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Dead End

Well easily with me I show affection,
But it's a creepin up, a creepin up on me in another direction
I love, I write, and I die
And I try to ask no questions,
But the weary one is still me,
Do you think its obsession?
The smoke will find you a choker that matches your coat, not fit to be tied
The mirror it makes it all clearer as you stand alone and cant see your behind
Yea
They tried to tell me I could say that nobody could believe this
Well they tried to tell me I could say nobody could achieve this
The way you stayed of, locked away of
Keeping the flame for yourself,
The way you stayed of, pushin the blame of, reaping the fame for yourself
Oh well, it's a, it's a, dead end
It's a dead end
Oh, it's a dead end lonely day,
Say it's a dead end
It's a, it's a, it's a, it's a, it's a dead end day
It's a dead end oh day
And it's a long way, a long way down,
Hey well it's a long way, a long way down
Change is coming a baby,
Don't be startled lady
Every once in a while they do it again
You gonna shake it, shake it,
You know you wanna take it
Back to where you once belonged,
Back beneath the sheets and between the pillow cases
And the snake he races out and he, he tangles into your hair
Funny the fruits you choose
Oh the time you take, the words you loose
And it all goes back to rotation over the back of your hand
Oh the back of your hand, oh the back of your hand
Oh the map is your hand,
it's the back of your hand, the back of your hand
say the back of your hand, oh the map is your hand, it's the back of your hand
stop whining all the time,
don't you find a little secret to yourself always saved your life,
stop listening to the words that you've heard
no one else but yourself will agree with you more
that it's a long, long way
it's a long, long way
and it's a long, long way, a long way down
hey, and it's a long way down,
and it's a lo- oh- oh- ng way down
hey, hey, hey, and it's a long, long, long, long way down,
say say, SCATS
and it's a lo- oh- oh- ng way down, hey and it's a long way dooooown
it's a dead end

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Dear Mr. President

I'm looking outside of my windows
The view that i see
Is a child and mama
And the child is begging for money
Tell me why, tell me why
The woman is blind is she so broke
The kid's dealing crime
It's such a beautiful city
But the world is burning it down
Yea yea yea yea yea yea
Yea yea yea yea yea yea
It's such a beautiful city
But the world is it burning down
I go to my room to turn on the t.v
I sit myself down
And i start laughing hard
'cause this man he's asking for money
He sats "if you send me lots of cash i'll send you
Stuff to make you rich fast"
It's such a wonderful country
But the man he's burning it down
Yea yea yea yea yea yea
Yea yea yea yea yea yea
It's such a wonderful country
But the man he's burning it down
Yea yea yea yea yea yea
Yea yea yea yea yea yea
And it's burning down
And it's called the u.s of a.
One day i'm going to have lots of money
But i'll have to give up
For this rich society
Oh please mr. president will you lend me a future
'cause you'll just get it back
From the little blind woman
With the kid on the corner
And the people all over, doin' crack
Yea yea yea yea yea yea
Yea yea yea yea yea yea
It's such a wonderful country
But the man he's burning it down
Yea yea yea yea yea yea
Yea yea yea yea yea yea
And it's burning down
And it's called the u.s of a.
I'm walking outside on a sunny day
With no one around
And i wonder what's wrong
The i hear this loud piercing siren
Oh my god the bomb has just dropped

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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

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Creepin

Hey, everybody wont you lend me your ear,
Theres something to fear, its here, and thats clear.
Men gettin rich off rapin the land,
I cant understand, why we dont take them in hand.
Woah, oh ... lord, I dont want to be their fool no more.
I dont want to be their fool no more.
Open eyes, but youre sleepin,
You best wake up fore tomorrow comes creepin in.
fore tomorrow comes creepin in.
Feel that our lives are in the hands of fools,
Loosin their cool, its us that they rule.
Too many people sittin dead on their ass,
They aint got no class, people, this time must pass.
Woah, oh ... lord, I dont want to be their fool no more.
Hey ... I dont want to be their fool no more.
Open eyes, but youre sleepin,
You best wake up fore tomorrow comes creepin in.
fore tomorrow comes creepin in.
Woah, oh ... yeah, tomorrow comes creepin.
Oh ... hear me cryin cause the people like me,
That long to be free, are not actually.
Please everybody wont you hear this song,
Help a country thats wrong, to someday be strong.
Woah, oh ... lord, I dont want to be their fool no more.
No! lord, I dont want to be their fool no more.
Open eyes, but youre sleepin,
You best wake up fore tomorrow comes creepin.
Creepin ...
Creepin ...
Creepin ...
Creepin ...
Creepin ...
Creepin ...
Creepin ...
Creepin ...
Creepin ...
Tomorrow comes creepin.
Tomorrow comes creepin.
Tomorrow comes creepin.
Tomorrow comes creepin.
Tomorrow comes creepin.
Tomorrow comes creepin.
Tomorrow comes creepin.
Tomorrow comes creepin.

