Images Birth Wet Paint Born
wet on wet paint on paint
layers of wet paint applied
to previous layered layers
images birth wet paint born
images born in liquid imagination
images born in landscape infinity
images born in individual creativity
images born in artistic genius ability
images born in limitless multiplicity
Copyright © Terence George Craddock
See also the poems ‘Layers Of Wet Paint Applied’ and ‘Interactions Invoke Imagination Entrances’.
poem by Terence George Craddock
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Infinity
Standin' on a trap door, there's a hole in the ground.
Underneath the door there's a hole and it goes to infinity.
Standin' on a dark street, there's a light in the sky.
Followin' the light through the night as it goes to infinity.
How can I avoid infinity? How have I annoyed infinity?
I'm movin' slow in infinity. I even glow in infinity.
Chorus:
It's hard being' small, (hard bein' small)
Shrinkin' into space, (shrinkin' into space)
The world is just a ball, (world is just a ball)
It was my fav'rite place (it was my fav'rite place)
Lookin' for the blue skies, watchin' for the sunrise.
One thing you can bet, you won't see it set in infinity.
Gonna take a light beam, on the wings of the Jet Stream.
Gonna take my place in the infinite space of infinity.
How can I be friends with infinity? Can I make ammends with infinity?
How can I complain to infinity? What'll I explain to infinity?
(Chorus)
Give me just a time shield before the world has it's fate sealed.
Protect me for a while before they turn my dial to infinity.
I hope I can contribute, oh, but I don't want a tribute.
Hypocrites will come and say somethin' really dumb in infinity.
I can't hear you sing in infinity. I can't change a thing in infinity.
The absence of light in infinity gives me a fright in infinity.
(Chorus)
song performed by Don McLean
Added by Lucian Velea
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U. N. I. T. Y.
Queen latifah - u.n.i.t.y.
Uh, u.n.i.t.y., u.n.i.t.y. thats a unity
U.n.i.t.y., love a black man from infinity to infinity
(who you calling a bitch? )
U.n.i.t.y., u.n.i.t.y. thats a unity (you gotta let him know)
(you go, come on here we go)
U.n.i.t.y., love a black woman from (you got to let him know)
Infinity to infinity (you aint a bitch or a ho)
U.n.i.t.y., u.n.i.t.y. thats a unity (you gotta let him know)
(you go, come on here we go)
U.n.i.t.y., love a black man from (you got to let him know)
Infinity to infinity (you aint a bitch or a ho)
Instinct leads me to another flow
Everytime I hear a brother call a girl a bitch or a ho
Trying to make a sister feel low
You know all of that gots to go
Now everybody knows theres exceptions to this rule
Now dont be getting mad, when we playing, its cool
But dont you be calling out my name
I bring wrath to those who disrespect me like a dame
Thats why Im talking, one day I was walking down the block
I had my cutoff shorts on right cause it was crazy hot
I walked past these dudes when they passed me
One of em felt my booty, he was nasty
I turned around red, somebody was catching the wrath
Then the little one said (yeah me bitch) and laughed
Since he was with his boys he tried to break fly
Huh, I punched him dead in his eye and said who you calling a bitch?
(here we go)
U.n.i.t.y., u.n.i.t.y. thats a unity (you gotta let him know)
(you go, come on here we go)
U.n.i.t.y., love a black woman from (you got to let him know)
Infinity to infinity (you aint a bitch or a ho)
(here we go)
U.n.i.t.y., u.n.i.t.y. thats a unity (you gotta let him know)
(you go, come on here we go)
U.n.i.t.y., love a black man from (you got to let him know)
Infinity to infinity (you aint a bitch or a ho)
I hit the bottom, aint nowhere else to go but up
Bad days at work, if you an attitude then you were rough
And take it out on me but thats about enough
You put your hands on me again Ill put your ass in handcuffs
I guess I fell so deep in love I grew dependency
I was too blind to see just how it was affecting me
All I knew was you, you was all the man I had
And I was scared to let you go, even though you treated me bad
But I dont want my kids to see me getting beat down
By daddy smacking mommy all around
You say Im nothing without ya, but Im nothing with ya
A man dont really love you if he hits ya
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song performed by Queen Latifah
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The Interpretation of Nature and
I.
MAN, being the servant and interpreter of Nature, can do and understand so much and so much only as he has observed in fact or in thought of the course of nature: beyond this he neither knows anything nor can do anything.
II.
Neither the naked hand nor the understanding left to itself can effect much. It is by instruments and helps that the work is done, which are as much wanted for the understanding as for the hand. And as the instruments of the hand either give motion or guide it, so the instruments of the mind supply either suggestions for the understanding or cautions.
III.
Human knowledge and human power meet in one; for where the cause is not known the effect cannot be produced. Nature to be commanded must be obeyed; and that which in contemplation is as the cause is in operation as the rule.
IV.
Towards the effecting of works, all that man can do is to put together or put asunder natural bodies. The rest is done by nature working within.
V.
The study of nature with a view to works is engaged in by the mechanic, the mathematician, the physician, the alchemist, and the magician; but by all (as things now are) with slight endeavour and scanty success.
VI.
It would be an unsound fancy and self-contradictory to expect that things which have never yet been done can be done except by means which have never yet been tried.
