My Way
One goes in straightforward ways,
One in a circle roams:
Waits for a girl of his gone days,
Or for returning home.
But I do go -- and woe is there --
By a way nor straight, nor broad,
But into never and nowhere,
Like trains -- off the railroad.
poem by Anna Akhmatova
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Related quotes
Railroad Bill
Railroad bill were gonna railroad bill
He never works and he never will
Im gonna ride on a railroad bill
Im gonna ride on a railroad bill
Railroad bill he was a mighty bad man
Kill anybody that he think he can
Gonna ride old railroad bill
Gonna ride old railroad bill
Im singin railroad bill,
Im talkin railroad bill, uh-huh-huh
He never worked and he never will
Im gonna ride on railroad bill, yeah
(cmon) Im gonna ride on railroad bill
Well old railroad bill he done stole my wife
Im gonna check him down Im gonna take his life
Gonna ride on railroad bill
Gonna ride railroad bill
Im singin railroad bill
On a railroad bill
He never worked and he never will
Im gonna ride on railroad bill
Im gonna ride on railroad bill
Railroad bill he was a mighty bad man
Kill anybody that he think he can
Gonna ride old railroad bill
Gonna ride railroad bill
Im talkin railroad bill
I love him railroad bill
Uh-huh-huh
He never worked and he never will
Gonna ride on railroad bill
Yeah, gonna ride on railroad bill
Well Im goin up the mountain
Yes Im goin out west
I got a mighty big pistol
Stickin out of my vest
Gonna ride old railroad bill
Gonna ride (alright)
Railroad bill, I love that railroad bill
Uh-huh-huh
He never works and he never will
Im gonna ride on a railroad bill
Im gonna ride on railroad bill
song performed by Van Morrison
Added by Lucian Velea
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Lubie
I said I, I left my wife and child (Lubie come back home),
I said i, i left my wife and child (lubie come back home),
And lord my conscience is about to drive me wild (Lubie come back home),
And lord my conscience is about to drive me wild (lubie come back home),
A little voice inside my head goes on and on (Lubie come back home),
A little voice inside my head goes on and on (lubie come back home),
Said Lubie Lubie you better go back home.
Said lubie lubie you better go back home.
I said I, I thought I'd make it by myself (Lubie come back home),
I said i, i thought i'd make it by myself (lubie come back home),
And now my baby she got my heart dropped on a shelf (Lubie come back home),
And now my baby she got my heart dropped on a shelf (lubie come back home),
I said I, I still you're my baby now (Lubie come back home),
I said i, i still you're my baby now (lubie come back home),
Said Lubie Lubie you better go back home.
Said lubie lubie you better go back home.
You better go on home (Lubie come back home),
You better go on home (lubie come back home),
I said yeah Lubie go on home (Lubie come back home),
I said yeah lubie go on home (lubie come back home),
I said you better go home girl,
I said you better go home girl,
Ah yeah you go home.
Ah yeah you go home.
Go on home home home home home home,
Go on home home home home home home,
Yeah Lubie go on home home home home home home,
Yeah lubie go on home home home home home home,
Yeah Lubie go on home home home home home home,
Yeah lubie go on home home home home home home,
Little bit soft, everybody go soft,
Little bit soft, everybody go soft,
Go on home to see my baby,
Go on home to see my baby,
Yeah you know that she loves you daddy like crazy.
Yeah you know that she loves you daddy like crazy.
I say my misses I'm gonna stay what I'm gonna do,
I say my misses i'm gonna stay what i'm gonna do,
Gonna buy you a monkey and a new dog too yeah,
Gonna buy you a monkey and a new dog too yeah,
The guys have got yeah to get 'em to see my baby,
The guys have got yeah to get 'em to see my baby,
A little bit louder, everybody go on go louder, yeah yeah yeah yeah.
A little bit louder, everybody go on go louder, yeah yeah yeah yeah.
Now Lubie where you been,
Now lubie where you been,
I said I, I left my wife and child (Lubie come back home),
I said i, i left my wife and child (lubie come back home),
And lord my conscience is about to drive me wild (Lubie come back home),
And lord my conscience is about to drive me wild (lubie come back home),
[...] Read more
song performed by Who
Added by Lucian Velea
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The Railroad
Up each morning at five oclock,
Seem like the noon-day sun aint never gonna stop.
The work is hard in a railroad yard,
Hey, hey, gotta make it today to punch a time card.
