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A candour affected is a dagger concealed.

Marcus Aurelius in Meditations
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An Epistle To William Hogarth

Amongst the sons of men how few are known
Who dare be just to merit not their own!
Superior virtue and superior sense,
To knaves and fools, will always give offence;
Nay, men of real worth can scarcely bear,
So nice is jealousy, a rival there.
Be wicked as thou wilt; do all that's base;
Proclaim thyself the monster of thy race:
Let vice and folly thy black soul divide;
Be proud with meanness, and be mean with pride.
Deaf to the voice of Faith and Honour, fall
From side to side, yet be of none at all:
Spurn all those charities, those sacred ties,
Which Nature, in her bounty, good as wise,
To work our safety, and ensure her plan,
Contrived to bind and rivet man to man:
Lift against Virtue, Power's oppressive rod;
Betray thy country, and deny thy God;
And, in one general comprehensive line,
To group, which volumes scarcely could define,
Whate'er of sin and dulness can be said,
Join to a Fox's heart a Dashwood's head;
Yet may'st thou pass unnoticed in the throng,
And, free from envy, safely sneak along:
The rigid saint, by whom no mercy's shown
To saints whose lives are better than his own,
Shall spare thy crimes; and Wit, who never once
Forgave a brother, shall forgive a dunce.
But should thy soul, form'd in some luckless hour,
Vile interest scorn, nor madly grasp at power;
Should love of fame, in every noble mind
A brave disease, with love of virtue join'd,
Spur thee to deeds of pith, where courage, tried
In Reason's court, is amply justified:
Or, fond of knowledge, and averse to strife,
Shouldst thou prefer the calmer walk of life;
Shouldst thou, by pale and sickly study led,
Pursue coy Science to the fountain-head;
Virtue thy guide, and public good thy end,
Should every thought to our improvement tend,
To curb the passions, to enlarge the mind,
Purge the sick Weal, and humanise mankind;
Rage in her eye, and malice in her breast,
Redoubled Horror grining on her crest,
Fiercer each snake, and sharper every dart,
Quick from her cell shall maddening Envy start.
Then shalt thou find, but find, alas! too late,
How vain is worth! how short is glory's date!
Then shalt thou find, whilst friends with foes conspire,
To give more proof than virtue would desire,

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poem by Charles Churchill
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The Apology

ADDRESSED TO THE CRITICAL REVIEWERS.

Tristitiam et Metus.--HORACE.

Laughs not the heart when giants, big with pride,
Assume the pompous port, the martial stride;
O'er arm Herculean heave the enormous shield,
Vast as a weaver's beam the javelin wield;
With the loud voice of thundering Jove defy,
And dare to single combat--what?--A fly!
And laugh we less when giant names, which shine
Establish'd, as it were, by right divine;
Critics, whom every captive art adores,
To whom glad Science pours forth all her stores;
Who high in letter'd reputation sit,
And hold, Astraea-like, the scales of wit,
With partial rage rush forth--oh! shame to tell!--
To crush a bard just bursting from the shell?
Great are his perils in this stormy time
Who rashly ventures on a sea of rhyme:
Around vast surges roll, winds envious blow,
And jealous rocks and quicksands lurk below:
Greatly his foes he dreads, but more his friends;
He hurts me most who lavishly commends.
Look through the world--in every other trade
The same employment's cause of kindness made,
At least appearance of good will creates,
And every fool puffs off the fool he hates:
Cobblers with cobblers smoke away the night,
And in the common cause e'en players unite;
Authors alone, with more than savage rage,
Unnatural war with brother authors wage.
The pride of Nature would as soon admit
Competitors in empire as in wit;
Onward they rush, at Fame's imperious call,
And, less than greatest, would not be at all.
Smit with the love of honour,--or the pence,--
O'errun with wit, and destitute of sense,
Should any novice in the rhyming trade
With lawless pen the realms of verse invade,
Forth from the court, where sceptred sages sit,
Abused with praise, and flatter'd into wit,
Where in lethargic majesty they reign,
And what they won by dulness, still maintain,
Legions of factious authors throng at once,
Fool beckons fool, and dunce awakens dunce.
To 'Hamilton's the ready lies repair--
Ne'er was lie made which was not welcome there--
Thence, on maturer judgment's anvil wrought,
The polish'd falsehood's into public brought.

