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The Raggedy Man

1 O the Raggedy Man! He works fer Pa;
2 An' he's the goodest man ever you saw!
3 He comes to our house every day,
4 An' waters the horses, an' feeds 'em hay;
5 An' he opens the shed -- an' we all ist laugh
6 When he drives out our little old wobble-ly calf;
7 An' nen -- ef our hired girl says he can --
8 He milks the cow fer 'Lizabuth Ann. --
9 Ain't he a' awful good Raggedy Man?
10 Raggedy! Raggedy! Raggedy Man!

11 W'y, The Raggedy Man -- he's ist so good,
12 He splits the kindlin' an' chops the wood;
13 An' nen he spades in our garden, too,
14 An' does most things 'at boys can't do. --
15 He clumbed clean up in our big tree
16 An' shooked a' apple down fer me --
17 An' 'nother 'n', too, fer 'Lizabuth Ann --
18 An' 'nother 'n', too, fer The Raggedy Man. --
19 Ain't he a' awful kind Raggedy Man?
20 Raggedy! Raggedy! Raggedy Man!

21 An' The Raggedy Man one time say he
22 Pick' roast' rambos from a' orchurd-tree,
23 An' et 'em -- all ist roast' an' hot! --
24 An' it's so, too! -- 'cause a corn-crib got
25 Afire one time an' all burn' down
26 On "The Smoot Farm," 'bout four mile from town --
27 On "The Smoot Farm"! Yes -- an' the hired han'
28 'At worked there nen 'uz The Raggedy Man! --
29 Ain't he the beatin'est Raggedy Man?
30 Raggedy! Raggedy! Raggedy Man!

31 The Raggedy Man's so good an' kind
32 He'll be our "horsey," an' "haw" an' mind
33 Ever'thing 'at you make him do --
34 An' won't run off -- 'less you want him to!
35 I drived him wunst way down our lane
36 An' he got skeered, when it 'menced to rain,
37 An' ist rared up an' squealed and run
38 Purt' nigh away! -- an' it's all in fun!
39 Nen he skeered ag'in at a' old tin can ...
40 Whoa! y' old runaway Raggedy Man!
41 Raggedy! Raggedy! Raggedy Man!

42 An' The Raggedy Man, he knows most rhymes,
43 An' tells 'em, ef I be good, sometimes:
44 Knows 'bout Giunts, an' Griffuns, an' Elves,
45 An' the Squidgicum-Squees 'at swallers the'rselves:
46 An', wite by the pump in our pasture-lot,

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Maymie's Story Of Red Riding Hood

W'y, one time wuz a little-weenty dirl,
An' she wuz named Red Riding Hood, 'cause her--
Her _Ma_ she maked a little red cloak fer her
'At turnt up over her head--An' it 'uz all
Ist one piece o' red cardinal 'at 's like
The drate-long stockin's the store-keepers has.--
O! it 'uz purtiest cloak in all the world
An' _all_ this town er anywheres they is!
An' so, one day, her Ma she put it on
Red Riding Hood, she did--one day, she did--
An' it 'uz _Sund'y_--'cause the little cloak
It 'uz too nice to wear ist _ever'_ day
An' _all_ the time!--An' so her Ma, she put
It on Red Riding Hood--an' telled her not
To dit no dirt on it ner dit it mussed
Ner nothin'! An'--an'--nen her Ma she dot
Her little basket out, 'at Old Kriss bringed
Her wunst--one time, he did. And nen she fill'
It full o' whole lots an' 'bundance o' good things t' eat
(Allus my Dran'ma _she_ says ''bundance,' too.)
An' so her Ma fill' little Red Riding Hood's
Nice basket all ist full o' dood things t' eat,
An' tell her take 'em to her old Dran'ma--
An' not to _spill_ 'em, neever--'cause ef she
'Ud stump her toe an' spill 'em, her Dran'ma
She'll haf to _punish_ her!

An' nen--An' so
Little Red Riding Hood she p'omised she
'Ud be all careful nen an' cross' her heart
'At she wont run an' spill 'em all fer six--
Five--ten--two-hundred-bushel-dollars-go ld!
An' nen she kiss her Ma doo'-bye an' went
A-skippin' off--away fur off frough the
Big woods, where her Dran'ma she live at.--No!--
She didn't do _a-skippin'_, like I said:--
She ist went _walkin'_--careful-like an' slow--
Ist like a little lady--walkin' 'long
As all polite an' nice--an' slow--an' straight--
An' turn her toes--ist like she's marchin' in
The Sund'y-School k-session!

An'--an'--so
She 'uz a-doin' along--an' doin' along--
On frough the drate big woods--'cause her Dran'ma
She live 'way, 'way fur off frough the big woods
From _her_ Ma's house. So when Red Riding Hood
She dit to do there, allus have most fun--
When she do frough the drate big woods, you know.--
'Cause she ain't feared a bit o' anything!

