Finger Tip Touchable
concrete
wet paint
touchable images
constructed realities
poem by Terence George Craddock
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The Touchables
Speaking of which, what is your choice
Your conversation will suffice
I feel the need thats known to all
Better use it up before the levels fall
You can take me back to the primal drive
You can carry on until we arrive
Hypnotised inside
Now Im not young and youre not old
Id rather purchase than be sold
Crazed friends so bold
Its not easy to conceal
When youre so touchable
People will hide indifference
Just to be touchable
They still emit split second screams
When they are touchable
Under the surface just for kicks
Sincerely touchable
You say its okay, but what do I feel
Guilt, compassion, or achilles heel
Little feet march down grey matter hill
Then panic occurs, no seeds to spill
Whats the matter now
Please look up and speak
Your spirits wilting and your flesh is weak
Eight days a week
I cant imagine whatll happen now
I wonder when and I wonder how
The end will come
Its not easy to conceal
When youre so touchable
People will hide indifference
Just to be touchable
Its not easy to conceal
When youre so touchable
People will hide indifference
Just to be touchable
They still emit split second screams
When they are touchable
Under the surface just for kicks
Sincerely touchable
The final answer to all our fears
Abrupt conclusion to all our years
Still touchable but no one hears
They carry on hypnotised inside
song performed by Human League
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Images
I think images are worth repeating
Images repeated from a painting
Images taken from a painting
From a photo worth re-seeing
I love images worth repeating
Project them upon the ceiling
Multiply them with silk screening
See them with a different feeling
Images, oh, images
Images, oh, images
Some say images have no feeling
I think theres a deeper meaning
Mechanical precision or so its seeming
Instigates a cooler feeling
I love multiplicity of screenings
Things born anew display new meanings
I think images are worth repeating
And repeating and repeating
Images, oh, images
Images, images
Im no urban idiot savant
Spewing paint without any order
Im no sphinx, no mystery enigma
What I paint is very ordinary
I dont think Im old or modern
I dont think I think Im thinking
It doesnt matter what Im thinking
Its the images that are worth repeating
And repeating, oh, images
Images
If youre looking for a deeper meaning
Im as deep as this high ceiling
If you think technique is meaning
You might find me very simple
You might think that images boring
Cars and cans and chairs and flowers
You might find me personally boring
Hammer, sickle, mao tse tong
Mao tse tong
Ooohhh, images, images
Images
I think that it bears repeating
The images upon the ceiling
I love images worth repeating
And repeating and repeating
Images, images
Oh, images, oh, images
song performed by Lou Reed
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Kahlo-Christ Conjunctions - Sacrificed Flesh, Broken Bread, Emmaus Vision
[The curious or, better, interested reader may view the images alluded to in this essay at this website: http: //falconwarren.blogspot.com/2011/01/kahlo-christ- conjunctions-sacrificed.html]
Kahlo Strophes
As with love, also the bellows.
Calavera*, the Future stands
hand to mouth, fingers to forehead
unfolding before still instatic shapes.
Hold desperately to frames before
these quaking perceptions.
She could not stop there,
had to flare out, dry paint,
and the dryer flesh peel down
to bone, a sexless esqueleto**,
skull no longer mustached,
a calavera, nothing more,
curved calcium reliant forever
upon canvas, what is congealed
there to fan and burn,
a 'cauda pavonis'***.
- the author, from the text below
*Skull
**Skeleton
***Peacock's Tail (an image in alchemy) .
'Poetry such as this attempts not just a new syntax of the word. Its revolution is aimed at the syntax of the mind itself. Its structuring of experience is purposive, not dreamlike. We are dealing with a self-induced, or naturally or mysteriously come by, creative state from which two of the most fundamental human activities diverge, the aesthetic and the mystic act. The creative matrix is the same in both, and it is that state of being that is most peculiarly and characteristically human, as the resulting aesthetic and mystic experience is the purist form of human act. There is a great deal of overlapping, today especially, when art is all the religion most people have and when they demand of it experiences that few people of the past demanded of religion....A visionary poem is not a vision. The religious experience is necessitated and ultimate.' - Kenneth Rexroth, World Outside the Window, the Selected Essays of Kenneth Rexroth, pg.255-256
Rexroth's words are pertinent to the images used in this essay, Kahlo's painting above is visionary, Grunewald's are religious, and several photos are both, and all are 'aimed at the syntax of the mind itself.. Its restructuring of experience is purposive, not dreamlike.' The images included in this essay, which is more a prose poem than regular prose, are meant to convey equally or more, at least as as much as, the words in their incantatory formations which may induce entrance into 'imaginal' spaces where word and image meet in a practical magic, inspire a felt understanding and perhaps gain a view or actual entrance into what ecstatic poet, Rainer Maria Rilke, calls 'the Greater Relation.'