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The Old Chisholm Trail

Well, come along boys and listen to my tale
I'll tell you all my troubles on the ol' Chisholm Trail
Come a-ti yi youpy, youpy yea, youpy yea
Come a-ti yi youpy, youpy yea.
I started up the trail October twenty-third
Started up the trail with the U-2 herd
Come a-ti yi youpy, youpy yea, youpy yea
Come a-ti yi youpy, youpy yea.
On a ten dollar horse and a forty dollar saddle
Started out punchin' them long horn cattle
Come a-ti yi youpy, youpy yea, youpy yea
Come a-ti yi youpy, youpy yea.
With my seat in the saddle and my hand on the horn
I'm the best dang cowboy that was ever born
Come a-ti yi youpy, youpy yea, youpy yea
Come a-ti yi youpy, youpy yea.
It's cloudy in the west and lookin' like rain
And my danged old slicker's in the wagon again
Come a-ti yi youpy, youpy yea, youpy yea
Come a-ti yi youpy, youpy yea.
The wind began to blow and the rain began to fall
And it looked like we were gonna lose 'em all
Come a-ti yi youpy, youpy yea, youpy yea
Come a-ti yi youpy, youpy yea.
No chaps, no slickers and it's pouring rain
I swear I'll never night herd again
Come a-ti yi youpy, youpy yea, youpy yea
Come a-ti yi youpy, youpy yea.
I cripple on my horse and I don't know how
Roping these long horn U-2 cows
Come a-ti yi youpy, youpy yea, youpy yea
Come a-ti yi youpy, youpy yea.
Well, I went to the boss to draw my roll
And the boss had me fugured nine dollars in the hole
Come a-ti yi youpy, youpy yea, youpy yea
Come a-ti yi youpy, youpy yea.
Well, me and the boss we had a little spat
So I hit him in the face with my ten gallon hat
Come a-ti yi youpy, youpy yea, youpy yea
Come a-ti yi youpy, youpy yea.
The boss said to me, ''Well, I'll fire you
Not only you but the whole darn crew.''
Come a-ti yi youpy, youpy yea, youpy yea
Come a-ti yi youpy, youpy yea.
I'll sell my horse, I'll sell my saddle
And you can drive all your long horn cattle
Come a-ti yi youpy, youpy yea, youpy yea
Come a-ti yi youpy, youpy yea.
Come a-ti yi youpy, youpy yea, youpy yea
Come a-ti yi youpy, youpy yea...

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Show Me Love

(spoken) Hello
This was an accident
Not the kind where sorrow sounds
Never even noticed
We're suddenly crumbling
Tell me how you've never felt
Delicate or innocent
Do you still have doubts that
Us having faith makes any sense
Tell me nothing ever counts
Lashing out or breaking down
Still somebody loses 'cause
There's no way to turn around
Staring at your photograph
Everything now in the past
Never felt so lonely
I wish that you could show me love
Shov me love
Show me love
Show me love
Show me love
Show me love
'Til you open that door
Show me love
Show me love
Show me love
Show me love
Show me love
'Til I'm up off the floor
Show me love
Show me love
Show me love
Show me love
Show me love
'Til it's inside my pores
Show me love
Show me love
Show me love
Show me love
Show me love
'Til I'm screaming for more
Random acts of mindlessness
Commonplace occurences
Chances and surprises
Another state of consciousness
Tell me nothing ever counts
Lashing out or breaking down
Still somebody loses 'cause
There's no way to turn around
Tell me how you've never felt

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Sir Peter Harpdon's End

In an English Castle in Poictou. Sir Peter Harpdon, a Gascon knight in the English service, and John Curzon, his lieutenant.

