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Rime Of The Ancient Mariner, The

IN SEVEN PARTS

Facile credo, plures esse Naturas invisibiles quam visibiles in rerum
universitate. Sed horum omnium familiam quis nobis enarrabit ? et gradus et
cognationes et discrimina et singulorum munera ? Quid agunt ? quae loca
habitant ? Harum rerum notitiam semper ambivit ingenium humanum, nunquam
attigit. Juvat, interea, non diffiteor, quandoque in animo, tanquam in
tabulâ, majoris et melioris mundi imaginem contemplari : ne mens assuefacta
hodiernae vitae minutiis se contrahat nimis, et tota subsidat in pusillas
cogitationes. Sed veritati interea invigilandum est, modusque servandus, ut
certa ab incertis, diem a nocte, distinguamus. - T. Burnet, Archaeol.
Phil., p. 68 (slightly edited by Coleridge).

Translation
-------------------

ARGUMENT

How a Ship having passed the Line was driven by storms to the cold Country
towards the South Pole ; and how from thence she made her course to the
tropical Latitude of the Great Pacific Ocean ; and of the strange things
that befell ; and in what manner the Ancyent Marinere came back to his own
Country.

PART I

An ancient Mariner meeteth three Gallants bidden to a wedding-feast, and
detaineth one.

It is an ancient Mariner,
And he stoppeth one of three.
`By thy long beard and glittering eye,
Now wherefore stopp'st thou me ?

The Bridegroom's doors are opened wide,
And I am next of kin ;
The guests are met, the feast is set :
May'st hear the merry din.'

He holds him with his skinny hand,
`There was a ship,' quoth he.
`Hold off ! unhand me, grey-beard loon !'
Eftsoons his hand dropt he.

The Wedding-Guest is spell-bound by the eye of the old seafaring man, and
constrained to hear his tale.

He holds him with his glittering eye--
The Wedding-Guest stood still,
And listens like a three years' child :

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poem by Samuel Taylor Coleridge
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The Rime Of The Ancient Mariner

IN SEVEN PARTS

Facile credo, plures esse Naturas invisibiles quam visibiles in rerum
universitate. Sed horum omnium familiam quis nobis enarrabit ? et gradus et
cognationes et discrimina et singulorum munera ? Quid agunt ? quae loca
habitant ? Harum rerum notitiam semper ambivit ingenium humanum, nunquam
attigit. Juvat, interea, non diffiteor, quandoque in animo, tanquam in
tabulâ, majoris et melioris mundi imaginem contemplari : ne mens assuefacta
hodiernae vitae minutiis se contrahat nimis, et tota subsidat in pusillas
cogitationes. Sed veritati interea invigilandum est, modusque servandus, ut
certa ab incertis, diem a nocte, distinguamus. - T. Burnet, Archaeol.
Phil., p. 68 (slightly edited by Coleridge).

Translation
-------------------

ARGUMENT

How a Ship having passed the Line was driven by storms to the cold Country
towards the South Pole ; and how from thence she made her course to the
tropical Latitude of the Great Pacific Ocean ; and of the strange things
that befell ; and in what manner the Ancyent Marinere came back to his own
Country.

PART I

An ancient Mariner meeteth three Gallants bidden to a wedding-feast, and
detaineth one.

It is an ancient Mariner,
And he stoppeth one of three.
`By thy long beard and glittering eye,
Now wherefore stopp'st thou me ?

The Bridegroom's doors are opened wide,
And I am next of kin ;
The guests are met, the feast is set :
May'st hear the merry din.'

He holds him with his skinny hand,
`There was a ship,' quoth he.
`Hold off ! unhand me, grey-beard loon !'
Eftsoons his hand dropt he.

The Wedding-Guest is spell-bound by the eye of the old seafaring man, and
constrained to hear his tale.

He holds him with his glittering eye--
The Wedding-Guest stood still,
And listens like a three years' child :

[...] Read more

poem by Samuel Taylor Coleridge
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VIII. Dominus Hyacinthus de Archangelis, Pauperum Procurator

Ah, my Giacinto, he's no ruddy rogue,
Is not Cinone? What, to-day we're eight?
Seven and one's eight, I hope, old curly-pate!
—Branches me out his verb-tree on the slate,
Amo-as-avi-atum-are-ans,
Up to -aturus, person, tense, and mood,
Quies me cum subjunctivo (I could cry)
And chews Corderius with his morning crust!
Look eight years onward, and he's perched, he's perched
Dapper and deft on stool beside this chair,
Cinozzo, Cinoncello, who but he?
—Trying his milk-teeth on some crusty case
Like this, papa shall triturate full soon
To smooth Papinianian pulp!

It trots
Already through my head, though noon be now,
Does supper-time and what belongs to eve.
Dispose, O Don, o' the day, first work then play!
—The proverb bids. And "then" means, won't we hold
Our little yearly lovesome frolic feast,
Cinuolo's birth-night, Cinicello's own,
That makes gruff January grin perforce!
For too contagious grows the mirth, the warmth
Escaping from so many hearts at once—
When the good wife, buxom and bonny yet,
Jokes the hale grandsire,—such are just the sort
To go off suddenly,—he who hides the key
O' the box beneath his pillow every night,—
Which box may hold a parchment (someone thinks)
Will show a scribbled something like a name
"Cinino, Ciniccino," near the end,
"To whom I give and I bequeath my lands,
"Estates, tenements, hereditaments,
"When I decease as honest grandsire ought."
Wherefore—yet this one time again perhaps—
Shan't my Orvieto fuddle his old nose!
Then, uncles, one or the other, well i' the world,
May—drop in, merely?—trudge through rain and wind,
Rather! The smell-feasts rouse them at the hint
There's cookery in a certain dwelling-place!
Gossips, too, each with keepsake in his poke,
Will pick the way, thrid lane by lantern-light,
And so find door, put galligaskin off
At entry of a decent domicile
Cornered in snug Condotti,—all for love,
All to crush cup with Cinucciatolo!

