Sitting by the Fire
Barren Age and withered World!
Oh! the dying leaves,
Like a drizzling rain,
Falling round the roof -
Pattering on the pane!
Frosty Age and cold, cold World!
Ghosts of other days,
Trooping past the faded fire,
Flit before the gaze.
Now the wind goes soughing wild
O'er the whistling Earth;
And we front a feeble flame,
Sitting round the hearth!
Sitting by the fire,
Watching in its glow,
Ghosts of other days
Trooping to and fro.
Oh, the nights - the nights we've spent,
Sitting by the fire,
Cheerful in its glow;
Twenty summers back -
Twenty years ago!
If the days were days of toil
Wherefore should we mourn;
There were shadows near the shine,
Flowers with the thorn?
And we still can recollect
Evenings spent in mirth -
Fragments of a broken life,
Sitting round the hearth:
Sitting by the fire,
Cheerful in its glow,
Twenty summers back -
Twenty years ago.
Beauty stooped to bless us once,
Sitting by the fire,
Happy in its glow;
Forty summers back -
Forty years ago.
Words of love were interchanged,
Maiden hearts we stole;
And the light affection throws
Slept on every soul.
Oh, the hours went flying past -
Hours of priceless worth;
But we took no note of Time,
Sitting round the hearth:
Sitting by the fire,
Happy in its glow,
Forty summers back -
Forty years ago.
Gleesome children were we not?
Sitting by the fire,
Ruddy in its glow,
Sixty summers back -
Sixty years ago.
Laughing voices filled the room;
Oh, the songs we sung,
When the evenings hurried by -
When our hearts were young!
Pleasant faces watched the flame -
Eyes illumed with mirth -
And we told some merry tales,
Sitting round the hearth:
Sitting by the fire,
Ruddy in its glow,
Sixty summers back -
Sixty years ago.
Barren Age and withered World!
Oh, the dying leaves,
Like a drizzling rain,
Falling round the roof -
Pattering on the pane!
Frosty Age and cold, cold World!
Ghosts of other days,
Trooping past the faded fire,
Flit before the gaze.
Now the wind goes soughing wild
O'er the whistling Earth;
And we front a feeble flame,
Sitting round the hearth:
Sitting by the fire,
Watching, in its glow,
Ghosts of other days
Trooping to and fro!
- quotes about time
- quotes about fire
- quotes about death
- quotes about hours
- quotes about past
- quotes about heart
- quotes about rain
- quotes about happiness
- quotes about wind
3 Days And 3 Nights
And of the traditions of the world;
But many still do not know how to count 3 days and 3 nights.
72 hours exactly makes up 3 days and 3 nights,
So why are you now being deceived by the traditions of this world?
For the truth is always bitter to the masses.
Forty Days And Forty Nights
and it rained...
for forty days and forty nights,
till all was lost
except the memory of you.
even the world anew,
born with an ache,
and an absence of heart,
that dawn could not heal.
among the ruins and the rubble,
a solitary flower bloomed.
while the dogs of desire sniffed,
never picking up a scent!
even the walls of the cave,
mumbled prayers in a whisper...
and god wept,
while ants marched to destruction!
From Which I Came/A Magic World
Ten pounds and a head of hair
Came into without a care
What they thought were cries were little laughs
Born and looking forward and moving fast
The little bundle had arrived
And I was happy to be alive
In a magic world
Long days and dreamy nights
Wide eyes taking all the sights
A little wonder goes a long, long way
Learning where to go and what to say
Say hello to your new son
Well, he sure is having fun
In a magic world
Every moment's built to last
When you're living without a past
In a magic world
Rain, rain falling
Rain, rain falling
from a thunder clad sky
with rockets, projectiles and blood
and the oncoming enemy
in ironclad armour
coming to the day
of their slaughter
receiving sizzling thunder
to the tune
of howitzers, rocket trucks,
armoured cars and tanks
and rifle machineguns
and the Lomba River runs red
while there’s havoc everywhere
and the venom of vomit
fills my mouth
while I struggle to breathe
in the face
of a deadly enemy.
[Reference: Rain by Dikobe wa Mogale.]
Well, I'm listening to the pitter-patter of the rain
Alone in the middle of the night
My ol'heart begins to feel the pain
Of missing you with all my might
But your not here to share my love
So I'll just face this pain alone...
And listen to the rain falling from above
And face the fact that you are gone
Rain falling from above...
Rain falling for my love...
Rain falling from the skies...
And rain falling from my eyes.
So I'm listening to the pitter-patter of the rain
And listening to how sad it sounds
The rain's only an indication of my pain
And eternal loneliness I've found
Well, I'm listening to the pitter-patter of the rain
Alone in the middle of the night
My ol'heart begins to feel the pain
Of missing you with all my might
But your not here to share my love
So I'll just face this pain alone...
And listen to the rain falling from above
And face the fact that you are gone
Rain falling from above...
Rain falling for my love...
Rain falling from the skies...
And rain falling from my eyes.
So I'm listening to the pitter-patter of the rain
And listening to how sad it sounds
The rain's only an indication of my pain
And eternal loneliness I've found.
Betcha She Dont Love You
Last night I saw you out
Hangin with another girl
Tell me what thats all about
You used to be my world
6 days and 7 nights
Since we decided to say goodbye
But Im still feeling you
I cant get you outta my mind
I tried so hard to fight it
But I cant let you go
No way to deny it
And I betcha she dont love you like I do
And I betcha shes not giving you all that you need
If you dont remember let me remind you
No one in the world
Could ever love you
Better then I do
Better then I do
Dont even fool yourself
Shell never take my place
Put her up back on the shelf
Shell never win this race
Through all the ups and downs
I was always there for you
And now you think about
Somebody else so
No one could do you better
But you know you know what
Ill wait here forever
Shell never take my place
No one could do the things I do
I bring the lovin outta you
Deep in your heart you know its true
Better believe it
You know that you should be with me
I got the lovin that ya need
Its just the way its gotta be
Cant ya see yeah
You know I treated you right
I know the things that you like
And this much I know for sure
That no one in the world
Could ever love you more
Three horses graze on my land, one is a foal.
In the twilight and with gentle rain falling
they remind me of work horses of by gone
days when I steered the plough that made
furrows in dark, clean soil.
When I stroke their flanks the good aroma
of warm horse arises; dreams are endless.
In daylight they pretend to be boulders, but
even then they make the land serene.
your potential is coming up six more seasons after now
but it won't be blooming without going through seasons
of rain falling, madly hot summer and insanely cold snowy days
you don't know your heart will haunt on the edge of cliff along the coastal line
probably you will feel lonely not having guts to vanish away
you will decide to go home
you will take a shower and go to the closet, opening the drawer
from there is a butterfly you will see
an inspirational new day will start again
Leszko The Bastard
``Why do I bid the rising gale
To waft me from your shore?
Why hail I, as the vultures hail,
The scent of far-off gore?
Why wear I with defiant pride
The Paynim's badge and gear,
Though I am vowed to Christ that died,
And fain would staunch the gaping side
That felt the sceptic spear?
And why doth one in whom there runs
The blood of Sclavic sires and sons,
In those but find a foe,
That onward march with sword and flame,
To vindicate the Sclavic name,
From the fringe of Arctic snows,
To the cradle of the rose,
Where the Sweet Waters flow?
Strange! But 'twere stranger yet if I,
When Turk and Tartar splinters fly,
Lagged far behind the van.
While the wind dallies with my sail,
Listen! and you shall hear my tale;
Then marvel, if you can!
``Nothing but snow! A white waste world,
Far as eye reached, or voice could call!
Motion within itself slept furled;
The earth was dead, and Heaven its pall!
Now nothing lived except the wind,
That, moaning round with restless mind,
Seemed like uncoffined ghost to flit
O'er vacant tracts, that it might find
Some kindred thing to speak with it.
Nothing to break the white expanse!
No far, no near, no high, no low!
Nothing to stop the wandering glance!
One smooth monotony of snow!
I lifted the latch, and I shivered in;
My mother stood by the larch-log blaze,
My mother, stately, and tall, and thin,
With the shapely head and the soft white skin,
And the sweetly-sorrowing gaze.
She was younger than you, aye, you who stand
In matron prime by your household fire,
A happy wife in a happy land,
And with all your heart's desire.
But though bred, like you, from the proud and brave,
Her hair was blanched and her voice was grave.
If you knew what it is to be born a slave,
And to feel a despot's ire!
``She turned her round from the hearth like one
That hath waited long, and said,
`Come hither, and sit by me, my son!
For somehow to-night doth remembrance run
Back to the days that are dead.
And you are tall and stalwart now,
And coming manhood o'er your brow
Its shadow 'gins to shed.
Sit by me close!' and as I sate
Close, close as I could sit,
She took my hand and placed it flat
On hers, and fondled it.
Then with the same soft palm she brushed
My wind-tossed locks apart,
And, kissing my bared temples, hushed
The flow of love that else had gushed,
Love-loosened, from my heart.
```Listen! you often have questioned why
Here 'neath this pale Siberian sky,
You scarcely live, I slowly die.
That we dwell on, but exiles here,
In regions barren, sunless, drear,
And have no more the power to fly
To brighter lands and bluer sky,
Than some poor bird whom man's caprice
Hath tethered by a clanking chain,
And leaves upon its perch in pain
To pine for, ne'er to find release,-
This do you know, and still have known
Since first I taught your mouth to frame
The syllables of Poland's name,
Even before my own.
But how could I to childhood's ears,
Or boyhood's, tell the tale of tears
That links me with the bygone years?-
Tale steeped in rapture, drenched with woe,
A tale of wrong, and loss, and love,
That opens in the heavens above,
And ends in worse than hell below?-
A tale I only could impart
To mind mature and full-grown heart;
A tale to fill your larger life
With hissing waters of distress
And overflowing bitterness,
And set you with yourself at strife?
But you must hear it now. The down
Of manhood fringes lip and cheek;
Your temples take a richer brown,
And on your forehead buds the crown
Of kingly thought that yet will speak.
Listen! and let no faintest word
Of all I utter fall unheard
Upon your ear or heart!
'Twill wring your youth, but nerve it too:-
And what have I now left to do,
But unveil tyranny to view,
And wing the avenging dart?
```So like to you! The same blue eye,
Same lavish locks, same forehead high,
But of a manlier majesty!
His limbs, like yours, were straight and strong,
Yet supple as the bough in bud;
For tyrants cannot tame the blood,
Or noble lineage lose, through wrong
Its heritage of hardihood.
And maybe since his years were more,
And partly that you needs must bear
In every filial vein and pore
With his pure strain the base alloy
Of that in you which is my share,
Though you are tall and comely, boy!
Yet he was taller, comelier.
In days that now but live in song,
When Rurik's hinds felt Poland's heel,
And Poland's horsemen, cased in steel,
To Volo's plain were wont to throng,
A hundred thousand manes in strength,
And vowed, if Heaven let fall the sky,
To uphold it on their lance's length
As 'twere a silken canopy;
His sires were there in gallant trim,
Haught of mien and hard of limb-
Visors up and foreheads gashed,
Swords that poised, and swooped, and flashed,
Like the wings of the flaming Cherubim!
And when Imperial vultures tore
With banded beaks Sarmatia's breast,
And wallowed in Sarmatia's gore,
His fathers by their fathers swore
Ne'er to recede nor rest,
Till they had pushed the watchful points
Of vengeance in between the joints
Of armour dear to tyrants pricked
Of conscience never hushed nor tricked,
And made them feel what they inflict.
Vow sternly kept, but kept in vain!
For ninety hoping, hopeless years,
Poland hath known no couch save pain,
No mate except the dull cold chain,
Hath felt the lash, and fed on jeers,
While Heaven, it seems, no longer hears
The wail of prayers, the drip of tears,
Or the voices of the slain.
Thrice have her sons, despite their gyves,
Essayed to sell their worthless lives
At least against the price
Of ruin on their gaolers brought;
But each brave stroke hath come to nought,
And blood, and wounds, and death, have brought,
Only fresh bootless sacrifice.
No blow was struck they did not share,
No banner raised, but straight they flew
For one more tussle with despair;
And ever as they fought, they fell,
Waxing still fewer and more few,
Till only one remained to tell
How they had passed away, and dare
With front erect and unquelled stare
Those earthly ministers of hell.
One only of that kindred band-
Like some last column gazing lone
Across the bare and brackish sand,
In a depopulated land,
Telling of times and temples flown!
```He loved me. Love in every clime,
Through all vicissitudes of time,
Is life's climacteric and prime.
Matched against it, all boons that bless,
All joys we chase, all good we prize,
All that of tender and sublime
Expands the heart and fills the eyes,
Tastes pitiful and savourless.
It glorifies the common air,
It clothes with light the mountains bare,
And shows the heavens all shining there.
It lifts our feet from off the ground,
It lets us walk along the skies;
It makes the daily silence sound
With transcendental harmonies.
It rules the seasons. Linnets sing
As loud in winter as in spring,
When hearts are leal, and love is king.
Bathed in its light, the distance glows
With all the colours of the rose.
Its vivid gaze blends far and near
In one delicious atmosphere,
Projects the future from the past,
And hugs the faith, without a fear,
Since love is all, that all will last.
The peevish voice of doubt grows dumb;
The demons of dejection flee;
And even sordid cares become
But a divine anxiety.
Hope sails no more in far-off skies,
But makes its nest upon the ground;
And happiness, coy wing that flies
Too oft when mortal yearning woos,
At love's sweet summons circling round,
Sits on the nearest bough, and coos.
```Yes! such is love in every land,
If blest or curst, enslaved or free.
But how can they whose chainless hand
May stretch towards all they dream or see,
Whose lungs exult, whose lives expand,
In air of bracing liberty,
Feel love's delirium like to those
Who, of all other bliss bereft,
And cooped from each hale wind that blows,
Fondle, amid a world of foes,
The solitary friend that's left?
Through whatso regions freemen roam,
They find a hearth, they make a home.
Their unfenced energies embrace
All realms of thought, all fields of space,
At each fresh step fresh prospects find,
Larger than any left behind,
And mount with still rewarded stress
From happiness to happiness.
E'en love itself for such can bring
To life's tuned lyre but one more string,
Or but with fingers subtly straying
Among the chords, and softly playing,
Make more harmonious everything.
But when to him whose hopes are bound
Within a dismal prison round,
Whose thoughts, suspected, must not soar
Beyond his straitened dungeon floor,
Who may not speak, nor groan, nor sigh,
Nor lend sharp agony a vent,
Lest those should hear him who are nigh,
And catch, perchance, in passing by,
Contagion from his discontent;
Who dwells an exile in his home,
And cannot rest and may not roam;
Whom even hope doth not delude;
Who vainly lives, in vain would die,
And, hemmed in close, alike would fly,
Society and solitude;-
Oh! when to such as he love brings
Message of heaven upon its wings,
It fills his heart, it floods his brain,
Riots in every pulse and vein,
And turns to paradise his pain.
Body, and soul, and sense conspire
To feed the rising, rushing fire.
The passions which are wont to share
Love's empire o'er distracted man,
Denied their outlet, in him fan
The exclusive fury of desire.
As one who faints of thirst, he takes
Swiftly what should be slowly quaffed,
With ravenous lips his fever slakes,
Then dies, delirious, of the draught!
```He loved me. Do you ask if I
His love returned? Go, ask the sky
If it in vain pours sun and shower
On herb and leaf, on tree and flower.
Go, ask of echo if it wakes
When voice in lonely places calls;
Ask of the silence if it takes
The sound of plashing waterfalls:
Ask the parched plains if they refuse
The solace of descending dews;
Ask the unrippled lake that lies
Under faint fleecy clouds that flit,
If it reflects with tender eyes
The heavenly forms that gaze on it;
But ask not me if I returned
The love with which his being burned.
His passion such, in any heart
It straight had worked its counterpart,
Woke its own echo, roused a tone
In perfect concert with its own,
And made, the instant that it shone,
Mirror of what it gazed upon.
```We loved, as few have loved before,
'Chance none; and lo! the hour drew nigh
To ratify the vows we swore
One night beneath the sky,
Before the solemn altar-rails
O'er which He hangs, pierced through with nails,
Who for our sins did die.
Oh! why is woman doomed to bear
The love, or lust, she cannot share;
And hear from alien lips the sighs
She fain herself would waken ne'er,
Save within kindred hearts and eyes?
Never by word, nor glance, nor e'en
That barren courtesy we give
Unto well nigh all things that live,
Did his detested rival glean
That I another's homage should
Not greet, as evil is by good.
But, had my heart been free as air,
Fickle as wind, as quick to take
Impression as some limpid lake
That every wanton breath can stir,
How had it ruffled been by one
Who wore the livery of the brood
By whom, with hands in blood imbrued,
Thrice had my country been undone?
But I, nor free, nor false, nor light,
Bound both to Poland, and to him
Who yearned for Poland's wrongs to fight,
Had rather torn been limb from limb,
Than share with such love's last delight!
I answered softly, not in scorn;
For in what guise soe'er it come,
Because of gentle longings born,
Love should leave indignation dumb.
But he was, like his shifty race,
Disloyal, cunning, vengeful, base,
And when he heard the lips of fate,
Love in him straightway turned to hate,
Even before my face!
He menaced me with vengeance dire.
He knew my lover, brother, sire,
All rebels to the core.
And in the rush of lustful ire,
By his schismatic saints he swore,
That ruin, exile, death, should fall
With speedy stroke upon them all,
Unless I fed his foul desire.
I knew it was no idle boast;
He had the power to fetter, slay,
Abetted by a servile host,
Perjured, suborned by bribes to say
Whatever falsehood pleased him most.
Yet then I bridled not my scorn,
But poured upon his dastard head
All that by woman can be said,
When she confronts, before her eyes,
Creature created to despise,
And, since of manlier weapons shorn,
Can only wish him dead.
``Beware!'' he croaked, with passion hoarse,
``Within your patriot arms shall lie,
Repelled or welcomed, none but I;
And what you now to love deny,
You yet shall yield to fear or force.''
With scorn yet fiercer than at first
I flashed, and bade him work his worst.
``Before to-morrow's sun hath set,''
He answered, ``I shall pay the debt
Of vengeance, never baffled yet.
Think not to foil me or to fly!
I ever do the thing I would.''
Then laughing loud, he went; and I
Hated the ground where late he stood.
```The Night lay encamped in the summer sky,
And the burning stars kept watch;
All were asleep upon earth save I,
Who had waited the hour and lifted the latch,
And crept out noiselessly.
The air was as silent as love or death,
Except for the beat of my quickened breath,
And once the lonely belated wail
Of an answered nightingale.
I dared not quicken my steps, for fear
The silence should listening be, and hear.
Slowly, stealthily, foot by foot.
Girding my garments tightly round,
Lest they should touch and tell the ground,
I threaded the laurel-walk and passed
On to the latchet-gate, and put
My hand on the creaking key, aghast
Lest the first stage of flight should prove the last.
Through! and out in the meadows beyond,
With the cooling grass-dews round my feet,
Which would tell the tale of my journey fond,
But too late to hinder its purpose sweet;
Over the narrow and swaying planks
That span the neck of the marish pool
Where the tall spear-lilies close their ranks,
And the water-hens nestle safe and cool.
Then into the gloomy, darksome wood
Where the trunks seemed ghosts, and the big boughs stood
As though they would block my way.
Woman's love is stronger than woman's fright,
And though dogged by dread, yet I faced that night
What I ne'er had faced by day.
O the blessëd break, and the blank without,
From each grinning bole and each staring leaf!
I clutched my temples, and gave a shout;
It was mad, but it brought relief.
And then with a saner fear I stopped
To know if my foolish cry was heard.
But, like to a stream where a stone is dropped,
The silence was only a moment stirred,
And stillness closed over the hazard word.
```I was there! in the garden where first I lent
My ear to the trembling music of love,
And my soul succumbed to its blandishment.
I was there! I could smell the syringa's scent
And the lilac plumes that loomed dark above,
But, like to the heart that keeps alway
True to its friends, when friends betray,
Was lending the night that hid from view
Its delicate tufts and tender hue,
Odours sweeter than e'en by day.
The laburnum tassels brushed my cheek,
And the tangled clematis clutched my hair;
But I hurried along; though my limbs were weak,
I was strengthened by despair.
A moment more, and I should be
Hard by the window where he slept.
How should I wake him? how should flee,
If another o'erheard my voice? I crept
Softly, silently, over the sward.
The walls were dark, and the windows barred,
All saving-Yes, 'twas he! 'twas he!
Leaning out of his casement, lowly
Singing a love-song, sweetly, slowly,
That he first had sung to me.
He saw me not. He was gazing free
Across the dark, mysterious air,
At the shining stars, at the solemn sky,
At the unattainable far and fair,
The infinite something around, above,
With which, when alone, we identify
The finite thing we love.
I stood, and listened, and drank each note
Of love that came from the yearning throat,
As it rose, as it fell, as it floated and died;
And then with that courage that oft will spring,
When we have not time to think,
And impulse whispers the blessëd thing
From which resolve would shrink,
I with the song replied.
```One instant, and the echoed song,
The night, the dark, the heavens bare,
And all that was of far and fair,
And all that was of sweet and strong,
Seemed gathered into one embrace,
And showered their magic on my face.
His arms were round me, and his breath
As close to mine as life to death.
He murmured things I could not hear,
For I was deaf with bliss and fear.
Dumb, too; in vain I strove to speak;
I could but lean on breast and cheek,
And prove my passion wildly weak.
He drew me in. I still was dumb,
Panting for words that would not come,
But only tears instead, and sobs,
And broken syllables, and throbs,
With which hearts beat, whom rapture robs
Of all save love's delirium.
``Why hast thou come?'' I heard him say.
``There is no hour of night or day,
The coming of thy worshipped feet
Would not make richer or more sweet.
O come! come! come! Yes, come alway!
Nay, never come, love! rather, stay!
I must or miss you, or not meet;
Absence is long, and presence fleet.
And I am dead, when thou away!
But why to-night, and here?'' I saw
Love's brightness overcast by awe;
And terror in his face o'ercame
The terror in my weakened frame;
Till listening to his voice, I caught
Contagion from his steadier thought,
And found at length the words I sought.
With rapid lips I told him all,
What had befallen-might befall-
The hateful lust, the lustful hate,
The threats of one who, well he knew,
If false in love, in wrath was true,
And our impending fate.
``'Twas this alone I came to tell,
And, Leszko! now 'tis told, farewell!''
I murmured with a faltering tongue.
Round me his arms he tightly flung,
And ``Never!'' cried. ``Thy faith shall foil
The base assassins of our soil.
By the harmonious orbs that shine,
To-night, within that dome divine,
What thou hast promised me, must be mine!
Before to-morrow's sun can sink,
May deeds be done I would not name,
And vengeance wreaked I dare not think.
If thus you went, 'twere vain you came!
To-night is ours, and, seized, will be
Ours, ours, through all eternity.
The dawn shall find us kneeling where
Passion is purified by prayer;
And hands of patriot priest shall bless
And bind our premature caress.
If we are parted then, we part,
One, one in body, breast, and heart.
Hate, lust, and tyranny, in vain
Will strive to snap the cherished chain
That we around ourselves have bound.
Vanda! my love! my wife! my more!
If more be in love's language found,
Let them not baulk the troth we swore!
Wed me with bonds not fiends can sever,
And be thou mine-if once-for ever!''
The winds of the morn began to stir,
And the stars began to pale;
We could feel the chill of the moving air,
And the lifting of the veil
That covers the face of the shrinking night,
Its dreams, its dangers, its delight.
We started up. We listened, heard
The pipe of an awaking bird;
Another-then another still-
Louder and longer, and more shrill,
Till every copse began to fill
With music piercing bitter, fell,
The discord of our forced farewell.
We clung one moment, panted, kissed,
Then bravely rending us, he cried-
``Back through the curling morning mist,
Vanda! my love! my life! my bride!
A few brief hours, and side by side
Before Heaven's altar we shall stand,
As now in heart, then one in hand,
Then-be the future blest or curst-
Let Poland's tyrants wreak their worst!
One-one more kiss!''
```We leaned, to give
The richest of all boons that live,
But paused, half given!. . .We each had heard
A sound that was no waking bird,
Nor stealthy footfall of the night,
Scudding the unseen tracks of flight.
The noise of human voices broke
Upon our ears; the words they spoke
Came nearer and more near.
We clung in silence; 'twas too late
To more than bide the feet of fate,
And face them without fear.
Loudest among them I could trace
The voice I hated most on earth;
Another moment, and his face,
Lit with vindictiveness and mirth,
Was gazing on our checked embrace.
His myrmidons were at his heel:
I did not shrink, I did not reel,
But closer clung, to make him feel
I loathed him and his alien race.
I know no more. Unarmed we stood.
I heard the clank of ordered steel,
Then suddenly a blinding hood
Over my head was flung, and I,
Powerless to struggle, see, or cry,
Felt myself wrenched from arms that fain
Had fenced my freedom, but in vain,
And, doubtful did he live or die,
Borne through the chilly morning air,
Bound, stifled, cooped with dumb despair!'
``She paused, and strove for breath, as though
The mere remembrance of that hour,
Though fled and faded long ago,
Retained the never-dying power
To choke and stifle her again,
And leave her dumb and dark, as then.
But mute no less I sate; and she
The horror in my stare could see,
The speechless, open-mouthed suspense,
That kept me gazing there, to know
If I had heard the worst from woe,
Or if I must prepare my sense
For outrage deeper, more intense,
And from extremity of wrong
Become invulnerably strong.
`O no!' she cried, for swift she guessed
The hell of anguish in my breast;
`O no! not that! My boy! thou art
The child of love and not of hate,
Memento of my only mate!
The birth of heart convulsed on heart
With rapture pure and passionate!
Though never more upon my breast
His breast did beat, his head did rest;
Though I no more beheld his eye
Beaming above me like the sky
When all is bright and all is high,
And by which gazed on, one is blest;
Though ne'er again his touch, his breath,
Was blent with mine, to make me feel
That something betwixt life and death,
When the converging senses reel,
And, through devotedness divine,
Joy knows not what it suffereth;-
No other hand has soiled the shrine;
And, Leszko lost! though lost, yet mine,
My senses, as my soul, kept thine!'
``She saw the shadow quit my brow;
But, as it crept away, the light
Seemed to desert her temples now.
The hand she had imprisoned tight
In hers, while travelling wildly back
To passion's bourne o'er sorrow's track,
She loosed, and half let go. `Hast heard,
Hast drunk, hast understood, each word,'
Slowly she asked, `my lips have said?
Ours was no sanctioned marriage-bed.
No priestly blessing, altar's rite,
Confirmed the nuptials of that night.
Leszko! thou art-'
``'Twas not her tongue
That paused upon the bitter word,
But that before the name I heard
I shrink not from, my arms I flung
Around her sainted neck and showered
The love with which my soul was stirred.
I kissed her knees, her hands devoured,
I hushed her mouth, I sealed her eyes,
With kisses blent with broken cries,
Such as from baffled lips arise
When bursting hearts are overpowered
With sense of sublime sacrifice.
`Mother!' I cried, `I'd sooner be
The child of love, and him, and thee,
Than bear or boast the tightest ties
Altars can knit or priests devise!
If love, faith, country cannot bind
Two souls through love already blent,
Where among mortals shall we find
Solemnity or Sacrament?
And were aught wanting to complete
In face of God's just judgment-seat,
Thy snapped-off love and life,
The tyrant's outrage, years of wrong,
Have weaved thee wedlock doubly strong,
And made thee more than wife!'
``She smoothed my hair, caressed my brow;
Consoling tears coursed down her cheek,
Furrowed by sorrow's barren plough:
She stroked my hand, she strove to speak:
`Yes, Leszko! Holier bond was ne'er
Sanctioned by heaven or sealed by prayer.
Let others deem that formal vows
Breathed between kneeling spouse and spouse,
Can sanctify a link where each
Is but the slave of ordered speech;
Where vanity, ambition, greed,
Are the base instincts that precede
The purest of the passions, sent
Life's desolate low steps to lead
Up to the star-thronged firmament;
Let others fancy, if they will,
That pomp, and compliment, and smile,
Are sacramental bonds, though guile
And calculating coldness fill
The hollows of the heart the while;
Let those, too, scorn me who have knelt
In fancied faithfulness, and sworn
The eternal troth they thought they felt,
But, soon as they were left to mourn
One to whose flesh their flesh they vowed
Not more in marriage-sheet than shroud,
After a few short trappings worn
To silence the censorious crowd,
Have let their facile feelings melt
Unto some second fancy, nursed
In the same lap where burned the first!
Let them!-Nor pomp nor pandars gave
Me unto him! 'Twas love alone
Anointed us; and not the grave,
Not life, not death, shall e'er deprave
The body that remains his own.
Not mine a fault for which to crave
By Heaven or mortal to be shriven.
If I a suppliant need to be
To any, 'tis, my boy, to thee!
And I by thee am all forgiven!
```Yet-yet-that night of shining joy
Its shadow flings athwart thy life;
I am not, I can ne'er be wife,
And thou art no one's son, our boy!
His name I gave thee, and despite
Their jugglery of wrong and right,
It shall thou bear, whate'er betide.
But who can give thee aught beside?
Bastard thou art! and thou canst claim,
It boots not what thy blood, thy fame,
Thy father's features, manly age,
Only a bastard's heritage.
But, Leszko! who would care to boast
All that the rightful covet most;
Who, who would wish to clutch and hold
Honour, or rank, or lands, or gold,
When lands, and gold, and rank, but be
A brighter badge of slavery?
They who have nothing may excuse
Submission to the tyrant's beck;
Too bare and beggared to refuse
Unsavoury morsel from the hand
That plants the heel upon the neck
Of their assassinated land.
But they who yet have aught to lose,
Base must they be if they can use
What still is left to them, to deck
The mourning of their country's wreck.
Be sure thy sire doth not retain
What would but aggravate his pain.
Of me, of love, when dispossessed,
How would he care to keep the rest?
Robbed of my arms, his arms would find
But emptiness in all behind,
Vacuous air and moaning wind.
Who tore me from him, must have torn
With it long since the worldly dregs
Easy resigned by him who begs
That death at least to him be kind,
And bans the day that he was born!
```Nay, ask not if he lives. I know
Nothing, since that cold dawn of woe.
Once more I had to hear, and bear,
The vengeful menace, lustful prayer,
Of one who sued, but would not spare.
He threatened he would blazen wide
That which he dared to call my shame.
Guess how I answered! I defied,
Exulted, and with patriot pride
Told him that I myself to fame
Would trumpet forth the deed that I
Had done to foil the treachery
Already hatching, and by whom!
He cursed me. That was his reply.
But mine, alas! had sealed my doom.
```'Twas over, quick. I saw no more
Familiar face, or roof, or floor,
Or anything I knew before.
My eyes were bandaged, limbs were bound,
As through rough distance on we wound,
Aware but of the unseen ground
We traversed ever, day and night.
At length they gave me back my sight;
And lo! there stretched before, around,
The desert steppe, inhuman, bare,
That answered me with stare for stare.
I gazed around me for some face,
Some answering look, some kindred guise,
Some woe that I might recognize
Even in this desert place.
But none of all I saw, I knew;
And never one among them threw
A pitying glance on me.
So desolate it seemed, I should
Have thankful been if there had stood
Before me even he
Who thuswise had my ruin wrought.
I vow to you, his face I sought,
Among the convoy, early, late.
No face, no fiend, my exiled fate
Could now or better make or worse:
And it to me relief had brought
Could I have seen him, but to hate,
And greeted, but to curse!
```A mute and melancholy band,
For days and weeks we journeyed on,
Across a bare and level land,
On which the fierce sun ever shone,
But whence all life and growth were gone,
Utterly, as from salt-steeped strand.
Dawn after dawn, the steppe stretched round:
It seemed to have no halt, no end,
Centre, circumference, nor bound,
No sight, no shade, no scent, no sound;
But ever we appeared to wend
Into eternal exile, doomed
To make the endless track we trod,
Now over sand, now scanty sod,
Where nought save blight and canker bloomed.
Though on we gasped, no goal was gained;
Further we went, further remained,
As when thought struggles after God:
Save that, instead, we seemed to go
Towards infinity of woe.
Many we were, but each alone.
We durst not with each other speak,
And but exchanged a tear or groan.
The strong might not assist the weak,
And to be child or woman gave
No privilege or power, save
To suffer more and be more brave.
So wretched were we, we could bless
A lighter load of wretchedness;
And when at last the cruel sun
Began to pity us, and leave
In sleep our pain a short reprieve,
We almost felt our griefs were done.
We knew not they had scarce begun.
Into another land we passed,
Drearier and deader than the last,
That knows no future and no past,
But only one fixed present!-land
Where nothing waxeth more or less,
Nothing is born and nothing dies,
And where, 'neath never-changing skies,
E'en frozen time itself doth stand
Immutable and motionless!
A land of snow and snow-fed wind,
Which freeze the blood, congeal the mind,
And harden man against mankind:
Region of death that is not dead,
But ever on its icy bed
Lies dying, and must ever lie,
Forbid to live, forbid to die!
```And, as its doom, such too seemed mine,
The doom of deathlessness in death.
In vain I used to pray and pine
The greedy cold would suck my breath,
And leave my empty husk to bleach
On the untrodden waste of white,
And draw the prowling jackal's screech,
Or give the wolf one foul delight.
```One night, as, prostrate in despair
At each unanswered tear and prayer,
I blasphemed God, and wildly sware
That if at least He would not give
Me death, I would no longer live,
But would myself the torture end,
That had nor change, nor hope, nor friend,
Sudden I started, gave a cry;
I seemed as changed to flesh from stone:
Oh! joy! I was no more alone.
And then for worlds I would not die!
'Twas thou! 'twas thou! my babe! my boy!
In joylessness my more than joy!
My more than heaven 'mid more than hell!
Weeping, upon my knees I fell,
And prayed forgiveness for my sin.
What now to me or cold or heat,
My shivering head, my burning feet,
Hunger or ache? I held within
The memory of that midnight sweet.
I had no thought for things without:
Sensation, suffering, struggle, doubt,
Each sense wherewith we feel, hear, see,
Was concentrated inwardly.
My aim was how to feed the root
That in the silence 'gan to shoot,
And pulsed with promise of the fruit.
Sometimes, in fresh access of woe,
Hope veered, and longed that thou and I
Lay underneath the snug, warm snow,
Together, and with none to know;
But swung back ever, true and high,
From desperation's gusty strife,-
Pointing from love and set towards life!
```You lived!'. . .`O mother!' here I cried,
`Tell me no more! I cannot bear
The tale of love, and grief, and pride.
Is't not enough that now we share
Pride, love, and exile, side by side?
And, let what will of wrong betide,
No wrong my youth, at least, shall tear,
From your soft hand and silvery hair!'
```What, Leszko! Leszko's son!' she said,
Her voice was grave, her tears were fled:
`Think you I told this tale of woe,
To stir your love for me, I know,
Will hold you living, haunt you dead?
Not quit my side, luxurious boy!
Share anguish that is almost joy,
To shrink from pain without alloy!
By all my hopes of husband fled,
My interrupted marriage-bed,
I charge you, bid you, not to cling,
To me, to love, to anything!
Not leave me! What is this I hear?
The mawkish kiss, the vapid tear,
Not flashing eye and springing spear!'
She pushed me off. `It cannot be
His patriot seed and mine I see.
Thou art some changeling! Go, then, go!
And hunt the lynx across the snow,
And when the blue-eyed scyllas blow,
Gather thereof a dainty bunch,
To woo some daughter of the foe,
While jackals and hyenas crunch
Thy country's flesh and bones, and bloom
No flowers, of all Spring used to know,
Save such as mourn o'er Poland's tomb!
For Poland, I from him was torn,
For Poland, he from me! But thou-
Thou, thou forsooth, must cling on now,
Like infant that, from threatened hurt
Flies whimpering, to thy mother's skirt,
Dead unto duty as to scorn!
Bastard, indeed, thou doubly wert,
And both are shamed that thou wast born!'
``I knelt me down; towards the ground
I bowed my head in lowly guise.
I did not dare to raise my eyes,
But when at last my voice I found,
`Mother!' I cried, `I am not base,
Nor bastard, and his blood is mine;
But gazing on thy holy face,
I all forgot a woe, a wrong,
Sadder, more sacred, e'en than thine.
But now thy strength hath made me strong,
And in my features thou shalt trace,
And in my soul, that I belong
Unto a noble name and race.'
I stood up straight. There was no sign
Of melting in my voice or gaze.
`When shall I go?' I said, `The ways
Are not more ready stretched than I
To start at once, to run, to fly,
Whither thy sharp reproaches point.
Mother, farewell! In every joint
I feel the blood of Poland stir.
She is my mother! I for her
Can lonely live, will lonely die.'
```Kneel then once more!' she said. I knelt,
But this time with unbending brow.
Her face fawned towards me, and I felt
Her lips upon me, tender now.
She took the cross from off her breast,
Passed its cord softly o'er my head:
`I have no sword to give,' she said,
`But you will find one 'mong the dead
That now lie thick-though baffled, blest-
Among the forests where, once more,
Poland renews the hopeless strife,
And liberates with lavish gore,
Awhile, the fever of its life.
Listen! There shortly start from hence
Two fresh battalions of the foe,
For Poland bound. They doubtless go
To aid their kindred's violence.
You must march with them o'er the snow.
Nay, start not! must their colours wear,
Aye, boy! must false allegiance swear
To their detested Pontiff-Czar!
Such perjuries, I tell thee, are
Not heard at Heaven's just judgment-bar.
And if thy lips abhor the lie,
Poland absolves thee-so do I!'
``The hour had come, and face to face
We stood, my mother, there, and I.
We did not fondle nor embrace;
She did not weep, I did not sigh.
I wore the trappings of the race
That battens upon Poland's heart;
So, well I knew that uncaressed,
Unfolded to her craving breast,
I from her must depart.
`Have you the cross?' she asked. I laid
My hand where 'gainst my heart it lay,
But did not speak. `Both night and day,
Brood on it, as a constant maid
Broods on the face that cannot fade,
When he who loves her is away!
It was the one dumb thing on earth
That spoke to me; the only one,
Dead, that was eloquent of birth;
So have I given it thee, my son!
I have no gift of his, no toy,
No trinket, trifle, leaf, nor flower,
Naught to remind me of my joy.
But it was on my breast that hour,
That night, when it, and it alone,
Was 'twixt his bosom and my own.
Go, now! And I will nightly pray
The Queen of Poland, we may meet,
When bitter has been turned to sweet,
And earthly dark to heavenly day!'
I bent. She raised her hands to bless;
And then I went without caress,
And left her to her loneliness.
``Why tell the rest? Too well you know,
Ah! you, free child of Freedom's shore,
That spurred our hopes, but lent no blow
In aid of all our wasted gore,
How Poland, maddened, rose once more,
And blindly struck at friend and foe.
Why should I tell-the tale, too long!-
Of the weak writhing 'gainst the strong,
Pricked by reiterated wrong?
The orphaned pillows, rifled roofs,
The sudden rush of trampling hoofs,
The reeking village, blazing town;
The perjured charge, the traitor's mesh,
The virgin's lacerated flesh;
The wail of childhood, helpless fair,
Frenzy itself had stopped to spare;
Priests at the altar stricken down,
Mingling their blood with that of Christ,
While sacrificing, sacrificed;
Chaste spouses of the cloister, weaned
From earth, and from Earth's passions screened,
Shrieking beneath the clutch of fiend,
And outraged, less from lust than hate,
In refuges inviolate.-
Enough! Had Hell broke loose, and sent
Its demons forth, on man to vent
The tortures God's maligners feign
Heaven vents on them, they would in vain
Have striven to paragon the pain
Poland's oppressors knew to wreak
Upon the sensitive and weak,
When we, the strong, their strength defied,
And Freedom, foiling despots, died.
``I was too late. 'Twas nearly o'er;
But straight I sloughed the garb I wore,
And joined one last determined band,
Who to the border forests clung
That sever from the Tartar's hand
That share of our partitioned land
Which owns a rule more just and bland,
Keeping at least its creed and tongue.
