She's Been Sitting
She's been
sitting here alone
for all these years
but someone wants to enter
in the vicinity
to disturb the
stillness of the air
around her.
(10-09-'97)
poem by Sangnam Nam
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[...] Read more
poem by Caasder Fronds
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Fitration Bags
2.5 gallon shopvac bags
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[...] Read more
poem by Rwetewrt Erwtwer
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Trash Bag
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[...] Read more
poem by Rwetewrt Erwtwer
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Just Make It Stop
Just make it stop.
The stillness in the air.
The shattered mirror just sitting their.
The hate.
The anger.
Just make it all stop.
I can't take it no more.
The constant ringing upon my ears.
The blood curdling screams I continuously hear.
Just make it stop.
The stillness in the air.
The shattered mirror just sitting their.
The hate.
The anger.
Just make it all stop.
I can't take it no more.
The constant ringing upon my ears.
The blood curdling screams I continuously hear.
Fist flying.
Object Throwing.
Door Slamming.
Here's my pause button.
Cranking up the music and start jamming.
For its my only way out.
Just make it stop.
The stillness in the air.
The shattered mirror just sitting their.
The hate.
The anger
Just make it all stop.
I can't take it no more.
The constant ringing upon my ears.
The blood curdling screams I continuously hear.
Just make it stop.
The stillness in the air.
The shattered mirror just sitting their.
The hate.
The anger.
Just make it all stop.
I can't take it no more.
The constant ringing upon my ears.
The blood curdling screams I continuously hear.
[...] Read more
poem by Ace Of Black Hearts
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The Cenci : A Tragedy In Five Acts
DRAMATIS PERSONÆ
Count Francesco Cenci.
Giacomo, his Son.
Bernardo, his Son.
Cardinal Camillo.
Orsino, a Prelate.
Savella, the Pope's Legate.
Olimpio, Assassin.
Marzio, Assassin.
Andrea, Servant to Cenci.
Nobles, Judges, Guards, Servants.
Lucretia, Wife of Cenci, and Step-mother of his children.
Beatrice, his Daughter.
The Scene lies principally in Rome, but changes during the Fourth Act to Petrella, a castle among the Apulian Apennines.
Time. During the Pontificate of Clement VIII.
ACT I
Scene I.
-An Apartment in the Cenci Palace.
Enter Count Cenci, and Cardinal Camillo.
Camillo.
That matter of the murder is hushed up
If you consent to yield his Holiness
Your fief that lies beyond the Pincian gate.-
It needed all my interest in the conclave
To bend him to this point: he said that you
Bought perilous impunity with your gold;
That crimes like yours if once or twice compounded
Enriched the Church, and respited from hell
An erring soul which might repent and live:-
But that the glory and the interest
Of the high throne he fills, little consist
With making it a daily mart of guilt
As manifold and hideous as the deeds
Which you scarce hide from men's revolted eyes.
Cenci.
The third of my possessions-let it go!
Ay, I once heard the nephew of the Pope
Had sent his architect to view the ground,
Meaning to build a villa on my vines
The next time I compounded with his uncle:
I little thought he should outwit me so!
[...] Read more
poem by Percy Bysshe Shelley
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Stillness: a Poem for the International Day of Stillness, November 28
'Stillness is my beloved teacher.
From her, I learn new things every day.'
I said to Stillness,
how can you teach me so well?
Stillness said,
By being with you always.
I said to Stillness,
How can you teach me so much?
Stillness said,
Because you have much within you;
I, but a mirror for your mind;
I, but a mirror for your heart.
I said to Stillness,
O my beloved teacher, will you
promise me you will never leave me?
Stillness said,
I cannot leave you;
though you can leave me..
but what is stillness without a companion?
I said to Stillness,
Is your work hard?
Stillness said,
I have the most wonderful task that I could wish for:
I sit with babies while they smile;
I sit with children in the classroom
as they delight to learn;
I sit with the angry and disturbed,
And watch them grow to peace;
I sit with the sad and lonely and bereaved
and watch them rediscover happiness and joy;
I sit with kings and queens and rulers
while they find wisdom and mercy;
I sit with governments and committees
while they find reason and justice;
I sit with artists and scientists,
[...] Read more
poem by Michael Shepherd
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November 28,2007 is the International Day of Stillness: A Poem for the day
'Stillness is my beloved teacher.