Well,
Let others climb the heights o' the court, the camp!

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poem by Robert Browning from The Ring and the Book
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A Letter To Doctor Ingelo, then With My Lord Whitlock, Ambassador From The Protector To The Queen Of Sweden

Quid facis Arctoi charissime transfuga coeli,
Ingele, proh sero cognite, rapte cito?
Num satis Hybernum defendis pellibus Astrum,
Qui modo tam mollis nec bene firmus eras?
Quae Gentes Hominum, quae sit Natura Locorum,
Sint Homines, potius dic ibi sintre Loca?
Num gravis horrisono Polus obruit omnia lapsu,
Jungitur & praeceps Mundas utraque nive?
An melius canis horrescit Campus Aristis,
Amuius Agricolis & redit Orbe labor?
Incolit, ut fertur, saevam Gens mitior Oram,
Pace vigil, Bello strenua, justa Foro.
Quin ibi sunt Urbes, atque alta Palatia Regum,
Musarumque domus, & sua Templa Deo.
Nam regit Imperio populum Christina ferocem,
Et dare jura potest regia Virgo viris.
Utque trahit rigidum Magnes Aquilone Metallum,
Gandet eam Soboles ferrea sponte sequii.
Dic quantum liceat fallaci credere Famae,
Invida num taceat plura, sonet ve loquax.
At, si vera fides, Mundi melioris ab ortu,
Saecula Christinae nulla tulere parem.
Ipsa licet redeat (nostri decus orbis) Eliza,
Qualis nostra tamen quantaque Eliza fuit.
Vidimus Effigiem, mistasque Coloribus Umbras:
Sic quoque Sceptripotens, sic quoque visa Dea.
Augustam decorant (raro concordia) frontem
Majestas & Amor, Forma Pudorque simul.
Ingens Virgineo spirat Gustavus in ore:
Agnoscas animos, fulmineumque Patrem.
Nulla suo nituit tam lucida Stella sub Axe;
Non Ea quae meruit Crimine Nympha Polum.
Ah quoties pavidum demisit conscia Lumen,
Utque suae timuit Parrhasis Ora Deae!
Et, simulet falsa ni Pictor imagine Vultus,
Delia tam similis nec fuit ipsa sibi.
Ni quod inornati Triviae sint forte Capilli,
Sollicita sed buic distribuantur Acu.
Scilicet ut nemo est illa reverentior aequi;
Haud ipsas igitur fert sine Lege Comas.
Gloria sylvarum pariter communis utrique
Est, & perpetuae Virginitatis Honos.
Sic quoque Nympharum supereminet Agmina collo,
Fertque Choros Cynthi per Juga, per Nives.
Haud aliter pariles Ciliorum contrahit Arcus
Acribus ast Oculis tela subesse putes.
Luminibus dubites an straverit illa Sagittis
Quae foret exuviis ardua colla Feram.
Alcides humeros coopertus pelle Nemaea
Haud ita labentis sustulit Orbis Onus.

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poem by Andrew Marvell
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Esa Loca

[Intro: R.O.B.B.]
Yo you remember Tony from Capicu?
And carribean chicks be like papi chu
All you haters out there can't stop me dude
I got niggas out there dem shotta you
Y'all not ready for R-R-O y'all not ready for Se-an-Paul
Y'all not ready for Tony Toca
Ladies, esa loca
[Tony Touch (Sean Paul)]
Ay yo good lookin, from D.R. to Brooklyn
Puerto Rico to Montego do it for the people
Toca aka Mr. Suavito
Do what I do like I'm doin it for me though
Rep for my bredren that's without question
Pull out the weapon in case they start flexin
T. Touch he bust so stop guessin
I weed up now wheel it up in a session
Rudebwoy selecta yeah I'm a get'cha
I'm nice under pressure write a quick lecture
Sean Paul nothin but love soon as I met ya
So let's do this and show 'em who the rudest
You must be kiddin me, gettin rid of me
Guns'll blast like them boys in Tivoli
Or Rema and Jungle where all the killers be
Even in Italy they still consider me
One of the dopest that's cause I lasted
The rest is all hopeless nothin but asses
I'm so focused yet I'm so blasted
(Dutty Yeah!)
And I'm out son big up all the masses
[Sean Paul]
Tell dem all for races seh nuh guy caan try race case
Gwaan stop di progress and a gwaan embrace this
A old rust off magnum mi a got hitch upon mi waist
Tell mi if you nuh love how di teflon taste
Well I don't need a lawyer cause there won't be a case
Forget what you see now your life is get replaced
I'm di dappa Dutty dung inna di biz
I'm about to show you what respect really is
Punk yah nuh nuttin, yo I know you really think your clever
But you caan stop di style dem never
Real push button, start it if yuh ready fi whatever
Yo tell mi if you heard of mi never dem call mi
[Cho: Sean Paul]
The Dutty Loca, the Tony Toca
Man a gallis, man a gangsta, man a born herbalist
Oonu listen out, Esa Loca
The Dutty Loca, the Tony Toca
Man a gallis, man a gangsta, man a internationalist
Oonu listen out, Esa Loca

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song performed by Sean Paul
Added by Lucian Velea
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The Quids

The little quids, the million quids,
The everywhere, everything, always quids,
The atoms of the Monoton—
Each turned three essences where it stood
And ground a gisty dust from its neighbors' edges
Until a powdery thoughtfall stormed in and out,
The cerebration of a slippery quid enterprise.
Each quid stirred.
The united quids
Waved through a sinuous decision.