We did not think with fate to cope;
No! vengeance was our only hope,
And vengeance to me came.
We were pursued by one who gave
No mercy or to faint or brave:
I heard, and knew his name.
'Twas he, whose lust had torn apart
For ever loving heart from heart,
As far as hatred can.
We lay in ambush; they were caught,
And could not fly, so mercy sought.
We slew them, to a man!
He fell to me! One thrust I made,
And at my feet I saw him laid:
I sucked the blood from off my blade:
Christ! it was sweet! aye, sweeter far
Than the smile of home, than the kiss of maid,
Or the glow of the evening star!
``It was the last blow struck. We fled
Across the frontier, each as best
A gap could gain, and left the dead
To stock the unclean raven's nest.
Exile once more, though all the earth
Henceforth lay open to my tread,
All save the one that gave me birth,
I saw no goal except the one
Where, sitting mute in deepest dearth,
The mother waited for the son.
But how? I donned the pedlar's pack,
And started on the trackless track,
Day after day, league after league,
Fatigue slow-linked with slow fatigue,
But ever getting nearer back
Unto the larch-log fire where she
Sat patiently, awaiting me.
And there was yet another sight
Behind, to spur my flagging tread:
The foe, the fiend, I felled in fight,
And gloated over, dead!
Could I have borne his hated head,
And laid it at my mother's feet!
The very thought fresh vigour gave,
And made my final footsteps fleet.
I raved. You deem that still I rave.
What think you that they found? Her grave.
``Back, back across the cruel waste,
Her tomb behind, my life before;-
An ebbing wave that raced and raced,
But ne'er could hope to find a shore,
Not e'en a rock 'gainst which to break:
A vista of unending ache,
Trod and endured for no one's sake!
Rather than live without some end,
Such misery fresh woe will make,
And woo misfortune for a friend.
And I, since it was vain to hope
That I could find, where'er I ran,
Solace or happiness, began
For further wretchedness to grope.
Now other object had I none,
From rise of day to set of sun,
Except to seek my sire;
Though well I knew I should not find,
Or finding, curse the fate unkind
That baulked not my desire.
And fate was ruthless to the last.
Five years of bootless search had passed,
And still I sought. But when on fire,
Her roofs delirious Paris saw,
I found him stretched on sordid straw.
He had not fought for crowd or law:
Sooth, had he wished, he could not draw
A sword from scabbard now, nor lift
His body from its borrowed bed.
His brackish life was ebbing swift.
He who had eaten beggar's bread,
And known each sad and sordid shift
That just sustains the exile's tread,
Needed no more the stranger's gift.
I knelt me down beside his head,
And breathed her name into his ear.
There came no start, no word, no tear:
His brain was deaf; he did not know
The difference now 'twixt joy and woe,
'Twixt love and hate, 'twixt friend and foe,
'Twixt me and any other! Vain
My years of search and sought-for pain.
Yet not quite vain. Upon his breast
A silver locket hung; and when
I stretched my hand to it, he pressed
'Gainst it his own, nor loosed again,
Until he passed away to rest.
I took it when his grasp grew cold,
And lo! it was my mother's face!
Not as I knew her, blanched and old,
But in the glow of youth and grace,
With eyes of heaven and hair of gold,
And all the passion of her race.
I wear it and its rusted chain.
I put her cross there in its place:
The iron cross; yes, cross indeed!
And iron, too! the fitting meed
Of those who for wronged Poland bleed,
And ever bleed in vain!
``Rise quick, ye winds! Race swift, ye waves!
And bear me where blue Danube rolls,
Past Orsova's loud-foaming caves,
On 'twixt armed hosts of rival slaves,
To scatter among Euxine shoals.
Now, do you ask why hence I fly
To join the Moslem camp, and hurl
My poor weak life, foredoomed to die,
On those who Freedom's flag unfurl
For Christian boor and Sclavic churl?-
Out on the sacrilegious lie!
Robbers, assassins, liars, slaves!
Whose feet are fresh from outraged graves!
Let those among you, dupes, or worse,
Sucklings of falsehood, or its nurse,
Believe that Russian arms can bear
To others aught except a share
In chains themselves consent to wear!
Let them! But I! Did Tartar swords
Storm hell, and Turkish steel defend,
I would the infernal Cause befriend
Against the worse than demon hordes
Who to the damned would bring fresh curse,
And enter Hell, to make it worse!''
- quotes about Poland
- quotes about strength
- quotes about patriotism
- quotes about voice
- quotes about tomb
- quotes about robbery
- quotes about wedding
- quotes about slavery
Endymion: Book II
O Sovereign power of love! O grief! O balm!
All records, saving thine, come cool, and calm,
And shadowy, through the mist of passed years:
For others, good or bad, hatred and tears
Have become indolent; but touching thine,
One sigh doth echo, one poor sob doth pine,
One kiss brings honey-dew from buried days.
The woes of Troy, towers smothering o'er their blaze,
Stiff-holden shields, far-piercing spears, keen blades,
Struggling, and blood, and shrieks--all dimly fades
Into some backward corner of the brain;
Yet, in our very souls, we feel amain
The close of Troilus and Cressid sweet.
Hence, pageant history! hence, gilded cheat!
Swart planet in the universe of deeds!
Wide sea, that one continuous murmur breeds
Along the pebbled shore of memory!
Many old rotten-timber'd boats there be
Upon thy vaporous bosom, magnified
To goodly vessels; many a sail of pride,
And golden keel'd, is left unlaunch'd and dry.
But wherefore this? What care, though owl did fly
About the great Athenian admiral's mast?
What care, though striding Alexander past
The Indus with his Macedonian numbers?
Though old Ulysses tortured from his slumbers
The glutted Cyclops, what care?--Juliet leaning
Amid her window-flowers,--sighing,--weaning
Tenderly her fancy from its maiden snow,
Doth more avail than these: the silver flow
Of Hero's tears, the swoon of Imogen,
Fair Pastorella in the bandit's den,
Are things to brood on with more ardency
Than the death-day of empires. Fearfully
Must such conviction come upon his head,
Who, thus far, discontent, has dared to tread,
Without one muse's smile, or kind behest,
The path of love and poesy. But rest,
In chaffing restlessness, is yet more drear
Than to be crush'd, in striving to uprear
Love's standard on the battlements of song.
So once more days and nights aid me along,
Like legion'd soldiers.
What promise hast thou faithful guarded since
The day of sacrifice? Or, have new sorrows
Come with the constant dawn upon thy morrows?
Alas! 'tis his old grief. For many days,
Has he been wandering in uncertain ways:
Through wilderness, and woods of mossed oaks;
Counting his woe-worn minutes, by the strokes
Of the lone woodcutter; and listening still,
Hour after hour, to each lush-leav'd rill.
Now he is sitting by a shady spring,
And elbow-deep with feverous fingering
Stems the upbursting cold: a wild rose tree
Pavilions him in bloom, and he doth see
A bud which snares his fancy: lo! but now
He plucks it, dips its stalk in the water: how!
It swells, it buds, it flowers beneath his sight;
And, in the middle, there is softly pight
A golden butterfly; upon whose wings
There must be surely character'd strange things,
For with wide eye he wonders, and smiles oft.
Lightly this little herald flew aloft,
Follow'd by glad Endymion's clasped hands:
Onward it flies. From languor's sullen bands
His limbs are loos'd, and eager, on he hies
Dazzled to trace it in the sunny skies.
It seem'd he flew, the way so easy was;
And like a new-born spirit did he pass
Through the green evening quiet in the sun,
O'er many a heath, through many a woodland dun,
Through buried paths, where sleepy twilight dreams
The summer time away. One track unseams
A wooded cleft, and, far away, the blue
Of ocean fades upon him; then, anew,
He sinks adown a solitary glen,
Where there was never sound of mortal men,
Saving, perhaps, some snow-light cadences
Melting to silence, when upon the breeze
Some holy bark let forth an anthem sweet,
To cheer itself to Delphi. Still his feet
Went swift beneath the merry-winged guide,
Until it reached a splashing fountain's side
That, near a cavern's mouth, for ever pour'd
Unto the temperate air: then high it soar'd,
And, downward, suddenly began to dip,
As if, athirst with so much toil, 'twould sip
The crystal spout-head: so it did, with touch
Most delicate, as though afraid to smutch
Even with mealy gold the waters clear.
But, at that very touch, to disappear
So fairy-quick, was strange! Bewildered,
Endymion sought around, and shook each bed
Of covert flowers in vain; and then he flung
Himself along the grass. What gentle tongue,
What whisperer disturb'd his gloomy rest?
It was a nymph uprisen to the breast
In the fountain's pebbly margin, and she stood
'Mong lilies, like the youngest of the brood.
To him her dripping hand she softly kist,
And anxiously began to plait and twist
Her ringlets round her fingers, saying: "Youth!
Too long, alas, hast thou starv'd on the ruth,
The bitterness of love: too long indeed,
Seeing thou art so gentle. Could I weed
Thy soul of care, by heavens, I would offer
All the bright riches of my crystal coffer
To Amphitrite; all my clear-eyed fish,
Golden, or rainbow-sided, or purplish,
Vermilion-tail'd, or finn'd with silvery gauze;
Yea, or my veined pebble-floor, that draws
A virgin light to the deep; my grotto-sands
Tawny and gold, ooz'd slowly from far lands
By my diligent springs; my level lilies, shells,
My charming rod, my potent river spells;
Yes, every thing, even to the pearly cup
Meander gave me,--for I bubbled up
To fainting creatures in a desert wild.
But woe is me, I am but as a child
To gladden thee; and all I dare to say,
Is, that I pity thee; that on this day
I've been thy guide; that thou must wander far
In other regions, past the scanty bar
To mortal steps, before thou cans't be ta'en
From every wasting sigh, from every pain,
Into the gentle bosom of thy love.
Why it is thus, one knows in heaven above:
But, a poor Naiad, I guess not. Farewel!
I have a ditty for my hollow cell."
Hereat, she vanished from Endymion's gaze,
Who brooded o'er the water in amaze:
The dashing fount pour'd on, and where its pool
Lay, half asleep, in grass and rushes cool,
Quick waterflies and gnats were sporting still,
And fish were dimpling, as if good nor ill
Had fallen out that hour. The wanderer,
Holding his forehead, to keep off the burr
Of smothering fancies, patiently sat down;
And, while beneath the evening's sleepy frown
Glow-worms began to trim their starry lamps,
Thus breath'd he to himself: "Whoso encamps
To take a fancied city of delight,
O what a wretch is he! and when 'tis his,
After long toil and travelling, to miss
The kernel of his hopes, how more than vile:
Yet, for him there's refreshment even in toil;
Another city doth he set about,
Free from the smallest pebble-bead of doubt
That he will seize on trickling honey-combs:
Alas, he finds them dry; and then he foams,
And onward to another city speeds.
But this is human life: the war, the deeds,
The disappointment, the anxiety,
Imagination's struggles, far and nigh,
All human; bearing in themselves this good,
That they are sill the air, the subtle food,
To make us feel existence, and to shew
How quiet death is. Where soil is men grow,
Whether to weeds or flowers; but for me,
There is no depth to strike in: I can see
Nought earthly worth my compassing; so stand
Upon a misty, jutting head of land--
Alone? No, no; and by the Orphean lute,
When mad Eurydice is listening to 't;
I'd rather stand upon this misty peak,
With not a thing to sigh for, or to seek,
But the soft shadow of my thrice-seen love,
Than be--I care not what. O meekest dove
Of heaven! O Cynthia, ten-times bright and fair!
From thy blue throne, now filling all the air,
Glance but one little beam of temper'd light
Into my bosom, that the dreadful might
And tyranny of love be somewhat scar'd!
Yet do not so, sweet queen; one torment spar'd,
Would give a pang to jealous misery,
Worse than the torment's self: but rather tie
Large wings upon my shoulders, and point out
My love's far dwelling. Though the playful rout
Of Cupids shun thee, too divine art thou,
Too keen in beauty, for thy silver prow
Not to have dipp'd in love's most gentle stream.
O be propitious, nor severely deem
My madness impious; for, by all the stars
That tend thy bidding, I do think the bars
That kept my spirit in are burst--that I
Am sailing with thee through the dizzy sky!
How beautiful thou art! The world how deep!
How tremulous-dazzlingly the wheels sweep
Around their axle! Then these gleaming reins,
How lithe! When this thy chariot attains
Is airy goal, haply some bower veils
Those twilight eyes? Those eyes!--my spirit fails--
Dear goddess, help! or the wide-gaping air
Will gulph me--help!"--At this with madden'd stare,
And lifted hands, and trembling lips he stood;
Like old Deucalion mountain'd o'er the flood,
Or blind Orion hungry for the morn.
And, but from the deep cavern there was borne
A voice, he had been froze to senseless stone;
Nor sigh of his, nor plaint, nor passion'd moan
Had more been heard. Thus swell'd it forth: "Descend,
Young mountaineer! descend where alleys bend
Into the sparry hollows of the world!
Oft hast thou seen bolts of the thunder hurl'd
As from thy threshold, day by day hast been
A little lower than the chilly sheen
Of icy pinnacles, and dipp'dst thine arms
Into the deadening ether that still charms
Their marble being: now, as deep profound
As those are high, descend! He ne'er is crown'd
With immortality, who fears to follow
Where airy voices lead: so through the hollow,
The silent mysteries of earth, descend!"
He heard but the last words, nor could contend
One moment in reflection: for he fled
Into the fearful deep, to hide his head
From the clear moon, the trees, and coming madness.
'Twas far too strange, and wonderful for sadness;
Sharpening, by degrees, his appetite
To dive into the deepest. Dark, nor light,
The region; nor bright, nor sombre wholly,
But mingled up; a gleaming melancholy;
A dusky empire and its diadems;
One faint eternal eventide of gems.
Aye, millions sparkled on a vein of gold,
Along whose track the prince quick footsteps told,
With all its lines abrupt and angular:
Out-shooting sometimes, like a meteor-star,
Through a vast antre; then the metal woof,
Like Vulcan's rainbow, with some monstrous roof
Curves hugely: now, far in the deep abyss,
It seems an angry lightning, and doth hiss
Fancy into belief: anon it leads
Through winding passages, where sameness breeds
Vexing conceptions of some sudden change;
Whether to silver grots, or giant range
Of sapphire columns, or fantastic bridge
Athwart a flood of crystal. On a ridge
Now fareth he, that o'er the vast beneath
Towers like an ocean-cliff, and whence he seeth
A hundred waterfalls, whose voices come
But as the murmuring surge. Chilly and numb
His bosom grew, when first he, far away,
Descried an orbed diamond, set to fray
Old darkness from his throne: 'twas like the sun
Uprisen o'er chaos: and with such a stun
Came the amazement, that, absorb'd in it,
He saw not fiercer wonders--past the wit
Of any spirit to tell, but one of those
Who, when this planet's sphering time doth close,
Will be its high remembrancers: who they?
The mighty ones who have made eternal day
For Greece and England. While astonishment
With deep-drawn sighs was quieting, he went
Into a marble gallery, passing through
A mimic temple, so complete and true
In sacred custom, that he well nigh fear'd
To search it inwards, whence far off appear'd,
Through a long pillar'd vista, a fair shrine,
And, just beyond, on light tiptoe divine,
A quiver'd Dian. Stepping awfully,
The youth approach'd; oft turning his veil'd eye
Down sidelong aisles, and into niches old.
And when, more near against the marble cold
He had touch'd his forehead, he began to thread
All courts and passages, where silence dead
Rous'd by his whispering footsteps murmured faint:
And long he travers'd to and fro, to acquaint
Himself with every mystery, and awe;
Till, weary, he sat down before the maw
Of a wide outlet, fathomless and dim
To wild uncertainty and shadows grim.
There, when new wonders ceas'd to float before,
And thoughts of self came on, how crude and sore
The journey homeward to habitual self!
A mad-pursuing of the fog-born elf,
Whose flitting lantern, through rude nettle-briar,
Cheats us into a swamp, into a fire,
Into the bosom of a hated thing.
What misery most drowningly doth sing
In lone Endymion's ear, now he has caught
The goal of consciousness? Ah, 'tis the thought,
The deadly feel of solitude: for lo!
He cannot see the heavens, nor the flow
Of rivers, nor hill-flowers running wild
In pink and purple chequer, nor, up-pil'd,
The cloudy rack slow journeying in the west,
Like herded elephants; nor felt, nor prest
Cool grass, nor tasted the fresh slumberous air;
But far from such companionship to wear
An unknown time, surcharg'd with grief, away,
Was now his lot. And must he patient stay,
Tracing fantastic figures with his spear?
"No!" exclaimed he, "why should I tarry here?"
No! loudly echoed times innumerable.
At which he straightway started, and 'gan tell
His paces back into the temple's chief;
Warming and glowing strong in the belief
Of help from Dian: so that when again
He caught her airy form, thus did he plain,
Moving more near the while. "O Haunter chaste
Of river sides, and woods, and heathy waste,
Where with thy silver bow and arrows keen
Art thou now forested? O woodland Queen,
What smoothest air thy smoother forehead woos?
Where dost thou listen to the wide halloos
Of thy disparted nymphs? Through what dark tree
Glimmers thy crescent? Wheresoe'er it be,
'Tis in the breath of heaven: thou dost taste
Freedom as none can taste it, nor dost waste
Thy loveliness in dismal elements;
But, finding in our green earth sweet contents,
There livest blissfully. Ah, if to thee
It feels Elysian, how rich to me,
An exil'd mortal, sounds its pleasant name!
Within my breast there lives a choking flame--
O let me cool it among the zephyr-boughs!
A homeward fever parches up my tongue--
O let me slake it at the running springs!
Upon my ear a noisy nothing rings--
O let me once more hear the linnet's note!
Before mine eyes thick films and shadows float--
O let me 'noint them with the heaven's light!
Dost thou now lave thy feet and ankles white?
O think how sweet to me the freshening sluice!
Dost thou now please thy thirst with berry-juice?
O think how this dry palate would rejoice!
If in soft slumber thou dost hear my voice,
Oh think how I should love a bed of flowers!--
Young goddess! let me see my native bowers!
Deliver me from this rapacious deep!"
Thus ending loudly, as he would o'erleap
His destiny, alert he stood: but when
Obstinate silence came heavily again,
Feeling about for its old couch of space
And airy cradle, lowly bow'd his face
Desponding, o'er the marble floor's cold thrill.
But 'twas not long; for, sweeter than the rill
To its old channel, or a swollen tide
To margin sallows, were the leaves he spied,
And flowers, and wreaths, and ready myrtle crowns
Up heaping through the slab: refreshment drowns
Itself, and strives its own delights to hide--
Nor in one spot alone; the floral pride
In a long whispering birth enchanted grew
Before his footsteps; as when heav'd anew
Old ocean rolls a lengthened wave to the shore,
Down whose green back the short-liv'd foam, all hoar,
Bursts gradual, with a wayward indolence.
Increasing still in heart, and pleasant sense,
Upon his fairy journey on he hastes;
So anxious for the end, he scarcely wastes
One moment with his hand among the sweets:
Onward he goes--he stops--his bosom beats
As plainly in his ear, as the faint charm
Of which the throbs were born. This still alarm,
This sleepy music, forc'd him walk tiptoe:
For it came more softly than the east could blow
Arion's magic to the Atlantic isles;
Or than the west, made jealous by the smiles
Of thron'd Apollo, could breathe back the lyre
To seas Ionian and Tyrian.
O did he ever live, that lonely man,
Who lov'd--and music slew not? 'Tis the pest
Of love, that fairest joys give most unrest;
That things of delicate and tenderest worth
Are swallow'd all, and made a seared dearth,
By one consuming flame: it doth immerse
And suffocate true blessings in a curse.
Half-happy, by comparison of bliss,
Is miserable. 'Twas even so with this
Dew-dropping melody, in the Carian's ear;
First heaven, then hell, and then forgotten clear,
Vanish'd in elemental passion.
And down some swart abysm he had gone,
Had not a heavenly guide benignant led
To where thick myrtle branches, 'gainst his head
Brushing, awakened: then the sounds again
Went noiseless as a passing noontide rain
Over a bower, where little space he stood;
For as the sunset peeps into a wood
So saw he panting light, and towards it went
Through winding alleys; and lo, wonderment!
Upon soft verdure saw, one here, one there,
Cupids a slumbering on their pinions fair.
After a thousand mazes overgone,
At last, with sudden step, he came upon
A chamber, myrtle wall'd, embowered high,
Full of light, incense, tender minstrelsy,
And more of beautiful and strange beside:
For on a silken couch of rosy pride,
In midst of all, there lay a sleeping youth
Of fondest beauty; fonder, in fair sooth,
Than sighs could fathom, or contentment reach:
And coverlids gold-tinted like the peach,
Or ripe October's faded marigolds,
Fell sleek about him in a thousand folds--
Not hiding up an Apollonian curve
Of neck and shoulder, nor the tenting swerve
Of knee from knee, nor ankles pointing light;
But rather, giving them to the filled sight
Officiously. Sideway his face repos'd
On one white arm, and tenderly unclos'd,
By tenderest pressure, a faint damask mouth
To slumbery pout; just as the morning south
Disparts a dew-lipp'd rose. Above his head,
Four lily stalks did their white honours wed
To make a coronal; and round him grew
All tendrils green, of every bloom and hue,
Together intertwin'd and trammel'd fresh:
The vine of glossy sprout; the ivy mesh,
Shading its Ethiop berries; and woodbine,
Of velvet leaves and bugle-blooms divine;
Convolvulus in streaked vases flush;
The creeper, mellowing for an autumn blush;
And virgin's bower, trailing airily;
With others of the sisterhood. Hard by,
Stood serene Cupids watching silently.
One, kneeling to a lyre, touch'd the strings,
Muffling to death the pathos with his wings;
And, ever and anon, uprose to look
At the youth's slumber; while another took
A willow-bough, distilling odorous dew,
And shook it on his hair; another flew
In through the woven roof, and fluttering-wise
Rain'd violets upon his sleeping eyes.
At these enchantments, and yet many more,
The breathless Latmian wonder'd o'er and o'er;
Until, impatient in embarrassment,
He forthright pass'd, and lightly treading went
To that same feather'd lyrist, who straightway,
Smiling, thus whisper'd: "Though from upper day
Thou art a wanderer, and thy presence here
Might seem unholy, be of happy cheer!
For 'tis the nicest touch of human honour,
When some ethereal and high-favouring donor
Presents immortal bowers to mortal sense;
As now 'tis done to thee, Endymion. Hence
Was I in no wise startled. So recline
Upon these living flowers. Here is wine,
Alive with sparkles--never, I aver,
Since Ariadne was a vintager,
So cool a purple: taste these juicy pears,
Sent me by sad Vertumnus, when his fears
Were high about Pomona: here is cream,
Deepening to richness from a snowy gleam;
Sweeter than that nurse Amalthea skimm'd
For the boy Jupiter: and here, undimm'd
By any touch, a bunch of blooming plums
Ready to melt between an infant's gums:
And here is manna pick'd from Syrian trees,
In starlight, by the three Hesperides.
Feast on, and meanwhile I will let thee know
Of all these things around us." He did so,
Still brooding o'er the cadence of his lyre;
And thus: "I need not any hearing tire
By telling how the sea-born goddess pin'd
For a mortal youth, and how she strove to bind
Him all in all unto her doting self.
Who would not be so prison'd? but, fond elf,
He was content to let her amorous plea
Faint through his careless arms; content to see
An unseiz'd heaven dying at his feet;
Content, O fool! to make a cold retreat,
When on the pleasant grass such love, lovelorn,
Lay sorrowing; when every tear was born
Of diverse passion; when her lips and eyes
Were clos'd in sullen moisture, and quick sighs
Came vex'd and pettish through her nostrils small.
Hush! no exclaim--yet, justly mightst thou call
Curses upon his head.--I was half glad,
But my poor mistress went distract and mad,
When the boar tusk'd him: so away she flew
To Jove's high throne, and by her plainings drew
Immortal tear-drops down the thunderer's beard;
Whereon, it was decreed he should be rear'd
Each summer time to life. Lo! this is he,
That same Adonis, safe in the privacy
Of this still region all his winter-sleep.
Aye, sleep; for when our love-sick queen did weep
Over his waned corse, the tremulous shower
Heal'd up the wound, and, with a balmy power,
Medicined death to a lengthened drowsiness:
The which she fills with visions, and doth dress
In all this quiet luxury; and hath set
Us young immortals, without any let,
To watch his slumber through. 'Tis well nigh pass'd,
Even to a moment's filling up, and fast
She scuds with summer breezes, to pant through
The first long kiss, warm firstling, to renew
Embower'd sports in Cytherea's isle.
Look! how those winged listeners all this while
Stand anxious: see! behold!"--This clamant word
Broke through the careful silence; for they heard
A rustling noise of leaves, and out there flutter'd
Pigeons and doves: Adonis something mutter'd,
The while one hand, that erst upon his thigh
Lay dormant, mov'd convuls'd and gradually
Up to his forehead. Then there was a hum
Of sudden voices, echoing, "Come! come!
Arise! awake! Clear summer has forth walk'd
Unto the clover-sward, and she has talk'd
Full soothingly to every nested finch:
Rise, Cupids! or we'll give the blue-bell pinch
To your dimpled arms. Once more sweet life begin!"
At this, from every side they hurried in,
Rubbing their sleepy eyes with lazy wrists,
And doubling overhead their little fists
In backward yawns. But all were soon alive:
For as delicious wine doth, sparkling, dive
In nectar'd clouds and curls through water fair,
So from the arbour roof down swell'd an air
Odorous and enlivening; making all
To laugh, and play, and sing, and loudly call
For their sweet queen: when lo! the wreathed green
Disparted, and far upward could be seen
Blue heaven, and a silver car, air-borne,
Whose silent wheels, fresh wet from clouds of morn,
Spun off a drizzling dew,--which falling chill
On soft Adonis' shoulders, made him still
Nestle and turn uneasily about.
Soon were the white doves plain, with necks stretch'd out,
And silken traces lighten'd in descent;
And soon, returning from love's banishment,
Queen Venus leaning downward open arm'd:
Her shadow fell upon his breast, and charm'd
A tumult to his heart, and a new life
Into his eyes. Ah, miserable strife,
But for her comforting! unhappy sight,
But meeting her blue orbs! Who, who can write
Of these first minutes? The unchariest muse
To embracements warm as theirs makes coy excuse.
O it has ruffled every spirit there,
Saving love's self, who stands superb to share
The general gladness: awfully he stands;
A sovereign quell is in his waving hands;
No sight can bear the lightning of his bow;
His quiver is mysterious, none can know
What themselves think of it; from forth his eyes
There darts strange light of varied hues and dyes:
A scowl is sometimes on his brow, but who
Look full upon it feel anon the blue
Of his fair eyes run liquid through their souls.
Endymion feels it, and no more controls
The burning prayer within him; so, bent low,
He had begun a plaining of his woe.
But Venus, bending forward, said: "My child,
Favour this gentle youth; his days are wild
With love--he--but alas! too well I see
Thou know'st the deepness of his misery.
Ah, smile not so, my son: I tell thee true,
That when through heavy hours I used to rue
The endless sleep of this new-born Adon',
This stranger ay I pitied. For upon
A dreary morning once I fled away
Into the breezy clouds, to weep and pray
For this my love: for vexing Mars had teaz'd
Me even to tears: thence, when a little eas'd,
Down-looking, vacant, through a hazy wood,
I saw this youth as he despairing stood:
Those same dark curls blown vagrant in the wind:
Those same full fringed lids a constant blind
Over his sullen eyes: I saw him throw
Himself on wither'd leaves, even as though
Death had come sudden; for no jot he mov'd,
Yet mutter'd wildly. I could hear he lov'd
Some fair immortal, and that his embrace
Had zoned her through the night. There is no trace
Of this in heaven: I have mark'd each cheek,
And find it is the vainest thing to seek;
And that of all things 'tis kept secretest.
Endymion! one day thou wilt be blest:
So still obey the guiding hand that fends
Thee safely through these wonders for sweet ends.
'Tis a concealment needful in extreme;
And if I guess'd not so, the sunny beam
Thou shouldst mount up to with me. Now adieu!
Here must we leave thee."--At these words up flew
The impatient doves, up rose the floating car,
Up went the hum celestial. High afar
The Latmian saw them minish into nought;
And, when all were clear vanish'd, still he caught
A vivid lightning from that dreadful bow.
When all was darkened, with Etnean throe
The earth clos'd--gave a solitary moan--
And left him once again in twilight lone.
He did not rave, he did not stare aghast,
For all those visions were o'ergone, and past,
And he in loneliness: he felt assur'd
Of happy times, when all he had endur'd
Would seem a feather to the mighty prize.
So, with unusual gladness, on he hies
Through caves, and palaces of mottled ore,
Gold dome, and crystal wall, and turquois floor,
Black polish'd porticos of awful shade,
And, at the last, a diamond balustrade,
Leading afar past wild magnificence,
Spiral through ruggedest loopholes, and thence
Stretching across a void, then guiding o'er
Enormous chasms, where, all foam and roar,
Streams subterranean tease their granite beds;
Then heighten'd just above the silvery heads
Of a thousand fountains, so that he could dash
The waters with his spear; but at the splash,
Done heedlessly, those spouting columns rose
Sudden a poplar's height, and 'gan to enclose
His diamond path with fretwork, streaming round
Alive, and dazzling cool, and with a sound,
Haply, like dolphin tumults, when sweet shells
Welcome the float of Thetis. Long he dwells
On this delight; for, every minute's space,
The streams with changed magic interlace:
Sometimes like delicatest lattices,
Cover'd with crystal vines; then weeping trees,
Moving about as in a gentle wind,
Which, in a wink, to watery gauze refin'd,
Pour'd into shapes of curtain'd canopies,
Spangled, and rich with liquid broideries
Of flowers, peacocks, swans, and naiads fair.
Swifter than lightning went these wonders rare;
And then the water, into stubborn streams
Collecting, mimick'd the wrought oaken beams,
Pillars, and frieze, and high fantastic roof,
Of those dusk places in times far aloof
Cathedrals call'd. He bade a loth farewel
To these founts Protean, passing gulph, and dell,
And torrent, and ten thousand jutting shapes,
Half seen through deepest gloom, and griesly gapes,
Blackening on every side, and overhead
A vaulted dome like Heaven's, far bespread
With starlight gems: aye, all so huge and strange,
The solitary felt a hurried change
Working within him into something dreary,--
Vex'd like a morning eagle, lost, and weary,
And purblind amid foggy, midnight wolds.
But he revives at once: for who beholds
New sudden things, nor casts his mental slough?
Forth from a rugged arch, in the dusk below,
Came mother Cybele! alone--alone--
In sombre chariot; dark foldings thrown
About her majesty, and front death-pale,
With turrets crown'd. Four maned lions hale
The sluggish wheels; solemn their toothed maws,
Their surly eyes brow-hidden, heavy paws
Uplifted drowsily, and nervy tails
Cowering their tawny brushes. Silent sails
This shadowy queen athwart, and faints away
In another gloomy arch.
Young traveller, in such a mournful place?
Art thou wayworn, or canst not further trace
The diamond path? And does it indeed end
Abrupt in middle air? Yet earthward bend
Thy forehead, and to Jupiter cloud-borne
Call ardently! He was indeed wayworn;
Abrupt, in middle air, his way was lost;
To cloud-borne Jove he bowed, and there crost
Towards him a large eagle, 'twixt whose wings,
Without one impious word, himself he flings,
Committed to the darkness and the gloom:
Down, down, uncertain to what pleasant doom,
Swift as a fathoming plummet down he fell
Through unknown things; till exhaled asphodel,
And rose, with spicy fannings interbreath'd,
Came swelling forth where little caves were wreath'd
So thick with leaves and mosses, that they seem'd
Large honey-combs of green, and freshly teem'd
With airs delicious. In the greenest nook
The eagle landed him, and farewel took.
It was a jasmine bower, all bestrown
With golden moss. His every sense had grown
Ethereal for pleasure; 'bove his head
Flew a delight half-graspable; his tread
Was Hesperean; to his capable ears
Silence was music from the holy spheres;
A dewy luxury was in his eyes;
The little flowers felt his pleasant sighs
And stirr'd them faintly. Verdant cave and cell
He wander'd through, oft wondering at such swell
Of sudden exaltation: but, "Alas!
Said he, "will all this gush of feeling pass
Away in solitude? And must they wane,
Like melodies upon a sandy plain,
Without an echo? Then shall I be left
So sad, so melancholy, so bereft!
Yet still I feel immortal! O my love,
My breath of life, where art thou? High above,
Dancing before the morning gates of heaven?
Or keeping watch among those starry seven,
Old Atlas' children? Art a maid of the waters,
One of shell-winding Triton's bright-hair'd daughters?
Or art, impossible! a nymph of Dian's,
Weaving a coronal of tender scions
For very idleness? Where'er thou art,
Methinks it now is at my will to start
Into thine arms; to scare Aurora's train,
And snatch thee from the morning; o'er the main
To scud like a wild bird, and take thee off
From thy sea-foamy cradle; or to doff
Thy shepherd vest, and woo thee mid fresh leaves.
No, no, too eagerly my soul deceives
Its powerless self: I know this cannot be.
O let me then by some sweet dreaming flee
To her entrancements: hither sleep awhile!
Hither most gentle sleep! and soothing foil
For some few hours the coming solitude."
Thus spake he, and that moment felt endued
With power to dream deliciously; so wound
Through a dim passage, searching till he found
The smoothest mossy bed and deepest, where
He threw himself, and just into the air
Stretching his indolent arms, he took, O bliss!
A naked waist: "Fair Cupid, whence is this?"
A well-known voice sigh'd, "Sweetest, here am I!"
At which soft ravishment, with doating cry
They trembled to each other.--Helicon!
O fountain'd hill! Old Homer's Helicon!
That thou wouldst spout a little streamlet o'er
These sorry pages; then the verse would soar
And sing above this gentle pair, like lark
Over his nested young: but all is dark
Around thine aged top, and thy clear fount
Exhales in mists to heaven. Aye, the count
Of mighty Poets is made up; the scroll
Is folded by the Muses; the bright roll
Is in Apollo's hand: our dazed eyes
Have seen a new tinge in the western skies:
The world has done its duty. Yet, oh yet,
Although the sun of poesy is set,
These lovers did embrace, and we must weep
That there is no old power left to steep
A quill immortal in their joyous tears.
Long time in silence did their anxious fears
Question that thus it was; long time they lay
Fondling and kissing every doubt away;
Long time ere soft caressing sobs began
To mellow into words, and then there ran
Two bubbling springs of talk from their sweet lips.
"O known Unknown! from whom my being sips
Such darling essence, wherefore may I not
Be ever in these arms? in this sweet spot
Pillow my chin for ever? ever press
These toying hands and kiss their smooth excess?
Why not for ever and for ever feel
That breath about my eyes? Ah, thou wilt steal
Away from me again, indeed, indeed--
Thou wilt be gone away, and wilt not heed
My lonely madness. Speak, my kindest fair!
Is--is it to be so? No! Who will dare
To pluck thee from me? And, of thine own will,
Full well I feel thou wouldst not leave me. Still
Let me entwine thee surer, surer--now
How can we part? Elysium! who art thou?
Who, that thou canst not be for ever here,
Or lift me with thee to some starry sphere?
Enchantress! tell me by this soft embrace,
By the most soft completion of thy face,
Those lips, O slippery blisses, twinkling eyes,
And by these tenderest, milky sovereignties--
These tenderest, and by the nectar-wine,
The passion"--------"O lov'd Ida the divine!
Endymion! dearest! Ah, unhappy me!
His soul will 'scape us--O felicity!
How he does love me! His poor temples beat
To the very tune of love--how sweet, sweet, sweet.
Revive, dear youth, or I shall faint and die;
Revive, or these soft hours will hurry by
In tranced dulness; speak, and let that spell
Affright this lethargy! I cannot quell
Its heavy pressure, and will press at least
My lips to thine, that they may richly feast
Until we taste the life of love again.
What! dost thou move? dost kiss? O bliss! O pain!
I love thee, youth, more than I can conceive;
And so long absence from thee doth bereave
My soul of any rest: yet must I hence:
Yet, can I not to starry eminence
Uplift thee; nor for very shame can own
Myself to thee. Ah, dearest, do not groan
Or thou wilt force me from this secrecy,
And I must blush in heaven. O that I
Had done it already; that the dreadful smiles
At my lost brightness, my impassion'd wiles,
Had waned from Olympus' solemn height,
And from all serious Gods; that our delight
Was quite forgotten, save of us alone!
And wherefore so ashamed? 'Tis but to atone
For endless pleasure, by some coward blushes:
Yet must I be a coward!--Horror rushes
Too palpable before me--the sad look
Of Jove--Minerva's start--no bosom shook
With awe of purity--no Cupid pinion
In reverence veiled--my crystaline dominion
Half lost, and all old hymns made nullity!
But what is this to love? O I could fly
With thee into the ken of heavenly powers,
So thou wouldst thus, for many sequent hours,
Press me so sweetly. Now I swear at once
That I am wise, that Pallas is a dunce--
Perhaps her love like mine is but unknown--
O I do think that I have been alone
In chastity: yes, Pallas has been sighing,
While every eve saw me my hair uptying
With fingers cool as aspen leaves. Sweet love,
I was as vague as solitary dove,
Nor knew that nests were built. Now a soft kiss--
Aye, by that kiss, I vow an endless bliss,
An immortality of passion's thine:
Ere long I will exalt thee to the shine
Of heaven ambrosial; and we will shade
Ourselves whole summers by a river glade;
And I will tell thee stories of the sky,
And breathe thee whispers of its minstrelsy.
My happy love will overwing all bounds!
O let me melt into thee; let the sounds
Of our close voices marry at their birth;
Let us entwine hoveringly--O dearth
Of human words! roughness of mortal speech!
Lispings empyrean will I sometime teach
Thine honied tongue--lute-breathings, which I gasp
To have thee understand, now while I clasp
Thee thus, and weep for fondness--I am pain'd,
Endymion: woe! woe! is grief contain'd
In the very deeps of pleasure, my sole life?"--
Hereat, with many sobs, her gentle strife
Melted into a languor. He return'd
Entranced vows and tears.
Ye who have yearn'd
With too much passion, will here stay and pity,
For the mere sake of truth; as 'tis a ditty
Not of these days, but long ago 'twas told
By a cavern wind unto a forest old;
And then the forest told it in a dream
To a sleeping lake, whose cool and level gleam
A poet caught as he was journeying
To Phoebus' shrine; and in it he did fling
His weary limbs, bathing an hour's space,
And after, straight in that inspired place
He sang the story up into the air,
Giving it universal freedom. There
Has it been ever sounding for those ears
Whose tips are glowing hot. The legend cheers
Yon centinel stars; and he who listens to it
Must surely be self-doomed or he will rue it:
For quenchless burnings come upon the heart,
Made fiercer by a fear lest any part
Should be engulphed in the eddying wind.
As much as here is penn'd doth always find
A resting place, thus much comes clear and plain;
Anon the strange voice is upon the wane--
And 'tis but echo'd from departing sound,
That the fair visitant at last unwound
Her gentle limbs, and left the youth asleep.--
Thus the tradition of the gusty deep.
Now turn we to our former chroniclers.--
Endymion awoke, that grief of hers
Sweet paining on his ear: he sickly guess'd
How lone he was once more, and sadly press'd
His empty arms together, hung his head,
And most forlorn upon that widow'd bed
Sat silently. Love's madness he had known:
Often with more than tortured lion's groan
Moanings had burst from him; but now that rage
Had pass'd away: no longer did he wage
A rough-voic'd war against the dooming stars.