Workin on the railroad.
Chorus
Oh, you know, the railroad is a mighty good line,
Come on and ride the railroad, one more time.
Oh, you know, the railroad is a mighty good line,
Come on and ride the railroad, one more time.
Dirt and sweat, runnin down my back,
Workin on the railroad.
Work all day long up and down the railroad tracks.
Workin on the railroad.
Im a God fearing man, and with many I stand,
Workin on the railroad.
And with God weve been working, all hand in hand.
Workin on the railroad.
Chorus
Oh, you know, the railroad is a mighty good line,
Workin on the railroad.
Come on and ride the railroad, one more time.
Workin on the railroad.
Oh, you know, the railroad is a mighty good line,
Come on and ride the railroad, one more time.
song performed by Grand Funk Railroad
Added by Lucian Velea
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Railroad Days
Jan would climb up so high on the foul screen
Down below I would yell to watch out
When we'd play ? was always the winner
He was brave never listened to me shout
Afternoons playin' ball by the old wall
Hidin' out and of course be the star
Kept my records in old looseleaf notebooks
And today I think I still know where they are
Oh, Railroad days
Railroad days
Railroad days
When I was young, in my prime
On my way
When the rain never got in my way
oh in my younger railroad days
Some nights, Drifters playin' on the hi-fi
Talkin' 'bout girls, or preposterous lies
Laughin hard, watchin' Soupy at eleven
Skonkin' down, one of Mom's lemon pies
Ten o'clock, bringin' groceries from the market
Singin songs, to the darkness of the night
Even sang the parts the instruments were playing
Life was freer, dreams were really quite all right
Oh, Railroad days
Railroad days
Railroad days
When the sun seemed to smile on it's way
When the darkness was easier to play yeah
oh in my younger railroad days
Yesterday, I heard they shut the trains down
The ones than ran, by the field where I would play
Said the folks want new and faster transportation
It's just like me, I'll be obsolete one day
Oh, Railroad days
Railroad days
Railroad days
When I was young, in my prime
On my way
When the rain never got in my way
oh in my younger railroad days
song performed by Bob Seger
Added by Lucian Velea
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Beowulf
LO, praise of the prowess of people-kings
of spear-armed Danes, in days long sped,
we have heard, and what honor the athelings won!
Oft Scyld the Scefing from squadroned foes,
from many a tribe, the mead-bench tore,
awing the earls. Since erst he lay
friendless, a foundling, fate repaid him:
for he waxed under welkin, in wealth he throve,
till before him the folk, both far and near,
who house by the whale-path, heard his mandate,
gave him gifts: a good king he!
To him an heir was afterward born,
a son in his halls, whom heaven sent
to favor the folk, feeling their woe
that erst they had lacked an earl for leader
so long a while; the Lord endowed him,
the Wielder of Wonder, with world's renown.
Famed was this Beowulf: far flew the boast of him,
son of Scyld, in the Scandian lands.
So becomes it a youth to quit him well
with his father's friends, by fee and gift,
that to aid him, aged, in after days,
come warriors willing, should war draw nigh,
liegemen loyal: by lauded deeds
shall an earl have honor in every clan.
Forth he fared at the fated moment,
sturdy Scyld to the shelter of God.
Then they bore him over to ocean's billow,
loving clansmen, as late he charged them,
while wielded words the winsome Scyld,
the leader beloved who long had ruled….
In the roadstead rocked a ring-dight vessel,
ice-flecked, outbound, atheling's barge:
there laid they down their darling lord
on the breast of the boat, the breaker-of-rings,
by the mast the mighty one. Many a treasure
fetched from far was freighted with him.
No ship have I known so nobly dight
with weapons of war and weeds of battle,
with breastplate and blade: on his bosom lay
a heaped hoard that hence should go
far o'er the flood with him floating away.
No less these loaded the lordly gifts,
thanes' huge treasure, than those had done
who in former time forth had sent him
sole on the seas, a suckling child.
High o'er his head they hoist the standard,
a gold-wove banner; let billows take him,
gave him to ocean. Grave were their spirits,
mournful their mood. No man is able
[...] Read more
poem by Charles Baudelaire
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The Undying One- Canto III
'THERE is a sound the autumn wind doth make
Howling and moaning, listlessly and low:
Methinks that to a heart that ought to break
All the earth's voices seem to murmur so.