From her, I learn new things every day.'
I said to Stillness,
How can you teach me so well?
Stillness said,
By being with you always.
I said to Stillness,
How can you teach me so much?
Stillness said,
Because you have much within you;
I, but a mirror for your mind;
I, but a mirror for your heart.
I said to Stillness,
O my beloved teacher, will you
promise me you will never leave me?
Stillness said,
I cannot leave you;
though you can leave me..
but what is stillness without a companion?
I said to Stillness,
Is your work hard?
Stillness said,
I have the most wonderful task that I could wish for:
I sit with babies while they smile;
I sit with children in the classroom
as they delight to learn;
I sit with the angry and disturbed,
and watch them grow to peace;
I sit with the sad and lonely and bereaved
and watch them rediscover happiness and joy;
I sit with kings and queens and rulers
while they find wisdom and mercy;
I sit with governments and committees
while they find reason and justice;
I sit with artists and scientists,
and watch them find new things outside themselves,
and find new things within themselves;
I sit with those who pray or meditate,
as they find God in themselves;
I sit at the feet of saints
while they become perfection;
[...] Read more
poem by Michael Shepherd
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The Idols
An Ode
Luce intellettual, piena d' amore
Prelude
Lo, the spirit of a pulsing star within a stone
Born of earth, sprung from night!
Prisoned with the profound fires of the light
That lives like all the tongues of eloquence
Locked in a speech unknown!
The crystal, cold and hard as innocence,
Immures the flame; and yet as if it knew
Raptures or pangs it could not but betray,
As if the light could feel changes of blood and breath
And all--but--human quiverings of the sense,
Throbs of a sudden rose, a frosty blue,
Shoot thrilling in its ray,
Like the far longings of the intellect
Restless in clouding clay.
Who has confined the Light? Who has held it a slave,
Sold and bought, bought and sold?
Who has made of it a mystery to be doled,
Or trophy, to awe with legendary fire,
Where regal banners wave?
And still into the dark it sends Desire.
In the heart's darkness it sows cruelties.
The bright jewel becomes a beacon to the vile,
A lodestar to corruption, envy's own:
Soiled with blood, fought for, clutched at; this world's prize,
Captive Authority. Oh, the star is stone
To all that outward sight,
Yet still, like truth that none has ever used,
Lives lost in its own light.
Troubled I fly. O let me wander again at will
(Far from cries, far from these
Hard blindnesses and frozen certainties!)
Where life proceeds in vastness unaware
And stirs profound and still:
Where leafing thoughts at shy touch of the air
Tremble, and gleams come seeking to be mine,
Or dart, like suddenly remembered youth,
Like the ache of love, a light, lost, found, and lost again.
Surely in the dusk some messenger was there!
But, haunted in the heart, I thirst, I pine.--
Oh, how can truth be truth
Except I taste it close and sweet and sharp
As an apple to the tooth?
[...] Read more
poem by Robert Laurence Binyon
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7th Time
The 7th time, love sickness and desillusion
This head that wont listen to me , now
Theres crumb of a dark night
Burning in your mouth
Till I wake you...
Its three steps too far, this slammed door,
Your damned bed, this white head, beside you,
And there is blood on the stairs,
So keep it nice, Im broken,
Between skin and sheets, skin and sheets,
I wont disturb you anymore,
Between two lights, I woke you up,
The seventh time, I wont disturb you anymore
I wont disturb you anymore
The 7th time, love sickness and desillusion
This head that wont listen to me , now
Theres crumb of a hot night
Burning in your mouth
Till I wake you...
Between skin and sheets, skin and sheets,
I wont disturb you anymore,
Between two lights, I woke you up,
The 7th time, I wont disturb you anymore
I wont disturb you anymore
The 7th time , the 7th time
I wont disturb you anymore
I wont disturb you anymore
I wont disturb you anymore
I wont disturb you anymore
More
song performed by Xymox
Added by Lucian Velea
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7th Time
The 7th time, love sickness and desillusion
This head that wont listen to me , now
Theres crumb of a dark night
Burning in your mouth
Till I wake you...