I've decided to publish this piece-in-progress as it unwinds in spirals 'aimed at the syntax of the mind itself...its restructuring of experience' with the understanding that it may later appear in greatly altered form. In a real sense this writing writes itself; I try to heed, copy, then hone to the bone what might be wanting to be sung, for what is below, and often what I write, is more akin to music, a vocal/verbal lilt beyond a particular solid tilt of view of a world absolute, static logos.
Heraclitus noted thousands of years ago, 'All is flux.'
To this I would only add, and perhaps this is what all of my writing amounts to,
'All is reflux.'
Selah. WF
NYC,1/31/11
[...] Read more
poem by Warren Falcon
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Concrete Girl
Bleeding thoughts.
Cracking boulder.
Don't fall over.
Fake your laughter.
Burn the tear.
Sing it louder.
Twist and shout.
Way up here,
We stand on shoulders,
Growing colder.
Laugh or cry.
I won't mind.
Sing it louder.
Twist and shout.
Immovable shadows.
The concrete girl.
They'll rock your world to nothing.
And they're swimming around again, again.
And they're swimming around
The concrete girl.
Catch your breath like a four-leaf clover.
Hand it over.
Scream to no one.
Take your time.
Sing it louder.
Twist and shout.
Nothing to run from is worse than something,
And all your fears of nothing.
And they're swimming around again, again.
And they're swimming around
The concrete girl.
Concrete girl, don't fall down
In this broken world around you.
Concrete girl, don't fall down.
Don't fall down, my concrete girl.
Don't stop thinking.
Don't stop feeling now.
One step away from where we were,
And one step back to nothing.
And we're standing on top of our hopes and fears,
And we're fighting for words now, concrete girl.
And we're swimming around again, again.
And we're swimming around now,
Concrete girl.
Concrete girl, don't fall down in this broken world around you.
Concrete girl, don't fall down.
Don't fall down, my concrete girl.
Concrete girl, don't fall down in this concrete world around you.
Concrete girl, don't fall down.
Don't break down, my concrete girl.
song performed by Switchfoot
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Images Presented
The image that's presented,
Determines how impressive...
Those pretentious rush to protect.
And the image that's presented,
Has less to do with intellect.
Or competence and its effect,
Upon those expecting...
Much more than an image projected to accept.
Images old have molded.
Although repeatedly they have been sold!
Those images presented,
Represent times gone.
Those images presented,
Have been rusted so long.
Those images presented,
Do not feed!
Those images presented,
No one needs now!
Those images presented represent a decadence.
And they represent with evidence pretentions that are meant.
Those images presented do not feed.
Those images presented no one needs,
Now.
Those images presented represent a decadence.
And they represent with evidence pretentions that are meant.
Those images presented do not feed.
Those images presented no one needs,
Now.
Those images presented,
Represent times gone.
Those images presented,
Have been rusted so long.
Those images presented do not feed.
Those images presented no one needs,
Now.
Those images presented represent a decadence.
And they represent with evidence pretentions that are meant.
Images old have molded.
Although repeatedly they have been sold!
poem by Lawrence S. Pertillar
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A Place To Sit
Smoochers and snoggers, and resting joggers
all seem to stop at this concrete bench.
Ramblers and walkers, and street hawkers
all seem to stop at this concrete bench.
Mini’s and Roller’s, and lady strollers
all seem to stop at this concrete bench.
Old folk and young folk, and dogs with no folk
all seem to stop at this concrete bench.
Market traders and cavers, and money savers
all seem to stop at this concrete bench.
Children that play who meet everyday
all seem to stop at this concrete bench.
Students and teachers, and lay preachers
all seem to stop at this concrete bench.
Loose women and boys the ‘for sale’ toys
all seem to stop at this concrete bench.
Addicts and dealers, and police squealers
all seem to stop at this concrete bench.