The visions that crost
Our path in light--
The things that we lost
In the dim dark night--
The faces for which we vainly yearn--
The voices whose tones will not return--
That low sad wailing breeze doth bring
Borne on its swift and rushing wing.
Have ye sat alone when that wind was loud,
And the moon shone dim from the wintry cloud?
When the fire was quench'd on your lonely hearth,
And the voices were still which spoke of mirth?
If such an evening, tho' but one,
It hath been yours to spend alone--
Never,--though years may roll along
Cheer'd by the merry dance and song;
Though you mark'd not that bleak wind's sound before,
When louder perchance it used to roar--
Never shall sound of that wintry gale
Be aught to you but a voice of wail!
So o'er the careless heart and eye
The storms of the world go sweeping by;
But oh! when once we have learn'd to weep,
Well doth sorrow his stern watch keep.
Let one of our airy joys decay--
Let one of our blossoms fade away--
And all the griefs that others share
Seem ours, as well as theirs, to bear:
And the sound of wail, like that rushing wind
Shall bring all our own deep woe to mind!
'I went through the world, but I paused not now
At the gladsome heart and the joyous brow:
I went through the world, and I stay'd to mark
Where the heart was sore, and the spirit dark:
And the grief of others, though sad to see,
Was fraught with a demon's joy to me!
'I saw the inconstant lover come to take
Farewell of her he loved in better days,
And, coldly careless, watch the heart-strings break--
Which beat so fondly at his words of praise.
She was a faded, painted, guilt-bow'd thing,
Seeking to mock the hues of early spring,
When misery and years had done their worst
[...] Read more
poem by Caroline Elizabeth Sarah Norton
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Trains
Here I am at the end of the day
With a cup of cold coffee
From the station buffet.
On trains, on trains I seem
To spend my life on trains.
See the blue suit banker in the ticket line.
Got an evening standard with playboy
Hidden behind.
On trains, on trains he seems
To spend his life on trains.
Time after time.
Was I just dreaming?
Did I help you aboard?
Full passenger service ---
Let me help with the door.
Sit down take the weight off your feet.
Theres a train full of people Id like
You to meet.
On trains, on trains we love
To spend our lives on trains.
Join the secret world of trains.
Feel the pleasure. touch the pain.
Drift into yesterday.
Once and again
I was just thinking.
We could meet sometime
On the 17.30 where
I usually find
My friends at the end of the day.
May we pay your fare, lady?
We should like you to stay
In our train. on trains ---
Youll have to spend your life
On trains.
I hear theres an office party on the 18.05.
Youll be home for christmas if they
Take you alive from the train.
Those trains, we have to spend our lives
On trains.
Once and again
I was just thinking.
We could meet any time
On number two platform
Where I usually find
My friends at the end of the day.
On trains, trains, trains.
song performed by Jethro Tull
Added by Lucian Velea
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The Four Seasons : Summer
From brightening fields of ether fair disclosed,
Child of the Sun, refulgent Summer comes,
In pride of youth, and felt through Nature's depth:
He comes attended by the sultry Hours,
And ever fanning breezes, on his way;
While, from his ardent look, the turning Spring
Averts her blushful face; and earth, and skies,
All-smiling, to his hot dominion leaves.
Hence, let me haste into the mid-wood shade,
Where scarce a sunbeam wanders through the gloom;
And on the dark-green grass, beside the brink
Of haunted stream, that by the roots of oak
Rolls o'er the rocky channel, lie at large,
And sing the glories of the circling year.
Come, Inspiration! from thy hermit-seat,
By mortal seldom found: may Fancy dare,
From thy fix'd serious eye, and raptured glance
Shot on surrounding Heaven, to steal one look
Creative of the Poet, every power
Exalting to an ecstasy of soul.
And thou, my youthful Muse's early friend,
In whom the human graces all unite:
Pure light of mind, and tenderness of heart;
Genius, and wisdom; the gay social sense,
By decency chastised; goodness and wit,
In seldom-meeting harmony combined;
Unblemish'd honour, and an active zeal
For Britain's glory, liberty, and Man:
O Dodington! attend my rural song,
Stoop to my theme, inspirit every line,
And teach me to deserve thy just applause.
With what an awful world-revolving power
Were first the unwieldy planets launch'd along
The illimitable void! thus to remain,
Amid the flux of many thousand years,
That oft has swept the toiling race of men,
And all their labour'd monuments away,
Firm, unremitting, matchless, in their course;
To the kind-temper'd change of night and day,
And of the seasons ever stealing round,
Minutely faithful: such the All-perfect hand!