John Curzon

Of those three prisoners, that before you came
We took down at St. John's hard by the mill,
Two are good masons; we have tools enough,
And you have skill to set them working.


Sir Peter

So-
What are their names?


John Curzon

Why, Jacques Aquadent,
And Peter Plombiere, but-


Sir Peter

What colour'd hair
Has Peter now? has Jacques got bow legs?


John Curzon

Why, sir, you jest: what matters Jacques' hair,
Or Peter's legs to us?


Sir Peter

O! John, John, John!
Throw all your mason's tools down the deep well,
Hang Peter up and Jacques; they're no good,
We shall not build, man.


John Curzon


going.

Shall I call the guard
To hang them, sir? and yet, sir, for the tools,
We'd better keep them still; sir, fare you well.

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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The Mirror Struggled

The mirror struggled; reflecting beauty such as hers
Prescribed a glory in the challenge – a fairytale
Or such as like! To shimmer back hypnotic hues
From auras of her skin – how do mirrors cope?
Hoary tales of pretty adolescent buds
Could never hope to match the tomes of dreamy
Pulchritude apprising us of such a belle as she.

The mirror shone; and as it worked itself, a moment –
Did it overlook the hidden melancholy?
Were melting eyes bedewed–? Florid lips imbued
With mournfulness? The hindrance of the silver glass!
Oh! to seek – to know the meaning of the sorrow!
She (with tearful hair, an image out of heaven)
Never opened up her heart. The mirror struggled.

Copyright Mark R Slaughter 2009


m irror mirror mirror - mirror mirror mirror
mirror mirror mirror - mirror mirror mirror
mirror mirror mirror - mirror mirror mirror
mirror mirror mirror - mirror mirror mirror
mirror mirror mirror - mirror mirror mirror
mirror mirror mirror - mirror mirror mirror
mirror mirror mirror - mirror mirror mirror
mirror mirror mirror - mirror mirror mirror

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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

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Lou Dog Went To The Moon

My little dog, ran away the other day
yea yea, yea yea, yea yea,yea yea.
I cant believe my little dog Lou Dog, ran away
yea yea, yea yea, yea yea, yea yea
He packed his bags, got into a hotair ballon
yea yea, yea yea, yea yea, yea yea
And then my little dog, Lou Dog,
Sailed off to the moon
yea yea, yea yea, yea yea, yea yea
[yells somthing twice!]
That was the day that, Lou Dog, Went to the moon.
[clapping and cheering]

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Gareth And Lynette

The last tall son of Lot and Bellicent,
And tallest, Gareth, in a showerful spring
Stared at the spate. A slender-shafted Pine
Lost footing, fell, and so was whirled away.
'How he went down,' said Gareth, 'as a false knight
Or evil king before my lance if lance
Were mine to use--O senseless cataract,
Bearing all down in thy precipitancy--
And yet thou art but swollen with cold snows
And mine is living blood: thou dost His will,
The Maker's, and not knowest, and I that know,
Have strength and wit, in my good mother's hall
Linger with vacillating obedience,
Prisoned, and kept and coaxed and whistled to--
Since the good mother holds me still a child!
Good mother is bad mother unto me!
A worse were better; yet no worse would I.
Heaven yield her for it, but in me put force
To weary her ears with one continuous prayer,
Until she let me fly discaged to sweep
In ever-highering eagle-circles up
To the great Sun of Glory, and thence swoop
Down upon all things base, and dash them dead,
A knight of Arthur, working out his will,
To cleanse the world. Why, Gawain, when he came
With Modred hither in the summertime,
Asked me to tilt with him, the proven knight.
Modred for want of worthier was the judge.
Then I so shook him in the saddle, he said,
"Thou hast half prevailed against me," said so--he--
Though Modred biting his thin lips was mute,
For he is alway sullen: what care I?'

And Gareth went, and hovering round her chair
Asked, 'Mother, though ye count me still the child,
Sweet mother, do ye love the child?' She laughed,
'Thou art but a wild-goose to question it.'
'Then, mother, an ye love the child,' he said,
'Being a goose and rather tame than wild,
Hear the child's story.' 'Yea, my well-beloved,
An 'twere but of the goose and golden eggs.'

