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Pola

istine na zemlji od čovjeka tek pola
pola života tragamo za njom
drugu polovinu bježimo od nje

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Fit & Legit

Sey put ye hand up inna the air, hand up inna the air, hand up inna the air
You an ye man gone clear
Put ye hand up inna the air, hand up inna the air
Rule year to year
Dutty yeah
Becau ye fit an ye legit woman ye know sey ye man jus nah lef
Matta how dem gal ya want flex like harlot
Couldn't matta how dem gal ya wan run come tek set
Woman ye know ye naffi mek no check
Cau ye fit an ye legit woman ye know sey ye man jus nah lef
Matta how dem gal ya want flex like harlot
Couldn't matta how dem gal ya wan run come tek set
Woman ye know ye done copperset
Cause a you run the district
Ye move like electric
And nuff gal a try trick up ye man an mek him exit
But ye still a benefit becau ye rallyback with
Dem can't tek a thing because a you got the permit
In any case gal ye dunn run the place
If she show up her face then she gwain get erased
She a petty case up inna the one slap race
An ye dunn know already sey ye control the place
Woman ye fit an ye legit woman ye know sey ye man jus nah lef
Matta how dem gal ya want flex like harlot
Couldn't matta how dem gal ya wanna run come tek set
Woman ye know ye naffi tek no check
Becau ye fit an ye legit woman ye know sey ye man jus nah lef
Matta how dem gal ya want flex like harlot
Couldn't matta how dem gal ya wan run come tek set
Woman ye know ye naffi tek no check
Because a long time ye inna the biz
Who this gal ya think she is
She pose up 'pon ye man an she no got not a backitif
Can't live how ye live an ye man him nah go give
No respect to her becau the body it a negative
Sey pon ye property dem wan come bounce
But dem nah get a inch nor a ounce
Gal yaffi mek dem know
Sey if dem wan come clean
Nuff a that alone dem a go get becau ye an ye man him still a team
Fit an ye legit woman ye know sey ye man jus nah lef
Matta how dem gal ya want flex like harlot
Couldn't matta how dem gal ya wanna run come tek set
Woman ye know ye naffi tek no check
Becau ye fit an ye legit woman ye know sey ye man jus nah lef
Matta how dem gal ya want flex like harlot
Couldn't matta how dem gal ya wanna run come tek set
Woman ye know ye naffi tek no check
Becau daily
See the fence an want come scale it

[...] Read more

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Shake That Thing

[Intro]
Yeah!
Well dey a hav some bwoy a gwaan like dem a gal short
(Dem a get caught)
Yuh bwoy a dem mind a nuh too sharp
Yuh dun kno say right now,
Blackshot and Sean-A-Paul a lef dem inna di dark
(Dutty Yeah!)
True to our ways jus gimme di light and pass di dro
Dey gyals a likein pon our flow
Hear what I say now rudebwoy
Di girls nuh waan nuh friars nuh connivers
Watch out let me talk to har den
[Chorus]
Girl it is on, at four o' clock in di morn'
An I been watchin' you shake dat ting
Man dem a try, dem a get deny
Caw I'm gonna tek dat ting
Girl it is mine, a long time me a line
An pan we fi waan you to shake dat ting
Gyal dem a round an
Dem a try tek yuh crown
A nuff a dem just, ain't nothing
[Verse]
Dat ting a weh yuh got dey
Weh yuh get it from, a mus yuh mama
Do you fault dey, from me like a champion a bubble pon di
Chart dey, gyal a look yuh hav me
A we waan to slap dey from di front an to di back dey
From di bed an to di matinee,
We haffi blow, pull out di guns an pop pop
It's dey fault dey, energy dey dey a so dey gimme di buff
An look pon me, baby put it on me
Right a now yuh mek di Dutty dap a feel horny
[Chorus]
Girl it is on, at four o' clock in di morn'
An I been watchin' you shake dat ting
Man dem a try, dem a get deny
Caw I'm gonna tek dat ting
Girl it is mine, a long time me a line
An pan we fi waan you to shake dat ting
Gyal dem a round an
Dem a try tek yuh crown
A nuff a dem just, ain't nothing
[Verse]
From yuh step up inna di place, dance just light up
Man dem a run alla dem chase an dem a hype up
Which one, a which one a dem a get it first, fight up
Looks like dem man dey a go up inna di Fight Club
I can ear dem say, gyal yuh body look ripe up