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Barabara Ann

A Bar bar bar bar Barbar Ann
Bar bar bar bar Barbar Ann
(Bar bar bar bar Barbar Ann)
Oh Barbara Ann take my hand
(Bar bar bar bar Barbar Ann)
Barbara Ann
(Bar bar bar bar Barbar Ann)
You got me rockin' and a rollin'
Rockin' and a reelin' Barbara Ann
Bar bar bar bar Barbar Ann
Went to a dance looking for romance
Saw Barbara Ann so I thought I'd take a chance
Barbara Ann
Bar bar bar bar Barbar Ann
Oh Barbara Ann take my hand
(Bar bar bar bar Barbar Ann)
Barbara Ann
(Bar bar bar bar Barbar Ann)
You got me rockin' and a rollin'
Rockin' and a reelin' Barbara Ann
Bar bar bar bar Barbar Ann
Say Bar bar bar bar Barbar Ann
Bar bar bar bar Barbar Ann
Oh Barbara Ann take my hand
(Bar bar bar bar Barbar Ann)
Barbara Ann
(Bar bar bar bar Barbar Ann)
You got me rockin' and a rollin'
Rockin' and a reelin' Barbara Ann
Bar bar bar bar Barbar Ann
Tried Betty Lou
Danced with Peggy Sue
Tried Mary Lou
But I knew she wouldn't do
Bar bar bar bar Barbar Ann
Oh Barbara Ann take my hand
(Bar bar bar bar Barbar Ann)
Barbara Ann
(Bar bar bar bar Barbar Ann)
You got me rockin' and a rollin'
Rockin' and a reelin' Barbara Ann
Bar bar bar bar Barbar Ann
Bar bar bar bar Barbar Ann
Bar bar bar bar Barbar Ann
Bar bar bar bar Barbar Ann
Oh Barbara Ann take my hand
(Bar bar bar bar Barbar Ann)
Barbara Ann
(Bar bar bar bar Barbar Ann)
You got me rockin' and a rollin'

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Barbara Ann

Ah, ba ba ba ba barbara ann
Ba ba ba ba barbara ann
Oh barbara ann, take my hand
Barbara ann
You got me rockin and a-rollin
Rockin and a-reelin
Barbara ann ba ba
Ba barbara ann
Went to a dance, lookin for romance
Saw barbara ann, so I thought Id take a chance
With barbara ann, barbara ann
Take my hand
You got me rockin and a-rollin
(oh! oh!)
Rockin and a-reelin
Barbara ann ba ba
Ba ba ba ba black sheep
Ba ba ba ba barbara ann
Ba ba ba ba barbara ann
Barbara ann, take my hand
Barbara ann
You got me rockin and a-rollin
Rockin and a-reelin
Barbara ann ba ba
Ba barbara ann
(lets go now!)
(ow!)
([...])
([...], carl.)
(hal, and his famous ashtray!)
([...])
(you smell like rocky. youre always scratchin it.)
(hey, come on!)
(scratch it, carl, scratch it, baby, right over there.
Down a little lower. down a little lower!)
(saw-- tried--)
Tried peggy sue
Tried betty lou
Tried mary lou
But I knew she wouldnt do
Barbara ann, barbara ann
Take my hand
Barbara ann
Take my hand
You got me rockin and a-rollin
Rockin and a-reelin
Barbara ann ba ba
Ba barbara ann
Ba ba ba ba barbara ann
Ba ba ba ba barbara ann

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Allegany Camp

amazing grace circus camp
amazing grace day camp
amazing grace hallelujah jeremy camp
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amazon camp dutch lodge oven
amazon camp in sweetwater missouri
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ambassador camp at lake waccamaw nc
ambassador camp inc
ambassador chalet
ambassador chalet at doral
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amber bowers
amber camp lazlo
amber pow camp
amberg germany dp camp
ambition camp hockey pro
ambler baseball camp
ambleside scotland school camp
ambon pow camp
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ambulance bower
amc camp dodge
amc camp movie summer
amc camp summer theater
amc little lyford camps
amc movie camp
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amc north west camp bear mountain
amc pinkham notch camp
amc summer camp for s
amc summer camp for s 2007
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amc summer movie camp arlington
amc summer movie camp ontario california
amc theater camp hill
amc theatres summer camp
amcmovie camps
amelia earhart in japanese war camp

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Drawing a Purple Blank Verse after Gelett BURGESS Purple Cow

DRAWING A PURPLE BLANK VERSE
Kindly refer to notes

I've never cowed to purple prose
know now I'll never write it,
for anyhow true writer knows
hand stretched finds critics bite it.

I've never wowed, and goodness knows
hacks lack the knack of versing,
won't bow, kowtow to backhand blows,
preferring role reverse_sing.

Ah, yes, I wrote on purple prose,
yet can't regret I penned it,
one far prefers rhyme's timeless flows,
no blush need rush defend it.


