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History Stuff

Magical Mystical history and mystery,
Painted and woven on tablets and tapestry.

Cave painted hunts and sand script on tombs,
We dig for our history then fill in the wounds.

The secrets of Stonehenge and Silbury Hill,
That tapping and digging will never reveal.

See Picasso and Van Gogh, read Byron and Shelly,
Then watch the war on a plasma screen telly.

Chipped marble statues partly destroyed,
The wisdom of Nietzsche and ramblings of Freud.

Thank Romans for wine and Columbus for tea;
Thank genetics and Science for deciphering me.

History is stuff that lives in the past,
Historical characters the sets and the cast.

I’m living in history but today is for real,
I thank my lucky stars for this being alive deal.

So look me up in a thousand that’s me in the picture
I’m loving your history but I wish I could meetcha.

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Now Im A Farmer

Ive got a spade and a pick-axe
Ive got a spade and a pick-axe
And a hundred miles square of land to churn about
And a hundred miles square of land to churn about
My old horse is weary but sincerely
My old horse is weary but sincerely
I believe that he can pull a plough
I believe that he can pull a plough
Well Ive moved into the jungle of the agriculture rumble,
Well Ive moved into the jungle of the agriculture rumble,
To grow my own food
To grow my own food
And Ill dig and plough and scrape the weeds
And Ill dig and plough and scrape the weeds
Till I succeed in seeing cabbage growing through
Till I succeed in seeing cabbage growing through
Now Im a farmer, and Im digging, digging, digging, digging, digging
Now Im a farmer, and Im digging, digging, digging, digging, digging
Now Im a farmer, and Im digging, digging, digging, digging, digging
Now Im a farmer, and Im digging, digging, digging, digging, digging
Its alarming how charming it is to be a-farming
Its alarming how charming it is to be a-farming
How calming and balming the effect of the air
How calming and balming the effect of the air
Well, I farmed for a year and grew a crop of corn
Well, I farmed for a year and grew a crop of corn
That stretched as far as the eye can see
That stretched as far as the eye can see
Thats a whole lot of cornflakes,
Thats a whole lot of cornflakes,
Near enough to feed new york till 1973
Near enough to feed new york till 1973
Cultivation is my station and the nation
Cultivation is my station and the nation
Buys my corn from me immediately
Buys my corn from me immediately
And holding sixty thousand bucks, I watch as dumper trucks
And holding sixty thousand bucks, I watch as dumper trucks
Tip new yorks corn flakes in the sea
Tip new yorks corn flakes in the sea
Now Im a farmer, and Im digging, digging, digging, digging, digging
Now Im a farmer, and Im digging, digging, digging, digging, digging
Now Im a farmer, and Im digging, digging, digging, digging, digging
Now Im a farmer, and Im digging, digging, digging, digging, digging
Its alarming how charming it is to be a-farming
Its alarming how charming it is to be a-farming
How calming and balming the effect of the air
How calming and balming the effect of the air
Now look here son
Now look here son

[...] Read more

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Reveal Yourself

Reveal yourself,
Reveal yourself,
Reveal yourself,
Reveal yourself.
Life on earth is so bizarre,
We must find a way to fulfill,
What we really are,
Yes its true,
I love you,
And theres nothing you do thats wrong,
Find values of your own.
Reveal yourself,
Reveal yourself,
Reveal yourself,
On the living room floor,
Reveal yourself,
Reveal yourself,
Reveal yourself,
Till there isnt anymore.
Reveal yourself,
Reveal yourself,
Reveal yourself,
For there are places even you dont know.
Reveal yourself,
For life is nothing but a movie show,
Or free yourself,
Your heart,
Your mind,
Your soul,
Your sanity,
Just got to see it,
Smell it,
Know that its reality.
Reveal yourself,
Reveal yourself,
Reveal yourself,
Doesnt matter anymore,
Reveal yourself,
Reveal yourself,
Reveal yourself,
Till there isnt anymore.
There are no rules where life is concerned,
Our past must be burned,
For theres nothing we have learned,
And its true,
I believe that we must all be free,
Immortal you and me.
Reveal yourself,
Reveal yourself,
Reveal yourself,

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Afrikaans: Sterregordels, Stilsonjare, Tydsbroekspypdinge, Haarsliert

Sterregordels

Cosmology in Afrikaans is an ode to joy, the
terms form sing-song strings with delightful
sounds “ewigbewegende elektron”
continuously spinning electron

“elektron in die hart van die atoomkorrel”
electron in the centre of the atom particle
- what a song!