Its three steps too far, this slammed door,
Your damned bed, this white head, beside you,
And there is blood on the stairs,
So keep it nice, Im broken,
Between skin and sheets, skin and sheets,
I wont disturb you anymore,
Between two lights, I woke you up,
The seventh time, I wont disturb you anymore
I wont disturb you anymore
The 7th time, love sickness and desillusion
This head that wont listen to me , now
Theres crumb of a hot night
Burning in your mouth
Till I wake you...
Between skin and sheets, skin and sheets,
I wont disturb you anymore,
Between two lights, I woke you up,
The 7th time, I wont disturb you anymore
I wont disturb you anymore
The 7th time , the 7th time
I wont disturb you anymore
I wont disturb you anymore
I wont disturb you anymore
I wont disturb you anymore
More
song performed by Xymox
Added by Lucian Velea
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The City of Dreadful Night
Per me si va nella citta dolente.
--Dante
Poi di tanto adoprar, di tanti moti
D'ogni celeste, ogni terrena cosa,
Girando senza posa,
Per tornar sempre la donde son mosse;
Uso alcuno, alcun frutto
Indovinar non so.
Sola nel mondo eterna, a cui si volve
Ogni creata cosa,
In te, morte, si posa
Nostra ignuda natura;
Lieta no, ma sicura
Dell' antico dolor . . .
Pero ch' esser beato
Nega ai mortali e nega a' morti il fato.
--Leopardi
PROEM
Lo, thus, as prostrate, "In the dust I write
My heart's deep languor and my soul's sad tears."
Yet why evoke the spectres of black night
To blot the sunshine of exultant years?
Why disinter dead faith from mouldering hidden?
Why break the seals of mute despair unbidden,
And wail life's discords into careless ears?
Because a cold rage seizes one at whiles
To show the bitter old and wrinkled truth
Stripped naked of all vesture that beguiles,
False dreams, false hopes, false masks and modes of youth;
Because it gives some sense of power and passion
In helpless innocence to try to fashion
Our woe in living words howe'er uncouth.
Surely I write not for the hopeful young,
Or those who deem their happiness of worth,
Or such as pasture and grow fat among
The shows of life and feel nor doubt nor dearth,
Or pious spirits with a God above them
To sanctify and glorify and love them,
Or sages who foresee a heaven on earth.
For none of these I write, and none of these
Could read the writing if they deigned to try;
[...] Read more
poem by James Thomson
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Thespis: Act I
DRAMATIS PERSONAE
GODS
Jupiter, Aged Diety
Apollo, Aged Diety
Mars, Aged Diety
Diana, Aged Diety
Mercury
THESPIANS
Thespis
Sillimon
TimidonTipseion
Preposteros
Stupidas
Sparkeio n
Nicemis
Pretteia
Daphne
Cymon
ACT I - Ruined Temple on the Summit of Mount Olympus
[Scene--The ruins of the The Temple of the Gods, on summit of
Mount Olympus. Picturesque shattered columns, overgrown with
ivy, etc. R. and L. with entrances to temple (ruined) R. Fallen
columns on the stage. Three broken pillars 2 R.E. At the back of
stage is the approach from the summit of the mountain. This
should be "practicable" to enable large numbers of people to
ascend and descend. In the distance are the summits of adjacent
mountains. At first all this is concealed by a thick fog, which
clears presently. Enter (through fog) Chorus of Stars coming off
duty as fatigued with their night's work]
CHO. Through the night, the constellations,
Have given light from various stations.
When midnight gloom falls on all nations,
We will resume our occupations.
SOLO. Our light, it's true, is not worth mention;
What can we do to gain attention.
When night and noon with vulgar glaring
A great big moon is always flaring.
