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When Youre Smiling

Mark fisher / joe goodwin / larry shay
When youre smiling
When youre smiling
The whole world smiles with you
When youre laughing
When youre laughing
The sun comes shining thru
But when youre crying
You bring on the rain
So stop your sighing be happy again
Keep on smiling
cause when youre smiling
The whole world smiles with you

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Joseph’s Dreams and Reuben's Brethren [A Recital in Six Chapters]

CHAPTER I

I cannot blame old Israel yet,
For I am not a sage—
I shall not know until I get
The son of my old age.
The mysteries of this Vale of Tears
We will perchance explain
When we have lived a thousand years
And died and come again.

No doubt old Jacob acted mean
Towards his father’s son;
But other hands were none too clean,
When all is said and done.
There were some things that had to be
In those old days, ’tis true—
But with old Jacob’s history
This tale has nought to do.

(They had to keep the birth-rate up,
And populate the land—
They did it, too, by simple means
That we can’t understand.
The Patriarchs’ way of fixing things
Would make an awful row,
And Sarah’s plain, straightforward plan
Would never answer now.)
his is a tale of simple men
And one precocious boy—
A spoilt kid, and, as usual,
His father’s hope and joy
(It mostly is the way in which
The younger sons behave
That brings the old man’s grey hairs down
In sorrow to the grave.)

Old Jacob loved the whelp, and made,
While meaning to be kind,
A coat of many colours that
Would strike a nigger blind!
It struck the brethren green, ’twas said—
I’d take a pinch of salt
Their coats had coloured patches too—
But that was not their fault.

Young Joseph had a soft thing on,
And, humbugged from his birth,
You may depend he worked the thing
For all that it was worth.

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Thurso’s Landing

I
The coast-road was being straightened and repaired again,
A group of men labored at the steep curve
Where it falls from the north to Mill Creek. They scattered and hid
Behind cut banks, except one blond young man
Who stooped over the rock and strolled away smiling
As if he shared a secret joke with the dynamite;
It waited until he had passed back of a boulder,
Then split its rock cage; a yellowish torrent
Of fragments rose up the air and the echoes bumped
From mountain to mountain. The men returned slowly
And took up their dropped tools, while a banner of dust
Waved over the gorge on the northwest wind, very high
Above the heads of the forest.
Some distance west of the road,
On the promontory above the triangle
Of glittering ocean that fills the gorge-mouth,
A woman and a lame man from the farm below
Had been watching, and turned to go down the hill. The young
woman looked back,
Widening her violet eyes under the shade of her hand. 'I think
they'll blast again in a minute.'
And the man: 'I wish they'd let the poor old road be. I don't
like improvements.' 'Why not?' 'They bring in the world;
We're well without it.' His lameness gave him some look of age
but he was young too; tall and thin-faced,
With a high wavering nose. 'Isn't he amusing,' she said, 'that
boy Rick Armstrong, the dynamite man,
How slowly he walks away after he lights the fuse. He loves to
show off. Reave likes him, too,'
She added; and they clambered down the path in the rock-face,
little dark specks
Between the great headland rock and the bright blue sea.

II
The road-workers had made their camp
North of this headland, where the sea-cliff was broken down and
sloped to a cove. The violet-eyed woman's husband,
Reave Thurso, rode down the slope to the camp in the gorgeous
autumn sundown, his hired man Johnny Luna
Riding behind him. The road-men had just quit work and four
or five were bathing in the purple surf-edge,
The others talked by the tents; blue smoke fragrant with food
and oak-wood drifted from the cabin stove-pipe
And slowly went fainting up the vast hill.
Thurso drew rein by
a group of men at a tent door
And frowned at them without speaking, square-shouldered and
heavy-jawed, too heavy with strength for so young a man,
He chose one of the men with his eyes. 'You're Danny Woodruff,

