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Neet Ma Friend

neet ma friend please hot wen yee cum rounda bend

So we knee meet

Are woodnee looka at ya feet

Or take ya last sweet lassie

Are teem was a disaster

A na nooo happee ever after

Yee left me standin in the rain

Yarrrah Wee pain

Nee phoned me

Nee called

Are see you in a big bonnet and coat

In the shopping mall

Wearin big glasses

And yes its true

I'm over you

And livin in a caravan

With a BIG MAN called DAN!

But theras noo hankie pankee

Ba hoo noos whicha way the wind bloose

Anna A rose isa roose by any other name

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poem by Yvette Smith
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The Regiment of Princes

Musynge upon the restlees bysynesse
Which that this troubly world hath ay on honde,
That othir thyng than fruyt of bittirnesse
Ne yildith naght, as I can undirstonde,
At Chestres In, right faste by the Stronde,
As I lay in my bed upon a nyght,
Thoght me byrefte of sleep the force and might. 1

And many a day and nyght that wikkid hyne
Hadde beforn vexed my poore goost
So grevously that of angwissh and pyne
No rycher man was nowhere in no coost.
This dar I seyn, may no wight make his boost
That he with thoght was bet than I aqweynted,
For to the deeth he wel ny hath me feynted.

Bysyly in my mynde I gan revolve
The welthe unseur of every creature,
How lightly that Fortune it can dissolve
Whan that hir list that it no lenger dure;
And of the brotilnesse of hir nature
My tremblynge herte so greet gastnesse hadde
That my spirites were of my lyf sadde.

Me fil to mynde how that nat longe agoo
Fortunes strook doun thraste estat rial
Into mescheef, and I took heede also
Of many anothir lord that hadde a fal.
In mene estat eek sikirnesse at al
Ne saw I noon, but I sy atte laste
Wher seuretee for to abyde hir caste.

In poore estat shee pighte hir pavyloun
To kevere hir fro the storm of descendynge 2
For shee kneew no lower descencion
Sauf oonly deeth, fro which no wight lyvynge
Deffende him may; and thus in my musynge
I destitut was of joie and good hope,
And to myn ese nothyng cowde I grope.

For right as blyve ran it in my thoght,
Thogh poore I be, yit sumwhat leese I may.
Than deemed I that seurtee wolde noght
With me abyde; it is nat to hir pay
Ther to sojourne as shee descende may.
And thus unsikir of my smal lyflode,
Thoght leide on me ful many an hevy lode.

I thoghte eek, if I into povert creepe,
Than am I entred into sikirnesse;

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poem by Thomas Hoccleve
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The Libelle of Englyshe Polycye

Here beginneth the Prologe of the processe of the Libelle of Englyshe polycye, exhortynge alle Englande to kepe the see enviroun and namelye the narowe see, shewynge whate profete commeth thereof and also whate worshype and salvacione to Englande and to alle Englyshe menne.

The trewe processe of Englysh polycye
Of utterwarde to kepe thys regne in rest
Of oure England, that no man may denye
Ner say of soth but it is one the best,
Is thys, as who seith, south, north, est and west
Cheryshe marchandyse, kepe thamyralte,
That we bee maysteres of the narowe see.

For Sigesmonde the grete Emperoure,
Whyche yet regneth, whan he was in this londe
Wyth kynge Herry the vte, prince of honoure,
Here moche glorye, as hym thought, he founde,
A myghty londe, whyche hadde take on honde
To werre in Fraunce and make mortalite,
And ever well kept rounde aboute the see.

And to the kynge thus he seyde, 'My brothere',
Whan he perceyved too townes, Calys and Dovere,
'Of alle youre townes to chese of one and other
To kepe the see and sone for to come overe,
To werre oughtwardes and youre regne to recovere,
Kepe these too townes sure to youre mageste
As youre tweyne eyne to kepe the narowe see'.

For if this see be kepte in tyme of werre,
Who cane here passe withought daunger and woo?
Who may eschape, who may myschef dyfferre?
What marchaundy may forby be agoo?
For nedes hem muste take truse every foo,
Flaundres and Spayne and othere, trust to me,
Or ellis hyndered alle for thys narowe see.

Therfore I caste me by a lytell wrytinge
To shewe att eye thys conclusione,
For concyens and for myne acquytynge
Ayenst God, and ageyne abusyon
And cowardyse and to oure enmyes confusione;
For iiij. thynges oure noble sheueth to me,
Kyng, shype and swerde and pouer of the see.