That poised, impels, and rules the steady whole.
When now no more the alternate Twins are fired,
And Cancer reddens with the solar blaze,
Short is the doubtful empire of the night;
And soon, observant of approaching day,
The meek'd-eyed Morn appears, mother of dews,
At first faint-gleaming in the dappled east:
Till far o'er ether spreads the widening glow;
And, from before the lustre of her face,
[...] Read more
poem by James Thomson
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Girlzilla
Baby Girl, Glamour Girl, Strawberry Girl struts
Candy Girl, Sexy Girl, Bossy Girl fuss
Gansta Girl, Dream Girl, Independent Girl shops
Virtuous Girl, Glitter Girl, Hot Girl pops
Cover Girl, Naughty Girl, Jazzy Girl sings
Phat Girl, Ghetto Girl, Bling Girl blings
Sassy Girl, Cool Girl, Girly Girl rocks
Mama's Girl, Daddy's Girl, Wild Girl stocks
Strong Girl, Sister Girl, Church Girl preach
Flower Girl, Black Girl, American Girl reach
Thick Girl, School Girl, Smart Girl moves
Bad Girl, Spoiled Girl, Bitchy Girl grooves
God's Girl, Quiet Girl, Sweet Girl blessed
Beautiful Girl, Young Girl, Talented Girl impressed
Prom Girl, City Girl, Business Girl works
Play Girl, Outgoing Girl, Dance Girl tworks
Lavish Girl, Promiscuous Girl, Anonymous Girl rolls
Country Girl, Island Girl, Bobby V's Girl controls
poem by Top Notch Glamorous Thick Chick
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Railroad
Im packin my bags and goin home
I been here too long
So happy , Ill get there on my own , mmm..
Been here for reasons right or wrong
So Im packin my bag and Im gettin home
So Ill walk by the railroad anytime, anytime
Walk by the railroad anytime
Tell my brother and my sister that evrythings gone wrong
But Im walkin by that railroad till Im home
Theres been lies told in my story
But aint juiced none of that glory
But still, I served my time
And theres no use in cryin
cause Im walkin by that railroad till Im home
So Ill walk by the railroad anytime , anytime
Walk by the railroad anytime
Tell my women that I missed her
That I cant wait to kiss her
So Im walkin by that railroad till Im home
Yes Ill walk by the railroad anytime , anytime
Walk by the railroad anytime
Tell my women that I missed her
And I cant wait to kiss her
cause Im walkin by that railroad till Im home
Yes Im walkin by that railroad till Im home
song performed by Bee Gees
Added by Lucian Velea
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Straight Talk
Gimme some straight talk, straight talk -- and hold the sugar please
Straight talk, straight talk -- sounds plenty sweet to me
Dont talk to me in circles in some mumbo-jumbo jive
Gimme just straight talk, straight talk and were gonna be alright
cause I like to know just where I stand, I dont like guessing games
And I hate a bunch of gibberish, so just spit it out real plain
Dont use big educated words from your bs degree
Straight talk, straight talk -- dont try b.s.-ing me
Straight talk, straight talk -- turn loose and let it go
You can tell me anything -- just like on oprahs show
Just tell me how you really feel, be on the up and up
With questions I can understand -- for answers you can trust
Pick up the phone, youre not alone -- weve all got something to say
So listen in and listen up -- well find a better way
With honesty and common sense, its really hard to miss
Straight talk, straight talk -- just tellin it like it is
Straight talk, straight talk -- theres nothing like the truth
Just tell me all your troubles -- pretend Im donahue
So dont be shy, cause we can talk -- you know youve got a friend
Call me, call me -- for simple straight talkin
Whats cookin, america?
Straight talk, straight talk
Straight talk, straight talk
So some on lets talk turkey, just straight and to the point
About passions, about problems, about noses out of joint
Now I want you all to know I care and I do understand
And hey, thanks for lending me and ear out there in radioland
Give me some straight talk, straight talk -- dont sugar coat it please
Straight talk, straight talk -- sounds sweet enough to me
But dont talk to me in circles, in your mumbo-jumbo jive
Straight talk, straight talk -- and were gonna be alright
Straight talk, straight talk -- makes plenty sense to me
Dont talk to me in circles, in your mumbo-jumbo jive
Gimme just straight talk, straight talk -- and were gonna be alright
Gimme just straight talk, straight talk -- and were gonna be alright
song performed by Dolly Parton
Added by Lucian Velea
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The City of Dreadful Night
Per me si va nella citta dolente.