VII.
The productions of the mind and hand seem very numerous in books and manufactures. But all this variety lies in an exquisite subtlety and derivations from a few things already known; not in the number of axioms.
VIII.
Moreover the works already known are due to chance and experiment rather than to sciences; for the sciences we now possess are merely systems for the nice ordering and setting forth of things already invented; not methods of invention or directions for new works.
IX.
The cause and root of nearly all evils in the sciences is this -- that while we falsely admire and extol the powers of the human mind we neglect to seek for its true helps.
X.
The subtlety of nature is greater many times over than the subtlety of the senses and understanding; so that all those specious meditations, speculations, and glosses in which men indulge are quite from the purpose, only there is no one by to observe it.
XI.
As the sciences which we now have do not help us in finding out new works, so neither does the logic which we now have help us in finding out new sciences.
XII.
The logic now in use serves rather to fix and give stability to the errors which have their foundation in commonly received notions than to help the search after truth. So it does more harm than good.
XIII.
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poem by Sir Francis Bacon
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In the next birth
IF I ACQUIRED the menacing form of an
alligator in the next birth,
I would want you to cling tightly to my persona as my serrated green
skin.
If I was born in the ominous form of the jungle tiger in the
next birth,
I would you to be incorporated in my body as my domineeringly
authoritative growl.
If I was born as a densely foliated tree in the next birth,
I would want you to be the perennial leaves that emanated from
my silhouette.
If I was born as an opalescent fish in the next birth,
I would want you to be saline water in which I could sustain life
and swim.
If I was born as the twin horned sacrosanct cow in the next birth,
I would inevitably desire you as the milk I would diffuse from
my flaccid teats.
If I was born as a slithering reptile in the next birth,
I would want you to be the lethal venom I possessed in my triangular
fangs.
If I was born as an obnoxious donkey in the next birth,
I would want you to be my hooves which swished indiscriminately
at innocuous trespassers.
If I was born as perpetually blind in the next birth,
I would indispensably want you to be my eyes to guide me
towards dazzling light.
If I was born as being disdainfully maim; bereft of feet in the next
birth,
I would incorrigibly want you to be my legs to ecstatically leap
in times of jubilation.
If I was born as a rustic spider with a battalion of arms in the
next birth,
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poem by Nikhil Parekh
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Magpie, My Keeper, Is Flying - Upon Freeing the Gift of Creativity Turned Inward
.
for Elaine Bellezza, Beloved Anima-as-Fate
'There is only one real deprivation, I decided this morning, and that is not to be able to give one's gift to those one loves most...The gift turned inward, unable to be given, becomes a heavy burden, even sometimes a kind of poison. It is as though the flow of life were backed up.' - May Sarton, Journal of a Solitude
This afternoon while still somewhat hungover from last night's rich meal and several glasses of strong red wine, I stumbled as one does when hungover, only today without feet but with eyes, upon the above quote by May Sarton. I had awakened this morning with fragments of a dream, repetitive of other dreams the past few months, where I am carrying something precious and just cannot put it down in any old place or upon just any available surface. I cannot put it down until I find the right surface and location.
These dreams are full of torrential flood waters, or backed up, stagnant water, toilets full of filth and pungent bright orange dark urine days old and fermenting. I cannot unhand the burden even though the urge to pee or flee or drive a car away or into flood waters is strong. I must not put down the burden odd as it is; it is my laptop carrying case made of canvas. It is large enough to carry not only my laptop but also many books with which I cannot, will not be parted from as they are the must-have-with-me-always 'bread', my staple and stability in a given to me world out of balance.
I have understood the dreams only a little - something within the psyche is flooding up, over-spilling or has already, has not been adequately canalized, channeled, streamed and guided, shaped and formed. Or flushed. I knew that eventually, as dreams do when one sits consciously, patiently, persistently with them, they would yield their messages to me, and upon revelation these must be obeyed, brought out into the world, Carl Jung having said that one has a moral responsibility to dreams once they are kenned and must be conscientiously acted upon in the outer world. Just dreaming is not enough. Everyone dreams but not very many know to dream them out into the world, to let their messages unfurl, flood and flow to bring forth new consciousness, to reshape old forms no longer adequate to self, place and time into symbol and their sense, usually not literal.
And thus, only just now, upon opening up haphazardly in a book about Dostoevsky and his struggle with addictions which mirror the profound compulsion to create at any cost perhaps beyond one's capacities to renew oneself, I find May Sarton's quote and suddenly the dreams clarify and sharpen into focus; I understand them as the burden of creativity too long turned inward, the burden of writing, the burden of poetry which I have carried heavily for most of my life since middle school when I was 11 or 12 years old when books became my lifeline, my link to existence that I could live on in spite of not wanting to do so. Written words, books, kept me from disappearing though I was and remain a mostly invisible word.
And thus the floods. One cannot ignore them. Alphabets tumble and roil. One dare not ignore them. One must see them without a choice to not see them. In them I am suddenly made visible, bright orange p*ss pots and all. I am both appalled and pleased. My burden is upon my knees.