[During chorus, enter Diana, an elderly goddess. She is carefully
wrapped up in cloaks, shawls, etc. A hood is over her head, a
respirator in her mouth, and galoshes on her feet. During the
[...] Read more
poem by William Schwenck Gilbert
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Bottom
Lift your head up from the clouds
I know that you're shaking
Breaking down
How could you leave me
Garbage can
Never want to be your understand
Help me
Help me
Help me
Help me
Lord can you help me get this weight off my shoulders
Can you help me I think I'm getting older
The pain that you left me deep within
How can I live living in sin
And you know that I've tried
And you know
Lord knows I've tried every day of my life
Sitting at the bottom, sitting at the bottom with you
Sitting at the bottom with you
I'm just sitting at the bottom with you
I'm just sitting at the bottom, sitting at the bottom
How many times I gotta say
That you're never ever gonna get your way
Down in the gutter as I decay
Where you gonna leave me
Let me be
Help me
Help me
Help me
Help me understand
And you know that I've tried
Don't you know
Lord knows I've tried every day of my life
Sitting at the bottom, I'm sitting at the bottom with you
I'm just sitting at the bottom with you
Now I'm sitting at the bottom with you
I'm just sitting at the bottom, sitting at the bottom with you
[x2]
Sticks and stones may break my bones
But words will never hurt me
[x2]
Sticks and stones breaking my bones
No your words aren't never gonna hurt me
And you know that I've tried
And you know
Lord knows I've tried every day of my life
Sitting at the bottom, sitting at the bottom with you
I'm just sitting at the bottom with you
Now i'm sitting at the bottom with you
I'm just sitting at the bottom with you
[...] Read more
song performed by Puddle Of Mudd
Added by Lucian Velea
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Tamar
I
A night the half-moon was like a dancing-girl,
No, like a drunkard's last half-dollar
Shoved on the polished bar of the eastern hill-range,
Young Cauldwell rode his pony along the sea-cliff;
When she stopped, spurred; when she trembled, drove
The teeth of the little jagged wheels so deep
They tasted blood; the mare with four slim hooves
On a foot of ground pivoted like a top,
Jumped from the crumble of sod, went down, caught, slipped;
Then, the quick frenzy finished, stiffening herself
Slid with her drunken rider down the ledges,
Shot from sheer rock and broke
Her life out on the rounded tidal boulders.
The night you know accepted with no show of emotion the little
accident; grave Orion
Moved northwest from the naked shore, the moon moved to
meridian, the slow pulse of the ocean
Beat, the slow tide came in across the slippery stones; it drowned
the dead mare's muzzle and sluggishly
Felt for the rider; Cauldwell’s sleepy soul came back from the
blind course curious to know
What sea-cold fingers tapped the walls of its deserted ruin.
Pain, pain and faintness, crushing
Weights, and a vain desire to vomit, and soon again
die icy fingers, they had crept over the loose hand and lay in the
hair now. He rolled sidewise
Against mountains of weight and for another half-hour lay still.
With a gush of liquid noises
The wave covered him head and all, his body
Crawled without consciousness and like a creature with no bones,
a seaworm, lifted its face
Above the sea-wrack of a stone; then a white twilight grew about
the moon, and above
The ancient water, the everlasting repetition of the dawn. You
shipwrecked horseman
So many and still so many and now for you the last. But when it
grew daylight
He grew quite conscious; broken ends of bone ground on each
other among the working fibers
While by half-inches he was drawing himself out of the seawrack
up to sandy granite,
Out of the tide's path. Where the thin ledge tailed into flat cliff
he fell asleep. . . .
Far seaward
The daylight moon hung like a slip of cloud against the horizon.
The tide was ebbing
From the dead horse and the black belt of sea-growth. Cauldwell
seemed to have felt her crying beside him,
[...] Read more
poem by Robinson Jeffers
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Prince Hohenstiel-Schwangau, Saviour of Society
Epigraph
Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.
I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.
You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:
[...] Read more
poem by Robert Browning (1871)
Added by Veronica Serbanoiu
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Rosalind and Helen: a Modern Eclogue
ROSALIND, HELEN, and her Child.
SCENE. The Shore of the Lake of Como.
HELEN
Come hither, my sweet Rosalind.
'T is long since thou and I have met;
And yet methinks it were unkind
Those moments to forget.
Come, sit by me. I see thee stand
By this lone lake, in this far land,
Thy loose hair in the light wind flying,
Thy sweet voice to each tone of even
United, and thine eyes replying
To the hues of yon fair heaven.
Come, gentle friend! wilt sit by me?