Dogs out for a pee who can’t find a tree
all seem to stop at this concrete bench.
Drunks in the night who like to fight
all seem to stop at this concrete bench.
Spray painters and doodlers, and bench abusers
all seem to stop at this concrete bench.
Vandals and hooligans, and booted ruffians
all seem to stop at this concrete bench.
Demolishers and breakers, and obliterators
never stopped until they destroyed this concrete bench.
poem by Orlando Belo
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Images Birth Wet Paint Born
wet on wet paint on paint
layers of wet paint applied
to previous layered layers
images birth wet paint born
images born in liquid imagination
images born in landscape infinity
images born in individual creativity
images born in artistic genius ability
images born in limitless multiplicity
Copyright © Terence George Craddock
See also the poems ‘Layers Of Wet Paint Applied’ and ‘Interactions Invoke Imagination Entrances’.
poem by Terence George Craddock
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Book IV - Part 02 - Existence And Character Of The Images
But since I've taught already of what sort
The seeds of all things are, and how distinct
In divers forms they flit of own accord,
Stirred with a motion everlasting on,
And in what mode things be from them create,
And since I've taught what the mind's nature is,
And of what things 'tis with the body knit
And thrives in strength, and by what mode uptorn
That mind returns to its primordials,
Now will I undertake an argument-
One for these matters of supreme concern-
That there exist those somewhats which we call
The images of things: these, like to films
Scaled off the utmost outside of the things,
Flit hither and thither through the atmosphere,
And the same terrify our intellects,
Coming upon us waking or in sleep,
When oft we peer at wonderful strange shapes
And images of people lorn of light,
Which oft have horribly roused us when we lay
In slumber- that haply nevermore may we
Suppose that souls get loose from Acheron,
Or shades go floating in among the living,
Or aught of us is left behind at death,
When body and mind, destroyed together, each
Back to its own primordials goes away.
And thus I say that effigies of things,
And tenuous shapes from off the things are sent,
From off the utmost outside of the things,
Which are like films or may be named a rind,
Because the image bears like look and form
With whatso body has shed it fluttering forth-
A fact thou mayst, however dull thy wits,
Well learn from this: mainly, because we see
Even 'mongst visible objects many be
That send forth bodies, loosely some diffused-
Like smoke from oaken logs and heat from fires-
And some more interwoven and condensed-
As when the locusts in the summertime
Put off their glossy tunics, or when calves
At birth drop membranes from their body's surface,
Or when, again, the slippery serpent doffs
Its vestments 'mongst the thorns- for oft we see
The breres augmented with their flying spoils:
Since such takes place, 'tis likewise certain too
That tenuous images from things are sent,
From off the utmost outside of the things.
For why those kinds should drop and part from things,
Rather than others tenuous and thin,
[...] Read more
poem by Lucretius
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Concrete Mind
Can I get a pass, from my wrongs?
Will you make me not forget?
Are you like a concrete mind,
That's permanently set?
Concrete mind won't wear out.
For when she has a crack.
She only fills in where it's split.
Your wrongs she'll always track.
I thought I would be honest
Lead a new way of life
To concrete mind this is a weapon
She'll use just like a knife
She'll just use it against you
You'll never live it down
Her life is like a circus
And you're the lonely clown
And when you try to fix
The things that have been broken
Concrete mind will take your wrongs
And use them like a token
Where did I go wrong you'll ask
In each and every way
So if you trip and stumble
Concrete mind will say:
“Go straight to jail,
Do not pass go
Be ashamed
You are so low
Just like scum,
You always rise
All of your truths
To me their lies
You past is now
You'll never change
Forgiveness a word
I find so strange
I will forgive
But not forget
My heart is hard
My mind is set
Show you mercy?
Show you grace?
Go find those things
Another place.
[...] Read more
poem by Ryan Lee Morris
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Book IV - Part 03 - The Senses And Mental Pictures
Bodies that strike the eyes, awaking sight.
From certain things flow odours evermore,
As cold from rivers, heat from sun, and spray
From waves of ocean, eater-out of walls
Around the coasts. Nor ever cease to flit
The varied voices, sounds athrough the air.
Then too there comes into the mouth at times
The wet of a salt taste, when by the sea
We roam about; and so, whene'er we watch
The wormword being mixed, its bitter stings.