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Baby, Stop Crying

You been down to the bottom with a bad man, babe,
But youre back where you belong.
Go get me my pistol, babe,
Honey, I cant tell right from wrong.
Baby, please stop crying, stop crying, stop crying
Baby, please stop crying, stop crying, stop crying
Baby, please stop crying.
You know, I know, the sun will always shine
So baby, please stop crying cause its tearing up my mind.
Go down to the river, babe,
Honey, I will meet you there.
Go down to the river, babe,
Honey, I will pay your fare.
Baby, please stop crying, stop crying, stop crying
Baby, please stop crying, stop crying, stop crying
Baby, please stop crying.
You know, I know, the sun will always shine
So baby, please stop crying cause its tearing up my mind.
If youre looking for assistance, babe,
Or if you just want some company
Or if you just want a friend you can talk to,
Honey, come and see about me.
Baby, please stop crying, stop crying, stop crying
Baby, please stop crying, stop crying, stop crying
Baby, please stop crying.
You know, I know, the sun will always shine
So baby, please stop crying cause its tearing up my mind.
You been hurt so many times
And I know what youre thinking of.
Well, I dont have to be no doctor, babe,
To see that youre madly in love.
Baby, please stop crying, stop crying, stop crying
Baby, please stop crying, stop crying, stop crying
Baby, please stop crying.
You know, I know, the sun will always shine
So baby, please stop crying cause its tearing up my mind.

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Standing In For Joe

Im standing, standing in for joe
Joe called round to ask me, would I do a favor?
While hes gonna be out of town
He says his girl needs company, she gets so restless
Would I keep her safe and sound?
Softly, softly in the night
Why, you can guess the rest...
Now these shoes fit all too well
Standing in for joe
Standing in for joe
Im standing - in for joe
Joe said weve been friends so long
That I would be the one he would trust with his life
And now those words roll round my brain
As darkness falls, as I turn out his bedroom light
Who could resist her tender charms?
So the story goes...
This actor he plays all the parts
Standing in for joe
Standing in for joe
Im standing - in for joe
Love is like a river,
You cannot stop its flow... mmm hmm
Joe called round to ask me, would I do a favor?
While hes gonna be out of town
He says his girl needs company, she gets so restless
Would I check that shes safe and sound?
Softly, softly in the night
Why, you can guess the rest...
Now these shoes fit all too well
Standing in for joe
Im standing in for joe - oh yeah
Im standing in for joe - keep his sweetheart company, yeah
Standing in for joe - just standing in for joe, yeah
Standing in for joe - until he gets back home, yeah
Standing in for joe - gonna keep her insane, yeah
Standing in for joe - gonna keep her safe and sound, yeah
Standing in for joe - keep his sweetheart company, yeah
Standing in for joe - almost full time, which is nice, yeah
Standing in for joe - because she gets so restless
Standing in for joe - always so restless
Standing in for joe - keep his sweetheart company, yeah
Standing in for joe - gonna keep her safe and sound, yeah
Standing in for joe - Im standing in for joe, yeah...

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Standing In For Joe

Im standing, standing in for joe
Joe called round to ask me, would I do a favor?
While hes gonna be out of town
He says his girl needs company, she gets so restless
Would I keep her safe and sound?
Softly, softly in the night
Why, you can guess the rest...
Now these shoes fit all too well
Standing in for joe
Standing in for joe
Im standing - in for joe
Joe said weve been friends so long
That I would be the one he would trust with his life
And now those words roll round my brain
As darkness falls, as I turn out his bedroom light
Who could resist her tender charms?
So the story goes...
This actor he plays all the parts
Standing in for joe
Standing in for joe
Im standing - in for joe
Love is like a river,
You cannot stop its flow... mmm hmm
Joe called round to ask me, would I do a favor?
While hes gonna be out of town
He says his girl needs company, she gets so restless
Would I check that shes safe and sound?
Softly, softly in the night
Why, you can guess the rest...
Now these shoes fit all too well
Standing in for joe
Im standing in for joe - oh yeah
Im standing in for joe - keep his sweetheart company, yeah
Standing in for joe - just standing in for joe, yeah
Standing in for joe - until he gets back home, yeah
Standing in for joe - gonna keep her insane, yeah
Standing in for joe - gonna keep her safe and sound, yeah
Standing in for joe - keep his sweetheart company, yeah
Standing in for joe - almost full time, which is nice, yeah
Standing in for joe - because she gets so restless
Standing in for joe - always so restless
Standing in for joe - keep his sweetheart company, yeah
Standing in for joe - gonna keep her safe and sound, yeah
Standing in for joe - Im standing in for joe, yeah...

