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Fire

I'm floating in the blimp a lot
I feel the feeling I forgot
Swimming weightless in the womb
Bouncing gently round the room
In a minute I'll be free
And we'll be splashing in the sea
I feel no curiosity
I see the path ahead of me
In a minute I'll be free
And we'll be splashing in the sea
We hear a tiny cry
As the ship goes sliding by
Free!
Free!
Free!
I'm floating in the blimp a lot
I feel the feeling I forgot
I'm floating in the blimp a lot
I feel free!
Free!
Free!
Free!
Free

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Rime Of The Ancient Mariner, The

IN SEVEN PARTS

Facile credo, plures esse Naturas invisibiles quam visibiles in rerum
universitate. Sed horum omnium familiam quis nobis enarrabit ? et gradus et
cognationes et discrimina et singulorum munera ? Quid agunt ? quae loca
habitant ? Harum rerum notitiam semper ambivit ingenium humanum, nunquam
attigit. Juvat, interea, non diffiteor, quandoque in animo, tanquam in
tabulâ, majoris et melioris mundi imaginem contemplari : ne mens assuefacta
hodiernae vitae minutiis se contrahat nimis, et tota subsidat in pusillas
cogitationes. Sed veritati interea invigilandum est, modusque servandus, ut
certa ab incertis, diem a nocte, distinguamus. - T. Burnet, Archaeol.
Phil., p. 68 (slightly edited by Coleridge).

Translation
-------------------

ARGUMENT

How a Ship having passed the Line was driven by storms to the cold Country
towards the South Pole ; and how from thence she made her course to the
tropical Latitude of the Great Pacific Ocean ; and of the strange things
that befell ; and in what manner the Ancyent Marinere came back to his own
Country.

PART I

An ancient Mariner meeteth three Gallants bidden to a wedding-feast, and
detaineth one.

It is an ancient Mariner,
And he stoppeth one of three.
`By thy long beard and glittering eye,
Now wherefore stopp'st thou me ?

The Bridegroom's doors are opened wide,
And I am next of kin ;
The guests are met, the feast is set :
May'st hear the merry din.'

He holds him with his skinny hand,
`There was a ship,' quoth he.
`Hold off ! unhand me, grey-beard loon !'
Eftsoons his hand dropt he.

The Wedding-Guest is spell-bound by the eye of the old seafaring man, and
constrained to hear his tale.

He holds him with his glittering eye--
The Wedding-Guest stood still,
And listens like a three years' child :

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The Rime Of The Ancient Mariner

IN SEVEN PARTS

Facile credo, plures esse Naturas invisibiles quam visibiles in rerum
universitate. Sed horum omnium familiam quis nobis enarrabit ? et gradus et
cognationes et discrimina et singulorum munera ? Quid agunt ? quae loca
habitant ? Harum rerum notitiam semper ambivit ingenium humanum, nunquam
attigit. Juvat, interea, non diffiteor, quandoque in animo, tanquam in
tabulâ, majoris et melioris mundi imaginem contemplari : ne mens assuefacta
hodiernae vitae minutiis se contrahat nimis, et tota subsidat in pusillas
cogitationes. Sed veritati interea invigilandum est, modusque servandus, ut
certa ab incertis, diem a nocte, distinguamus. - T. Burnet, Archaeol.
Phil., p. 68 (slightly edited by Coleridge).

Translation
-------------------

ARGUMENT

How a Ship having passed the Line was driven by storms to the cold Country
towards the South Pole ; and how from thence she made her course to the
tropical Latitude of the Great Pacific Ocean ; and of the strange things
that befell ; and in what manner the Ancyent Marinere came back to his own
Country.

PART I

An ancient Mariner meeteth three Gallants bidden to a wedding-feast, and
detaineth one.

It is an ancient Mariner,
And he stoppeth one of three.
`By thy long beard and glittering eye,
Now wherefore stopp'st thou me ?

The Bridegroom's doors are opened wide,
And I am next of kin ;
The guests are met, the feast is set :
May'st hear the merry din.'