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Shake Dat Thing

Shake That Thing"
[Intro]
Yeah!
Well dey a hav some bwoy a gwaan like dem a gal short
(Dem a get caught)
Yuh bwoy a dem mind a nuh too sharp
Yuh dun kno say right now,
Blackshot and Sean-A-Paul a lef dem inna di dark
(Dutty Yeah!)
True to our ways jus gimme di light and pass di dro
Dey gyals a likein pon our flow
Hear what I say now rudebwoy
Di girls nuh waan nuh friars nuh connivers
Watch out let me talk to har den
[Chorus]
Girl it is on, at four o' clock in di morn'
An I been watchin' you shake dat ting
Man dem a try, dem a get deny
Caw I'm gonna tek dat ting
Girl it is mine, a long time me a line
An pan we fi waan you to shake dat ting
Gyal dem a round an
Dem a try tek yuh crown
A nuff a dem just, ain't nothing
[Verse]
Dat ting a weh yuh got dey
Weh yuh get it from, a mus yuh mama
Do you fault dey, from me like a champion a bubble pon di
Chart dey, gyal a look yuh hav me
A we waan to slap dey from di front an to di back dey
From di bed an to di matinee,
We haffi blow, pull out di guns an pop pop
It's dey fault dey, energy dey dey a so dey gimme di buff
An look pon me, baby put it on me
Right a now yuh mek di Dutty dap a feel horny
[Chorus]
Girl it is on, at four o' clock in di morn'
An I been watchin' you shake dat ting
Man dem a try, dem a get deny
Caw I'm gonna tek dat ting
Girl it is mine, a long time me a line
An pan we fi waan you to shake dat ting
Gyal dem a round an
Dem a try tek yuh crown
A nuff a dem just, ain't nothing
[Verse]
From yuh step up inna di place, dance just light up
Man dem a run alla dem chase an dem a hype up
Which one, a which one a dem a get it first, fight up
Looks like dem man dey a go up inna di Fight Club

[...] Read more

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When you turn the other page of a cheek/Kad okreces drugu stranicu obraza

When you turn the other page of a cheek
A slap of morn written abyss down your neck
A glove that you lift right from the floor
To throw it into the face of the tree swallowers
That keep growing faster than the boughs
Up to the sky lid in the cauldron of each word
Does it ever come to your mind
What it is there that bursts out in a dream

Do you then think of streets those winding snakes
With their tongue dipped into the poison paths
The buses that turn questionless to a wheel
Insanity spinning both Alladin and the lamp
A sign post in the dark

Do you then think of the houses windows and doors
And heart beats facing the gate of the entrance
As if it was the first time to come into a human
Not knowing whether the host was inside

Do you then think those thoughts from the threshold of pain
Making way to earth mother dust and death
To rest all your thoughts at the end of the road
When the earth bursts out and leaves you with no breath

Kad okreceš drugu stranicu obraza
šamar jutra ispisan brazdama do vrata
rukavicu koju podižeš sa poda
i bacaš u lice gutacima drveca
što rastu brže od granja
do poklopca neba u kotlu svake rijeci
pomisliš li nekad šta puca u snu

misliš li tad na ulice krivudave zmije
s jezikom umocenim u otrov puta
autobuse pretocene u tocak bez pitanja
što bezumno okrece Aladina i lampu
putokaz u mraku

misliš li tad na kuce prozore i vrata
na lupanje srca pred kapijom na ulaz
kao da prvi put ulaziš u covjeka
a ne znaš da li je domacin unutra

misliš li misli sa praga bola
što put krce zemlji majci od praha

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Mit o postanku zla

I sotona rece:
'Neka bude laž! '
I bi laž.
Skrila se u kamenju
Pa sa visina sipa.