And be as thou wert wont to be
Ere we were disunited?
None doth behold us now; the power
That led us forth at this lone hour
Will be but ill requited
If thou depart in scorn. Oh, come,
And talk of our abandoned home!
Remember, this is Italy,
And we are exiles. Talk with me
Of that our land, whose wilds and floods,
Barren and dark although they be,
Were dearer than these chestnut woods;
Those heathy paths, that inland stream,
And the blue mountains, shapes which seem
Like wrecks of childhood's sunny dream;
Which that we have abandoned now,
Weighs on the heart like that remorse
Which altered friendship leaves. I seek
No more our youthful intercourse.
That cannot be! Rosalind, speak,
Speak to me! Leave me not! When morn did come,
When evening fell upon our common home,
When for one hour we parted,--do not frown;
I would not chide thee, though thy faith is broken;
But turn to me. Oh! by this cherished token
Of woven hair, which thou wilt not disown,
Turn, as 't were but the memory of me,
And not my scornèd self who prayed to thee!
ROSALIND
Is it a dream, or do I see
And hear frail Helen? I would flee
Thy tainting touch; but former years
Arise, and bring forbidden tears;
[...] Read more
poem by Percy Bysshe Shelley
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Sitting by the Fire
Barren Age and withered World!
Oh! the dying leaves,
Like a drizzling rain,
Falling round the roof -
Pattering on the pane!
Frosty Age and cold, cold World!
Ghosts of other days,
Trooping past the faded fire,
Flit before the gaze.
Now the wind goes soughing wild
O'er the whistling Earth;
And we front a feeble flame,
Sitting round the hearth!
Sitting by the fire,
Watching in its glow,
Ghosts of other days
Trooping to and fro.
Oh, the nights - the nights we've spent,
Sitting by the fire,
Cheerful in its glow;
Twenty summers back -
Twenty years ago!
If the days were days of toil
Wherefore should we mourn;
There were shadows near the shine,
Flowers with the thorn?
And we still can recollect
Evenings spent in mirth -
Fragments of a broken life,
Sitting round the hearth:
Sitting by the fire,
Cheerful in its glow,
Twenty summers back -
Twenty years ago.
Beauty stooped to bless us once,
Sitting by the fire,
Happy in its glow;
Forty summers back -
Forty years ago.
Words of love were interchanged,
Maiden hearts we stole;
And the light affection throws
Slept on every soul.
Oh, the hours went flying past -
Hours of priceless worth;
But we took no note of Time,
[...] Read more
poem by Henry Kendall
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Canto the First
I
I want a hero: an uncommon want,
When every year and month sends forth a new one,
Till, after cloying the gazettes with cant,
The age discovers he is not the true one;
Of such as these I should not care to vaunt,
I'll therefore take our ancient friend Don Juan—
We all have seen him, in the pantomime,
Sent to the devil somewhat ere his time.
II
Vernon, the butcher Cumberland, Wolfe, Hawke,
Prince Ferdinand, Granby, Burgoyne, Keppel, Howe,
Evil and good, have had their tithe of talk,
And fill'd their sign posts then, like Wellesley now;
Each in their turn like Banquo's monarchs stalk,
Followers of fame, "nine farrow" of that sow:
France, too, had Buonaparté and Dumourier
Recorded in the Moniteur and Courier.
III
Barnave, Brissot, Condorcet, Mirabeau,
Petion, Clootz, Danton, Marat, La Fayette,
Were French, and famous people, as we know:
And there were others, scarce forgotten yet,
Joubert, Hoche, Marceau, Lannes, Desaix, Moreau,
With many of the military set,
Exceedingly remarkable at times,
But not at all adapted to my rhymes.
IV
Nelson was once Britannia's god of war,
And still should be so, but the tide is turn'd;
There's no more to be said of Trafalgar,
'T is with our hero quietly inurn'd;
Because the army's grown more popular,
At which the naval people are concern'd;
Besides, the prince is all for the land-service,
Forgetting Duncan, Nelson, Howe, and Jervis.