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The House Of Dust: Complete

I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.


II.

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Hey Joe

Hey joe, where you goin' with that gun in your hand
I said hey dude joe, where you goin' with that gun in your hand
Going down to shoot my old lady
You know, i've caught her messin' around with another man
Yes i did
You know, i've caught her messin' around with another man
Hey joe, i said where you goin' with that gun in your hand
Hey joe, where you goin' with that gun in your hand
Gonna messin' round
Yes i did
You know, i caught her messin' round man, messin' round town now
So i shot her!
I said hey joe, hey joe,
Where you goin' with that gun in your hand,
I said hey joe,
Where you goin' with that gun in your hand
I caught her messin' round, gonna messin' round town with another man yeah
I said hey joe, hey joe
Where you goin' with that gun in your hand
Hey joe, hey joe, where you goin' , haha-haha-haha
I've caught her messin' around with another man
I've caught her messin' around with another man
I said hey joe, hey joe, hey joe, hey joe, hey dude joe
I said hey hey joe, where you goin' with that gun in your hand
Hey joe, where you goin' with that gun in your hand, hand, hand
Hey joe, hey joe, hey joe, hey joe, hey joe, hey joe, hey haha
Hey joe, hey joe,
Yeah yeah yeah hey hey
Where you goin' with that gun in your hand,
Yeahhhhh, where you goin' with that gun in your hand

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The Twenty Hoss-Power Shay

You have heard of the wonderful one-hoss shay
That was built in such a logical way
It ran a hundred years to a day.
And then, of a sudden, it up and bust,
And all that was left was a mound of dust?
Holmes -- O. W. -- told it well
In a rhyme of his -- what there was to tell --
But the one-hoss shay wasn't "one, two, three"
With a vehicle once belonged to me.

One hoss? No, sir! Not six nor nine --
Twenty there were in this rig of mine!
Twenty hosses as tough as rocks,
All caged up in a sort of box
That stood jist back of the forward wheels!
Right! She was one of those automobiles
With twenty hosses bottled inside -
Hosses that not only pull but ride!
Wonder what Holmes would have had to say
If the mare had rode in his one-hoss shay!
I reckon the shay would have logicked out
Before the century rolled about.

Well, this big touring car, I say,
Was built just like the one-hoss shay --
Some dependable, logical way --
Flipflaps, dujabs, wheels and things,
Levers, thing-gum-bobs and springs,
Hub, and felloe, and hoss-power chest --
One part just as strong as the rest;
So "logic is logic," as Holmes would say,
And no one part could first give way.

Wonderful vehicle, you'll admit,
With not one flaw in the whole of it;
As long as I had it, I declare
I hadn't one cent to pay for repair,
It couldn't break down because, you see,
It was such a logical symphony.

Now for my tale. We're not so slow
These days as a hundred years ago,
And it's like enough that the one-hoss shay,
Ambling along in its sleepy way,
Should creep a century 'thout a break,
But nowadays we aim to make
A pace that is something like a pace,
And if that old shay got in our race
It would stand the pressure twenty days
And go to the home of played-out shays.

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February Rain

To be the mud, the bog, the mire;
To soak the bones in February –
Eons from the autumn shower–
Even from a summer berry!

Sparrows chirp a desperate call,
Darting questions at the cows –
Oblivious to the dousing squall, they
Churn the sludge with pastern ploughs.

The crying air was lost in rhythm:
Drums incessant in the drops;
Not a chance for rainbow prism –
Even if the hammering stops!

Metallic chills entrap machines –
Tractors hushed within the shed.
Inside the house, a full cuisine
To bless with mead – and little said!

But out across the tiring field,
A sodden fox is hunting down
His prey of sorts – but nil of yield;
Perhaps he’ll starve; perhaps he’ll drown.

Still the clouds are hammering,
Hammering home their dreary aim –
A chatterbox in constant yammering,
Drenching all to make a claim.