He holds him with his skinny hand,
`There was a ship,' quoth he.
`Hold off ! unhand me, grey-beard loon !'
Eftsoons his hand dropt he.

The Wedding-Guest is spell-bound by the eye of the old seafaring man, and
constrained to hear his tale.

He holds him with his glittering eye--
The Wedding-Guest stood still,
And listens like a three years' child :

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I Go Swimming

Ooh, I go swimming, swimming in the water
Swimming in the river, swimming in the sea
I go swimming
I go swimming, swimming in the water
Swimming in the pool, swimming is cool
I go swimming
The sun is burning, I am yearning
For the waterflow (waterflow)
Next to my skin i, like to begin a
Waterflow (waterflow)
Letting off steam I float in a dream,
I cant let go (cant let go)
Follow my wishes, follow the fishes
Down below (down below)
I go swimming
I need water, water to drink
Water on my brain, water sustain,
Water over me
I want water, water I need
Water to think, water to drink
Water over me
The sun is burning, I am yearning
For the waterflow (waterflow)
Next to my skin i, like to begin a
Waterflow (waterflow)
Letting off steam I float in a dream,
I cant let go (cant let go)
Follow my wishes, follow the fishes
Down below (down below)
I go swimming
I go swimming, I go swimming
Swimming in water, swimming in water, swimming in water
Water all over me
Swimming in water, swimming in water, swimming in water
I go swimming, I go swimming
I go swimming, I go swimming
Swimming, I go swimming
Oh I go swimming, I go swimming
Water all over me
Swimming in water, swimming in water, swimming in water
Water all over me
Swimming in water, swimming in water, swimming in water
Water all over me
Swimming in water, swimming in water, swimming in water
Water all over me

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Free

Im floating in the blimp a lot
I feel the feeling I forgot
Swimming weightless in the womb
Bouncing gently round the room
In a minute Ill be free
And well be splashing in the sea
I feel no curiosity
I see the path ahead of me
In a minute Ill be free
And well be splashing in the sea
We hear a tiny cry
As the ship goes sliding by
Free!
Free!
Free!
Im floating in the blimp a lot
I feel the feeling I forgot
Im floating in the blimp a lot
I feel free!
Free!
Free!
Free!
Free!

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Byron

Canto the Second

I
Oh ye! who teach the ingenuous youth of nations,
Holland, France, England, Germany, or Spain,
I pray ye flog them upon all occasions,
It mends their morals, never mind the pain:
The best of mothers and of educations
In Juan's case were but employ'd in vain,
Since, in a way that's rather of the oddest, he
Became divested of his native modesty.

II
Had he but been placed at a public school,
In the third form, or even in the fourth,
His daily task had kept his fancy cool,
At least, had he been nurtured in the north;
Spain may prove an exception to the rule,
But then exceptions always prove its worth -—
A lad of sixteen causing a divorce
Puzzled his tutors very much, of course.

III
I can't say that it puzzles me at all,
If all things be consider'd: first, there was
His lady-mother, mathematical,
A—never mind; his tutor, an old ass;
A pretty woman (that's quite natural,
Or else the thing had hardly come to pass);
A husband rather old, not much in unity
With his young wife—a time, and opportunity.

IV
Well—well, the world must turn upon its axis,
And all mankind turn with it, heads or tails,
And live and die, make love and pay our taxes,
And as the veering wind shifts, shift our sails;
The king commands us, and the doctor quacks us,
The priest instructs, and so our life exhales,
A little breath, love, wine, ambition, fame,
Fighting, devotion, dust,—perhaps a name.