Where bene oure shippes, where bene oure swerdes become?
Owre enmyes bid for the shippe sette a shepe.
Allas, oure reule halteth, hit is benome.

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poem by Anonymous Olde English
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Ælla, A Tragical Interlude - Act III

SCENE I.
BRISTOWE.
BIRTHA.
Gentle Egwina, do notte preche me joie;
I cannotte joie ynne anie thynge botte weere .
Oh! yatte aughte schulde oure selynesse destroie,
Floddynge the face wythe woe, and brynie teare!
EGWINA.
You muste, you muste endeavour for to cheere
Youre harte unto somme cherisaunied reste.
Youre loverde from the battelle wylle appere,
Ynne honnoure, and a greater love, be dreste:
Botte I wylle call the mynstrelles roundelaie;
Perchaunce the swotie sounde maie chase your wiere awaie.

MYNSTRELLES SONGE.
O! synge untoe mie roundelaie,
O! droppe the blynie teare wythe mee,
Daunce ne moe atte hallie daie,
Lycke a reyneynge ryver bee;
Mie love ys dedde,
Gon to hys death-bedde,
Al under the wyllowe tree.
Blacke hys cryne as the wynter nyghte,
Whyte hys rode as the sommer snowe,
Rodde hys face as the morning lyghte,
Cale he lyes ynne the grave belowe;
Mie love ys dedde,
Gon to hys death-bedde,
Al under the wyllowe tree.
Swote hys tynge as the throstles note,
Quycke ynn daunce as thoughte canne bee,
Defte hys taboure, codgelle stote,
O! hee lyes bie the wyllowe tree:
Mie love ys dedde,
Gonne to hys deathe-bedde,
Alle underre the wyllowe tree.
Harke! the ravenne flappes hys wynge,
In the briered delle belowe;
Harke! the dethe-owle loude dothe synge,
To the nyghte-mares as heie goe;
Mie love ys dedde,
Gonne to hys deathe-bedde,
Al under the wyllowe tree.
See! the whyte moone sheenes onne hie;
Whyterre ys mie true loves shroude;
Whyterre yanne the mornynge skie,
Whyterre yanne the evenynge cloude;
Mie love ys dedde,
Gon to hys deathe-bedde,

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poem by Thomas Chatterton
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Three Women

My love is young, so young;
Young is her cheek, and her throat,
And life is a song to be sung
With love the word for each note.

Young is her cheek and her throat;
Her eyes have the smile o' May.
And love is the word for each note
In the song of my life to-day.

Her eyes have the smile o' May;
Her heart is the heart of a dove,
And the song of my life to-day
Is love, beautiful love.

Her heart is the heart of a dove,
Ah, would it but fly to my breast
Where love, beautiful love,
Has made it a downy nest.

Ah, would she but fly to my breast,
My love who is young, so young;
I have made her a downy nest
And life is a song to be sung.

1
I.
A dull little station, a man with the eye
Of a dreamer; a bevy of girls moving by;
A swift moving train and a hot Summer sun,
The curtain goes up, and our play is begun.
The drama of passion, of sorrow, of strife,
Which always is billed for the theatre Life.
It runs on forever, from year unto year,
With scarcely a change when new actors appear.
It is old as the world is-far older in truth,
For the world is a crude little planet of youth.
And back in the eras before it was formed,
The passions of hearts through the Universe stormed.

Maurice Somerville passed the cluster of girls
Who twisted their ribbons and fluttered their curls
In vain to attract him; his mind it was plain
Was wholly intent on the incoming train.
That great one eyed monster puffed out its black breath,
Shrieked, snorted and hissed, like a thing bent on death,

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poem by Ella Wheeler Wilcox
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February Rain

To be the mud, the bog, the mire;
To soak the bones in February –
Eons from the autumn shower–
Even from a summer berry!

Sparrows chirp a desperate call,
Darting questions at the cows –
Oblivious to the dousing squall, they
Churn the sludge with pastern ploughs.

The crying air was lost in rhythm:
Drums incessant in the drops;
Not a chance for rainbow prism –
Even if the hammering stops!

Metallic chills entrap machines –
Tractors hushed within the shed.
Inside the house, a full cuisine
To bless with mead – and little said!

But out across the tiring field,
A sodden fox is hunting down
His prey of sorts – but nil of yield;
Perhaps he’ll starve; perhaps he’ll drown.