--Dante
Poi di tanto adoprar, di tanti moti
D'ogni celeste, ogni terrena cosa,
Girando senza posa,
Per tornar sempre la donde son mosse;
Uso alcuno, alcun frutto
Indovinar non so.
Sola nel mondo eterna, a cui si volve
Ogni creata cosa,
In te, morte, si posa
Nostra ignuda natura;
Lieta no, ma sicura
Dell' antico dolor . . .
Pero ch' esser beato
Nega ai mortali e nega a' morti il fato.
--Leopardi
PROEM
Lo, thus, as prostrate, "In the dust I write
My heart's deep languor and my soul's sad tears."
Yet why evoke the spectres of black night
To blot the sunshine of exultant years?
Why disinter dead faith from mouldering hidden?
Why break the seals of mute despair unbidden,
And wail life's discords into careless ears?
Because a cold rage seizes one at whiles
To show the bitter old and wrinkled truth
Stripped naked of all vesture that beguiles,
False dreams, false hopes, false masks and modes of youth;
Because it gives some sense of power and passion
In helpless innocence to try to fashion
Our woe in living words howe'er uncouth.
Surely I write not for the hopeful young,
Or those who deem their happiness of worth,
Or such as pasture and grow fat among
The shows of life and feel nor doubt nor dearth,
Or pious spirits with a God above them
To sanctify and glorify and love them,
Or sages who foresee a heaven on earth.
For none of these I write, and none of these
Could read the writing if they deigned to try;
[...] Read more
poem by James Thomson
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The Last Line
The last line
By: keith sykes
1977
Given my life for songs that I sing
Matter of fact, Ive given everything
Time has come to not make a sound
Time has come to lay my burdens down
Whoa oh oh (woe oh woe oh woe oh)
Whoa oh (woe oh woe oh woe oh)
Its come from behind
Now is the time
For the last line (last line)
Managed to keep some friends on my side
To live through the times of the rumors and lies
Now its time to rest my heart
Let some other innocent fool take my part
Whoa oh oh (woe oh woe oh woe oh)
Whoa oh (woe oh woe oh woe oh)
Its come from behind
Now is the time
For the last line (last line)
( saxophone solo)
Whoa oh oh oh (woe oh woe oh woe oh)
Whoa oh (woe oh woe oh woe oh)
Its come from behind
Now its the time
For the last line (last line)
So dont pay me no mind, Im walkin away
Youll see me again on some other day
Youll see me again, Ill be ready to go
And pour out my songs with my heart and my soul
Whoa oh oh (woe oh woe oh woe oh)
Whoa oh (woe oh woe oh woe oh)
Its come from behind
Now is the time
For the last line (last line)
Yes its come from behind
Now is the time
For the last line (last line)
Ah the last line (last line)
- notes:
Background vocals: deborah mccoll, penny nichols
Tenor sax solo: harvey thompson
song performed by Jimmy Buffett
Added by Lucian Velea
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A Very Mournful Ballad On The Siege And Conquest Of Alhama
Which, in the Arabic language, is to the following purport:
I
THE Moorish King rides up and down,
Through Granada's royal town;
From Elvira's gate to those
Of Bivarambla on he goes.
Woe is me, Alhama!
II
Letters to the monarch tell
How Alhama's city fell:
In the fire the scroll he threw,
And the messenger he slew.
Woe is me, Albamal
III
He quits his mule, and mounts his horse,
And through the street directs his course;
Through the street of Zacatin
To the Alhambra spurring in.
Woe is me, Alhama!
IV
When the Alhambra walls he gain'd,
On the moment he ordain'd
That the trumpet straight should sound
With the silver clarion round.
Woe is me, Alhamal
V
And when the hollow drums of war
Beat the loud alarm afar,
That the Moors of town and plain
Might answer to the martial strain.
Woe is me, Alhama!
VI
Then the Moors, by this aware,
That bloody Mars recall'd them there,
One by one, and two by two,
To a mighty squadron grew.
Woe is me, Alhama!
VII
Out then spake an aged Moor
In these words the king before,
'Wherefore call on us, oh King?
What may mean this gathering?'
Woe is me, Alhama!