Copyright © Mark R Slaughter 2010


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Rain,rain

Why am I here if youre there
So far away its not fair
To be without you like this
I miss you more than you know
The nights are long
The days slow
Without the warmth of your kiss
Wish you were back here with me
Cause out my window
All is see is
Rain , rain in the sky
Everywhere I look my eyes see
Rain , rain fallin down
Crying as it hits the ground
Rain , rain in my heart
Every day that were apart
Rain , rain
Falling rain , rain
Rain , rain
Only rain , rain
The sun is strong when youre near
But when youre gone it disappears
Behind an ocean of blue
The telephones not good enough
It cant reach out it cant touch
Me like the way you do
Wish you would knock at my door
Cause only you can stop the pouring
Rain , rain in the sky
Everywhere I look my eyes see
Rain , rain fallin down
Crying as it hits the ground
Rain , rain in my heart
Every day that were apart
Rain , rain
Falling rain , rain
Rain , rain
Only rain , rain
Maybe ill go outside
And walk beneath the clouds
Pretend its you thats watching over me
This isnt the only thing that comes
Between us now
Baby soon well be together
Oooo
( everywhere I look I see rain )
( everywhere I look I see rain )
Rain
( everywhere I look I see rain )
Everywhere I look I see rain

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Happy Happy birthday Sasha

Happy Happy birthday Sasha'

To the 'LOVELIEST SUPER MODEL IN THE WORLD'
with the most~
'DEFINED FLAWLESS FRAME'
let me say ~
happy happy birthday to you ~
i lift up my glass with a~
'LYRICAL Toast'
Just as 'SWEETLY WHOLESOME'
and 'NICELY GIVEN'
as to say to you ~
i hope you have a ~
happy happy birthday~
that only a 'FASCINATING MODEL'
like you can do ~
happy happy birthday ~
to a 'PERFECT BEAUTY'
as 'ONE OF A KIND, Attractive'
and 'EXQUISITELY LOVEY'
as 'Sasha Lace You'
-----------
'Happy Happy birthday JC'

To the 'SMOOTH, TALKING Chief'
with the most~
'HANDLE ON WHAT A WOMAN WANTS'
let me say ~
happy happy birthday to you ~
i lift up my glass with a~
'LYRICAL Toast'
just as 'DREAMY'
and 'CUTE'
as to say to you ~
i hope you have a ~
happy happy birthday~
that only a 'REAL, YOUNG MAN'
like you can do ~
happy happy birthday ~
to a 'LADY'S MAN'
as 'MAGNET' and 'CHARMING'
as 'JC THE BEST MAN FOR You'
-----------
Happy Happy Birthday ஐ ~•° VaLentiNe°•~ஐ '

To the 'LOVELY YOUNG LADY'
with the most~
'BEAUTIFUL, SWEET FACE'
let me say ~
happy happy birthday to you ~

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I Dont Stop Rappin

Dont stop
Dont stop that rap
Too short
And I dont stop rappin
Just dont stop
Too short
I dont stop rappin
Dont stop that rap
Well Im sir too short
The true mc
Fresh again with the brand new beat
The big bank roller, I know whats happening
I get on the mike and I dont stop rappin
Dont stop
Dont stop that rap
Too short
I dont stop rappin
My rap dont stop, you know it cant
I get on the mic and I make big bank
Unlike some rappers that I know
Trying to get no, but that dont go
Im that rapper, sir too short
I know youve heard my name before
And if you havent, now you have
Sir too short dont stop that rap
Dont stop
I dont stop rappin
Too short
Dont stop that rap
Im so rough so tough when I talk my stuff
I dont stop rappin cuz Im too tough
Telling you rappers what its all about
Most mcs are played out
But not too short, Im the best
You know too short is so so fresh
If thats not short, your mind is snapping
The best is fresh cause I dont stop rappin
Dont stop
Dont stop rappin
Too short
I dont stop rappin
Im sir too short, the rapping man
Im a cold mc and I know I am
Im the big time rapper from east oakland
Into music and making fans
I love young ladies who love my rhymes
Cuz what they say is right on time
The only mc with fresh hits
Its sir too short, he never quits
Thats so so true, what they say

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The Night Before Larry Was Stretched