To such degree from all things is each thing
Borne streamingly along, and sent about
To every region round; and Nature grants
Nor rest nor respite of the onward flow,
Since 'tis incessantly we feeling have,
And all the time are suffered to descry
And smell all things at hand, and hear them sound.
Besides, since shape examined by our hands
Within the dark is known to be the same
As that by eyes perceived within the light
And lustrous day, both touch and sight must be
By one like cause aroused. So, if we test
A square and get its stimulus on us
Within the dark, within the light what square
Can fall upon our sight, except a square
That images the things? Wherefore it seems
The source of seeing is in images,
Nor without these can anything be viewed.
Now these same films I name are borne about
And tossed and scattered into regions all.
But since we do perceive alone through eyes,
It follows hence that whitherso we turn
Our sight, all things do strike against it there
With form and hue. And just how far from us
Each thing may be away, the image yields
To us the power to see and chance to tell:
For when 'tis sent, at once it shoves ahead
And drives along the air that's in the space
Betwixt it and our eyes. And thus this air
All glides athrough our eyeballs, and, as 'twere,
Brushes athrough our pupils and thuswise
Passes across. Therefore it comes we see
How far from us each thing may be away,
And the more air there be that's driven before,
And too the longer be the brushing breeze
Against our eyes, the farther off removed
Each thing is seen to be: forsooth, this work
With mightily swift order all goes on,
So that upon one instant we may see
[...] Read more
poem by Lucretius
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Paint Me Down
Paint me down
Paint me down
Paint me down
Im walking into studio
Consider strange appeal
Paint me in the home
Im brushing up on sketchbook
Designs for love unreal
Paint me in the home
Oil and skin youll need to buy it
Consider what I mean
She sinks beneath thr moving pictures
Prepare the brush for me
Im craving with this need
Paint me down
Paint me down
Paint me down
Im soaking up the surface
Conceaiving new idea
Paint me in the home
Shes oiling up her subject
But all still life is here
Paint me in the home
All the boys with framed dimension
A cover up on lust
Hell take his pain and paint it over
Prepare the brush for me
Im craving with this need
Paint me down
Paint me down
Paint me down
song performed by Spandau Ballet
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Sign-Board
I will paint you a sign, rumseller,
And hang it above your door;
A truer and better signboard
Than ever you had before.
I will paint with the skill of a master,
And many shall pause to see
This wonderful piece of painting,
So like the reality.
I will paint yourself, rumseller,
As you wait for that fair young boy,
Just in the morning of manhood,
A mother's pride and joy.
He has no thought of stopping,
But you greet him with a smile,
And you seem so blithe and friendly,
That he pauses to chat awhile.
I will paint you again, rumseller,
I will paint you as you stand,
With a foaming glass of liquor
Extended in your hand.
He wavers, but you urge him-
Drink, pledge me just this one!
And he takes the glass and drains it,
And the hellish work is done.
And next I will paint a drunkard-
Only a year has flown,
But into that loathsome creature
The fair young boy has grown.
The work was sure and rapid.
I will paint him as he lies
In a torpid, drunken slumber,
Under the wintry skies.
I will paint the form of the mother
As she kneels at her darling's side,
Her beautiful boy that was dearer
Than all the world beside.
I will paint the shape of a coffin,
Labeled with one word-'lost,'
I will paint all this, rumseller,
And will paint it free of cost.
[...] Read more
poem by Ella Wheeler Wilcox
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The Signboard
I will paint you a sign, rumseller,
And hang it above your door;
A truer and better signboard
Than ever you had before.
I will paint with the skill of a master,
And many shall pause to see
This wonderful piece of painting,
So like the reality.
I will paint yourself, rumseller,
As you wait for that fair young boy,
Just in the morning of manhood,
A mother’s pride and joy.
He has no thought of stopping,
But you greet him with a smile
And you seem so blithe and friendly,
That he pauses a chat awhile.
I will paint you again, rumseller,
I will paint you as you stand,
With a foaming glass of liquor
Extended in your hand.
He wavers, but you urge him –
Drink, pledge me just this one!
And he takes the glass and drains it,
And the hellish work is done.
And next I will paint a drunkard –
Only a year has flown,
But into that loathesome creature
The fair young boy has grown.
The work was sure and rapid.
I will paint him as he lies
In a torpid, drunken slumber,
Under the wintry skies.