[...] Read more
The Siege and Conquest of Alhama
The Moorish King rides up and down,
Through Granada's royal town;
From Elvira's gate to those
Of Bivarambla on he goes.
Woe is me, Alhama!
Letters to the monarch tell
How Alhama's city fell:
In the fire the scroll he threw,
And the messenger he slew.
Woe is me, Albamal
He quits his mule, and mounts his horse,
And through the street directs his course;
Through the street of Zacatin
To the Alhambra spurring in.
Woe is me, Alhama!
When the Alhambra walls he gain'd,
On the moment he ordain'd
That the trumpet straight should sound
With the silver clarion round.
Woe is me, Alhamal
And when the hollow drums of war
Beat the loud alarm afar,
That the Moors of town and plain
Might answer to the martial strain.
Woe is me, Alhama!
Then the Moors, by this aware,
That bloody Mars recall'd them there,
One by one, and two by two,
To a mighty squadron grew.
Woe is me, Alhama!
Out then spake an aged Moor
In these words the king before,
'Wherefore call on us, oh King?
What may mean this gathering?'
Woe is me, Alhama!
'Friends! ye have, alas! to know
Of a most disastrous blow;
That the Christians, stern and bold,
Have obtain'd Alhama's hold.'
Woe is me, Alhama!
Out then spake old Alfaqui,
With his beard so white to see,
[...] Read more
Straight On
Straight on, down a dead end street, down the throat of life's sweet dream
Get swallowed whole by innocence, get eaten by the folks you meet
Straight on like a taser dart, fifty thousand volts of art
Just like a chip inside your head, to tell you when to stop and start
Straight on to the ticking bomb, to big ideas, walk the dog
to myths like our democracy, vote Roland Rat and ditch the lot
Straight on like an open blade, an empty house, a rabbit snare
A window breaking in the night, the words you didn't want to hear,
a moon beam straight into the sun, a bullet from a careless gun
Straight on, with no fashion sense, no goodbyes and no last dance
a marble from a catapult, a quiverful of simple plans
Straight on into life's great wall, right through into life's great fall
Then down the chute and up the drain, recycled into something small
Straight on past the next surprise, seeing stars through starry eyes
and straight into a web of whys to find the lie that satisfies
Straight on like a corner shop, as deadly as a chopping block,
As friendly as a lion's den, a hooded crow, a lonely walk
The rail beneath the bullet train, the fragile sense within a brain
Straight on into history, skidding at you down the street
Tomorrow's just a yesterday we're never quite prepared to meet
Straight on like a butterfly searching for a net of lies
Across the fields of promises where every kind of vulture flies
Straight on through the great taboo; very soon there's nothing new
And all you hoped for hunts you down, to benefit the chosen few
Straight on through the universe, the blood of all our children spent
And riding on the broken wave we never think of what they've lent
They're in the wind and swinging free, as we dance round the gallows tree
Straight on like we're broken glass; we know how to fix the crash
We detonate good will for cash, because we think all things must pass
Straight on to the latest craze to empty us of emptiness
And knock the walls down, welcome in, spectators from the internet
Straight on like we know what's straight, something like the figure eight
We're tumbling dice, we're playing blind, down by the river on a date
[...] Read more
poem by Jim Hogg
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Three Women
My love is young, so young;
Young is her cheek, and her throat,
And life is a song to be sung
With love the word for each note.
Young is her cheek and her throat;
Her eyes have the smile o' May.
And love is the word for each note
In the song of my life to-day.
Her eyes have the smile o' May;
Her heart is the heart of a dove,
And the song of my life to-day
Is love, beautiful love.
Her heart is the heart of a dove,
Ah, would it but fly to my breast
Where love, beautiful love,
Has made it a downy nest.
Ah, would she but fly to my breast,
My love who is young, so young;
I have made her a downy nest
And life is a song to be sung.
1
I.
A dull little station, a man with the eye
Of a dreamer; a bevy of girls moving by;
A swift moving train and a hot Summer sun,
The curtain goes up, and our play is begun.
The drama of passion, of sorrow, of strife,
Which always is billed for the theatre Life.
It runs on forever, from year unto year,
With scarcely a change when new actors appear.
It is old as the world is-far older in truth,
For the world is a crude little planet of youth.
And back in the eras before it was formed,
The passions of hearts through the Universe stormed.
Maurice Somerville passed the cluster of girls
Who twisted their ribbons and fluttered their curls
In vain to attract him; his mind it was plain
Was wholly intent on the incoming train.