The night before larry was stretched
Oh, the night before larry was stretched
Well the boys they all paid him a visit
A bit in their sacks too they fetched
For they sweated their duds till they ris it
For larry was always the lad
When a boy was condemned to the squeezer
Would fence all the duds that he had
For to help his poor friend to a sneezer--
-- and warm his ol gob fore he died
Well the boys they came crowding in fast
And they threw all their stools round about him
Six glims round his trap-case was placed
For he couldnt be well-waked without them
When one of them asked, could he die
Without having duly repented?
Said larry, thats all in me eye
And first by the clergy invented--
--for to get a fat bit for themselves
Oh and Ill be cut up like a pie:
And me nob from me body be parted.
Youre in the wrong box, then, says i,
For blast me if theyre so hard-hearted
A chalk on the back of your neck
Is all that jack catch dares to give you
Then mind not such trifles affect
Oh why should the likes of them grieve you? --
--and now boys, come tip us the deck.
Well the cards being called for they played
Until larry found one of them cheated
A point in his napper was made
For the boy hed been easily heated
Oh, hold me the hokey, you thief!
Ill scuttle your knob with me dodle!
You cheat me because Im in grief
Ah, but soon Ill demolish your noddle--
--and leave you your claret to drink
Then the clergy came in with his book
And he spoke him so smooth and so civil
Larry tipped him kill-sour look
And he pitched his big wig to the devil
Then sighing he threw back his head
For to get a sweet drop of the bottle
And dutiful sighing he said,
Oh the hempt twill be soon round me throttle--
--and choke me poor windpipe to death.
Oh then sure its the best way to die
Oh the dead are no better the living
For now when the gallows is high
Our journey is shorter to heaven.

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The Deacon's Masterpiece Or, The Wonderful "One-Hoss Shay": A Logical Story

Have you heard of the wonderful one-hoss shay,
That was built in such a logical way
It ran a hundred years to a day,
And then, of a sudden, it -- ah, but stay,
I'll tell you what happened without delay,
Scaring the parson into fits,
Frightening people out of their wits, --
Have you ever heard of that, I say?

Seventeen hundred and fifty-five.
Georgius Secundus was then alive, --
Snuffy old drone from the German hive.
That was the year when Lisbon-town
Saw the earth open and gulp her down,
And Braddock's army was done so brown,
Left without a scalp to its crown.
It was on the terrible Earthquake-day
That the Deacon finished the one-hoss shay.

Now in building of chaises, I tell you what,
There is always somewhere a weakest spot, --
In hub, tire, felloe, in spring or thill,
In panel, or crossbar, or floor, or sill,
In screw, bolt, thoroughbrace, -- lurking still,
Find it somewhere you must and will, --
Above or below, or within or without, --
And that's the reason, beyond a doubt,
A chaise breaks down, but does n't wear out.

But the Deacon swore (as Deacons do,
With an "I dew vum," or an "I tell yeou")
He would build one shay to beat the taown
'N' the keounty 'n' all the kentry raoun';
It should be so built that it could n' break daown:
"Fur," said the Deacon, "'t 's mighty plain
Thut the weakes' place mus' stan' the strain;
'N' the way t' fix it, uz I maintain,
Is only jest
T' make that place uz strong uz the rest."

So the Deacon inquired of the village folk
Where he could find the strongest oak,
That could n't be split nor bent nor broke, --
That was for spokes and floor and sills;
He sent for lancewood to make the thills;
The crossbars were ash, from the straightest trees,
The panels of white-wood, that cuts like cheese,
But lasts like iron for things like these;
The hubs of logs from the "Settler's ellum," --
Last of its timber, -- they could n't sell 'em,

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Idylls of the King: The Last Tournament (excerpt)

Dagonet, the fool, whom Gawain in his mood
Had made mock-knight of Arthur's Table Round,
At Camelot, high above the yellowing woods,
Danced like a wither'd leaf before the hall.
And toward him from the hall, with harp in hand,
And from the crown thereof a carcanet
Of ruby swaying to and fro, the prize
Of Tristram in the jousts of yesterday,
Came Tristram, saying, "Why skip ye so, Sir Fool?"