The backed up water, the urine, is creativity. A somewhat odd symbol of creativity, there is more than enough evidence that urination is symbolic of self expression which is creativity. In ancient Rome the highly valued dirt from the urinals of boys' schools was collected to be used as a cosmetic in order to restore youthful energy and looks. A young boy, or puer in Latin, is an archetypal symbol of ongoing creativity and inspiration, the puer aeternas, the eternal youth, well springs of ongoing creativity still imaged in solid fountains of the world where eternal waters flow from the peni of cherubic youth.
I have struggled my entire life with a strong urge to create, to write, to express in words that creative daemon within which torments no matter the completion of a poem or essay, a lecture, a psalm. And now my dreams have had me consciously, urgently seeking a place to put the burden down, to perhaps come to it anew. I imagine that landing the burden means bringing it down to earth, manifesting creativity all the more by bringing my efforts to others for the strongest part of the compulsive urge in my creativity has been to contribute one good thing, one good poem or piece of writing which in some way might further the culture even if only by a flea's leg length.
The dreams urge me to let the urine flow, to let the flood waters indeed flood over, to be less self conscious of what I write and say but to have at it all and to say my say. And to let whatever waves there are crest and break upon ever receptive banks and shores whose duty it is to allow what may come from motion without complaint, the more compliant toward as yet to be fully formed purposes as yet to be scored.
Synchronistically, a few days ago I listened to a lecture by poet Allen Ginsberg about Walt Whitman and his imitators, those who were goodly influenced by his effulgent, self indulgent style, his garrulous poems which presumed to express the very expansiveness of the North American continent over-flooded by a plague of itinerant, persistent poachers and prophets from Europe to Eastern disembarkation and then inland and Westward, compelled to overtake land and native peoples in their possessed, pushed wake. Ginsberg imagined himself to be a timely extension of this unruly school, as savage as the projected upon land and justly-resistant, resident humanity stretched beyond known bounds and sounds. Blood drowned and pounded the god-hounded land even now is flooded by unleashed mighty rivers seeking, if rivers seek at all, to undo and renew in horse shoe and other shapes the crimes of consciousness compelled to overtake while leaving it up to human souls to repent and repair, to prepare for more powerful insurgencies of land and Self ever seeking new and nower expressions of dirt and deity. There's enough history beneath layers to support the scarp and scrape of momentary yet monumental motions finally given mouths to utter what lies both beneath and within the heaping huzzahs of here here here full and deep. As in my dream, it is hard to steer in such surpassing tides and currents. Still, I am searching for holy campground that I may lay my burden down.
I have no wish to imitate Whitman nor Ginsberg - though both are easily imitated since they did so themselves, an occupational hazard for writers - but only to be obedient to the daemon, that urgent, emergent, creative force within. It rushes within and against me. No matter whether derived of the grandiose American continent and the even more grandiose sky or not, I have all too successfully braced against it in fear of failure, reprisal or, worse, complete indifference from others. My dreams now urge floods and resultant coagulations, they bring creative splurges to ground from hand to the hard world. And Nature, too, is indifferent but begs none the less and all the more to be given utterance and response.
Respondeo ergo sum. I respond, therefore I am. I respond, therefore the other, earth, all her ants, is as long as there are eyes, ears, and scanning minds to acknowledge and touch, wrestle, caress, shape - some in scansions - outer from inner, inner from outer, landscapes to be all too quickly discarded in time for what is sung just ahead. And seen. Or hoped, all praise to telescopes. We would be they, so addicted to horizons, to bring them close.
Something there is needs completion via coagulation, forming, shaping, and sharing with whomever may be open to clods delivered. If not, rivers will, as they will without reason, continue to overrun their banks and insist upon covering designated previous cultivations. Let then excess of creativity have its say, play out, and leave the critical post-considerations to others. I will surely sit and ponder spent what spills forth, to shape, to edit, to discard. And watch my little yard sink beneath needed and needy floods.
I will have done with deprivation and bring myself, what I have shaped and misshapen, to the world. These things, this burden, have I most loved and felt responsible for, have born the shame of. I have fought and have failed utterly again and again though my attempts have been, and still are, sincere though not blameless. Fear has been my encampment, a longing beneath knowing feet in secret cellars just beyond reach of contracted hands forever spelling hunger. I know open bastion doors and windows to now fling beyond embankments what has been wrung out of my floes and woes though hands wither from too much turning against and inward. What a relief to burst beyond boundaries too long successfully restraining.
I recently wrote a poem about much too too solid bastions of self, of forceful puer energy ramming through and over and into long buried storms and petrified forms, of passion mangling the delusion of 'norms' ignoring too sensitive alarms. Given May Sarton's May revelation this morning I now understand that the poem is about more than eros, it is about that powerful creative/destructive force, the daemon/tyro that ever urges outward intent on making and staking Self in new land and at least one aging man wrenched and rendered from dried and calcified encrustations. I am, to borrow from the insistent dream image, beginning to leak. And to break open.
Archeology - What The Stele Says 'Upon Taking A Much Younger Lover'
That this old ground yields to plow stuns.
What begins to be, earth swell, breaks
root-room open to blood means.
Old skeins tear upon what is new terrain,
hunger worn, long appended. There is
no blame for pain is the blessing.
All hurt now stings twilight quaked into being.