I will paint the form of the mother
As she kneels at her darling’s side,
Her beautiful boy that was dearer
Than all the world beside.
I will paint the shape of a coffin
Labelled with one word – ‘Lost’
I will paint all this, rumseller,
And will paint it free of cost.
The sin and the shame and the sorrow,
The crime and the want and the woe
That are born there in your workshop,
No hand can paint, you know
But I’ll paint you a sign, rumseller,
[...] Read more
poem by Ella Wheeler Wilcox
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Paint Dimensionality Soul In Oils
if I painted pictures
I would draw you in charcoal
wash away drama tears in watercolours
paint dimensionality of durability soul in oils
span a universe of senses touch emotions thoughts
if I painted pictures
I would paint dream images
I would paint visions of inner mind's eye
I would paint life in veils swirling kaleidoscopic moods
I would paint canvasses imprinting fabric expanding universes
but I travel eons far
load canvasses are too heavy
I walk journey through many phase worlds
seasons landscapes in many climates beckon bled feet
I paint mind songs in words life haunting edges spaces
swallow flame words into soul at own risk
I paint distances between seen unseen at world's edges
I paint portraits above beneath mask as multi veils
I paint shift faces figures skin deeds intended done deeds
I paint poetry life in shifting kaleidoscopic images souls
poem by Terence George Craddock
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Art Achieved Spins
art time
art elastic time
stretches
into art objects
concrete
wet paint
touchable images
constructed realities
art achieved spins
stretches libraries
fills glass museums
wow collector walls
art lives in cells
electrified brains
speaks primal instincts
mourns clipped wings
cut veins
bleed art lives
blood vanish mixes
weep red violins
poem by Terence George Craddock
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Concrete Kingdom
I hear cries tonight
I hear cries tonight
Aint no love
Aint no life
I hear cries tonight
I hear cries tonight
I hear cries tonight
I hear, I hear
I hear cries tonight
I hear cries tonight
I hear cries tonight
I hear, I hear
Like all of the best, weve been taken
Like all of the lost, weve been had
Pray god, kingdom come, deliver us,
Amen
All life, is it lost, have they won
Aint no love in a concrete kingdom,
Aint much life
Aint no life in a concrete kingdom,
I hear cries tonight
Aint no love
Aint no life
Aint no right,
Whats for my son
When all of the good,
Have been taken
Where all of the lost,
Have gone
Ravaged, then raped, annihilation-amen
All life, is it lost, have they won
Aint no love in a concrete kingdom
Aint much light
Aint no life in a concrete kingdom
I hear the cries tonight
Aint no love
Aint no light
Aint no right
Aint much love in a concrete kingdom,
Aint much light
Whats for my son
I - I wanna know why
I wanna know why,
Were shrinking from the sun
I said now i, I wanna know why
I wanna know why, theres poison - everyone
There aint no love, in a concrete kingdom
Aint much light
Aint no life in a concrete kingdom
I hear the cries tonight - I hear, I hear
[...] Read more
song performed by Billy Idol
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Concrete Forest
Gang banging
Street banging
Concrete Forest—
People dying
Children crying
Bullets flying
No remorse for the fallen—
Crack smoking
Prostitute selling
Cops stinging
Benefactors of trouble times—
Blood
Guts—inside body parts
Cultivate the Concrete Forest—
I see a mother kneeling
A priest praying
A child victimize—a father convicted
All within the Concrete Forest—
Sirens blowing
Lights flashing
Someone else dying
In the Concrete Forest—
Mercy on us
Compassion for us
Deliver us
From the Concrete Forest—
Restore our hope
Destroy the trepidation
Breathe life back into Concrete Forest—
It is time to go
My time is gone
My nightmares—relinquished
Within the Concrete Forest—
No more worrisome days
No more stressful nights
Freedom has come to me
In the Concrete Forest—
My freedom is now
Your comes later
[...] Read more
poem by Gregory Upshaw
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Pheromone
Come
Lie down beneath my shadow
Lie down beneath my shadow with great delight
And your feel will be sweet 2 me
Come
My left hand under your head,
While my right embraces time
Therein, my virgin, loves wine
L is 4 lust
O is 4 obsession
V is 4 the vast way u envelop my soul
This is crazy, this is crazy
I could die from the pheromone
I can see the castle
I can see the throne
I can see the beloved and shes not alone
But its cool like that
Cuz Ill be diggin her just the same
