled wi' the captain to hae his gear,
Or else revenged he wad be.

The captain turned him round and leugh;
Said--'Man, there's naething in thy house,
But ae auld sword without a sheath,
That hardly now wad fell a mouse!'

The sun was na up, but the moon was down,
It was the gryming o' a new fa'n snaw,
Jamie Telfer has run three myles a-foot,
Between the Dodhead and the Stobs's Ha'

And whan he cam to the fair tower yate,
He shouted loud, and cried weel hie,
Till out bespak auld Gibby Elliot--
'Wha's this that brings the fraye to me?'

'It's I, Jamie Telfer o' the fair Dodhead,
And a harried man I think I be!
There's naething left at the fair Dodhead,
But a waefu' wife and bairnies three.

'Gae seek your succour at Branksome Ha'.
For succour ye'se get nane frae me!
Gae seek your succour where ye paid black-mail,
For, man! ye ne'er paid money to me.'

[...] Read more

poem by Andrew Lang
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