I sotona rece:
'Nek licemjerja bude! '
I bi licemjerje.
Skrilo se u rijecima
I ceka da progovori.
Pokrilo se paucinom
I pauke hrani.
Od samog sebe se skrilo.

I sotona rece:
'Nek otrova bude! '
I otrova bi.
Šejtani ga iz olujnog daha
Vitlajuc macem prosuli.
Nataložio se na zemlji
I njenim tokovima tece.
Skrio se u krvi.

I sotona rece:
'Da bude mržnja! '
I bi mržnja.
Prštala na sve strane
Kao krv koja ne može da se zgruša.
Šapama trigova hodala
Pa se i ona pod mahovinom
Na sjeveru lednom skrila.

I sotona rece:
'Neka bude covjek! '
I bi covjeka.
U laži i licemjerju se skrio
Otrovom ga mržnja ko mlijekom dojila.
Pirat se skrio u jedra umotan.
I bi covjeka
U zvijerima se skrio.

I sotona tece:
'Da misli da me nema! '
Ali tako ne bi
Bješe mu laž u pocetku rijeci.

Napisano 1989. rekonstruisano 2012-02-06.

©Miroslava Odalovic

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Advice

W'EN you full o' worry
'Bout yo' wo'k an' sich,
W'en you kind o' bothered
Case you can't get rich,
An' yo' neighboh p'ospah
Past his jest desu'ts,
An' de sneer of comerds
Stuhes yo' heaht an' hu'ts,
Des don' pet yo' worries,
Lay 'em on de she'f,
Tek a little trouble
Brothah, wid yo'se'f.
Ef a frien' comes mou'nin'
'Bout his awful case,
You know you don' grieve him
Wid a gloomy face,
But you wrassle wid him,
Try to tek him in;
Dough hit cracks yo' features,
Law, you smile lak sin,
Ain't you good ez he is?
Don' you pine to def;
Tek a little trouble
Brothah, wid yo'se'f.
Ef de chillun pestahs,
An' de baby's bad,
Ef yo' wife gits narvous,
An' you're gettin' mad,
Des you grab yo' boot-strops,
Hol' yo' body down,
Stop a-tinkin' cuss-w'rds,
Chase away de frown,
Knock de haid o' worry,
Twell dey ain' none lef';
Tek a little trouble,
Brothah, wid yo'se'f.

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Hunting Song

Tek a cool night, good an' cleah,
Skiff o' snow upon de groun';
Jes' 'bout fall-time o' de yeah
W'en de leaves is dry an brown;
Tek a dog an' tek a axe,
Tek a lantu'n in yo' han',
Step light whah de switches cracks,
Fu' dey 's huntin' in de lan'.
Down thoo de valleys an' ovah de hills,
Into de woods whah de 'simmon-tree grows,
Wakin' an' skeerin' de po' whippo'wills,
Huntin' fu' coon an' fu' 'possum we goes.

Blow dat ho'n dah loud an' strong,
Call de dogs an' da'kies neah;
Mek its music cleah an' long,
So de folks at home kin hyeah.
Blow it twell de hills an' trees
Sen's de echoes tumblin' back;
Blow it twell de back'ard breeze
Tells de folks we 's on de track.
Coons is a-ramblin' an' 'possums is out;
Look at dat dog; you could set on his tail!
Watch him now--steady,--min'--what you 's about,
Bless me, dat animal's got on de trail!

Listen to him ba'kin now!
Dat means bus'ness, sho 's you bo'n;
Ef he's struck de scent I 'low
Dat ere 'possum's sholy gone.
Knowed dat dog fu' fo'teen yeahs,
An' I nevah seed him fail
Wen he sot dem flappin' eahs
An' went off upon a trail.
Run, Mistah 'Possum, an' run, Mistah Coon,
No place is safe fu' yo' ramblin' to-night;
Mas' gin' de lantu'n an' God gin de moon,
An' a long hunt gins a good appetite.