10 February 2009
robi03_1856_burg01_0001 PWX_IXX

Parody Gelett BURGESS The Purple Cow

Author notes

For original and variations on a theme see bekiw
IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII IIIIIIIIIIIIIIIIIIIII
THE PURPLE COW

I never saw a Purple Cow,
I never hope to see one,
But I can tell you anyhow,
Id rather see than be one.


Gelett BURGESS 1866_1951
IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII IIIIIIIIIIIIIIIIIIIIIIIIIIIIII
CONFESSION

Ah, yes! I wrote the « Purple Cow » -
Im Sorry, now, I Wrote it,
But I can Tell you Anyhow
Ill Kill you if you Quote it.

Gelett BURGESS 1866_1951
IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII IIIIIIIIIIIIIIIIIIIIIIIIIIIIII
A Perfect Woman

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Homer

The Iliad: Book 23

Thus did they make their moan throughout the city, while the
Achaeans when they reached the Hellespont went back every man to his
own ship. But Achilles would not let the Myrmidons go, and spoke to
his brave comrades saying, "Myrmidons, famed horsemen and my own
trusted friends, not yet, forsooth, let us unyoke, but with horse
and chariot draw near to the body and mourn Patroclus, in due honour
to the dead. When we have had full comfort of lamentation we will
unyoke our horses and take supper all of us here."
On this they all joined in a cry of wailing and Achilles led them in
their lament. Thrice did they drive their chariots all sorrowing round
the body, and Thetis stirred within them a still deeper yearning.
The sands of the seashore and the men's armour were wet with their
weeping, so great a minister of fear was he whom they had lost.
Chief in all their mourning was the son of Peleus: he laid his
bloodstained hand on the breast of his friend. "Fare well," he
cried, "Patroclus, even in the house of Hades. I will now do all
that I erewhile promised you; I will drag Hector hither and let dogs
devour him raw; twelve noble sons of Trojans will I also slay before
your pyre to avenge you."
As he spoke he treated the body of noble Hector with contumely,
laying it at full length in the dust beside the bier of Patroclus. The
others then put off every man his armour, took the horses from their
chariots, and seated themselves in great multitude by the ship of
the fleet descendant of Aeacus, who thereon feasted them with an
abundant funeral banquet. Many a goodly ox, with many a sheep and
bleating goat did they butcher and cut up; many a tusked boar
moreover, fat and well-fed, did they singe and set to roast in the
flames of Vulcan; and rivulets of blood flowed all round the place
where the body was lying.
Then the princes of the Achaeans took the son of Peleus to
Agamemnon, but hardly could they persuade him to come with them, so
wroth was he for the death of his comrade. As soon as they reached
Agamemnon's tent they told the serving-men to set a large tripod
over the fire in case they might persuade the son of Peleus 'to wash
the clotted gore from this body, but he denied them sternly, and swore
it with a solemn oath, saying, "Nay, by King Jove, first and mightiest
of all gods, it is not meet that water should touch my body, till I
have laid Patroclus on the flames, have built him a barrow, and shaved
my head- for so long as I live no such second sorrow shall ever draw
nigh me. Now, therefore, let us do all that this sad festival demands,
but at break of day, King Agamemnon, bid your men bring wood, and
provide all else that the dead may duly take into the realm of
darkness; the fire shall thus burn him out of our sight the sooner,
and the people shall turn again to their own labours."
Thus did he speak, and they did even as he had said. They made haste
to prepare the meal, they ate, and every man had his full share so
that all were satisfied. As soon as they had had had enough to eat and
drink, the others went to their rest each in his own tent, but the son
of Peleus lay grieving among his Myrmidons by the shore of the
sounding sea, in an open place where the waves came surging in one

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Our Hired Girl

1 Our hired girl, she's 'Lizabuth Ann;
2 An' she can cook best things to eat!
3 She ist puts dough in our pie-pan,
4 An' pours in somepin' 'at's good an' sweet;
5 An' nen she salts it all on top
6 With cinnamon; an' nen she'll stop
7 An' stoop an' slide it, ist as slow,
8 In th' old cook-stove, so's 'twon't slop
9 An' git all spilled; nen bakes it, so
10 It's custard-pie, first thing you know!
11 An' nen she'll say,
12 "Clear out o' my way!
13 They's time fer work, an' time fer play!
14 Take yer dough, an' run, child, run!
15 Er I cain't git no cookin' done!"

16 When our hired girl 'tends like she's mad,
17 An' says folks got to walk the chalk
18 When she's around, er wisht they had!
19 I play out on our porch an' talk
20 To Th' Raggedy Man 'at mows our lawn;
21 An' he says, "Whew!" an' nen leans on
22 His old crook-scythe, and blinks his eyes,
23 An' sniffs all 'round an' says, "I swawn!
24 Ef my old nose don't tell me lies,
25 It 'pears like I smell custard-pies!"
26 An' nen he'll say,
27 "Clear out o' my way!
28 They's time fer work, an' time fer play!
29 Take yer dough, an' run, child, run!
30 Er she cain't git no cookin' done!"