No, he had felt too much for such harsh jars:
The lyre of his soul Eolian tun'd
Forgot all violence, and but commun'd
With melancholy thought: O he had swoon'd
Drunken from pleasure's nipple; and his love
Henceforth was dove-like.--Loth was he to move
From the imprinted couch, and when he did,
'Twas with slow, languid paces, and face hid
In muffling hands. So temper'd, out he stray'd
Half seeing visions that might have dismay'd
Alecto's serpents; ravishments more keen
Than Hermes' pipe, when anxious he did lean
Over eclipsing eyes: and at the last
It was a sounding grotto, vaulted, vast,
O'er studded with a thousand, thousand pearls,
And crimson mouthed shells with stubborn curls,
Of every shape and size, even to the bulk
In which whales arbour close, to brood and sulk
Against an endless storm. Moreover too,
Fish-semblances, of green and azure hue,
Ready to snort their streams. In this cool wonder
Endymion sat down, and 'gan to ponder
On all his life: his youth, up to the day
When 'mid acclaim, and feasts, and garlands gay,
He stept upon his shepherd throne: the look
Of his white palace in wild forest nook,
And all the revels he had lorded there:
Each tender maiden whom he once thought fair,
With every friend and fellow-woodlander--
Pass'd like a dream before him. Then the spur
Of the old bards to mighty deeds: his plans
To nurse the golden age 'mong shepherd clans:
That wondrous night: the great Pan-festival:
His sister's sorrow; and his wanderings all,
Until into the earth's deep maw he rush'd:
Then all its buried magic, till it flush'd
High with excessive love. "And now," thought he,
"How long must I remain in jeopardy
Of blank amazements that amaze no more?
Now I have tasted her sweet soul to the core
All other depths are shallow: essences,
Once spiritual, are like muddy lees,
Meant but to fertilize my earthly root,
And make my branches lift a golden fruit
Into the bloom of heaven: other light,
Though it be quick and sharp enough to blight
The Olympian eagle's vision, is dark,
Dark as the parentage of chaos. Hark!
My silent thoughts are echoing from these shells;
Or they are but the ghosts, the dying swells
Of noises far away?--list!"--Hereupon
He kept an anxious ear. The humming tone
Came louder, and behold, there as he lay,
On either side outgush'd, with misty spray,
A copious spring; and both together dash'd
Swift, mad, fantastic round the rocks, and lash'd
Among the conchs and shells of the lofty grot,
Leaving a trickling dew. At last they shot
Down from the ceiling's height, pouring a noise
As of some breathless racers whose hopes poize
Upon the last few steps, and with spent force
Along the ground they took a winding course.
Endymion follow'd--for it seem'd that one
Ever pursued, the other strove to shun--
Follow'd their languid mazes, till well nigh
He had left thinking of the mystery,--
And was now rapt in tender hoverings
Over the vanish'd bliss. Ah! what is it sings
His dream away? What melodies are these?
They sound as through the whispering of trees,
Not native in such barren vaults. Give ear!
"O Arethusa, peerless nymph! why fear
Such tenderness as mine? Great Dian, why,
Why didst thou hear her prayer? O that I
Were rippling round her dainty fairness now,
Circling about her waist, and striving how
To entice her to a dive! then stealing in
Between her luscious lips and eyelids thin.
O that her shining hair was in the sun,
And I distilling from it thence to run
In amorous rillets down her shrinking form!
To linger on her lily shoulders, warm
Between her kissing breasts, and every charm
Touch raptur'd!--See how painfully I flow:
Fair maid, be pitiful to my great woe.
Stay, stay thy weary course, and let me lead,
A happy wooer, to the flowery mead
Where all that beauty snar'd me."--"Cruel god,
Desist! or my offended mistress' nod
Will stagnate all thy fountains:--tease me not
With syren words--Ah, have I really got
Such power to madden thee? And is it true--
Away, away, or I shall dearly rue
My very thoughts: in mercy then away,
Kindest Alpheus for should I obey
My own dear will, 'twould be a deadly bane."--
"O, Oread-Queen! would that thou hadst a pain
Like this of mine, then would I fearless turn
And be a criminal."--"Alas, I burn,
I shudder--gentle river, get thee hence.
Alpheus! thou enchanter! every sense
Of mine was once made perfect in these woods.
Fresh breezes, bowery lawns, and innocent floods,
Ripe fruits, and lonely couch, contentment gave;
But ever since I heedlessly did lave
In thy deceitful stream, a panting glow
Grew strong within me: wherefore serve me so,
And call it love? Alas, 'twas cruelty.
Not once more did I close my happy eyes
Amid the thrush's song. Away! Avaunt!
O 'twas a cruel thing."--"Now thou dost taunt
So softly, Arethusa, that I think
If thou wast playing on my shady brink,
Thou wouldst bathe once again. Innocent maid!
Stifle thine heart no more;--nor be afraid
Of angry powers: there are deities
Will shade us with their wings. Those fitful sighs
'Tis almost death to hear: O let me pour
A dewy balm upon them!--fear no more,
Sweet Arethusa! Dian's self must feel
Sometimes these very pangs. Dear maiden, steal
Blushing into my soul, and let us fly
These dreary caverns for the open sky.
I will delight thee all my winding course,
From the green sea up to my hidden source
About Arcadian forests; and will shew
The channels where my coolest waters flow
Through mossy rocks; where, 'mid exuberant green,
I roam in pleasant darkness, more unseen
Than Saturn in his exile; where I brim
Round flowery islands, and take thence a skim
Of mealy sweets, which myriads of bees
Buzz from their honied wings: and thou shouldst please
Thyself to choose the richest, where we might
Be incense-pillow'd every summer night.
Doff all sad fears, thou white deliciousness,
And let us be thus comforted; unless
Thou couldst rejoice to see my hopeless stream
Hurry distracted from Sol's temperate beam,
And pour to death along some hungry sands."--
"What can I do, Alpheus? Dian stands
Severe before me: persecuting fate!
Unhappy Arethusa! thou wast late
A huntress free in"--At this, sudden fell
Those two sad streams adown a fearful dell.
The Latmian listen'd, but he heard no more,
Save echo, faint repeating o'er and o'er
The name of Arethusa. On the verge
Of that dark gulph he wept, and said: "I urge
Thee, gentle Goddess of my pilgrimage,
By our eternal hopes, to soothe, to assuage,
If thou art powerful, these lovers pains;
And make them happy in some happy plains.
He turn'd--there was a whelming sound--he stept,
There was a cooler light; and so he kept
Towards it by a sandy path, and lo!
More suddenly than doth a moment go,
The visions of the earth were gone and fled--
He saw the giant sea above his head.
The House Of Dust: Complete
The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.
And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.
'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.
We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .
Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.
Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.
Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.
One, from his high bright window in a tower,
Leans out, as evening falls,
And sees the advancing curtain of the shower
Splashing its silver on roofs and walls:
Sees how, swift as a shadow, it crosses the city,
And murmurs beyond far walls to the sea,
Leaving a glimmer of water in the dark canyons,
And silver falling from eave and tree.
One, from his high bright window, looking down,
Peers like a dreamer over the rain-bright town,
And thinks its towers are like a dream.
The western windows flame in the sun's last flare,
Pale roofs begin to gleam.
Looking down from a window high in a wall
He sees us all;
Lifting our pallid faces towards the rain,
Searching the sky, and going our ways again,
Standing in doorways, waiting under the trees . . .
There, in the high bright window he dreams, and sees
What we are blind to,—we who mass and crowd
From wall to wall in the darkening of a cloud.
The gulls drift slowly above the city of towers,
Over the roofs to the darkening sea they fly;
Night falls swiftly on an evening of rain.
The yellow lamps wink one by one again.
The towers reach higher and blacker against the sky.
One, where the pale sea foamed at the yellow sand,
With wave upon slowly shattering wave,
Turned to the city of towers as evening fell;
And slowly walked by the darkening road toward it;
And saw how the towers darkened against the sky;
And across the distance heard the toll of a bell.
Along the darkening road he hurried alone,
With his eyes cast down,
And thought how the streets were hoarse with a tide of people,
With clamor of voices, and numberless faces . . .
And it seemed to him, of a sudden, that he would drown
Here in the quiet of evening air,
These empty and voiceless places . . .
And he hurried towards the city, to enter there.
Along the darkening road, between tall trees
That made a sinister whisper, loudly he walked.
Behind him, sea-gulls dipped over long grey seas.
Before him, numberless lovers smiled and talked.
And death was observed with sudden cries,
And birth with laughter and pain.
And the trees grew taller and blacker against the skies
And night came down again.
Up high black walls, up sombre terraces,
Clinging like luminous birds to the sides of cliffs,
The yellow lights went climbing towards the sky.
From high black walls, gleaming vaguely with rain,
Each yellow light looked down like a golden eye.
They trembled from coign to coign, and tower to tower,
Along high terraces quicker than dream they flew.
And some of them steadily glowed, and some soon vanished,
And some strange shadows threw.
And behind them all the ghosts of thoughts went moving,
Restlessly moving in each lamplit room,
From chair to mirror, from mirror to fire;
From some, the light was scarcely more than a gloom:
From some, a dazzling desire.
And there was one, beneath black eaves, who thought,
Combing with lifted arms her golden hair,
Of the lover who hurried towards her through the night;
And there was one who dreamed of a sudden death
As she blew out her light.
And there was one who turned from clamoring streets,
And walked in lamplit gardens among black trees,
And looked at the windy sky,
And thought with terror how stones and roots would freeze
And birds in the dead boughs cry . . .
And she hurried back, as snow fell, mixed with rain,
To mingle among the crowds again,
To jostle beneath blue lamps along the street;
And lost herself in the warm bright coiling dream,
With a sound of murmuring voices and shuffling feet.
And one, from his high bright window looking down
On luminous chasms that cleft the basalt town,
Hearing a sea-like murmur rise,
Desired to leave his dream, descend from the tower,
And drown in waves of shouts and laughter and cries.
The snow floats down upon us, mingled with rain . . .
It eddies around pale lilac lamps, and falls
Down golden-windowed walls.
We were all born of flesh, in a flare of pain,
We do not remember the red roots whence we rose,
But we know that we rose and walked, that after a while
We shall lie down again.
The snow floats down upon us, we turn, we turn,
Through gorges filled with light we sound and flow . . .
One is struck down and hurt, we crowd about him,
We bear him away, gaze after his listless body;
But whether he lives or dies we do not know.
One of us sings in the street, and we listen to him;
The words ring over us like vague bells of sorrow.
He sings of a house he lived in long ago.
It is strange; this house of dust was the house I lived in;
The house you lived in, the house that all of us know.
And coiling slowly about him, and laughing at him,
And throwing him pennies, we bear away
A mournful echo of other times and places,
And follow a dream . . . a dream that will not stay.
Down long broad flights of lamplit stairs we flow;
Noisy, in scattered waves, crowding and shouting;
In broken slow cascades.
The gardens extend before us . . . We spread out swiftly;
Trees are above us, and darkness. The canyon fades . . .
And we recall, with a gleaming stab of sadness,
Vaguely and incoherently, some dream
Of a world we came from, a world of sun-blue hills . . .
A black wood whispers around us, green eyes gleam;
Someone cries in the forest, and someone kills.
We flow to the east, to the white-lined shivering sea;
We reach to the west, where the whirling sun went down;
We close our eyes to music in bright cafees.
We diverge from clamorous streets to streets that are silent.
We loaf where the wind-spilled fountain plays.
And, growing tired, we turn aside at last,
Remember our secret selves, seek out our towers,
Lay weary hands on the banisters, and climb;
Climbing, each, to his little four-square dream
Of love or lust or beauty or death or crime.
Over the darkened city, the city of towers,
The city of a thousand gates,
Over the gleaming terraced roofs, the huddled towers,
Over a somnolent whisper of loves and hates,
The slow wind flows, drearily streams and falls,
With a mournful sound down rain-dark walls.
On one side purples the lustrous dusk of the sea,
And dreams in white at the city's feet;
On one side sleep the plains, with heaped-up hills.
Oaks and beeches whisper in rings about it.
Above the trees are towers where dread bells beat.
The fisherman draws his streaming net from the sea
And sails toward the far-off city, that seems
Like one vague tower.
The dark bow plunges to foam on blue-black waves,
And shrill rain seethes like a ghostly music about him
In a quiet shower.
Rain with a shrill sings on the lapsing waves;
Rain thrills over the roofs again;
Like a shadow of shifting silver it crosses the city;
The lamps in the streets are streamed with rain;
And sparrows complain beneath deep eaves,
And among whirled leaves
The sea-gulls, blowing from tower to lower tower,
From wall to remoter wall,
Skim with the driven rain to the rising sea-sound
And close grey wings and fall . . .
. . . Hearing great rain above me, I now remember
A girl who stood by the door and shut her eyes:
Her pale cheeks glistened with rain, she stood and shivered.
Into a forest of silver she vanished slowly . . .
Voices about me rise . . .
Voices clear and silvery, voices of raindrops,—
'We struck with silver claws, we struck her down.
We are the ghosts of the singing furies . . . '
A chorus of elfin voices blowing about me
Weaves to a babel of sound. Each cries a secret.
I run among them, reach out vain hands, and drown.
'I am the one who stood beside you and smiled,
Thinking your face so strangely young . . . '
'I am the one who loved you but did not dare.'
'I am the one you followed through crowded streets,
The one who escaped you, the one with red-gleamed hair.'
'I am the one you saw to-day, who fell
Senseless before you, hearing a certain bell:
A bell that broke great memories in my brain.'
'I am the one who passed unnoticed before you,
Invisible, in a cloud of secret pain.'
'I am the one who suddenly cried, beholding
The face of a certain man on the dazzling screen.
They wrote me that he was dead. It was long ago.
I walked in the streets for a long while, hearing nothing,
And returned to see it again. And it was so.'
Weave, weave, weave, you streaks of rain!
I am dissolved and woven again . . .
Thousands of faces rise and vanish before me.
Thousands of voices weave in the rain.
'I am the one who rode beside you, blinking
At a dazzle of golden lights.
Tempests of music swept me: I was thinking
Of the gorgeous promise of certain nights:
Of the woman who suddenly smiled at me this day,
Smiled in a certain delicious sidelong way,
And turned, as she reached the door,
To smile once more . . .
Her hands are whiter than snow on midnight water.
Her throat is golden and full of golden laughter,
Her eyes are strange as the stealth of the moon
On a night in June . . .
She runs among whistling leaves; I hurry after;
She dances in dreams over white-waved water;
Her body is white and fragrant and cool,
Magnolia petals that float on a white-starred pool . . .
I have dreamed of her, dreaming for many nights
Of a broken music and golden lights,
Of broken webs of silver, heavily falling
Between my hands and their white desire:
And dark-leaved boughs, edged with a golden radiance,
Dipping to screen a fire . . .
I dream that I walk with her beneath high trees,
But as I lean to kiss her face,
She is blown aloft on wind, I catch at leaves,
And run in a moonless place;
And I hear a crashing of terrible rocks flung down,
And shattering trees and cracking walls,
And a net of intense white flame roars over the town,
And someone cries; and darkness falls . . .
But now she has leaned and smiled at me,
My veins are afire with music,
Her eyes have kissed me, my body is turned to light;
I shall dream to her secret heart tonight . . . '
He rises and moves away, he says no word,
He folds his evening paper and turns away;
I rush through the dark with rows of lamplit faces;
Fire bells peal, and some of us turn to listen,
And some sit motionless in their accustomed places.
Cold rain lashes the car-roof, scurries in gusts,
Streams down the windows in waves and ripples of lustre;
The lamps in the streets are distorted and strange.
Someone takes his watch from his pocket and yawns.
One peers out in the night for the place to change.
Rain . . . rain . . . rain . . . we are buried in rain,
It will rain forever, the swift wheels hiss through water,
Pale sheets of water gleam in the windy street.
The pealing of bells is lost in a drive of rain-drops.
Remote and hurried the great bells beat.
'I am the one whom life so shrewdly betrayed,
Misfortune dogs me, it always hunted me down.
And to-day the woman I love lies dead.
I gave her roses, a ring with opals;
These hands have touched her head.
'I bound her to me in all soft ways,
I bound her to me in a net of days,
Yet now she has gone in silence and said no word.
How can we face these dazzling things, I ask you?
There is no use: we cry: and are not heard.
'They cover a body with roses . . . I shall not see it . . .
Must one return to the lifeless walls of a city
Whose soul is charred by fire? . . . '
His eyes are closed, his lips press tightly together.
Wheels hiss beneath us. He yields us our desire.
'No, do not stare so—he is weak with grief,
He cannot face you, he turns his eyes aside;
He is confused with pain.
I suffered this. I know. It was long ago . . .
He closes his eyes and drowns in death again.'
The wind hurls blows at the rain-starred glistening windows,
The wind shrills down from the half-seen walls.
We flow on the mournful wind in a dream of dying;
And at last a silence falls.
Midnight; bells toll, and along the cloud-high towers
The golden lights go out . . .
The yellow windows darken, the shades are drawn,
In thousands of rooms we sleep, we await the dawn,
We lie face down, we dream,
We cry aloud with terror, half rise, or seem
To stare at the ceiling or walls . . .
Midnight . . . the last of shattering bell-notes falls.
A rush of silence whirls over the cloud-high towers,
A vortex of soundless hours.
'The bells have just struck twelve: I should be sleeping.
But I cannot delay any longer to write and tell you.
The woman is dead.
She died—you know the way. Just as we planned.
Smiling, with open sunlit eyes.
Smiling upon the outstretched fatal hand . . .'
He folds his letter, steps softly down the stairs.
The doors are closed and silent. A gas-jet flares.
His shadow disturbs a shadow of balustrades.
The door swings shut behind. Night roars above him.
Into the night he fades.
Wind; wind; wind; carving the walls;
Blowing the water that gleams in the street;
Blowing the rain, the sleet.
In the dark alley, an old tree cracks and falls,
Oak-boughs moan in the haunted air;
Lamps blow down with a crash and tinkle of glass . . .
Darkness whistles . . . Wild hours pass . . .
And those whom sleep eludes lie wide-eyed, hearing
Above their heads a goblin night go by;
Children are waked, and cry,
The young girl hears the roar in her sleep, and dreams
That her lover is caught in a burning tower,
She clutches the pillow, she gasps for breath, she screams . . .
And then by degrees her breath grows quiet and slow,
She dreams of an evening, long ago:
Of colored lanterns balancing under trees,
Some of them softly catching afire;
And beneath the lanterns a motionless face she sees,
Golden with lamplight, smiling, serene . . .
The leaves are a pale and glittering green,
The sound of horns blows over the trampled grass,
Shadows of dancers pass . . .
The face smiles closer to hers, she tries to lean
Backward, away, the eyes burn close and strange,
The face is beginning to change,—
It is her lover, she no longer desires to resist,
She is held and kissed.
She closes her eyes, and melts in a seethe of flame . . .
With a smoking ghost of shame . . .
Wind, wind, wind . . . Wind in an enormous brain
Blowing dark thoughts like fallen leaves . . .
The wind shrieks, the wind grieves;
It dashes the leaves on walls, it whirls then again;
And the enormous sleeper vaguely and stupidly dreams
And desires to stir, to resist a ghost of pain.
One, whom the city imprisoned because of his cunning,
Who dreamed for years in a tower,
Seizes this hour
Of tumult and wind. He files through the rusted bar,
Leans his face to the rain, laughs up at the night,
Slides down the knotted sheet, swings over the wall,
To fall to the street with a cat-like fall,
Slinks round a quavering rim of windy light,
And at last is gone,
Leaving his empty cell for the pallor of dawn . . .
The mother whose child was buried to-day
Turns her face to the window; her face is grey;
And all her body is cold with the coldness of rain.
He would have grown as easily as a tree,
He would have spread a pleasure of shade above her,
He would have been his father again . . .
His growth was ended by a freezing invisible shadow.
She lies, and does not move, and is stabbed by the rain.
Wind, wind, wind; we toss and dream;
We dream we are clouds and stars, blown in a stream:
Windows rattle above our beds;
We reach vague-gesturing hands, we lift our heads,
Hear sounds far off,—and dream, with quivering breath,
Our curious separate ways through life and death.
The white fog creeps from the cold sea over the city,
Over the pale grey tumbled towers,—
And settles among the roofs, the pale grey walls.
Along damp sinuous streets it crawls,
Curls like a dream among the motionless trees
And seems to freeze.
The fog slips ghostlike into a thousand rooms,
Whirls over sleeping faces,
Spins in an atomy dance round misty street lamps;
And blows in cloudy waves over open spaces . . .
And one from his high window, looking down,
Peers at the cloud-white town,
And thinks its island towers are like a dream . . .
It seems an enormous sleeper, within whose brain
Laborious shadows revolve and break and gleam.
The round red sun heaves darkly out of the sea.
The walls and towers are warmed and gleam.
Sounds go drowsily up from streets and wharves.
The city stirs like one that is half in dream.
And the mist flows up by dazzling walls and windows,
Where one by one we wake and rise.
We gaze at the pale grey lustrous sea a moment,
We rub the darkness from our eyes,
And face our thousand devious secret mornings . . .
And do not see how the pale mist, slowly ascending,
Shaped by the sun, shines like a white-robed dreamer
Compassionate over our towers bending.
There, like one who gazes into a crystal,
He broods upon our city with sombre eyes;
He sees our secret fears vaguely unfolding,
Sees cloudy symbols shape to rise.
Each gleaming point of light is like a seed
Dilating swiftly to coiling fires.
Each cloud becomes a rapidly dimming face,
Each hurrying face records its strange desires.
We descend our separate stairs toward the day,
Merge in the somnolent mass that fills the street,
Lift our eyes to the soft blue space of sky,
And walk by the well-known walls with accustomed feet.
II. THE FULFILLED DREAM
More towers must yet be built—more towers destroyed—
Great rocks hoisted in air;
And he must seek his bread in high pale sunlight
With gulls about him, and clouds just over his eyes . . .
And so he did not mention his dream of falling
But drank his coffee in silence, and heard in his ears
That horrible whistle of wind, and felt his breath
Sucked out of him, and saw the tower flash by
And the small tree swell beneath him . . .
He patted his boy on the head, and kissed his wife,
Looked quickly around the room, to remember it,—
And so went out . . . For once, he forgot his pail.
Something had changed—but it was not the street—
The street was just the same—it was himself.
Puddles flashed in the sun. In the pawn-shop door
The same old black cat winked green amber eyes;
The butcher stood by his window tying his apron;
The same men walked beside him, smoking pipes,
Reading the morning paper . . .
He would not yield, he thought, and walk more slowly,
As if he knew for certain he walked to death:
But with his usual pace,—deliberate, firm,
Looking about him calmly, watching the world,
Taking his ease . . . Yet, when he thought again
Of the same dream, now dreamed three separate times,
Always the same, and heard that whistling wind,
And saw the windows flashing upward past him,—
He slowed his pace a little, and thought with horror
How monstrously that small tree thrust to meet him! . . .
He slowed his pace a little and remembered his wife.
Was forty, then, too old for work like this?
Why should it be? He'd never been afraid—
His eye was sure, his hand was steady . . .
But dreams had meanings.
He walked more slowly, and looked along the roofs,
All built by men, and saw the pale blue sky;
And suddenly he was dizzy with looking at it,
It seemed to whirl and swim,
It seemed the color of terror, of speed, of death . . .
He lowered his eyes to the stones, he walked more slowly;
His thoughts were blown and scattered like leaves;
He thought of the pail . . . Why, then, was it forgotten?
Because he would not need it?
Then, just as he was grouping his thoughts again
About that drug-store corner, under an arc-lamp,
Where first he met the girl whom he would marry,—
That blue-eyed innocent girl, in a soft blouse,—
He waved his hand for signal, and up he went
In the dusty chute that hugged the wall;
Above the tree; from girdered floor to floor;
Above the flattening roofs, until the sea
Lay wide and waved before him . . . And then he stepped
Giddily out, from that security,
To the red rib of iron against the sky,
And walked along it, feeling it sing and tremble;
And looking down one instant, saw the tree
Just as he dreamed it was; and looked away,
And up again, feeling his blood go wild.
He gave the signal; the long girder swung
Closer to him, dropped clanging into place,
Almost pushing him off. Pneumatic hammers
Began their madhouse clatter, the white-hot rivets
Were tossed from below and deftly caught in pails;
He signalled again, and wiped his mouth, and thought
A place so high in the air should be more quiet.
The tree, far down below, teased at his eyes,
Teased at the corners of them, until he looked,
And felt his body go suddenly small and light;
Felt his brain float off like a dwindling vapor;
And heard a whistle of wind, and saw a tree
Come plunging up to him, and thought to himself,
'By God—I'm done for now, the dream was right . . .'
The warm sun dreams in the dust, the warm sun falls
On bright red roofs and walls;
The trees in the park exhale a ghost of rain;
We go from door to door in the streets again,
Talking, laughing, dreaming, turning our faces,
Recalling other times and places . . .
We crowd, not knowing why, around a gate,
We crowd together and wait,
A stretcher is carried out, voices are stilled,
The ambulance drives away.
We watch its roof flash by, hear someone say
'A man fell off the building and was killed—
Fell right into a barrel . . .' We turn again
Among the frightened eyes of white-faced men,
And go our separate ways, each bearing with him
A thing he tries, but vainly, to forget,—
A sickened crowd, a stretcher red and wet.
A hurdy-gurdy sings in the crowded street,
The golden notes skip over the sunlit stones,
Wings are upon our feet.
The sun seems warmer, the winding street more bright,
Sparrows come whirring down in a cloud of light.
We bear our dreams among us, bear them all,
Like hurdy-gurdy music they rise and fall,
Climb to beauty and die.
The wandering lover dreams of his lover's mouth,
And smiles at the hostile sky.
The broker smokes his pipe, and sees a fortune.
The murderer hears a cry.
'Draw three cards, and I will tell your future . . .
Draw three cards, and lay them down,
Rest your palms upon them, stare at the crystal,
And think of time . . . My father was a clown,
My mother was a gypsy out of Egypt;
And she was gotten with child in a strange way;
And I was born in a cold eclipse of the moon,
With the future in my eyes as clear as day.'
I sit before the gold-embroidered curtain
And think her face is like a wrinkled desert.
The crystal burns in lamplight beneath my eyes.
A dragon slowly coils on the scaly curtain.
Upon a scarlet cloth a white skull lies.
'Your hand is on the hand that holds three lilies.
You will live long, love many times.
I see a dark girl here who once betrayed you.
I see a shadow of secret crimes.
'There was a man who came intent to kill you,
And hid behind a door and waited for you;
There was a woman who smiled at you and lied.
There was a golden girl who loved you, begged you,
Crawled after you, and died.
'There is a ghost of murder in your blood—
Coming or past, I know not which.
And here is danger—a woman with sea-green eyes,
And white-skinned as a witch . . .'
The words hiss into me, like raindrops falling
On sleepy fire . . . She smiles a meaning smile.
Suspicion eats my brain; I ask a question;
Something is creeping at me, something vile;
And suddenly on the wall behind her head
I see a monstrous shadow strike and spread,
The lamp puffs out, a great blow crashes down.
I plunge through the curtain, run through dark to the street,
And hear swift steps retreat . . .
The shades are drawn, the door is locked behind me.
Behind the door I hear a hammer sounding.
I walk in a cloud of wonder; I am glad.
I mingle among the crowds; my heart is pounding;
You do not guess the adventure I have had! . . .
Yet you, too, all have had your dark adventures,
Your sudden adventures, or strange, or sweet . . .
My peril goes out from me, is blown among you.
We loiter, dreaming together, along the street.
Round white clouds roll slowly above the housetops,
Over the clear red roofs they flow and pass.
A flock of pigeons rises with blue wings flashing,
Rises with whistle of wings, hovers an instant,
And settles slowly again on the tarnished grass.
And one old man looks down from a dusty window
And sees the pigeons circling about the fountain
And desires once more to walk among those trees.
Lovers walk in the noontime by that fountain.
Pigeons dip their beaks to drink from the water.
And soon the pond must freeze.
The light wind blows to his ears a sound of laughter,
Young men shuffle their feet, loaf in the sunlight;
A girl's laugh rings like a silver bell.
But clearer than all these sounds is a sound he hears
More in his secret heart than in his ears,—
A hammer's steady crescendo, like a knell.
He hears the snarl of pineboards under the plane,
The rhythmic saw, and then the hammer again,—
Playing with delicate strokes that sombre scale . . .
And the fountain dwindles, the sunlight seems to pale.
Time is a dream, he thinks, a destroying dream;
It lays great cities in dust, it fills the seas;
It covers the face of beauty, and tumbles walls.
Where was the woman he loved? Where was his youth?
Where was the dream that burned his brain like fire?
Even a dream grows grey at last and falls.
He opened his book once more, beside the window,
And read the printed words upon that page.
The sunlight touched his hand; his eyes moved slowly,
The quiet words enchanted time and age.
'Death is never an ending, death is a change;
Death is beautiful, for death is strange;
Death is one dream out of another flowing;
Death is a chorded music, softly going
By sweet transition from key to richer key.
Death is a meeting place of sea and sea.'
VI. ADELE AND DAVIS
She turned her head on the pillow, and cried once more.
And drawing a shaken breath, and closing her eyes,
To shut out, if she could, this dingy room,
The wigs and costumes scattered around the floor,—
Yellows and greens in the dark,—she walked again
Those nightmare streets which she had walked so often . . .
Here, at a certain corner, under an arc-lamp,
Blown by a bitter wind, she stopped and looked
In through the brilliant windows of a drug-store,
And wondered if she dared to ask for poison:
But it was late, few customers were there,
The eyes of all the clerks would freeze upon her,
And she would wilt, and cry . . . Here, by the river,
She listened to the water slapping the wall,
And felt queer fascination in its blackness:
But it was cold, the little waves looked cruel,
The stars were keen, and a windy dash of spray
Struck her cheek, and withered her veins . . . And so
She dragged herself once more to home, and bed.
Paul hadn't guessed it yet—though twice, already,
She'd fainted—once, the first time, on the stage.
So she must tell him soon—or else—get out . . .
How could she say it? That was the hideous thing.
She'd rather die than say it! . . . and all the trouble,
Months when she couldn't earn a cent, and then,
If he refused to marry her . . . well, what?
She saw him laughing, making a foolish joke,
His grey eyes turning quickly; and the words
Fled from her tongue . . . She saw him sitting silent,
Brooding over his morning coffee, maybe,
And tried again . . . she bit her lips, and trembled,
And looked away, and said . . . 'Say Paul, boy,—listen—
There's something I must tell you . . . ' There she stopped,
Wondering what he'd say . . . What would he say?
'Spring it, kid! Don't look so serious!'
'But what I've got to say—IS—serious!'
Then she could see how, suddenly, he would sober,
His eyes would darken, he'd look so terrifying—
He always did—and what could she do but cry?
Perhaps, then, he would guess—perhaps he wouldn't.
And if he didn't, but asked her 'What's the matter?'—
She knew she'd never tell—just say she was sick . . .
And after that, when would she dare again?
And what would he do—even suppose she told him?
If it were Felix! If it were only Felix!—
She wouldn't mind so much. But as it was,
Bitterness choked her, she had half a mind
To pay out Felix for never having liked her,
By making people think that it was he . . .
She'd write a letter to someone, before she died,—
Just saying 'Felix did it—and wouldn't marry.'
And then she'd die . . . But that was hard on Paul . . .
Paul would never forgive her—he'd never forgive her!
Sometimes she almost thought Paul really loved her . . .
She saw him look reproachfully at her coffin.
And then she closed her eyes and walked again
Those nightmare streets that she had walked so often:
Under an arc-lamp swinging in the wind
She stood, and stared in through a drug-store window,
Watching a clerk wrap up a little pill-box.
But it was late. No customers were there,—
Pitiless eyes would freeze her secret in her!
And then—what poison would she dare to ask for?
And if they asked her why, what would she say?
VII. TWO LOVERS: OVERTONES
Two lovers, here at the corner, by the steeple,
Two lovers blow together like music blowing:
And the crowd dissolves about them like a sea.
Recurring waves of sound break vaguely about them,
They drift from wall to wall, from tree to tree.
'Well, am I late?' Upward they look and laugh,
They look at the great clock's golden hands,
They laugh and talk, not knowing what they say:
Only, their words like music seem to play;
And seeming to walk, they tread strange sarabands.
'I brought you this . . . ' the soft words float like stars
Down the smooth heaven of her memory.
She stands again by a garden wall,
The peach tree is in bloom, pink blossoms fall,
Water sings from an opened tap, the bees
Glisten and murmur among the trees.
Someone calls from the house. She does not answer.
Backward she leans her head,
And dreamily smiles at the peach-tree leaves, wherethrough
She sees an infinite May sky spread
A vault profoundly blue.
The voice from the house fades far away,
The glistening leaves more vaguely ripple and sway . .
The tap is closed, the water ceases to hiss . . .
Silence . . . blue sky . . . and then, 'I brought you this . . . '
She turns again, and smiles . . . He does not know
She smiles from long ago . . .
She turns to him and smiles . . . Sunlight above him
Roars like a vast invisible sea,
Gold is beaten before him, shrill bells of silver;
He is released of weight, his body is free,
He lifts his arms to swim,
Dark years like sinister tides coil under him . . .
The lazy sea-waves crumble along the beach
With a whirring sound like wind in bells,
He lies outstretched on the yellow wind-worn sands
Reaching his lazy hands
Among the golden grains and sea-white shells . . .
'One white rose . . . or is it pink, to-day?'
They pause and smile, not caring what they say,
If only they may talk.
The crowd flows past them like dividing waters.
Dreaming they stand, dreaming they walk.
'Pink,—to-day!'—Face turns to dream-bright face,
Green leaves rise round them, sunshine settles upon them,
Water, in drops of silver, falls from the rose.
She smiles at a face that smiles through leaves from the mirror.
She breathes the fragrance; her dark eyes close . . .
Time is dissolved, it blows like a little dust:
Time, like a flurry of rain,
Patters and passes, starring the window-pane.
Once, long ago, one night,
She saw the lightning, with long blue quiver of light,
Ripping the darkness . . . and as she turned in terror
A soft face leaned above her, leaned softly down,
Softly around her a breath of roses was blown,
She sank in waves of quiet, she seemed to float
In a sea of silence . . . and soft steps grew remote . .
'Well, let us walk in the park . . . The sun is warm,
We'll sit on a bench and talk . . .' They turn and glide,
The crowd of faces wavers and breaks and flows.
'Look how the oak-tops turn to gold in the sunlight!
Look how the tower is changed and glows!'
Two lovers move in the crowd like a link of music,
We press upon them, we hold them, and let them pass;
A chord of music strikes us and straight we tremble;
We tremble like wind-blown grass.
What was this dream we had, a dream of music,
Music that rose from the opening earth like magic
And shook its beauty upon us and died away?
The long cold streets extend once more before us.
The red sun drops, the walls grow grey.
VIII. THE BOX WITH SILVER HANDLES
Well,—it was two days after my husband died—
Two days! And the earth still raw above him.
And I was sweeping the carpet in their hall.
In number four—the room with the red wall-paper—
Some chorus girls and men were singing that song
'They'll soon be lighting candles
Round a box with silver handles'—and hearing them sing it
I started to cry. Just then he came along
And stopped on the stairs and turned and looked at me,
And took the cigar from his mouth and sort of smiled
And said, 'Say, what's the matter?' and then came down
Where I was leaning against the wall,
And touched my shoulder, and put his arm around me . . .
And I was so sad, thinking about it,—
Thinking that it was raining, and a cold night,
With Jim so unaccustomed to being dead,—
That I was happy to have him sympathize,
To feel his arm, and leaned against him and cried.
And before I knew it, he got me into a room
Where a table was set, and no one there,
And sat me down on a sofa, and held me close,
And talked to me, telling me not to cry,
That it was all right, he'd look after me,—
But not to cry, my eyes were getting red,
Which didn't make me pretty. And he was so nice,
That when he turned my face between his hands,
And looked at me, with those blue eyes of his,
And smiled, and leaned, and kissed me—
Somehow I couldn't tell him not to do it,
Somehow I didn't mind, I let him kiss me,
And closed my eyes! . . . Well, that was how it started.
For when my heart was eased with crying, and grief
Had passed and left me quiet, somehow it seemed
As if it wasn't honest to change my mind,
To send him away, or say I hadn't meant it—
And, anyway, it seemed so hard to explain!
And so we sat and talked, not talking much,
But meaning as much in silence as in words,
There in that empty room with palms about us,
That private dining-room . . . And as we sat there
I felt my future changing, day by day,
With unknown streets opening left and right,
New streets with farther lights, new taller houses,
Doors swinging into hallways filled with light,
Half-opened luminous windows, with white curtains
Streaming out in the night, and sudden music,—
And thinking of this, and through it half remembering
A quick and horrible death, my husband's eyes,
The broken-plastered walls, my boy asleep,—
It seemed as if my brain would break in two.
My voice began to tremble . . . and when I stood,
And told him I must go, and said good-night—
I couldn't see the end. How would it end?
Would he return to-morrow? Or would he not?
And did I want him to—or would I rather
Look for another job?—He took my shoulders
Between his hands, and looked down into my eyes,
And smiled, and said good-night. If he had kissed me,
That would have—well, I don't know; but he didn't . .
And so I went downstairs, then, half elated,
Hoping to close the door before that party
In number four should sing that song again—
'They'll soon be lighting candles round a box with silver handles'—
And sure enough, I did. I faced the darkness.
And my eyes were filled with tears. And I was happy.
The days, the nights, flow one by one above us,
The hours go silently over our lifted faces,
We are like dreamers who walk beneath a sea.
Beneath high walls we flow in the sun together.
We sleep, we wake, we laugh, we pursue, we flee.
We sit at tables and sip our morning coffee,
We read the papers for tales of lust or crime.
The door swings shut behind the latest comer.
We set our watches, regard the time.
What have we done? I close my eyes, remember
The great machine whose sinister brain before me
Smote and smote with a rhythmic beat.
My hands have torn down walls, the stone and plaster.
I dropped great beams to the dusty street.
My eyes are worn with measuring cloths of purple,
And golden cloths, and wavering cloths, and pale.
I dream of a crowd of faces, white with menace.
Hands reach up to tear me. My brain will fail.
Here, where the walls go down beneath our picks,
These walls whose windows gap against the sky,
Atom by atom of flesh and brain and marble
Will build a glittering tower before we die . . .
The young boy whistles, hurrying down the street,
The young girl hums beneath her breath.
One goes out to beauty, and does not know it.
And one goes out to death.
X. SUDDEN DEATH
'Number four—the girl who died on the table—
The girl with golden hair—'
The purpling body lies on the polished marble.
We open the throat, and lay the thyroid bare . . .
One, who held the ether-cone, remembers
Her dark blue frightened eyes.
He heard the sharp breath quiver, and saw her breast
More hurriedly fall and rise.
Her hands made futile gestures, she turned her head
Fighting for breath; her cheeks were flushed to scarlet,—
And, suddenly, she lay dead.
And all the dreams that hurried along her veins
Came to the darkness of a sudden wall.
Confusion ran among them, they whirled and clamored,
They fell, they rose, they struck, they shouted,
Till at last a pallor of silence hushed them all.
What was her name? Where had she walked that morning?
Through what dark forest came her feet?
Along what sunlit walls, what peopled street?
Backward he dreamed along a chain of days,
He saw her go her strange and secret ways,
Waking and sleeping, noon and night.
She sat by a mirror, braiding her golden hair.
She read a story by candlelight.
Her shadow ran before her along the street,
She walked with rhythmic feet,
Turned a corner, descended a stair.
She bought a paper, held it to scan the headlines,
Smiled for a moment at sea-gulls high in sunlight,
And drew deep breaths of air.
Days passed, bright clouds of days. Nights passed. And music
Murmured within the walls of lighted windows.
She lifted her face to the light and danced.
The dancers wreathed and grouped in moving patterns,
Clustered, receded, streamed, advanced.
Her dress was purple, her slippers were golden,
Her eyes were blue; and a purple orchid
Opened its golden heart on her breast . . .
She leaned to the surly languor of lazy music,
Leaned on her partner's arm to rest.