V
I said that Juan had been sent to Cadiz -—
A pretty town, I recollect it well -—
'T is there the mart of the colonial trade is
(Or was, before Peru learn'd to rebel),
And such sweet girls—I mean, such graceful ladies,
Their very walk would make your bosom swell;
I can't describe it, though so much it strike,
Nor liken it—I never saw the like:

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Homer

The Odyssey: Book 12

"After we were clear of the river Oceanus, and had got out into
the open sea, we went on till we reached the Aeaean island where there
is dawn and sunrise as in other places. We then drew our ship on to
the sands and got out of her on to the shore, where we went to sleep
and waited till day should break.
"Then, when the child of morning, rosy-fingered Dawn, appeared, I
sent some men to Circe's house to fetch the body of Elpenor. We cut
firewood from a wood where the headland jutted out into the sea, and
after we had wept over him and lamented him we performed his funeral
rites. When his body and armour had been burned to ashes, we raised
a cairn, set a stone over it, and at the top of the cairn we fixed the
oar that he had been used to row with.
"While we were doing all this, Circe, who knew that we had got
back from the house of Hades, dressed herself and came to us as fast
as she could; and her maid servants came with her bringing us bread,
meat, and wine. Then she stood in the midst of us and said, 'You
have done a bold thing in going down alive to the house of Hades,
and you will have died twice, to other people's once; now, then,
stay here for the rest of the day, feast your fill, and go on with
your voyage at daybreak tomorrow morning. In the meantime I will
tell Ulysses about your course, and will explain everything to him
so as to prevent your suffering from misadventure either by land or
sea.'
"We agreed to do as she had said, and feasted through the livelong
day to the going down of the sun, but when the sun had set and it came
on dark, the men laid themselves down to sleep by the stern cables
of the ship. Then Circe took me by the hand and bade me be seated away
from the others, while she reclined by my side and asked me all
about our adventures.
"'So far so good,' said she, when I had ended my story, 'and now pay
attention to what I am about to tell you- heaven itself, indeed,
will recall it to your recollection. First you will come to the Sirens
who enchant all who come near them. If any one unwarily draws in too
close and hears the singing of the Sirens, his wife and children
will never welcome him home again, for they sit in a green field and
warble him to death with the sweetness of their song. There is a great
heap of dead men's bones lying all around, with the flesh still
rotting off them. Therefore pass these Sirens by, and stop your
men's ears with wax that none of them may hear; but if you like you
can listen yourself, for you may get the men to bind you as you
stand upright on a cross-piece half way up the mast, and they must
lash the rope's ends to the mast itself, that you may have the
pleasure of listening. If you beg and pray the men to unloose you,
then they must bind you faster.
"'When your crew have taken you past these Sirens, I cannot give you
coherent directions as to which of two courses you are to take; I will
lay the two alternatives before you, and you must consider them for
yourself. On the one hand there are some overhanging rocks against
which the deep blue waves of Amphitrite beat with terrific fury; the
blessed gods call these rocks the Wanderers. Here not even a bird

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Thoughts Of A Goldfish

I am a goldfish; I am swimming around this bowl. It is getting dizzy.

A goldfish I am; It is getting dizzy. Swimming around this bowl I am.
Am I a goldfish? I am swimming around this bowl. It is getting dizzy.
It is getting dizzy, swimming around this bowl, I am a goldfish. I am.
Around this bowl I am swimming. It is getting dizzy. I am a goldfish
I am a goldfish. It is getting dizzy around this bowl, I am swimming.
I am swimming around this bowl; I am a goldfish. It is getting dizzy.
Around this bowl, it is getting dizzy. I am a goldfish; I am swimming.
I am a goldfish. It is getting dizzy. I am swimming around this bowl.
I am a goldfish. Bowl this around: it is getting dizzy. I am swimming.
I am swimming around this bowl. Am I a goldfish? It is getting dizzy.
Am I a goldfish bowl? It is getting dizzy. Am I swimming around this?
It is getting dizzy. I am a goldfish. Am I swimming around this bowl?
Am I a goldfish? Around this bowl am I swimming? It is getting dizzy.
Am I a goldfish? I am. It is getting dizzy, swimming around this bowl.
Am I a goldfish? It is getting dizzy. I am swimming around this bowl.
Am I a goldfish swimming? Around this bowl, I am. It is getting dizzy.
Am I a goldfish? It is getting dizzy. Around this bowl I am swimming.
Am I swimming? I am a goldfish around this bowl. It is getting dizzy.
Am I swimming? Is it getting dizzy? Around this bowl I am a goldfish.
It is getting dizzy. Am I swimming? Am I a goldfish around this bowl?
Am I a-swimming? I am a round goldfish. This bowl, it is getting dizzy.
This bowl: It is getting dizzy. I am a goldfish I am swimming around.
Am I a bowl? It is getting dizzy. I am a goldfish swimming around this.
It is getting dizzy. Am I a round bowl? I am this goldfish a-swimming.
I am a goldfish I am swimming around. Is this bowl getting dizzy? It is.
Is it? I am getting a goldfish. I am swimming around this dizzy bowl.
I am. I am swimming around this goldfish bowl. Dizzy it is a-getting.
I am a dizzy goldfish swimming. I am a round bowl. Is it getting this?
Is this bowl around a dizzy, swimming goldfish? I am. I am getting it.
Is this getting dizzy? Am I a round goldfish? Am I a swimming bowl?