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poem by Charles Churchill
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New Morality

From mental mists to purge a nation's eyes;
To animate the weak, unite the wise;
To trace the deep infection, that prevades
The crowded town, and taints the rural shades;
To mark how wide extends the mighty waste
O'er the fair realms of Science, Learning, Taste;
To drive and scatter all the brood of lies,
And chase the varying falsehood as it flies;
The long arrears of ridicule to pay,
To drag reluctant Dulness back to day;
Much yet remains.--To you these themes belong,
Ye favor'd sons of virtue and of song!
Say, is the field too narrow? Are the times
Barren of folly, and devoid of crimes?

Yet, venial vices, in a milder age,
Could rouse the warmth of Pope's satiric rage;
The doting miser, and the lavish heir,
The follies, and the foibles of the fair,
Sir Job, Sir Balaam, and old Euclio's thrift,
And Sappho's diamonds, with her dirty shift,
Blunt, Charteris, Hopkins;--meaner subjects fired
The keen-eyed Poet;--while the Muse inspired
Her ardent child--entwining as he sate,
His laurell'd chaplet with the thorns of hate.

But say,--indignant does the Muse retire,
Her shrine deserted, and extinct its fire?
No pious hand to feed the sacred flame,
No raptured soul a Poet's charge to claim.

Bethink thee (Gifford); when some future age
Shall trace the promise of thy playful page;--
"[1]The hand which brush'd a swarm of fools away,
"Should rouse to grasp a more reluctant prey!"--
Think then, will pleaded indolence excuse
The tame secession of thy languid Muse?

Ah! where is now that promise? Why so long
Sleep the keen shafts of satire and of song?
Oh! come with Taste and Virtue at thy side,
With ardent zeal inflamed, and patriot pride;
With keen poetic glance direct the blow,
And empty all thy quiver on the foe:
No pause--no rest--till weltering on the ground
The poisonous hydra lies, and pierced with many a wound.

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poem by George Canning
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IV. Tertium Quid

True, Excellency—as his Highness says,
Though she's not dead yet, she's as good as stretched
Symmetrical beside the other two;
Though he's not judged yet, he's the same as judged,
So do the facts abound and superabound:
And nothing hinders that we lift the case
Out of the shade into the shine, allow
Qualified persons to pronounce at last,
Nay, edge in an authoritative word
Between this rabble's-brabble of dolts and fools
Who make up reasonless unreasoning Rome.
"Now for the Trial!" they roar: "the Trial to test
"The truth, weigh husband and weigh wife alike
"I' the scales of law, make one scale kick the beam!"
Law's a machine from which, to please the mob,
Truth the divinity must needs descend
And clear things at the play's fifth act—aha!
Hammer into their noddles who was who
And what was what. I tell the simpletons
"Could law be competent to such a feat
"'T were done already: what begins next week
"Is end o' the Trial, last link of a chain
"Whereof the first was forged three years ago
"When law addressed herself to set wrong right,
"And proved so slow in taking the first step
"That ever some new grievance,—tort, retort,
"On one or the other side,—o'ertook i' the game,
"Retarded sentence, till this deed of death
"Is thrown in, as it were, last bale to boat
"Crammed to the edge with cargo—or passengers?
"'Trecentos inseris: ohe, jam satis est!
"'Huc appelle!'—passengers, the word must be."
Long since, the boat was loaded to my eyes.
To hear the rabble and brabble, you'd call the case
Fused and confused past human finding out.
One calls the square round, t' other the round square—
And pardonably in that first surprise
O' the blood that fell and splashed the diagram:
But now we've used our eyes to the violent hue
Can't we look through the crimson and trace lines?
It makes a man despair of history,
Eusebius and the established fact—fig's end!
Oh, give the fools their Trial, rattle away
With the leash of lawyers, two on either side—
One barks, one bites,—Masters Arcangeli
And Spreti,—that's the husband's ultimate hope
Against the Fisc and the other kind of Fisc,
Bound to do barking for the wife: bow—wow!
Why, Excellency, we and his Highness here
Would settle the matter as sufficiently

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poem by Robert Browning from The Ring and the Book
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Dagger Through The Heart