“Triljoene Melkwegstelsels waaromheen ons
Melkweg elke tweehonderdmiljoenjaar
wentel – ‘n mallemeule van sterregordels…”

“Dobberende patrone, mesone en elektrone,
'n konfigurasie van konvekse novae”…

- these terms are singing to me!

A merry-go-round of star systems

Quotes from Adriaan Snyman “Die Messias Kode” (The Messiah Code) pp.9,10


Bombardement Van Frekwensies (English Explanation)

Waarmee sal ek hierdie leë oomblikke,
ankerloos, betekenisloos; aan die ewigheid
vasmaak - die gevoelsruimte in my hart

Is leeg, alle gevoel en denke het gesamentlik
in die donker duisternis van my brein ingeval
‘n laserbrein wat die hologramwêreld

Self moet konsituteer uit ‘n bombardement
van betekenislose frekwensies – maar
vandag is die ligstraalfokus uit

My pendulumgedagtes swaai ongefokus rond
die opgerolde, ingevoude ses-en-twintig of
meer dimensies van die virtuele werklikheid

Wil nie vir my oopgaan nie…


All thought and feeling fell into the black hole in my brain and the twenty-six or more rolled-up frequencies of reality does not want to open for me today


Geloof In Liefde - Faith In Love

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I Dig Love

I dig love
I dig love
I dig love
Hm, I dig love in the morning
I dig love in the evening
I dig love and I want you to know I dig love
I love dig
I love dig
I love dig
Hm, I love dig in the morning
I love dig every evening
I dig love and I want you to know I dig love
Small love, big love, I dont care
Loves all good love to me
Left love, right love, anywhere love
Theres a rare love, come on and get it, its free
I dig love
I dig love
I dig love
Hm, I dig love in the morning
I dig love in the evening
I dig love and I want you to know I dig love
Bought love, short love, in any port
Loves always there to see
Make love, take love, but you should give love
And try to live love, come on thats where you should be
I dig love
I dig love
I dig love
Hm, I dig love in the morning
I dig love in the evening
I dig love and I want you to know I dig love
Yes, I want you to know I dig love
Yes, I want you to know I dig love
To know I dig love
Yes, I do
I dig love (repeat and fade)

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Ort Jan van Hunks

Many years back an old pirate
Ort Jan van Hunks lived in Cape Town
and he had gathered enough loot
to live an honest life.

Just above the company gardens
he bought some land
and he thought that trustful slaves
would do the work for him
while he would watch his vineyards grow
and it would be possible
to give attention to his weaknesses.

The loneliness caught up with van Hunks
and he got himself a wife
but in Cape Town
at that time the choices was slim
and he was married to a huge woman
that was so broad
that she could not enter a door
without turning sideways
but he thought that in the cold winter evenings
she would keep him warm.

The trouble with his wife
was that she was a strict person
who drove their slave girls
to polish everything,
she had driven him away
from his own fireplace
with a hard hitting elbow,
as she was scared
that the ash from his pipe
would fall on the beautiful yellow-wood floor.

At the trees high up against the saddle
where Devil's peak joins Table Mountain,
van Hunks found a big rock
that was flat like a settee
and there nobody would bother him
as the Citizens thought
that only a lunatic
would climb the peaks of Table Mountain.

With a barrel of rum and a heap of tobacco
that he had carried along secretary
van Hunks was dreaming
with his pipe in his mouth
while he saw the shadow
of the mountain

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It Fills You Up

Theres something going on
It fill you up, it fill you up, it fill you up now
Theres something going on
It fill you up, it fill you up, it fill you up now
But you dont know what it is
But you dont know what it is
But you dont have to know
You just take it for what it is (spoken)
Within this melody
It fill you up, it fill you up, it fill you up now
Theres more then you can see
It fill you up, it fill you up, it fill you up now
Theres another realm
Theres another world
With kings and queens
Yeah yeah
Thats why you got to face the facts
Thats why you gotta testify (suggested)
You gotta do and die (suggested)
It fill you up, it fill you up, it fill you up now
You got to do in that
It fill you up, it fill you up, it fill you up now
You got to sing with the music and groove
You got to turn on the music and groove
Every every every day
You know what Im talking about (spoken)
It fill you up, it fill you up (spoken)
It fill you up, it fill you up, it fill you up now
Yeah!
It fill you up, it fill you up, it fill you up now
Yeah!
It fill you up, it fill you up, it fill you up now
Get you rolling in the money
It fill you up, it fill you up, it fill you up now
Work out a few kinks
It fill you up, it fill you up, it fill you up now
It fill you up to the brim jim
It fill you up, it fill you up, it fill you up now
Lord have mercy
It fill you up, it fill you up, it fill you up now
It fill you up, it fill you up, it fill you up now
Come here baby
It fill you up, it fill you up, it fill you up now