And Gareth answered her with kindling eyes,
'Nay, nay, good mother, but this egg of mine
Was finer gold than any goose can lay;
For this an Eagle, a royal Eagle, laid
Almost beyond eye-reach, on such a palm
As glitters gilded in thy Book of Hours.
And there was ever haunting round the palm
A lusty youth, but poor, who often saw

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Tearful Eyes

The mirror laughed; it gleaned my thoughts
And saw me cry my want:
Synthetic views - pathetic clues
To how I tick - and now you taunt,
You bleeding mirror, jibe another!
Just because I dream…

To be the mighty hero wise!
And perch atop the sodden hill
Of blood and pungent death,
To lead our race from sure demise.
Let's regain, collect, and rest
Before the battle slams
Our dauntless nerve. And now to rise!
Come follow me - we'll slay the foe!
See my cloak unfurl.
Through screams and wails, he fails and dies.
Look! he falls across his minions'
Path. I laugh aloud.
My warriors hold me to the skies.
Overhead the clouds recede,
Thinning out the black.

And then I fade in pallid lies.
Returning back to conscious state,
I let the mirror slate me:
Fathoming my remote disguise,
Reflecting back my hopeless lot.
Oh to smash the thing!
If I could see through tearful eyes.


Copyright © Mark Raymond Slaughter 2009


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Afrikaans: Sterregordels, Stilsonjare, Tydsbroekspypdinge, Haarsliert

Sterregordels

Cosmology in Afrikaans is an ode to joy, the
terms form sing-song strings with delightful
sounds “ewigbewegende elektron”
continuously spinning electron

“elektron in die hart van die atoomkorrel”
electron in the centre of the atom particle
- what a song!

“Triljoene Melkwegstelsels waaromheen ons
Melkweg elke tweehonderdmiljoenjaar
wentel – ‘n mallemeule van sterregordels…”

“Dobberende patrone, mesone en elektrone,
'n konfigurasie van konvekse novae”…

- these terms are singing to me!

A merry-go-round of star systems

Quotes from Adriaan Snyman “Die Messias Kode” (The Messiah Code) pp.9,10


Bombardement Van Frekwensies (English Explanation)

Waarmee sal ek hierdie leë oomblikke,
ankerloos, betekenisloos; aan die ewigheid
vasmaak - die gevoelsruimte in my hart

Is leeg, alle gevoel en denke het gesamentlik
in die donker duisternis van my brein ingeval
‘n laserbrein wat die hologramwêreld

Self moet konsituteer uit ‘n bombardement
van betekenislose frekwensies – maar
vandag is die ligstraalfokus uit

My pendulumgedagtes swaai ongefokus rond
die opgerolde, ingevoude ses-en-twintig of
meer dimensies van die virtuele werklikheid

Wil nie vir my oopgaan nie…


All thought and feeling fell into the black hole in my brain and the twenty-six or more rolled-up frequencies of reality does not want to open for me today…


Geloof In Liefde - Faith In Love

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The Victories Of Love. Book II

I
From Jane To Her Mother

Thank Heaven, the burthens on the heart
Are not half known till they depart!
Although I long'd, for many a year,
To love with love that casts out fear,
My Frederick's kindness frighten'd me,
And heaven seem'd less far off than he;
And in my fancy I would trace
A lady with an angel's face,
That made devotion simply debt,
Till sick with envy and regret,
And wicked grief that God should e'er
Make women, and not make them fair.
That he might love me more because
Another in his memory was,
And that my indigence might be
To him what Baby's was to me,
The chief of charms, who could have thought?
But God's wise way is to give nought
Till we with asking it are tired;
And when, indeed, the change desired
Comes, lest we give ourselves the praise,
It comes by Providence, not Grace;
And mostly our thanks for granted pray'rs
Are groans at unexpected cares.
First Baby went to heaven, you know,
And, five weeks after, Grace went, too.
Then he became more talkative,
And, stooping to my heart, would give
Signs of his love, which pleased me more
Than all the proofs he gave before;
And, in that time of our great grief,
We talk'd religion for relief;
For, though we very seldom name
Religion, we now think the same!
Oh, what a bar is thus removed
To loving and to being loved!
For no agreement really is
In anything when none's in this.
Why, Mother, once, if Frederick press'd
His wife against his hearty breast,
The interior difference seem'd to tear
My own, until I could not bear
The trouble. 'Twas a dreadful strife,
And show'd, indeed, that faith is life.
He never felt this. If he did,
I'm sure it could not have been hid;
For wives, I need not say to you,