(Dolly Parton)
Oh, you're out there tonight with another
And my pain is so dreadfully sharp.
I picture you with her and shudder,
It's like a dagger through the heart
Do you think that my feelings don't matter,
Or your cheatin' or hurtful remarks
When you leave me all broken and shattered
It's like a dagger through the heart
Oh, I know I'm a fool to keep stayin'
When you've made hurtin' me such an art,
Tossed around like a used box of crayons,
It's like a dagger through the heart
Oh, you cut me to pieces so often
Like a knife or a poisonous dart
I would be better off in my coffin,
It's like a dagger through the heart
Oh, I know I'm a fool to keep stayin'
When you've made hurtin' me such an art,
Tossed around like a used box of crayons,
It's like a dagger through the heart
Like a dagger through the heart, through the heart

song performed by Dolly Parton
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The Rosciad

Unknowing and unknown, the hardy Muse
Boldly defies all mean and partial views;
With honest freedom plays the critic's part,
And praises, as she censures, from the heart.

Roscius deceased, each high aspiring player
Push'd all his interest for the vacant chair.
The buskin'd heroes of the mimic stage
No longer whine in love, and rant in rage;
The monarch quits his throne, and condescends
Humbly to court the favour of his friends;
For pity's sake tells undeserved mishaps,
And, their applause to gain, recounts his claps.
Thus the victorious chiefs of ancient Rome,
To win the mob, a suppliant's form assume;
In pompous strain fight o'er the extinguish'd war,
And show where honour bled in every scar.
But though bare merit might in Rome appear
The strongest plea for favour, 'tis not here;
We form our judgment in another way;
And they will best succeed, who best can pay:
Those who would gain the votes of British tribes,
Must add to force of merit, force of bribes.
What can an actor give? In every age
Cash hath been rudely banish'd from the stage;
Monarchs themselves, to grief of every player,
Appear as often as their image there:
They can't, like candidate for other seat,
Pour seas of wine, and mountains raise of meat.
Wine! they could bribe you with the world as soon,
And of 'Roast Beef,' they only know the tune:
But what they have they give; could Clive do more,
Though for each million he had brought home four?
Shuter keeps open house at Southwark fair,
And hopes the friends of humour will be there;
In Smithfield, Yates prepares the rival treat
For those who laughter love, instead of meat;
Foote, at Old House,--for even Foote will be,
In self-conceit, an actor,--bribes with tea;
Which Wilkinson at second-hand receives,
And at the New, pours water on the leaves.
The town divided, each runs several ways,
As passion, humour, interest, party sways.
Things of no moment, colour of the hair,
Shape of a leg, complexion brown or fair,
A dress well chosen, or a patch misplaced,
Conciliate favour, or create distaste.
From galleries loud peals of laughter roll,
And thunder Shuter's praises; he's so droll.
Embox'd, the ladies must have something smart,

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poem by Charles Churchill
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Im Affected

When I look into your big brown eyes and I feel
Like Im in paradise. I want you by my side.
cause Im affected, fected
Yeah, Im affected, fected. well Im affected.
And all I want is you.
Didnt know it a few years ago, but now finally
Know. I want you by my side.
I want you baby, baby, baby, baby.
Yeah, I love you and I want you to know.
Yeah, yeah, and thats for sure I want you
By my side. cause Im affected, fected
Yeah, Im affected, well Im affected.
And all I want is you.

song performed by Ramones
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The Vision Of The Maid Of Orleans - The First Book

Orleans was hush'd in sleep. Stretch'd on her couch
The delegated Maiden lay: with toil
Exhausted and sore anguish, soon she closed
Her heavy eye-lids; not reposing then,
For busy Phantasy, in other scenes
Awakened. Whether that superior powers,
By wise permission, prompt the midnight dream,
Instructing so the passive faculty;
Or that the soul, escaped its fleshly clog,
Flies free, and soars amid the invisible world,
And all things 'are' that 'seem'.