The quids, that had never done anything before
But be, be, be, be, be,
The quids resolved to predicate
And dissipate in a little grammar.
Oh, the Monoton didn't care,
For whatever they did—
The Monoton's contributing quids—
The Monoton would always remain the same.

A quid here and there gyrated in place-position,
While many essential quids turned inside-out
For the fun of it
And a few refused to be anything but
Simple, unpredicated copulatives.
Little by little, this commotion of quids,
By threes, by tens, by casual millions,
Squirming within the state of things—
The metaphysical acrobats,
The naked, immaterial quids—
Turned inside on themselves
And came out dressed,
Each similar quid of the inward same,
Each similar quid dressed in a different way—
The quid's idea of a holiday.

The quids could never tell what was happening.
But the Monoton felt itself differently the same
In its different parts.
The silly quids upon their rambling exercise
Never knew, could never tell
What their pleasure was about,
What their carnival was like,
Being in, being in, being always in
Where they never could get out
Of the everywhere, everything, always in,
To derive themselves from the Monoton.

But I know, with a quid inside of me,
But I know what a quid's disguise is like,

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poem by Laura Riding
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On the Nativity of Christ

RORATE coeli desuper!
   Hevins, distil your balmy schouris!
For now is risen the bricht day-ster,
   Fro the rose Mary, flour of flouris:
   The cleir Sone, quhom no cloud devouris,
Surmounting Phebus in the Est,
   Is cumin of his hevinly touris:
   Et nobis Puer natus est.

Archangellis, angellis, and dompnationis,
   Tronis, potestatis, and marteiris seir,
And all ye hevinly operationis,
   Ster, planeit, firmament, and spheir,
   Fire, erd, air, and water cleir,
To Him gife loving, most and lest,
   That come in to so meik maneir;
   Et nobis Puer natus est.

Synnaris be glad, and penance do,
   And thank your Maker hairtfully;
For he that ye micht nocht come to
   To you is cumin full humbly
   Your soulis with his blood to buy
And loose you of the fiendis arrest--
   And only of his own mercy;
   Pro nobis Puer natus est.

All clergy do to him inclyne,
   And bow unto that bairn benyng,
And do your observance divyne
   To him that is of kingis King:
   Encense his altar, read and sing
In holy kirk, with mind degest,
   Him honouring attour all thing
   Qui nobis Puer natus est.

Celestial foulis in the air,
   Sing with your nottis upon hicht,
In firthis and in forrestis fair
   Be myrthful now at all your mycht;
   For passit is your dully nicht,
Aurora has the cloudis perst,
   The Sone is risen with glaidsum licht,
   Et nobis Puer natus est.

Now spring up flouris fra the rute,
   Revert you upward naturaly,
In honour of the blissit frute
   That raiss up fro the rose Mary;
   Lay out your levis lustily,

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poem by William Dunbar
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Gualterus Danistonus, Ad Amicos. - And Imitation

Dum studeo fungi fallentis munere vitae,
Adfectoque viam sedibus Elysiis
Arctoa florens sophia, Samiisque superbus
Discipulis, animas morte carere cano.
Has ego corporibus profugas ad sidera mitto;
Sideraque ingressis otia blanda dico;
Qualia conveniunt divis, queis fata volebant
Vitai faciles molliter ire vias:
Vinaque coelicolis media inter gaudia libo;
Et me quid majus suspicor esse viro,
Sed fuerint nulli forsan, quos spondeo, coeli;
Nullaque sint Ditis numina, nulla Jovis:
Fabula sit torris agitur, quae vita relictis
Quique superstes homo; qui nihil, esto Deus.
Attamen esse hilares, et inanes mittere curas
Proderit, ac vitae commoditate frui,
Et festos agitasse dies, aevique fugacis
Tempora perpetuis detinuisse jocis.
His me parentem praeceptis occupet orcus,
Et mors; seu divum, seu nihil esse velit;
Nam sophia ars illa est, quae fallere suaviter hoyas
Admonet, atque orci non timuisse minas.

Imitated

Studious the busy moments to deceive,
That fleet between the cradle and the grave,
I credit what the Grecian dictates say,
And Samian sounds o'er Scotia's hills convey.
When mortal man resigns his transient breath
The body only I give o'er to death;
The parts dissolved and broken frame I mourn:
What came from earth I see to earth return.
The immaterial part, th' ethereal soul,
Nor can change vanquish, nor can death control.
Glad I release it from its partner's cares,
And bid good angels waft it to the stars:
Then in the flowing bowl I drown those sighs,
Which, spite of wisdom, from our weakness rise.
The draught to the dead's memory I commend,
And offer to thee now, immortal friend:
But if opposed to what my thoughts approve,
Nor Pluto's rage there be, nor power of Jove,
On its dark side if thou the prospect take,
Grant all forgot beyond black Lethe's lake;
In total death suppose the mortal lie,
No new hereafter, nor a future sky;
Yet bear thy lot content, yet cease to grieve;

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poem by Matthew Prior
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The Vision Of Piers Plowman - Part 03