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It Fill You Up

There's something going on
It fill you up, it fill you up, it fill you up now
There's something going on
It fill you up, it fill you up, it fill you up now
But you don't know what it is
But you don't know what it is
But you don't have to know
You just take it for what it is (spoken)
Within this melody
It fill you up, it fill you up, it fill you up now
There's more then you can see
It fill you up, it fill you up, it fill you up now
There's another realm
There's another world
With kings and queens
Yeah yeah
That's why you got to face the facts
That's why you gotta testify (suggested)
You gotta do and die (suggested)
It fill you up, it fill you up, it fill you up now
You got to do in that
It fill you up, it fill you up, it fill you up now
You got to sing with the music and groove
You got to turn on the music and groove
Every every every day
You know what I'm talking about (spoken)
It fill you up, it fill you up (spoken)
It fill you up, it fill you up, it fill you up now
Yeah!
It fill you up, it fill you up, it fill you up now
Yeah!
It fill you up, it fill you up, it fill you up now
Get you rolling in the money
It fill you up, it fill you up, it fill you up now
Work out a few kinks
It fill you up, it fill you up, it fill you up now
It fill you up to the brim Jim
It fill you up, it fill you up, it fill you up now
Lord have mercy
It fill you up, it fill you up, it fill you up now
It fill you up, it fill you up, it fill you up now
Come here baby
It fill you up, it fill you up, it fill you up now
(Transcribed by ear; corrections requested and welcomed!)

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I Dig Everything

Ive got the village I love - dig everything
I walk along beside the garbagemen and I dig everything - dig everything
I wave to the policemen, but they dont wave back
They dont dig anything - dig everything
Aint had a job for a year or more and I dont know a thing - dig everything
Everythings spent and I dig everything
Everythings spent and I dig everything
Dig
I feed the lions in trafalgar square and I dig everything - dig everything
Ive sit just behind my window, till my cigarettes were low and dug
Everything -dig everything
Got a backstreet room in the bad part of town and I dig everything - dig everything
Id see people in the street below, who dont know where theyre going
They dont dig anything - dig everything
Everythings spent and I dig everything
Everythings spent and I dig everything
Dig
Ive got more friends than I had out for dinners
Some of them were losers, but the rest of them are winners
Rick, john, sally, a connection named paul
Holy low on money, their intentions are tall
We smoke and talk in my room and we dig everything
Dig
Ive made myself at home -dig everything
Ive made good friends which the time-check girl on the end of the phone
All the movie shows - dig everything
I sunbathe for love - dig everything
Even when its not too hot - dig everything
cause I dig everything -dig everything
Oh yeah

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The Witch of Hebron

A Rabbinical Legend


Part I.
From morn until the setting of the sun
The rabbi Joseph on his knees had prayed,
And, as he rose with spirit meek and strong,
An Indian page his presence sought, and bowed
Before him, saying that a lady lay
Sick unto death, tormented grievously,
Who begged the comfort of his holy prayers.
The rabbi, ever to the call of grief
Open as day, arose; and girding straight
His robe about him, with the page went forth;
Who swiftly led him deep into the woods
That hung, heap over heap, like broken clouds
On Hebron’s southern terraces; when lo!
Across a glade a stately pile he saw,
With gleaming front, and many-pillared porch
Fretted with sculptured vinage, flowers and fruit,
And carven figures wrought with wondrous art
As by some Phidian hand.

But interposed
For a wide space in front, and belting all
The splendid structure with a finer grace,
A glowing garden smiled; its breezes bore
Airs as from paradise, so rich the scent
That breathed from shrubs and flowers; and fair the growths
Of higher verdure, gemm’d with silver blooms,
Which glassed themselves in fountains gleaming light
Each like a shield of pearl.

Within the halls
Strange splendour met the rabbi’s careless eyes,
Halls wonderful in their magnificance,
With pictured walls, and columns gleaming white
Like Carmel’s snow, or blue-veined as with life;
Through corridors he passed with tissues hung
Inwrought with threaded gold by Sidon’s art,
Or rich as sunset clouds with Tyrian dye;
Past lofty chambers, where the gorgeous gleam
Of jewels, and the stainèd radiance

Of golden lamps, showed many a treasure rare
Of Indian and Armenian workmanship
Which might have seemed a wonder of the world:
And trains of servitors of every clime,
Greeks, Persians, Indians, Ethiopians,
In richest raiment thronged the spacious halls.

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The Ballad of the White Horse

DEDICATION

Of great limbs gone to chaos,
A great face turned to night--
Why bend above a shapeless shroud
Seeking in such archaic cloud
Sight of strong lords and light?