Your breath falls upon me now, taut, sinew,
bruising hand, purple inside flares warrior nerves
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poem by Warren Falcon
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Kahlo-Christ Conjunctions - Sacrificed Flesh, Broken Bread, Emmaus Vision
[The curious or, better, interested reader may view the images alluded to in this essay at this website: http: //falconwarren.blogspot.com/2011/01/kahlo-christ- conjunctions-sacrificed.html]
Kahlo Strophes
As with love, also the bellows.
Calavera*, the Future stands
hand to mouth, fingers to forehead
unfolding before still instatic shapes.
Hold desperately to frames before
these quaking perceptions.
She could not stop there,
had to flare out, dry paint,
and the dryer flesh peel down
to bone, a sexless esqueleto**,
skull no longer mustached,
a calavera, nothing more,
curved calcium reliant forever
upon canvas, what is congealed
there to fan and burn,
a 'cauda pavonis'***.
- the author, from the text below
*Skull
**Skeleton
***Peacock's Tail (an image in alchemy) .
'Poetry such as this attempts not just a new syntax of the word. Its revolution is aimed at the syntax of the mind itself. Its structuring of experience is purposive, not dreamlike. We are dealing with a self-induced, or naturally or mysteriously come by, creative state from which two of the most fundamental human activities diverge, the aesthetic and the mystic act. The creative matrix is the same in both, and it is that state of being that is most peculiarly and characteristically human, as the resulting aesthetic and mystic experience is the purist form of human act. There is a great deal of overlapping, today especially, when art is all the religion most people have and when they demand of it experiences that few people of the past demanded of religion....A visionary poem is not a vision. The religious experience is necessitated and ultimate.' - Kenneth Rexroth, World Outside the Window, the Selected Essays of Kenneth Rexroth, pg.255-256
Rexroth's words are pertinent to the images used in this essay, Kahlo's painting above is visionary, Grunewald's are religious, and several photos are both, and all are 'aimed at the syntax of the mind itself.. Its restructuring of experience is purposive, not dreamlike.' The images included in this essay, which is more a prose poem than regular prose, are meant to convey equally or more, at least as as much as, the words in their incantatory formations which may induce entrance into 'imaginal' spaces where word and image meet in a practical magic, inspire a felt understanding and perhaps gain a view or actual entrance into what ecstatic poet, Rainer Maria Rilke, calls 'the Greater Relation.'
I've decided to publish this piece-in-progress as it unwinds in spirals 'aimed at the syntax of the mind itself...its restructuring of experience' with the understanding that it may later appear in greatly altered form. In a real sense this writing writes itself; I try to heed, copy, then hone to the bone what might be wanting to be sung, for what is below, and often what I write, is more akin to music, a vocal/verbal lilt beyond a particular solid tilt of view of a world absolute, static logos.
Heraclitus noted thousands of years ago, 'All is flux.'
To this I would only add, and perhaps this is what all of my writing amounts to,
'All is reflux.'
Selah. WF
NYC,1/31/11
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poem by Warren Falcon
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(Forgiveness Poem/Story) A Miraculous Healing
Mercy me.
Gods to the infinity.
A miraculous healing.
It's as if the wounds were never even there.
How is that even possible?
I saw the stabbing.
He should have died.
But yet he's alive.
Somehow he did survive.
Some say it is a pact of lies.
But I know the truth.
Mercy me.
Gods to the infinity.
A miraculous healing.
Mercy me.
Gods to the infinity.
A miraculous healing.
A story of the fortunate.
The luck of the Irish.
It was a just miss.
A little to the right.
A little to the left.
And he wouldn't exist.
Mercy me.
Gods to the infinity.
A miraculous healing.
Mercy me.
Gods to the infinity.
A miraculous healing.
A bloody blade.
With thoughts of a accomplishment drinking down some expensive chardonnay.
If he only knew.
The secrets of the autumn dew.
The water drips of the truth.
But it will never be heard by those who aren't looking with their heart.
Mercy me.
Gods to the infinity.
A miraculous healing.
Mercy me.
Gods to the infinity.
A miraculous healing.
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poem by Ace Of Black Hearts
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Mirror To Infinity...
(Gen.1: 26,27 / Matt.13: 10–15)
The Mirror To Infinity
Has Appearances of Possibilities
And Countless Windows In Views
And Decision Doors To Choose …
And Which One To Go Thru?
Where Time – In & Out Moves
The Mirror To Infinity
Has Images of Eternity …
The Mirror To Infinity
Opened Oval-Opportunities
& May Shape Your Personality
But You Form Your Own Finality …
Took A Peek – One Before & Behind
In Two-Way Mirrors of Heart & Mind
& The Astronomical Portals Availed
… One Had To Be A Fool To Fail!
Two Mirrors Faced On Opposite Walls
Both To Each Other Looked & Called
And Entered Each Other’s Visibility
And Became One Mirrored-Intensity …
The Mirror To Infinity
Has Vivid Visions of Great Beauty
Beyond Ocular Imagination
It Even Has Rainbows’ Admirations
Where Insights, In-Flights Come Together
In Gold-Framed Fractals To Forever
Is It A Diverse Dimension Indemnity
… This Mosaic Mirror To Infinity?