I am a goldfish; I am swimming around this bowl. It is getting dizzy.

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The House Of Dust: Complete

I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.


II.

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Slipin 'n' Slidin

You know I'm Slidin'.
You know I'm Slipin' N' Slidin'.
I'm sliding down the wall.
Trying to get a grip on what I can.
As the world beneath me crumbles.
See, I thought I had it all.
Now I find I'm 10 feet small.
And I never cease to stumble.
You can think you'll live forever.
You Dance till you drop.
And The Music don't stop.
Cos you know you want to be cool. Yeah!
Sliding down the wall.
Don't do me it all.
No it don't do me at all...When I can be so small
We've got all the funk we need to make me happy
Oooh Yeah.
We've got all the time the world has got to give.
Oh how I want to live yeah.
We're Sliding, Sliding
I'm hanging on a string.
Trying to get the chance to do my thing.
But the stakes are getting higher
Now that my woman's gone away.
She can my love a day.
Hey, Well I guess I'm not as cool as I used to be
Oh, everybody wants to take your space.
and some people want to take your place.
And now all these problems come to try ya
You know they just
And This is what they call 'The Crunch'.
But my head, my head's still 'Out For Lunch'
I've been sliding down the wall.
Alright
We've got all the funk we need to make me happy
Ooh Yeah.
We've got all the time the world has got to give.
Oh, How I want to live.
You can't fly above the slip and social slidin now.
Whoah
Get Down now Get Down
I'll bet that's a great insult
don't you mean to die
But you wanna stay high
Don't you know I'm sliding? Sliding Down The Wall
Now Don't you know I'm sliding
Sliding Down The Wall
Does anyone want to be sliding
Yeah Nobody wants to slide now
I'm now Sliding

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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Homer