Still the clouds are hammering,
Hammering home their dreary aim –
A chatterbox in constant yammering,
Drenching all to make a claim.

Copyright © Mark R Slaughter 2010

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poem by Mark R Slaughter
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The House Of Dust: Complete

I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.

II.

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poem by Conrad Potter Aiken
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We Trying To Stay Alive

F/ john forte
(wy-clef jean)
We got the refugees all-stars rubba dubbin in the club
Wyclef jean, john forte, prizewell.
Nah mean the streets are gettin a little crazy..
Looka looka looka looka looka
Looka looka looka here looka shorty got back
Should I ask her for a dance hold on theres too many in a wolf pack
And besides dirtycash talkin to her
Buyin her fake furs and takin her to the fever
Quite as his kept that aint even his benz
She spends his franklins at the malls with her friends
Material girl, livin in a material world
But its alright cause its saturday night
So mista funkmaster pump the bee-gees
And all you college students bring your ouijas
Check the spellin, r e--f u g e--e get the cd from sam goody he he
You aint even close wit the rhymes that you wrote
Dont be mad cause you broke
Let me clear my throat ah huh ah huh
John forte grab the mic roots sway it this way
(john forte)
I more than just a rhymer you still a small timer
Hopin that the game treat that ass a little kinda
Every step tangod
Your beat dont concern me
Im eatin mangos in trinadad wit attorneys (oh yea)
My crews slang flow worldwide like a current
Wit da every spot where nobody get insurance
Brotha do the math you aint half near exotic
My mans claim true - you - forget about it
Pope hoe just a new stance like my influence
Well recognize you a lie tryin do it
Got juice told your lady oops
We nuts baby
Smooth and charizmatic automatic
You gonna save me
Godbless the day that my sons survive
We strive to teach the youth baby and stay alive
(wy-clef)
Refugee camp
Nuts baby
John forte
Yo watch your lady
(prizewell (dirtycash))
Yo watch your lady
Eh ah
Special ill rhyme dirtycash
(wy-clef)
Yo if you got more than

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song performed by Wyclef Jean
Added by Lucian Velea
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Tryin To Stay Alive

(wy-clef jean)
We got the refugees all-stars rubba dubbin? in the club
Wyclef jean, john forte, prizewell.
Nah mean the streets are gettin a little crazy..
Looka looka looka looka looka
Looka looka looka here looka shorty got back
Should I ask her for a dance hold on theres too many in a wolf pack
And besides dirtycash talkin to her
Buyin? her fake furs and takin? her to the fever
Quite as his kept that aint even his benz
She spends his franklins at the malls with her friends
Material girl, livin? in a material world
But its alright cause its saturday night
So mista funkmaster pump the bee-gees
And all you college students bring your ouijas? check the spellin, r e--f u g e--e get the cd from sam goody he he
You aint even close wit the rhymes that you wrote
Dont be mad cause you broke
Let me clear my throat ah huh ah huh
John forte grab the mic roots sway it this way
(john forte)
I more than just a rhymer you still a small timer
Hopin that the game treat that ass a little kinda
Every step tangod
Your beat dont concern me
Im eatin mangos in trinadad wit attorneys (oh yea)
My crews slang flow worldwide like a current
Wit da every spot where nobody get insurance
Brotha do the math you aint half near exotic
My mans claim true - you - forget about it
Pope hoe just a new stance like my influence
Well recognize you a lie tryin do it
Got juice told your lady oops
We nuts baby
Smooth and charizmatic automatic
You gonna save me
Godbless the day that my sons survive
We strive to teach the youth baby and stay alive
(wy-clef)
Refugee camp
Nuts baby
John forte
Yo watch your lady
(prizewell (dirtycash))
Yo watch your lady
Eh ah
Special ill rhyme dirtycash
(wy-clef)
Yo if you got more than
Dollar in your pocket right now put your hands up
(prizewell (dirtycash))

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song performed by Wyclef Jean
Added by Lucian Velea
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Bonny Lassie O!

O the evening's for the fair, bonny lassie O!
To meet the cooler air and walk an angel there,
With the dark dishevelled hair,
Bonny lassie O!

The bloom's on the brere, bonny lassie O!
Oak apples on the tree; and wilt thou gang to see
The shed I've made for thee,
Bonny lassie O!

Tis agen the running brook, bonny lassie O!
In a grassy nook hard by, with a little patch of sky,
And a bush to keep us dry,
Bonny lassie O!