The violins were weaving a weft of silver,
The horns were weaving a lustrous brede of gold,
And time was caught in a glistening pattern,
Time, too elusive to hold . . .
Shadows of leaves fell over her face,—and sunlight:
She turned her face away.
Nearer she moved to a crouching darkness
With every step and day.
Death, who at first had thought of her only an instant,
At a great distance, across the night,
Smiled from a window upon her, and followed her slowly
From purple light to light.
Once, in her dreams, he spoke out clearly, crying,
'I am the murderer, death.
I am the lover who keeps his appointment
At the doors of breath!'
She rose and stared at her own reflection,
Half dreading there to find
The dark-eyed ghost, waiting beside her,
Or reaching from behind
To lay pale hands upon her shoulders . . .
Or was this in her mind? . . .
She combed her hair. The sunlight glimmered
Along the tossing strands.
Was there a stillness in this hair,—
A quiet in these hands?
Death was a dream. It could not change these eyes,
Blow out their light, or turn this mouth to dust.
She combed her hair and sang. She would live forever.
Leaves flew past her window along a gust . . .
And graves were dug in the earth, and coffins passed,
And music ebbed with the ebbing hours.
And dreams went along her veins, and scattering clouds
Threw streaming shadows on walls and towers.
Snow falls. The sky is grey, and sullenly glares
With purple lights in the canyoned street.
The fiery sign on the dark tower wreathes and flares . . .
The trodden grass in the park is covered with white,
The streets grow silent beneath our feet . . .
The city dreams, it forgets its past to-night.
And one, from his high bright window looking down
Over the enchanted whiteness of the town,
Seeing through whirls of white the vague grey towers,
Desires like this to forget what will not pass,
The littered papers, the dust, the tarnished grass,
Grey death, stale ugliness, and sodden hours.
Deep in his heart old bells are beaten again,
Slurred bells of grief and pain,
Dull echoes of hideous times and poisonous places.
He desires to drown in a cold white peace of snow.
He desires to forget a million faces . . .
In one room breathes a woman who dies of hunger.
The clock ticks slowly and stops. And no one winds it.
In one room fade grey violets in a vase.
Snow flakes faintly hiss and melt on the window.
In one room, minute by minute, the flutist plays
The lamplit page of music, the tireless scales.
His hands are trembling, his short breath fails.
In one room, silently, lover looks upon lover,
And thinks the air is fire.
The drunkard swears and touches the harlot's heartstrings
With the sudden hand of desire.
And one goes late in the streets, and thinks of murder;
And one lies staring, and thinks of death.
And one, who has suffered, clenches her hands despairing,
And holds her breath . . .
Who are all these, who flow in the veins of the city,
Coil and revolve and dream,
Vanish or gleam?
Some mount up to the brain and flower in fire.
Some are destroyed; some die; some slowly stream.
And the new are born who desire to destroy the old;
And fires are kindled and quenched; and dreams are broken,
And walls flung down . . .
And the slow night whirls in snow over towers of dreamers,
And whiteness hushes the town.
As evening falls,
And the yellow lights leap one by one
Along high walls;
And along black streets that glisten as if with rain,
The muted city seems
Like one in a restless sleep, who lies and dreams
Of vague desires, and memories, and half-forgotten pain . . .
Along dark veins, like lights the quick dreams run,
Flash, are extinguished, flash again,
To mingle and glow at last in the enormous brain
And die away . . .
As evening falls,
A dream dissolves these insubstantial walls,—
A myriad secretly gliding lights lie bare . . .
The lovers rise, the harlot combs her hair,
The dead man's face grows blue in the dizzy lamplight,
The watchman climbs the stair . . .
The bank defaulter leers at a chaos of figures,
And runs among them, and is beaten down;
The sick man coughs and hears the chisels ringing;
The tired clown
Sees the enormous crowd, a million faces,
Motionless in their places,
Ready to laugh, and seize, and crush and tear . . .
The dancer smooths her hair,
Laces her golden slippers, and runs through the door
To dance once more,
Hearing swift music like an enchantment rise,
Feeling the praise of a thousand eyes.
As darkness falls
The walls grow luminous and warm, the walls
Tremble and glow with the lives within them moving,
Moving like music, secret and rich and warm.
How shall we live tonight? Where shall we turn?
To what new light or darkness yearn?
A thousand winding stairs lead down before us;
And one by one in myriads we descend
By lamplit flowered walls, long balustrades,
Through half-lit halls which reach no end.
II. THE SCREEN MAIDEN
You read—what is it, then that you are reading?
What music moves so silently in your mind?
Your bright hand turns the page.
I watch you from my window, unsuspected:
You move in an alien land, a silent age . . .
. . . The poet—what was his name—? Tokkei—Tokkei—
The poet walked alone in a cold late rain,
And thought his grief was like the crying of sea-birds;
For his lover was dead, he never would love again.
Rain in the dreams of the mind—rain forever—
Rain in the sky of the heart—rain in the willows—
But then he saw this face, this face like flame,
This quiet lady, this portrait by Hiroshigi;
And took it home with him; and with it came
What unexpected changes, subtle as weather!
The dark room, cold as rain,
Grew faintly fragrant, stirred with a stir of April,
Warmed its corners with light again,
And smoke of incense whirled about this portrait,
And the quiet lady there,
So young, so quietly smiling, with calm hands,
Seemed ready to loose her hair,
And smile, and lean from the picture, or say one word,
The word already clear,
Which seemed to rise like light between her eyelids . .
He held his breath to hear,
And smiled for shame, and drank a cup of wine,
And held a candle, and searched her face
Through all the little shadows, to see what secret
Might give so warm a grace . . .
Was it the quiet mouth, restrained a little?
The eyes, half-turned aside?
The jade ring on her wrist, still almost swinging? . . .
The secret was denied,
He chose his favorite pen and drew these verses,
And slept; and as he slept
A dream came into his heart, his lover entered,
And chided him, and wept.
And in the morning, waking, he remembered,
And thought the dream was strange.
Why did his darkened lover rise from the garden?
He turned, and felt a change,
As if a someone hidden smiled and watched him . . .
Yet there was only sunlight there.
Until he saw those young eyes, quietly smiling,
And held his breath to stare,
And could have sworn her cheek had turned—a little . . .
Had slightly turned away . . .
Sunlight dozed on the floor . . . He sat and wondered,
Nor left his room that day.
And that day, and for many days thereafter,
He sat alone, and thought
No lady had ever lived so beautiful
As Hiroshigi wrought . . .
Or if she lived, no matter in what country,
By what far river or hill or lonely sea,
He would look in every face until he found her . . .
There was no other as fair as she.
And before her quiet face he burned soft incense,
And brought her every day
Boughs of the peach, or almond, or snow-white cherry,
And somehow, she seemed to say,
That silent lady, young, and quietly smiling,
That she was happy there;
And sometimes, seeing this, he started to tremble,
And desired to touch her hair,
To lay his palm along her hand, touch faintly
With delicate finger-tips
The ghostly smile that seemed to hover and vanish
Upon her lips . . .
Until he knew he loved this quiet lady;
And night by night a dread
Leered at his dreams, for he knew that Hiroshigi
Was many centuries dead,—
And the lady, too, was dead, and all who knew her . .
Dead, and long turned to dust . . .
The thin moon waxed and waned, and left him paler,
The peach leaves flew in a gust,
And he would surely have died; but there one day
A wise man, white with age,
Stared at the portrait, and said, 'This Hiroshigi
Knew more than archimage,—
Cunningly drew the body, and called the spirit,
Till partly it entered there . . .
Sometimes, at death, it entered the portrait wholly . .
Do all I say with care,
And she you love may come to you when you call her . . . '
So then this ghost, Tokkei,
Ran in the sun, bought wine of a hundred merchants,
And alone at the end of day
Entered the darkening room, and faced the portrait,
And saw the quiet eyes
Gleaming and young in the dusk, and held the wine-cup,
And knelt, and did not rise,
And said, aloud, 'Lo-san, will you drink this wine?'
Said it three times aloud.
And at the third the faint blue smoke of incense
Rose to the walls in a cloud,
And the lips moved faintly, and the eyes, and the calm hands stirred;
And suddenly, with a sigh,
The quiet lady came slowly down from the portrait,
And stood, while worlds went by,
And lifted her young white hands and took the wine cup;
And the poet trembled, and said,
'Lo-san, will you stay forever?'—'Yes, I will stay.'—
'But what when I am dead?'
'When you are dead your spirit will find my spirit,
And then we shall die no more.'
Music came down upon them, and spring returning,
They remembered worlds before,
And years went over the earth, and over the sea,
And lovers were born and spoke and died,
But forever in sunlight went these two immortal,
Tokkei and the quiet bride . . .
III. HAUNTED CHAMBERS
The lamplit page is turned, the dream forgotten;
The music changes tone, you wake, remember
Deep worlds you lived before,—deep worlds hereafter
Of leaf on falling leaf, music on music,
Rain and sorrow and wind and dust and laughter.
Helen was late and Miriam came too soon.
Joseph was dead, his wife and children starving.
Elaine was married and soon to have a child.
You dreamed last night of fiddler-crabs with fiddles;
They played a buzzing melody, and you smiled.
To-morrow—what? And what of yesterday?
Through soundless labyrinths of dream you pass,
Through many doors to the one door of all.
Soon as it's opened we shall hear a music:
Or see a skeleton fall . . .
We walk with you. Where is it that you lead us?
We climb the muffled stairs beneath high lanterns.
We descend again. We grope through darkened cells.
You say: this darkness, here, will slowly kill me.
It creeps and weighs upon me . . . Is full of bells.
This is the thing remembered I would forget—
No matter where I go, how soft I tread,
This windy gesture menaces me with death.
Fatigue! it says, and points its finger at me;
Touches my throat and stops my breath.
My fans—my jewels—the portrait of my husband—
The torn certificate for my daughter's grave—
These are but mortal seconds in immortal time.
They brush me, fade away: like drops of water.
They signify no crime.
Let us retrace our steps: I have deceived you:
Nothing is here I could not frankly tell you:
No hint of guilt, or faithlessness, or threat.
Dreams—they are madness. Staring eyes—illusion.
Let us return, hear music, and forget . . .
Of what she said to me that night—no matter.
The strange thing came next day.
My brain was full of music—something she played me—;
I couldn't remember it all, but phrases of it
Wreathed and wreathed among faint memories,
Seeking for something, trying to tell me something,
Urging to restlessness: verging on grief.
I tried to play the tune, from memory,—
But memory failed: the chords and discords climbed
And found no resolution—only hung there,
And left me morbid . . . Where, then, had I heard it? . . .
What secret dusty chamber was it hinting?
'Dust', it said, 'dust . . . and dust . . . and sunlight . .
A cold clear April evening . . . snow, bedraggled,
Rain-worn snow, dappling the hideous grass . . .
And someone walking alone; and someone saying
That all must end, for the time had come to go . . . '
These were the phrases . . . but behind, beneath them
A greater shadow moved: and in this shadow
I stood and guessed . . . Was it the blue-eyed lady?
The one who always danced in golden slippers—
And had I danced with her,—upon this music?
Or was it further back—the unplumbed twilight
Of childhood?—No—much recenter than that.
You know, without my telling you, how sometimes
A word or name eludes you, and you seek it
Through running ghosts of shadow,—leaping at it,
Lying in wait for it to spring upon it,
Spreading faint snares for it of sense or sound:
Until, of a sudden, as if in a phantom forest,
You hear it, see it flash among the branches,
And scarcely knowing how, suddenly have it—
Well, it was so I followed down this music,
Glimpsing a face in darkness, hearing a cry,
Remembering days forgotten, moods exhausted,
Corners in sunlight, puddles reflecting stars—;
Until, of a sudden, and least of all suspected,
The thing resolved itself: and I remembered
An April afternoon, eight years ago—
Or was it nine?—no matter—call it nine—
A room in which the last of sunlight faded;
A vase of violets, fragrance in white curtains;
And, she who played the same thing later, playing.
She played this tune. And in the middle of it
Abruptly broke it off, letting her hands
Fall in her lap. She sat there so a moment,
With shoulders drooped, then lifted up a rose,
One great white rose, wide opened like a lotos,
And pressed it to her cheek, and closed her eyes.
'You know—we've got to end this—Miriam loves you . . .
If she should ever know, or even guess it,—
What would she do?—Listen!—I'm not absurd . . .
I'm sure of it. If you had eyes, for women—
To understand them—which you've never had—
You'd know it too . . . ' So went this colloquy,
Half humorous, with undertones of pathos,
Half grave, half flippant . . . while her fingers, softly,
Felt for this tune, played it and let it fall,
Now note by singing note, now chord by chord,
Repeating phrases with a kind of pleasure . . .
Was it symbolic of the woman's weakness
That she could neither break it—nor conclude?
It paused . . . and wandered . . . paused again; while she,
Perplexed and tired, half told me I must go,—
Half asked me if I thought I ought to go . . .
Well, April passed with many other evenings,
Evenings like this, with later suns and warmer,
With violets always there, and fragrant curtains . . .
And she was right: and Miriam found it out . . .
And after that, when eight deep years had passed—
Or nine—we met once more,—by accident . . .
But was it just by accident, I wonder,
She played this tune?—Or what, then, was intended? . . .
V. MELODY IN A RESTAURANT
The cigarette-smoke loops and slides above us,
Dipping and swirling as the waiter passes;
You strike a match and stare upon the flame.
The tiny fire leaps in your eyes a moment,
And dwindles away as silently as it came.
This melody, you say, has certain voices—
They rise like nereids from a river, singing,
Lift white faces, and dive to darkness again.
Wherever you go you bear this river with you:
A leaf falls,—and it flows, and you have pain.
So says the tune to you—but what to me?
What to the waiter, as he pours your coffee,
The violinist who suavely draws his bow?
That man, who folds his paper, overhears it.
A thousand dreams revolve and fall and flow.
Some one there is who sees a virgin stepping
Down marble stairs to a deep tomb of roses:
At the last moment she lifts remembering eyes.
Green leaves blow down. The place is checked with shadows.
A long-drawn murmur of rain goes down the skies.
And oaks are stripped and bare, and smoke with lightning:
And clouds are blown and torn upon high forests,
And the great sea shakes its walls.
And then falls silence . . . And through long silence falls
This melody once more:
'Down endless stairs she goes, as once before.'
So says the tune to him—but what to me?
What are the worlds I see?
What shapes fantastic, terrible dreams? . . .
I go my secret way, down secret alleys;
My errand is not so simple as it seems.
VI. PORTRAIT OF ONE DEAD
This is the house. On one side there is darkness,
On one side there is light.
Into the darkness you may lift your lanterns—
O, any number—it will still be night.
And here are echoing stairs to lead you downward
To long sonorous halls.
And here is spring forever at these windows,
With roses on the walls.
This is her room. On one side there is music—
On one side not a sound.
At one step she could move from love to silence,
Feel myriad darkness coiling round.
And here are balconies from which she heard you,
Your steady footsteps on the stair.
And here the glass in which she saw your shadow
As she unbound her hair.
Here is the room—with ghostly walls dissolving—
The twilight room in which she called you 'lover';
And the floorless room in which she called you 'friend.'
So many times, in doubt, she ran between them!—
Through windy corridors of darkening end.
Here she could stand with one dim light above her
And hear far music, like a sea in caverns,
Murmur away at hollowed walls of stone.
And here, in a roofless room where it was raining,
She bore the patient sorrow of rain alone.
Your words were walls which suddenly froze around her.
Your words were windows,—large enough for moonlight,
Too small to let her through.
Your letters—fragrant cloisters faint with music.
The music that assuaged her there was you.
How many times she heard your step ascending
Yet never saw your face!
She heard them turn again, ring slowly fainter,
Till silence swept the place.
Why had you gone? . . . The door, perhaps, mistaken . . .
You would go elsewhere. The deep walls were shaken.
A certain rose-leaf—sent without intention—
Became, with time, a
A night the half-moon was like a dancing-girl,
No, like a drunkard's last half-dollar
Shoved on the polished bar of the eastern hill-range,
Young Cauldwell rode his pony along the sea-cliff;
When she stopped, spurred; when she trembled, drove
The teeth of the little jagged wheels so deep
They tasted blood; the mare with four slim hooves
On a foot of ground pivoted like a top,
Jumped from the crumble of sod, went down, caught, slipped;
Then, the quick frenzy finished, stiffening herself
Slid with her drunken rider down the ledges,
Shot from sheer rock and broke
Her life out on the rounded tidal boulders.
The night you know accepted with no show of emotion the little
accident; grave Orion
Moved northwest from the naked shore, the moon moved to
meridian, the slow pulse of the ocean
Beat, the slow tide came in across the slippery stones; it drowned
the dead mare's muzzle and sluggishly
Felt for the rider; Cauldwell’s sleepy soul came back from the
blind course curious to know
What sea-cold fingers tapped the walls of its deserted ruin.
Pain, pain and faintness, crushing
Weights, and a vain desire to vomit, and soon again
die icy fingers, they had crept over the loose hand and lay in the
hair now. He rolled sidewise
Against mountains of weight and for another half-hour lay still.
With a gush of liquid noises
The wave covered him head and all, his body
Crawled without consciousness and like a creature with no bones,
a seaworm, lifted its face
Above the sea-wrack of a stone; then a white twilight grew about
the moon, and above
The ancient water, the everlasting repetition of the dawn. You
So many and still so many and now for you the last. But when it
He grew quite conscious; broken ends of bone ground on each
other among the working fibers
While by half-inches he was drawing himself out of the seawrack
up to sandy granite,
Out of the tide's path. Where the thin ledge tailed into flat cliff
he fell asleep. . . .
The daylight moon hung like a slip of cloud against the horizon.
The tide was ebbing
From the dead horse and the black belt of sea-growth. Cauldwell
seemed to have felt her crying beside him,
His mother, who was dead. He thought 'If I had a month or two
of life yet
I would remember to be decent, only it's now too late, I'm finished,
I'm sorry.' After that he thought only of pain and raging thirst
until the sundown
Reddened the sea, and hands were reaching for him and drawing
him up the cliff.
His sister Tamar
Nursed him in the big westward bedroom
Of the old house on Point Lobos. After fever
A wonderful day of peace and pleasant weakness
Brought home to his heart the beauty of things. 'O Tamar
I've thrown away years like rubbish. Listen, Tamar,
It would be better for me to be a cripple,
Sit on the steps and watch the forest grow up the hill
Or a new speck of moss on some old rock
That takes ten years agrowing, than waste
Shame and my spirit on Monterey rye whiskey,
And worse, and worse. I shan't be a cripple, Tamar.
We'll walk along the blessed old gray sea,
And up in the hills and watch the spring come home.'
Youth is a troublesome but a magical thing,
There is little more to say for it when you've said
Young bones knit easily; he that fell in December
Walked in the February fields. His sister Tamar
Was with him, and his mind ran on her name,
But she was saying, 'We laugh at poor Aunt Stella
With her spirit
visitors: Lee, something told her truth.
Last August, you were hunting deer, you had been gone
Ten days or twelve, we heard her scream at night,
I went to the room, she told me
She'd seen you lying all bloody on the sea-beach
By a dead deer, its blood dabbling the black weeds of the ebb.'
'I was up Tassajara way,' he answered,
'Far from the sea.' 'We were glad when you rode home
Safe, with the two bucks on the packhorse. But listen,
She said she watched the stars flying over you
In her vision, Orion she said, and made me look
Out of her window southward, where I saw
The stars they call the Scorpion, the red bead
With the curling tail. Then it will be in winter,'
She whispered to me, 'Orion is winter.'
Winter is over, visions are over and vanished,
The fields are winking full of poppies,
In a week or two I'll fill your arms with shining irises.'
The winter sun went under and all that night there came a roaring
from the south; Lee Cauldwell
Lay awake and heard the tough old house creak all her timbers;
he was miserably lonely and vacant,
He'd put away the boyish jets of wickedness, loves with dark
eyes in Monterey back-streets, liquor
And all its fellowship, what was left to live for but the farmwork,
rain would come and hinder?
He heard the cypress trees that seemed to scream in the wind,
and felt the ocean pounding granite.
His father and Tamar's, the old man David Cauldwell, lay in the
eastern chamber; when the storm
Wakened him from the heartless fugitive slumber of age he rose
and made a light, and lighted
The lamp not cold yet; night and day were nearly equal to him,
he had seen too many; he dressed
Slowly and opened his Bible. In the neighboring rooms he heard
on one side Stella Moreland,
His dead wife's sister, quieting his own sister, the idiot Jinny
Cauldwell, who laughed and chuckled
Often for half the night long, an old woman with a child's mind
and mostly sleepless; in the other
Chamber Tamar was moaning, for it seemed that nightmare
Within the house answered to storm without.
To Tamar it seemed that she was walking by the seaside
With her dear brother, who said 'Here's where I fell,
A bad girl that I knew in Monterey pushed me over the cliff,
You can see blood still on the boulders.' Where he vanished to
She could not tell, nor why she was crying 'Lee. No.
No dearest brother, dearest brother no.' But she cried vainly,
Lee was not there to help her, a wild white horse
Came out of the wave and trampled her with his hooves,
The horror that she had dreaded through her dreaming
With mystical foreknowledge. When it wakened her,
She like her father heard old Jinny chuckling
And Stella sighing and soothing her, and the southwind
Raging around the gables of the house and through the forest of
'When it rains it will be quieter,' Tamar thought. She slept
again, all night not a drop fell.
Old Cauldwell from his window saw the cloudy light seep up
the sky from the overhanging
Hilltops, the dawn was dammed behind the hills but overflowed
at last and ran down on the sea.
Lee Cauldwell rode across the roaring southwind to the winter
pasture up in the hills.
A hundred times he wanted Tamar, to show her some new beauty
of canyon wildflowers, water
Dashing its ferns, or oaktrees thrusting elbows at the wind, blackoaks
smoldering with foliage
And the streaked beauty of white-oak trunks, and redwood
glens; he rode up higher across the rainwind
And found his father's cattle in a quiet hollow among the hills,
their horns to the wind,
Quietly grazing. He returned another way, from the headland
over Wildcat Canyon,
Saw the immense water possessing all the west and saw Point Lobos
Gemmed in it, and the barn-roofs and the house-roof
Like ships' keels in the cypress tops, and thought of Tamar.
Toward sundown he approached the house; Will Andrews
Was leaving it and young Cauldwell said, 'Listen, Bill Andrews,
We've had gay times together and ridden at night.
I've quit it, I don't want my old friends to visit my sister.
Better keep off the place.' 'I will,' said the other,
'When Tamar tells me to.' 'You think my bones
Aren't mended yet, better keep off.' Lee Cauldwell
Rode by to the stable wondering why his lips
Twitched with such bitter anger; Tamar wondered
Why he went upstairs without a word or smile
Of pleasure in her. The old man David Cauldwell,
When Lee had told him news of the herd and that Ramon
Seemed faithful, and the calves flourished, the old man answered:
'I hear that there's a dance at Motley's Landing Saturday. You'll
Down the coast, Lee. Don't kill the horse, have a good time.'
'No, I've had all I want, I'm staying
At home now, evenings.' 'Don't do it; better dance your pony
down the cliffs again than close
Young life into a little box; you've been too wild; now I'm worn
out, but I remember
Hell's in the box.' Lee answered nothing, his father's lamp of
thought was hidden awhile in words,
An old man's words, like the dry evening moths that choke a
candle. A space, and he was saying,
'Come summer we'll be mixed into the bloody squabble out there,
and you'll be going headforemost
Unless you make your life so pleasant you'd rather live it. I
mayn't be living
To see you home or hear you're killed.' Lee, smiling at him,
'A soldier's what I won't be, father.' That night
He dreamed himself a soldier, an aviator
Duelling with a German above a battle
That looked like waves, he fired his gun and mounted
In steady rhythm; he must have been winged, he suddenly
Plunged and went through the soft and deadly surface
Of the deep sea, wakening in terror.
He heard his old Aunt Jinny chuckling,
Aunt Stella sighing and soothing her, and the southwind
Raging around the gables of the house and through the forest of
They two had unbridled the horses
And tied them with long halters near the thicket
Under Mai Paso bridge and wandered east
Into the narrow cleft, they had climbed the summit
On the right and looked across the sea.
The steep path down, 'What are we for?' said Tamar wearily,
'to want and want and not dare know it.'
'Because I dropped the faded irises,' Lee answered, 'you're unhappy.
They were all withered, Tamar.
We have grown up in the same house.' 'The withered house
Of an old man and a withered woman and an idiot woman. No
wonder if we go mad, no wonder.'
They came to the hid stream and Tamar said, 'Sweet, green and cool,
After the mad white April sun: you wouldn't mind, Lee?
Here where it makes a pool: you mustn't look; but you're my
brother. And then
I will stand guard for you.' The murmur and splash of water
made his fever fierier; something
Unfelt before kept his eyes seaward: why should he dread to see
the round arm and clear throat
Flash from the hollow stream? He trembled, thinking
'O we are beasts, a beast, what am I for?
Was the old man right, I must be drunk and a dancer and feed on
the cheap pleasures, or it's dangerous?
Lovely and thoughtless, if she knew me how she'd loathe and
avoid me. Her brother, brother. My sister.
Better the life with the bones, and all at once have broken.'
Uneasily dipped her wrists, and crouching in the leaf-grown bank
Saw her breasts in the dark mirror, she trembled backward
From a long ripple and timidly wading entered
The quiet translucence to the thighs. White-shining
Slender and virgin pillar, desire in water
Unhidden and half reflected among the interbranching ripples,
Arched with alder, over-woven with willow.
Ah Tamar, stricken with strange fever and feeling
Her own desirableness, half-innocent Tamar
Thought, 'If I saw a snake in the water he would come now
And kill the snake, he is keen and fearless but he fears
Me I believe.' Was it the wild rock coast
Of her breeding, and the reckless wind
In the beaten trees and the gaunt booming crashes
Of breakers under the rocks, or rather the amplitude
And wing-subduing immense earth-ending water
That moves all the west taught her this freedom? Ah Tamar,
It was not good, not wise, not safe, not provident,
Not even, for custom creates nature, natural,
Though all other license were; and surely her face
Grew lean and whitened like a mask, the lips
Thinned their rose to a split thread, the little breasts
Erected sharp bright buds but the white belly
Shuddered, sucked in. The lips writhed and no voice
Formed, and again, and a faint cry. 'Tamar?'
He answered, and she answered, 'Nothing. A snake in the water
Frightened me.' And again she called his name.
'What is it, Tamar?' 'Nothing. It is cold in the water.
Come, Lee, I have hidden myself all but the head.
Bathe, if you mean to bathe, and keep me company.
I won't look till you're in.' He came, trembling.
He unclothed himself in a green depth and dared not
Enter the pool, but stared at the drawn scars
Of the old wound on his leg. 'Come, Lee, I'm freezing.
Come, I won't look.' He saw the clear-skinned shoulders
And the hollow of her back, he drowned his body
In the watery floor under the cave of foliage,
And heard her sobbing. When she turned, the great blue eyes
Under the auburn hair, streamed. 'Lee.
We have stopped being children; I would have drowned myself;
If you hadn't taught me swimming long ago long ago, Lee
When we were children.' 'Tamar, what is it, what is it?'
'Only that I want . . . death. You lie if you think
Another thing.' She slipped face down and lay
In the harmless water, the auburn hair trailed forward
Darkened like weeds, the double arc of the shoulders
Floated, and when he had dragged her to the bank both arms
Clung to him, the white body in a sobbing spasm
Clutched him, he could not disentangle the white desire,
So they were joined (like drowning folk brought back
By force to bitter life) painfully, without joy.
The spasm fulfilled, poor Tamar, like one drowned indeed, lay
pale and quiet
And careless of her nakedness. He, gulfs opening
Between the shapes of his thought, desired to rise and leave her
and was ashamed to.
He lay by her side, the cheek he kissed was cold like a smooth
stone, the blue eyes were half open,
The bright smooth body seemed to have suffered pain, not love.
One of her arms crushed both her breasts,
The other lay in the grass, the fingers clutching toward the
roots of die soft grass. 'Tamar,'
He whispered, then she breathed shudderingly and answered,
'We have it, we have it. Now I know.
It was my fault. I never shall be ashamed again.' He said,
'What shall I do? Go away?
Kill myself, Tamar?' She contracted all her body and crouched
in the long grass, shivering.
'It hurts, there is blood here, I am too cold to bathe myself
again. O brother, brother,
Mine and twice mine. You knew already, a girl has got to learn.
I love you, I chose my teacher.
Mine, it was my doing.' She flung herself upon him, cold white
and smooth, with sobbing kisses.
'I am so cold, dearest, dearest.' The horses at the canyon mouth
tugged at their halters,
Dug pits under the restless forehooves, shivered in the hill-wind
At sundown, were not ridden till dark, it was near midnight
They came to the old house.
When Jinny Cauldwell slept, the old woman with a child's mind,
then Stella Moreland
Invoked her childish-minded dead, or lying blank-eyed in the
dark egged on her dreams to vision,
Suffering for lack of audience, tasting the ecstasy of vision. This
was the vaporous portion
She endured her life in the strength of, in the sea-shaken loneliness,
little loved, nursing an idiot,
Growing bitterly old among the wind-torn Lobos cypress trunks.
(O torture of needled branches
Doubled and gnarled, never a moment of quiet, the northwind
or the southwind or the northwest.
For up and down the coast they are tall and terrible horsemen on
patrol, alternate giants
Guarding the granite and sand frontiers of the last ocean; but
here at Lobos the winds are torturers,
The old trees endure them. They blew always thwart the old
woman's dreams and sometimes by her bedside
Stood, the south in russety black, the north in white, but the
northwest wave-green, sea-brilliant,
Scaled like a fish. She had also the sun and moon and mightier
presences in her visions.) Tamar
Entered the room toward morning and stood ghost-like among
the old woman's ghosts. The rolled-up eyes,
Dull white, with little spindles of iris touching the upper lids,
played back the girl's blown candle
Sightlessly, but the spirit of sight that the eyes are tools of and
it made them, saw her. 'Ah, Helen,'
Cried out the entranced lips, 'We thought you were tired of the
wind, we thought you never came now.
My sister's husband lies in the next room, go waken him, show
him your beauty, call him with kisses.
He is old and the spittle when he dreams runs into his beard, but
he is your lover and your brother.'
'I am not Helen,' she said, 'what Helen, what Helen?' 'Who
was not the wife but the sister of her man,
Mine was his wife.' 'My mother?' 'And now he is an old hulk
battered ashore. Show him your beauty,
Strip for him, Helen, as when he made you a seaweed bed in the
cave. What if the beard is slimy
And the eyes run, men are not always young and fresh like you
dead women.' But Tamar clutching
The plump hand on the coverlet scratched it with her nails, the
old woman groaned but would not waken,
And Tamar held the candle flame against the hand, the soot
striped it, then with a scream
The old woman awoke, sat up, and fell back rigid on the bed.
Tamar found place for the candle
On a little table at the bedside, her freed hands could not awaken
a second answer
In the flesh that now for all its fatness felt like a warmed stone.
But the idiot waked and chuckled,
Waved both hands at the candle saying, 'My little star, my little
star, come little star.'
And to these three old Cauldwell sighing with sleeplessness
Entered, not noticed, and he stood in the open door. Tamar was
Over the bed, loose hair like burnished metal
Concealed her face and sharply cut across one rounded shoulder
The thin night-dress had slipped from. The old man her father
Feared, for a ghost of law-contemptuous youth
Slid through the chilly vaults of the stiff arteries,
And he said, 'What is it, Tamar?' 'She was screaming in a
I came to quiet her, now she has gone stiff like iron.
Who is this woman Helen she was dreaming about?'
'Helen? Helen?' he answered slowly and Tamar
Believed she saw the beard and the hands tremble.
'It's too cold for you, Tamar, go back to bed
And I'll take care of her. A common name for women.'
Old Jinny clapped her hands, 'Little star, little star,
Twinkle all night!' and the stiff form on the bed began to speak,
In a changed voice and from another mode of being
And spirit of thought: 'I cannot think that you have forgotten.
I was walking on the far side of the moon,
Whence everything is seen but the earth, and never forgot.
This girl's desire drew me home, we also had wanted
Too near our blood,
And to tangle the interbranching net of generations
With a knot sideways. Desire's the arrow-sprayer
And shoots into the stars. Poor little Tamar
He gave you a luckless name in memory of me
And now he is old forgets mine.' 'You are that Helen,'
Said Tamar leaning over the fat shape
The quiet and fleshless voice seemed issuing from,
A sound of youth from the old puffed lips, 'What Helen? This
man's . . .
Sister, this body was saying?' 'By as much more
As you are of your brother.' 'Why,' laughed Tamar trembling,
'Hundreds of nasty children do it, and we
Nothing but children.' Then the old man: 'Lies, lies, lies.
No ghost, a lying old woman. Your Aunt Helen
Died white as snow. She died before your mother died.
Your mother and this old woman always hated her,
This liar, as they hated me. I was too hard a nature
To die of it, Lily and Stella.' 'It makes me nothing,
My darling sin a shadow and me a doll on wires,'
Thought Tamar with one half her spirit; and the other half said,
'Poor lies, words without meaning. Poor Aunt Stella,
The voices in her have no minds.' 'Poor little Tamar,'
Murmured the young voice from the swollen cavern,
'Though you are that woman's daughter, if we dead
Could be sorrowful for anyone but ourselves
I would be sorrowful for you, a trap so baited
Was laid to catch you when the world began,
Before the granite foundation. I too have tasted the sweet bait.
But you are the luckier, no one came home to me
To say there are no whips beyond death but only memory,
And that can be endured.' The room was quiet a moment,
And Tamar heard the wind moving outdoors. Then the idiot
Whose mind had been from birth a crippled bird but when she
was twelve years old her mind's cage
Was covered utterly, like a bird-cage covered with its evening
cloth when lamps are lighted,
And her memory skipped the more than forty years between but
caught stray gleams of the sun of childhood,
She in her crumpled voice: 'I'd rather play with Helen, go away
Stella. Stella pinches me,
Lily laughs at me, Lily and Stella are not my sisters.' 'Jinny,
Said the old man shaking like a thin brick house-wall in an earthquake,
'do you remember, Jinny?'
'Jinny don't like the old man,' she answered, 'give me the star,
give me my star,'
She whined, stretching from bed to reach the candle, 'why have
they taken my little star?
Helen would give it to Jinny.' Then Stella waking from the
trance sighed and arose to quiet her
According to her night's habit. Tamar said, 'You were screaming
in your sleep.' 'I had great visions.
And I have forgotten them. There Jinny, there, there. It'll have
the candle, will it? Pretty Jinny.
Will have candle to-morrow. Little Jinny let Aunt Stella sleep
now.' Old Cauldwell tottering
Went to his room; then Tamar said, 'You were talking about
his sister Helen, my aunt Helen,
You never told me about her.' 'She has been dead for forty
years, what should we tell you about her?
Now little Jinny, pretty sister,' And laying her hands upon the
mattress of the bed
The old woman cradled it up and down, humming a weary song.
Tamar stood vainly waiting
The sleep of the monstrous babe; at length because it would not
sleep went to her room and heard it
Gurgle and whimper an hour; and the tired litanies of the lullabies;
not quiet till daylight.
O swiftness of the swallow and strength
Of the stone shore, brave beauty of falcons,
Beauty of the blue heron that flies
Opposite the color of evening
From the Carmel River's reed-grown mouth
To her nest in the deep wood of the deer
Cliffs of peninsular granite engirdle,
beauty of the fountains of the sun
1 pray you enter a little chamber,
I have given you bodies, I have made you puppets,
I have made idols for God to enter
And tiny cells to hold your honey.
I have given you a dotard and an idiot,
An old woman puffed with vanity, youth but botched with incest,
O blower of music through the crooked bugles,
You that make signs of sins and choose the lame for angels,
Enter and possess. Being light you have chosen the dark lamps,
A hawk the sluggish bodies: therefore God you chose
Me; and therefore I have made you idols like these idols
To enter and possess.
Tamar, finding no hope,
Slid back on passion, she had sought counsel of the dead
And found half-scornful pity and found her sin
Fore-dated; there was honey at least in shame
And secrecy in silence, and her lover
Could meet her afield or slip to her room at night
In serviceable safety. They learned, these two,
Not to look back nor forward; and but for the hint
Of vague and possible wreck every transgression
Paints on the storm-edge of the sky, their blue
Though it dulled a shade with custom shone serene
To the fifth moon, when the moon's mark on women
Died out of Tamar. She kept secret the warning,
How could she color such love with perplexed fear?
Her soul walked back and forth like a new prisoner
Feeling the plant of unescapable fate
Root in her body. There was death; who had entered water
To compass love might enter again to escape
Love's fruit; 'But O, but O,' she thought, 'not to die now.
It is less than half a year
Since life turned sweet. If I knew one of the girls
My lover has known
She'd tell me what to do, how to be fruitless,
How to be ... happy? They do it, they do it, all sin
Grew nothing to us that day in Mai Paso water.
A love sterile and sacred as the stars.
I will tell my lover, he will make me safe,
He will find means . . .
Sterile and sacred, and more than any woman
. . . Unhappy. Miserable,' she sobbed, 'miserable,
The rough and bitter water about the cliff's foot
Better to breathe.'
When Lee was not by her side
She walke4 the cliffs to tempt them. The calm and large
Pacific surge heavy with summer rolling southeast from a far origin
Battered to foam among the stumps of granite below.
Tamar watched it swing up the little fjords and fountain
Not angrily in the blowholes; a gray vapor
Breathed up among the buttressed writhings of the cypress trunks
And branches swollen with blood-red lichen. She went home
And her night was full of foolish dreams, two layers of dream,
unrelative in emotion
Or substance to the pain of her thoughts. One, the undercurrent
layer that seemed all night continuous,
Concerned the dead (and rather a vision than a dream, for visions
gathered on that house
Like corposant fire on the hoar mastheads of a ship wandering
strange waters), brown-skinned families
Came down the river and straggled through the wood to the sea,
they kindled fires by knobs of granite
And ate the sea-food that the plow still turns up rotting shells of,
not only around Point Lobos
But north and south wherever the earth breaks off to sea-rock;
Tamar saw the huddled bodies
Squat by the fires and sleep; but when the dawn came there was
throbbing music meant for daylight
And that weak people went where it led them and were nothing;
then Spaniards, priests and horseback soldiers,
Came down the river and wandered through the wood to the sea,
and hearing the universal music
Went where it led them and were nothing; and the English-speakers
Came down the river and wandered through the wood to the sea,
among them Tamar saw her mother
Walking beside a nameless woman with no face nor breasts; and
the universal music
Led them away and they were nothing; but Tamar led her father
from that flood and saved him,
For someone named a church built on a rock, it was beautiful
and white, not fallen to ruin
Like the ruin by Carmel River; she led him to it and made him
enter the door, when he had entered
A new race came from the door and wandered down the river
to the sea and to Point Lobos.
This was the undertow of the dream, obscured by a brighter
surface layer but seeming senseless.
The tides of the sea were quiet and someone said 'because the
moon is lost.' Tamar looked up
And the moon dwindled, rocketing off through lonely space, and
the people in the moon would perish
Of cold or of a star's fire: then Will Andrews curiously wounded
in the face came saying
'Tamar, don't cry. What do you care? I will take care of you.'
Wakening, Tamar thought about him
And how he had stopped coming to see her. Perhaps it was
another man came through her dream,
The wound in the face disguised him, but that morning Lee
having ridden to Mill Creek
To bargain about some fields of winter pasture
Now that the advancing year withered the hill-grass,
Tamar went down and saddled her own pony,
A four-year-old, as white as foam, and cantered
Past San Jose creek-mouth and the Carrows' farm
(Where David Carrow and his fanatical blue eyes,
That afterward saw Christ on the hill, smiled at her passing)
And three miles up the Carmel Valley came
To the Andrews place where the orchards ran to the river
And all the air was rich with ripening apples.