Now is Mede the mayde and no mo of hem alle,
With bedeles and baillies brought bifore the Kyng.
The Kyng called a clerk - l kan noght his name -
To take Mede the maide and maken hire at ese.
I shal assayen hire myself and soothliche appose
What man of this world that hire were levest.
And if she werche bi wit and my wil folwe
I wol forgyven hire this gilt, so me God helpe!'
Curteisly the clerk thanne, as the Kyng highte,
Took Mede bi the myddel and broghte hire into chambre.
Ac ther was murthe and mynstralcie Mede to plese;
That wonyeth at Westmynstre worshipeth hire alle.
Gentilliche with joye the justices somme
Busked hem to the bour ther the burde dwellede,
Conforted hyre kyndely by Clergies leve,
And seiden, ' Mourne noght, Mede, ne make thow no sorwe,
For we wol wisse the Kyng and thi wey shape
To be wedded at thi wille and wher thee leef liketh
For al Conscienees cast or craft, as I trowe.'
Mildely Mede thanne merciede hem alle

Of hire grete goodnesse - and gaf hem echone
Coupes of clene gold and coppes of silver,
Rynges with rubies and richesses manye,
The Ieeste man of hire meynee a moton of golde.
Thanne laughte thei leve thise lordes at Mede.
With that comenclerkes to conforten hire the same,
And beden hire be blithe - 'For we beth thyne owene
For to werche thi wille the while thow myght laste.'
Hendiliche heo thanne bihighte hem the same -
To loven hem lelly and lordes to make,
And in the consistorie at the court do callen hire names.
' Shal no lewednesse lette the clerke that I lovye,
That he ne worth first avaunced for I am biknowen
Ther konnynge clerkes shul clokke bihynde.'
Thanne cam ther a confessour coped as a frere;
To Mede the mayde [mekeliche he loutede]
And seide ful softely, in shrift as it were,
'Theigh lewed men and lered men hadde leyen by thee bothe.
And Falshede hadde yfolwed thee alle thise fifty wynter,
I shal assoille thee myself for a seem of whete,
And also be thi bedeman, and bere wel thyn er[ende],
Amonges knyghtes and clerkes, Conscience to torne.
Thanne Mede for hire mysdedes to that man kneled,
And shrof hire of hire sherewednesse - shamelees, I trowe;
Tolde hym a tale and took hym a noble
For to ben hire bedeman and hire brocour als.
Thanne he assoiled hire soone and sithen he seide,
' We have a wyndow in werchynge, wole stonden us ful hye;
Woldestow glaze that gable and grave therinne thy name,

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poem by William Langland
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IX. Juris Doctor Johannes-Baptista Bottinius, Fisci et Rev. Cam. Apostol. Advocatus

Had I God's leave, how I would alter things!
If I might read instead of print my speech,—
Ay, and enliven speech with many a flower
Refuses obstinate to blow in print,
As wildings planted in a prim parterre,—
This scurvy room were turned an immense hall;
Opposite, fifty judges in a row;
This side and that of me, for audience—Rome:
And, where yon window is, the Pope should hide—
Watch, curtained, but peep visibly enough.
A buzz of expectation! Through the crowd,
Jingling his chain and stumping with his staff,
Up comes an usher, louts him low, "The Court
"Requires the allocution of the Fisc!"
I rise, I bend, I look about me, pause
O'er the hushed multitude: I count—One, two—

Have ye seen, Judges, have ye, lights of law,—
When it may hap some painter, much in vogue
Throughout our city nutritive of arts,
Ye summon to a task shall test his worth,
And manufacture, as he knows and can,
A work may decorate a palace-wall,
Afford my lords their Holy Family,—
Hath it escaped the acumen of the Court
How such a painter sets himself to paint?
Suppose that Joseph, Mary and her Babe
A-journeying to Egypt, prove the piece:
Why, first he sedulously practiseth,
This painter,—girding loin and lighting lamp,—
On what may nourish eye, make facile hand;
Getteth him studies (styled by draughtsmen so)
From some assistant corpse of Jew or Turk
Or, haply, Molinist, he cuts and carves,—
This Luca or this Carlo or the like.
To him the bones their inmost secret yield,
Each notch and nodule signify their use:
On him the muscles turn, in triple tier,
And pleasantly entreat the entrusted man
"Familiarize thee with our play that lifts
"Thus, and thus lowers again, leg, arm and foot!"
—Ensuring due correctness in the nude.
Which done, is all done? Not a whit, ye know!
He,—to art's surface rising from her depth,—
If some flax-polled soft-bearded sire be found,
May simulate a Joseph, (happy chance!)—
Limneth exact each wrinkle of the brow,
Loseth no involution, cheek or chap,
Till lo, in black and white, the senior lives!
Is it a young and comely peasant-nurse

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poem by Robert Browning from The Ring and the Book
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Old Spense

You've seen his place, I reckon, friend?
'Twas rather kind ov tryin'.
The way he made the dollars fly,
Such gimcrack things a-buyin'--
He spent a big share ov a fortin'
On pesky things that went a snortin'

And hollerin' over all the fields,
And ploughin' ev'ry furrow;
We sort ov felt discouraged, for
Spense wusn't one to borrow;
An' wus--the old chap wouldn't lend
A cent's wuth to his dearest friend!

Good land! the neighbours seed to wunst
Them snortin', screamin' notions
Wus jest enough tew drown the yearth
In wrath, like roarin' oceans,
'An' guess'd the Lord would give old Spense
Blue fits for fightin' Pruvidence!'

Spense wus thet harden'd; when the yearth
Wus like a bak'd pertater;
Instead ov prayin' hard fur rain,
He fetched an irrigator.
'The wicked flourish like green bays!'
Sed folks for comfort in them days.

I will allow his place was grand
With not a stump upon it,
The loam wus jest as rich an' black
Es school ma'am's velvet bunnit;
But tho' he flourish'd, folks all know'd
What spiritooal ear-marks he show'd.

Spense had a notion in his mind,
Ef some poor human grapples
With pesky worms thet eat his vines,
An' spile his summer apples,
It don't seem enny kind ov sense
Tew call that 'cheekin' Pruvidence!'