31 Wunst our hired girl, when she
32 Got the supper, an' we all et,
33 An' it wuz night, an' Ma an' me
34 An' Pa went wher' the "Social" met, --
35 An' nen when we come home, an' see
36 A light in the kitchen door, an' we
37 Heerd a maccordeun, Pa says, "Lan'-
38 O'-Gracious! who can her beau be?"
39 An' I marched in, an' 'Lizabuth Ann
40 Wuz parchin' corn fer The Raggedy Man!
41 Better say,
42 "Clear out o' the way!
43 They's time fer work, an' time fer play!
44 Take the hint, an' run, child, run!
45 Er we cain't git no courtin' done!"

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The Wobble

Now the Wobble went out on the roaring tide,
With a dry dog trotting along by its side;
Went over the sea - and I vow right here
That the Wobble went out with its views as clear
As ever the views of a Wobble could be;
And the Wobble went out and over the sea.

Went over the sea for to represent
The folk of our island continent;
Went over to England where dukes and lords,
And princes, and barons, and earls in hordes,
And bankers, and boodlers, and scores of Jews
Were burning to hear of Australia's views.

0, the Wobble went over to advertise
(For it was a Wobble of goodly size)
The things that we grow and the things that we breed
Our eggs and our bacon and butter and seed,
The health of our air and the worth of our earth
(For it was a Wobble of generous girth)
And it's quite a true saying, as ev'ryone knows,
A Wobble's a Wobble wherever it goes.

The Wobble went forth from its native land,
And when they espied it adrift on the Strand
All the American tourists laff't:
'Why, if that ain't the double of our old TAFT!'
And when it appeared later on in The Row,
All the duchiest duchesses viewed the show,
And they said: 'There is nothing can advertise
A country so well as a Wobble of size.'

And they asked it along for a feed and a swill,
And a talk after dinner, as Englishmen will,
And there's nothing on earth like a gabble and gobble
Appeals to a healthy and well-bred Wobble.
And when it arose at the festive board
The barons and aldermen loudly roared.
With the dukes and the generals, 'That's the bloke!
That's the famous and only Australian Joke!

'It's the Globular Jest with the Monocled Eye
That makes the Australians 1augh till they cry
The bankers and boodlers and Park Lane Jews
Wept great, glad teara in the jellies and stews;
The Lord High Chancellor spllt his vest,
While the baronets, admirals, peers and the rest
Agreed with the bishops and Irish M.P.'s
That no funnier Wobble came over the seas.

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Discoteca

Hay una discoteca por acqui?
Hay una discoteca por acqui?
Hay una discoteca por acqui?
Hay una discoteca por acqui?
Hay una discoteca por acqui?
Hay una discoteca por acqui?
Hay una discoteca por acqui?
Hay una discoteca por acqui?

I don't speak the language
I can't understand a word
Where angels fear to tread
I've sometimes walked
And tried to talk
But how can I be heard
In such a world
When I am lost?
I'm doing what I do
To see me through
I'm going out
And carrying on as normal

Hay una discoteca por acqui?
Hay una discoteca por acqui?
Hay una discoteca por acqui?
Hay una discoteca por acqui?
Hay una discoteca por acqui?
Hay una discoteca por acqui?
Hay una discoteca por acqui?
Hay una discoteca por acqui?

Hay una discoteca por acqui?
Hay una discoteca por acqui?
Hay una discoteca por acqui?
Hay una discoteca por acqui?

Te quiero
Entiende usted?
Digame
Cuanto tiempo tengo que esperar?

(disco disco disco disco)
(disco disco disco disco disco-teca)
(disco disco disco disco)
(disco disco disco disco disco-teca)

I don't speak in anger
Though the chances that I've let
Pass me by and now regret
I can't forget

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Cow

Aw, go write yer tinklin' jingle, an' yer pretty phrases mingle,
Fer the mamby-pamby girl, all fluffy frill an' shinin' silk.
Them's the sort ter fetch yer trouble, when yer tries 'em, in the double.
Blow yer beauty! Wot's the matter with the maiden 'oo kin milk?
Them there rhymers uv the wattle! An' the bardlet uv the bottle -
'Im that sings uv sparklin' wine, an' does a perish fer the beer;
An' yer slap-dash 'orsey po-it! Garn! If you blokes only know it,
You 'ave missed the single subjec' fit ter rhyme about down 'ere.
An' although I ain't a bard, with bloomin' bays upon me brow,
I kinsider that it's up ter me ter sing about The Cow.
Cow, Cow
(Though it ain't a pretty row,
It's a word that 'ipnertises me; I couldn't tell yer 'ow.)
Though I ain't a gifted rhymer,
Nor a blamed Parnassus climber,
I'm inspired ter sing a tune er two about the Blessed Cow.