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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Keep On Running

Some gonna get you
Some gonna grab you
Some gonna jump out of the bushes and grab you
Whole lotta folks, you better run faster.
Some gonna grab you
Some gonna jump out of the bushes and grab you
Some gonna grab you
Oh you need this thing to grab you, ha.
Yea, yea
Keep on running
Keep on running from my love
Keep on running, yea
Keep on running from my love
Some folks say that youre really, really fine,
All you want to be is just a friend of mine,
But I know, the man your with gonna break your heart,
And youll be sad real soon, yea.
Keep on running,
Keep on running from my love,
Keep on running, yea,
Keep on running from my love.
Some folks say that youre really, really fine
But all you want to be is just a friend of mine,
But I know Im gonna get you with him -real soon.
Why do you keep?
Keep on running, running from my love
Yea, keep on running from
Keep on running, running from my love
I need you baby
Keep on running, running from my love
And everyday yea,
Keep on running, running from my love. oh
Keep on running
Keep on running from my love
Keep on running yea
Keep on running from my love
Some folks say that your love is really good
All you want to be is just a friend of mine,
But I know, Im gonna get you in the end
cause I need you so
Keep on running
Keep on running, running from my love
Yea, keep on running baby
Keep on running, running from my love, yea
Keep on running, running from my love
Keep on running, running from my love
...say it loud
Keep on running, running from my love
Oh, yea
Keep on running, running from my love

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Lancelot And Elaine

Elaine the fair, Elaine the loveable,
Elaine, the lily maid of Astolat,
High in her chamber up a tower to the east
Guarded the sacred shield of Lancelot;
Which first she placed where the morning's earliest ray
Might strike it, and awake her with the gleam;
Then fearing rust or soilure fashioned for it
A case of silk, and braided thereupon
All the devices blazoned on the shield
In their own tinct, and added, of her wit,
A border fantasy of branch and flower,
And yellow-throated nestling in the nest.
Nor rested thus content, but day by day,
Leaving her household and good father, climbed
That eastern tower, and entering barred her door,
Stript off the case, and read the naked shield,
Now guessed a hidden meaning in his arms,
Now made a pretty history to herself
Of every dint a sword had beaten in it,
And every scratch a lance had made upon it,
Conjecturing when and where: this cut is fresh;
That ten years back; this dealt him at Caerlyle;
That at Caerleon; this at Camelot:
And ah God's mercy, what a stroke was there!
And here a thrust that might have killed, but God
Broke the strong lance, and rolled his enemy down,
And saved him: so she lived in fantasy.

How came the lily maid by that good shield
Of Lancelot, she that knew not even his name?
He left it with her, when he rode to tilt
For the great diamond in the diamond jousts,
Which Arthur had ordained, and by that name
Had named them, since a diamond was the prize.

For Arthur, long before they crowned him King,
Roving the trackless realms of Lyonnesse,
Had found a glen, gray boulder and black tarn.
A horror lived about the tarn, and clave
Like its own mists to all the mountain side:
For here two brothers, one a king, had met
And fought together; but their names were lost;
And each had slain his brother at a blow;
And down they fell and made the glen abhorred:
And there they lay till all their bones were bleached,
And lichened into colour with the crags:
And he, that once was king, had on a crown
Of diamonds, one in front, and four aside.
And Arthur came, and labouring up the pass,
All in a misty moonshine, unawares

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Tied Up (7' Version)