She would not go to the house; she did not find
Whom she was seeking; at length sadly she turned
Homeward, for Lee might be home within two hours,
And on the Carmel bridge above the water
(Shrunken with summer and shot with water lichen,
The surface scaled with minute scarlet leaves,
The borders green with slimy threads) met whom she sought.
'Tamar,' he said, 'I've been to see you.' 'You hadn't
For a long time.' 'I had some trouble with Lee,
I thought you didn't want me.' While they talked
Her eyes tasted his face: was it endurable?
Though it lacked the curious gash her dream had given him. . . .
'I didn't want you, you thought?' 'Lee said so.' 'You might
Till Tamar said so.' 'Well,' he answered, 'I've been,
And neither of you was home but now I've met you.'
Well-looking enough; freckles, light hair, light eyes;
Not tall, but with a chest and hard wide shoulders,
And sitting the horse well 'O I can do it, I can do it,
Help me, God,' murmured Tamar in her mind,
'How else what else can I do?' and said, 'Luck, isn't it?
What did you want to see me about?' 'I wanted . . .
Because I ... like you, Tamar.' 'Why should I be careful,'
She thought, 'if I frighten him off what does it matter,
I have got a little beyond caring.' 'Let's go down
Into the willow,' she said, 'we needn't be seen
Talking and someone tell him and make trouble
Here on the bridge.' They went to the hidden bank
Under the deep green willows, colored water
Stagnated on its moss up to the stems,
Coarse herbage hid the stirrups, Tamar slid from the saddle
As quietly as the long unwhitening wave
Moulds a sunk rock, and while he tethered the horses,
'I have been lonely,' she said. 'Not for me, Tamar.'
'You think not? Will, now that all's over
And likely we'll not see each other again
Often, nor by ourselves, why shouldn't I tell you . . .'
'What, Tamar?' 'There've been moments . . . hours then . .
When anything you might have asked me for
Would have been given, I'd have done anything
You asked me to, you never asked anything, Will.
I'm telling you this so that you may remember me
As one who had courage to speak truth, you'll meet
So many others.' 'But now' he meant to ask,
'Now it's too late, Tamar?' and hadn't courage,
And Tamar thought 'Must I go farther and say more?
Let him despise me as I despise myself.
I have got a little beyond caring.' 'Now?' she said.
'Do you think I am changed? You have changed, Will,
you have grown
Older, and stronger I think, your face is firmer;
And carefuller: I have not changed, I am still reckless
To my own injury, and as trustful as a child.
Would I be with you here in the green thicket
If I weren't trustful? If you should harm me, Will,
I'd think it was no harm.' She had laid her hand
On the round sunburnt throat and felt it throbbing,
And while she spoke the thought ran through her mind,
'He is only a little boy but if he turns pale
I have won perhaps, for white's the wanting color.
If he reddens I’ve lost and it's no matter.' He did not move
And seemed not to change color and Tamar said,
'Now I must go. Lee will be home soon.
How soft the ground is in the willow shadow.
I have ended with you honestly, Will; remember me
Not afraid to speak truth and not ashamed
To have stripped my soul naked. You have seen all of me.
Good-bye.' But when she turned he caught her by the arm,
She sickened inward, thinking, 'Now it has come.
I have called and called it and I can't endure it.
Ah. A dumb beast.' But he had found words now and said,
'How would you feel, Tamar, if all of a sudden
The bird or star you'd broken your heart to have
Flew into your hands, then flew away. O Tamar, Tamar,
You can't go now, you can't.' She unresisting
Took the hot kisses on her neck and hair
And hung loose in his arms the while he carried her
To a clean bank of grass in the deep shadow.
He laid her there and kneeling by her: 'You said you trusted me.
You are wise, Tamar; I love you so much too well
I would cut my hands off not to harm you.' But she,
Driven by the inward spark of life and dreading
Its premature maturity, could not rest
On harmless love, there were no hands to help
In the innocence of love, and like a vision
Came to her the memory of that other lover
And how he had fallen a farther depth
From firmer innocence at Mai Paso, but the stagnant
Autumn water of Carmel stood too far
From the April freshet in the hills. Tamar pushed off
His kisses and stood up weeping and cried
'It's no use, why will you love me till I cry?
Lee hates you and my father is old and old, we can't
Sour the three years he has before he dies.'
'I'll wait for you,' said the boy, 'wait years, Tamar.' Then Tamar
Hiding her face against his throat
So that he felt the tears whispered, 'But I ...'
She sobbed, 'Have no patience ... I can't wait. Will . . .
When I made my soul naked for you
There was one spot ... a fault ... a shame
I was ashamed to uncover.' She pressed her mouth
Between the muscles of his breast: 'I want you and want you.
You didn't know that a clean girl could want a man.
Now you will take me and use me and throw me away
And I've . . . earned it.' 'Tamar, I swear by God
Never to let you be sorry, but protect you
With all my life.' 'This is our marriage,' Tamar answered.
'But God would have been good to me to have killed me
Before I told you.' The boy feeling her body
Vibrant and soft and sweet in its weeping surrender
Went blind and could not feel how she hated him
That moment; when he awakened she was lying
With the auburn hair muddied and the white face
Turned up to the willow leaves, her teeth were bared
And sunk in the under lip, a smear of blood
Reddening the corner of the lips. One of her arms
Crushed both her breasts, the other lay in the grass,
The fingers clutching toward the roots of the soft grass. 'O Tamar,'
Murmured the boy, 'I love you, I love you. What shall I do?
Kill myself, Tamar?' She contracted all her body and crouched
in the long grass, thinking
'That Helen of my old father's never fooled him at least,' and
said, 'There is nothing to do, nothing.
It is horribly finished. Keep it secret, keep it secret, Will. I too
was to blame a little.
But I didn't mean . . . this.' 'I know,' he said, 'it was my
fault, I would kill myself, Tamar,
To undo it but I loved you so, Tamar.' 'Loved? You have hurt
me and broken me, the house is broken
And any thief can enter it.' 'O Tamar!' 'You have broken
our crystal innocence, we can never
Look at each other freely again.' 'What can I do, Tamar?'
'Nothing. I don't know. Nothing.
Never come to the farm to see me.' 'Where can I see you,
Tamar?' 'Lee is always watching me,
And I believe he'd kill us. Listen, Will. To-morrow night I'll
put a lamp in my window,
When all the house is quiet, and if you see it you can climb up
by the cypress. I must go home,
Lee will be home. Will, though you've done to me worse than
I ever dreamed, I love you, you have my soul,
I am your tame bird now.'
This was the high plateau of summer and August waning; white
Breathed up no more from the brown fields nor hung in the hills;
daily the insufferable sun
Rose, naked light, and flaming naked through the pale transparent
ways of the air drained gray
The strengths of nature; all night the eastwind streamed out of
the valley seaward, and the stars blazed.
The year went up to its annual mountain of death, gilded with
hateful sunlight, waiting rain.
Stagnant waters decayed, the trickling springs that all the misty-hooded
summer had fed
Pendulous green under the granite ocean-cliffs dried and turned
foul, the rock-flowers faded,
And Tamar felt in her blood the filth and fever of the season.
Walking beside the house-wall
Under her window, she resented sickeningly the wounds in the
cypress bark, where Andrews
Climbed to his tryst, disgust at herself choked her, and as a fire
Under the fog-bank of the night lines all the sea and sky with
fire, so her self-hatred
Reflecting itself abroad burned back against her, all the world
growing hateful, both her lovers
Hateful, but the intolerably masculine sun hatefullest of all.
The heat of the season
Multiplied centipedes, the black worms that breed under loose
rock, they call them thousand-leggers,
They invaded the house, their phalloid bodies cracking underfoot
with a bad odor, and dropped
Ceiling to pillow at night, a vile plague though not poisonous.
Also the sweet and female sea
Was weak with calm, one heard too clearly a mounting cormorant's
wing-claps half a mile off shore;
The hard and dry and masculine tyrannized for a season. Rain
in October or November
Yearly avenges the balance; Tamar's spirit rebelled too soon, the
female fury abiding
In so beautiful a house of flesh. She came to her aunt the ghost-seer.
'Listen to me, Aunt Stella.
I think I am going mad, I must talk to the dead; Aunt Stella,
will you help me?' That old woman
Was happy and proud, no one for years had sought her for
her talent. 'Dear Tamar, I will help you.
We must go down into the darkness, Tamar, it is hard and painful
for me.' 'I am in the darkness
Already, a fiery darkness.' 'The good spirits will guide you,
it is easy for you; for me, death.
Death, Tamar, I have to die to reach them.' 'Death's no bad
thing,' she answered, 'each hour of the day
Has more teeth.' 'Are you so unhappy, Tamar, the good spirits
will help you and teach you.' 'Aunt Stella,
To-night, to-night?' 'I groan when I go down to death, your
father and brother will come and spoil it.'
'In the evening we will go under the rocks by the sea.' 'Well,
in the evening.' 'If they talk to us
I'll buy you black silk and white lace.'
In and out of the little fjord swam the weak waves
Moving their foam in the twilight. Tamar at one flank, old
Stella at the other, upheld poor Jinny
Among the jags of shattered granite, so they came to the shingle.
Rich, damp and dark the sea's breath
Folding them made amend for days of sun-sickness, but Jinny
among the rubble granite
(They had no choice but take her along with them, who else
would care for the idiot?) slipped, and falling
Gashed knees and forehead, and she whimpered quietly in the
darkness. 'Here,' said Tamar, 'I made you
A bed of seaweed under the nose of this old rock, let Jinny lie
beside you, Aunt Stella,
I’ll lay the rug over you both.' They lay on the odorous kelp,
Tamar squatted beside them,
The weak sea wavered in her rocks and Venus hung over the
west between the cliff-butts
Like the last angel of the world, the crystal night deepening.
The sea and the three women
Kept silence, only Tamar moved herself continually on the fret
of her taut nerves,
And the sea moved, on the obscure bed of her eternity, but
both were voiceless. Tamar
Felt her pulse bolt like a scared horse and stumble and stop,
for it seemed to her a wandering power
Essayed her body, something hard and rounded and invisible
pressed itself for entrance
Between the breasts, over the diaphragm. When she was forced
backward and lay panting, the assault
Failed, the presence withdrew, and in that clearance she heard
her old Aunt Stella monotonously muttering
Words with no meaning in them; but the tidal night under
the cliff seemed full of persons
With eyes, although there was no light but the evening planet's
and her trail in the long water.
Then came a man's voice from the woman, saying, 'Que quieres
pobrecita?' and Tamar, 'Morir,'
Trembling, and marveling that she lied for no reason, and said,
'Es porque no entiendo,
Anything but ingles.' To which he answered, 'Ah pobrecita,'
and was silent. And Tamar
Cried, 'I will talk to that Helen.' But instead another male throat
spoke out of the woman's
Unintelligible gutturals, and it ceased, and the woman changing
voice, yet not to her own:
'An Indian. He says his people feasted here and sang to their
Gods and the tall Gods came walking
Between the tide-marks on the rocks; he says to strip and dance
and he will sing, and his Gods
Come walking.' Tamar answered, crying, 'I will not, I will
not, tell him to go away and let me
Talk to that Helen.' But old Stella after a silence: 'He says No,
no, the pregnant women
Would always dance here and the shore belongs to his people's
ghosts nor will they endure another
Unless they are pleased.' And Tamar said, 'I cannot dance,
drive him away,' but while she said it
Her hands accepting alien life and a strange will undid the
fastenings of her garments.
She panted to control them, tears ran down her cheeks, the
male voice chanted
Hoarse discords from the old woman's body, Tamar drew her
Out of its husks; dwellers on eastern shores
Watch moonrises as white as hers
When the half-moon about midnight
Steps out of her husk of water to dance in heaven:
So Tamar weeping
Slipped every sheath down to her feet, the spirit of the place
Ruling her, she and the evening star sharing the darkness,
And danced on the naked shore
Where a pale couch of sand covered the rocks,
Danced with slow steps and streaming hair,
Dark and slender
Against the pallid sea-gleam, slender and maidenly
Dancing and weeping . . .
It seemed to her that all her body
Was touched and troubled with polluting presences
Invisible, and whatever had happened to her from her two lovers
She had been until that hour inviolately a virgin,
Whom now the desires of dead men and dead Gods and a dead
Used for their common prey . . . dancing and weeping,
Slender and maidenly . . . The chant was changed,
And Tamar's body responded to the change, her spirit
Wailing within her. She heard the brutal voice
And hated it, she heard old Jinny mimic it
In the cracked childish quaver, but all her body
Obeyed it, wakening into wantonness,
Kindling with lust and wilder
Coarseness of insolent gestures,
The senses cold and averse, but the frantic too-governable flesh
Inviting the assaults of whatever desired it, of dead men
Or Gods walking the tide-marks,
The beautiful girlish body as gracile as a maiden's
Gone beastlike, crouching and widening,
Agape to be entered, as the earth
Gapes with harsh heat-cracks, the inland adobe of sun-worn
At the end of summer
Opening sick mouths for its hope of the rain,
So her body gone mad
Invited the spirits of the night, her belly and her breasts
Twisting, her feet dashed with blood where the granite had
And she fell, and lay gasping on the sand, on the tide-line.
Possessed the shore when the evening star was down; old Stella
Was quiet in her trance; old Jinny the idiot clucked and parroted
to herself, there was none but the idiot
Saw whether a God or a troop of Gods came swaggering along
the tide-marks unto Tamar, to use her
Shamefully and return from her, gross and replete shadows,
swaggering along the tide-marks
Against the sea-gleam. After a little the life came back to that
fallen flower; for fear or feebleness
She crept on hands and knees, returning so to the old medium
of this infamy. Only
The new tide moved in the night now; Tamar with her back
bent like a bow and the hair fallen forward
Crouched naked at old Stella's feet, and shortly heard the voice
she had cried for. 'I am your Helen.
I would have wished you choose another place to meet me and
milder ceremonies to summon me.
We dead have traded power for wisdom, yet it is hard for us
to wait on the maniac living
Patiently, the desires of you wild beasts. You have the power.'
And Tamar murmured, 'I had nothing,
Desire nor power.' And Helen, 'Humbler than you were. She
has been humbled, my little Tamar.
And not so clean as the first lover left you, Tamar. Another and
half a dozen savages,
Dead, and dressed up for Gods.' 'I have endured it,' she answered.
Then the sweet disdainful voice
In the throat of the old woman: 'As for me, I chose rather to
die.' 'How can I kill
A dead woman,' said Tamar in her heart, not moving the lips,
but the other listened to thought
And answered, 'O, we are safe, we shan't fear murder. But,
Tamar, the child will die, and all for nothing
You were submissive by the river, and lived, and endured fouling.
I have heard the wiser flights
Of better spirits, that beat up to the breasts and shoulders of our
Father above the star-fire,
Say, 'Sin never buys anything.'
Tamar, kneeling, drew the
thickness of her draggled hair
Over her face and wept till it seemed heavy with blood; and
like a snake lifting its head
Out of a fire, she lifted up her face after a little and said, 'It
will live, and my father's
Bitch be proved a liar.' And the voice answered, and the tone
of the voice smiled, 'Her words
Rhyme with her dancing. Tamar, did you know there were
many of us to watch the dance you danced there,
And the end of the dance? We on the cliff; your mother, who
used to hate me, was among us, Tamar.
But she and I loved each only one man, though it were the
same. We two shared one? You, Tamar,
Are shared by many.' And Tamar: 'This is your help, I dug
down to you secret dead people
To help me and so I am helped now. What shall I ask more?
How it feels when the last liquid morsel
Slides from the bone? Or whether you see the worm that burrows
up through the eye-socket, or thrill
To the maggot's music in the tube of a dead ear? You stinking
dead. That you have no shame
Is nothing: I have no shame: see I am naked, and if my thighs
were wet with dead beasts' drippings
I have suffered no pollution like the worms in yours; and if I
cannot touch you I tell you
There are those I can touch. I have smelled fire and tasted fire,
And all these days of horrible sunlight, fire
Hummed in my ears, I have worn fire about me like a cloak and
burning for clothing. It is God
Who is tired of the house that thousand-leggers crawl about in,
where an idiot sleeps beside a ghost-seer,
A doting old man sleeps with dead women and does not know it,
And pointed bones are at the doors
Or climb up trees to the window. I say He has gathered
Fire all about the walls and no one sees it
But I, the old roof is ripe and the rafters
Rotten for burning, and all the woods are nests of horrible things,
nothing would ever clean them
But fire, but I will go to a clean home by the good river.' 'You
danced, Tamar,' replied
The sweet disdainful voice in the mouth of the old woman, 'and
now your song is like your dance,
Modest and sweet. Only you have not said it was you,
Before you came down by the sea to dance,
That lit a candle in your closet and laid
Paper at the foot of the candle. We were watching.
And now the wick is nearly down to the heap,
It's God will have fired the house? But Tamar,
It will not burn. You will have fired it, your brother
Will quench it, I think that God would hardly touch
Anything in that house.' 'If you know everything,'
Cried Tamar, 'tell me where to go.
Now life won't do me and death is shut against me
Because I hate you. O believe me I hate you dead people
More than you dead hate me. Listen to me, Helen.
There is no voice as horrible to me as yours,
And the breasts the worms have worked in. A vicious berry
Grown up out of the graveyard for my poison.
But there is no one in the world as lonely as I,
Betrayed by life and death.' Like rain breaking a storm
Sobs broke her voice. Holding by a jag of the cliff
She drew herself full height. God who makes beauty
Disdains no creature, nor despised that wounded
Tired and betrayed body. She in the starlight
And little noises of the rising tide
Naked and not ashamed bore a third part
With the ocean and keen stars in the consistence
And dignity of the world. She was white stone,
Passion and despair and grief had stripped away
Whatever is rounded and approachable
In the body of woman, hers looked hard, long lines
Narrowing down from the shoulder-bones, no appeal,
A weapon and no sheath, fire without fuel,
Saying, 'Have you anything more inside you
Old fat and sleepy sepulcher, any more voices?
You can do better than my father's by-play
And the dirty tricks of savages, decenter people
Have died surely. T have so passed nature
That God himself, who's dead or all these devils
Would never have broken hell, might speak out of you
Last season thunder and not scare me.' Old Stella
Groaned but not spoke, old Jinny lying beside her
Wakened at the word thunder and suddenly chuckling
Began to mimic a storm, 'whoo-whoo' for wind
And 'boom-boom-boom' for thunder. Other voices
Wakened far off above the cliff, and suddenly
The farm-bell ringing fire; and on the rock-islets
Sleepy cormorants cried at it. 'Why, now He speaks
Another way than out of the fat throat,'
Cried Tamar, and prayed, 'O strong and clean and terrible
Spirit and not father punish the hateful house.
Fire eat the walls and roofs, drive the red beast
Through every wormhole of the rotting timbers
And into the woods and into the stable, show them,
These liars, that you are alive.' Across her voice
The bell sounded and old Jinny mimicking it,
And shouts above the cliff. 'Look, Jinny, look,'
Cried Tamar, 'the sky'd be red soon, come and we'll dress
And watch the bonfire.' Yet she glanced no thought
At her own mermaid nakedness but gathering
The long black serpents of beached seaweed wove
Wreaths for old Jinny and crowned and wound her. Meanwhile
The bell ceased ringing and Stella ceased her moan,
And in the sudden quietness, 'Tamar,' she said
In the known voice of Helen so many years
Dead, 'though you hate me utterly, Tamar, I
Have nothing to give back, I was quite emptied
Of hate and love and the other fires of the flesh
Before your mother gave the clay to my lover
To mould you a vessel to hold them.' Tamar, winding
Her mindless puppet in the sea-slough mesh
Said over her shoulder, hardly turning, 'Why then
Do you trouble whom you don't hate?' 'Because we hunger
And hunger for life,' she answered. 'Did I come uncalled?
You called me, you have more hot and blind, wild-blooded
And passionate life than any other creature.
How could I ever leave you while the life lasts?
God pity us both, a cataract life
Dashing itself to pieces in an instant.
You are my happiness, you are my happiness and death eats you.
I'll leave you when you are empty and cold and join us.
Then pity me, then Tamar, me flitting
The chilly and brittle pumice-tips of the moon,
While the second death
Corrodes this shell of me, till it makes my end.'
But Tamar would not listen to her, too busily
Decking old Jinny for the festival fire,
And sighing that thin and envious ghost forsook
Her instrument, and about that time harsh pain
Wrung Tamar's loins and belly, and pain and terror
Expelled her passionate fancies, she cried anxiously,
'Stella, Aunt Stella, help me, will you?' and thinking,
'She hears when Jinny whimpers,' twistingly pinched
Her puppet's arm until it screamed. Old Stella
Sat up on the seaweed bed and turned white eyes
No pupils broke the diffused star-gleam in
Upon her sixty-year-old babe, that now
Crouched whimpering, huddled under the slippery leaves
And black whips of the beach; and by it stood gleaming
Tamar, anguished, all white as the blank balls
That swept her with no sight but vision: old Stella
Did not awake yet but a voice blew through her,
Not personal like the other, and shook her body
And shook her hands: 'It was no good to do too soon, your
fire's out, you'd been patient for me
It might have saved two fires.' But Tamar: 'Stella.
I'm dying: or it is dying: wake up Aunt Stella.
O pain, pain, help me.' And the voice: 'She is mine while I
use her. Scream, no one will hear but this one
Who has no mind, who has not more help than July rain.' And
Tamar, 'What are you, what are you, mocking me?
More dirt and another dead man? O,' she moaned, pressing her
flanks with both her hands, and bending
So that her hair across her knees lay on the rock. It answered,
'Not a voice from carrion.
Breaker of trees and father of grass, shepherd of clouds and
waters, if you had waited for me
You'd be the luckier.' 'What shall I give you?' Tamar cried,
'I have given away'
Pain stopped her, and then
Blood ran, and she fell down on the round stones, and felt nor
saw nothing. A little later
Old Stella Moreland woke out of her vision, sick and shaking.
Tamar's mind and suffering
Returned to her neither on the sea-rocks of the midnight nor
in her own room; but she was lying
Where Lee her brother had lain, nine months before, after his
fall, in the big westward bedroom.
She lay on the bed, and in one corner was a cot for Stella who
nursed her, and in the other
A cot for the idiot, whom none else would care for but old
Stella. After the ache of awakening
And blank dismay of the spirit come home to a spoiled house,
she lay thinking with vacant wonder
That life is always an old story, repeating itself always like the
leaves of a tree
Or the lips of an idiot; that herself like Lee her brother
Was picked up bleeding from the sea-boulders under the sea-cliff
and carried up to be laid
In the big westward bedroom . . . was he also fouled with
ghosts before they found him, a gang
Of dead men beating him with rotten bones, mouthing his body,
piercing him? 'Stella,' she whispered,
'Have I been sick long?' 'There, sweetheart, lie still; three or
four days.' 'Has Lee been in to see me?'
'Indeed he has, hours every day.' 'He'll come, then,' and she
closed her eyes and seemed to sleep.
Someone tapped at the door after an hour and Tamar said,
'Come, Lee.' But her old father
Came in, and he said nothing, but sat down by the bed; Tamar
had closed her eyes. In a little
Lee entered, and he brought a chair across the room and sat by
the bed. 'Why don't you speak,
Lee?' And he said, 'What can I say except I love you, sister?'
'Why do you call me sister,
Not Tamar?' And he answered, 'I love you, Tamar.' Then old
Aunt Stella said, 'See, she's much better.
But you must let her rest. She'll be well in a few days; now kiss
her, Lee, and let her rest.'
Lee bent above the white pure cameo-face on the white pillow,
meaning to kiss the forehead.
But Tamar's hands caught him, her lips reached up for his: while
Jinny the idiot clapped and chuckled
And made a clucking noise of kisses; then, while Lee sought to
untwine the arms that yoked his neck,
The old man, rising: 'I opened the Book last night thinking
about the sorrows of this house,
And it said, 'If a man find her in the field and force her and lie
with her, nevertheless the damsel
Has not earned death, for she cried out and there was none to
save her.' Be glad, Tamar, my sins
Are only visited on my son, for you there is mercy.' 'David,
Will you be gone and let her rest now,' cried old Stella, 'do
you mean to kill her with a bible?'
'Woman,' he answered, 'has God anything to do with you?
She will not die, the Book
Opened and said it.' Tamar, panting, leaned against the pillow
and said, 'Go, go. To-morrow
Say all you please; what does it matter?' And the old man said,
'Come, Lee, in the morning she will hear us.'
Tamar stretched out her trembling hand, Lee did not touch it,
but went out ahead of his father.
So they were heard in the hall, and then their footsteps on the
stair. Tamar lay quiet and rigid,
With open eyes and tightening fists, with anger like a coiled steel
spring in her throat but weakness
And pain for the lead weights. After an hour she said, 'What
does he mean to do? Go away?
Kill himself, Stella?' Stella answered, 'Nothing, nothing, they
talk, it's to keep David quiet.
Your father is off his head a little, you know. Now rest you,
little Tamar, smile and be sleepy,
Scold them to-morrow.' 'Shut the sun out of my eyes then,'
Tamar said, but the idiot Jinny
Made such a moaning when the windows were all curtained they
needed to let in one beam
For dust to dance in; then the idiot and the sick girl slept. About
the hour of sundown
Tamar was dreaming trivially an axman chopping down a tree
and field-mice scampering
Out of the roots when suddenly like a shift of wind the dream
Changed and grew awful, she watched dark horsemen coming
out of the south, squadrons of hurrying horsemen
Between the hills and the dark sea, helmeted like the soldiers of
the war in France,
Carrying torches. When they passed Mal Paso Creek the columns
Veered, one of the riders said, 'Here it began,' but another
answered, 'No. Before the granite
Was bedded to build the world on.' So they formed and galloped
north again, hurrying squadrons,
And Tamar thought, 'When they come to the Carmel River
then it will happen. They have passed Mal Paso.'
Who has ever guessed to what odd ports, what sea buoying the
keels, a passion blows its bulkless
Navies of vision? High up in the hills
Ramon Ramirez, who was herdsman of the Cauldwell herds,
stood in his cabin doorway
Rolling a cigarette a half-hour after sundown, and he felt puffs
from the south
Come down the slope of stunted redwoods, so he thought the
year was turning at last, and shortly
There would come showers; he walked therefore a hundred
yards to westward, where a point of the hill
Stood over Wildcat Canyon and the sea was visible; he saw
Point Lobos gemmed in the darkening
Pale yellow sea; and on the point the barn-roofs and the house roof
breaking up through the blackness
Of twilight cypress tops, and over the sea a cloud forming. The
evening darkened. Southwestward
A half-mile loop of the coast-road could be seen, this side Mal
Paso. Suddenly a nebular company
Of lights rounded the hill, Ramirez thought the headlights of
a car sweeping the road,
But in a moment saw that it was horsemen, each carrying a light,
Moving in squads he judged of twenty or twenty-five, he counted
twelve or thirteen companies
When the brush broke behind him and a horseman rode the
headlong ridge like level ground,
Helmeted, carrying a torch. Followed a squad of twelve, helmeted,
cantering the headlong ridge
Like level ground. He thought in the nervous innocence of the
early war, they must be Germans.
Tamar awoke out of her dream and heard old Jinny saying,
'Dear sister Helen, kiss me
As you kiss David. I was watching under a rock, he took your
clothes off and you kissed him
So hard and hard, I love you too, Helen; you hardly ever kiss
me.' Tamar lay rigid,
Breathless to listen to her; it was well known in the house that
under the shell of imbecility
Speech and a spirit, however subdued, existed still; there were
waking flashes, and more often
She talked in sleep and proved her dreams were made out of
clear memories, childhood sights and girlhood
Fancies, before the shadow had fallen; so Tamar craving food
for passion listened to her,
And heard: 'Why are you cross, Helen? I won't peek if you'd
rather I didn't. Darling Helen,
I love him, too; I'd let him play with me the way he does with
you if he wanted to.
And Lily and Stella hate me as much as they hate you.' All
she said after was so mumbled
That Tamar could not hear it, could only hear the mumble, and
old Aunt Stella's nasal sleep
And the sea murmuring. When the mumbled voice was quiet it
seemed to Tamar
A strange thing was preparing, an inward pressure
Grew in her throat and seemed to swell her arms and hands
And join itself with a fluid power
Streaming from somewhere in the room from Jinny?
From Stella? and in a moment the heavy chair
That Lee had sat in, tipped up, rose from the floor,
And floated to the place he had brought it from
Five hours ago. The power was then relaxed,
And Tamar could breathe and speak. She awaked old Stella
And trembling told her what she had seen; who laughed
And answered vaguely so that Tamar wondered
Whether she was still asleep, and let her burrow
In her bed again and sleep. Later that night
Tamar too slept, but shudderingly, in snatches,
For fear of dreaming. A night like years. In the gray of morning
A horse screamed from the stableyard and Tamar
Heard the thud of hooves lashing out and timbers
Splintering, and two or three horses broken loose
Galloped about the grounds of the house. She heard men calling,
And downstairs Lee in a loud angry tone
Saying 'Someone's pitched the saw-buck and the woodpile
Into the horse-corral.' Then Tamar thought
'The same power moved his chair in the room, my hatred, my
Disturbing the house because I failed to burn it.
I must be quiet and quiet and quiet and keep
The serving spirits of my hid hatred quiet
Until my rime serves too. Helen you shadow
The Leaves Sluicing The Rain Down The Back Of My Neck
The leaves sluicing the rain down the back of my neck
to put out my candle of serpent-fire
like an orchid in an abandoned house well,
lightning in its tears, thunder in the hollow
of its telescope when the white runaway horse
pounds its hoof upon it at four in the morning,
the muscled embodiment of moonlight made flesh,
the stars running to peer through their windows
to see what's making that sound.
The sodden path down to the lake, rife with duff,
an Orphic descent whose picture-music
owes nothing to death, and the moss-pated skulls
of the prophetic rocks along the way, every precarious step,
the assessment of an omnipresent danger
that could kick the stool from out under your noose,
though you were foolishly hoping it might be
an Egyptian ankh, granting you long life
in an underworld where anything that's violet
is the toxic shadow of an inconsolable grief
that laments that it had ever met the sun eye to eye,
and try how it might, can't make a way of life
out of suicide. But I didn't come here to grease
the hinges on hell like the wings of rusty birds
or desecrate the place with my omnipresence.
Once I realized the realm of the dead
is no realm at all that can be distinguished from the living,
I've returned to this underground river from time to time
where the roots try to take hold of my skull like the moon
as if it were their last chance at blossoming,
and my bones are scattered along the banks
like socket wrenches from a dead mechanic's tool box
or a coffin that's finally run out of things to fix.
This is where I come to return my harp of water
to a watershed of indistinguishable wavelengths
in homage to the source that handed it on to me,
a voice of my own, and there's a bridge I stand on
no one's burnt down yet, just a fallen log really,
but to me an overarching oxymoron that lets me stand
on both sides of the mindstream at once
to pay homage to a death I long to be worthy of
like a teacher my life is obligated to surpass
to fully honour her undisciplined transcendence.
Like water. A carrying away into a carrying away.
We couldn't tell time if we weren't all dying.
Eternity just a sundial that never closed its eyelids.
The wounded serpent of the waterclock bleeding out
like a human heart to remind us what hour it is,
what windfalls and harvests of the season of our soul
to leave in the begging bowls we place
at the eastern doors of our autumnal burial huts,
hoping we'll see each other again, once are bones are dust,
like Canada geese returning in the early spring.
Some bring silver swords minted of moonlight
thrusting through the parting clouds
and lay them down on the water gently
like children they once cherished abandoned for life
as the greatest gift their hands had ever grasped.
I lay down this gift of a clear voice
that no fear or desire's ever broken in like a wishbone
pimped out like tinfoil to the glamour of temptation.
Whatever storms raged in the crowns of its oracular branches,
this tree never injured any bird that ever sang in it.
I never hung my lyre like a dreamcatcher over the bed,
or used it to seduce butterflies into a spider-web,
dolphins into a bay of fishing-nets, nor yet
let its strings go slack like the pentatonic spinal cords
of a guitar that's lost its nerve in the dark corners of life.
Nor did I ever refuse to sing what the dead asked me to
anymore than I did the living. Nor let the medium
intrude upon the message in such a way
the import of the song couldn't exceed
the wingspan of the bird that released it
into the vastness of its interstellar longing.
Here the dead whisper their secrets to the waters
like coy sylphs of the wind flirting with waves,
and here where dissolution walks in the same shoes
as regeneration, and one step east is one step west
and though there's a coming and though there's a going
birth and death don't know anything about this,
and Prussian blue the wet wind that's been crying
about the sturm and drang of things to the broken pines
whose excruciations have become part of their character,
as if the haloes of the rain rippled through their heartwood
like the echoes of old engagement rings
from wide-eyed springs that have lasted for light years.
Death isn't the derelict of life's glory.
Just as peace isn't the end of passage.
Mid-summer squanders as many flowers
on the capricious rivers of life as it does
the funeral bells of the fallen water birds.
And maybe that's all these words are,
wild iris and daylilies lifting their skirts
above the flowing like troupes of gypsy fires
that like dancing to the flutes of their own desires
as they burn on the pyres of their floral reflections.
Who knows this late in the day, but maybe
I'm just trying to approach my own death
like an unopened gate to a garden
the way I did as a novice to love
when I couldn't tell a larkspur from a hollyhock
nor what sign the star sapphire of the borage
wanted to be planted under like the Pleiades?
Anyway it pans out is ok with me, though.
I like it here where the waterlilies reset their sails
like redemption out of their own salvage
and after a long, grey day of funereal rain,
the clouds begin to clear around nightfall
and my eyes are seeded with the stars
of unnamed constellations of New England asters
that don't conform to any known starmaps
I can follow genetically back like a fuse of dna
to the Big Bang of my first flowering into life.
And maybe I'm a mutant in the ancestry of death
that has always been the subliminal motif
of a symphonic life that wasn't immune
to the picture-music of the celestial spheres
but I can't help noticing how the bones of the muskrat
and the skeletal remains of the heron's stilts
toppled by the stealthy fluke of a fox
all resonate like musical instruments
laid down in tribute on the roots of the trees
and on the sides of the paths that broke like melodies
on the ears of the dead who could taste them
like the tears of the moon on their silver tongues.
In this realm of radiant starmud in a state
of reanimating life out of its own detritus and decay,
I can hear their ghosts returning to life
like native atmospheres
returning to the songs of the lunar night birds
that don't abuse their solitude with a sense of loss
without sweetening the music
with the ripeness of their silence
just before the grande finale
of their next windfall of transcendent whole notes.
The Vision Of The Maid Of Orleans - The First Book
Orleans was hush'd in sleep. Stretch'd on her couch
The delegated Maiden lay: with toil
Exhausted and sore anguish, soon she closed
Her heavy eye-lids; not reposing then,
For busy Phantasy, in other scenes
Awakened. Whether that superior powers,
By wise permission, prompt the midnight dream,
Instructing so the passive faculty;
Or that the soul, escaped its fleshly clog,
Flies free, and soars amid the invisible world,
And all things 'are' that 'seem'.
Along a moor,
Barren, and wide, and drear, and desolate,
She roam'd a wanderer thro' the cheerless night.
Far thro' the silence of the unbroken plain
The bittern's boom was heard, hoarse, heavy, deep,
It made most fitting music to the scene.
Black clouds, driven fast before the stormy wind,
Swept shadowing; thro' their broken folds the moon
Struggled sometimes with transitory ray,
And made the moving darkness visible.
And now arrived beside a fenny lake
She stands: amid its stagnate waters, hoarse
The long sedge rustled to the gales of night.
An age-worn bark receives the Maid, impell'd
By powers unseen; then did the moon display
Where thro' the crazy vessel's yawning side
The muddy wave oozed in: a female guides,
And spreads the sail before the wind, that moan'd
As melancholy mournful to her ear,
As ever by the dungeon'd wretch was heard
Howling at evening round the embattled towers
Of that hell-house of France, ere yet sublime
The almighty people from their tyrant's hand
Dash'd down the iron rod.
Intent the Maid
Gazed on the pilot's form, and as she gazed
Shiver'd, for wan her face was, and her eyes
Hollow, and her sunk cheeks were furrowed deep,
Channell'd by tears; a few grey locks hung down
Beneath her hood: then thro' the Maiden's veins
Chill crept the blood, for, as the night-breeze pass'd,
Lifting her tattcr'd mantle, coil'd around
She saw a serpent gnawing at her heart.
The plumeless bat with short shrill note flits by,
And the night-raven's scream came fitfully,
Borne on the hollow blast. Eager the Maid
Look'd to the shore, and now upon the bank
Leaps, joyful to escape, yet trembling still
There, a mouldering pile
Stretch'd its wide ruins, o'er the plain below
Casting a gloomy shade, save where the moon
Shone thro' its fretted windows: the dark Yew,
Withering with age, branched there its naked roots,
And there the melancholy Cypress rear'd
Its head; the earth was heav'd with many a mound,
And here and there a half-demolish'd tomb.
And now, amid the ruin's darkest shade,
The Virgin's eye beheld where pale blue flames
Rose wavering, now just gleaming from the earth,
And now in darkness drown'd. An aged man
Sat near, seated on what in long-past days
Had been some sculptur'd monument, now fallen
And half-obscured by moss, and gathered heaps
Of withered yew-leaves and earth-mouldering bones;
And shining in the ray was seen the track
Of slimy snail obscene. Composed his look,
His eye was large and rayless, and fix'd full
Upon the Maid; the blue flames on his face
Stream'd a pale light; his face was of the hue
Of death; his limbs were mantled in a shroud.
Then with a deep heart-terrifying voice,
Exclaim'd the Spectre, 'Welcome to these realms,
These regions of DESPAIR! O thou whose steps
By GRIEF conducted to these sad abodes
Have pierced; welcome, welcome to this gloom
Eternal, to this everlasting night,
Where never morning darts the enlivening ray,
Where never shines the sun, but all is dark,
Dark as the bosom of their gloomy King.'
So saying he arose, and by the hand
The Virgin seized with such a death-cold touch
As froze her very heart; and drawing on,
Her, to the abbey's inner ruin, led
Resistless. Thro' the broken roof the moon
Glimmer'd a scatter'd ray; the ivy twined
Round the dismantled column; imaged forms
Of Saints and warlike Chiefs, moss-canker'd now
And mutilate, lay strewn upon the ground,
With crumbled fragments, crucifixes fallen,
And rusted trophies; and amid the heap
Some monument's defaced legend spake
All human glory vain.
The loud blast roar'd
Amid the pile; and from the tower the owl
Scream'd as the tempest shook her secret nest.
He, silent, led her on, and often paus'd,
And pointed, that her eye might contemplate
At leisure the drear scene.
He dragged her on
Thro' a low iron door, down broken stairs;
Then a cold horror thro' the Maiden's frame
Crept, for she stood amid a vault, and saw,
By the sepulchral lamp's dim glaring light,
The fragments of the dead.
'Look here!' he cried,
'Damsel, look here! survey this house of Death;
O soon to tenant it! soon to increase
These trophies of mortality! for hence
Is no return. Gaze here! behold this skull,
These eyeless sockets, and these unflesh'd jaws,
That with their ghastly grinning, seem to mock
Thy perishable charms; for thus thy cheek
Must moulder. Child of Grief! shrinks not thy soul,
Viewing these horrors? trembles not thy heart
At the dread thought, that here its life's-blood soon
Now warm in life and feeling, mingle soon
With the cold clod? a thought most horrible!
So only dreadful, for reality
Is none of suffering here; here all is peace;
No nerve will throb to anguish in the grave.
Dreadful it is to think of losing life;
But having lost, knowledge of loss is not,
Therefore no ill. Haste, Maiden, to repose;
Probe deep the seat of life.'
So spake DESPAIR
The vaulted roof echoed his hollow voice,
And all again was silence. Quick her heart
Panted. He drew a dagger from his breast,
And cried again, 'Haste Damsel to repose!
One blow, and rest for ever!' On the Fiend
Dark scowl'd the Virgin with indignant eye,
And dash'd the dagger down. He next his heart
Replaced the murderous steel, and drew the Maid
Along the downward vault.