For Arthur and Sir Lancelot riding once
Far down beneath a winding wall of rock
Heard a child wail. A stump of oak half-dead.
From roots like some black coil of carven snakes,
Clutch'd at the crag, and started thro' mid air
Bearing an eagle's nest: and thro' the tree
Rush'd ever a rainy wind, and thro' the wind
Pierced ever a child's cry: and crag and tree
Scaling, Sir Lancelot from the perilous nest,
This ruby necklace thrice around her neck,
And all unscarr'd from beak or talon, brought
A maiden babe; which Arthur pitying took,
Then gave it to his Queen to rear: the Queen
But coldly acquiescing, in her white arms
Received, and after loved it tenderly,
And named it Nestling; so forgot herself
A moment, and her cares; till that young life
Being smitten in mid heaven with mortal cold
Past from her; and in time the carcanet
Vext her with plaintive memories of the child:
So she, delivering it to Arthur, said,
"Take thou the jewels of this dead innocence,
And make them, an thou wilt, a tourney-prize."

To whom the King, "Peace to thine eagle-borne
Dead nestling, and this honour after death,
Following thy will! but, O my Queen, I muse
Why ye not wear on arm, or neck, or zone
Those diamonds that I rescued from the tarn,
And Lancelot won, methought, for thee to wear."

"Would rather you had let them fall," she cried,
"Plunge and be lost--ill-fated as they were,
A bitterness to me!--ye look amazed,
Not knowing they were lost as soon as given--
Slid from my hands, when I was leaning out
Above the river--that unhappy child
Past in her barge: but rosier luck will go
With these rich jewels, seeing that they came
Not from the skeleton of a brother-slayer,

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The Last Tournament

Dagonet, the fool, whom Gawain in his mood
Had made mock-knight of Arthur's Table Round,
At Camelot, high above the yellowing woods,
Danced like a withered leaf before the hall.
And toward him from the hall, with harp in hand,
And from the crown thereof a carcanet
Of ruby swaying to and fro, the prize
Of Tristram in the jousts of yesterday,
Came Tristram, saying, `Why skip ye so, Sir Fool?'

For Arthur and Sir Lancelot riding once
Far down beneath a winding wall of rock
Heard a child wail. A stump of oak half-dead,
From roots like some black coil of carven snakes,
Clutched at the crag, and started through mid air
Bearing an eagle's nest: and through the tree
Rushed ever a rainy wind, and through the wind
Pierced ever a child's cry: and crag and tree
Scaling, Sir Lancelot from the perilous nest,
This ruby necklace thrice around her neck,
And all unscarred from beak or talon, brought
A maiden babe; which Arthur pitying took,
Then gave it to his Queen to rear: the Queen
But coldly acquiescing, in her white arms
Received, and after loved it tenderly,
And named it Nestling; so forgot herself
A moment, and her cares; till that young life
Being smitten in mid heaven with mortal cold
Past from her; and in time the carcanet
Vext her with plaintive memories of the child:
So she, delivering it to Arthur, said,
`Take thou the jewels of this dead innocence,
And make them, an thou wilt, a tourney-prize.'

To whom the King, `Peace to thine eagle-borne
Dead nestling, and this honour after death,
Following thy will! but, O my Queen, I muse
Why ye not wear on arm, or neck, or zone
Those diamonds that I rescued from the tarn,
And Lancelot won, methought, for thee to wear.'

`Would rather you had let them fall,' she cried,
`Plunge and be lost-ill-fated as they were,
A bitterness to me!-ye look amazed,
Not knowing they were lost as soon as given-
Slid from my hands, when I was leaning out
Above the river-that unhappy child
Past in her barge: but rosier luck will go
With these rich jewels, seeing that they came
Not from the skeleton of a brother-slayer,

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The Ballad of the White Horse

DEDICATION

Of great limbs gone to chaos,
A great face turned to night--
Why bend above a shapeless shroud
Seeking in such archaic cloud
Sight of strong lords and light?

Where seven sunken Englands
Lie buried one by one,
Why should one idle spade, I wonder,
Shake up the dust of thanes like thunder
To smoke and choke the sun?

In cloud of clay so cast to heaven
What shape shall man discern?
These lords may light the mystery
Of mastery or victory,
And these ride high in history,
But these shall not return.