An' ef a chap on Sabbath sees
A thunder cloud a-strayin'
Above his fresh cut clover an'
Gets down tew steddy prayin',
An' tries tew shew the Lord's mistake,
Instead ov tacklin' tew his rake,

He ain't got enny kind ov show

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poem by Isabella Valancy Crawford
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The Vision Of Piers Plowman - Part 10

Thanne hadde Wit a wif, was hote Dame Studie,
That lene was of lere and of liche bothe.
She was wonderly wroth that Wit me thus taughte,
And al staiynge Dame Studie sterneliche seide.
'Wel artow wis,' quod she to Wit, 'any wisdomes to telle
To flatereres or to fooles that frenetike ben of wittes!' -
And blamed hym and banned hym and bad hym be stille -
'With swiche wise wordes to wissen any sottes!'
And seide, ' Nolite mittere, man, margery perles
Among hogges that han hawes at wille.
Thei doon but dryvele theron - draf were hem levere
Than al the precious perree that in paradis wexeth.
I seye it by swiche,' quod she, 'that sheweth by hir werkes
That hem were levere lond and lordshipe on erthe,
Or richesse or rentes and reste at hir wille
Than alle the sooth sawes that Salamon seide evere.

'Wisdom and wit now is noght worth a kerse
But if it be carded with coveitise as clotheres kemben hir wolle.
Whoso can contreve deceites and conspire wronges
And lede forth a loveday to lette with truthe - .
That swiche craftes kan to counseil [are] cleped ;
Thei lede lordes with lesynges and bilieth truthe.
' Job the gentile in hise gestes witnesseth
That wikked men, thei welden the welthe of this worlde,
And that thei ben lordes of ech a lond, that out of lawe libbeth
Quare impii vivunt ? bene est omnibus qui prevaricantur et inique agunt ?
'The Sauter seith the same by swiche that doon ille
Ecce ipsi peccatores habundantes in seculo obtinuerunt divicias.
' Lo!' seith holy lettrure, ' whiche lordes beth thise sherewes!'
Thilke that God moost gyveth, leest good thei deleth,
And moost unkynde to the commune, that moost catel weldeth
Que perfecisti destruxerunt, iustus autem &c.
'Harlotes for hir harlotrie may have of hir goodes,
And japeris and jogelours and jangleris of gestes;
Ac he that hath Holy Writ ay in his mouthe
And kan telle of Tobye and of the twelve Apostles
Or prechen of the penaunce that Pilat wroghte
To Jesu the gentile, that Jewes todrowe -
Litel is he loved that swich a lesson sheweth,
Or daunted or drawe forth - I do it on God hymselve!
'But thoo that feynen hem foolis and with faityng libbeth
Ayein the lawe of Oure Lord, and lyen on hemselve,
Spitten and spuen and speke foule wordes,
Drynken and drevelen and do men for to gape,
Likne men and lye on hem that leneth hem no yiftes -
Thei konne na moore mynstralcie ne musik men to glade

Than Munde the Millere of Multa fecit Deus.
Ne were hir vile harlotrye, have God my trouthe,

[...] Read more

poem by William Langland
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Hai Mai

Anche se fosse facile, io non te lo direi
non si pua scendere, ormai
sono i dettagli, quelli che contano
sono i momenti che, segnano
ognuno pua essere, quello che vuole sai
non si pua perdere, quel che non hai.
Hai mai pensato a quello che fai
hai mai guardato a quello che sei
tu non puoi distrarti solo quando vuoi tu
io non mi accontento io voglio di pia
E chi dice che a facile
guarda qui, un uomo a cosa
se fosse cosa semplice
non sarei, ridotto cosa
io non mi voglio arrendere
non ci sto, tutto qui
non ci riuscira, ma credo di sa!
Anche se fosse facile, io non te lo direi
ma si pua scegliere, se vuoi
ognuno pua essere, quello che vuole sai
non si pua perdere, quel che non hai.
Hai mai dei guai per quello che sei
hai mai dei guai per quello che fai
tu non puoi distrarti solo quando vuoi tu
io non mi accontento io voglio di pia
E chi dice che a facile
guarda qui, un uomo a cosa
se fosse cosa semplice
non sarei, ancora qui
io non mi voglio arrendere
non ci sto, tutto qui
non ci riuscira, ma credo di sa!
Io non mi voglio arrendere
non ci sto, tutto qui
non ci riuscira, ma credo di sa!
by Giodibe

song performed by Vasco Rossi
Added by Lucian Velea
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The Vision Of Piers Plowman - Part 15

Ac after my wakynge it was wonder longe
Er I koude kyndely knowe what was Dowel.
And so my wit weex and wanyed til I a fool weere;
And some lakked my lif - allowed it fewe -
And leten me for a lorel and looth to reverencen
Lordes or ladies or any lif ellis -
As persons in pelure with pendaunts of silver;
To sergeaunts ne to swiche seide noght ones,
' God loke yow, lordes!' - ne loutede faire,
That folk helden me a fool; and in that folie I raved,
Til reson hadde ruthe on me and rokked me aslepe,
Til I seigh, as it sorcerie were, a sotil thyng withalle -
Oon withouten tonge and teeth, tolde me whider I sholde
And wherof I cam and of what kynde. I conjured hym at the laste,
If he were Cristes creature for Cristes love me to tellen.
' I am Cristes creature,' quod he, 'and Cristene in many a place,
In Cristes court yknowe wel, and of his kyn a party.
Is neither Peter the Porter, ne Poul with the fauchon,
That wole defende me the dore, dynge I never so late.
At mydnyght, at mydday, my vois is so yknowe
That ech a creature of his court welcometh me faire.'
'What are ye called?' quod I, 'in that court among Cristes peple?'
'The whiles I quykne the cors,' quod he, 'called am I Anima;
And whan I wilne and wolde, Animus ich hatte;
And for that I kan and knowe, called am I Mens;
And whan I make mone to God, Memoria is my name;
And whan I deme domes and do as truthe techeth,
Thanne is Racio my righte name - ''reson'' on Englissh;
And whan I feele that folk telleth, my firste name is Sensus -
And that is wit and wisdom, the welle of alle craftes;
And whan I chalange or chalange noght, chepe or refuse,