The Odyssey: Book 10

Thence we went on to the Aeoli island where lives Aeolus son of
Hippotas, dear to the immortal gods. It is an island that floats (as
it were) upon the sea, iron bound with a wall that girds it. Now,
Aeolus has six daughters and six lusty sons, so he made the sons marry
the daughters, and they all live with their dear father and mother,
feasting and enjoying every conceivable kind of luxury. All day long
the atmosphere of the house is loaded with the savour of roasting
meats till it groans again, yard and all; but by night they sleep on
their well-made bedsteads, each with his own wife between the
blankets. These were the people among whom we had now come.
"Aeolus entertained me for a whole month asking me questions all the
time about Troy, the Argive fleet, and the return of the Achaeans. I
told him exactly how everything had happened, and when I said I must
go, and asked him to further me on my way, he made no sort of
difficulty, but set about doing so at once. Moreover, he flayed me a
prime ox-hide to hold the ways of the roaring winds, which he shut
up in the hide as in a sack- for Jove had made him captain over the
winds, and he could stir or still each one of them according to his
own pleasure. He put the sack in the ship and bound the mouth so
tightly with a silver thread that not even a breath of a side-wind
could blow from any quarter. The West wind which was fair for us did
he alone let blow as it chose; but it all came to nothing, for we were
lost through our own folly.
"Nine days and nine nights did we sail, and on the tenth day our
native land showed on the horizon. We got so close in that we could
see the stubble fires burning, and I, being then dead beat, fell
into a light sleep, for I had never let the rudder out of my own
hands, that we might get home the faster. On this the men fell to
talking among themselves, and said I was bringing back gold and silver
in the sack that Aeolus had given me. 'Bless my heart,' would one turn
to his neighbour, saying, 'how this man gets honoured and makes
friends to whatever city or country he may go. See what fine prizes he
is taking home from Troy, while we, who have travelled just as far
as he has, come back with hands as empty as we set out with- and now
Aeolus has given him ever so much more. Quick- let us see what it
all is, and how much gold and silver there is in the sack he gave
him.'
"Thus they talked and evil counsels prevailed. They loosed the sack,
whereupon the wind flew howling forth and raised a storm that
carried us weeping out to sea and away from our own country. Then I
awoke, and knew not whether to throw myself into the sea or to live on
and make the best of it; but I bore it, covered myself up, and lay
down in the ship, while the men lamented bitterly as the fierce
winds bore our fleet back to the Aeolian island.
"When we reached it we went ashore to take in water, and dined
hard by the ships. Immediately after dinner I took a herald and one of
my men and went straight to the house of Aeolus, where I found him
feasting with his wife and family; so we sat down as suppliants on the
threshold. They were astounded when they saw us and said, 'Ulysses,
what brings you here? What god has been ill-treating you? We took

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Walt Whitman

Salut Au Monde

O TAKE my hand, Walt Whitman!
Such gliding wonders! such sights and sounds!
Such join'd unended links, each hook'd to the next!
Each answering all--each sharing the earth with all.

What widens within you, Walt Whitman?
What waves and soils exuding?
What climes? what persons and lands are here?
Who are the infants? some playing, some slumbering?
Who are the girls? who are the married women?
Who are the groups of old men going slowly with their arms about each
other's necks?
What rivers are these? what forests and fruits are these?
What are the mountains call'd that rise so high in the mists?
What myriads of dwellings are they, fill'd with dwellers?

Within me latitude widens, longitude lengthens;
Asia, Africa, Europe, are to the east--America is provided for in the
west;
Banding the bulge of the earth winds the hot equator,
Curiously north and south turn the axis-ends;
Within me is the longest day--the sun wheels in slanting rings--it
does not set for months;
Stretch'd in due time within me the midnight sun just rises above the
horizon, and sinks again;
Within me zones, seas, cataracts, plants, volcanoes, groups,
Malaysia, Polynesia, and the great West Indian islands.

What do you hear, Walt Whitman?

I hear the workman singing, and the farmer's wife singing;
I hear in the distance the sounds of children, and of animals early
in the day;
I hear quick rifle-cracks from the riflemen of East Tennessee and
Kentucky, hunting on hills;
I hear emulous shouts of Australians, pursuing the wild horse;
I hear the Spanish dance, with castanets, in the chestnut shade, to
the rebeck and guitar;
I hear continual echoes from the Thames;
I hear fierce French liberty songs;
I hear of the Italian boat-sculler the musical recitative of old
poems;
I hear the Virginia plantation-chorus of negroes, of a harvest night,
in the glare of pine-knots;
I hear the strong baritone of the 'long-shore-men of Mannahatta;
I hear the stevedores unlading the cargoes, and singing;
I hear the screams of the water-fowl of solitary north-west lakes;
I hear the rustling pattering of locusts, as they strike the grain
and grass with the showers of their terrible clouds;
I hear the Coptic refrain, toward sundown, pensively falling on the

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Tamar

I
A night the half-moon was like a dancing-girl,
No, like a drunkard's last half-dollar
Shoved on the polished bar of the eastern hill-range,
Young Cauldwell rode his pony along the sea-cliff;
When she stopped, spurred; when she trembled, drove
The teeth of the little jagged wheels so deep
They tasted blood; the mare with four slim hooves
On a foot of ground pivoted like a top,
Jumped from the crumble of sod, went down, caught, slipped;
Then, the quick frenzy finished, stiffening herself
Slid with her drunken rider down the ledges,
Shot from sheer rock and broke
Her life out on the rounded tidal boulders.