Along a moor,
Barren, and wide, and drear, and desolate,
She roam'd a wanderer thro' the cheerless night.
Far thro' the silence of the unbroken plain
The bittern's boom was heard, hoarse, heavy, deep,
It made most fitting music to the scene.
Black clouds, driven fast before the stormy wind,
Swept shadowing; thro' their broken folds the moon
Struggled sometimes with transitory ray,
And made the moving darkness visible.
And now arrived beside a fenny lake
She stands: amid its stagnate waters, hoarse
The long sedge rustled to the gales of night.
An age-worn bark receives the Maid, impell'd
By powers unseen; then did the moon display
Where thro' the crazy vessel's yawning side
The muddy wave oozed in: a female guides,
And spreads the sail before the wind, that moan'd
As melancholy mournful to her ear,
As ever by the dungeon'd wretch was heard
Howling at evening round the embattled towers
Of that hell-house of France, ere yet sublime
The almighty people from their tyrant's hand
Dash'd down the iron rod.
Intent the Maid
Gazed on the pilot's form, and as she gazed
Shiver'd, for wan her face was, and her eyes
Hollow, and her sunk cheeks were furrowed deep,
Channell'd by tears; a few grey locks hung down
Beneath her hood: then thro' the Maiden's veins
Chill crept the blood, for, as the night-breeze pass'd,
Lifting her tattcr'd mantle, coil'd around
She saw a serpent gnawing at her heart.

The plumeless bat with short shrill note flits by,
And the night-raven's scream came fitfully,
Borne on the hollow blast. Eager the Maid
Look'd to the shore, and now upon the bank

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poem by Robert Southey
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Orlando Furioso Canto 12

ARGUMENT
Orlando, full of rage, pursues a knight
Who bears by force his lady-love away,
And comes where old Atlantes, by his sleight
Had raised a dome, Rogero there to stay.
Here too Rogero comes; where getting sight
Of his lost love, the County strives in fray
With fierce Ferrau, and, after slaughter fell
Amid the paynim host, finds Isabel.

I
Ceres, when from the Idaean dame in haste
Returning to the lonely valley, where
Enceladus the Aetnaean mountain placed
On his bolt-smitten flanks, is doomed to bear,
Her girl she found not, on that pathless waste,
By her late quitted, having rent her hair,
And marked cheeks, eyes, and breast, with livid signs,
At the end of her lament tore up two pines,

II
And lit at Vulcan's fire the double brand,
And gave them virtue never to be spent;
And, afterwards, with one in either hand,
Drawn by two dragons, in her chariot went,
Searching the forest, hill, and level land,
Field, valley, running stream, or water pent,
The land and sea; and having searched the shell
Of earth above, descended into hell.

III
Had Roland of Eleusis' deity
The sovereign power possessed no less than will,
He for Angelica had land and sea
Ransacked, and wood and field, and pool and rill,
Heaven, and Oblivion's bottom: but since he
Had not, his pressing purpose to fulfil,
Her dragon and her car, the unwearied knight
Pursued the missing maid as best he might.

IV
Through France he sought her, and will seek her through
The realms of Italy and of Almayn,
And thence through the Castiles, both old and new,
So passing into Libya out of Spain.
While bold Orlando has this plan in view,
He hears, or thinks he hears, a voice complain:
He forward spurs, and sees on mighty steed
A warrior trot before him on the mead;

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poem by Ludovico Ariosto
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Childish Recollections

'I cannot but remember such things were,
And were most dear to me.'

WHEN slow Disease, with all her host of pains,
Chills the warm, tide which flows along the veins
When Health,affrighted, spreads her rosy wing,
And flies with every changing gale of spring;
Not to the aching frame alone confined,
Unyielding pangs avail the drooping mind:
What grisly forms, the spectre-train of woe,
Bid shuddering Nature shrink beneath the blow
With Resignaion wage relentless strife,
While Hope retires appall'd, and clings to life!
Yet less the pang when, through the tedious hour,
Remembrance sheds around her genial power,
Calls back the vanish'd days to rapture given,
When love was bliss, and Beauty form'd our heaven;
Or, dear to youth, portrays each childish scene,
Those farry bowers, where all in turn have been.
As when through clouds that pour the sumrner storm
The orb of day unveils his distant form,
Gilds with faiht beams the crystal dews of rain,
And dimly twinkles o'er the watery plain;
Thus, while the future dark and cheerless gleams
The sun of memory, glowing through my drearns
Though sunk' the radiance of his former blaze,
To scenes far distant points his paler rays;
Still rules my senses with unbounded sway,
The past confounding with the present day.