There's the daisy all the year, bonny lassie O!
There's the king-cup bright as gold, and the speedwell never cold,
And the arum leaves unrolled,
Bonny lassie O!

O meet me at the shed, bonny lassie O!
With a woodbine peeping in, and the roses like thy skin
Blushing, thy praise to win,
Bonny lassie O!

I will meet thee there at e'en, bonny lassie O!
When the bee sips in the bean, and grey willow branches lean,
And the moonbeam looks between,
Bonny lassie O!

poem by John Clare
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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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poem by Robert Browning from The Ring and the Book
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Rosalind and Helen: a Modern Eclogue

ROSALIND, HELEN, and her Child.

SCENE. The Shore of the Lake of Como.

HELEN
Come hither, my sweet Rosalind.
'T is long since thou and I have met;
And yet methinks it were unkind
Those moments to forget.
Come, sit by me. I see thee stand
By this lone lake, in this far land,
Thy loose hair in the light wind flying,
Thy sweet voice to each tone of even
United, and thine eyes replying
To the hues of yon fair heaven.
Come, gentle friend! wilt sit by me?
And be as thou wert wont to be
Ere we were disunited?
None doth behold us now; the power
That led us forth at this lone hour
Will be but ill requited
If thou depart in scorn. Oh, come,
And talk of our abandoned home!
Remember, this is Italy,
And we are exiles. Talk with me
Of that our land, whose wilds and floods,
Barren and dark although they be,
Were dearer than these chestnut woods;
Those heathy paths, that inland stream,
And the blue mountains, shapes which seem
Like wrecks of childhood's sunny dream;
Which that we have abandoned now,
Weighs on the heart like that remorse
Which altered friendship leaves. I seek
No more our youthful intercourse.
That cannot be! Rosalind, speak,
Speak to me! Leave me not! When morn did come,
When evening fell upon our common home,
When for one hour we parted,--do not frown;
I would not chide thee, though thy faith is broken;
But turn to me. Oh! by this cherished token
Of woven hair, which thou wilt not disown,
Turn, as 't were but the memory of me,
And not my scornèd self who prayed to thee!

ROSALIND
Is it a dream, or do I see
And hear frail Helen? I would flee
Thy tainting touch; but former years
Arise, and bring forbidden tears;

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poem by Percy Bysshe Shelley
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Would you ever believe

WOULD YOU EVER believe if I called a nondescript table of teakwood; as a vivacious bird soaring high in the sky,

Would you ever believe if I called a ruffled sheet of paper; as a chunk of glittering gold,

Would you ever believe if I called a grandiloquent watch embodied with diamonds; as a lump of bedraggled stone,

Would you ever believe if I called a mountain of compacted mud; as a switchboard of pugnacious electricity,

Would you ever believe if I called a resplendent rainbow in the sky; as a broomstick with incongruous bristles,

Would you ever believe if I called a rusty canister of dilapidated iron; as a mesmerizing rose growing in the garden,

Would you ever believe if I called a pink tablet of luxury soap; as a mosquito hovering acrimoniously in the cloistered room,

Would you ever believe if I called a boat rollicking merrily on the undulating waves; as a rustic jungle spider,

Would you ever believe if I called a valley profusely embedded with snow; as an unscrupulous dog on the street,

Would you ever believe if I called a pair of luscious lips; as a disdainfully fetid shoe,

Would you ever believe if I called a fluorescent rod of light; as a jagged bush of cactus growing in the sweltering desert,

Would you ever believe if I called the blazing sun; as a pudgy bar of delectable chocolate,
Would you ever believe if I called an angular sculptured bone; as acid bubbling in a swanky bottle,

Would you ever believe if I called a scintillating oyster; as an inarticulate matchstick coated with lead,

Would you ever believe if I called a cluster of bells jingling from the ceiling; as a sordid cockroach philandering beside the lavatory seat,

Would you ever believe if I called a fruit of succulent coconut; as a dead mans morbid tooth,

Would you ever believe If I called a steaming cup of filter coffee; as gaudily colored water emanating from the street fountains,

Would you ever believe if I called the majestic statue of a revered historian; as a slab of tangy peanut butter,

Would you ever believe if I called a vibrant shirt; as a protuberant pigeon discerningly pecking its beak at grains scattered on the floor,

Would you ever believe if I called a flocculent bud of cotton; as a camouflaged lizard transgressing through wild projections of grass,