The night you know accepted with no show of emotion the little
accident; grave Orion
Moved northwest from the naked shore, the moon moved to
meridian, the slow pulse of the ocean
Beat, the slow tide came in across the slippery stones; it drowned
the dead mare's muzzle and sluggishly
Felt for the rider; Cauldwell’s sleepy soul came back from the
blind course curious to know
What sea-cold fingers tapped the walls of its deserted ruin.
Pain, pain and faintness, crushing
Weights, and a vain desire to vomit, and soon again
die icy fingers, they had crept over the loose hand and lay in the
hair now. He rolled sidewise
Against mountains of weight and for another half-hour lay still.
With a gush of liquid noises
The wave covered him head and all, his body
Crawled without consciousness and like a creature with no bones,
a seaworm, lifted its face
Above the sea-wrack of a stone; then a white twilight grew about
the moon, and above
The ancient water, the everlasting repetition of the dawn. You
shipwrecked horseman
So many and still so many and now for you the last. But when it
grew daylight
He grew quite conscious; broken ends of bone ground on each
other among the working fibers
While by half-inches he was drawing himself out of the seawrack
up to sandy granite,
Out of the tide's path. Where the thin ledge tailed into flat cliff
he fell asleep. . . .
Far seaward
The daylight moon hung like a slip of cloud against the horizon.
The tide was ebbing
From the dead horse and the black belt of sea-growth. Cauldwell
seemed to have felt her crying beside him,

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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The Dream

'TWAS summer eve; the changeful beams still play'd
On the fir-bark and through the beechen shade;
Still with soft crimson glow'd each floating cloud;
Still the stream glitter'd where the willow bow'd;
Still the pale moon sate silent and alone,
Nor yet the stars had rallied round her throne;
Those diamond courtiers, who, while yet the West
Wears the red shield above his dying breast,
Dare not assume the loss they all desire,
Nor pay their homage to the fainter fire,
But wait in trembling till the Sun's fair light
Fading, shall leave them free to welcome Night!

So when some Chief, whose name through realms afar
Was still the watchword of succesful war,
Met by the fatal hour which waits for all,
Is, on the field he rallied, forced to fall,
The conquerors pause to watch his parting breath,
Awed by the terrors of that mighty death;
Nor dare the meed of victory to claim,
Nor lift the standard to a meaner name,
Till every spark of soul hath ebb'd away,
And leaves what was a hero, common clay.

Oh! Twilight! Spirit that dost render birth
To dim enchantments; melting Heaven with Earth,
Leaving on craggy hills and rumning streams
A softness like the atmosphere of dreams;
Thy hour to all is welcome! Faint and sweet
Thy light falls round the peasant's homeward feet,
Who, slow returning from his task of toil,
Sees the low sunset gild the cultured soil,
And, tho' such radliance round him brightly glows,
Marks the small spark his cottage window throws.
Still as his heart forestals his weary pace,
Fondly he dreams of each familiar face,
Recalls the treasures of his narrow life,
His rosy children, and his sunburnt wife,

To whom his coming is the chief event
Of simple days in cheerful labour spent.
The rich man's chariot hath gone whirling past,
And those poor cottagers have only cast
One careless glance on all that show of pride,
Then to their tasks turn'd quietly aside;
But him they wait for, him they welcome home,
Fond sentinels look forth to see him come;
The fagot sent for when the fire grew dim,
The frugal meal prepared, are all for him;
For him the watching of that sturdy boy,