Oft does my heart indulge the rising thought,
Which still recurs, uniook'd for and Unsought
My soul to Fancy's fond suggestion yields,
And roams romantic o'er her airy fields.
Scenes of my youth, developed, crowd to view,
To which I long have bade a last adieu!
Seats of delight, inspiring youthful themes;
Friends lost to me for aye, except in dreams;
Some who in marble prematurely sleep.
Whose forms I now remember but to weep;
Some who yet urge the same scholastic course
Of early science, future fame the source;
Who, still contending in the studious race,
In quick rotation fill the senior place.
These with a thousand visions now unite,
To dazzle, though they please, my aching sight
Ida blest spot, where science holds her reign,
How joyous once I join'd thv youthful train!
Bright in idea gleams thy lofty spire,
Again I mingle with thy playful quire;

[...] Read more

poem by Byron
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Confession

Listen up
This is confession
This machine motion is sure to break my heart
Listen up
This is confession
Recorded music sticks in the throat of god.
I o u, you dont own me
I o u, you dont own me
Party time, one mor night, everybodys affected
Listen up
This is confession
You are a poison that flows into my veins.
Listen up
This is confession
Ive never been so scared of letting you down.
You know me, so come closer
You know me, so come closer
Party time, one more town, everybodys affected.
I know you, you dont need me
I know you, you dont need me
Party time, one more girl, everybodys affected
Listen up
This is confession
They tell me heaven just has to be somewhere
Listen up
This is confession
Id lie to God if I could make him believe.
You owe me, and I need you
You owe me, and I need you
Party time, one more game, everybodys affected
This is my confession
This is my confession
Party time, one more lie, everybodys affected

song performed by Gary Numan
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VIII. Dominus Hyacinthus de Archangelis, Pauperum Procurator

Ah, my Giacinto, he's no ruddy rogue,
Is not Cinone? What, to-day we're eight?
Seven and one's eight, I hope, old curly-pate!
—Branches me out his verb-tree on the slate,
Amo-as-avi-atum-are-ans,
Up to -aturus, person, tense, and mood,
Quies me cum subjunctivo (I could cry)
And chews Corderius with his morning crust!
Look eight years onward, and he's perched, he's perched
Dapper and deft on stool beside this chair,
Cinozzo, Cinoncello, who but he?
—Trying his milk-teeth on some crusty case
Like this, papa shall triturate full soon
To smooth Papinianian pulp!

It trots
Already through my head, though noon be now,
Does supper-time and what belongs to eve.
Dispose, O Don, o' the day, first work then play!
—The proverb bids. And "then" means, won't we hold
Our little yearly lovesome frolic feast,
Cinuolo's birth-night, Cinicello's own,
That makes gruff January grin perforce!
For too contagious grows the mirth, the warmth
Escaping from so many hearts at once—
When the good wife, buxom and bonny yet,
Jokes the hale grandsire,—such are just the sort
To go off suddenly,—he who hides the key
O' the box beneath his pillow every night,—
Which box may hold a parchment (someone thinks)
Will show a scribbled something like a name
"Cinino, Ciniccino," near the end,
"To whom I give and I bequeath my lands,
"Estates, tenements, hereditaments,
"When I decease as honest grandsire ought."
Wherefore—yet this one time again perhaps—
Shan't my Orvieto fuddle his old nose!
Then, uncles, one or the other, well i' the world,
May—drop in, merely?—trudge through rain and wind,
Rather! The smell-feasts rouse them at the hint
There's cookery in a certain dwelling-place!
Gossips, too, each with keepsake in his poke,
Will pick the way, thrid lane by lantern-light,
And so find door, put galligaskin off
At entry of a decent domicile
Cornered in snug Condotti,—all for love,
All to crush cup with Cinucciatolo!

Well,
Let others climb the heights o' the court, the camp!

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poem by Robert Browning from The Ring and the Book
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The Princess Betrothed To The King Of Garba

WHAT various ways in which a thing is told
Some truth abuse, while others fiction hold;
In stories we invention may admit;
But diff'rent 'tis with what historick writ;
Posterity demands that truth should then
Inspire relation, and direct the pen.