0h, the cow-bells are a-tinklin', and the daisies are a twinklin'
Well, that ain't the style ersackly I intended fer to sing.
'Ark, was over music greater then the buzzin' sepy-rater,
Coinin' gaily money daily fer the - no, that's not the thing!
'Omeward comes the cows a-lowin', an' the butter-cups are blowin';
But there's better butter in the - Blarst ! That ain't the proper way
See the pretty milkmaid walkin' - aw, it ain't no use er talkin'.
Listen 'ere, I want ter tell yer this: A cow's ther thing ter pay!
Sell yer 'orses, sell yer arrers, an' yer reapers, an' yer plough;
If yer want yer land ter pay yer, sacrifice yer life ter Cow
Cow, Cow
Sittin' underneath the bough,
With a bail, an' with a pail, an' with a little stool, an' thou
Kickin' when I pull yer teat there,
Swishin' flies, the pretty creatur.
Ah, there ain't no music sweeter - money squirtin' from the Cow.

Take away the wine-cup; take it. An' the foamin' flagon, break it.
Brimmin' cups uv butter-milk'll set yer glowin' thro' an' thro';
An' the reason I'm teetotal is becos me thrifty throat'll
Jest refuse ter swaller stuff that's costin' me a precious sou.
Once I wus a sinful spender. Used ter go a roarin' bender
Used ter often spend a thruppence when ther' wasn't any need.
An' the many ways I've busted money, when I should er trusted
It ter cattle an' erconomy, 'ud cause yer 'eart ter bleed
But I'm glad, me friends, that godliness 'as made me careful now;
Tho' I lorst the thing wot's next it when I cottoned ter the Cow.
Cow, Cow
Trudin' thro' the sloppy slough.
Ah, I once despised the Jews, but I kin under-stand 'em now
When they needed elevatin',
An' ole Moses kep' 'em waitin'
Fer religi'n, they went straight 'n' sorter substichooted Cow.

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Squire Hawkins's Story

I hain't no hand at tellin' tales,
Er spinnin' yarns, as the sailors say;
Someway o' 'nother, language fails
To slide fer me in the oily way
That LAWYERS has; and I wisht it would,
Fer I've got somepin' that I call good;
But bein' only a country squire,
I've learned to listen and admire,
Ruther preferrin' to be addressed
Than talk myse'f--but I'll do my best:--

Old Jeff Thompson--well, I'll say,
Was the clos'test man I ever saw!--
Rich as cream, but the porest pay,
And the meanest man to work fer--La!
I've knowed that man to work one 'hand'--
Fer little er nothin', you understand--
From four o'clock in the morning light
Tel eight and nine o'clock at night,
And then find fault with his appetite!
He'd drive all over the neighberhood
To miss the place where a toll-gate stood,
And slip in town, by some old road
That no two men in the county knowed,
With a jag o' wood, and a sack o' wheat,
That wouldn't burn and you couldn't eat!
And the trades he'd make, 'll I jest de-clare,
Was enough to make a preacher swear!
And then he'd hitch, and hang about
Tel the lights in the toll-gate was blowed out,
And then the turnpike he'd turn in
And sneak his way back home ag'in!

Some folks hint, and I make no doubt,
That that's what wore his old wife out--
Toilin' away from day to day
And year to year, through heat and cold,
Uncomplainin'--the same old way
The martyrs died in the days of old;
And a-clingin', too, as the martyrs done,
To one fixed faith, and her ONLY one,--
Little Patience, the sweetest child
That ever wept unrickonciled,
Er felt the pain and the ache and sting
That only a mother's death can bring.

Patience Thompson!--I think that name
Must 'a' come from a power above,
Fer it seemed to fit her jest the same
As a GAITER would, er a fine kid glove!