Thanne am I Conseience ycalled, Goddes clerk and his notarie;
And whan I love leelly Oure Lord and alle othere,
Thanne is ''lele Love'' my name, and in Latyn Amor;
And whan I flee fro the flessh and forsake the careyne,
Thanne am I spirit spechelees - and Spiritus thanne ich hatte.
Austyn and Ysodorus, either of hem bothe
Nempnede me thus to name - now thow myght chese
How thow coveitest to calle me, now thow knowest alle my names.
Anima pro diversis accionibus diversa nomina sortiturdum
vivificat corpus, anima est; dum vult, animus est; dum scit,
mens est; dum recolit, memoria est; dum iudicat, racio est;
dum sentit, sensus est; dum amat, Amor est ; dum negat vel
consentit, consciencia est; dum spirat, spiritus est.'
'Ye ben as a bisshop,' quod I, al bourdynge that tyme,
' For bisshopes yblessed, thei bereth manye names -
Presul and Pontifex and Metropolitanus,
And othere names an heep, Episcopus and Pastor.'
'That is sooth,' seide he, 'now I se thi wille!

[...] Read more

poem by William Langland
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Into how many parts would you divide the child after Divorce?

You might legally divide each other from the bonds of immortal marriage; but into how many insane parts would you divide your new-born child’s eternal happiness; after your treacherously vindictive divorce?

You might legally divide each other from the bonds of immortal marriage; but into how many heartless parts would you divide your new-born child’s invincible freedom; after your venomously unbearable divorce?

You might legally divide each other from the bonds of immortal marriage; but into how many ribald parts would you divide your new-born child’s unsurpassable creativity; after your lethally unceremonious divorce?

You might legally divide each other from the bonds of immortal marriage; but into how many salacious parts would you divide your new-born child’s majestic destiny; after your lecherously ignominious divorce?

You might legally divide each other from the bonds of immortal marriage; but into how many emotionless parts would you divide your new-born child’s triumphant spirit; after your contemptuously debasing divorce?

You might legally divide each other from the bonds of immortal marriage; but into how many terrorizing parts would you divide your new-born child’s unbridled fantasies; after your abhorrently cadaverous divorce?

You might legally divide each other from the bonds of immortal marriage; but into how many excruciating parts would you divide your new-born child’s humanitarian blood; after your cold-bloodedly cannibalistic divorce?

You might legally divide each other from the bonds of immortal marriage; but into how many tyrannized parts would you divide your new-born child’s unconquerable artistry; after your violently besmirching divorce?

You might legally divide each other from the bonds of immortal marriage; but into how many reproachful parts would you divide your new-born child’s redolent playfulness; after your despicably devastating divorce?

You might legally divide each other from the bonds of immortal marriage; but into how many sacrilegious parts would you divide your new-born child’s impregnable mischief; after your sadistically bemoaning divorce?

You might legally divide each other from the bonds of immortal marriage; but into how many wanton parts would you divide your new-born child’s impeccable integrity; after your hedonistically carnivorous divorce?

You might legally divide each other from the bonds of immortal marriage; but into how many ghoulish parts would you divide your new-born child’s limitless fertility; after your mindlessly malicious divorce?

You might legally divide each other from the bonds of immortal marriage; but into how many diabolical parts would you divide your new- born child’s infallible innocence; after your unforgivably truculent divorce?

You might legally divide each other from the bonds of immortal marriage; but into how many vengeful parts would you divide your new-born child’s uninhibited cries; after your preposterously bigoted divorce?

You might legally divide each other from the bonds of immortal marriage; but into how many criminal parts would you divide your new-born child’s princely silkenness; after your tempestuously confounding divorce?

You might legally divide each other from the bonds of immortal marriage; but into how many satanic parts would you divide your new-born child’s tiny brain; after your barbarously ungainly divorce?

You might legally divide each other from the bonds of immortal marriage; but into how many sadistic parts would you divide your new-born child’s unlimited curiosity; after your egregiously dastardly divorce?

You might legally divide each other from the bonds of immortal marriage; but into how many carnivorous parts would you divide your new-born child’s parental longing; after your inanely decrepit divorce?

And you might legally divide each other from the bonds of immortal marriage; but tell me; into how many goddamned parts would you divide your new-born child’s immortal love; after your devilishly vituperative divorce?