The damp earth gave
A dim sound as they pass'd: the tainted air
Was cold, and heavy with unwholesome dews.
'Behold!' the fiend exclaim'd, 'how gradual here
The fleshly burden of mortality
Moulders to clay!' then fixing his broad eye
Full on her face, he pointed where a corpse
Lay livid; she beheld with loathing look,
The spectacle abhorr'd by living man.
'Look here!' DESPAIR pursued, 'this loathsome mass
Was once as lovely, and as full of life
As, Damsel! thou art now. Those deep-sunk eyes
Once beam'd the mild light of intelligence,
And where thou seest the pamper'd flesh-worm trail,
Once the white bosom heaved. She fondly thought
That at the hallowed altar, soon the Priest
Should bless her coming union, and the torch
Its joyful lustre o'er the hall of joy,
Cast on her nuptial evening: earth to earth
That Priest consign'd her, and the funeral lamp
Glares on her cold face; for her lover went
By glory lur'd to war, and perish'd there;
Nor she endur'd to live. Ha! fades thy cheek?
Dost thou then, Maiden, tremble at the tale?
Look here! behold the youthful paramour!
The self-devoted hero!'
The Maid look'd down, and saw the well known face
Of THEODORE! in thoughts unspeakable,
Convulsed with horror, o'er her face she clasp'd
Her cold damp hands: 'Shrink not,' the Phantom cried,
'Gaze on! for ever gaze!' more firm he grasp'd
Her quivering arm: 'this lifeless mouldering clay,
As well thou know'st, was warm with all the glow
Of Youth and Love; this is the arm that cleaved
Salisbury's proud crest, now motionless in death,
Unable to protect the ravaged frame
From the foul Offspring of Mortality
That feed on heroes. Tho' long years were thine,
Yet never more would life reanimate
This murdered man; murdered by thee! for thou
Didst lead him to the battle from his home,
Else living there in peace to good old age:
In thy defence he died: strike deep! destroy
Remorse with Life.'
The Maid stood motionless,
And, wistless what she did, with trembling hand
Received the dagger. Starting then, she cried,
'Avaunt DESPAIR! Eternal Wisdom deals
Or peace to man, or misery, for his good
Alike design'd; and shall the Creature cry,
Why hast thou done this? and with impious pride
Destroy the life God gave?'
The Fiend rejoin'd,
'And thou dost deem it impious to destroy
The life God gave? What, Maiden, is the lot
Assigned to mortal man? born but to drag,
Thro' life's long pilgrimage, the wearying load
Of being; care corroded at the heart;
Assail'd by all the numerous train of ills
That flesh inherits; till at length worn out,
This is his consummation!--think again!
What, Maiden, canst thou hope from lengthen'd life
But lengthen'd sorrow? If protracted long,
Till on the bed of death thy feeble limbs
Outstretch their languid length, oh think what thoughts,
What agonizing woes, in that dread hour,
Assail the sinking heart! slow beats the pulse,
Dim grows the eye, and clammy drops bedew
The shuddering frame; then in its mightiest force,
Mightiest in impotence, the love of life
Seizes the throbbing heart, the faltering lips
Pour out the impious prayer, that fain would change
The unchangeable's decree, surrounding friends
Sob round the sufferer, wet his cheek with tears,
And all he loved in life embitters death!
Such, Maiden, are the pangs that wait the hour
Of calmest dissolution! yet weak man
Dares, in his timid piety, to live;
And veiling Fear in Superstition's garb,
He calls her Resignation!
Fond Coward! thus to make his Reason war
Against his Reason! Insect as he is,
This sport of Chance, this being of a day,
Whose whole existence the next cloud may blast,
Believes himself the care of heavenly powers,
That God regards Man, miserable Man,
And preaching thus of Power and Providence,
Will crush the reptile that may cross his path!
Fool that thou art! the Being that permits
Existence, 'gives' to man the worthless boon:
A goodly gift to those who, fortune-blest,
Bask in the sunshine of Prosperity,
And such do well to keep it. But to one
Sick at the heart with misery, and sore
With many a hard unmerited affliction,
It is a hair that chains to wretchedness
The slave who dares not burst it!
The parent, if his child should unrecall'd
Return and fall upon his neck, and cry,
Oh! the wide world is comfortless, and full
Of vacant joys and heart-consuming cares,
I can be only happy in my home
With thee--my friend!--my father! Thinkest thou,
That he would thrust him as an outcast forth?
Oh I he would clasp the truant to his heart,
And love the trespass.'
Whilst he spake, his eye
Dwelt on the Maiden's cheek, and read her soul
Struggling within. In trembling doubt she stood,
Even as the wretch, whose famish'd entrails crave
Supply, before him sees the poison'd food
In greedy horror.
Yet not long the Maid
Debated, 'Cease thy dangerous sophistry,
Eloquent tempter!' cried she. 'Gloomy one!
What tho' affliction be my portion here,
Think'st thou I do not feel high thoughts of joy.
Of heart-ennobling joy, when I look back
Upon a life of duty well perform'd,
Then lift mine eyes to Heaven, and there in faith
Know my reward? I grant, were this life all,
Was there no morning to the tomb's long night,
If man did mingle with the senseless clod,
Himself as senseless, then wert thou indeed
A wise and friendly comforter! But, Fiend!
There is a morning to the tomb's long night,
A dawn of glory, a reward in Heaven,
He shall not gain who never merited.
If thou didst know the worth of one good deed
In life's last hour, thou would'st not bid me lose
The power to benefit; if I but save
A drowning fly, I shall not live in vain.
I have great duties, Fiend! me France expects,
Her heaven-doom'd Champion.'
'Maiden, thou hast done
Thy mission here,' the unbaffled Fiend replied:
'The foes are fled from Orleans: thou, perchance
Exulting in the pride of victory,
Forgettest him who perish'd! yet albeit
Thy harden'd heart forget the gallant youth;
That hour allotted canst thou not escape,
That dreadful hour, when Contumely and Shame
Shall sojourn in thy dungeon. Wretched Maid!
Destined to drain the cup of bitterness,
Even to its dregs! England's inhuman Chiefs
Shall scoff thy sorrows, black thy spotless fame,
Wit-wanton it with lewd barbarity,
And force such burning blushes to the cheek
Of Virgin modesty, that thou shalt wish
The earth might cover thee! in that last hour,
When thy bruis'd breast shall heave beneath the chains
That link thee to the stake; when o'er thy form,
Exposed unmantled, the brute multitude
Shall gaze, and thou shalt hear the ribald taunt,
More painful than the circling flames that scorch
Each quivering member; wilt thou not in vain
Then wish my friendly aid? then wish thine ear
Had drank my words of comfort? that thy hand
Had grasp'd the dagger, and in death preserved
Her glowing cheek
Blush'd crimson; her wide eye on vacancy
Was fix'd; her breath short panted. The cold Fiend,
Grasping her hand, exclaim'd, 'too-timid Maid,
So long repugnant to the healing aid
My friendship proffers, now shalt thou behold
The allotted length of life.'
He stamp'd the earth,
And dragging a huge coffin as his car,
Two GOULS came on, of form more fearful-foul
Than ever palsied in her wildest dream
Hag-ridden Superstition. Then DESPAIR
Seiz'd on the Maid whose curdling blood stood still.
And placed her in the seat; and on they pass'd
Adown the deep descent. A meteor light
Shot from the Daemons, as they dragg'd along
The unwelcome load, and mark'd their brethren glut
Below the vault dilates
Its ample bulk. 'Look here!'--DESPAIR addrest
The shuddering Virgin, 'see the dome of DEATH!'
It was a spacious cavern, hewn amid
The entrails of the earth, as tho' to form
The grave of all mankind: no eye could reach,
Tho' gifted with the Eagle's ample ken,
Its distant bounds. There, thron'd in darkness, dwelt
The unseen POWER OF DEATH.
Here stopt the GOULS,
Reaching the destin'd spot. The Fiend leapt out,
And from the coffin, as he led the Maid,
Exclaim'd, 'Where never yet stood mortal man,
Thou standest: look around this boundless vault;
Observe the dole that Nature deals to man,
And learn to know thy friend.'
She not replied,
Observing where the Fates their several tasks
Plied ceaseless. 'Mark how short the longest web
Allowed to man! he cried; observe how soon,
Twin'd round yon never-resting wheel, they change
Their snowy hue, darkening thro' many a shade,
Till Atropos relentless shuts the sheers!'
Too true he spake, for of the countless threads,
Drawn from the heap, as white as unsunn'd snow,
Or as the lovely lilly of the vale,
Was never one beyond the little span
Of infancy untainted: few there were
But lightly tinged; more of deep crimson hue,
Or deeper sable died. Two Genii stood,
Still as the web of Being was drawn forth,
Sprinkling their powerful drops. From ebon urn,
The one unsparing dash'd the bitter wave
Of woe; and as he dash'd, his dark-brown brow
Relax'd to a hard smile. The milder form
Shed less profusely there his lesser store;
Sometimes with tears increasing the scant boon,
Mourning the lot of man; and happy he
Who on his thread those precious drops receives;
If it be happiness to have the pulse
Throb fast with pity, and in such a world
Of wretchedness, the generous heart that aches
With anguish at the sight of human woe.
To her the Fiend, well hoping now success,
'This is thy thread! observe how short the span,
And see how copious yonder Genius pours
The bitter stream of woe.' The Maiden saw
Fearless. 'Now gaze!' the tempter Fiend exclaim'd,
And placed again the poniard in her hand,
For SUPERSTITION, with sulphureal torch
Stalk'd to the loom. 'This, Damsel, is thy fate!
The hour draws on--now drench the dagger deep!
Now rush to happier worlds!'
The Maid replied,
'Or to prevent or change the will of Heaven,
Impious I strive not: be that will perform'd!'
On a rock more high
Than Nature's common surface, she beholds
The Mansion house of Fate, which thus unfolds
Its sacred mysteries. A trine within
A quadrate placed, both these encompast in
A perfect circle was its form; but what
Its matter was, for us to wonder at,
Is undiscovered left. A Tower there stands
At every angle, where Time's fatal hands
The impartial PARCAE dwell; i' the first she sees
CLOTHO the kindest of the Destinies,
From immaterial essences to cull
The seeds of life, and of them frame the wool
For LACHESIS to spin; about her flie
Myriads of souls, that yet want flesh to lie
Warm'd with their functions in, whose strength bestows
That power by which man ripe for misery grows.
Her next of objects was that glorious tower
Where that swift-fingered Nymph that spares no hour
From mortals' service, draws the various threads
Of life in several lengths; to weary beds
Of age extending some, whilst others in
Their infancy are broke: 'some blackt in sin,
Others, the favorites of Heaven, from whence
Their origin, candid with innocence;
Some purpled in afflictions, others dyed
In sanguine pleasures': some in glittering pride
Spun to adorn the earth, whilst others wear
Rags of deformity, but knots of care
No thread was wholly free from. Next to this
Fair glorious tower, was placed that black abyss
Of dreadful ATROPOS, the baleful seat
Of death and horrour, in each room repleat
With lazy damps, loud groans, and the sad sight
Of pale grim Ghosts, those terrours of the night.
To this, the last stage that the winding clew
Of Life can lead mortality unto,
FEAR was the dreadful Porter, which let in
All guests sent thither by destructive sin.
The Day Of The Daughter Of Hades
He who has looked upon Earth
Deeper than flower and fruit,
Losing some hue of his mirth,
As the tree striking rock at the root,
Unto him shall the marvellous tale
Of Callistes more humanly come
With the touch on his breast than a hail
From the markets that hum.
Now the youth footed swift to the dawn.
'Twas the season when wintertide,
In the higher rock-hollows updrawn,
Leaves meadows to bud, and he spied,
By light throwing shallow shade,
Between the beam and the gloom,
Sicilian Enna, whose Maid
Such aspect wears in her bloom
Underneath since the Charioteer
Of Darkness whirled her away,
On a reaped afternoon of the year,
Nigh the poppy-droop of Day.
O and naked of her, all dust,
The majestic Mother and Nurse,
Ringing cries to the God, the Just,
Curled the land with the blight of her curse:
Recollected of this glad isle
Still quaking. But now more fair,
And momently fraying the while
The veil of the shadows there,
Soft Enna that prostrate grief
Sang through, and revealed round the vines,
Bronze-orange, the crisp young leaf,
The wheat-blades tripping in lines,
A hue unillumined by sun
Of the flowers flooding grass as from founts:
All the penetrable dun
Of the morn ere she mounts.
Nor had saffron and sapphire and red
Waved aloft to their sisters below,
When gaped by the rock-channel head
Of the lake, black, a cave at one blow,
Reverberant over the plain:
A sound oft fearfully swung
For the coming of wrathful rain:
And forth, like the dragon-tongue
Of a fire beaten flat by the gale,
But more as the smoke to behold,
A chariot burst. Then a wail
Quivered high of the love that would fold
Bliss immeasurable, bigger than heart,
Though a God's: and the wheels were stayed,
And the team of the chariot swart
Reared in marble, the six, dismayed,
Like hoofs that by night plashing sea
Curve and ramp from the vast swan-wave:
For, lo, the Great Mother, She!
And Callistes gazed, he gave
His eyeballs up to the sight:
The embrace of the Twain, of whom
To men are their day, their night,
Mellow fruits and the shearing tomb:
Our Lady of the Sheaves
And the Lily of Hades, the Sweet
Of Enna: he saw through leaves
The Mother and Daughter meet.
They stood by the chariot-wheel,
Embraced, very tall, most like
Fellow poplars, wind-taken, that reel
Down their shivering columns and strike
Head to head, crossing throats: and apart,
For the feast of the look, they drew,
Which Darkness no longer could thwart;
And they broke together anew,
Exulting to tears, flower and bud.
But the mate of the Rayless was grave:
She smiled like Sleep on its flood,
That washes of all we crave:
Like the trance of eyes awake
And the spirit enshrouded, she cast
The wan underworld on the lake.
They were so, and they passed.
He tells it, who knew the law
Upon mortals: he stood alive
Declaring that this he saw:
He could see, and survive.
Now the youth was not ware of the beams
With the grasses intertwined,
For each thing seen, as in dreams,
Came stepping to rear through his mind,
Till it struck his remembered prayer
To be witness of this which had flown
Like a smoke melted thinner than air,
That the vacancy doth disown.
And viewing a maiden, he thought
It might now be morn, and afar
Within him the memory wrought
Of a something that slipped from the car
When those, the august, moved by:
Perchance a scarf, and perchance
This maiden. She did not fly,
Nor started at his advance:
She looked, as when infinite thirst
Pants pausing to bless the springs,
Refreshed, unsated. Then first
He trembled with awe of the things
He had seen; and he did transfer,
Divining and doubting in turn,
His reverence unto her;
Nor asked what he crouched to learn:
The whence of her, whither, and why
Her presence there, and her name,
Her parentage: under which sky
Her birth, and how hither she came,
So young, a virgin, alone,
Unfriended, having no fear,
As Oreads have; no moan,
Like the lost upon earth; no tear;
Not a sign of the torch in the blood,
Though her stature had reached the height
When mantles a tender rud
In maids that of youths have sight,
If maids of our seed they be:
For he said: A glad vision art thou!
And she answered him: Thou to me!
As men utter a vow.
Then said she, quick as the cries
Of the rainy cranes: Light! light!
And Helios rose in her eyes,
That were full as the dew-balls bright,
Relucent to him as dews
Unshaded. Breathing, she sent
Her voice to the God of the Muse,
And along the vale it went,
Strange to hear: not thin, not shrill:
Sweet, but no young maid's throat:
The echo beyond the hill
Ran falling on half the note:
And under the shaken ground
Where the Hundred-headed groans
By the roots of great AEtna bound,
As of him were hollow tones
Of wondering roared: a tale
Repeated to sunless halls.
But now off the face of the vale
Shadows fled in a breath, and the walls
Of the lake's rock-head were gold,
And the breast of the lake, that swell
Of the crestless long wave rolled
To shore-bubble, pebble and shell.
A morning of radiant lids
O'er the dance of the earth opened wide:
The bees chose their flowers, the snub kids
Upon hindlegs went sportive, or plied,
Nosing, hard at the dugs to be filled:
There was milk, honey, music to make:
Up their branches the little birds billed:
Chirrup, drone, bleat and buzz ringed the lake.
O shining in sunlight, chief
After water and water's caress,
Was the young bronze-orange leaf,
That clung to the tree as a tress,
Shooting lucid tendrils to wed
With the vine-hook tree or pole,
Like Arachne launched out on her thread.
Then the maiden her dusky stole
In the span of the black-starred zone,
Gathered up for her footing fleet.
As one that had toil of her own
She followed the lines of wheat
Tripping straight through the fields, green blades,
To the groves of olive grey,
Downy-grey, golden-tinged: and to glades
Where the pear-blossom thickens the spray
In a night, like the snow-packed storm:
Pear, apple, almond, plum:
Not wintry now: pushing, warm!
And she touched them with finger and thumb,
As the vine-hook closes: she smiled,
Recounting again and again,
Corn, wine, fruit, oil! like a child,
With the meaning known to men.
For hours in the track of the plough
And the pruning-knife she stepped,
And of how the seed works, and of how
Yields the soil, she seemed adept.
Then she murmured that name of the dearth,
The Beneficent, Hers, who bade
Our husbandmen sow for the birth
Of the grain making earth full glad.
She murmured that Other's: the dirge
Of life-light: for whose dark lap
Our locks are clipped on the verge
Of the realm where runs no sap.
She said: We have looked on both!
And her eyes had a wavering beam
Of various lights, like the froth
Of the storm-swollen ravine stream
In flame of the bolt. What links
Were these which had made him her friend?
He eyed her, as one who drinks,
And would drink to the end.
Now the meadows with crocus besprent,
And the asphodel woodsides she left,
And the lake-slopes, the ravishing scent
Of narcissus, dark-sweet, for the cleft
That tutors the torrent-brook,
Delaying its forceful spleen
With many a wind and crook
Through rock to the broad ravine.
By the hyacinth-bells in the brakes,
And the shade-loved white windflower, half hid,
And the sun-loving lizards and snakes
On the cleft's barren ledges, that slid
Out of sight, smooth as waterdrops, all,
At a snap of twig or bark
In the track of the foreign foot-fall,
She climbed to the pineforest dark,
Overbrowing an emerald chine
Of the grass-billows. Thence, as a wreath,
Running poplar and cypress to pine,
The lake-banks are seen, and beneath,
Vineyard, village, groves, rivers, towers, farms,
The citadel watching the bay,
The bay with the town in its arms,
The town shining white as the spray
Of the sapphire sea-wave on the rock,
Where the rock stars the girdle of sea,
White-ringed, as the midday flock,
Clipped by heat, rings the round of the tree.
That hour of the piercing shaft
Transfixes bough-shadows, confused
In veins of fire, and she laughed,
With her quiet mouth amused
To see the whole flock, adroop,
Asleep, hug the tree-stem as one,
Imperceptibly filling the loop
Of its shade at a slant of sun.
The pipes under pent of the crag,
Where the goatherds in piping recline,
Have whimsical stops, burst and flag
Uncorrected as outstretched swine:
For the fingers are slack and unsure,
And the wind issues querulous:- thorns
And snakes!--but she listened demure,
Comparing day's music with morn's.
Of the gentle spirit that slips
From the bark of the tree she discoursed,
And of her of the wells, whose lips
Are coolness enchanting, rock-sourced.
And much of the sacred loon,
The frolic, the Goatfoot God,
For stories of indolent noon
In the pineforest's odorous nod,
She questioned, not knowing: he can
Be waspish, irascible, rude,
He is oftener friendly to man,
And ever to beasts and their brood.
For the which did she love him well,
She said, and his pipes of the reed,
His twitched lips puffing to tell
In music his tears and his need,
Against the sharp catch of his hurt.
Not as shepherds of Pan did she speak,
Nor spake as the schools, to divert,
But fondly, perceiving him weak
Before Gods, and to shepherds a fear,
A holiness, horn and heel.
All this she had learnt in her ear
From Callistes, and taught him to feel.
Yea, the solemn divinity flushed
Through the shaggy brown skin of the beast,
And the steeps where the cataract rushed,
And the wilds where the forest is priest,
Were his temple to clothe him in awe,
While she spake: 'twas a wonder: she read
The haunts of the beak and the claw
As plain as the land of bread,
But Cities and martial States,
Whither soon the youth veered his theme,
Were impervious barrier-gates
To her: and that ship, a trireme,
Nearing harbour, scarce wakened her glance,
Though he dwelt on the message it bore
Of sceptre and sword and lance
To the bee-swarms black on the shore,
Which were audible almost,
So black they were. It befel
That he called up the warrior host
Of the Song pouring hydromel
In thunder, the wide-winged Song.
And he named with his boyish pride
The heroes, the noble throng
Past Acheron now, foul tide!
With his joy of the godlike band
And the verse divine, he named
The chiefs pressing hot on the strand,
Seen of Gods, of Gods aided, and maimed.
The fleetfoot and ireful; the King;
Him, the prompter in stratagem,
Many-shifted and masterful: Sing,
O Muse! But she cried: Not of them
She breathed as if breath had failed,
And her eyes, while she bade him desist,
Held the lost-to-light ghosts grey-mailed,
As you see the grey river-mist
Hold shapes on the yonder bank.
A moment her body waned,
The light of her sprang and sank:
Then she looked at the sun, she regained
Clear feature, and she breathed deep.
She wore the wan smile he had seen,
As the flow of the river of Sleep,
On the mouth of the Shadow-Queen.
In sunlight she craved to bask,
Saying: Life! And who was she? who?
Of what issue? He dared not ask,
For that partly he knew.
A noise of the hollow ground
Turned the eye to the ear in debate:
Not the soft overflowing of sound
Of the pines, ranked, lofty, straight,
Barely swayed to some whispers remote,
Some swarming whispers above:
Not the pines with the faint airs afloat,
Hush-hushing the nested dove:
It was not the pines, or the rout
Oft heard from mid-forest in chase,
But the long muffled roar of a shout
Subterranean. Sharp grew her face.
She rose, yet not moved by affright;
'Twas rather good haste to use
Her holiday of delight
In the beams of the God of the Muse.
And the steeps of the forest she crossed,
On its dry red sheddings and cones
Up the paths by roots green-mossed,
Spotted amber, and old mossed stones.
Then out where the brook-torrent starts
To her leap, and from bend to curve
A hurrying elbow darts
For the instant-glancing swerve,
Decisive, with violent will
In the action formed, like hers,
The maiden's, ascending; and still
Ascending, the bud of the furze,
The broom, and all blue-berried shoots
Of stubborn and prickly kind,
The juniper flat on its roots,
The dwarf rhododaphne, behind
She left, and the mountain sheep
Far behind, goat, herbage and flower.
The island was hers, and the deep,
All heaven, a golden hour.
Then with wonderful voice, that rang
Through air as the swan's nigh death,
Of the glory of Light she sang,
She sang of the rapture of Breath.
Nor ever, says he who heard,
Heard Earth in her boundaries broad,
From bosom of singer or bird
A sweetness thus rich of the God
Whose harmonies always are sane.
She sang of furrow and seed,
The burial, birth of the grain,
The growth, and the showers that feed,
And the green blades waxing mature
For the husbandman's armful brown.
O, the song in its burden ran pure,
And burden to song was a crown.
Callistes, a singer, skilled
In the gift he could measure and praise,
By a rival's art was thrilled,
Though she sang but a Song of Days,
Where the husbandman's toil and strife
Little varies to strife and toil:
But the milky kernel of life,
With her numbered: corn, wine, fruit, oil
The song did give him to eat:
Gave the first rapt vision of Good,
And the fresh young sense of Sweet
The grace of the battle for food,
With the issue Earth cannot refuse
When men to their labour are sworn.
'Twas a song of the God of the Muse
To the forehead of Morn.
Him loved she. Lo, now was he veiled:
Over sea stood a swelled cloud-rack:
The fishing-boat heavenward sailed,
Bent abeam, with a whitened track,
Surprised, fast hauling the net,
As it flew: sea dashed, earth shook.
She said: Is it night? O not yet!
With a travail of thoughts in her look.
The mountain heaved up to its peak:
Sea darkened: earth gathered her fowl;
Of bird or of branch rose the shriek.
Night? but never so fell a scowl
Wore night, nor the sky since then
When ocean ran swallowing shore,
And the Gods looked down for men.
Broke tempest with that stern roar
Never yet, save when black on the whirl
Rode wrath of a sovereign Power.
Then the youth and the shuddering girl,
Dim as shades in the angry shower,
Joined hands and descended a maze
Of the paths that were racing alive
Round boulder and bush, cleaving ways,
Incessant, with sound of a hive.
The height was a fountain-urn
Pouring streams, and the whole solid height
Leaped, chasing at every turn
The pair in one spirit of flight
To the folding pineforest. Yet here,
Like the pause to things hunted, in doubt,
The stillness bred spectral fear
Of the awfulness ranging without,
And imminent. Downward they fled,
From under the haunted roof,
To the valley aquake with the tread
Of an iron-resounding hoof,
As of legions of thunderful horse
Broken loose and in line tramping hard.
For the rage of a hungry force
Roamed blind of its mark over sward:
They saw it rush dense in the cloak
Of its travelling swathe of steam;
All the vale through a thin thread-smoke
Was thrown back to distance extreme:
And dull the full breast of it blinked,
Like a buckler of steel breathed o'er,
Diminished, in strangeness distinct,
Glowing cold, unearthly, hoar:
An Enna of fields beyond sun,
Out of light, in a lurid web;
And the traversing fury spun
Up and down with a wave's flow and ebb;
As the wave breaks to grasp and to spurn,
Retire, and in ravenous greed,
Inveterate, swell its return.
Up and down, as if wringing from speed
Sights that made the unsighted appear,
Delude and dissolve, on it scoured.
Lo, a sea upon land held career
Through the plain of the vale half-devoured.
Callistes of home and escape
Muttered swiftly, unwitting of speech.
She gazed at the Void of shape,
She put her white hand to his reach,
Saying: Now have we looked on the Three.
And divided from day, from night,
From air that is breath, stood she,
Like the vale, out of light.
Then again in disorderly words
He muttered of home, and was mute,
With the heart of the cowering birds
Ere they burst off the fowler's foot.
He gave her some redness that streamed
Through her limbs in a flitting glow.
The sigh of our life she seemed,
The bliss of it clothing in woe.
Frailer than flower when the round
Of the sickle encircles it: strong
To tell of the things profound,
Our inmost uttering song,
Unspoken. So stood she awhile
In the gloom of the terror afield,
And the silence about her smile
Said more than of tongue is revealed.
I have breathed: I have gazed: I have been:
It said: and not joylessly shone
The remembrance of light through the screen
Of a face that seemed shadow and stone.
She led the youth trembling, appalled,
To the lake-banks he saw sink and rise
Like a panic-struck breast. Then she called,
And the hurricane blackness had eyes.
It launched like the Thunderer's bolt.
Pale she drooped, and the youth by her side
Would have clasped her and dared a revolt
Sacrilegious as ever defied
High Olympus, but vainly for strength
His compassionate heart shook a frame
Stricken rigid to ice all its length.
On amain the black traveller came.
Lo, a chariot, cleaving the storm,
Clove the fountaining lake with a plough,
And the lord of the steeds was in form
He, the God of implacable brow,
Darkness: he: he in person: he raged
Through the wave like a boar of the wilds
From the hunters and hounds disengaged,
And a name shouted hoarsely: his child's.
Horror melted in anguish to hear.
Lo, the wave hissed apart for the path
Of the terrible Charioteer,
With the foam and torn features of wrath,
Hurled aloft on each arm in a sheet;
And the steeds clove it, rushing at land
Like the teeth of the famished at meat.
Then he swept out his hand.
This, no more, doth Callistes recall:
He saw, ere he dropped in swoon,
On the maiden the chariot fall,
As a thundercloud swings on the moon.
Forth, free of the deluge, one cry
From the vanishing gallop rose clear:
And: Skiegeneia! the sky
Rang; Skiegeneia! the sphere.
And she left him therewith, to rejoice,
Repine, yearn, and know not his aim,
The life of their day in her voice,
Left her life in her name.
Now the valley in ruin of fields
And fair meadowland, showing at eve
Like the spear-pitted warrior's shields
After battle, bade men believe
That no other than wrathfullest God
Had been loose on her beautiful breast,
Where the flowery grass was clod,
Wheat and vine as a trailing nest.
The valley, discreet in grief,
Disclosed but the open truth,
And Enna had hope of the sheaf:
There was none for the desolate youth
Devoted to mourn and to crave.
Of the secret he had divined
Of his friend of a day would he rave:
How for light of our earth she pined:
For the olive, the vine and the wheat,
Burning through with inherited fire:
And when Mother went Mother to meet,
She was prompted by simple desire
In the day-destined car to have place
At the skirts of the Goddess, unseen,
And be drawn to the dear earth's face.
She was fire for the blue and the green
Of our earth, dark fire; athirst
As a seed of her bosom for dawn,
White air that had robed and nursed
Her mother. Now was she gone
With the Silent, the God without tear,
Like a bud peeping out of its sheath
To be sundered and stamped with the sere.
And Callistes to her beneath,
As she to our beams, extinct,
Strained arms: he was shade of her shade.
In division so were they linked.
But the song which had betrayed
Her flight to the cavernous ear
For its own keenly wakeful: that song
Of the sowing and reaping, and cheer
Of the husbandman's heart made strong
Through droughts and deluging rains
With his faith in the Great Mother's love:
O the joy of the breath she sustains,
And the lyre of the light above,
And the first rapt vision of Good,
And the fresh young sense of Sweet:
That song the youth ever pursued
In the track of her footing fleet.
For men to be profited much
By her day upon earth did he sing:
Of her voice, and her steps, and her touch
On the blossoms of tender Spring,
Immortal: and how in her soul
She is with them, and tearless abides,
Folding grain of a love for one goal
In patience, past flowing of tides.
And if unto him she was tears,
He wept not: he wasted within:
Seeming sane in the song, to his peers,
Only crazed where the cravings begin.
Our Lady of Gifts prized he less
Than her issue in darkness: the dim
Lost Skiegencia's caress
Of our earth made it richest for him.
And for that was a curse on him raised,
And he withered rathe, dry to his prime,
Though the bounteous Giver be praised
Through the island with rites of old time
Exceedingly fervent, and reaped
Veneration for teachings devout,
Pious hymns when the corn-sheaves are heaped
And the wine-presses ruddily spout,
And the olive and apple are juice
At a touch light as hers lost below.
Whatsoever to men is of use
Sprang his worship of them who bestow,
In a measure of songs unexcelled:
But that soul loving earth and the sun
From her home of the shadows he held
For his beacon where beam there is none:
And to join her, or have her brought back,
In his frenzy the singer would call,
Till he followed where never was track,
On the path trod of all.
I weep for Adonais -he is dead!
O, weep for Adonais! though our tears
Thaw not the frost which binds so dear a head!
And thou, sad Hour, selected from all years
To mourn our loss, rouse thy obscure compeers,
And teach them thine own sorrow, say: "With me
Died Adonais; till the Future dares
Forget the Past, his fate and fame shall be
An echo and a light unto eternity!"
Where wert thou, mighty Mother, when he lay,
When thy Son lay, pierced by the shaft which flies
In darkness? where was lorn Urania
When Adonais died? With veiled eyes,
Mid listening Echoes, in her Paradise
She sate, while one, with soft enamoured breath,
Rekindled all the fading melodies
With which, like flowers that mock the corse beneath,
He had adorned and hid the coming bulk of death.
O, weep for Adonais -he is dead!
Wake, melancholy Mother, wake and weep!
Yet wherefore? Quench within their burning bed
Thy fiery tears, and let thy loud heart keep
Like his, a mute and uncomplaining sleep;
For he is gone, where all things wise and fair
Descend; -oh, dream not that the amorous Deep
Will yet restore him to the vital air;
Death feeds on his mute voice, and laughs at our despair.
Most musical of mourners, weep again!
Lament anew, Urania! -He died,
Who was the Sire of an immortal strain,
Blind, old, and lonely, when his country's pride,
The priest, the slave, and the liberticide
Trampled and mocked with many a loathed rite
Of lust and blood; he went, unterrified,
Into the gulf of death; but his clear Sprite
Yet reigns o'er earth; the third among the sons of light.
Most musical of mourners, weep anew!
Not all to that bright station dared to climb;
And happier they their happiness who knew,
Whose tapers yet burn through that night of time
In which suns perished; others more sublime,
Struck by the envious wrath of man or god,
Have sunk, extinct in their refulgent prime;
And some yet live, treading the thorny road
Which leads, through toil and hate, to Fame's serene abode.
But now, thy youngest, dearest one, has perished -
The nursling of thy widowhood, who grew,
Like a pale flower by some sad maiden cherished,
And fed with true-love tears, instead of dew;
Most musical of mourners, weep anew!
Thy extreme hope, the loveliest and the last,
The bloom, whose petals nipped before they blew
Died on the promise of the fruit, is waste;
The broken lily lies -the storm is overpast.
To that high Capital, where kingly Death
Keeps his pale court in beauty and decay,
He came; and bought, with price of purest breath,
A grave among the eternal. -Come away!
Haste, while the vault of blue Italian day
Is yet his fitting charnel-roof! while still
He lies, as if in dewy sleep he lay;
Awake him not! surely he takes his fill
Of deep and liquid rest, forgetful of all ill.
He will awake no more, oh, never more! -
Within the twilight chamber spreads apace
The shadow of white Death, and at the door
Invisible Corruption waits to trace
His extreme way to her dim dwelling-place;
The eternal Hunger sits, but pity and awe
Soothe her pale rage, nor dares she to deface
So fair a prey, till darkness, and the law
Of change, shall o'er his sleep the mortal curtain draw.
O, weep for Adonais! -The quick Dreams,
The passion-winged Ministers of thought,
Who were his flocks, whom near the living streams
Of his young spirit he fed, and whom he taught
The love which was its music, wander not, -
Wander no more, from kindling brain to brain,
But droop there, whence they sprung; and mourn their lot
Round the cold heart, where, after their sweet pain,
They ne'er will gather strength, or find a home again.
And one with trembling hands clasps his cold head,
And fans him with her moonlight wings, and cries,
"Our love, our hope, our sorrow, is not dead;
See, on the silken fringe of his faint eyes,
Like dew upon a sleeping flower, there lies
A tear some Dream has loosened from his brain."
Lost Angel of a ruined Paradise!
She knew not 'twas her own; as with no stain
She faded, like a cloud which had outwept its rain.
One from a lucid urn of starry dew
Washed his light limbs as if embalming them;
Another clipped her profuse locks, and threw
The wreath upon him, like an anadem,
Which frozen tears instead of pearls begem;
Another in her wilful grief would break
Her bow and winged reeds, as if to stem
A greater loss with one which was more weak;
And dull the barbed fire against his frozen cheek.
Another Splendour on his mouth alit,
That mouth, whence it was wont to draw the breath
Which gave it strength to pierce the guarded wit,
And pass into the panting heart beneath
With lightning and with music: the damp death
Quenched its caress upon his icy lips;
And, as a dying meteor stains a wreath
Of moonlight vapour, which the cold night clips,
It flushed through his pale limbs, and passed to its eclipse.
And others came... Desires and Adorations,
Winged Persuasions and veiled Destinies,
Splendours, and Glooms, and glimmering Incarnations
Of hopes and fears, and twilight Phantasies;
And Sorrow, with her family of Sighs,
And Pleasure, blind with tears, led by the gleam
Of her own dying smile instead of eyes,
Came in slow pomp; -the moving pomp might seem
Like pageantry of mist on an autumnal stream.
All he had loved, and moulded into thought,
From shape, and hue, and odour, and sweet sound,
Lamented Adonais. Morning sought
Her eastern watch-tower, and her hair unbound,
Wet with the tears which should adorn the ground,
Dimmed the aereal eyes that kindle day;
Afar the melancholy thunder moaned,
Pale Ocean in unquiet slumber lay,
And the wild Winds flew round, sobbing in their dismay.
Lost Echo sits amid the voiceless mountains,
And feeds her grief with his remembered lay,
And will no more reply to winds or fountains,
Or amorous birds perched on the young green spray,
Or herdsman's horn, or bell at closing day;
Since she can mimic not his lips, more dear
Than those for whose disdain she pined away
Into a shadow of all sounds: -a drear
Murmur, between their songs, is all the woodmen hear.
Grief made the young Spring wild, and she threw down
Her kindling buds, as if she Autumn were,
Or they dead leaves; since her delight is flown,
For whom should she have waked the sullen year?
To Phoebus was not Hyacinth so dear
Nor to himself Narcissus, as to both
Thou, Adonais: wan they stand and sere
Amid the faint companions of their youth,
With dew all turned to tears; odour, to sighing ruth.
Thy spirit's sister, the lorn nightingale
Mourns not her mate with such melodious pain;
Not so the eagle, who like thee could scale
Heaven, and could nourish in the sun's domain
Her mighty youth with morning, doth complain,
Soaring and screaming round her empty nest,
As Albion wails for thee: the curse of Cain
Light on his head who pierced thy innocent breast,
And scared the angel soul that was its earthly guest!
Ah, woe is me! Winter is come and gone,
But grief returns with the revolving year;
The airs and streams renew their joyous tone;
The ants, the bees, the swallows reappear;
Fresh leaves and flowers deck the dead Season's bier;
The amorous birds now pair in every brake,
And build their mossy homes in field and brere;
And the green lizard, and the golden snake,
Like unimprisoned flames, out of their trance awake.
Through wood and stream and field and hill and Ocean
A quickening life from the Earth's heart has burst
As it has ever done, with change and motion,
From the great morning of the world when first
God dawned on Chaos; in its stream immersed,
The lamps of Heaven flash with a softer light;
All baser things pant with life's sacred thirst;
Diffuse themselves; and spend in love's delight
The beauty and the joy of their renewed might.
The leprous corpse, touched by this spirit tender,
Exhales itself in flowers of gentle breath;
Like incarnations of the stars, when splendour
Is changed to fragrance, they illumine death
And mock the merry worm that wakes beneath;
Nought we know, dies. Shall that alone which knows
Be as a sword consumed before the sheath
By sightless lightning? -the intense atom glows
A moment, then is quenched in a most cold repose.
Alas! that all we loved of him should be,
But for our grief, as if it had not been,
And grief itself be mortal! Woe is me!
Whence are we, and why are we? of what scene
The actors or spectators? Great and mean
Meet massed in death, who lends what life must borrow.
As long as skies are blue, and fields are green,
Evening must usher night, night urge the morrow,
Month follow month with woe, and year wake year to sorrow.
He will awake no more, oh, never more!
"Wake thou," cried Misery, "childless Mother, rise
Out of thy sleep, and slake, in thy heart's core,
A wound more fierce than his with tears and sighs."
And all the Dreams that watched Urania's eyes,
And all the Echoes whom their sister's song
Had held in holy silence, cried: "Arise!"
Swift as a Thought by the snake Memory stung,
From her ambrosial rest the fading Splendour sprung.
She rose like an autumnal Night, that springs
Our of the East, and follows wild and drear
The golden Day, which, on eternal wings,
Even as a ghost abandoning a bier,
Had left the Earth a corpse. Sorrow and fear
So struck, so roused, so rapt Urania;
So saddened round her like an atmosphere
Of stormy mist; so swept her on her way
Even to the mournful place where Adonais lay.
Our of her secret Paradise she sped,
Through camps and cities rough with stone, and steel,
And human hearts, which to her aery tread
Yielding not, wounded the invisible
Palms of her tender feet where'er they fell:
And barbed tongues, and thoughts more sharp than they,
Rent the soft Form they never could repel,
Whose sacred blood, like the young tears of May,
Paved with eternal flowers that undeserving way.
In the death-chamber for a moment Death,
Shamed by the presence of that living Might,
Blushed to annihilation, and the breath
Revisited those lips, and Life's pale light
Flashed through those limbs, so late her dear delight.