The Mirror To Infinity
Offers Us A Multi-Mystery
Thru Secret Territories
In A Mirror’s Observatory …
The Mirror To Infinity
Holds Hopes & Dreams of What May Be
What Future Would You Like To See
… In The Mirror To Infinity?
Oh, Do Not Let Dull-Doubt Take It!
Nor Must You Let Blindness Break It!
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poem by MoonBee Canady
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Island Fever
Island fever
I think Ive got a touch of island fever
I do believe I feel a bit sauteed
This morning I was just some nonbeliever
Tonight I feel Ive joing a wild crusade
I never thought of life as being breezy
I never thought of time as time to play
I never thought that I could take it easy
But all those feelings changed for me today
Layers and layers of spices and flavors
Are finding their way to my brain
Layers and layers of costumes and players
That make my whole life look insane
Palm trees and views I cant believe
Why would I ever want to leave?
I think Ill take my shoes off and go walking
Down beside the caribbean sea.
I like the funny sounds of parrots squawking
I think I hear a hammock calling me.
Layers and layers of spices and flavors
Could this be some kind of charade?
Layers and layers of costumes and players
I think I will join the parade
Layers and layers of spices and flavors
Could this be some kind of charade?
Layers and layers of costumes and players
I think I will join the parade
I think Ive got a touch of island fever...
song performed by Jimmy Buffett
Added by Lucian Velea
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Images
I think images are worth repeating
Images repeated from a painting
Images taken from a painting
From a photo worth re-seeing
I love images worth repeating
Project them upon the ceiling
Multiply them with silk screening
See them with a different feeling
Images, oh, images
Images, oh, images
Some say images have no feeling
I think theres a deeper meaning
Mechanical precision or so its seeming
Instigates a cooler feeling
I love multiplicity of screenings
Things born anew display new meanings
I think images are worth repeating
And repeating and repeating
Images, oh, images
Images, images
Im no urban idiot savant
Spewing paint without any order
Im no sphinx, no mystery enigma
What I paint is very ordinary
I dont think Im old or modern
I dont think I think Im thinking
It doesnt matter what Im thinking
Its the images that are worth repeating
And repeating, oh, images
Images
If youre looking for a deeper meaning
Im as deep as this high ceiling
If you think technique is meaning
You might find me very simple
You might think that images boring
Cars and cans and chairs and flowers
You might find me personally boring
Hammer, sickle, mao tse tong
Mao tse tong
Ooohhh, images, images
Images
I think that it bears repeating
The images upon the ceiling
I love images worth repeating
And repeating and repeating
Images, images
Oh, images, oh, images
song performed by Lou Reed
Added by Lucian Velea
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Rosalind and Helen: a Modern Eclogue
ROSALIND, HELEN, and her Child.
SCENE. The Shore of the Lake of Como.
HELEN
Come hither, my sweet Rosalind.
'T is long since thou and I have met;
And yet methinks it were unkind
Those moments to forget.
Come, sit by me. I see thee stand
By this lone lake, in this far land,
Thy loose hair in the light wind flying,
Thy sweet voice to each tone of even
United, and thine eyes replying
To the hues of yon fair heaven.
Come, gentle friend! wilt sit by me?
And be as thou wert wont to be
Ere we were disunited?
None doth behold us now; the power
That led us forth at this lone hour
Will be but ill requited
If thou depart in scorn. Oh, come,
And talk of our abandoned home!
Remember, this is Italy,
And we are exiles. Talk with me
Of that our land, whose wilds and floods,
Barren and dark although they be,
Were dearer than these chestnut woods;
Those heathy paths, that inland stream,
And the blue mountains, shapes which seem
Like wrecks of childhood's sunny dream;
Which that we have abandoned now,
Weighs on the heart like that remorse
Which altered friendship leaves. I seek
No more our youthful intercourse.
That cannot be! Rosalind, speak,
Speak to me! Leave me not! When morn did come,
When evening fell upon our common home,
When for one hour we parted,--do not frown;
I would not chide thee, though thy faith is broken;
But turn to me. Oh! by this cherished token
Of woven hair, which thou wilt not disown,
Turn, as 't were but the memory of me,
And not my scornèd self who prayed to thee!
ROSALIND
Is it a dream, or do I see
And hear frail Helen? I would flee
Thy tainting touch; but former years
Arise, and bring forbidden tears;
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poem by Percy Bysshe Shelley
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Stream Line Consciousness
Big brother voyeur blimps unidentified spies
uncle sam peeping toms patrolling skies
bird brain police intelligence
remote viewing homeland pest control
pentagon private eye monitoring the public's every move
mass produced micro chips intercepting prayers patrolling citizens from heaven
Bentham's Panopticon NSA
super computer surveillance cameras
world police spying Manhattan streets
'Athens plummets Euro death spiral
suicide rates soar deepening into despair'
haaretz..the post.. the times
blogs tribunes dailies all in a mad gab
headlong headline attention grabbing scramble
'Yugoslavia - Iraq - Egypt - Yemen - Iran - Syria - United States'
bilderberg building blocks New American Century post apocalyptic prophecy
'foreign mercenaries …national guard...DOD
homeland security to amass covert munitions stockpile
Americans on guard anxieties mounting surrounding
the stripping of amendments 1st if you swing to your left
2nd if you stand on the right
whispers of martial law circulate Anarchical reverberations
emanate from internet Alt culture epicenters
bottle necking global tensions'
'common feeling of deepening disappointment...