Would you ever believe if I called a photograph depicting the steep gorges; as a gutter inundated with obnoxious sewage,

Would you ever believe if I called a lanky giraffe; as a convict nefariously lurking through solitary streets of the city,

Would you ever believe if I called a pair of flamboyant sunglasses; as a weird tattoo to be adhered to the chest,

Would you ever believe if I called a chicken’s egg; as logs of sooty charcoal abundantly stashed in the colossal warehouse,

Would you ever believe if I called a biscuit replete with golden honey; as a ominously slithering reptile in the jungles,

Would you ever believe if I called a bald man possessing a profoundly tonsured scalp; as a gas balloon floating in insipid air,

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poem by Nikhil Parekh
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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

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poem by Robert Browning from The Ring and the Book
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The Two Dreams

I WILL that if I say a heavy thing
Your tongues forgive me; seeing ye know that spring
Has flecks and fits of pain to keep her sweet,
And walks somewhile with winter-bitten feet.
Moreover it sounds often well to let
One string, when ye play music, keep at fret
The whole song through; one petal that is dead
Confirms the roses, be they white or red;
Dead sorrow is not sorrowful to hear
As the thick noise that breaks mid weeping were;
The sick sound aching in a lifted throat
Turns to sharp silver of a perfect note;
And though the rain falls often, and with rain
Late autumn falls on the old red leaves like pain,
I deem that God is not disquieted.
Also while men are fed with wine and bread,
They shall be fed with sorrow at his hand.

There grew a rose-garden in Florence land
More fair than many; all red summers through
The leaves smelt sweet and sharp of rain, and blew
Sideways with tender wind; and therein fell
Sweet sound wherewith the green waxed audible,
As a bird’s will to sing disturbed his throat
And set the sharp wings forward like a boat
Pushed through soft water, moving his brown side
Smooth-shapen as a maid’s, and shook with pride
His deep warm bosom, till the heavy sun’s
Set face of heat stopped all the songs at once.
The ways were clean to walk and delicate;
And when the windy white of March grew late,
Before the trees took heart to face the sun
With ravelled raiment of lean winter on,
The roots were thick and hot with hollow grass.

Some roods away a lordly house there was,
Cool with broad courts and latticed passage wet
From rush-flowers and lilies ripe to set,
Sown close among the strewings of the floor;
And either wall of the slow corridor
Was dim with deep device of gracious things;
Some angel’s steady mouth and weight of wings
Shut to the side; or Peter with straight stole
And beard cut black against the aureole
That spanned his head from nape to crown; thereby
Mary’s gold hair, thick to the girdle-tie
Wherein was bound a child with tender feet;
Or the broad cross with blood nigh brown on it.

Within this house a righteous lord abode,

[...] Read more

poem by Algernon Charles Swinburne
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Soul Standing By

Oo, babe.
Oh moon light, cool angel, be on us tonight.
Oh baby, pretty baby, Im wild for you alright.
You want sunlight, you get moonlight.
Splendor in the past.
Kiss of lip, oh baby, conceive a passion,
Oo, born to us tonight, oh.
Hold me tight, babe, treat me right, babe,
So deep and hot tonight, yeah.
Oh baby, pretty baby, Ill make it last all night.
Soul standing by.
Im gonna be there anytime.
Im gonna be there if you cry.
Anytime, any way, any how, right now!
Are you ridin high? well, Im ridin high.
Soul standin by, soul standin by.
Oh, Im ridin high, well, Im ridin high.
Soul standin by, soul standin by,
Soul standin by, yeah Ill never die. guitar!
Yeah baby, she said.
Oo baby, oo love me, come on and love me, yes,
Invade me.
Row your boat, baby, through my water, oo, out
Into my light, oh.
Hold me, sunlight; come on me, moonlight,
So deep and so wide.
Seek you here, baby,
Be-ah-uh baby, in my arms all night.
Soul standing by.
Yes, Ill be there anytime.
Yes, Ill be there if you cry.
Anywhere, any how, anytime, right now!
Are you ridin high? well, Im ridin high.
Soul standin by, soul standin by.
Oh, Im ridin high, well, Im ridin high.
Soul standin by, soul standin by.
Oo, Im ridin high, well, Im ridin high.
Soul standin by, soul standin by.
Yeah, ridin high.
Soul standin by, soul standin by,
Soul standin by. ow! Ill never die.
Soul standin by, oh yeah.
Soul standin by, no tears you cry.
Oo yeah, oh yeah.
Oo oo oo oo baby, oo, love me,
Oo baby, oh inside me.
Come on, come on baby, come on love me,
We splendor in the night.