Look hyeah, folks, you hyeah dat change?
Dat ba'k is sha'per dan de res'.
Dat ere soun' ain't nothin' strange,--
Dat dog's talked his level bes'.
Somep'n' 's treed, I know de soun'.
Dah now,--wha 'd I tell you? see!
Dat ere dog done run him down;
Come hyeah, he'p cut down dis tree.
Ah, Mistah 'Possum, we got you at las'--
Need n't play daid, laying dah on de groun';
Fros' an' de 'simmons has made you grow fas',--

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Svemir

za samo jedan korak ustuknuo je dan
i pred njim
prevelik da bi bio nijem nemir
i pred njim
prastara da bi ćutala tišina
i pred njom
preuzan za prostore san
i pred njim
suviše procvala za buđenje tmina
i pred njom
beskrajan svemir

1996.

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Pogledaj ruše se tvoji Partenoni

Sokrat ispi kukutu
Ucini kako treba
Glasnu se patuljak Natcovjeka
Ogledajuci se u obogaljenoj zemlji

'Petar porece Hrista
I ucini kako treba'
Glasnu se patuljak Natcovjeka
Ogledajuci se u silovanoj zemlji

©Miroslava Odalovic

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Lament

We like death
It’s a God given gift
Bestowed upon us
God given Mercy

We die like butterflies
Burn them easily on a fire in a sec
We die silently like plants
We die loudly
Like waterfall blood
We die in the rocks

Sagacity is one our side
For we know
That it’s just in a second
Playing the role of sense
On Earth everything can be shattered
And that we didn’t choose
That God takes ones in his arms
And lets the others testify

We are the verdict of the surviving tyrants
We are the masters of our masters
Though our graves are too narrow
In the box of their secrets

Shelter is on our side
For we know
There’s no shelter on Earth
Therefore we like death
It’s a God given gift
Bestowed upon us
God given Mercy
Therefore we die
And recognize our children
By death only

Mi volimo smrt
Ona nam je od Boga velika Milost
Veliko uzdarje

Mi ginemo ko leptiri
Tanke nogice za cas na vatri sprzimo
Ginemo tiho kao biljke
Uz huku krvi ko slap
U stijenama ginemo

Mudrost je na nasoj strani

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O tebi

O tebi ne govorim ljudima jer shvatili ne bi
O tebi govorim
Tek listu kad lomno padne na tlo
Sumraku kad te razlije u boje
I rubu ponornog sjećanja mog
Tek tmini kada progovori glasno
Suzu prolomljenu u dnu crnog oka
Što kanuti neće nikad
Tek vratima odškrinutim i odjeku koraka
Zalutalim pragovima što kuće svoje traže
Otkucaju srca i posljednjom mrežom
Zahvaćenu vodu što kroz konope
Nazad u izvor lije

O tebi ljepoto moja
Ne govorim ni tebi
Jer čak ni ti shvatio ne bi
Da s površine riječi ništa se ne kreće
I ništa u dubine vratiti se neće