Where seven sunken Englands
Lie buried one by one,
Why should one idle spade, I wonder,
Shake up the dust of thanes like thunder
To smoke and choke the sun?

In cloud of clay so cast to heaven
What shape shall man discern?
These lords may light the mystery
Of mastery or victory,
And these ride high in history,
But these shall not return.

Gored on the Norman gonfalon
The Golden Dragon died:
We shall not wake with ballad strings
The good time of the smaller things,
We shall not see the holy kings
Ride down by Severn side.

Stiff, strange, and quaintly coloured
As the broidery of Bayeux
The England of that dawn remains,
And this of Alfred and the Danes
Seems like the tales a whole tribe feigns
Too English to be true.

Of a good king on an island
That ruled once on a time;
And as he walked by an apple tree
There came green devils out of the sea
With sea-plants trailing heavily
And tracks of opal slime.

Yet Alfred is no fairy tale;
His days as our days ran,
He also looked forth for an hour
On peopled plains and skies that lower,
From those few windows in the tower
That is the head of a man.

But who shall look from Alfred's hood

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Digging Real Deep

Digging real deep,
In empty pockets...
For a touch or a feel of return.
And a lesson's not learned,
That...
A deposit made to dip,
For tasty lips...
Took too many dips,
To withdrawn the end of it.

And there will be no return...
You put that last deposit in your pocket,
And then you split...
With it.

You put that last deposit in your pocket,
And then you split...
With it.

Digging real deep,
In empty pockets...
For a touch or a feel of return.
And a lesson's not learned,
That...
A deposit made to dip,
For tasty lips...
Took too many dips,
To withdrawn the end of it.

Digging real deep,
In empty pockets...
For a touch of return,
IS...
Digging real deep.

Dig!
Digging real deep.
In empty pockets.

Dig!
Digging real deep.
In empty pockets.


Digging real deep,
In empty pockets...
For a touch of return,
IS...
Digging real deep

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Byron

Canto the Second

I
Oh ye! who teach the ingenuous youth of nations,
Holland, France, England, Germany, or Spain,
I pray ye flog them upon all occasions,
It mends their morals, never mind the pain:
The best of mothers and of educations
In Juan's case were but employ'd in vain,
Since, in a way that's rather of the oddest, he
Became divested of his native modesty.

II
Had he but been placed at a public school,
In the third form, or even in the fourth,
His daily task had kept his fancy cool,
At least, had he been nurtured in the north;
Spain may prove an exception to the rule,
But then exceptions always prove its worth -—
A lad of sixteen causing a divorce
Puzzled his tutors very much, of course.

III
I can't say that it puzzles me at all,
If all things be consider'd: first, there was
His lady-mother, mathematical,
Anever mind; his tutor, an old ass;
A pretty woman (that's quite natural,
Or else the thing had hardly come to pass);
A husband rather old, not much in unity
With his young wife—a time, and opportunity.

IV
Well—well, the world must turn upon its axis,
And all mankind turn with it, heads or tails,
And live and die, make love and pay our taxes,
And as the veering wind shifts, shift our sails;
The king commands us, and the doctor quacks us,
The priest instructs, and so our life exhales,
A little breath, love, wine, ambition, fame,
Fighting, devotion, dust,—perhaps a name.

V
I said that Juan had been sent to Cadiz -—
A pretty town, I recollect it well -—
'T is there the mart of the colonial trade is
(Or was, before Peru learn'd to rebel),
And such sweet girls—I mean, such graceful ladies,
Their very walk would make your bosom swell;
I can't describe it, though so much it strike,
Nor liken it—I never saw the like:

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Thurso’s Landing

I
The coast-road was being straightened and repaired again,
A group of men labored at the steep curve
Where it falls from the north to Mill Creek. They scattered and hid
Behind cut banks, except one blond young man
Who stooped over the rock and strolled away smiling
As if he shared a secret joke with the dynamite;
It waited until he had passed back of a boulder,
Then split its rock cage; a yellowish torrent
Of fragments rose up the air and the echoes bumped
From mountain to mountain. The men returned slowly
And took up their dropped tools, while a banner of dust
Waved over the gorge on the northwest wind, very high
Above the heads of the forest.
Some distance west of the road,
On the promontory above the triangle
Of glittering ocean that fills the gorge-mouth,
A woman and a lame man from the farm below
Had been watching, and turned to go down the hill. The young
woman looked back,
Widening her violet eyes under the shade of her hand. 'I think
they'll blast again in a minute.'
And the man: 'I wish they'd let the poor old road be. I don't
like improvements.' 'Why not?' 'They bring in the world;
We're well without it.' His lameness gave him some look of age
but he was young too; tall and thin-faced,
With a high wavering nose. 'Isn't he amusing,' she said, 'that
boy Rick Armstrong, the dynamite man,
How slowly he walks away after he lights the fuse. He loves to
show off. Reave likes him, too,'
She added; and they clambered down the path in the rock-face,
little dark specks
Between the great headland rock and the bright blue sea.