ALACIEL'S story's of another kind,
And I've a little altered it, you'll find;
Faults some may see, and others disbelieve;
'Tis all the same:--'twill never make me grieve;
Alaciel's mem'ry, it is very clear,
Can scarcely by it lose; there's naught to fear.
Two facts important I have kept in view,
In which the author fully I pursue;
The one--no less than eight the belle possessed,
Before a husband's sight her eyes had blessed;
The other is, the prince she was to wed
Ne'er seemed to heed this trespass on his bed,
But thought, perhaps, the beauty she had got
Would prove to any one a happy lot.

HOWE'ER this fair, amid adventures dire,
More sufferings shared than malice could desire;
Though eight times, doubtless, she exchanged her knight
No proof, that she her spouse was led to slight;
'Twas gratitude, compassion, or good will;
The dread of worse;--she'd truly had her fill;
Excuses just, to vindicate her fame,
Who, spite of troubles, fanned the monarch's flame:
Of eight the relict, still a maid received ;--
Apparently, the prince her pure believed;
For, though at times we may be duped in this,
Yet, after such a number--strange to miss!
And I submit to those who've passed the scene,
If they, to my opinion, do not lean.

THE king of Alexandria, Zarus named,
A daughter had, who all his fondness claimed,
A star divine Alaciel shone around,
The charms of beauty's queen were in her found;
With soul celestial, gracious, good, and kind,
And all-accomplished, all-complying mind.

THE, rumour of her worth spread far and wide,
The king of Garba asked her for his bride,
And Mamolin (the sov'reign of the spot,)
To other princes had a pref'rence got.

THE fair, howe'er, already felt the smart

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poem by La Fontaine
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Orlando Furioso Canto 11

ARGUMENT
Assisted by the magic ring she wears,
Angelica evanishes from view.
Next in a damsel, whom a giant bears
Beneath his arm, his bride Rogero true
Beholds. Orlando to the shore repairs,
Where the fell orc so many damsels slew;
Olympia frees, and spoils the beast of life:
Her afterwards Oberto takes to wife.

I
Although a feeble rein, in mid career,
Will oft suffice to stop courageous horse;
'Tis seldom Reason's bit will serve to steer
Desire, or turn him from his furious course,
When pleasure is in reach: like headstrong bear,
Whom from the honeyed meal 'tis ill to force,
If once he scent the tempting mess, or sup
A drop, which hangs upon the luscious cup.

II
What reason then Rogero shall withhold
From taking with Angelica delight, -
That gentle maid, there naked in his hold,
In the lone forest, and secure from sight?
Of Bradamant he thinks not, who controlled
His bosom erst: and foolish were the knight,
If thinking of that damsel as before,
By this he had not set an equal store;

III
Warmed by whose youthful beauties, the severe
Xenocrates would not have been more chaste.
The impatient Child had dropt both shield and spear,
And hurrying now his other arms uncased;
When, casting down her eyes in shame and fear,
The virtuous ring upon her finger placed,
Angelica descried, and which of yore
From her Brunello in Albracca bore.

IV
This is the ring she carried into France,
When thither first the damsel took her way;
With her the brother, bearer of the lance,
After, the paladin, Astolpho's prey.
With this she Malagigi's spells and trance
Made vain by Merlin's stair; and on a day
Orlando freed, with many knights and good,
From Dragontina's cruel servitude:

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poem by Ludovico Ariosto
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Do You Want To See The Bed In Flames?

(Translation To: Wollt Ihr Das Bett In Flammen Sehen?)

Do you want to see the bed in flames
do you want to perish in skin and hair
you want to stick the dagger in the sheet as well
you want to also lick the blood from the dagger

Rammstein

You see the crosses on the pillow
You mean the innocence may kiss you
You believe it would be hard to kill
But where are all of the dead coming from

Rammstein

Sex is a battle
Love is war

Do you want to see the bed in flames
do you want to perish in skin and hair
you want to stick the dagger in the sheet as well
you want to also lick the blood from the dagger

Rammstein

song performed by Rammstein
Added by Lucian Velea
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Jackknife Johnny

From his army confessions of his military days
You still carry the shrapnel you're shell-shocked and dazed
Dear Johnny have you lost your way
Or like denim and leather are you faded and frayed

Institute lackies with hot bourbon breath
White coats and needles Johnny like to scare you to death
Dear Johnny do you feel your best
When you're strung out at night on your morphine and meth

Jackknife Johnny you're a floor moppin' flunkie
Tool of a dagger's drawn world
Jackknife Johnny them old vets gotta hate you
For bringing home that V.C. girl
Jackknife Johnny welcome to our world