©Miroslava Odalović

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Rupert

Rupert:
Sey yuh waan know Rupert
Blouse and skirt (repeat)
Sey yuh waan know Rupert
Blouse and skirt (repeat)
Verse 1:
Mi get up dis mawning
Sey mi nah ga a nuh work
Put on a pants and a likkle pretty shirt
Yow burn steel wi a go mek a gal splurt
Me hear a man start lick out alert
People dead! Me sey who? - Rupert
Mi go over deh a mi go see him inna dirt
Di way how me bex, mi sey everybody hurt
Mi a di fus' man sey, nuh mek di jeep splurt
A man draw fi a stone outta di dirt
And sey A obstacle must get hurt
Boop an lick a girl in har skirt
Mi hear she shout out Blouse and skirt
Dem deh time blood a decorate di skirt
Rupert:
Sey you waa know Rupert
Blouse and skirt (repeat)
Sey yuh waa know Rupert
Blouse and skirt
Verse 2:
Bop! Bop! shot start fire
A man sey "Hombre come we retire"
Shines say "no man, puncture di tire"
Yeah! Yuh go dweet, cause yuh a Bag-A-Wire
Bop!Bop! more shot start pop
"What is a uzi dat, no is a glock"
Yow! Stop yuh noise man, a chat you love chat?
See smoke deh, a tear gas
Tek yuh sheet dem, move di mattras
Lock di door from di bottom to di top
Mi did wake but mi gone sleep back
Mi naw go out deh fi get nuh gun shot -
Rupert:
Suh yuh nuh know Rupert, alright
Blouse and skirt
Verse 3:
Mi a go tell yuh how di youth get hurt
Him sey him eat till him belly did a run
So him wake up and go do-do Over di burial ground
So a come him a come See a jeep and go run
Bow! an dem shoot him dung
A man started to talk whey did dumb
Three couple man jump a fence Whey dem
Nobody know dem nuh waa get gun dung

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The Party

DEY had a gread big pahty down to Tom's de othah night;
Was I dah? You bet! I neveh in my life see sich a sight;
All de folks f'om fou' plantations was invited, an' dey come,
Dey come troopin' thick ez chillun when dey hyeahs a fife an' drum.
Evahbody dressed deir fines'- Heish yo' mouf an' git away,
Ain't seen no sich fancy dressin' sence las' quah'tly meetin' day;
Gals all dressed in silks an' satins, not a wrinkle ner a crease,
Eyes a-battin', teeth a-shinin', haih breashed back ez slick ez grease;
Sku'ts all tucked an' puffed an' ruffled, evah blessed seam an' stitch;
Ef you'd seen 'em wif deir mistus, coul n't swahed to which was which.
Men all dressed up in Prince Alberts, swaller-tails 'u'd tek yo' bref!
I cain't tell you nothin' 'bout it, y' ought to seen it fu' yo'se'f.
Who was dah? Now who you askin'? How you 'spect I gwine to know?
You mus' think I stood an' coutned evahbody at de do.'
Ole man Babah's house-boy Isaac, brung dat gal, Malindy Jane,
Huh a-hangin' to his elbow, him a-struttin' wif a cane;
My, but Hahvey Jones was jealous! seemed to stick him lak a tho'n;
But he laughed with Viney Cahteh, tryin' ha'd to not let on,
But a pusson would 'a' noticed f'om de d'rection of his look,
Dat he was watchin' ev'ry step dat Ike an' Lindy took.
Ike he foun' a cheer an' asked huh: 'Won't you set down?' wif a smile,
An' she answe'd up a-bowin', 'Oh, I reckon 't ain't wuth while.'
Dat was jes' fu' style I reckon, 'cause she sot down jes' de same,
An' she stayed dah 'twell he fetched huh fu' to jine some so't o' game;
Den I hyeahd huh sayin' propah, ez she riz to go away,
'Oh, you raly mus' excuse me, fu' I hardly keers to play.'
But I seen huh in a minute wif de othahs on de flo',
An' dah was n't any one o' dem a-playin' any mo';
Comin' down de flo' a-bowin' an' a-swayin' an' a-swingin',
Puttin' on huh high-toned mannahs all de time dat she was singin';
'Oh, swing Johnny up an' down, swing him all aroun',
Swing Johnny up an' down, swing him all aroun',
Oh, swing Johnny up an' down, swing him all aroun',
Fa' you well, my dahlin'.'
Had to laff at ole man Johnson, he's a caution now, you bet-
Hittiin' clost onto a hunderd, but he's spry an' nimble yet;
He 'lowed how a-so't o-gigglin', 'I ain't ole, I'll let you see,
D'ain't no use in gittin' feeble, now you youngstahs jes' watch me,'
An' he grabbed ole Aunt Marier- weighs th'ee hunderd mo' er less,
An' he spun huh 'roun' de cabin swingin' Johnny lak de res'.
Evahbody laffed an' hollahed: 'Go it! Swing huh, Uncle Jim!'
An' he swung huh too, I reckon, lak a youngstah, who but him.
Dat was bettah'n young Scott Thomas, tryin' to be so awful smaht.
You know when dey gits to singin' an' dey comes to dat ere paht:
'In some lady's new brick house,
In some lady's gyahden.
Ef you don't let me out, I will jump out,
So fa' you well, my dahlin'.'
Den dey's got a circle 'roun' you, an' you's got to break de line;
Well, dat dahky was so anxious, lak to bust hisse'f a-tryin';