"Leave me not wild and drear and comfortless,
As silent lightning leaves the starless night!
Leave me not!" cried Urania: her distress
Roused Death: Death rose and smiled, and met her vain caress.
"'Stay yet awhile! speak to me once again;
Kiss me, so long but as a kiss may live;
And in my heartless breast and burning brain
That word, that kiss, shall all thoughts else survive,
With food of saddest memory kept alive,
Now thou art dead, as if it were a part
Of thee, my Adonais! I would give
All that I am to be as thou now art!
But I am chained to Time, and cannot thence depart!
"O gentle child, beautiful as thou wert,
Why didst thou leave the trodden paths of men
Too soon, and with weak hands though mighty heart
Dare the unpastured dragon in his den?
Defenceless as thou wert, oh, where was then
Wisdom the mirrored shield, or scorn the spear?
Or hadst thou waited the full cycle, when
Thy spirit should have filled its crescent sphere,
The monsters of life's waste had fled from thee like deer.
"The herded wolves, bold only to pursue;
The obscene ravens, clamorous o'er the dead;
The vultures to the conqueror's banner true
Who feed where Desolation first has fed,
And whose wings rain contagion; -how they fled,
When, like Apollo, from his golden bow
The Pythian of the age one arrow sped
And smiled! -The spoilers tempt no second blow,
They fawn on the proud feet that spurn them lying low.
"The sun comes forth, and many reptiles spawn;
He sets, and each ephemeral insect then
Is gathered into death without a dawn,
And the immortal stars awake again;
So is it in the world of living men:
A godlike mind soars forth, in its delight
Making earth bare and veiling heaven, and when
It sinks, the swarms that dimmed or shared its light
Leave to its kindred lamps the spirit's awful night."
Thus ceased she: and the mountain shepherds came,
Their garlands sere, their magic mantles rent;
The Pilgrim of Eternity, whose fame
Over his living head like Heaven is bent,
An early but enduring monument,
Came, veiling all the lightnings of his song
In sorrow; from her wilds Irene sent
The sweetest lyrist of her saddest wrong,
And Love taught Grief to fall like music from his tongue.
Midst others of less note, came one frail Form,
A phantom among men; companionless
As the last cloud of an expiring storm
Whose thunder is its knell; he, as I guess,
Had gazed on Nature's naked loveliness,
Actaeon-like, and now he fled astray
With feeble steps o'er the world's wilderness,
And his own thoughts, along that rugged way,
Pursued, like raging hounds, their father and their prey.
A pardlike Spirit beautiful and swift -
A Love in desolation masked; -a Power
Girt round with weakness; -it can scarce uplift
The weight of the superincumbent hour;
It is a dying lamp, a falling shower,
A breaking billow; -even whilst we speak
Is it not broken? On the withering flower
The killing sun smiles brightly: on a cheek
The life can burn in blood, even while the heart may break.
His head was bound with pansies overblown,
And faded violets, white, and pied, and blue;
And a light spear topped with a cypress cone,
Round whose rude shaft dark ivy-tresses grew
Yet dripping with the forest's noonday dew,
Vibrated, as the ever-beating heart
Shook the weak hand that grasped it; of that crew
He came the last, neglected and apart;
A herd-abandoned deer struck by the hunter's dart.
All stood aloof, and at his partial moan
Smiled through their tears; well knew that gentle band
Who in another's fate now wept his own,
As in the accents of an unknown land
He sung new sorrow; sad Urania scanned
The Stranger's mien, and murmured: "Who art thou?"
He answered not, but with a sudden hand
Made bare his branded and ensanguined brow,
Which was like Cain's or Christ's -oh! that it should be so!
What softer voice is hushed over the dead?
Athwart what brow is that dark mantle thrown?
What form leans sadly o'er the white death-bed,
In mockery of monumental stone,
The heavy heart heaving without a moan?
If it be He, who, gentlest of the wise,
Taught, soothed, loved, honoured the departed one,
Let me not vex, with inharmonious sighs,
The silence of that heart's accepted sacrifice.
Our Adonais has drunk poison -oh!
What deaf and viperous murderer could crown
Life's early cup with such a draught of woe?
The nameless worm would now itself disown:
It felt, yet could escape, the magic tone
Whose prelude held all envy, hate, and wrong,
But what was howling in one breast alone,
Silent with expectation of the song,
Whose master's hand is cold, whose silver lyre unstrung.
Live thou, whose infamy is not thy fame!
Live! fear no heavier chastisement from me,
Thou noteless blot on a remembered name!
But be thyself, and know thyself to be!
And ever at thy season be thou free
To spill the venom when thy fangs o'erflow:
Remorse and Self-contempt shall cling to thee;
Hot Shame shall burn upon thy secret brow,
And like a beaten hound tremble thou shalt -as now.
Nor let us weep that our delight is fled
Far from these carrion kites that scream below;
He wakes or sleeps with the enduring dead;
Thou canst not soar where he is sitting now -
Dust to the dust! but the pure spirit shall flow
Back to the burning fountain whence it came,
A portion of the Eternal, which must glow
Through time and change, unquenchably the same,
Whilst thy cold embers choke the sordid hearth of shame.
Peace, peace! he is not dead, he doth not sleep -
He hath awakened from the dream of life -
'Tis we, who lost in stormy visions, keep
With phantoms an unprofitable strife,
And in mad trance, strike with our spirit's knife
Invulnerable nothings. -We decay
Like corpses in a charnel; fear and grief
Convulse us and consume us day by day,
And cold hopes swarm like worms within our living clay.
He has outsoared the shadow of our night;
Envy and calumny and hate and pain,
And that unrest which men miscall delight,
Can touch him not and torture not again;
From the contagion of the world's slow stain
He is secure, and now can never mourn
A heart grown cold, a head grown grey in vain;
Nor, when the spirit's self has ceased to burn,
With sparkless ashes load an unlamented urn.
He lives, he wakes -'tis Death is dead, not he;
Mourn not for Adonais. -Thou young Dawn,
Turn all thy dew to splendour, for from thee
The spirit thou lamentest is not gone;
Ye caverns and ye forests, cease to moan!
Cease, ye faint flowers and fountains, and thou Air
Which like a mourning veil thy scarf hadst thrown
O'er the abandoned Earth, now leave it bare
Even to the joyous stars which smile on its despair!
He is made one with Nature: there is heard
His voice in all her music, from the moan
Of thunder, to the song of night's sweet bird;
He is a presence to be felt and known
In darkness and in light, from herb and stone,
Spreading itself where'er that Power may move
Which has withdrawn his being to its own;
Which wields the world with never-wearied love,
Sustains it from beneath, and kindles it above.
He is a portion of the loveliness
Which once he made more lovely: he doth bear
His part, while the one Spirit's plastic stress
Sweeps through the dull dense world, compelling there
All new successions to the forms they wear;
Torturing th' unwilling dross that checks its flight
To its own likeness, as each mass may bear;
And bursting in its beauty and its might
From trees and beasts and men into the Heavens' light.
The splendours of the firmament of time
May be eclipsed, but are extinguished not;
Like stars to their appointed height they climb,
And death is a low mist which cannot blot
The brightness it may veil. When lofty thought
Lifts a young heart above its mortal lair,
And love and life contend in it, for what
Shall be its earthly doom, the dead live there
And move like winds of light on dark and stormy air.
The inheritors of unfulfilled renown
Rose from their thrones, built beyond mortal thought,
Far in the Unapparent. Chatterton
Rose pale, -his solemn agony had not
Yet faded from him; Sidney, as he fought
And as he fell and as he lived and loved
Sublimely mild, a Spirit without spot,
Arose; and Lucan, by his death approved:
Oblivion as they rose shrank like a thing reproved.
And many more, whose names on Earth are dark,
But whose transmitted effluence cannot die
So long as fire outlives the parent spark,
Rose, robed in dazzling immortality.
"Thou art become as one of us," they cry,
"It was for thee yon kingless sphere has long
Swung blind in unascended majesty,
Silent alone amid an Heaven of Song.
Assume thy winged throne, thou Vesper of our throng!"
Who mourns for Adonais? Oh, come forth,
Fond wretch! and know thyself and him aright.
Clasp with thy panting soul the pendulous Earth;
As from a centre, dart thy spirit's light
Beyond all worlds, until its spacious might
Satiate the void circumference: then shrink
Even to a point within our day and night;
And keep thy heart light lest it make thee sink
When hope has kindled hope, and lured thee to the brink.
Or go to Rome, which is the sepulchre,
Oh, not of him, but of our joy: 'tis nought
That ages, empires, and religions there
Lie buried in the ravage they have wrought;
For such as he can lend, -they borrow not
Glory from those who made the world their prey;
And he is gathered to the kings of thought
Who waged contention with their time's decay,
And of the past are all that cannot pass away.
Go thou to Rome, -at once the Paradise,
The grave, the city, and the wilderness;
And where its wrecks like shattered mountains rise,
And flowering weeds, and fragrant copses dress
The bones of Desolation's nakedness
Pass, till the spirit of the spot shall lead
Thy footsteps to a slope of green access
Where, like an infant's smile, over the dead
A light of laughing flowers along the grass is spread;
And grey walls moulder round, on which dull Time
Feeds, like slow fire upon a hoary brand;
And one keen pyramid with wedge sublime,
Pavilioning the dust of him who planned
This refuge for his memory, doth stand
Like flame transformed to marble; and beneath,
A field is spread, on which a newer band
Have pitched in Heaven's smile their camp of death,
Welcoming him we lose with scarce extinguished breath.
Here pause: these graves are all too young as yet
To have outgrown the sorrow which consigned
Its charge to each; and if the seal is set,
Here, on one fountain of a mourning mind,
Break it not thou! too surely shalt thou find
Thine own well full, if thou returnest home,
Of tears and gall. From the world's bitter wind
Seek shelter in the shadow of the tomb.
What Adonais is, why fear we to become?
The One remains, the many change and pass;
Heaven's light forever shines, Earth's shadows fly;
Life, like a dome of many-coloured glass,
Stains the white radiance of Eternity,
Until Death tramples it to fragments. -Die,
If thou wouldst be with that which thou dost seek!
Follow where all is fled! -Rome's azure sky,
Flowers, ruins, statues, music, words, are weak
The glory they transfuse with fitting truth to speak.
Why linger, why turn back, why shrink, my Heart?
Thy hopes are gone before: from all things here
They have departed; thou shouldst now depart!
A light is passed from the revolving year,
And man, and woman; and what still is dear
Attracts to crush, repels to make thee wither.
The soft sky smiles, -the low wind whispers near:
'Tis Adonais calls! oh, hasten thither,
No more let Life divide what Death can join together.
That Light whose smile kindles the Universe,
That Beauty in which all things work and move,
That Benediction which the eclipsing Curse
Of birth can quench not, that sustaining Love
Which through the web of being blindly wove
By man and beast and earth and air and sea,
Burns bright or dim, as each are mirrors of
The fire for which all thirst, now beams on me,
Consuming the last clouds of cold mortality.
The breath whose might I have invoked in song
Descends on me; my spirit's bark is driven
Far from the shore, far from the trembling throng
Whose sails were never to the tempest given;
The massy earth and sphered skies are riven!
I am borne darkly, fearfully, afar;
Whilst, burning through the inmost veil of Heaven,
The soul of Adonais, like a star,
Beacons from the abode where the Eternal are.
The Odyssey: Book 5
And now, as Dawn rose from her couch beside Tithonus- harbinger of
light alike to mortals and immortals- the gods met in council and with
them, Jove the lord of thunder, who is their king. Thereon Minerva
began to tell them of the many sufferings of Ulysses, for she pitied
him away there in the house of the nymph Calypso.
"Father Jove," said she, "and all you other gods that live in
everlasting bliss, I hope there may never be such a thing as a kind
and well-disposed ruler any more, nor one who will govern equitably. I
hope they will be all henceforth cruel and unjust, for there is not
one of his subjects but has forgotten Ulysses, who ruled them as
though he were their father. There he is, lying in great pain in an
island where dwells the nymph Calypso, who will not let him go; and he
cannot get back to his own country, for he can find neither ships
nor sailors to take him over the sea. Furthermore, wicked people are
now trying to murder his only son Telemachus, who is coming home
from Pylos and Lacedaemon, where he has been to see if he can get news
of his father."
"What, my dear, are you talking about?" replied her father, "did you
not send him there yourself, because you thought it would help Ulysses
to get home and punish the suitors? Besides, you are perfectly able to
protect Telemachus, and to see him safely home again, while the
suitors have to come hurry-skurrying back without having killed him."
When he had thus spoken, he said to his son Mercury, "Mercury, you
are our messenger, go therefore and tell Calypso we have decreed
that poor Ulysses is to return home. He is to be convoyed neither by
gods nor men, but after a perilous voyage of twenty days upon a raft
he is to reach fertile Scheria, the land of the Phaeacians, who are
near of kin to the gods, and will honour him as though he were one
of ourselves. They will send him in a ship to his own country, and
will give him more bronze and gold and raiment than he would have
brought back from Troy, if he had had had all his prize money and
had got home without disaster. This is how we have settled that he
shall return to his country and his friends."
Thus he spoke, and Mercury, guide and guardian, slayer of Argus, did
as he was told. Forthwith he bound on his glittering golden sandals
with which he could fly like the wind over land and sea. He took the
wand with which he seals men's eyes in sleep or wakes them just as
he pleases, and flew holding it in his hand over Pieria; then he
swooped down through the firmament till he reached the level of the
sea, whose waves he skimmed like a cormorant that flies fishing
every hole and corner of the ocean, and drenching its thick plumage in
the spray. He flew and flew over many a weary wave, but when at last
he got to the island which was his journey's end, he left the sea
and went on by land till he came to the cave where the nymph Calypso
He found her at home. There was a large fire burning on the
hearth, and one could smell from far the fragrant reek of burning
cedar and sandal wood. As for herself, she was busy at her loom,
shooting her golden shuttle through the warp and singing
beautifully. Round her cave there was a thick wood of alder, poplar,
and sweet smelling cypress trees, wherein all kinds of great birds had
built their nests- owls, hawks, and chattering sea-crows that occupy
their business in the waters. A vine loaded with grapes was trained
and grew luxuriantly about the mouth of the cave; there were also four
running rills of water in channels cut pretty close together, and
turned hither and thither so as to irrigate the beds of violets and
luscious herbage over which they flowed. Even a god could not help
being charmed with such a lovely spot, so Mercury stood still and
looked at it; but when he had admired it sufficiently he went inside
Calypso knew him at once- for the gods all know each other, no
matter how far they live from one another- but Ulysses was not within;
he was on the sea-shore as usual, looking out upon the barren ocean
with tears in his eyes, groaning and breaking his heart for sorrow.
Calypso gave Mercury a seat and said: "Why have you come to see me,
Mercury- honoured, and ever welcome- for you do not visit me often?
Say what you want; I will do it for be you at once if I can, and if it
can be done at all; but come inside, and let me set refreshment before
As she spoke she drew a table loaded with ambrosia beside him and
mixed him some red nectar, so Mercury ate and drank till he had had
enough, and then said:
"We are speaking god and goddess to one another, one another, and
you ask me why I have come here, and I will tell you truly as you
would have me do. Jove sent me; it was no doing of mine; who could
possibly want to come all this way over the sea where there are no
cities full of people to offer me sacrifices or choice hecatombs?
Nevertheless I had to come, for none of us other gods can cross
Jove, nor transgress his orders. He says that you have here the most
ill-starred of alf those who fought nine years before the city of King
Priam and sailed home in the tenth year after having sacked it. On
their way home they sinned against Minerva, who raised both wind and
waves against them, so that all his brave companions perished, and
he alone was carried hither by wind and tide. Jove says that you are
to let this by man go at once, for it is decreed that he shall not
perish here, far from his own people, but shall return to his house
and country and see his friends again."
Calypso trembled with rage when she heard this, "You gods," she
exclaimed, to be ashamed of yourselves. You are always jealous and
hate seeing a goddess take a fancy to a mortal man, and live with
him in open matrimony. So when rosy-fingered Dawn made love to
Orion, you precious gods were all of you furious till Diana went and
killed him in Ortygia. So again when Ceres fell in love with Iasion,
and yielded to him in a thrice ploughed fallow field, Jove came to
hear of it before so long and killed Iasion with his thunder-bolts.
And now you are angry with me too because I have a man here. I found
the poor creature sitting all alone astride of a keel, for Jove had
struck his ship with lightning and sunk it in mid ocean, so that all
his crew were drowned, while he himself was driven by wind and waves
on to my island. I got fond of him and cherished him, and had set my
heart on making him immortal, so that he should never grow old all his
days; still I cannot cross Jove, nor bring his counsels to nothing;
therefore, if he insists upon it, let the man go beyond the seas
again; but I cannot send him anywhere myself for I have neither
ships nor men who can take him. Nevertheless I will readily give him
such advice, in all good faith, as will be likely to bring him
safely to his own country."
"Then send him away," said Mercury, "or Jove will be angry with
you and punish you"'
On this he took his leave, and Calypso went out to look for Ulysses,
for she had heard Jove's message. She found him sitting upon the beach
with his eyes ever filled with tears, and dying of sheer
home-sickness; for he had got tired of Calypso, and though he was
forced to sleep with her in the cave by night, it was she, not he,
that would have it so. As for the day time, he spent it on the rocks
and on the sea-shore, weeping, crying aloud for his despair, and
always looking out upon the sea. Calypso then went close up to him
"My poor fellow, you shall not stay here grieving and fretting
your life out any longer. I am going to send you away of my own free
will; so go, cut some beams of wood, and make yourself a large raft
with an upper deck that it may carry you safely over the sea. I will
put bread, wine, and water on board to save you from starving. I
will also give you clothes, and will send you a fair wind to take
you home, if the gods in heaven so will it- for they know more about
these things, and can settle them better than I can."
Ulysses shuddered as he heard her. "Now goddess," he answered,
"there is something behind all this; you cannot be really meaning to
help me home when you bid me do such a dreadful thing as put to sea on
a raft. Not even a well-found ship with a fair wind could venture on
such a distant voyage: nothing that you can say or do shall mage me go
on board a raft unless you first solemnly swear that you mean me no
Calypso smiled at this and caressed him with her hand: "You know a
great deal," said she, "but you are quite wrong here. May heaven above
and earth below be my witnesses, with the waters of the river Styx-
and this is the most solemn oath which a blessed god can take- that
I mean you no sort of harm, and am only advising you to do exactly
what I should do myself in your place. I am dealing with you quite
straightforwardly; my heart is not made of iron, and I am very sorry
When she had thus spoken she led the way rapidly before him, and
Ulysses followed in her steps; so the pair, goddess and man, went on
and on till they came to Calypso's cave, where Ulysses took the seat
that Mercury had just left. Calypso set meat and drink before him of
the food that mortals eat; but her maids brought ambrosia and nectar
for herself, and they laid their hands on the good things that were
before them. When they had satisfied themselves with meat and drink,
Calypso spoke, saying:
"Ulysses, noble son of Laertes, so you would start home to your
own land at once? Good luck go with you, but if you could only know
how much suffering is in store for you before you get back to your own
country, you would stay where you are, keep house along with me, and
let me make you immortal, no matter how anxious you may be to see this
wife of yours, of whom you are thinking all the time day after day;
yet I flatter myself that at am no whit less tall or well-looking than
she is, for it is not to be expected that a mortal woman should
compare in beauty with an immortal."
"Goddess," replied Ulysses, "do not be angry with me about this. I
am quite aware that my wife Penelope is nothing like so tall or so
beautiful as yourself. She is only a woman, whereas you are an
immortal. Nevertheless, I want to get home, and can think of nothing
else. If some god wrecks me when I am on the sea, I will bear it and
make the best of it. I have had infinite trouble both by land and
sea already, so let this go with the rest."
Presently the sun set and it became dark, whereon the pair retired
into the inner part of the cave and went to bed.
When the child of morning, rosy-fingered Dawn, appeared, Ulysses put
on his shirt and cloak, while the goddess wore a dress of a light
gossamer fabric, very fine and graceful, with a beautiful golden
girdle about her waist and a veil to cover her head. She at once set
herself to think how she could speed Ulysses on his way. So she gave
him a great bronze axe that suited his hands; it was sharpened on both
sides, and had a beautiful olive-wood handle fitted firmly on to it.
She also gave him a sharp adze, and then led the way to the far end of
the island where the largest trees grew- alder, poplar and pine,
that reached the sky- very dry and well seasoned, so as to sail
light for him in the water. Then, when she had shown him where the
best trees grew, Calypso went home, leaving him to cut them, which
he soon finished doing. He cut down twenty trees in all and adzed them
smooth, squaring them by rule in good workmanlike fashion. Meanwhile
Calypso came back with some augers, so he bored holes with them and
fitted the timbers together with bolts and rivets. He made the raft as
broad as a skilled shipwright makes the beam of a large vessel, and he
filed a deck on top of the ribs, and ran a gunwale all round it. He
also made a mast with a yard arm, and a rudder to steer with. He
fenced the raft all round with wicker hurdles as a protection
against the waves, and then he threw on a quantity of wood. By and
by Calypso brought him some linen to make the sails, and he made these
too, excellently, making them fast with braces and sheets. Last of
all, with the help of levers, he drew the raft down into the water.
In four days he had completed the whole work, and on the fifth
Calypso sent him from the island after washing him and giving him some
clean clothes. She gave him a goat skin full of black wine, and
another larger one of water; she also gave him a wallet full of
provisions, and found him in much good meat. Moreover, she made the
wind fair and warm for him, and gladly did Ulysses spread his sail
before it, while he sat and guided the raft skilfully by means of
the rudder. He never closed his eyes, but kept them fixed on the
Pleiads, on late-setting Bootes, and on the Bear- which men also
call the wain, and which turns round and round where it is, facing
Orion, and alone never dipping into the stream of Oceanus- for Calypso
had told him to keep this to his left. Days seven and ten did he
sail over the sea, and on the eighteenth the dim outlines of the
mountains on the nearest part of the Phaeacian coast appeared,
rising like a shield on the horizon.
But King Neptune, who was returning from the Ethiopians, caught
sight of Ulysses a long way off, from the mountains of the Solymi.
He could see him sailing upon the sea, and it made him very angry,
so he wagged his head and muttered to himself, saying, heavens, so the
gods have been changing their minds about Ulysses while I was away
in Ethiopia, and now he is close to the land of the Phaeacians,
where it is decreed that he shall escape from the calamities that have
befallen him. Still, he shall have plenty of hardship yet before he
has done with it."
Thereon he gathered his clouds together, grasped his trident,
stirred it round in the sea, and roused the rage of every wind that
blows till earth, sea, and sky were hidden in cloud, and night
sprang forth out of the heavens. Winds from East, South, North, and
West fell upon him all at the same time, and a tremendous sea got
up, so that Ulysses' heart began to fail him. "Alas," he said to
himself in his dismay, "what ever will become of me? I am afraid
Calypso was right when she said I should have trouble by sea before
I got back home. It is all coming true. How black is Jove making
heaven with his clouds, and what a sea the winds are raising from
every quarter at once. I am now safe to perish. Blest and thrice blest
were those Danaans who fell before Troy in the cause of the sons of
Atreus. Would that had been killed on the day when the Trojans were
pressing me so sorely about the dead body of Achilles, for then I
should have had due burial and the Achaeans would have honoured my
name; but now it seems that I shall come to a most pitiable end."
As he spoke a sea broke over him with such terrific fury that the
raft reeled again, and he was carried overboard a long way off. He let
go the helm, and the force of the hurricane was so great that it broke
the mast half way up, and both sail and yard went over into the sea.
For a long time Ulysses was under water, and it was all he could do to
rise to the surface again, for the clothes Calypso had given him
weighed him down; but at last he got his head above water and spat out
the bitter brine that was running down his face in streams. In spite
of all this, however, he did not lose sight of his raft, but swam as
fast as he could towards it, got hold of it, and climbed on board
again so as to escape drowning. The sea took the raft and tossed it
about as Autumn winds whirl thistledown round and round upon a road.
It was as though the South, North, East, and West winds were all
playing battledore and shuttlecock with it at once.
When he was in this plight, Ino daughter of Cadmus, also called
Leucothea, saw him. She had formerly been a mere mortal, but had
been since raised to the rank of a marine goddess. Seeing in what
great distress Ulysses now was, she had compassion upon him, and,
rising like a sea-gull from the waves, took her seat upon the raft.
"My poor good man," said she, "why is Neptune so furiously angry
with you? He is giving you a great deal of trouble, but for all his
bluster he will not kill you. You seem to be a sensible person, do
then as I bid you; strip, leave your raft to drive before the wind,
and swim to the Phaecian coast where better luck awaits you. And here,
take my veil and put it round your chest; it is enchanted, and you can
come to no harm so long as you wear it. As soon as you touch land take
it off, throw it back as far as you can into the sea, and then go away
again." With these words she took off her veil and gave it him. Then
she dived down again like a sea-gull and vanished beneath the dark
But Ulysses did not know what to think. "Alas," he said to himself
in his dismay, "this is only some one or other of the gods who is
luring me to ruin by advising me to will quit my raft. At any rate I
will not do so at present, for the land where she said I should be
quit of all troubles seemed to be still a good way off. I know what
I will do- I am sure it will be best- no matter what happens I will
stick to the raft as long as her timbers hold together, but when the
sea breaks her up I will swim for it; I do not see how I can do any
better than this."
While he was thus in two minds, Neptune sent a terrible great wave
that seemed to rear itself above his head till it broke right over the
raft, which then went to pieces as though it were a heap of dry
chaff tossed about by a whirlwind. Ulysses got astride of one plank
and rode upon it as if he were on horseback; he then took off the
clothes Calypso had given him, bound Ino's veil under his arms, and
plunged into the sea- meaning to swim on shore. King Neptune watched
him as he did so, and wagged his head, muttering to himself and
saying, "'There now, swim up and down as you best can till you fall in
with well-to-do people. I do not think you will be able to say that
I have let you off too lightly." On this he lashed his horses and
drove to Aegae where his palace is.
But Minerva resolved to help Ulysses, so she bound the ways of all
the winds except one, and made them lie quite still; but she roused
a good stiff breeze from the North that should lay the waters till
Ulysses reached the land of the Phaeacians where he would be safe.
Thereon he floated about for two nights and two days in the water,
with a heavy swell on the sea and death staring him in the face; but
when the third day broke, the wind fell and there was a dead calm
without so much as a breath of air stirring. As he rose on the swell
he looked eagerly ahead, and could see land quite near. Then, as
children rejoice when their dear father begins to get better after
having for a long time borne sore affliction sent him by some angry
spirit, but the gods deliver him from evil, so was Ulysses thankful
when he again saw land and trees, and swam on with all his strength
that he might once more set foot upon dry ground. When, however, he
got within earshot, he began to hear the surf thundering up against
the rocks, for the swell still broke against them with a terrific
roar. Everything was enveloped in spray; there were no harbours
where a ship might ride, nor shelter of any kind, but only
headlands, low-lying rocks, and mountain tops.
Ulysses' heart now began to fail him, and he said despairingly to
himself, "Alas, Jove has let me see land after swimming so far that
I had given up all hope, but I can find no landing place, for the
coast is rocky and surf-beaten, the rocks are smooth and rise sheer
from the sea, with deep water close under them so that I cannot
climb out for want of foothold. I am afraid some great wave will
lift me off my legs and dash me against the rocks as I leave the
water- which would give me a sorry landing. If, on the other hand, I
swim further in search of some shelving beach or harbour, a
hurricane may carry me out to sea again sorely against my will, or
heaven may send some great monster of the deep to attack me; for
Amphitrite breeds many such, and I know that Neptune is very angry
While he was thus in two minds a wave caught him and took him with
such force against the rocks that he would have been smashed and
torn to pieces if Minerva had not shown him what to do. He caught hold
of the rock with both hands and clung to it groaning with pain till
the wave retired, so he was saved that time; but presently the wave
came on again and carried him back with it far into the sea-tearing
his hands as the suckers of a polypus are torn when some one plucks it
from its bed, and the stones come up along with it even so did the
rocks tear the skin from his strong hands, and then the wave drew
him deep down under the water.
Here poor Ulysses would have certainly perished even in spite of his
own destiny, if Minerva had not helped him to keep his wits about him.
He swam seaward again, beyond reach of the surf that was beating
against the land, and at the same time he kept looking towards the
shore to see if he could find some haven, or a spit that should take
the waves aslant. By and by, as he swam on, he came to the mouth of
a river, and here he thought would be the best place, for there were
no rocks, and it afforded shelter from the wind. He felt that there
was a current, so he prayed inwardly and said:
"Hear me, O King, whoever you may be, and save me from the anger
of the sea-god Neptune, for I approach you prayerfully. Any one who
has lost his way has at all times a claim even upon the gods,
wherefore in my distress I draw near to your stream, and cling to
the knees of your riverhood. Have mercy upon me, O king, for I declare
myself your suppliant."
Then the god stayed his stream and stilled the waves, making all
calm before him, and bringing him safely into the mouth of the
river. Here at last Ulysses' knees and strong hands failed him, for
the sea had completely broken him. His body was all swollen, and his
mouth and nostrils ran down like a river with sea-water, so that he
could neither breathe nor speak, and lay swooning from sheer
exhaustion; presently, when he had got his breath and came to
himself again, he took off the scarf that Ino had given him and
threw it back into the salt stream of the river, whereon Ino
received it into her hands from the wave that bore it towards her.
Then he left the river, laid himself down among the rushes, and kissed
the bounteous earth.
"Alas," he cried to himself in his dismay, "what ever will become of
me, and how is it all to end? If I stay here upon the river bed
through the long watches of the night, I am so exhausted that the
bitter cold and damp may make an end of me- for towards sunrise
there will be a keen wind blowing from off the river. If, on the other
hand, I climb the hill side, find shelter in the woods, and sleep in
some thicket, I may escape the cold and have a good night's rest,
but some savage beast may take advantage of me and devour me."
In the end he deemed it best to take to the woods, and he found
one upon some high ground not far from the water. There he crept
beneath two shoots of olive that grew from a single stock- the one
an ungrafted sucker, while the other had been grafted. No wind,
however squally, could break through the cover they afforded, nor
could the sun's rays pierce them, nor the rain get through them, so
closely did they grow into one another. Ulysses crept under these
and began to make himself a bed to lie on, for there was a great
litter of dead leaves lying about- enough to make a covering for two
or three men even in hard winter weather. He was glad enough to see
this, so he laid himself down and heaped the leaves all round him.
Then, as one who lives alone in the country, far from any neighbor,
hides a brand as fire-seed in the ashes to save himself from having to
get a light elsewhere, even so did Ulysses cover himself up with
leaves; and Minerva shed a sweet sleep upon his eyes, closed his
eyelids, and made him lose all memories of his sorrows.
The Princess (part 4)
'There sinks the nebulous star we call the Sun,
If that hypothesis of theirs be sound'
Said Ida; 'let us down and rest;' and we
Down from the lean and wrinkled precipices,
By every coppice-feathered chasm and cleft,
Dropt through the ambrosial gloom to where below
No bigger than a glow-worm shone the tent
Lamp-lit from the inner. Once she leaned on me,
Descending; once or twice she lent her hand,
And blissful palpitations in the blood,
Stirring a sudden transport rose and fell.
But when we planted level feet, and dipt
Beneath the satin dome and entered in,
There leaning deep in broidered down we sank
Our elbows: on a tripod in the midst
A fragrant flame rose, and before us glowed
Fruit, blossom, viand, amber wine, and gold.
Then she, 'Let some one sing to us: lightlier move
The minutes fledged with music:' and a maid,
Of those beside her, smote her harp, and sang.
'Tears, idle tears, I know not what they mean,
Tears from the depth of some divine despair
Rise in the heart, and gather to the eyes,
In looking on the happy Autumn-fields,
And thinking of the days that are no more.
'Fresh as the first beam glittering on a sail,
That brings our friends up from the underworld,
Sad as the last which reddens over one
That sinks with all we love below the verge;
So sad, so fresh, the days that are no more.
'Ah, sad and strange as in dark summer dawns
The earliest pipe of half-awakened birds
To dying ears, when unto dying eyes
The casement slowly grows a glimmering square;
So sad, so strange, the days that are no more.
'Dear as remembered kisses after death,
And sweet as those by hopeless fancy feigned
On lips that are for others; deep as love,
Deep as first love, and wild with all regret;
O Death in Life, the days that are no more.'
She ended with such passion that the tear,
She sang of, shook and fell, an erring pearl
Lost in her bosom: but with some disdain
Answered the Princess, 'If indeed there haunt
About the mouldered lodges of the Past
So sweet a voice and vague, fatal to men,
Well needs it we should cram our ears with wool
And so pace by: but thine are fancies hatched
In silken-folded idleness; nor is it
Wiser to weep a true occasion lost,
But trim our sails, and let old bygones be,
While down the streams that float us each and all
To the issue, goes, like glittering bergs of ice,
Throne after throne, and molten on the waste
Becomes a cloud: for all things serve their time
Toward that great year of equal mights and rights,
Nor would I fight with iron laws, in the end
Found golden: let the past be past; let be
Their cancelled Babels: though the rough kex break
The starred mosaic, and the beard-blown goat
Hang on the shaft, and the wild figtree split
Their monstrous idols, care not while we hear
A trumpet in the distance pealing news
Of better, and Hope, a poising eagle, burns
Above the unrisen morrow:' then to me;
'Know you no song of your own land,' she said,
'Not such as moans about the retrospect,
But deals with the other distance and the hues
Of promise; not a death's-head at the wine.'
Then I remembered one myself had made,
What time I watched the swallow winging south
From mine own land, part made long since, and part
Now while I sang, and maidenlike as far
As I could ape their treble, did I sing.
'O Swallow, Swallow, flying, flying South,
Fly to her, and fall upon her gilded eaves,
And tell her, tell her, what I tell to thee.
'O tell her, Swallow, thou that knowest each,
That bright and fierce and fickle is the South,
And dark and true and tender is the North.
'O Swallow, Swallow, if I could follow, and light
Upon her lattice, I would pipe and trill,
And cheep and twitter twenty million loves.
'O were I thou that she might take me in,
And lay me on her bosom, and her heart
Would rock the snowy cradle till I died.
'Why lingereth she to clothe her heart with love,
Delaying as the tender ash delays
To clothe herself, when all the woods are green?
'O tell her, Swallow, that thy brood is flown:
Say to her, I do but wanton in the South,
But in the North long since my nest is made.
'O tell her, brief is life but love is long,
And brief the sun of summer in the North,
And brief the moon of beauty in the South.
'O Swallow, flying from the golden woods,
Fly to her, and pipe and woo her, and make her mine,
And tell her, tell her, that I follow thee.'
I ceased, and all the ladies, each at each,
Like the Ithacensian suitors in old time,
Stared with great eyes, and laughed with alien lips,
And knew not what they meant; for still my voice
Rang false: but smiling 'Not for thee,' she said,
O Bulbul, any rose of Gulistan
Shall burst her veil: marsh-divers, rather, maid,
Shall croak thee sister, or the meadow-crake
Grate her harsh kindred in the grass: and this
A mere love-poem! O for such, my friend,
We hold them slight: they mind us of the time
When we made bricks in Egypt. Knaves are men,
That lute and flute fantastic tenderness,
And dress the victim to the offering up,
And paint the gates of Hell with Paradise,
And play the slave to gain the tyranny.
Poor soul! I had a maid of honour once;
She wept her true eyes blind for such a one,
A rogue of canzonets and serenades.
I loved her. Peace be with her. She is dead.
So they blaspheme the muse! But great is song
Used to great ends: ourself have often tried
Valkyrian hymns, or into rhythm have dashed
The passion of the prophetess; for song
Is duer unto freedom, force and growth
Of spirit than to junketing and love.
Love is it? Would this same mock-love, and this
Mock-Hymen were laid up like winter bats,
Till all men grew to rate us at our worth,
Not vassals to be beat, nor pretty babes
To be dandled, no, but living wills, and sphered
Whole in ourselves and owed to none. Enough!
But now to leaven play with profit, you,
Know you no song, the true growth of your soil,
That gives the manners of your country-women?'
She spoke and turned her sumptuous head with eyes
Of shining expectation fixt on mine.
Then while I dragged my brains for such a song,
Cyril, with whom the bell-mouthed glass had wrought,
Or mastered by the sense of sport, began
To troll a careless, careless tavern-catch
Of Moll and Meg, and strange experiences
Unmeet for ladies. Florian nodded at him,
I frowning; Psyche flushed and wanned and shook;
The lilylike Melissa drooped her brows;
'Forbear,' the Princess cried; 'Forbear, Sir' I;
And heated through and through with wrath and love,
I smote him on the breast; he started up;
There rose a shriek as of a city sacked;
Melissa clamoured 'Flee the death;' 'To horse'
Said Ida; 'home! to horse!' and fled, as flies
A troop of snowy doves athwart the dusk,
When some one batters at the dovecote-doors,
Disorderly the women. Alone I stood
With Florian, cursing Cyril, vext at heart,
In the pavilion: there like parting hopes
I heard them passing from me: hoof by hoof,
And every hoof a knell to my desires,
Clanged on the bridge; and then another shriek,
'The Head, the Head, the Princess, O the Head!'
For blind with rage she missed the plank, and rolled
In the river. Out I sprang from glow to gloom:
There whirled her white robe like a blossomed branch
Rapt to the horrible fall: a glance I gave,
No more; but woman-vested as I was
Plunged; and the flood drew; yet I caught her; then
Oaring one arm, and bearing in my left
The weight of all the hopes of half the world,
Strove to buffet to land in vain. A tree
Was half-disrooted from his place and stooped
To wrench his dark locks in the gurgling wave
Mid-channel. Right on this we drove and caught,
And grasping down the boughs I gained the shore.
There stood her maidens glimmeringly grouped
In the hollow bank. One reaching forward drew
My burthen from mine arms; they cried 'she lives:'
They bore her back into the tent: but I,
So much a kind of shame within me wrought,
Not yet endured to meet her opening eyes,
Nor found my friends; but pushed alone on foot
(For since her horse was lost I left her mine)
Across the woods, and less from Indian craft
Than beelike instinct hiveward, found at length
The garden portals. Two great statues, Art
And Science, Caryatids, lifted up
A weight of emblem, and betwixt were valves
Of open-work in which the hunter rued
His rash intrusion, manlike, but his brows
Had sprouted, and the branches thereupon
Spread out at top, and grimly spiked the gates.
A little space was left between the horns,
Through which I clambered o'er at top with pain,
Dropt on the sward, and up the linden walks,
And, tost on thoughts that changed from hue to hue,
Now poring on the glowworm, now the star,
I paced the terrace, till the Bear had wheeled
Through a great arc his seven slow suns.
Of lightest echo, then a loftier form
Than female, moving through the uncertain gloom,
Disturbed me with the doubt 'if this were she,'
But it was Florian. 'Hist O Hist,' he said,
'They seek us: out so late is out of rules.
Moreover "seize the strangers" is the cry.
How came you here?' I told him: 'I' said he,
'Last of the train, a moral leper, I,
To whom none spake, half-sick at heart, returned.
Arriving all confused among the rest
With hooded brows I crept into the hall,
And, couched behind a Judith, underneath
The head of Holofernes peeped and saw.
Girl after girl was called to trial: each
Disclaimed all knowledge of us: last of all,
Melissa: trust me, Sir, I pitied her.
She, questioned if she knew us men, at first
Was silent; closer prest, denied it not:
And then, demanded if her mother knew,
Or Psyche, she affirmed not, or denied:
From whence the Royal mind, familiar with her,
Easily gathered either guilt. She sent
For Psyche, but she was not there; she called
For Psyche's child to cast it from the doors;
She sent for Blanche to accuse her face to face;
And I slipt out: but whither will you now?
And where are Psyche, Cyril? both are fled:
What, if together? that were not so well.
Would rather we had never come! I dread
His wildness, and the chances of the dark.'