heightened expectations...
people expecting an explosive situation over the
next few weeks'
...riot police respond 'to preserve public order'
public roads barricaded to 'protect security of citizens'
'blatant act of censorship
western mainstream media staying away
from Myanmar massacres of Mohammedan Angels
further showing strong anti Muslim bias'
'Media blackout Burmese army
seeking coverage under propaganda blankets'
from the middle east throughout the western world
planet consciousness blurring lines between conspiracy/reality
conflicting global network narratives multiply violent scenarios daily
Victims in a world wide scramble
Government Banking Military
[...] Read more
poem by Gregory Allen Uhan
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The Four Seasons : Spring
Come, gentle Spring! ethereal Mildness! come,
And from the bosom of yon dropping cloud,
While music wakes around, veil'd in a shower
Of shadowing roses, on our plains descend.
O Hertford, fitted or to shine in courts
With unaffected grace, or walk the plain
With innocence and meditation join'd
In soft assemblage, listen to my song,
Which thy own Season paints; when Nature all
Is blooming and benevolent, like thee.
And see where surly Winter passes off,
Far to the north, and calls his ruffian blasts:
His blasts obey, and quit the howling hill,
The shatter'd forest, and the ravaged vale;
While softer gales succeed, at whose kind touch,
Dissolving snows in livid torrents lost,
The mountains lift their green heads to the sky.
As yet the trembling year is unconfirm'd,
And Winter oft at eve resumes the breeze,
Chills the pale morn, and bids his driving sleets
Deform the day delightless: so that scarce
The bittern knows his time, with bill ingulf'd,
To shake the sounding marsh; or from the shore
The plovers when to scatter o'er the heath,
And sing their wild notes to the listening waste
At last from Aries rolls the bounteous sun,
And the bright Bull receives him. Then no more
The expansive atmosphere is cramp'd with cold
But, full of life and vivifying soul,
Lifts the light clouds sublime, and spreads then thin,
Fleecy, and white, o'er all-surrounding heaven.
Forth fly the tepid airs: and unconfined,
Unbinding earth, the moving softness strays.
Joyous, the impatient husbandman perceives
Relenting Nature, and his lusty steers
Drives from their stalls, to where the well used plough
Lies in the furrow, loosen'd from the frost.
There, unrefusing, to the harness'd yoke
They lend their shoulder, and begin their toil,
Cheer'd by the simple song and soaring lark.
Meanwhile incumbent o'er the shining share
The master leans, removes the obstructing clay,
Winds the whole work, and sidelong lays the glebe
While through the neighbouring fields the sowe stalks,
With measured step, and liberal throws the grain
Into the faithful bosom of the ground;
The harrow follows harsh, and shuts the scene.
Be gracious, Heaven! for now laborious Man
Has done his part. Ye fostering breezes, blow!
Ye softening dews, ye tender showers, descend!
[...] Read more
poem by James Thomson
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Life gives birth to happiness
Clouds give birth to tantalizing droplets of rain;
pacifying the murderous agony of scorching desert
sands,
Rose gives birth to stupendously ravishing fragrance;
casting a spell of unconquerable happiness in those
lives; deluged with horrendous despair,
Sun gives birth to magnificently flamboyant rays;
filtering a path of profuse optimism in every space;
tottering towards helpless extinction,
Soil gives birth to rhapsodic fountains of fruit and
water; ensuring that none remained disastrously
famished; for centuries immemorial,
Ocean gives birth to tantalizingly tangy globules of
salt; inundating drab existence with cloudbursts of
spice and insurmountable poignancy,
Stars give birth to an incredulously serene calm;
miraculously metamorphosing the complexion of the
ghastly night; into one shimmering with milky pearls,
Leaves give birth to exuberantly fluttering breeze;
enveloping dreary souls in its ebulliently vociferous
swirl; as it merrily whipped by,
Benevolence gives birth to invincible humanity;
incessantly reigning as the supreme leader; even as
the planet entangled in webs of lechery and salacious
malice,
Freedom gives birth to the innermost expression; the
mesmerizing fulmination of a persons senses; which
propels him to blissfully lead an infinite more lives,
Mother gives birth to the perpetually divine; the
immaculately wailing offspring for which; God’s
specially descended down from fathomless cosmos to
bless,
Truth gives birth to harmonious unity; organisms from
all across the unfathomable planet; embracing each
other irrespective of prejudice; caste or creed,
Honesty gives birth to intransigent conviction; an
astronomical within the most feeble of entities; to
catapult to the pinnacle of ultimate success,
Fantasy gives birth to turbulently seductive desire;
relentlessly exploring and absorbing the unsurpassable
beauty lingering on this planet,