That great one eyed monster puffed out its black breath,
Shrieked, snorted and hissed, like a thing bent on death,
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poem by Ella Wheeler Wilcox
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The Castle Of Indolence
The castle hight of Indolence,
And its false luxury;
Where for a little time, alas!
We lived right jollily.
O mortal man, who livest here by toil,
Do not complain of this thy hard estate;
That like an emmet thou must ever moil,
Is a sad sentence of an ancient date:
And, certes, there is for it reason great;
For, though sometimes it makes thee weep and wail,
And curse thy star, and early drudge and late;
Withouten that would come a heavier bale,
Loose life, unruly passions, and diseases pale.
In lowly dale, fast by a river's side,
With woody hill o'er hill encompass'd round,
A most enchanting wizard did abide,
Than whom a fiend more fell is no where found.
It was, I ween, a lovely spot of ground;
And there a season atween June and May,
Half prankt with spring, with summer half imbrown'd,
A listless climate made, where, sooth to say,
No living wight could work, ne cared even for play.
Was nought around but images of rest:
Sleep-soothing groves, and quiet lawns between;
And flowery beds that slumbrous influence kest,
From poppies breathed; and beds of pleasant green,
Where never yet was creeping creature seen.
Meantime, unnumber'd glittering streamlets play'd,
And hurled every where their waters sheen;
That, as they bicker'd through the sunny glade,
Though restless still themselves, a lulling murmur made.
Join'd to the prattle of the purling rills
Were heard the lowing herds along the vale,
And flocks loud bleating from the distant hills,
And vacant shepherds piping in the dale:
And, now and then, sweet Philomel would wail,
Or stock-doves plain amid the forest deep,
That drowsy rustled to the sighing gale;
And still a coil the grasshopper did keep;
Yet all these sounds yblent inclined all to sleep.
Full in the passage of the vale, above,
A sable, silent, solemn forest stood;
Where nought but shadowy forms was seen to move,
As Idless fancied in her dreaming mood:
And up the hills, on either side, a wood
Of blackening pines, aye waving to and fro,
Sent forth a sleepy horror through the blood;
And where this valley winded out, below,
The murmuring main was heard, and scarcely heard, to flow.
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poem by James Thomson
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III. The Other Half-Rome
Another day that finds her living yet,
Little Pompilia, with the patient brow
And lamentable smile on those poor lips,
And, under the white hospital-array,
A flower-like body, to frighten at a bruise
You'd think, yet now, stabbed through and through again,
Alive i' the ruins. 'T is a miracle.
It seems that, when her husband struck her first,
She prayed Madonna just that she might live
So long as to confess and be absolved;
And whether it was that, all her sad life long
Never before successful in a prayer,
This prayer rose with authority too dread,—
Or whether, because earth was hell to her,
By compensation, when the blackness broke
She got one glimpse of quiet and the cool blue,
To show her for a moment such things were,—
Or else,—as the Augustinian Brother thinks,
The friar who took confession from her lip,—
When a probationary soul that moved
From nobleness to nobleness, as she,
Over the rough way of the world, succumbs,
Bloodies its last thorn with unflinching foot,
The angels love to do their work betimes,
Staunch some wounds here nor leave so much for God.
Who knows? However it be, confessed, absolved,
She lies, with overplus of life beside
To speak and right herself from first to last,
Right the friend also, lamb-pure, lion-brave,
Care for the boy's concerns, to save the son
From the sire, her two-weeks' infant orphaned thus,
And—with best smile of all reserved for him—
Pardon that sire and husband from the heart.
A miracle, so tell your Molinists!
There she lies in the long white lazar-house.
Rome has besieged, these two days, never doubt,
Saint Anna's where she waits her death, to hear
Though but the chink o' the bell, turn o' the hinge
When the reluctant wicket opes at last,
Lets in, on now this and now that pretence,
Too many by half,—complain the men of art,—
For a patient in such plight. The lawyers first
Paid the due visit—justice must be done;
They took her witness, why the murder was.
Then the priests followed properly,—a soul
To shrive; 't was Brother Celestine's own right,
The same who noises thus her gifts abroad.
But many more, who found they were old friends,
Pushed in to have their stare and take their talk
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poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Prince Hohenstiel-Schwangau, Saviour of Society
Epigraph
Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.
I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.
You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:
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poem by Robert Browning (1871)
Added by Veronica Serbanoiu
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