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Homer

The Iliad: Book 5

Then Pallas Minerva put valour into the heart of Diomed, son of
Tydeus, that he might excel all the other Argives, and cover himself
with glory. She made a stream of fire flare from his shield and helmet
like the star that shines most brilliantly in summer after its bath in
the waters of Oceanus- even such a fire did she kindle upon his head
and shoulders as she bade him speed into the thickest hurly-burly of
the fight.
Now there was a certain rich and honourable man among the Trojans,
priest of Vulcan, and his name was Dares. He had two sons, Phegeus and
Idaeus, both of them skilled in all the arts of war. These two came
forward from the main body of Trojans, and set upon Diomed, he being
on foot, while they fought from their chariot. When they were close up
to one another, Phegeus took aim first, but his spear went over
Diomed's left shoulder without hitting him. Diomed then threw, and his
spear sped not in vain, for it hit Phegeus on the breast near the
nipple, and he fell from his chariot. Idaeus did not dare to
bestride his brother's body, but sprang from the chariot and took to
flight, or he would have shared his brother's fate; whereon Vulcan
saved him by wrapping him in a cloud of darkness, that his old
father might not be utterly overwhelmed with grief; but the son of
Tydeus drove off with the horses, and bade his followers take them
to the ships. The Trojans were scared when they saw the two sons of
Dares, one of them in fright and the other lying dead by his
chariot. Minerva, therefore, took Mars by the hand and said, "Mars,
Mars, bane of men, bloodstained stormer of cities, may we not now
leave the Trojans and Achaeans to fight it out, and see to which of
the two Jove will vouchsafe the victory? Let us go away, and thus
avoid his anger."
So saying, she drew Mars out of the battle, and set him down upon
the steep banks of the Scamander. Upon this the Danaans drove the
Trojans back, and each one of their chieftains killed his man. First
King Agamemnon flung mighty Odius, captain of the Halizoni, from his
chariot. The spear of Agamemnon caught him on the broad of his back,
just as he was turning in flight; it struck him between the
shoulders and went right through his chest, and his armour rang
rattling round him as he fell heavily to the ground.
Then Idomeneus killed Phaesus, son of Borus the Meonian, who had
come from Varne. Mighty Idomeneus speared him on the right shoulder as
he was mounting his chariot, and the darkness of death enshrouded
him as he fell heavily from the car.
The squires of Idomeneus spoiled him of his armour, while
Menelaus, son of Atreus, killed Scamandrius the son of Strophius, a
mighty huntsman and keen lover of the chase. Diana herself had
taught him how to kill every kind of wild creature that is bred in
mountain forests, but neither she nor his famed skill in archery could
now save him, for the spear of Menelaus struck him in the back as he
was flying; it struck him between the shoulders and went right through
his chest, so that he fell headlong and his armour rang rattling round
him.
Meriones then killed Phereclus the son of Tecton, who was the son of

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The Wobble

Do the wobble baby.
Do the wobble.
Do the wobble.
Do the wobble baby.
Do the wobble baby.
Do the wobble baby.
Come on baby,
Do the wobble.
Come on baby,
Do the wobble.
Do the wobble.
Do the wobble baby.
Wobble baby.
Come on baby.
Come on baby.
Do the wobble baby, baby, baby.
Do the wobble.
Do the wobble baby.
Do the wobble.
Do the wobble baby.

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Das Schlauraffen Landt.

Ain gegent haist Schlauraffen land,
Den faulen leuten wol bekant,
Das ligt drey meyl hinder Weyhnachten.
Vnd welcher darein wölle trachten,
5
Der muß sich grosser ding vermessn
Vnd durch ein Berg mit Hirßbrey essn,
Der ist wol dreyer Meylen dick.
Als dann ist er im augenblick
Inn den selbing Schlauraffen Landt,
10
Da aller Reychthumb ist bekant.
Da sind die Heuser deckt mit Fladn,
Leckuchen die Haußthür vnd ladn,
Von Speckuchen Dielen vnd wend,
Die Tröm von Schweynen braten send.
15
Vmb yedes Hauß so ist ein Zaun,
Geflochten von Bratwürsten braun.
Von Maluasier so sindt die Brunnen,
Kommen eim selbs ins maul gerunnen.
Auff den Tannen wachssen Krapffen,
20
Wie hie zu Land die Tannzapffen.
Auff Fichten wachssen bachen schnittn.
Ayrpletz thut man von Pircken schüttn.
Wie Pfifferling wachssen die Fleckn,
Die Weyntrauben inn Dorenheckn.
25
Auff Weyden koppen Semel stehn,
Darunter Pech mit Milich gehn;
Die fallen dann inn Pach herab,
Das yederman zu essen hab.
Auch gehen die Visch inn den Lachn
30
Gsotten, Braten, Gsulzt vnd pachn
Vnd gehn bey dem gestat gar nahen,
Lassen sich mit den henden fahen.
Auch fliegen vmb (müget jr glaubn)
Gebraten Hüner, Genß vnd Taubn.
35
Wer sie nicht facht vnd ist so faul,
Dem fliegen sie.selbs in das maul.
Die Sew all Jar gar wol geratn,
Lauffen im Land vmb, sind gebratn.
Yede eyn Messer hat im rück
40
Darmit eyn yeder schneydt eyn stück
Und steckt das Messer wider dreyn.
Die Creutzkeß wachssen wie die steyn.

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A Bear Family

Wunst, 'way West in Illinoise,
Wuz two Bears an' their two boys:
An' the two boys' names, you know,
Wuz--like _ours_ is,--Jim an' Jo;
An' their _parunts'_ names wuz same's,
All big grown-up people's names,--
Ist _Miz_ Bear, the neighbers call
'Em, an' _Mister_ Bear--'at's all.
Yes--an' Miz Bear scold him, too,
Ist like grown folks _shouldn't_ do!