II
The road-workers had made their camp
North of this headland, where the sea-cliff was broken down and
sloped to a cove. The violet-eyed woman's husband,
Reave Thurso, rode down the slope to the camp in the gorgeous
autumn sundown, his hired man Johnny Luna
Riding behind him. The road-men had just quit work and four
or five were bathing in the purple surf-edge,
The others talked by the tents; blue smoke fragrant with food
and oak-wood drifted from the cabin stove-pipe
And slowly went fainting up the vast hill.
Thurso drew rein by
a group of men at a tent door
And frowned at them without speaking, square-shouldered and
heavy-jawed, too heavy with strength for so young a man,
He chose one of the men with his eyes. 'You're Danny Woodruff,

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Rokeby: Canto VI.

I.
The summer sun, whose early power
Was wont to gild Matilda's bower,
And rouse her with his matin ray
Her duteous orisons to pay,
That morning sun has three times seen
The flowers unfold on Rokeby green,
But sees no more the slumbers fly
From fair Matilda's hazel eye;
That morning sun has three times broke
On Rokeby's glades of elm and oak,
But, rising from their sylvan screen,
Marks no grey turrets' glance between.
A shapeless mass lie keep and tower,
That, hissing to the morning shower,
Can but with smouldering vapour pay
The early smile of summer day.
The peasant, to his labour bound,
Pauses to view the blacken'd mound,
Striving, amid the ruin'd space,
Each well-remember'd spot to trace.
That length of frail and fire-scorch'd wall
Once screen'd the hospitable hall;
When yonder broken arch was whole,
‘Twas there was dealt the weekly dole;
And where yon tottering columns nod,
The chapel sent the hymn to God.
So flits the world's uncertain span
Nor zeal for God, nor love for man,
Gives mortal monuments a date
Beyond the power of Time and Fate.
The towers must share the builder's doom;
Ruin is theirs, and his a tomb:
But better boon benignant Heaven
To Faith and Charity has given,
And bids the Christian hope sublime
Transcend the bounds of Fate and Time.

II.
Now the third night of summer came,
Since that which witness'd Rokeby's flame.
On Brignall cliffs and Scargill brake
The owlet's homilies awake,
The bittern scream'd from rush and flag,
The raven slumber'd on his crag,
Forth from his den the otter drew,
Grayling and trout their tyrant knew,
As between reed and sedge he peers,
With fierce round snout and sharpen'd ears
Or, prowling by the moonbeam cool,

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Magical Mystery Tour

(LennonMcCartney)
[Roll up! Roll up for the magical mystery tour!
Step right this way!]
Roll up, roll up for the mystery tour
Roll up, roll up for the mystery tour
Roll up (And that's an invitation), roll up for the mystery tour
Roll up (To make a reservation), roll up for the mystery tour
The magical mystery tour is waiting to take you away
Waiting to take you away
Roll up, roll up for the mystery tour
Roll up, roll up for the mystery tour
Roll up (We've got everything you need), roll up for the mystery tour
Roll up (Satisfaction guaranteed), roll up for the mystery tour
The magical mystery tour is hoping to take you away
Hoping to take you away
Mystery trip
Aaaah... the magical mystery tour
Roll up, roll up for the mystery tour
Roll up (And that's an invitation), roll up for the mystery tour
Roll up (To make a reservation), roll up for the mystery tour
The magical mystery tour is coming to take you away
Coming to take you away
The magical mystery tour is dying to take you away
Dying to take you away, take you today

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Byron

The Bride of Abydos

"Had we never loved so kindly,
Had we never loved so blindly,
Never met or never parted,
We had ne'er been broken-hearted." — Burns

TO
THE RIGHT HONOURABLE LORD HOLLAND,
THIS TALE IS INSCRIBED,
WITH EVERY SENTIMENT OF REGARD AND RESPECT,
BY HIS GRATEFULLY OBLIGED AND SINCERE FRIEND,

BYRON.

THE BRIDE OF ABYDOS

CANTO THE FIRST.

I.