'And yet,' I said, 'you wrong him more than I
That struck him: this is proper to the clown,
Though smocked, or furred and purpled, still the clown,
To harm the thing that trusts him, and to shame
That which he says he loves: for Cyril, howe'er
He deal in frolic, as tonight--the song
Might have been worse and sinned in grosser lips
Beyond all pardon--as it is, I hold
These flashes on the surface are not he.
He has a solid base of temperament:
But as the waterlily starts and slides
Upon the level in little puffs of wind,
Though anchored to the bottom, such is he.'
Scarce had I ceased when from a tamarisk near
Two Proctors leapt upon us, crying, 'Names:'
He, standing still, was clutched; but I began
To thrid the musky-circled mazes, wind
And double in and out the boles, and race
By all the fountains: fleet I was of foot:
Before me showered the rose in flakes; behind
I heard the puffed pursuer; at mine ear
Bubbled the nightingale and heeded not,
And secret laughter tickled all my soul.
At last I hooked my ankle in a vine,
That claspt the feet of a Mnemosyne,
And falling on my face was caught and known.
They haled us to the Princess where she sat
High in the hall: above her drooped a lamp,
And made the single jewel on her brow
Burn like the mystic fire on a mast-head,
Prophet of storm: a handmaid on each side
Bowed toward her, combing out her long black hair
Damp from the river; and close behind her stood
Eight daughters of the plough, stronger than men,
Huge women blowzed with health, and wind, and rain,
And labour. Each was like a Druid rock;
Or like a spire of land that stands apart
Cleft from the main, and wailed about with mews.
Then, as we came, the crowd dividing clove
An advent to the throne: and therebeside,
Half-naked as if caught at once from bed
And tumbled on the purple footcloth, lay
The lily-shining child; and on the left,
Bowed on her palms and folded up from wrong,
Her round white shoulder shaken with her sobs,
Melissa knelt; but Lady Blanche erect
Stood up and spake, an affluent orator.
'It was not thus, O Princess, in old days:
You prized my counsel, lived upon my lips:
I led you then to all the Castalies;
I fed you with the milk of every Muse;
I loved you like this kneeler, and you me
Your second mother: those were gracious times.
Then came your new friend: you began to change--
I saw it and grieved--to slacken and to cool;
Till taken with her seeming openness
You turned your warmer currents all to her,
To me you froze: this was my meed for all.
Yet I bore up in part from ancient love,
And partly that I hoped to win you back,
And partly conscious of my own deserts,
And partly that you were my civil head,
And chiefly you were born for something great,
In which I might your fellow-worker be,
When time should serve; and thus a noble scheme
Grew up from seed we two long since had sown;
In us true growth, in her a Jonah's gourd,
Up in one night and due to sudden sun:
We took this palace; but even from the first
You stood in your own light and darkened mine.
What student came but that you planed her path
To Lady Psyche, younger, not so wise,
A foreigner, and I your countrywoman,
I your old friend and tried, she new in all?
But still her lists were swelled and mine were lean;
Yet I bore up in hope she would be known:
Then came these wolves: ~they~ knew her: ~they~ endured,
Long-closeted with her the yestermorn,
To tell her what they were, and she to hear:
And me none told: not less to an eye like mine
A lidless watcher of the public weal,
Last night, their mask was patent, and my foot
Was to you: but I thought again: I feared
To meet a cold "We thank you, we shall hear of it
From Lady Psyche:" you had gone to her,
She told, perforce; and winning easy grace
No doubt, for slight delay, remained among us
In our young nursery still unknown, the stem
Less grain than touchwood, while my honest heat
Were all miscounted as malignant haste
To push my rival out of place and power.
But public use required she should be known;
And since my oath was ta'en for public use,
I broke the letter of it to keep the sense.
I spoke not then at first, but watched them well,
Saw that they kept apart, no mischief done;
And yet this day (though you should hate me for it)
I came to tell you; found that you had gone,
Ridden to the hills, she likewise: now, I thought,
That surely she will speak; if not, then I:
Did she? These monsters blazoned what they were,
According to the coarseness of their kind,
For thus I hear; and known at last (my work)
And full of cowardice and guilty shame,
I grant in her some sense of shame, she flies;
And I remain on whom to wreak your rage,
I, that have lent my life to build up yours,
I that have wasted here health, wealth, and time,
And talent, I--you know it--I will not boast:
Dismiss me, and I prophesy your plan,
Divorced from my experience, will be chaff
For every gust of chance, and men will say
We did not know the real light, but chased
The wisp that flickers where no foot can tread.'
She ceased: the Princess answered coldly, 'Good:
Your oath is broken: we dismiss you: go.
For this lost lamb (she pointed to the child)
Our mind is changed: we take it to ourself.'
Thereat the Lady stretched a vulture throat,
And shot from crooked lips a haggard smile.
'The plan was mine. I built the nest' she said
'To hatch the cuckoo. Rise!' and stooped to updrag
Melissa: she, half on her mother propt,
Half-drooping from her, turned her face, and cast
A liquid look on Ida, full of prayer,
Which melted Florian's fancy as she hung,
A Niobëan daughter, one arm out,
Appealing to the bolts of Heaven; and while
We gazed upon her came a little stir
About the doors, and on a sudden rushed
Among us, out of breath as one pursued,
A woman-post in flying raiment. Fear
Stared in her eyes, and chalked her face, and winged
Her transit to the throne, whereby she fell
Delivering sealed dispatches which the Head
Took half-amazed, and in her lion's mood
Tore open, silent we with blind surmise
Regarding, while she read, till over brow
And cheek and bosom brake the wrathful bloom
As of some fire against a stormy cloud,
When the wild peasant rights himself, the rick
Flames, and his anger reddens in the heavens;
For anger most it seemed, while now her breast,
Beaten with some great passion at her heart,
Palpitated, her hand shook, and we heard
In the dead hush the papers that she held
Rustle: at once the lost lamb at her feet
Sent out a bitter bleating for its dam;
The plaintive cry jarred on her ire; she crushed
The scrolls together, made a sudden turn
As if to speak, but, utterance failing her,
She whirled them on to me, as who should say
'Read,' and I read--two letters--one her sire's.
'Fair daughter, when we sent the Prince your way,
We knew not your ungracious laws, which learnt,
We, conscious of what temper you are built,
Came all in haste to hinder wrong, but fell
Into his father's hands, who has this night,
You lying close upon his territory,
Slipt round and in the dark invested you,
And here he keeps me hostage for his son.'
The second was my father's running thus:
'You have our son: touch not a hair of his head:
Render him up unscathed: give him your hand:
Cleave to your contract: though indeed we hear
You hold the woman is the better man;
A rampant heresy, such as if it spread
Would make all women kick against their Lords
Through all the world, and which might well deserve
That we this night should pluck your palace down;
And we will do it, unless you send us back
Our son, on the instant, whole.'
So far I read;
And then stood up and spoke impetuously.
'O not to pry and peer on your reserve,
But led by golden wishes, and a hope
The child of regal compact, did I break
Your precinct; not a scorner of your sex
But venerator, zealous it should be
All that it might be: hear me, for I bear,
Though man, yet human, whatsoe'er your wrongs,
From the flaxen curl to the gray lock a life
Less mine than yours: my nurse would tell me of you;
I babbled for you, as babies for the moon,
Vague brightness; when a boy, you stooped to me
From all high places, lived in all fair lights,
Came in long breezes rapt from inmost south
And blown to inmost north; at eve and dawn
With Ida, Ida, Ida, rang the woods;
The leader wildswan in among the stars
Would clang it, and lapt in wreaths of glowworm light
The mellow breaker murmured Ida. Now,
Because I would have reached you, had you been
Sphered up with Cassiopëia, or the enthroned
Persephonè in Hades, now at length,
Those winters of abeyance all worn out,
A man I came to see you: but indeed,
Not in this frequence can I lend full tongue,
O noble Ida, to those thoughts that wait
On you, their centre: let me say but this,
That many a famous man and woman, town
And landskip, have I heard of, after seen
The dwarfs of presage: though when known, there grew
Another kind of beauty in detail
Made them worth knowing; but in your I found
My boyish dream involved and dazzled down
And mastered, while that after-beauty makes
Such head from act to act, from hour to hour,
Within me, that except you slay me here,
According to your bitter statute-book,
I cannot cease to follow you, as they say
The seal does music; who desire you more
Than growing boys their manhood; dying lips,
With many thousand matters left to do,
The breath of life; O more than poor men wealth,
Than sick men health--yours, yours, not mine--but half
Without you; with you, whole; and of those halves
You worthiest; and howe'er you block and bar
Your heart with system out from mine, I hold
That it becomes no man to nurse despair,
But in the teeth of clenched antagonisms
To follow up the worthiest till he die:
Yet that I came not all unauthorized
Behold your father's letter.'
On one knee
Kneeling, I gave it, which she caught, and dashed
Unopened at her feet: a tide of fierce
Invective seemed to wait behind her lips,
As waits a river level with the dam
Ready to burst and flood the world with foam:
And so she would have spoken, but there rose
A hubbub in the court of half the maids
Gathered together: from the illumined hall
Long lanes of splendour slanted o'er a press
Of snowy shoulders, thick as herded ewes,
And rainbow robes, and gems and gemlike eyes,
And gold and golden heads; they to and fro
Fluctuated, as flowers in storm, some red, some pale,
All open-mouthed, all gazing to the light,
Some crying there was an army in the land,
And some that men were in the very walls,
And some they cared not; till a clamour grew
As of a new-world Babel, woman-built,
And worse-confounded: high above them stood
The placid marble Muses, looking peace.
Not peace she looked, the Head: but rising up
Robed in the long night of her deep hair, so
To the open window moved, remaining there
Fixt like a beacon-tower above the waves
Of tempest, when the crimson-rolling eye
Glares ruin, and the wild birds on the light
Dash themselves dead. She stretched her arms and called
Across the tumult and the tumult fell.
'What fear ye, brawlers? am not I your Head?
On me, me, me, the storm first breaks: ~I~ dare
All these male thunderbolts: what is it ye fear?
Peace! there are those to avenge us and they come:
If not,--myself were like enough, O girls,
To unfurl the maiden banner of our rights,
And clad in iron burst the ranks of war,
Or, falling, promartyr of our cause,
Die: yet I blame you not so much for fear:
Six thousand years of fear have made you that
From which I would redeem you: but for those
That stir this hubbub--you and you--I know
Your faces there in the crowd--tomorrow morn
We hold a great convention: then shall they
That love their voices more than duty, learn
With whom they deal, dismissed in shame to live
No wiser than their mothers, household stuff,
Live chattels, mincers of each other's fame,
Full of weak poison, turnspits for the clown,
The drunkard's football, laughing-stocks of Time,
Whose brains are in their hands and in their heels
But fit to flaunt, to dress, to dance, to thrum,
To tramp, to scream, to burnish, and to scour,
For ever slaves at home and fools abroad.'
She, ending, waved her hands: thereat the crowd
Muttering, dissolved: then with a smile, that looked
A stroke of cruel sunshine on the cliff,
When all the glens are drowned in azure gloom
Of thunder-shower, she floated to us and said:
'You have done well and like a gentleman,
And like a prince: you have our thanks for all:
And you look well too in your woman's dress:
Well have you done and like a gentleman.
You saved our life: we owe you bitter thanks:
Better have died and spilt our bones in the flood--
Then men had said--but now--What hinders me
To take such bloody vengeance on you both?--
Yet since our father--Wasps in our good hive,
You would-be quenchers of the light to be,
Barbarians, grosser than your native bears--
O would I had his sceptre for one hour!
You that have dared to break our bound, and gulled
Our servants, wronged and lied and thwarted us--
~I~ wed with thee! ~I~ bound by precontract
Your bride, our bondslave! not though all the gold
That veins the world were packed to make your crown,
And every spoken tongue should lord you. Sir,
Your falsehood and yourself are hateful to us:
I trample on your offers and on you:
Begone: we will not look upon you more.
Here, push them out at gates.'
In wrath she spake.
Then those eight mighty daughters of the plough
Bent their broad faces toward us and addressed
Their motion: twice I sought to plead my cause,
But on my shoulder hung their heavy hands,
The weight of destiny: so from her face
They pushed us, down the steps, and through the court,
And with grim laughter thrust us out at gates.
We crossed the street and gained a petty mound
Beyond it, whence we saw the lights and heard the voices murmuring. While I listened, came
On a sudden the weird seizure and the doubt:
I seemed to move among a world of ghosts;
The Princess with her monstrous woman-guard,
The jest and earnest working side by side,
The cataract and the tumult and the kings
Were shadows; and the long fantastic night
With all its doings had and had not been,
And all things were and were not.
This went by
As strangely as it came, and on my spirits
Settled a gentle cloud of melancholy;
Not long; I shook it off; for spite of doubts
And sudden ghostly shadowings I was one
To whom the touch of all mischance but came
As night to him that sitting on a hill
Sees the midsummer, midnight, Norway sun
Set into sunrise; then we moved away.
Thy voice is heard through rolling drums,
That beat to battle where he stands;
Thy face across his fancy comes,
And gives the battle to his hands:
A moment, while the trumpets blow,
He sees his brood about thy knee;
The next, like fire he meets the foe,
And strikes him dead for thine and thee.
So Lilia sang: we thought her half-possessed,
She struck such warbling fury through the words;
And, after, feigning pique at what she called
The raillery, or grotesque, or false sublime--
Like one that wishes at a dance to change
The music--clapt her hands and cried for war,
Or some grand fight to kill and make an end:
And he that next inherited the tale
Half turning to the broken statue, said,
'Sir Ralph has got your colours: if I prove
Your knight, and fight your battle, what for me?'
It chanced, her empty glove upon the tomb
Lay by her like a model of her hand.
She took it and she flung it. 'Fight' she said,
'And make us all we would be, great and good.'
He knightlike in his cap instead of casque,
A cap of Tyrol borrowed from the hall,
Arranged the favour, and assumed the Prince.
The Pleasures of Hope
At summer eve, when Heaven's ethereal bow
Spans with bright arch the glittering bills below,
Why to yon mountain turns the musing eye,
Whose sunbright summit mingles with the sky ?
Why do those clifts of shadowy tint appear
More sweet than all the landscape smiling near ?—
'T is distance lends enchantment to the view,
And robes the mountain in its azure hue.
Thus, with delight, we linger to survey
The promised joys of life's unmeasured way;
Thus, from afar, each dim-discovered scene
More pleasing seems than all the past hath been,
And every form, that Fancy can repair
From dark oblivion, glows divinely there.
What potent spirit guides the raptured eye
To pierce the shades of dim futurity ?
Can Wisdom lend, with all her heavenly power,
The pledge of Joy's anticipated hour ?
Ah, no! she darkly sees the fate of man—
Her dim horizon bounded to a span;
Or, if she hold an image to the view,
'T is Nature pictured too severely true.
With thee, sweet Hope! resides the heavenly light,
That pours remotest rapture on the sight:
Thine is the charm of life's bewildered way,
That calls each slumbering passion into play.
Waked by thy touch, I see the sister band,
On tiptoe watching, staft at thy command
And fly where'er thy mandate bids them steer,
To Pleasure's path or Glory's bright career.
Primeval Hope, the Aonian Muses say,
When Man and Nature mourned their first decay;
When every form of death, and every woe,
Shot from malignant stars to earth below ;
When Murder bared her arm, and rampant War
Yoked the red dragons of her iron car ;
When Peace and Mercy, banished from the plain,
Sprung on the viewless winds to Heaven again ;
All, all forsook the friendless, guilty mind,
But Hope, the charmer, lingered still behind.
Thus, while Elijah's burning wheels prepare
From Carmel's heights to sweep the fields of air,
The prophet's mantle, ere his fight began,
Dropt on the world—a sacred gift to man.
Auspicious Hope ! in thy sweet garden grow
Wreaths for each toil, a charm for every woe ;
Won by their sweets, in Nature's languid hour,
The way-worn pilgrim seeks thy summer bower ;
There, as the wild bee murmurs on the wing,
What peaceful dreams thy handmaid spirits bring
What viewless forms th' Æolian organ play,
And sweep the furrowed lines of anxious thought away.
Angel of life! thy glittering wings explore
Earth's loneliest bounds, and Ocean's wildest shore
Lo! to the wintry winds the pilot yields
His bark careering o'er unfathomed fields ;
Now on Atlantic waves he rides afar,
Where Andes, giant of the western star,
With meteor-standard to the winds unfurled,
Looks from his throne of clouds o'er half the world !
Now far he sweeps, where scarce a summer smiles,
On Behring's rocks, or Greenland's naked isles:
Cold on his midnight watch the breezes blow,
From wastes that slumber in eternal snow ;
And waft, across the waves' tumultuous roar,
The wolf's long howl from Oonalaska's shore.
Poor child of danger, nursling of the storm,
Sad are the woes that wreck thy manly form !
Rocks, waves, and winds, the shattered bark delay ;
Thy heart is sad, thy home is far away.
But Hope can here her moonlight vigils keep,
And sing to charm the spirit of the deep:
Swift as yon streamer lights the starry pole,
Her visions warm the watchman's pensive soul ;
His native hills that rise in happier climes,
The grot that heard his song of other times,
His cottage home, his bark of slender sail,
His glassy lake, and broomwood-blossomed vale,
Rush on his thought ; he sweeps before the wind,
Treads the loved shore he sighed to leave behind .
Meets at each step a friend's familiar face,
And flies at last to Helen's long embrace,
Wipes from her cheek the rapture-speaking tear !
And clasps, with many a sigh, his children dear !
While, long neglected, but at length caressed,
His faithful dog salutes the smiling guest,
Points to the master's eyes (where'er they roam)
His wistful face, and whines a welcome home.
Friend of the brave ! in peril's darkest hour,
Intrepid Virtue looks to thee for power ;
To thee the heart its trembling homage yields,
On stormy floods, and carnage-covered fields,
When front to front the bannered hosts combine,
Halt ere they close, and form the dreadful line.
When all is still on Death's devoted soil,
The march-worn soldier mingles for the toil !
As rings his glittering tube, he lifts on high
The dauntless brow and spirit-speaking eye,
Hails in his heart the triumph yet to come,
And hears thy stormy music in the drum !
And such thy strength inspiring aid that bore
The hardy Byron to his native shore—
In horrid climes; where Chiloe's tempests sweep
Tumultuous murmurs o'er the troubled deep,
'T was his to mourn Misfortune's rudest shock,
Scourged by the winds, and cradled on the rock,
To wake each joyless morn and search again
The famished haunts of solitary men ;
Whose race, unyielding as their native storm,
Know not a trace of Nature but the form
Yet at thy call, the hardy tar pursued,
Pale, but intrepid, sad, but unsubdued,
Pierced the deep woods, and hailing from afar
The moon's pale planet and the northern star,
Paused at each dreary cry, unheard before ;
Hyænas in the wild, and mermaids on the shore ;
Till, led by thee o'er many a cliff sublime,
He found a warmer world, a milder clime
A home to rest, a shelter to defend,
Peace and repose, a Briton and a friend !
Congenial Hope ! thy passion-kindling power,
How bright, how strong, in youth's untroubled hour!
On you proud height, with Genius hand in hand
I see thee 'light and wave thy golden wand.
"Go, child of Heaven ! (thy winged words pro-claim)
'T is thine to search the boundless fields of fame !
Lo ! Newton, priest of Nature ; shines afar ;
Scans the wide world, and numbers every star !
Wilt thou, with him, mysterious rites apply,
And watch the shrine with wonder-beaming eye !
Yes thou shalt mark, with magic art profound,
The speed of light, the circling march of sound :
With Franklin grasp the lightning's fiery wing,
Or yield the lyre of Heaven another string
“The Swedish sage admires, in yonder bowers,
His winged insects, and his rosy flowers ;
Calls from their woodland haunts the savage train,
With sounding horn, and counts them on the plain—
So once, at Heaven's command, the wanderers came
To Eden's shade, and heard their various name.
"Far from the world, in yen sequestered clime,
Slow pass the sons of Wisdom, more sublime;
Calm as the fields of Heaven, his sapient eye
The loved Athenian lifts to realms on high,
Admiring Plato, on his spotless page,
Stamps the bright dictates of the Father sage:
'Shall Nature bound to Earth's diurnal span
The fire of God ; th' immortal soul of man?'
"Turn, child of Heaven ; thy rapture-lightened eye
To Wisdom's walks, the sacred Nine are nigh:
Hark ! from bright spires that gild the Delphian height,
From streams that wander in eternal light,
Ranged on their hill, Harmonia's daughters swell
The mingling tones of horn, and harp and shell.
Deep from his vaults the Loxian murmurs flow,
And Pythia's awful organ peals below.
"Beloved of Heaven ! the smiling Muse shall shed
Her moonlight halo on thy beauteous head .
Shall swell thy heart to rapture unconfined,
And breathe a holy madness o'er thy mind.
I see thee roam her guardian power beneath,
And talk with spirits en the midnight heath ;
Enquire of guilty wanderers whence they came,
And ask each blood-stained form his earthly name
Then weave in rapid verse the deeds they tell,
And read the trembling world the tales of hell.
"When Venus, throned in clouds of rosy hue,
Flings from her golden urn the vesper dew,
And bids fond man her glimmering noon employ,
Sacred to love, and walks of tender joy ;
A milder mood the goddess shall recall,
And soft as dew thy tones of music fall ;
While Beauty's deeply-pictured smiles impart
A pang more dear than pleasure to the heart—
Warm as thy sighs shall flow the Lesbian strain,
And plead in Beauty's ear, nor plead in vain.
"Or wilt thou Orphean hymns more sacred deem,
And steep thy song in Mercy's mellow stream ;
To pensive drops the radiant eye beguile—
For Beauty's tears are lovelier than her smile ;
On Nature's throbbing anguish pour relief,
And teach impassioned souls the joy of grief?
" Yes ; to thy tongue shall seraph words be given,
And power on earth to plead the cause of Heaven:
The proud, the cold untroubled heart of stone,
That never mused on sorrow but its own,
Unlocks a generous store at thy command,
Like Horeb's rocks beneath the prophet's hand.
The living lumber of his kindred earth,
Charmed into soul, receives a second birth,
Feels thy dread power another heart afford,
Whose passion-touched harmonious strings accord
True as the circling spheres to Nature's plan ;
And man ; the brother, lives the friend of man.
"Bright as the pillar rose at Heaven' s command,
When Israel marched along the desert land,
Blazed through the night on lonely wilds afar,
And told the path—a never-setting star:
So, heavenly genius, in thy course divine,
Hope is thy star, her light is ever thine."
Propitious Power ! when rankling cares annoy
The sacred home of Hymenean joy ;
When doomed to Poverty's sequestered dell,
The wedded pair of love and virtue dwell,
Unpitied by the world, unknown to fame
Their woes, their wishes, and their hearts the same—
Oh, there, prophetic Hope ! thy smile bestow,
And chase the pangs that worth should never know—
There, as the parent deals his scanty store
To friendless babes, and weeps to give no more,
Tell, that his manly race shall yet assuage
Their father's wrongs, and shield his latter age.
What through for him no Hybla sweets distil,
Nor bloomy vices wave purple on the hill ;
Tell, that when silent years have passed away,
That when his eye grows dim, his tresses gray,
These busy hands a lovelier cot shall build,
And deck with fairer flowers his little field,
And call from Heaven propitious dews to breathe
Arcadian beauty on the barren heath .
Tell, that while Love's spontaneous smile endears,
The days of peace, the sabbath of his years,
Health shall prolong to many a festive hour
The social pleasures of his humble bower.
Lo ! at the couch where infant beauty sleeps,
Her silent watch the mournful mother keeps ;
She, while the lovely babe unconscious lies,
Smiles on her slumbering child with pensive eyes,
And weaves a song of melancholy joy—
Sleep, image of thy father, sleep, my boy ;
No lingering hour of sorrow shall be thine ;
No sigh that rends thy father's heart and mine ;
Bright as his manly sire the son shall be
In form and soul ; but, ah ! more blest than he !
Thy fame, thy worth, thy filial love at last,
Shall soothe his aching heart for all the past—
With many a smile my solitude repay,
And chase the world's ungenerous scorn away.
"And say, when summoned from the world and thee,
I lay my head beneath the willow tree,
Wilt thou, sweet mourner ! at my stone appear,
And soothe my parted spirit lingering near ?
Oh, wilt thou come at evening hour to shed
The tears of Memory o'er my narrow bed.
With aching temples on thy hand reclined,
Muse on the last farewell I leave behind,
Breathe a deep sigh to winds that murmur low
And think on all my love, and all my woe?"
So speaks affection, ere the infant eye
Can look regard, or brighten in reply ;
But when a cherub lip hath learnt to claim
A mother's ear by that endearing name ;
Soon as the playful innocent can prove
A tear of pity, or a smile of love,
Or cons his murmuring task beneath her care;
Or lisps with holy look his evening prayer,
Or gazing, mutely pensive sits to hear
The mournful ballad warbled in his ear ;
How fondly looks admiring Hope the while,
At every artless tear, and every smile ;
How glows the joyous parent to descry
A guileless bosom, true to sympathy !
Where is the troubled heart consigned to share
Tumultuous toils, or solitary care,
Unblest by visionary thoughts that stray
To count the joys of Fortune's better day!
Lo, nature, life, and liberty relume
The dim-eyed tenant of the dungeon gloom,
A long-lost friend, or hapless child restored,
Smiles at its blazing hearth and social board ;
Warm from his heart the tears of rapture flow,
And virtue triumphs o'er remembered woe.
Chide not his peace, proud Reason ; nor destroy
The shadowy forms of uncreated joy,
That urge the lingering tide of life, and pour
Spontaneous slumber on his midnight hour.
Hark ! the wild maniac sings, to chide the gale
That wafts so slow her lover's distant sail .
She, sad spectatress, on the wintry shore,
Watched the rude surge his shroudless corse that bore,
Knew the pale form, and, shrieking in amaze,
Clasped her cold hands ; and fixed her maddening gaze:
Poor widowed wretch ! 't was there she wept in vain,
Till Memory fled her agonizing brain;--
But Mercy gave, to charm the sense of woe,
Ideal peace, that truth could ne'er bestow ;
Warm oil her heart the joys of Fancy beam,
And aimless Hope delights her darkest dream.
Oft when yon moon has climbed the midnight sky,
And the lone sea-bird wakes its wildest cry,
Piled on the steep, her blazing fagots burn
To hail the bark that never can return ;
And still she waits, but scarce forbears to weep
That constant love can linger on the deep.
And, mark the wretch, whose wanderings never knew
Thie world's regard, that soothes, though half untrue;
Whose erring heart the lash of sorrow bore,
But found not pity when it erred no more.
Yon friendless man, at whose dejected eye
Th' unfeeling proud one looks—and passes by,
Condemned on Penury's barren path to roam,
Scorned by thie world, and left without a home—
Even he, at evening, should he chance to stray
Down by the hamlet's hawthorn-scented way,
Where, round the cot's romantic glade, are seen
The blossomed bean-field, and the sloping green,
Leans o'er its humble gate, and thinks the while—
Oh ! that for me some home like this would smile,
Some hamlet shade, to yield my sickly form
Health in the breeze, and shelter in the storm !
There should my hand no stinted boon assign
To wretched hearts with sorrow such as mine !—
That generous wish can soothe unpitied care,
And Hope half mingles with the poor man' s prayer.
Hope ! when I mourn, with sympathizing mind ;
The wrongs of fate, the woes of human kind,
Thy blissful omens bid my spirit see
The boundless fields of rapture yet to be ;
I watch the wheels of Nature's mazy plan,
And learn the future by the past of man.
Come, bright Improvement! on the car of Time,
And rule the spacious world from clime to clime ;
Thy handmaid arts shall every wild explore,
Trace every wave, and culture every shore.
On Erie's banks, where tigers steal along,
And the dread Indian chants a dismal song,
Where human fiends on midnight errands walk,
And bathe in brains the murderous tomahawk,
There shall the flocks on thymy pasture stray,
And shepherds dance at Summer's opening day ;
Each wandering genius of the lonely glen
Shall start to view the glittering haunts of men,
And silent watch, on woodland heights around,
The village curfew as it tolls profound.
In Libyan groves ; where damned rites are done,
That bathe the rocks in blood, and veil the sun,
Truth shall arrest the murderous arm profane,
Wild Obi flies—the veil is rent in twain.
Where barbarous hordes on Scythian mountains roam,
Truth, Mercy, Freedom, yet shall find a home ;
Where'er degraded Nature bleeds and pines,
From Guinea's coast to Sibir's dreary mines,
Truth shall pervade th' unfathomed darkness there,
And light the dreadful features of despair.—
Hark ! the stern captive spurns his heavy load,
And asks thie image back that Heaven bestowed !
Fierce in his eye the fire of valor burns,
And, as the slave departs, the man returns.
Oh ! sacred Truth ! thy triumph ceased awhile,
And Hope, thy sister, ceased with thee to smile,
When leagued Oppression poured to Northern wars
Her whiskered pandoors and her fierce hussars,
Waved her dread standard to the breeze of morn,
Pealed her loud drum, and twanged her trumpet horn ;
Tumultous horror brooded o'er her van,
Presaging wrath to Poland—and to man !
Warsaw's last champion from her height surveyed
Wide o'er the fields, a waste of ruin laid,--
Oh ! Heaven ! he cried, my bleeding country save !—
Is there no hand on high to shield the brave ?
Yet; though destruction sweep those lovehy plains,
Rise ; fellow-men ! our country yet remains !
By that dread name, we wave the sword on high !
And swear for her to live !—with her to die !
He said, and on the rampart-heights arrayed
His trusty warriors, few ; but undismayed;
Firm-paced and slow ; a horrid front they form,
Still as the breeze ; but dreadful as the storm ;
Low murmuring sounds along their banners fly,
Revenge, or death,—the watchword and reply ;
Then pealed the notes, omnipotent to charm ;
And the loud tocsin tolled their last alarm !—
In vain ; alas ! in vain, ye gallant few !
From rank to rank your volleyed thunder flew;—
Oh, bloodiest picture in the book of Time,
Sarmatia fell, unwept, without a cnme ;
Found not a generous friend, a pitying foe,
Strength in her arms, nor mercy in her woe !
Dropped from her nerveless grasp the shattered spear,
Closed her bright eye, and curbed her high career;--
Hope; for a season, bade the world farewell,
And Freedom shrieked—as Kosciusxo fell !
The sun went down, nor ceased the carnage there ;
Tumultuous Murder shook the midnight air—
On Prague's proud arch the fires of ruin glow,
His blood-dyed waters murmuring far below ;
The storm prevails, the rampart yields a way,
Bursts the wild cry of horror and dismay !
Hark ; as the smouldering piles with thunder fall,
A thousand shrieks for hopeless mercy call !
Earth shook-red meteors flashed along the sky,
And conscious Nature shuddered at the cry !
Oh ! righteous Heaven ; ere Freedom found a grave,
Why slept the sword, omnipotent to save ?
Where was thine arm, O Vengeance ! where thy rod,
That smote the foes of Zion and of God ;
That crushed proud Ammon, when his iron ear
Was yoked in wrath, and thundered from afar ?
Where was the storm that slumbered till the host
Of blood stained Pharaoh left thcir trembling coast ;
Then bade the deep in wild commotion flow,
And heaved an ocean on their march below ?
Departed spirits of the mighty dead !
Ye that at Marathon and Leuctra bled !
Friends of the world ! restore your swords to man,
Fight in his sacred cause, and lead the van !
Yet for Sarmatia's tears of blood atone,
And make her arm puissant as your own !
Oh ! once again to Freedom's cause return
The patriot Tell—the Bruce of Bannockburn!
Yes ! thy proud lords, unpitied land ! shall see
That man bath yet a soul—and dare be free !
A little while, along thy saddening plains,
This starless night of Desolation reigns ;
Truth shall restore the light by Nature given,
And, like Prometheus, bring the fire of Heaven !
Prone to the dust Oppression shall be hurled,
Her name her nature, withered from the world !
Ye that the rising morn invidious mark,
And hate the light—because your deeds are dark
Ye that expanding truth invidious view,
And think, or wish, the song of Hope untrue ;
Perhaps your little hands presume to span
The march of Genius and the powers of man ;
Perhaps ye watch, at Pride's unhallowed shrine,
Her victims, newly slain, and thus divine :—
“ Here shall tiny triumph, Genius, cease, and here
Truth, Science, Virtue, close your short career.”
Tyrants ! in vain ye trace the wizard ring ;
In vain ye limit Mind's unwearied spring:
What ! can ye lull the winged winds asleep,
Arrest the rolling world, or chain the deep ?
No !—the wild wave contemns your sceptred hand :
It rolled not back when Canute gave command !
Man ! can thy doom no brighter soul allow ?
Still must thou live a blot on Nature's brow ?
Shall war's polluted banner ne'er be furled ?
Shall crimes and tyrants cease but with the world ?
What ! are thou triumphs, sacred Truth, belied ?
Why then hath Plato lived—or Sidney died ?
Ye fond adorers of departed fame,
Who warm at Scipio's worth, or Tully's name !
Ye that, in fancied vision, can admire
The sword of Brutus, and the Theban lyre !
Rapt in historic ardor, who adore
Each classic haunt, and well remembered shore,
Where Valor tuned, amidst her chosen throng,
The Thiracian trumpet, and the Spartan song ;
Or, wandering thence, behold the later charms
Of England's glory, and Helvetia's arms !
See Roman fire in Hampden's bosom swell,
And fate and freedom in the shaft of Tell !
Say, ye fond zealots to the worth of yore,
Hath Valor left the world—to live no more ?
No more shall Brutus bid a tyrant die,
And sternly smile with vengeance in his eye ?
Hampden no more, when suffering Freedom calls,
Encounter Fate, and triumph as he falls ?
Nor Tell disclose, through peril and alarm,
The might that slumbers in a peasant's arm ?
Yes ! in that generous cause, for ever strong,
The patriot's virtue and the poet's song,
Still, as the tide of ages rolls away,
Shall charm the world, unconscious of decay.
Yes ! there are hearts, prophetic Hope may trust,
That slumber yet in uncreated dust,
Ordained to fire th' adoring sons of earth,
With every charm of wisdom and of worth ;
Ordained to light, with intellectual day,
The mazy wheels of nature as they play,
Or, warm with Fancy's energy, to glow
And rival all but Shakspeare's name below.
And say, supernal Powers who deeply scan
Heaven's dark decrees, unfathomed yet by man,
When shall the world call down, to cleanse her shame,
That embryo spirit, yet without a name—
That friend of Nature, whose avenging hands
Shall burst the Libyan's adamantine bands ?
Who, sternly marking on his native soil
The blood,the tears, the anguish, and the toil,
Shall bid each righteous heart exult, to see
Peace to the slave, and vengeance on the free !
Yet, yet, degraded men ! th' expected day
That breaks your bitter cup, is far away ;
Trade, wealth, and fashion, ask you still to bleed,
And holy men give Scripture for the deed .
Scourged, and debased, no Briton stoops to save
A wretch, a coward ; yes, because a slave !—
Eternal Nature when thy giant hand
Had heaved the floods, and fixed the trembling land,
When life sprang startling at thy plastic call,
Endless her forms, auiol man the lord of all !
Say, was that lordly form inspired by thee,
To wear eternal chains and bow the knee ?
Was man ordained the slave of man to toil,
Yoked with the brutes, and fettered to the soil .
Weighed in a tyrant's balance witli his gold ?
No !—Nature stamped us in a heavenly mould !
She bade no wretch his thankless labor urge,
Nor, trembling, take the pittance and the scourge !
No homeless Libyan, on the stormy deep,
To call upon his country's name, and weep !—
Lo ! once in triumph, on his boundless plain,
The quivered chief of Congo loved to reign ;
With fires proportioned to his native sky,
Strength in his arm, and lightning in his eye ;
Scoured with wild feet his sun illumined zone,
The spear, the lion, and the woods, his own !
Or led the combat, bold without a plan,
An artless savage, but a fearless man !
The plunderer came !—alas ! no glory smiles
For Congo's chief, on yonder Indian Isles ;
Forever fallen ! no son of Nature now,
With Freedom chartered on his manly I brow !
Faint, bleeding, bound, he weeps the night away,
And when the sea-wind wafts the dewless daiy,
Starts, with a bursting heart ; for evermore
To curse the sun that lights their guilty shore !
The shrill horn blew ; at that alarum knell
His guardian angel took a last farewell !
That funeral dirge to darkness hath resigned
The fiery grandeur of a generous mind !
Poor fettered man ! I bear thee whispering how
Unhallowed vows to Guilt, the child of Woe,
Friendless thy heart ; and canst thou harbor there
A wish but death—a passion but despair ?
The widowed Indian, when her lord expires,
Mounts the dread pile, and braves thie funeral fires.
So falls the heart at Thraldom's bitter sigh!
So Virtue dies, the spouse of Liberty !
But not to Libya's barren climes alone,
To Chili, or the wild Siberian zone,
Belong the wretched heart and haggard eye,
Degraded worth, and poor misfortune's sigh !
Ye orient realms, where Ganges' waters run !
Prolific fields ! dominions of the sun !
How long your tribes have trembled and obeyed !
How long was Timour's iron sceptre swayed,
Whouse marshalled hosts, the lions of the plain,
From Scythia's northern mountains to the main,
Raged o'er your plundered shrines and altars bare,
With blazing torch and gory scymetar,—
Stunned with the cries of death each gentle gale
And bathed in blood the verdure of the vale !
Yet could no pangs the immortal spirit tame,
When Brama's children perished for his name ;
The martyrsm led beneath avenging power,
And braved the tyrant in his torturing hour !
When Europe sought your subject realms to gain,
And stretched her giant sceptre o'er the main,
Taught her proud barks the winding way to shape,
And braved the stormy Spirit of the Cape ;
Children of Brama ! then was Mercy nigh
To wash the stain of blood's eternal dye ?
Did Peace descend, to triumph and to save,
When freeborn Britons crossed the Indian wave ?
Ah, no !—to more than Rome's ambition true,
The Nurse of Freedom gave it not to you !
She the bold route of Europe's guilt began,
And, in the march of nations, led the van !
Rich in the gems of India's gaudy zone,
And plunder piled from kingdoms not their own,
Degenerate trade ! thy minions could despise
The heart-born anguish of a thousand cries ;
Could lock, with impious hands, their store,
While famished nations died along the shore:
Could mock the groans of felhow-men, and bear
The curse of kingdoms peopled with despair ;
Could stamp disgrace on man's polluted name,
And barter, with their gold, eternal shame !
But hark ! as bowed to earth the Bramin kneels
From heavenly climes propitious thunder peals !
Of India's fate her guardian spirits tell,
Prophetic murmurs breathing on the shell
And solemn sound that awe the listening mind
Roll on the azure paths of every wind.
“ Foes of mankind ! (her guardian spirits say;)
Revolving ages bring the bitter day,
When Heaven's unerring arm shall fall on you,
And blood for blood these Indian plains bedew ;
Nine times have Brama's wheels of lightning hurled
His awful presence o'er the alarmed world ;
Nine times hath Guilt, through all his giant frame,
Convulsive trembled , as the Mighty came;
Nine times hath suffering Mercy spared in vain—
But Heaven shall burst her starry gates again !
He comes ! dread Brama shakes the sunless sky
With murmuring wrath , and thunders from on high,
Heaven's fiery horse, beneath his warrior form,
Paws the light clouds, and gallops on the storm !
Wide waves his flickering sword ; his bright arms glow
Like summer suns and light the world below !
Earth, and her trembling isles in Ocean's bed,
Are shook ; and Nature rocks beneath his tread !
"To pour redress on India's injured realm,
The oppressor to dethrone ; the proud to whelm ;
To chase destruction from her plundered shore
With arts and arms that triumphed once before,
The tenth Avatar comes ! at Heaven's command
Shall Seriswatte wave her hallowed wand !
And Camdeo bright, and Ganesa sublime ,
Shall bless with joy their own propitious clime !—
Come, Heavenly Powers ! primeval peace restore !
Love !—Mercy !—Wisdom !—rule for evermore!"