Wuz a grea'-big river there,
An', 'crosst that, 's a mountain where
Old Bear said some day he'd go,
Ef she don't quit scoldin'so!
So, one day when he been down
The river, fishin', 'most to town,
An' come back 'thout no fish a-tall,
An' Jim an' Jo they run an' bawl
An' tell their ma their pa hain't fetch'
No fish,--she scold again an' ketch
Her old broom up an' biff him, too.--

An' he ist cry, an' say, '_Boo-hoo_!
I _told_ you what I 'd do some day'.'
An' he ist turned an' runned away
To where's the grea'-big river there,
An' ist _splunged_ in an' swum to where
The mountain's at, 'way th'other side,
An' clumbed up there. An' Miz Bear _cried_--
An' little Jo an' little Jim--
Ist like their ma--bofe cried fer him!--
But he clumbed on, _clean out o' sight_,
He wuz so mad!--An' served 'em right!

Nen--when the Bear got 'way on top
The mountain, he heerd somepin' flop
Its wings--an' somepin' else he heerd
A-rattlin'-like.--An' he wuz _skeerd_,
An' looked 'way up, an'--_Mercy sake!_--

It wuz a' Eagul an' a SNAKE!
An'-sir! the Snake, he bite an' kill'
The Eagul, an' they bofe fall till
They strike the ground--_k'spang-k'spat!_--
Wite where the Bear wuz standin' at!
An' when here come the Snake at him,
The Bear he think o' little Jim
An' Jo, he did--an' their ma, too,--
All safe at home; an' he ist flew

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Homer

The Iliad: Book 8

Now when Morning, clad in her robe of saffron, had begun to suffuse
light over the earth, Jove called the gods in council on the topmost
crest of serrated Olympus. Then he spoke and all the other gods gave
ear. "Hear me," said he, "gods and goddesses, that I may speak even as
I am minded. Let none of you neither goddess nor god try to cross
me, but obey me every one of you that I may bring this matter to an
end. If I see anyone acting apart and helping either Trojans or
Danaans, he shall be beaten inordinately ere he come back again to
Olympus; or I will hurl him down into dark Tartarus far into the
deepest pit under the earth, where the gates are iron and the floor
bronze, as far beneath Hades as heaven is high above the earth, that
you may learn how much the mightiest I am among you. Try me and find
out for yourselves. Hangs me a golden chain from heaven, and lay
hold of it all of you, gods and goddesses together- tug as you will,
you will not drag Jove the supreme counsellor from heaven to earth;
but were I to pull at it myself I should draw you up with earth and
sea into the bargain, then would I bind the chain about some
pinnacle of Olympus and leave you all dangling in the mid firmament.
So far am I above all others either of gods or men."
They were frightened and all of them of held their peace, for he had
spoken masterfully; but at last Minerva answered, "Father, son of
Saturn, king of kings, we all know that your might is not to be
gainsaid, but we are also sorry for the Danaan warriors, who are
perishing and coming to a bad end. We will, however, since you so
bid us, refrain from actual fighting, but we will make serviceable
suggestions to the Argives that they may not all of them perish in
your displeasure."
Jove smiled at her and answered, "Take heart, my child,
Trito-born; I am not really in earnest, and I wish to be kind to you."
With this he yoked his fleet horses, with hoofs of bronze and
manes of glittering gold. He girded himself also with gold about the
body, seized his gold whip and took his seat in his chariot. Thereon
he lashed his horses and they flew forward nothing loth midway twixt
earth and starry heaven. After a while he reached many-fountained Ida,
mother of wild beasts, and Gargarus, where are his grove and
fragrant altar. There the father of gods and men stayed his horses,
took them from the chariot, and hid them in a thick cloud; then he
took his seat all glorious upon the topmost crests, looking down
upon the city of Troy and the ships of the Achaeans.
The Achaeans took their morning meal hastily at the ships, and
afterwards put on their armour. The Trojans on the other hand likewise
armed themselves throughout the city, fewer in numbers but
nevertheless eager perforce to do battle for their wives and children.
All the gates were flung wide open, and horse and foot sallied forth
with the tramp as of a great multitude.
When they were got together in one place, shield clashed with
shield, and spear with spear, in the conflict of mail-clad men. Mighty
was the din as the bossed shields pressed hard on one another-
death- cry and shout of triumph of slain and slayers, and the earth
ran red with blood.

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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The Purple Cow Parodies

Gelett Burgess' original poem…

A Purple Cow

I never saw a Purple Cow,
I never hope to see one;
But I can tell you, anyhow,
I'd rather see than be one.


Poem parodied in the
style of…


John Milton


Hence, vain, deluding cows.
The herd of folly, without colour bright,
How little you delight,
Or fill the Poet's mind, or songs arouse!
But, hail! thou goddess gay of feature!
Hail divinest purple creature!
Oh, Cow, thy visage is too bright
To hit the sense of human sight.
And though I'd like, just once, to see thee
I never, never, never'd be thee!