Know ye the land where cypress and myrtle
Are emblems of deeds that are done in their clime,
Where the rage of the vulture, the love of the turtle,
Now melt into sorrow, now madden to crime?
Know ye the land of the cedar and vine,
Where the flowers ever blossom, the beams ever shine;
Where the light wings of Zephyr, oppress'd with perfume,
Wax faint o'er the gardens of Gúl in her bloom; [1]
Where the citron and olive are fairest of fruit,
And the voice of the nightingale never is mute;
Where the tints of the earth, and the hues of the sky,
In colour though varied, in beauty may vie,
And the purple of Ocean is deepest in dye;
Where the virgins are soft as the roses they twine,
And all, save the spirit of man, is divine?
'Tis the clime of the East; 'tis the land of the Sun —
Can he smile on such deeds as his children have done? [2]
Oh! wild as the accents of lovers' farewell
Are the hearts which they bear, and the tales which they tell.

II.

Begirt with many a gallant slave,
Apparell'd as becomes the brave,
Awaiting each his lord's behest
To guide his steps, or guard his rest,

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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

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Fingal - Book II

ARGUMENT.

The ghost of Crugal, one of the Irish heroes who was killed in battle, appearing to Connal, foretells the defeat of Cuthullin in the next battle, and earnestly advises him to make peace with Swaran. Connal communicates the vision; but Cuthullin is inflexible; from a principle of honor he would not be the first to sue for peace, and he resolved to continue the war. Morning comes; Swaran proposes dishonorable terms to Cuthullin, which are rejected. The battle begins, and is obstinately fought for some time, until, upon the flight of Grumal, the whole Irish army gave way. Cuthullin and Connal cover their retreat. Carril leads them to a neighboring hill, whither they are soon followed by Cuthullin himself; who descries the fleet of Fingal making towards their coast; but night coming on, he lost sight of it again. Cuthullin, dejected after his defeat, attributes his ill success to the death of Ferda, his friend, whom he had killed some time before. Carril, to show that ill success did not always attend those who innocently killed their friends, introduces the episode of Connal and Galvina.

Connal lay by the sound of the mountain-stream, beneath the aged tree. A stone, with its moss, supported his head. Shrill, through the heath of Lena, he heard the voice of night. At distance from the heroes he lay; the son of the sword feared no foe! The hero beheld, in his rest, a dark-red stream of fire rushing down from the hill. Crugal sat upon the beam, a chief who fell in fight. He fell by the hand of Swaran, striving in the battle of heroes. His face is like the beam of the setting moon. His robes are of the clouds of the hill. His eyes are two decaying flames.

Dark is the wound of his breast! "Crugal," said the mighty Connal, "son of Dedgal famed on the hill of hinds! Why so pale and sad, thou breaker of shields? Thou hast never been pale for fear! What disturbs the departed Crugal?" Dim, and in tears he stood, and stretched his pale hand over the hero. Faintly he raised his feeble voice, like the gale of the reedy Lego.

"My spirit, Connal, is on my hills; my course on the sands of Erin. Thou shalt never talk with Crugal, nor find his lone steps in the heath. I am light as the blast of Cromla. I move like the shadow of mist! Connal, son of Colgar, I see a cloud of death: it hovers dark over the plains of Lena. The Sons of green Erin must fall. Remove from the field of ghosts." Like the darkened moon he retired, in the midst of the whistling blast. "Stay," said the mighty Connal " stay, my dark-red friend. Lay by that beam of heaven, son of windy Cromla! What cave is thy lonely house? What green-headed hill the place of thy repose? Shall we not hear thee in the storm? in the noise of the mountain-stream? when the feeble Sons of the wind come forth, and, scarcely seen, pass over the desert?"

The soft-voiced Connal rose, in the midst of his sounding arms. He struck his shield above Cuthullin. The son of battle waked. "Why," said the ruler of the car, "comes Connal through my night? My spear might turn against the sound, and Cuthullin mourn the death of his friend. Speak, Connal; son of Colgar, speak; thy counsel is the sun of heaven!" "Son of Semo!" replied the chief, "the ghost of Crugal came from his cave. The stars dim twinkled through his form His voice was like the sound of a distant stream He is a messenger of death! He speaks of the dark and narrow house! Sue for peace, O chief of Erin!, or fly over the heath of Lena!"

"He spoke to Connal," replied the hero, "though stars dim twinkled through his form. Son of Colgar, it was the wind that murmured across thy car. Or if it was the form of Crugal, why didst thou not force him to my sight? Hast thou inquired where is his cave? the house of that son of wind? My sword might find that voice, and force his knowledge from Crugal. But small is his knowledge, Connal; he was here to-day. He could not have gone beyond our hills! who could tell him there of our fall?" "Ghosts fly on clouds, and ride on winds," said Connal's voice of wisdom. "They rest together in their caves, and talk of mortal men."