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Geometry of peace/Geometrija spokoja

Lost in the depths of our silence
There’s a single moment of peace
For which it is a gift to live

It’s turned into point at which
Beauty spelled universe laughs
It’s turned into a point at which
The spirit settles down
The one that governs the waters
Governs the soil and heavens
It’s turned into a monada
At one with the light
Uniquely addressed by love
A particle of life

It craves the lines of space
With which the universe draws
The features hinted at
And an inexpressibility unspotted by an eye
Framework canons harmony depicted
The freedom of mercy and want are faced

It craves the body chiseled in wisdom
Of an eye in love with its sight
The lips in love with their words
An ear in love with its song
The hand awestruck by touch
The feet awestruck by paths

It craves the body chiseled in the rhythm
The lungs breathing heartbeat
The blood streaming ebbs in each drop
And the cords of a universal voicing
Of the first ‘Here I am’ tenderly
Endlessly addressed with ‘Thou,
A perfectly painted icon of life eternal
Return into Me, into the Word.’

Geometrija spokoja

Izgubljen u našim dubinama ć utnje
Raduje se tren tihog spokoja
Za koji je blagodatno živjeti

On postaje tač ka u kojoj smije se
Ljepotom ozarena vasiona
On postaje tač ka u kojoj smiruje se
Duh što nad vodama kopnom nebesima vlada

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That's not it-To nije to

Excuse me sir
You look like someone I've met before
And I am sure it is like that
I'm sure everyone has met everyone before
In what's called preceding lives
Do you believe in that sir
I mean those karmas
Moving along cyclic zodiacs
Made of illiterate stars
Sounds quite familiar to me
A life through trials and errors
I think sir
When I outstretch the palm of my hand
(Do not worry you don't have to give me any
Of your monthly revenue
I am not that kind of a beggar)
When I outstretch the palm of my hand
And look at those divinely entangled lines
So cryptic
That are supposed to determine my fate
I think there's got to be some mistake there
That they are not there to determine me
But to tell me that this palm belongs to me only
That I am just like you sir
A creature born once a creature divine
Unrepeatable and free
For most when I outstretch the palm of my hand
To see my own geometry of the universe
Or to turn it into a fist
To strike the face of Fortune
Then I think sir
For sure we've all met before
In the faces of Adam and Eve
Hitting their foreheads against the ground
Once they vaguely hinted the Heaven is perhaps
Nothing but a wholeness of a soul in unity with its Creator
And Hell the lack of the same thing
Yes I am sure we've met before
In the face of Christ crucified on the cross
That redeemed us through his blood
For a dream in which an Idiot
Will not have to find a compartment
In which he would, with a roomful of thoughts
In his head just like me right now,
He would not have to repeat
That's not it that's not it until he cannot
Thinking perhaps about those marbles of lifeful life
Whose glimmer fades away once they break out on the surface
To dry in the fire of their own eyes
Thinking that's not it that's not it

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Ti imaš svoja srca Marijo

Ona kucaju preko lanaca od straha
Kucaju tiho kucaju glasno
Ona kucaju preko života do praha
Kucaju neč ujno kucaju jasno

Ti imaš svoja srca Marijo
Ona se proljeć em otvaraju ko cvijet
Cvjetaju tiho preko vode polja
Ona se ruše i grade ko svijet
Što spašen reč e tvoja sam volja