Perseverance gives birth to glorious rays of newness;
evolving and achieving even the most inconspicuous of
your philanthropic dream; as golden perspiration
trickled under the sweltering Sun,
Faith gives birth to the incomprehensibly
unbelievable; with man successfully shooting to the
summit of the impossible; uttering the name of the
entity he adored,
Conscience gives birth to irrefutable righteousness;
[...] Read more
poem by Nikhil Parekh
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Just listening to my beats
She hadn’t given me birth from her womb; but could
still irrefutably gauge the profound sadness
enshrouding my countenance; by just ethereally
glimpsing at my shielding eyelashes,
She hadn’t given me birth from her womb; but could
still irrefutably prognosticate the hunger in my
stomach; by just sighting me restlessly gnawing at my
bohemian nails,
She hadn’t given me birth from her womb; but could
still irrefutably sense the maniacal desperation in my
trembling visage; by just the infinitesimally changed
tone; in the nimble cadence of my voice,
She hadn’t given me birth from her womb; but could
still irrefutably comprehend the wave of bizarre
mortification enveloping my soul; by just the
capricious tinge of poignant scarlet; on my
impoverished cheeks,
She hadn’t given me birth from her womb; but could
still irrefutably narrate the experiences of my day;
by just feeling the transiently cringed lines; on my
diminutively frazzled forehead,
She hadn’t given me birth from her womb; but could
still irrefutably guess the thunderbolts of tumultuous
anger encapsulating my blood; by just witnessing that
inconspicuous iota of frantic vacillation in my
dwindling stride,
She hadn’t given me birth from her womb; but could
still irrefutably feel the insatiably nostalgic child
in me; by just gently caressing my innocuously
vivacious lips,
She hadn’t given me birth from her womb; but could
still irrefutably soliloquize the first day of my
birth; by just kissing my rampantly fluttering and
daintily gorgeous eyelashes,
She hadn’t given me birth from her womb; but could
still irrefutably understand the diabolically
obsessive agony in my life; by just sighting the
augmented redness in the interiors of my palm; and
withering body skin,
She hadn’t give me birth from her womb; but could
still irrefutably analyze the state of intriguingly
inexplicable mind; by just staring for mock seconds;
[...] Read more
poem by Nikhil Parekh
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Layers Of Wet Paint Applied
wet on wet paint on paint
layers of wet paint applied
to previous layered layers
technique requires rapid working
fevered fast compulsive genius painting
art in realms born in new mind expressions
art in realms born in space time multiversity visions
art work fever finished before first layers have dried
poem by Terence George Craddock
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Death and Birth
Death leads to birth rather than birth, to death.
Birth is close to death and not vice versa.
Every birth is at the result of a death.
Death to birth, not birth to death, is the path.
The death of clay is the birth of a pot;
The death of the pot is the birth of clay.
Ice melts to water and water forms ice.
In each conversion, occur death and birth.
The death of a night is the birth of a day;
The death of a day is the birth of a night.
New Year means the death of the old year too.
In each transition, takes place death and birth.
The death of a seed is the birth of a plant;
The death of gametes is the birth of an embryo.
Salts die to form cells; cells die to form salts.
In each growth, form death and birth of matter.
The so called death and birth is nothing but
Deaths and births of forms made of matter.
The matter itself does not die to be born
But is converted to different forms.
Elements disappear to form plants.
Plants as food add to the animals’ flesh.
Plants and animals on death liberate
As elements, serving through worms and germs.
When a child is born, there’s no birth of life.
The embryo transforms into a child.
When a man dies, there is no death of life.
The body disintegrates to salts.
Matter, energy and life have no death
They have got one birth since when they’ve been.
They interact and come different stages
In which the pattern is death and birth.
poem by Rm. Shanmugam Chettiar
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Verse Applied
Verse applied,
In a wish you'll see my meaning.
Out of my mind,
I'm gone...
Seeking clarity.
Verse applied,
In a wish you'll see my meaning.
With a wondering of why,
I'm...
Misunderstood!
I...
Adore you.
I...
Wish more,
To be with you...
Forevermore.
Oh I...
Adore you.
I...
Wish more,
To be with you...
Forevermore.
Verse applied,
In a wish you'll see my meaning.
How can you deny,
You can't feel the need in me!
Verse applied,
In a wish you'll see my meaning.
Out of my mind I'm gone...
Seeking clarity.
I...
Adore you.
I...
Wish more,
To be with you...
Forevermore.
Oh I...
Adore you.
I...
Wish more,
To be with you...
Forevermore.
Verse applied.