Gored on the Norman gonfalon
The Golden Dragon died:
We shall not wake with ballad strings
The good time of the smaller things,
We shall not see the holy kings
Ride down by Severn side.

Stiff, strange, and quaintly coloured
As the broidery of Bayeux
The England of that dawn remains,
And this of Alfred and the Danes
Seems like the tales a whole tribe feigns
Too English to be true.

Of a good king on an island
That ruled once on a time;
And as he walked by an apple tree
There came green devils out of the sea
With sea-plants trailing heavily
And tracks of opal slime.

Yet Alfred is no fairy tale;
His days as our days ran,
He also looked forth for an hour
On peopled plains and skies that lower,
From those few windows in the tower
That is the head of a man.

But who shall look from Alfred's hood

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Dont Stop til You Get Enough

Written and composed by michael jackson, 1979.
1st verse
Lovely is the feelin now
Fever, temperatures risin now
Power (ah power) is the force the vow that makes it happen it asks no questions why (ooh)
So get closer (closer now) to my body now just love me til you dont know how (ooh)
Chorus
Keep on with the force dont stop
Dont stop til you get enough
Keep on with the force dont stop
Dont stop til you get enough
Keep on with the force dont stop
Dont stop til you get enough
Keep on with the force dont stop
Dont stop til you get enough
2nd verse
Touch me and I feel on fire
Aint nothin like a love desire (ooh)
Im melting (Im melting) like hot candle wax sensation (ah sensation) lovely where were
At (ooh) so let love take us through the hours I wont be complanin cause this is love
Power (ooh)
Chorus
Keep on with the force dont stop
Dont stop til you get enough
Keep on with the force dont stop
Dont stop til you get enough
Keep on with the force dont stop
Dont stop til you get enough
Keep on with the force dont stop
Dont stop til you get enough
(ooh)
3rd verse
Heartbreak enemy despise
Eternal (ah eternal) love shines in my eyes (ooh) so let love take us through the hours i
Wont be complanin (no no)
cause your love is alright, alright
Chorus
Keep on with the force dont stop
Dont stop til you get enough
Keep on with the force dont stop
Dont stop til you get enough
Keep on with the force dont stop
Dont stop til you get enough
Keep on with the force dont stop
Dont stop til you get enough
Keep on with the force dont stop
Dont stop til you get enough
Keep on with the force dont stop
Dont stop til you get enough
Keep on with the force dont stop

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Happy Happy birthday ☆ Toadluvinlady☆

Happy Happy birthday ☆ Toadluvinlady☆ '

To the 'LOVELY, TOAD LUV IN LADY'
with the most~
'COMPASSIONATE HEART'
let me say ~
happy happy birthday to you ~
i lift up my glass with a~
'LYRICAL toast'
just as 'BEAUTIFULLY WONDERFUL'
and 'SPONTANEOUSLY SWEET'
as to say to you ~
i hope you have a ~
happy happy birthday~
that only a
'INTELLIGENT ASPIRING POETRY WRITER'
like you can do ~
happy happy birthday ~
to a 'INDEPENDENT WOMEN'
as 'BEAUTIFUL, as WHEN SHE LAUGHING'
and as 'ACCOMPLISH as when SHE'S GIVING LOVE'
as '☆ Toadluvinlady☆ ' YOU

aka: lyricvixen
---------------------
'Happy Happy Birthday to roxy'

To the 'LOVELY MORNING STAR'
with the most
'TERRESTRIAL REFLECTIVE HEAVENLY BODY'
let me say ~
happy happy birthday to you ~
I lift up my glass with a~
'LYRICAL Toast'
just as 'MAGNETICALLY SWEET'
and 'UTTERLY ENCHANTING'
as to say to you ~
I hope you have a ~
happy happy birthday~
that only a 'Venus BABE'
like you can do ~
happy happy birthday ~
to a 'maximum, LITTLE LADY'
as 'BRIGHT'
and 'SURFACE LOVELY'
as 'ROXY, uwishuhadme24 YOU'

aka: lyricvixen
=================================== ===========
'Happy Happy Birthday Brandon'

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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