Ti imaš svoja srca Marijo
Ona tiho gasnu ko svijeć e nad grobom
Sumrakom ranim na vjetru od riječ i
I tiho se bude pod skutom sa tobom
Melemom ljubavi srce da se liječ i

Ti imaš svoja srca Marijo
Kucaju nevino u kolijevci od krvi
Smrti se ne daju a humkom zidana
Da svjetlost vide kad dan im prvi
Ozari srca rukom tvojom vidana

Ti imaš svoja srca Marijo
Ona kucaju preko lanaca od straha
Kucaju tiho kucaju glasno
Ona kucaju preko života do praha
Kucaju neč ujno kucaju jasno

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Turned

Turned into small bowls with fullness opening
Wing spread openness the thought ajar
It beats in the birds runs in waterfalls
The home of crossroads in its heart
It beats life silently deems death
It flickers in the fires of old tribes
They carry the rivers in their arms
For our being between mud and a cloud
The unbuilt built in everything
The unuttered pronounced in everything
Never enough life in anything lived
Turned into small bowls with fullness opening

U zdjelice pretvorena otvaranjam punoce
Raskriljena otvorenost odskrinuta misao
Kuca u pticama vodopadom tece
Kuca zivot tihuje smrt
Pucketa u vatrama starih plemena
Sto u rukama rijeke nose
Za nasa bivanja
Izmedju blata I oblaka
Od svega izgradjena neizgradjenost
Od svega prozivljenog nikada dovoljno zivota
U zdjelice pretvorena otvaranjem pun

It beats in the birds runs in waterfalls
The home of crossroads in its heart
It beats life silently deems death
It flickers in the fires of old tribes
They carry the rivers in their arms
For our being between mud and a cloud
The unbuilt built in everything
The unuttered pronounced in everything
Never enough life in anything lived
Turned into small bowls with fullness opening

U zdjelice pretvorena otvaranjam punoce
Raskriljena otvorenost odskrinuta misao
Kuca u pticama vodopadom tece
Kuca zivot tihuje smrt
Pucketa u vatrama starih plemena
Sto u rukama rijeke nose
Za nasa bivanja
Izmedju blata I oblaka
Od svega izgradjena neizgradjenost
Od svega prozivljenog nikada dovoljno zivota
U zdjelice pretvorena otvaranjem punoce

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Pythia the Stunt/Pitija kaskaderka

she liked paranormal activities
and saw symbolic connections between
apparently unconnected things
thus a pebble accidentally kicked
by her middle class boots
got endless measures in cosmic dimensions
of issues de-accidentalized

she liked mysteries
she heard the deaths whispered
into her ears only
of close relatives and distant people

she saw
colours dropped into her dreams only
of sleepy impressionists
and silent expressionists
post mortem hanging in reproductions
oh one of so many one of so many
in her pastoral home

she suffered from modesty pretend
and swam her butterfly style
in the swimming pool of her ego
perfectly aware of the fact
that not even those who serve God
far more diligently that she did
were not addressed by an angel voice
(but how could she have been guilty of that)

as the voice called her and only her
and only those similar to her
ready to applaud the great gift
only if their own was recognized
thinking she was a genius if she understood a genius

still I think she knew a lot
she knew so to say everything
especially since the day when
due to the pebble-deep voice-great gift
she became a real psychic …and got mad
______________________________________
pitija kaskaderka

je voljela paranormalne aktivnosti
i vidjela simbolič ne veze izmeđ u
naizgled nepovezanih stvari
tako kamenč ić sluč ajno šutnit
njenim srednjeklasnim č izmama
dobijaše nesagledive razmjere u kosmič kim dimenzijama

[...] Read more

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An Orangutan And The Truth (Scratching And Stretching) -Orangutan i Istina