From the tone deaf hearing of the draft board game
You were washing cars down in Dallas when the holocaust came
Dear Johnny your excuse was lame
All your friends sleep in boxes while you sleep in chains

Jackknife Johnny you're a bad jungle monkey
Tool of a dagger's drawn world
Jackknife Johnny them old vets gotta hate you
For bringing home that V.C. girl
Jackknife Johnny welcome to our world

Jackknife Johnny you're a floor moppin' flunkie
Tool of a dagger's drawn world
Jackknife Johnny them old vets gotta hate you
For bringing home that V.C. girl
Jackknife Johnny welcome to our world

Jackknife Johnny you're a bad jungle monkey
Tool of a dagger's drawn world
Jackknife Johnny them old vets gotta hate you
For bringing home that V.C. girl
Jackknife Johnny

song performed by Alice Cooper from From The Inside
Added by Lucian Velea
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Wolt Ihr Das Bett In Flamen Sehen

Wollt ihr das bett in flammen sehen
Wollt ihr in haut und haaren untergehen
Ihr wollt doch auch den dolch ins laken stecken
Ihr wollt doch auch das blut vom degen lecken
Rammstein
Ihr seht die kreuze auf dem kissen
Ihr meint euch darf die unschuld kssen
Ihr glaubt zu tten wre schwer
Doch wo kommen all die toten her
Rammstein
Sex ist ein schlacht
Liebe ist krieg
Wollt ihr das bett in flammen sehen
Wollt ihr in haut und haaren untergehen
Ihr wollt doch auch den dolch ins laken stecken
Ihr wollt doch auch das blut vom degen lecken
Rammstein
(translation:
Do you want to see the bed in flames
------------------------------------
Do you want to see the bed in flames
Do you want to totally perish
You want to stick the dagger in the sheet
You want to lick the blood from the dagger
Rammstein!
You see the crosses on the pillow
You think innocence may kiss you
You believe killing might be hard
But where are all the dead coming from
Rammstein!
Sex is a battle.
Love is war.
Do you want to see the bed in flames
Do you want to totally perish
You want to stick the dagger in the sheet
You want to lick the blood from the dagger
Rammstein! )

song performed by Rammstein
Added by Lucian Velea
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The Tub Of Water

By the tub of water stands an object too frightening,
The steel dagger awaits bloody ruin from the majesty of evil;
Into the place we surrender our will to the enormity of disgust,
In this place of ruin we see everyday objects become murderous.
To the touch it seems a murder has been committed,
Blood is desired beyond the mirrors, beyond us.
I heard practically no sound, so astonished by the silence
I carried by own living body to the realm of the other side.
Camps of ruin, camps of blood were before me,
Antagonizing my brain and mind, my guts and feeling.
The tub of water vanished and became a tub of horror -
A monstrous man pushed up, with bloody wounds
And too many gashes to the skin, ripping apart now.
I had to disgust itself with my action,
I had to discuss with him his fate,
The fate I gave him, I never forgave him,
I hated his being with the dagger to release
Him, and me from the clutches of horror and blood.
The dagger is enough, it is enough
To employ in reducing the man,
The man who is now dead from the gashes,
The ones fresh from my dagger, the pouring blood
Is astounding, and filling the tub of water.

poem by Naveed Akram
Added by Poetry Lover
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Who is affected more when it's cold? Poor people. Who is affected more when it's hot? Poor people. Who is affected more when it's wet? Poor people. Who is most affected when the economy is bad? Poor people. Poor people are the most fragile.

quote by Russel Honore
Added by Lucian Velea
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The Historian

He was a big name
Who had gained fame
As one of the “Kiplings”
Who said his hero was brave
Who said his hero was burdened
Who said he had conquered
Who said he had captured
Who snatched my last weapon
My home made dagger
With handle of bone
Beads of silver
Who said
This was my honor
Who then said
I had a bitter fight
For him the cursed dagger
When snatched back
Eye to eye
He knew
Who shall have the last breath
I remember
The dagger of my fore fathers
You collected
As recovered
I did not recount the bravery
Of my heroes
They stand fallen
As you held the pen

23/1/2010
Islamabad

poem by Sadiqullah Khan
Added by Poetry Lover
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