Percy Bysshe Shelley


Hail to thee, blithe spirit!
Cow thou never wert;
But in life to cheer it
Playest thy full part
In purple lines of unpremeditated art.

The pale purple colour
Melts around thy sight
Like a star, but duller,
In the broad daylight.
I'd see thee, but I would not be thee if I might.

We look before and after
At the cattle as they browse;
Our most hearty laughter
Something sad must rouse.
Our sweetest songs are those that tell of Purple Cows.

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Seasonable Retour-Knell

SEASONABLE RETOUR KNELL
Variations on a theme...
SEASONABLE ROUND ROBIN ROLE REVERSALS

Author notes

A mirrored Retourne may not only be read either from first line to last or from last to first as seen in the mirrors, but also by inverting the first and second phrase of each line, either rhyming AAAA or ABAB for each verse. thus the number of variations could be multiplied several times.- two variations on the theme have been included here but could have been extended as in SEASONABLE ROUND ROBIN ROLE REVERSALS robi03_0069_robi03_0000

In respect of SEASONABLE ROUND ROBIN ROLE REVERSALS
This composition has sought to explore linguistic potential. Notes and the initial version are placed before rather than after the poem.
Six variations on a theme have been selected out of a significant number of mathematical possibilities using THE SAME TEXT and a reverse mirror for each version. Mirrors repeat the seasons with the lines in reverse order.

For the second roll the first four syllables of each line are reversed, and sense is retained both in the normal order of seasons and the reversed order as well... The 3rd and 4th variations offer ABAB rhyme schemes retaining the original text. The 5th and 6th variations modify the text into rhyming couplets.

Given the linguistical structure of this symphonic composition the score could be read in inversing each and every line and each and every hemistitch. There are minor punctuation differences between versions.

One could probably attain sonnet status for each of the four seasons and through partioning in 3 groups of 4 syllables extend the possibilites ad vitam.

Seasonable Round Robin Roll Reversals
robi03_0069_robi03_0000 QXX_DNZ
Seasonable Retour-Knell
robi03_0070_robi03_0069 QXX_NXX
26 March 1975 rewritten 20070123
lllllllllllllllllllllllllllllllllllll lllllllllllllllllll
For previous version see below
_______________________________________
SPRING SUMMER


Life is at ease Young lovers long
Land under plough; To hold their dear;
Whispering trees, Dewdrops among,
Answering cow. Bold, know no fear.

Blossom, the bees, Life full of song,
Burgeoning bough; Cloudless and clear;
Soft-scented breeze, Days fair and long,
Spring warms life now. Summer sends cheer.


AUTUMN WINTER


Each leaf decays, Harvested sheaves
Each life must bow; And honeyed hives;
Our salad days Trees stripped of leaves,
Are ending now. Jack Frost has knives.

Fruit heavy lays Time, Prince of thieves,
Bending the bough, - Onward he drives,

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III. The Other Half-Rome

Another day that finds her living yet,
Little Pompilia, with the patient brow
And lamentable smile on those poor lips,
And, under the white hospital-array,
A flower-like body, to frighten at a bruise
You'd think, yet now, stabbed through and through again,
Alive i' the ruins. 'T is a miracle.
It seems that, when her husband struck her first,
She prayed Madonna just that she might live
So long as to confess and be absolved;
And whether it was that, all her sad life long
Never before successful in a prayer,
This prayer rose with authority too dread,—
Or whether, because earth was hell to her,
By compensation, when the blackness broke
She got one glimpse of quiet and the cool blue,
To show her for a moment such things were,—
Or else,—as the Augustinian Brother thinks,
The friar who took confession from her lip,—
When a probationary soul that moved
From nobleness to nobleness, as she,
Over the rough way of the world, succumbs,
Bloodies its last thorn with unflinching foot,
The angels love to do their work betimes,
Staunch some wounds here nor leave so much for God.
Who knows? However it be, confessed, absolved,
She lies, with overplus of life beside
To speak and right herself from first to last,
Right the friend also, lamb-pure, lion-brave,
Care for the boy's concerns, to save the son
From the sire, her two-weeks' infant orphaned thus,
And—with best smile of all reserved for him
Pardon that sire and husband from the heart.
A miracle, so tell your Molinists!

There she lies in the long white lazar-house.
Rome has besieged, these two days, never doubt,
Saint Anna's where she waits her death, to hear
Though but the chink o' the bell, turn o' the hinge
When the reluctant wicket opes at last,
Lets in, on now this and now that pretence,
Too many by half,—complain the men of art,—
For a patient in such plight. The lawyers first
Paid the due visit—justice must be done;
They took her witness, why the murder was.
Then the priests followed properly,—a soul
To shrive; 't was Brother Celestine's own right,
The same who noises thus her gifts abroad.
But many more, who found they were old friends,
Pushed in to have their stare and take their talk

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