song performed by Billy Idol
Added by Lucian Velea
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Voodoo Voodoo

U a u a voodoo voodoo
U a u a voodoo
U a u a voodoo voodoo
U a u a voodoo
Voodoo voodoo voodoo voodoo
Voodoo voodoo voodoo voodoo.
Lascia che il mio Voodoo lavori eh
Funziona con tutte ma non con te!
Latte di letto, talismani e fiori
un filtro speciale fatto apposta per te.
Ehy sorella figlia della notte
Dimmi se vieni, se funziona se
Dimmi di s, dimmi come
Dimmi di s, dimmi dove
Voodoo voodoo un po' d'amore
Voodoo voodoo per me
Voodoo voodoo solo un po' d'amore
Yee yee yee yee yee yee!
Voodoo voodoo I got a feeling
Voodoo voodoo fiamme sulla luna
Voodoo voodoo I got a feeling
Voodoo voodoo finch ce n'.
Lascia che il mio coso lavori (si spera)
Funziona con tutte ma non con te
Magica donna dalla gatta nera
Ho un filtro fatale fatto apposta per te.
Ehy sorella, figlia del peccato
Dimmi se vieni, se funziona se
Dimmi di s, dimmi come
Dimmi di s, dimmi dove
Voodoo voodoo un po' d'amore
Voodoo voodoo per me
Voodoo voodoo solo un po' d'amore
Yee yee yee yee yee yee!
Voodoo voodoo I got a feeling
Voodoo voodoo fiamme sulla luna
Voodoo voodoo I got a feeling
Voodoo voodoo.
Voodoo voodoo I got a feeling
Voodoo voodoo solco nella duna
Voodoo voodoo I got a feeling
Voodoo voodoo.
Voglio te, questa notte d'estate
Voglio te, anche se non ti piace
Voglio te, senza troppe parole
Voglio che, viene dentro me come un raggio di sole.
Voglio te, questa notte d'estate
Voglio te, anche se non ti piace
Voglio te, senza troppe parole
Voglio che, viene dentro me come un raggio di sole.

[...] Read more

song performed by Zucchero
Added by Lucian Velea
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The Brus Book V

The king goes to Carrick; he upbraids Cuthbert]

Thys wes in ver quhen wynter tid
With his blastis hidwys to bid
Was ourdryvyn and byrdis smale
As turturis and the nychtyngale
5 Begouth rycht sariely to syng
And for to mak in thar singyng
Swete notis and sounys ser
And melodys plesand to her
And the treis begouth to ma
10 Burgeans and brycht blomys alsua
To wyn the helynd of thar hevid
That wykkyt wynter had thaim revid,
And all gressys beguth to spryng.
Into that tyme the nobill king
15 With his flote and a few mengye
Thre hunder I trow thai mycht be,
Is to the se oute off Arane
A litill forouth evyn gane.
Thai rowit fast with all thar mycht
20 Till that apon thaim fell the nycht
That woux myrk apon gret maner
Sua that thai wyst nocht quhar thai wer
For thai na nedill had na stane,
Bot rowyt alwayis intill ane
25 Sterand all tyme apon the fyr
That thai saw brynnand lycht and schyr.
It wes bot aventur thaim led
And thai in schort tyme sa thaim sped
That at the fyr aryvyt thai
30 And went to land but mair delay.
And Cuthbert that has sene the fyr
Was full of angyr and off ire,
For he durst nocht do it away
And wes alsua doutand ay
35 That his lord suld pas to se.
Tharfor thar cummyng waytit he
And met thaim at thar aryving.
He wes wele sone brocht to the kimg
That speryt at him how he had done,
40 And he with sar hart tauld him sone
How that he fand nane weill luffand
Bot all war fayis that he fand,
And that the lord the Persy
With ner thre hunder in cumpany
45 Was in the castell thar besid
Fullfillyt of dispyt and prid
Bot ma than twa partis off his rowt

[...] Read more

poem by John Barbour
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The Bonnie Lass o' Dundee

O' a' the toons that I've been in,
I dearly love Dundee,
It's there the bonnie lassie lives,
The lass I love to see. Her face is fair, broon is her hair,
And dark blue is her e'e,
And aboon a' the lasses e'er I saw,
There's nane like her to me
The bonnie broon-hair'd lassie o' Bonnie Dundee.