V
Brave men were living before Agamemnon
And since, exceeding valorous and sage,
A good deal like him too, though quite the same none;
But then they shone not on the poet's page,
And so have been forgotten:—I condemn none,
But can't find any in the present age
Fit for my poem (that is, for my new one);
So, as I said, I'll take my friend Don Juan.
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poem by Byron from Don Juan (1824)
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The Sorcerer: Act I
DRAMATIS PERSONAE
Sir Marmaduke Pointdextre, an Elderly Baronet
Alexis, of the Grenadier Guards--His Son
Dr. Daly, Vicar of Ploverleigh
John Wellington Wells, of J. W. Wells & Co., Family Sorcerers
Lady Sangazure, a Lady of Ancient Lineage
Aline, Her Daughter--betrothed to Alexis
Mrs. Partlet, a Pew-Opener
Constance, her Daughter
Chorus of Villagers
ACT I -- Grounds of Sir Marmaduke's Mansion, Mid-day
SCENE -- Exterior of Sir Marmaduke's Elizabethan Mansion, mid-day.
CHORUS OF VILLAGERS
Ring forth, ye bells,
With clarion sound--
Forget your knells,
For joys abound.
Forget your notes
Of mournful lay,
And from your throats
Pour joy to-day.
For to-day young Alexis--young Alexis Pointdextre
Is betrothed to Aline--to Aline Sangazure,
And that pride of his sex is--of his sex is to be next her
At the feast on the green--on the green, oh, be sure!
Ring forth, ye bells etc.
(Exeunt the men into house.)
(Enter Mrs. Partlet with Constance, her daughter)
RECITATIVE
MRS. P. Constance, my daughter, why this strange depression?
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poem by William Schwenck Gilbert
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Evangeline: A Tale of Acadie
This is the forest primeval. The murmuring pines and the hemlocks,
Bearded with moss, and in garments green, indistinct in the twilight,
Stand like Druids of eld, with voices sad and prophetic,
Stand like harpers hoar, with beards that rest on their bosoms.
Loud from its rocky caverns, the deep-voiced neighboring ocean
Speaks, and in accents disconsolate answers the wail of the forest.
This is the forest primeval; but where are the hearts that beneath it
Leaped like the roe, when he hears in the woodland the voice of the huntsman
Where is the thatch-roofed village, the home of Acadian farmers,--
Men whose lives glided on like rivers that water the woodlands,
Darkened by shadows of earth, but reflecting an image of heaven?
Waste are those pleasant farms, and the farmers forever departed!
Scattered like dust and leaves, when the mighty blasts of October
Seize them, and whirl them aloft, and sprinkle them far o'er the ocean
Naught but tradition remains of the beautiful village of Grand-Pre.
Ye who believe in affection that hopes, and endures, and is patient,
Ye who believe in the beauty and strength of woman's devotion,
List to the mournful tradition still sung by the pines of the forest;
List to a Tale of Love in Acadie, home of the happy.
PART THE FIRST
I
In the Acadian land, on the shores of the Basin of Minas,
Distant, secluded, still, the little village of Grand-Pre
Lay in the fruitful valley. Vast meadows stretched to the eastward,
Giving the village its name, and pasture to flocks without number.
Dikes, that the hands of the farmers had raised with labor incessant,
Shut out the turbulent tides; but at stated seasons the flood-gates
Opened, and welcomed the sea to wander at will o'er the meadows.
West and south there were fields of flax, and orchards and cornfields
Spreading afar and unfenced o'er the plain; and away to the northward
Blomidon rose, and the forests old, and aloft on the mountains
Sea-fogs pitched their tents, and mists from the mighty Atlantic
Looked on the happy valley, but ne'er from their station descended
There, in the midst of its farms, reposed the Acadian village.
Strongly built were the houses, with frames of oak and of hemlock,
Such as the peasants of Normandy built in the reign of the Henries.
Thatched were the roofs, with dormer-windows; and gables projecting
Over the basement below protected and shaded the doorway.
There in the tranquil evenings of summer, when brightly the sunset
Lighted the village street and gilded the vanes on the chimneys,
Matrons and maidens sat in snow-white caps and in kirtles
Scarlet and blue and green, with distaffs spinning the golden
Flax for the gossiping looms, whose noisy shuttles within doors
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poem by Henry Wadsworth Longfellow
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