[...] Read more
poem by Lawrence S. Pertillar
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Eternal Creation
The Parent’s job just doesn’t end at giving birth to the child; but to irrefutably ensure that the infant was nourished with their breath and blood till the time it could unflinchingly fend for its symbiotic survival; was what the Almighty Creator had eternally created them for,
The Sun’s job just doesn’t end at giving birth to light; but to irrefutably ensure that the rays optimistically enlightened even the most infinitesimally lugubrious cranny of remorsefully cloistered earth; was what the Almighty Creator had eternally created it for,
The Rose’s job just doesn’t end at giving birth to fragrance; but to irrefutably ensure that the majestic resplendence ebulliently blossomed into the lives of countless haplessly beleaguered and bereaved; was what the Almighty Creator had eternally created it for,
The Peak’s job just doesn’t end at giving birth to victory; but to irrefutably ensure that the royal triumph peerlessly massacred even the most ethereal iota of devilishness form this Universe; was what the Almighty Creator had eternally created it for,
Nature’s job just doesn’t end at giving birth to newness; but to irrefutably ensure that the evolution metamorphosed every bit of egregiously stagnating ghoulishness into a sky of rhapsodic freshness; was what the Almighty Creator had eternally created it for,
The Cloud’s job just doesn’t end at giving birth to rain; but to irrefutably ensure that the water stupendously ignited vivaciously iridescent life in every ingredient of hopelessly dying soil; was what the Almighty Creator had eternally created it for,
The Conscience’s job just doesn’t end at giving birth to truth; but to irrefutably ensure that the righteousness insuperably conquered every trace of diabolical lies on earth and the atmosphere; was what the Almighty Creator had eternally created it for,
The Ocean’s job just doesn’t end at giving birth to salt; but to irrefutably ensure that the tanginess wonderfully illuminated every treacherously spiceles and deliriously lackadaisical moment of life; was what the Almighty Creator had eternally created it for,
The Poet’s job just doesn’t end at giving birth to fantasy; but to irrefutably ensure that the dream spellbindingly impregnates the winds of Omnipotent romance into monotonously monstrous robots; was what the Almighty Creator had eternally created him for,
The Lip’s job just doesn’t end at giving birth to smiles; but to irrefutably ensure that the happiness altruistically perpetually perpetuates into every dwelling incarcerated in chains of murderous gloom; was what the Almighty Creator had eternally created it for,
The Rainbow’s job just doesn’t end at giving birth to vividness; but to irrefutably ensure that the color timelessly enshrouded every gruesomely befriended orphan; miserably deteriorating on the globe; was what the Almighty Creator had eternally created it for,
The Shadow’s job just doesn’t end at giving birth to tranquility; but to irrefutably ensure that the peacefulness granted celestial reprieve to every bizarrely estranged soul squandering on this Universe; was what the Almighty Creator had eternally created it for,
The philanthropist’s job just doesn’t end at giving birth to unity; but to irrefutably ensure that the oneness miraculously coalesced every spuriously staggering and cold-bloodedly fighting caste; creed and tribe into the unassailable religion of humanity; was what the Almighty Creator had eternally created him for,
The wind’s job just doesn’t end at giving birth to freedom; but to irrefutably ensure that the liberation unequivocally freed every element of torturously enslaved earth till times immemorial; was what the Almighty Creator had created it for,
The night’s job just doesn’t end at giving birth to sensuality; but to irrefutably ensure that the passion brilliantly transformed every speck of infertility into the chapters of everlastingly Omniscient procreation; was what the Almighty Creator had created it for,
The eyelash’s job just doesn’t end at giving birth to flirtation; but to irrefutably ensure that the mischief serenely catapulted every fretfully frenetic organism into realms of impeccable childhood; was what the Almighty Creator had created it for,
The soldiers job just doesn’t end at giving birth to martyrdom; but to irrefutably ensure that the valor to timelessly serve the mothersoil; throbbed fearlessly in every chest; even centuries after his veritable death; was what the Almighty Creator had created him for,
The breath’s job just doesn’t end at giving birth to life; but to irrefutably ensure that the exultation inexhaustibly transcended over; even the most inane anecdote of baseless corruption and demeaning death; was what the Almighty Creator had created it for,
And the heart’s job just doesn’t end at giving birth to Love; but to irrefutably ensure that the compassionate togetherness tirelessly bonded the entire planet into a paradise of Omnipresently unshakable strength; was what the Almighty Creator had created it for…
©copyright-2004, by nikhil parekh. All rights reserved.
poem by Nikhil Parekh
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Programmed
Programmed since birth by Lord Almighty to diffuse
resplendent shade; was the gregariously blooming and
enchantingly exuberant tree,
Programmed since birth by Lord Almighty to disseminate
Omnipotent light; was the aristocratically flamboyant
and blisteringly blossoming Sun,
Programmed since birth by Lord Almighty to generate
rhapsodically unlimited tanginess; was the boundlessly
ebullient and triumphantly undulating Ocean,
Programmed since birth by Lord Almighty to fulminate
into a paradise of eternal sensuousness; was the
ravishingly titillating and celestially egalitarian
dewdrop,
Programmed since birth by Lord Almighty to mystically
enthrall even the most alien creature; was the
enigmatically uncanny and convivially compassionate
forest,
Programmed since birth by Lord Almighty to spawn into
a civilization of sacrosanct vivaciousness; was
impeccably invincible and blessed mother’s milk,
Programmed since birth by Lord Almighty to waft into
stupendously enamoring redolence; was the poignantly
crimson petal and unconquerably majestic rose,
Programmed since birth by Lord Almighty to effulgently
bond one and all in the bonds of humanity alike; was
the everlastingly perpetual spirit of timeless
camaraderie and companionship,
Programmed since birth by Lord Almighty to stand as
the most unflinching citadel even as hell gorily
reverberated from each cranny of this fathomless
planet; was the blissfully melanging and unassailably
fragrant religion of mankind,
Programmed since birth by Lord Almighty to expunge a
valley of vivid boisterousness; was the astoundingly
sweet and eclectically buzzing honey bee,
Programmed since birth by Lord Almighty to culminate
into regally inebriating melody; was the beautifully
emerald crested and innocuously mellifluous
nightingale,
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poem by Nikhil Parekh
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