I see her in my night dreams,
Wi' her bonnie blue e'e,
And her face it is the fairest,
That ever I did see;
And aboon a' the lassies e'er I eaw,
There's nane like her to me,
For she makes my heart feel lichtsome,
And I'm aye richt glad to see
The bonnie broon-hair'd lassie o' Bonnie Dundee.

Her eyes, they beam with innocence,
Most lovely for to see,
And her heart it is as free from guile,
As a child on its mother's knee;
And aboon a' the lasses e'er I saw,
There's nane like her to me,
For she aye seems so happy, And has a blythe bhnk in her e'e
The bonnie broon-hair'd lassie o' Bonnie Dundee.

The lassie is tidy in her claes,
Baith neat and clean to see;
And her body's sma and slender,
And a neat foot has she;
And aboon a' the lassies e'er I saw,
There's nane like her to me
The bonnie broon-hair'd lassie o' Bonnie Dundee.

She sings like the nightingale,
Richt merrily, or a wee lintie,
Wi' its heart fou' o' glee,
And she's as frisky as a bee;
And aboon a' the lassies e'er I saw,
There's nane like her to me
The bonnie broon-hair'd lassie o' Bonnie Dundee.

The lassie is as handsome
As the lily on the lea,
And her mou' it is as red
As a cherry on the tree;
And she's a' the world to me,
The bonnie broon-hair'd lassie

[...] Read more

poem by William Topaz McGonagall
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Purple Heather

(Intro not in English)
Oh the summer time is gone
And the leaves are sweetly turning
And the wild mountain thyme
Blooms across the purple heather
Will you go, lassie. go
If you will not go with me
I will never find another
To pick wild mountain thyme
All along the purple heather
Will you go, lassie, go
Lassie, go
I will build my love a tower
by the cool crystal waters
And I'll cling to her forever
Like the ivy to the heather
Will you go, lassie, go
*And we'll go together
To pick wild mountain thyme
All along the purple heather
Will you go, lassie, go
Lassie, go
(Not in English)
Will you go, lassie, go
(*Repeat)
And we'll all go together
Tp pull wild mountain thyme
All across the purple heather
Will you go, lassie, go
Lassie, go
Lassie, go

song performed by Rod Stewart
Added by Lucian Velea
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Lancelot And Elaine

Elaine the fair, Elaine the loveable,
Elaine, the lily maid of Astolat,
High in her chamber up a tower to the east
Guarded the sacred shield of Lancelot;
Which first she placed where the morning's earliest ray
Might strike it, and awake her with the gleam;
Then fearing rust or soilure fashioned for it
A case of silk, and braided thereupon
All the devices blazoned on the shield
In their own tinct, and added, of her wit,
A border fantasy of branch and flower,
And yellow-throated nestling in the nest.
Nor rested thus content, but day by day,
Leaving her household and good father, climbed
That eastern tower, and entering barred her door,
Stript off the case, and read the naked shield,
Now guessed a hidden meaning in his arms,
Now made a pretty history to herself
Of every dint a sword had beaten in it,
And every scratch a lance had made upon it,
Conjecturing when and where: this cut is fresh;
That ten years back; this dealt him at Caerlyle;
That at Caerleon; this at Camelot:
And ah God's mercy, what a stroke was there!
And here a thrust that might have killed, but God
Broke the strong lance, and rolled his enemy down,
And saved him: so she lived in fantasy.

How came the lily maid by that good shield
Of Lancelot, she that knew not even his name?
He left it with her, when he rode to tilt
For the great diamond in the diamond jousts,
Which Arthur had ordained, and by that name
Had named them, since a diamond was the prize.

For Arthur, long before they crowned him King,
Roving the trackless realms of Lyonnesse,
Had found a glen, gray boulder and black tarn.
A horror lived about the tarn, and clave
Like its own mists to all the mountain side:
For here two brothers, one a king, had met
And fought together; but their names were lost;
And each had slain his brother at a blow;
And down they fell and made the glen abhorred:
And there they lay till all their bones were bleached,
And lichened into colour with the crags:
And he, that once was king, had on a crown
Of diamonds, one in front, and four aside.
And Arthur came, and labouring up the pass,
All in a misty moonshine, unawares

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poem by Alfred Lord Tennyson
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