Tied Up, Tied Up
Tied Up, Tied Up
Tied Up, Tied Up
Tied Up, Tied Up
Tied Up, Tied Up
Tied Up, Tied Up
Tied Up, Tied Up
Gulemo Dilemma
Gulemo Dilemma
Tie me up, the city heat
Bring the bell, go down the street
Tie me up to the Babaumba Beat
Try to beat, try to fight
Take me back into the ring tonight
Shake it up, beat down the beat
Shake it up to the Babaumba Heat
It's the African Queen, we got the summer night grand
It's the African Queen, the hottest lady in town
It's the African Queen, who keeps me on my feet
It's the African Queen, the Babaumba Beat
All you need is love
Take my heart
And hold me tight forever, forever
Bombo-yo, ko ko ko bombo ya
Bombo-yo, ko ko ko bombo ya
Bombo-yo, ko ko ko bombo ya
Ring the bell
Roll down the street
Tie me up into the city heat
Take me guys, keep up the beat
Bring the bell into the city heat
Tied Up, Tied Up
Tied Up, Tied Up
Tied Up, Tied Up
Tied Up, Tied Up
Tied Up, Tied Up
Tied Up, Tied Up
Tied Up, Tied Up
Tied Up, Tied Up
Gulemo Dilemma
Gulemo Dilemma
Got awaaaaaaaaaay
Got awaaaaaaaaaay
Got awaaaaaaaaaay (de-le-maaaaaa)
(bal-du-ah)
Take me guys, keep up the beat
Bring the bell into the city heat
Got awaaaaaaaaaay eko-ahll-ahhhhhhhhhhhhh
Ring the bell, roll down the street
Tie me up into the city heat

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song performed by YelloReport problemRelated quotes
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Tied Up (7' Version)

Tied Up, Tied Up
Tied Up, Tied Up
Tied Up, Tied Up
Tied Up, Tied Up
Tied Up, Tied Up
Tied Up, Tied Up
Tied Up, Tied Up
Gulemo Dilemma
Gulemo Dilemma
Tie me up, the city heat
Bring the bell, go down the street
Tie me up to the Babaumba Beat
Try to beat, try to fight
Take me back into the ring tonight
Shake it up, beat down the beat
Shake it up to the Babaumba Heat
It's the African Queen, we got the summer night grand
It's the African Queen, the hottest lady in town
It's the African Queen, who keeps me on my feet
It's the African Queen, the Babaumba Beat
All you need is love
Take my heart
And hold me tight forever, forever
Bombo-yo, ko ko ko bombo ya
Bombo-yo, ko ko ko bombo ya
Bombo-yo, ko ko ko bombo ya
Ring the bell
Roll down the street
Tie me up into the city heat
Take me guys, keep up the beat
Bring the bell into the city heat
Tied Up, Tied Up
Tied Up, Tied Up
Tied Up, Tied Up
Tied Up, Tied Up
Tied Up, Tied Up
Tied Up, Tied Up
Tied Up, Tied Up
Tied Up, Tied Up
Gulemo Dilemma
Gulemo Dilemma
Got awaaaaaaaaaay
Got awaaaaaaaaaay
Got awaaaaaaaaaay (de-le-maaaaaa)
(bal-du-ah)
Take me guys, keep up the beat
Bring the bell into the city heat
Got awaaaaaaaaaay eko-ahll-ahhhhhhhhhhhhh
Ring the bell, roll down the street
Tie me up into the city heat

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The Victories Of Love. Book I

I
From Frederick Graham

Mother, I smile at your alarms!
I own, indeed, my Cousin's charms,
But, like all nursery maladies,
Love is not badly taken twice.
Have you forgotten Charlotte Hayes,
My playmate in the pleasant days
At Knatchley, and her sister, Anne,
The twins, so made on the same plan,
That one wore blue, the other white,
To mark them to their father's sight;
And how, at Knatchley harvesting,
You bade me kiss her in the ring,
Like Anne and all the others? You,
That never of my sickness knew,
Will laugh, yet had I the disease,
And gravely, if the signs are these:

As, ere the Spring has any power,
The almond branch all turns to flower,
Though not a leaf is out, so she
The bloom of life provoked in me;
And, hard till then and selfish, I
Was thenceforth nought but sanctity
And service: life was mere delight
In being wholly good and right,
As she was; just, without a slur;
Honouring myself no less than her;
Obeying, in the loneliest place,
Ev'n to the slightest gesture, grace
Assured that one so fair, so true,
He only served that was so too.
For me, hence weak towards the weak,
No more the unnested blackbird's shriek
Startled the light-leaved wood; on high
Wander'd the gadding butterfly,
Unscared by my flung cap; the bee,
Rifling the hollyhock in glee,
Was no more trapp'd with his own flower,
And for his honey slain. Her power,
From great things even to the grass
Through which the unfenced footways pass,
Was law, and that which keeps the law,
Cherubic gaiety and awe;
Day was her doing, and the lark
Had reason for his song; the dark
In anagram innumerous spelt
Her name with stars that throbb'd and felt;

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