©®copyright-2005, by nikhil parekh. all rights reserved.

poem by Nikhil Parekh
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To A Gentleman That Only Upon The Sight Of The Author's Writing, Had Given A Character Of His Person And Judgment Of His Fortune. Illustrissimo Vero Domino Lanceloto Josepho De Maniban Grammatomantis

Quis posthac chartae committat sensa loquaci,
Si sua crediderit Fata subesse stylo?
Conscia si prodat Seribentis Litera sortem,
Quicquid & in vita plus latuisse velit?
Flexibus in calami tamen omnia sponte leguntur:
Quod non significant Verba, Figura notat.
Bellerophonteas signat sibi quisque Tabellas;
Ignaramque Manum Spiritus intus agit.
Nil praeter solitum sapiebat Epistola nostra,
Exemplumque meae Simplicitatis erat.
Fabula jucundos qualis delectat Amicos;
Urbe, lepore, novis, carmine tota scatens.
Hic tamen interpres quo non securior alter,
(Non res, non voces, non ego notus ei)
Rimatur fibras notularum cautus Aruspex,
Scriptur aeque inhians consulit exta meae.
Inde statim vitae casus, animique recessus
Explicat; (haud Genio plura liquere putem.)
Distribuit totum nostris eventibus orbem,
Et quo me rapiat cardine Sphaera docet.
Quae Sol oppositus, quae Mars adversa minetur,
Jupiter aut ubi me, Luna, Venusque juvent.
Ut trucis intentet mihi vulnera Cauda Draconis;
Vipereo levet ut vulnera more Caput.
Hinc mihi praeteriti rationes atque futuri
Elicit; Astrologus certior Astronomo.
Ut conjecturas nequeam discernere vero,
Historiae superet sed Genitura fidem.
Usque adeo caeli respondet pagina nostrae,
Astrorum & nexus syllaba scripta refert.
Scilicet & toti subsunt Oracula mundo,
Dummodo tot foliis una Sibylla foret.
Partum, Fortunae mater Natura, propinquum
Milie modis monstrat mille per indicia:
Ingentemque Uterum qui mole Puerpera solvat
Vivit at in praesens maxima pars hominum.
Ast Tu sorte tua gaude Celeberrime Vatum;
Scribe, sed haud superest qui tua fata legat.
Nostra tamen si fas praesagia jungere vestris,
Quo magis inspexti sydera spernis humum.
Et, nisi stellarum fueris divina propago,
Naupliada credam te Palamede satum.
Qui dedit ex aviun scriptoria signa volatu,
Sydereaque idem nobilis arte fuit.
Hinc utriusque tibi cognata scientia crevit,
Nec minus augurium Litera quam dat Avis.

poem by Andrew Marvell
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The Vision Of Piers Plowman - Part 11

Thanne Scriptare scorned me and a skile tolde,
And lakked me in Latyn and light by me sette,
And seide, ' Multi multa sciunt et seipsos nesciunt.'
Tho wepte I for wo andwrathe of hir speche
And in a wynkynge w[o]rth til I [weex] aslepe.

A merveillous metels mette me thanne.
For I was ravysshed right there - for Fortune me fette
And into the lond of longynge and love she me broughte,
And in a mirour that highte Middelerthe she made me to biholde.
Sithen she seide to me,-Here myghtow se wondres,
And knowe that thow coveitest, and come therto, peraunter.'
Thanne hadde Fortune folwynge hire two faire damyseles
Concupiscencia Carnis men called the elder mayde,
And Coveitise of Eighes ycalled was that oother.
Pride of Parfit Lyvynge pursued hem bothe,
And bad me for my contenaunce acounten Clergie lighte.
Concupiscencia Carnis colled me aboute the nekke
And seide, 'Thow art yong and yeep and hast yeres ynowe
For to lyve longe and ladies to lovye;
And in this mirour thow might se myrthes ful manye
That leden thee wole to likynge al thi lif tyme.'
The secounde seide the same' I shal sewe thi wille;
Til thow be a lord and have lond, leten thee I nelle
That I ne shal folwe thi felawship, if Fortune it like.'
' He shal fynde me his frend,' quod Fortune therafter;
'The freke that folwede my wille failled nevere blisse.'
Thanne was ther oon that highte Elde, that hevy was of chere,
' Man,' quod he, 'if I mete with thee, by Marie of hevene
Thow shalt fynde Fortune thee faille at thi mooste nede,
And Concupiscencia Carnis clene thee forsake.
Bittrely shaltow banne thanne, bothe dayes and nyghtes,
Coveitise of Eighe, that evere thow hir knewe;
And Pride of Parfit Lyvynge to muche peril thee brynge.'
' Ye? Recche thee nevere!' quod Rechelesnesse, stood forth in raggede clothes
' Folwe forth that Fortune wole - thow has wel fer til Elde.
A man may stoupe tyme ynogh whan he shal tyne the crowne.

''Homo proponit,'' quod a poete, and Plato he highte,
''And Deus disponit'' quod he, 'lat God doon his wille.''
If Truthe wol witnesse it be wel do, Fortune to folwe,
Concupiscencia Carnis ne Coveitise of Eighes
Ne shal noght greve thee graithly, ne bigile thee but thow wolt.'
' Ye, farewel Phippe! ' quod Faunteltee, and forth gan me drawe,
Til Concupiscencia Carnis acorded til alle my werkes.
'Allas, eighe!' quod Elde and Holynesse bothe,
'That wit shal torne to wrecchednesse for wil to have his likyng!'
Coveitise of Eighes conforted me anoon after
And folwed me fourty wynter and a fifte moore,
That of Dowel ne Dobet no deyntee me thoughte.