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Homer

The Odyssey: Book 15

But Minerva went to the fair city of Lacedaemon to tell Ulysses' son
that he was to return at once. She found him and Pisistratus
sleeping in the forecourt of Menelaus's house; Pisistratus was fast
asleep, but Telemachus could get no rest all night for thinking of his
unhappy father, so Minerva went close up to him and said:
"Telemachus, you should not remain so far away from home any longer,
nor leave your property with such dangerous people in your house; they
will eat up everything you have among them, and you will have been
on a fool's errand. Ask Menelaus to send you home at once if you
wish to find your excellent mother still there when you get back.
Her father and brothers are already urging her to marry Eurymachus,
who has given her more than any of the others, and has been greatly
increasing his wedding presents. I hope nothing valuable may have been
taken from the house in spite of you, but you know what women are-
they always want to do the best they can for the man who marries them,
and never give another thought to the children of their first husband,
nor to their father either when he is dead and done with. Go home,
therefore, and put everything in charge of the most respectable
woman servant that you have, until it shall please heaven to send
you a wife of your own. Let me tell you also of another matter which
you had better attend to. The chief men among the suitors are lying in
wait for you in the Strait between Ithaca and Samos, and they mean
to kill you before you can reach home. I do not much think they will
succeed; it is more likely that some of those who are now eating up
your property will find a grave themselves. Sail night and day, and
keep your ship well away from the islands; the god who watches over
you and protects you will send you a fair wind. As soon as you get
to Ithaca send your ship and men on to the town, but yourself go
straight to the swineherd who has charge your pigs; he is well
disposed towards you, stay with him, therefore, for the night, and
then send him to Penelope to tell her that you have got back safe from
Pylos."
Then she went back to Olympus; but Telemachus stirred Pisistratus
with his heel to rouse him, and said, "Wake up Pisistratus, and yoke
the horses to the chariot, for we must set off home."
But Pisistratus said, "No matter what hurry we are in we cannot
drive in the dark. It will be morning soon; wait till Menelaus has
brought his presents and put them in the chariot for us; and let him
say good-bye to us in the usual way. So long as he lives a guest
should never forget a host who has shown him kindness."
As he spoke day began to break, and Menelaus, who had already risen,
leaving Helen in bed, came towards them. When Telemachus saw him he
put on his shirt as fast as he could, threw a great cloak over his
shoulders, and went out to meet him. "Menelaus," said he, "let me go
back now to my own country, for I want to get home."
And Menelaus answered, "Telemachus, if you insist on going I will
not detain you. not like to see a host either too fond of his guest or
too rude to him. Moderation is best in all things, and not letting a
man go when he wants to do so is as bad as telling him to go if he
would like to stay. One should treat a guest well as long as he is

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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

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The Undying One - Canto IV

'TIS done--the night has pass'd away;
And, basking in the sunny day,
The laughing fountain's waters bear
No record of each burning tear;--
The silent echoes give no sound
Of shriek or moan; and nothing round
Can tell what breaking hearts have been
So lately in that quiet scene.
But ere the evening falls again,
Many a step o'er mount and glen
Shall hurry far and wide, to seek
Her of the pallid brow and cheek.
Proud is the eye of the bridegroom lord!
He hath girt him round with a trusty sword,

And the horse that hath borne him to battle for years,
Gladly his angry summons hears.
His red nostrils snuffing the morning air,
Nothing he heeds their heavy care,
But waits till his high curving neck shall be freed,
To bound o'er the hills with an arrow's speed.
He is gone--full swiftly he dashes by--
And many a bright and beautiful eye
Follows the rider's form;--and dreams
Of pleasant walks by the dancing streams,
Of moonlight whisperings in the grove,
Of looks of ardour, and vows of love,
Fill those young hearts: and they wonder why
Visions so happy should make them sigh:
And more they wonder, that any one
Of the numberless forms their eyes have known,
Should have stolen a heart which Carlos woo'd
By the fount, and the lone wood's solitude.

Oh! love--real love! intoxicating dream
Of beauty and of happiness! how vain
Are our aspirings after thee, which seem
To bring thee near us!--doubt and causeless pain,
And jealousies, and most unconstant sighs
For something fairer than this world supplies;
And fondness which doth end in faint disgust;
And airy hopes that crumble down to dust ;--
These are not love,--though these too oft impart
A false excitement to the swelling heart.