"Then let them talk of mortal men; of every man but Erin's chief. Let me be forgot in their cave. I will not fly from Swaran! If fall I must, my tomb shall rise amidst the fame of future times. The hunter shall shed a tear on my stone: sorrow shall dwell around the high-bosomed Bragéla. I fear not death; to fly I fear! Fingal has seen me victorious! Thou dim phantom of the hill, show thyself to me! come on thy beam of heaven, show me my death in thine hand! yet I will not fly, thou feeble son of the wind! Go, son of Colgar, strike the shield. It hangs between the spears. Let my warriors rise to the sound in the midst of the battles of Erin. Though Fingal delays his coming with the race of his stormy isles, we shall fight; O Colgar's son, and die in the battle of heroes!"

The sound spreads wide. The heroes rise, like the breaking of a blue-rolling wave. They stood on the heath, like oaks with all their branches round them, when they echo to the stream of frost, and their withered leaves are rustling to the wind! High Cromla's head of clouds is gray. Morning trembles on the half-enlightened ocean. The blue mist swims slowly by, and hides the Sons of Inis-fail!

"Rise ye," said the king of the dark-brown shields, "ye that came from Lochlin's waves. The sons of Erin have fled from our arms; pursue them over the plains of Lena! Morla, go to Cormac's hall. Bid them yield to Swaran, before his people sink to the tomb, and silence spread over his isle." They rose, rustling like a flock of sea-fowl, when the waves expel them from the shore. Their sound was like a thousand streams, that meet in Cona's vale, when after a stormy night, they turn their dark eddies beneath the pale light of the morn.

As the dark shades of autumn fly over the hills of grass, so gloomy, dark, successive came the chiefs of Lochlin's echoing woods. Tall as the stag of Morven, moved stately before them the king. His shining shield is on his side, like a flame on the heath at night, when the world is silent and dark, and the traveller sees some ghosts sporting in the beam! Dimly gleam the hills around, and show indistinctly their oaks! A blast from the troubled ocean removed the settled mist. The Sons of Erin appear, like a ridge of rocks on the coast; when mariners, on shores unknown, are trembling at veering winds!

"Go, Morla, go," said the king of Lochlin, "offer peace to these. Offer the terms we give to kings, when nations bow down to our swords. When the valiant are dead in war; when virgins weep on the field!" Tall Morla came, the son of Swaran, and stately strode the youth along! He spoke to Erin's blue-eyed chief, among the lesser heroes. "Take Swaran's peace," the warrior spoke, "the peace he gives to kings when nations bow to his sword. Leave Erin's streamy plains to us, and give thy spouse and dog. Thy spouse, high-bosomed heaving fair! Thy dog that overtakes the wind! Give these to prove the weakness of thine arm, live then beneath our power!"

"Tell Swaran, tell that heart of pride, Cuthullin never yields! I give him the dark-rolling sea; I give his people graves in Erin. But never shall a stranger have the pleasing sunbeam of my love. No deer shall fly on Lochlin's hills, before swift-footed Luäth." "Vain ruler of the car," said Morla, " wilt thou then fight the king? the king whose ships of many groves could carry off thine isle! So little is thy green-hilled Erin to him who rules the stormy waves!" " In words I yield to many, Morla. My sword shall yield to none. Erin shall own the sway of Cormac while Connal and Cuthullin live! O Connal, first of mighty men, thou hearest the words of Morla. Shall thy thoughts then be of peace, thou breaker of the shields? Spirit of fallen Crugal, Why didst thou threaten us with death? The narrow house shall receive me in the midst of the light of renown. Exalt, ye sons of Erin, exalt the spear and bend the bow; rush on the foe in darkness, as the spirits of stormy nights!"

Then dismal, roaring fierce and deep, the gloom of battle poured along, as mist that is rolled on a valley when storms invade the silent sunshine of heaven. Cuthullin moves before me in arms, like an angry ghost before a cloud, when meteors enclose him with fire; when the dark winds are in his hand. Carril, far on the heath, bids the horn of battle sound. He raises the voice of song, and pours his soul into the minds of the brave.

"Where," said the mouth of the song, "where is the fallen Crugal? He lies forgot on earth; the hall of shells is silent. Sad is the spouse of Crugal. She is a stranger in the hall of her grief. But who is she that, like a sunbeam, flies before the ranks of the foe? It is Degrena, lovely fair, the spouse of fallen Crugal. Her hair is on the wind behind. Her eye is red; her voice is shrill. Pale, empty, is thy Crugal now! His form is in the cave of the hill. He comes to the ear of rest; he raises his feeble voice, like the humming of the mountain-bee, like the collected flies of the eve! But Degrena falls like a cloud of the morn; the sword of Lochlin is in her side. Cairbar, she is fallen, the rising thought of thy youth! She is fallen, O Cairbar! the thought of thy youthful hours!"