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poem by William Langland
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Hortus

Quisnam adeo, mortale genus, praecordia versat:
Heu Palmae, Laurique furor, vel simplicis Herbae!
Arbor ut indomitos ornet vix una labores;
Tempora nec foliis praecingat tota maglignis.
Dum simud implexi, tranquillae ad ferta Quiaetis,
Omnigeni coeunt Flores, integraque Sylva.
Alma Quies, teneo te! & te Germana Quietis
Simplicitas! Vos ergo diu per Templa, per urbes,
Quaesivi, Regum perque alta Palatia frustra.
Sed vos Hotrorum per opaca siluentia longe
Celarant Plantae virides, & concolor Umbra.
O! mibi si vestros liceat violasse recessus.
Erranti, lasso, & vitae melioris anhelo,
Municipem servate novum, votoque potitum,
Frondosae Cives optate in florea Regna.
Me quoque, vos Musae, &, te conscie testor Apollo,
Non Armenta juvant hominum, Circique boatus,
Mugitusve Fori; sed me Penetralia veris,
Horroresque trahunt muti, & Consortia sola.
Virgineae quem non suspendit Gratia formae?
Quam candore Nives vincentum, Ostrumque rubore,
Vestra tamen viridis superet (me judice) Virtus.
Nec foliis certare Comae, nec Brachia ramis,
Nec possint tremulos voces aequare susurros.
Ah quoties saevos vidi (quis credat?) Amantes
Sculpentes Dominae potiori in cortice nomen?
Nec puduit truncis inscribere vulnera sacris.
Ast Ego, si vestras unquam temeravero stirpes,
Nulla Neaera, Chloe, Faustina, Corynna, legetur:
In proprio sed quaeque libro signabitur Arbos.
O charae Platanus, Cyparissus, Populus, Ulnus!
Hic Amor, exutis crepidatus inambulat alis,
Enerves arcus & stridula tela reponens,
Invertitque faces, nec se cupit usque timeri;
Aut experrectus jacet, indormitque pharetrae;
Non auditurus quanquam Cytherea vocarit;
Nequitias referuut nec somnia vana priores.
Laetantur Superi, defervescente Tyranno,
Et licet experti toties Nymphasque Deasque,
Arbore nunc melius potiuntur quisque cupita.
Jupiter annosam, neglecta conjuge, Quercum
Deperit; baud alia doluit sic pellice. Juno.
Lemniacum temerant vestigia nulla Cubile,
Nic Veneris Mavors meminit si Fraxinus adsit.
Formosae pressit Daphnes vestigia Phaebus
Ut fieret Laurus; sed nil quaesiverat ultra.
Capripes & peteret quod Pan Syringa fugacem,
Hoc erat ut Calamum posset reperire Sonorum.

Note: Desunt multa. Nec tu, Opisex horti, grato sine carmine abibis:

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poem by Andrew Marvell
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Partir, Pensar e Amar!

Partir para....
Pensar em......
Amar! ! ! Alguém!
Verbo poderoso esse;
não precisa de preposição.
Amar! Pronto.
Sem alguém, também pode.
Dizem que com alguém é melhor
Mas pode ser sozinho!
Ele cumpre bem o seu papel!
AMAR, só conjuga quando
Amar Alguém!
Não se pode amar aquilo, isso, esse......
Não se pode amar Meu, Teu, Nosso......
Só se pode AMAR Você! em Você, para Você
Aí pode!
Aí, combina!

Ciumento esse Verbo!

Mas tem também outro verbo.
Que vem logo após O AMAR!
Pensar!
Pensar requer.... algo, aquilo, no Meu, no Teu, no Nosso!
Tem também Pensar.... no Dos Outros!
Pensar tem todos os Quereres!

Nesse momento! Nessa conjugação!
O Amar já não suporta tanta preposição

Exigente esse verbo!

Então vem o

PARTIR!
Parto para longe de ti!
Porque começastes conjugando O Amar

e terminastes com O Pensar!

Doloroso esse verbo!

poem by Mirna Morgan
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Stardom or Boredom! A LONELY RED BIRD Flies in My Natural Kingdom!

I am eight and twenty, a lonely rose – no one close to sit with;
Here are no companions nor kin and kith, I live in lonely myth!
Sitting in the empty hall by myself at the day dawn in the white;
I feel awful – awful beyond all – crying gently dusk in the night.
Stardom or boredom! A lonely red bird flies in my natural kingdom!
Harum-scarum! Humdrum! A solo bird beats the lonely drum!

Aloof I am, sitting in the dark; aloof I am, with my lonely bark;
Aloof I am, butterflies helter-skelter in me at lonely gaze!
Aloof I am, there is a void; there is a vacuum in my lonely daze;
Aloof I am sitting with empty ache; aloof I am – a lonely lark.
Stardom or boredom! A lonely red bird flies in my natural kingdom!
Harum-scarum! Humdrum! A solo bird beats the lonely drum!

Aloof I am, these many shocks, lonely talks only for me, tell me why?
Aloof I am, I beg thee – don’t enter my only soul everyday, I say....
Aloof I am, I don’t want to be aloof in anyway – even on holiday;
Aloof I am, I say thee – I don't want to live, I want to die for lonely sigh!
Stardom or boredom! A lonely red bird flies in my natural kingdom!
Harum-scarum! Humdrum! A solo bird beats the lonely drum!

Aloof I am – a sole flower in a field; a sole child does not shield;
Aloof I am – a moonless night, stormy weather sets the tone…….
Aloof I am in turbulent weather, me a solo feather in deserted scene;
Aloof I am, in lonely battle, with a fresh cut I gave up! I yield!
Stardom or boredom! A lonely red bird flies in my natural kingdom!
Harum-scarum! Humdrum! A solo bird beats the lonely drum!

poem by Harindhar Reddy
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A Crazy Chick

Me a koka loca
Awe open boca
Open wide
Barbara bright
Eyes glowing
Loca locked
In marks
Question
Exclamation
Period
And three dots
Icons emo stuck
: (, :) , : o.: ,)
Love struck
Loca locked
In your heart
Tip toeing
Eye glowing
Lip slowing
Creeping
Sneaking
Sighing
Koka loca
A Wanna be bounty

Less familiar words:
koka (Serb.) chick, plus loca (Span) crazy equals Eng. A crazy chick :)
boca (It.) mouth

poem by Miroslava Odalovic
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