To look upon the fairy one, who stands
Before you, with her young hair's shining bands,
And rosy lips half parted;--and to muse,
Not on the features which you now peruse,
Not on the blushing bride,--but look beyond

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Byron

Canto the Fourth

I.

I stood in Venice, on the Bridge of Sighs;
A palace and a prison on each hand:
I saw from out the wave her structures rise
As from the stroke of the enchanter’s wand:
A thousand years their cloudy wings expand
Around me, and a dying glory smiles
O’er the far times when many a subject land
Looked to the wingèd Lion’s marble piles,
Where Venice sate in state, throned on her hundred isles!

II.

She looks a sea Cybele, fresh from ocean,
Rising with her tiara of proud towers
At airy distance, with majestic motion,
A ruler of the waters and their powers:
And such she was; her daughters had their dowers
From spoils of nations, and the exhaustless East
Poured in her lap all gems in sparkling showers.
In purple was she robed, and of her feast
Monarchs partook, and deemed their dignity increased.

III.

In Venice, Tasso’s echoes are no more,
And silent rows the songless gondolier;
Her palaces are crumbling to the shore,
And music meets not always now the ear:
Those days are gone - but beauty still is here.
States fall, arts fade - but Nature doth not die,
Nor yet forget how Venice once was dear,
The pleasant place of all festivity,
The revel of the earth, the masque of Italy!

IV.

But unto us she hath a spell beyond
Her name in story, and her long array
Of mighty shadows, whose dim forms despond
Above the dogeless city’s vanished sway;
Ours is a trophy which will not decay
With the Rialto; Shylock and the Moor,
And Pierre, cannot be swept or worn away -
The keystones of the arch! though all were o’er,
For us repeopled were the solitary shore.

V.

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Thurso’s Landing

I
The coast-road was being straightened and repaired again,
A group of men labored at the steep curve
Where it falls from the north to Mill Creek. They scattered and hid
Behind cut banks, except one blond young man
Who stooped over the rock and strolled away smiling
As if he shared a secret joke with the dynamite;
It waited until he had passed back of a boulder,
Then split its rock cage; a yellowish torrent
Of fragments rose up the air and the echoes bumped
From mountain to mountain. The men returned slowly
And took up their dropped tools, while a banner of dust
Waved over the gorge on the northwest wind, very high
Above the heads of the forest.
Some distance west of the road,
On the promontory above the triangle
Of glittering ocean that fills the gorge-mouth,
A woman and a lame man from the farm below
Had been watching, and turned to go down the hill. The young
woman looked back,
Widening her violet eyes under the shade of her hand. 'I think
they'll blast again in a minute.'
And the man: 'I wish they'd let the poor old road be. I don't
like improvements.' 'Why not?' 'They bring in the world;
We're well without it.' His lameness gave him some look of age
but he was young too; tall and thin-faced,
With a high wavering nose. 'Isn't he amusing,' she said, 'that
boy Rick Armstrong, the dynamite man,
How slowly he walks away after he lights the fuse. He loves to
show off. Reave likes him, too,'
She added; and they clambered down the path in the rock-face,
little dark specks
Between the great headland rock and the bright blue sea.

II
The road-workers had made their camp
North of this headland, where the sea-cliff was broken down and
sloped to a cove. The violet-eyed woman's husband,
Reave Thurso, rode down the slope to the camp in the gorgeous
autumn sundown, his hired man Johnny Luna
Riding behind him. The road-men had just quit work and four
or five were bathing in the purple surf-edge,
The others talked by the tents; blue smoke fragrant with food
and oak-wood drifted from the cabin stove-pipe
And slowly went fainting up the vast hill.
Thurso drew rein by
a group of men at a tent door
And frowned at them without speaking, square-shouldered and
heavy-jawed, too heavy with strength for so young a man,
He chose one of the men with his eyes. 'You're Danny Woodruff,

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