I can see the curtain wrestled from the wall
I can see her hands tied
I can see it all
He pulls a gat
This is how they play the game
And Im round the the back
Cuz curiosity it knows no shame
Pheromone, rush over me like an ocean
Pheromone, controllin my every motion
Pheromone, Im helpless as a pet
Pheromone, when your bodys wet
I can feel the tension through the crack in the door
He begs 4 love, while shes disgusted more
And Im on fire, cause I never seen her nude before
I wanna save her (save her)
I want 2 watch (watch)
All my vital signs go up a couple of notches
When he unties her and she runs 2 the open door
He trips and grinds her (grinds her)
Right there all on the floor (on the floor)
She so close I can touch her (touch her)
Pheromone, rush over me like an ocean
Pheromone, controllin my every motion
Pheromone, Im helpless as a pet
Pheromone, when your bodys wet (bodys wet, bodys wet, bodys wet)
Her eyes are closed but theres no penetration
He just makes her point the pistol 2 his nose
While he masturbates and now I see a tear
Heading down towards her smile
What happens next it all depends upon your style
(oh, this is crazy baby)
Pheromone, (pheromone) rush over me like an ocean
[...] Read more
song performed by Prince
Added by Lucian Velea
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Those' Images Made
People love to treasure those images made.
Those images created to help them escape,
From depictions of reality.
And the way the displaying of it is portrayed.
People love to treasure those images made.
People love to treasure those images made.
The ones flowered to sugar without a bitter taste.
Those images glammed up to spotlight,
On a public stage.
But behind the scenes indignities can be mean.
Yet...
People love to treasure those images made.
And their minds are affixed to them to defend...
Every blemish that is openly seen.
Since people who love their images made...
Have not been conditioned on reality to feast.
People love to treasure those images made.
Those images created to help them escape,
From depictions of reality.
And the way the displaying of it is portrayed.
People love to treasure those images made,
With an excusing of detrimental flaws and pain shown.
poem by Lawrence S. Pertillar
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Fra Lippo Lippi
I am poor brother Lippo, by your leave!
You need not clap your torches to my face.
Zooks, what's to blame? you think you see a monk!
What, 'tis past midnight, and you go the rounds,
And here you catch me at an alley's end
Where sportive ladies leave their doors ajar?
The Carmine's my cloister: hunt it up,
Do—harry out, if you must show your zeal,
Whatever rat, there, haps on his wrong hole,
And nip each softling of a wee white mouse,
Weke, weke, that's crept to keep him company!
Aha, you know your betters! Then, you'll take
Your hand away that's fiddling on my throat,
And please to know me likewise. Who am I?
Why, one, sir, who is lodging with a friend
Three streets off—he's a certain...how d'ye call?
Master—a...Cosimo of the Medici,
I' the house that caps the corner. Boh! you were best!
Remember and tell me, the day you're hanged,
How you affected such a gullet's gripe!
But you, sir, it concerns you that your knaves
Pick up a manner nor discredit you:
Zooks, are we pilchards, that they sweep the streets
And count fair prize what comes into this net?
He's Judas to a tittle, that man is!
Just such a face! Why, sir, you make amends.
Lord, I'm not angry! Bid your hangdogs go
Drink out this quarter-florin to the health
Of the munificent House that harbors me
(And many more beside, lads! more beside!)
And all's come square again. I'd like his face—
His, elbowing on his comrade in the door
With the pike and lantern—for the slave that holds
John Baptist's head a-dangle by the hair
With one hand ("Look you, now," as who should say)
And his weapon in the other, yet unwiped!
It's not your chance to have a bit of chalk,
A wood-coal or the like? or you should see!
Yes, I'm the painter, since you style me so.
What, brother Lippo's doings, up and down,
You know them and they take you? like enough!
I saw the proper twinkle in your eye—
'Tell you, I liked your looks at very first.
Let's sit and set things straight now, hip to haunch.
Here's spring come, and the nights one makes up bands
To roam the town and sing out carnival,
And I've been three weeks shut within my mew,
A-painting for the great man, saints and saints
And saints again. I could not paint all night—
Ouf! I leaned out of window for fresh air.
[...] Read more
poem by Robert Browning from Men and Women (1855)
Added by Veronica Serbanoiu
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