Fierce Cairbar heard the mournful sound. He rushed along like ocean's whale. He saw the death of his daughter: he roared in the midst of thousands. His spear met a son of Lochlin! battle spreads from wing to wing! As a hundred winds in Lochlin's groves, as fire in the pines of a hundred hills, so loud, so ruinous, so vast, the ranks of men are hewn down. Cuthullin cut off heroes like thistles; Swaran wasted Erin. Curach fell by his hand, Cairbar of the bossy shield! Morglan lies in lasting rest! Ca-olt trembles as he dies! His white breast is stained with blood! his yellow hair stretched in the dust of his native land! He often had spread the feast where he fell. He often there had raised the voice of the harp, when his dogs leapt round for joy, and the youths of the chase prepared the bow!

Still Swaran advanced, as a stream that bursts from the desert. The little hills are rolled in its course, the rocks are half-sunk by its side. But Cuthullin stood before him, like a hill, that catches the clouds of heaven. The winds contend on its head of pines, the hail rattles on its rocks. But, firm in its strength, it stands, and shades the silent vale of Cona. So Cuthullin shaded the sons of Erin, and stood in the midst of thousands. Blood rises like the fount of a rock from panting heroes around. But Erin falls on either wing, like snow in the day of the sun.

O sons of Erin," said Grumal, "Lochlin conquers in the field. Why strive we as reeds against the wind? Fly to the hill of dark-brown hinds." He fled like the stag of Morven; his spear is a trembling beam of light behind him. Few fled with Grumal, chief of the little soul: they fell in the battle of heroes on Lena's echoing heath. High on his car of many gems the chief of Erin stood. He slew a mighty son of Lochlin, and spoke in haste to Connal. "O Connal, first of mortal men, thou hast taught this arm of death! Though Erin's Sons have fled, shall we not fight the foe? Carril, son of other times, carry my friends to that bushy hill. Here, Connal, let us stand like rocks, and save our flying friends."

Connal mounts the car of gems. They stretch their shields, like the darkened moon, the daughter of the starry skies, when she moves a dun circle through heaven, and dreadful change is expected by men. Sith-fadda panted up the hill, and Stronnal, haughty steed. Like waves behind a whale, behind them rushed the foe. Now on the rising side of Cromla stood Erin's few sad sons: like a grove through which the flame had rushed, hurried on by the winds of the stormy night; distant, withered, dark, they stand, with not a leaf to shake in the vale.

Cuthullin stood beside an oak. He rolled his red eye in silence, and heard the wind in his bushy hair; the scout of ocean came, Moran the son of Fithil "The ships," he cried, "the ships of the lonely isles. Fingal comes, the first of men, the breaker of the shields! The waves foam before his black prows! His masts with sails are like groves in clouds!" — "Blow," said Cuthullin, "blow, ye winds that rush along my isle of mist. Come to the death of thousands, O king of resounding Selma! Thy sails, my friend, are to me the clouds of the morning; thy ships the light of heaven; and thou thyself a pillar of fire that beams on the world by night. O Connal, first of men, how pleasing in grief are our friends! But the night is gathering around. Where now are the ships of Fingal? Here let us pass the hours of darkness; here wish for the moon of heaven."

The winds came down on the woods. The torrents rush from the rocks. Rain gathers round the head of Cromla. The red stars tremble between the flying clouds. Sad, by the side of a stream, whose sound is echoed by a tree, sad by the side of a stream the chief of Erin sits. Connal, son of Colgar, is there, and Carril of other times. "Unhappy is the hand of Cuthullin," said the son of Semo, "unhappy is the hand of Cuthullin since he slew his friend! Ferda, son of Damman, I loved thee as myself!"

"How, Cuthullin, son of Semo, how fell the breaker of the shields? Well I remember," said Connal, "the son of the noble Damman. Tall and fair, he was like the rainbow of heaven. Ferda from Albion came, the chief of a hundred hills. In Muri's hall he learned the sword, and won the friendship of Cuthullin. We moved to the chase together: one was our bed in the heath."

Deugala was the spouse of Cairbar, chief of the plains of Ullin. She was covered with the light of beauty, but her heart was the house of pride. She loved that sunbeam of youth, the son of the noble Damman. "Cairbar," said the white-armed Deugala, "give me half of the herd. No more I will remain in your halls. Divide the herd, dark Cairbar!" "Let Cuthullin," said Cairbar, "divide my herd on the hill.

His breast is the seat of justice. Depart, thou light of beauty!" I went and divided the herd. One snow-white bull remained. I gave that bull to Cairbar. The wrath of Deugala rose!

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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

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