This is how an orangutan who one day played a research in the unsearchable fields of life came to the essence of the existence.
He stood under the treetop of his favourite tree in the banana group and watched a yellowish reflection of newly matured fruits. And he admired them endlessly amazed at the possibility of the yellow.
Then he slowly started to climb. On the first branch he saw the first circles of time and he scratched his head. On the second branch he saw a circled space of the treetop and he scratched his tail. On the third branch pressured by the instinct of manual movement he stretched his arm toward the fruit. On the fourth branch he found out what evolition was. He didn't dare to move forward. But he was eating, he was eating so sweetly and couldn't stop and he told himself that life was beautiful, absolutely beautiful.
The sun was setting down and unresearched regions of the treetop were approached by another orangutan who, having been pressured by the same instinct of the manual movement (Hello Marx) , advanced toward the discovery of an ax.
He stood under the same treetop in which the first orangutan was having a jolly good time lulled within great opportunities of the existence. He jumped high and cut the branch on which the first orangutan had been having a jolly good time. Everything would have been different if the ax carrying orangutan hadn't wanted to find out the point. The whole drama of this event was just an experimental attempt at life. Or simply monkey business.


Evo kako je orangutan koji se jednog dana u neistrazenim predjelima zivota igrao istrazivanjem istog dosao do sustine svega postojeceg.
Stao je ispod krosnje omiljenog drveta u banana hordi i posmatrao zuckasti odraz tek sazrelih plodova. I divio se beskrajno zacudjen mogucnoscu zutog.
Onda je lagano poceo da se penje. Na prvoj grani ugledao je prve godove vremena i pocesao se po glavi.
Na drugoj grani ugledao je omedjen prostor krosnje i pocesao se po repu.
Na trecoj grani pritisnut instiktom manualnog kretanja pruzio je ruku ka plodu.
Na cetvrtoj grani je saznao sta je to evolucija. Dalje nije smio da avanzuje. Ali je jeo, jeo slatko nezadrzivo i govorio sebi kako je zivot lijep, beskrajno lijep.
Palo je vece i u neistrazene prostore krosnji dosetao je drugi orangutan koji je pritisnut instiktom manualnog pregnuca (zdravo Markse) uznapredovao do izuma sjekire.
Stao je upravo ispod one krosnje na kojoj se sjajno zabavljao prvi orangutan uljuljkan u velikim mogucnostima egzistencije. Skocio visoko zamahnuo sjekirom i prelomio granu na kojoj je ovaj drijemao. Sve bi bilo sasvim drugacije da orangutan sa sjekirom nije zelio da spozna sustinu. Citava drama ovog dogadjaja zapravo je pokusaj eksperimenta sa zivotom. Ili prosto majmunska posla.

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Why Me Lord

[verse 1]

Early Sunday morning in the spring of 96
Chilling on the couch watching the bulls against the knicks
My honey marches in and ask if I think I'm slick
It seem she found my shirt with lipstick
I thought I could explain but then my story wouldn't stick
Incriminating pictures show me some other chicks
It happened once before and she was tired of the tricks
She ask me if I can spell the word evict

[chorus]

Why me lord situation looking kinda bad
Why me lord I lost the best girl I ever had
Why me lord I'm homeless and I'm feeling kinda sad
Why me why me why me why me
Why me lord how you member massa god so quick
Why me lord when trouble tek you pickney shirt a fit
Why me lord is just because you don't know when to quit
Why me why me why me why me

[verse 2]

Just the other day when I was rolling with my crew
Made a little flex around by flatbush avenue
Calling to some honeys and sipping on my brew
That's when I saw the boys in blue
Pulled us to the side why I don't even have a clue
Looking for a reason and they finally found a few
A case of ammunition and a loaded thirty two
I can't believe what I'm going through

[chorus]

Why me lord here I am I gotta face the time
Why me lord though the evidence ain't even mine
Why me lord I swear I ain't guilty of the crime
Why me why me why me why me
Why me lord how you member massa god so quick
Why me lord when trouble tek you pickney shirt a fit
Why me lord is just because you don't know when to quit
Why me why me why me why me

[bridge]

Take heed never take advantage of the thing you need
Never let yourself be over come by greed
Walk the straight and narrow and you shall succeed
Get you act up to speed

[...] Read more

song performed by Shaggy from HotshotReport problemRelated quotes
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