my Moon and stars
paint such picture in my sky
Sun can't overlap
haiku by S.D. Tiwari
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Related quotes
Picture Picture by Tanya Markova
Picture picture ohh...
Picture picture ohh...
Picture picture ohh...
Picture picture ohh...
Picture picture ohh...
Picture picture
Picture picture ohh...
Picture picture ohh...
Picture picture
Picture picture ohh...
Nang gabing masilayan ka...
Dala-dala ko pa
Ang aking lumang camera
Picture picture ohh...
Picture picture
Picture picture ohh...
Picture picture ohh...
Picture picture
Picture picture ohh...
Campus gig noon at nag-aya ang tropa
Maraming bebot ang nagsasayaw
Nang biglang mapansin kita
What a beautiful face
At kinunan kita
What a beautiful face
Angat ka sa iba
Picture picture ohh...
Picture picture
Picture picture ohh...
Picture picture
What a beautiful
What a beautiful face
I saw her face
Mukha syang taga-a a outerspace
Si Mang Roger ako'y kinalabit
Ang sabi
Halika na balot muna
[...] Read more
poem by Shi Yelami
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Nestling
When to summon the sky
Little nestling?
When to summon the sky?
And suffer the risk - abscond in dread -
The knowledge of sort that you'll be dead
Upon a calamitous fall;
Or taken in flight - a hawkish pounce -
Demolished as prey; your fate pronounce
You gone, and to never recall.
O when to summon the sky
Little nestling?
When to summon the sky?
Aborting a den with
Feathered bed,
Unwavering mother who
Saw you fed -
Surrendering all so
You may spread
Your reach of tentative wings!
‘Tis only instinct -
E'er the reason -
Forging life:
The Nesting Season
And the trials it brings.
So up and summon the sky
Little nestling,
Up! and summon the sky!
Copyright © Mark R Slaughter 2011
[...] Read more
poem by Mark R Slaughter
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[9] O, Moon, My Sweet-heart!
O, Moon, My Sweet-heart!
[LOVE POEMS]
POET: MAHENDRA BHATNAGAR
POEMS
1 Passion And Compassion / 1
2 Affection
3 Willing To Live
4 Passion And Compassion / 2
5 Boon
6 Remembrance
7 Pretext
8 To A Distant Person
9 Perception
10 Conclusion
10 You (1)
11 Symbol
12 You (2)
13 In Vain
14 One Night
15 Suddenly
16 Meeting
17 Touch
18 Face To Face
19 Co-Traveller
20 Once And Once only
21 Touchstone
22 In Chorus
23 Good Omens
24 Even Then
25 An Evening At ‘Tighiraa’ (1)
26 An Evening At ‘Tighiraa’ (2)
27 Life Aspirant
28 To The Condemned Woman
29 A Submission
30 At Midday
31 I Accept
32 Who Are You?
33 Solicitation
34 Accept Me
35 Again After Ages …
36 Day-Dreaming
37 Who Are You?
38 You Embellished In Song
[...] Read more
poem by Mahendra Bhatnagar
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Sun-Up
(Shadows over a cradle…
fire-light craning….
A hand
throws something in the fire
and a smaller hand
runs into the flame and out again,
singed and empty….
Shadows
settling over a cradle…
two hands
and a fire.)
I
CELIA
Cherry, cherry, glowing on the hearth, bright red cherry…. When you try to pick up cherry Celia's shriek sticks in you like a pin.
When God throws hailstones you cuddle in Celia's shawl and press your feet on her belly high up like a stool. When Celia makes umbrella of her hand. Rain falls through big pink spokes of her fingers. When wind blows Celia's gown up off her legs she runs under pillars of the bank— great round pillars of the bank have on white stockings too.
Celia says my father
will bring me a golden bowl.
When I think of my father
I cannot see him
for the big yellow bowl
like the moon with two handles
he carries in front of him.
Grandpa, grandpa…
(Light all about you…
ginger… pouring out of green jars…)
You don't believe he has gone away and left his great coat…
so you pretend… you see his face up in the ceiling.
When you clap your hands and cry, grandpa, grandpa, grandpa,
Celia crosses herself.
It isn't a dream…. It comes again and again…. You hear ivy crying on steeples the flames haven't caught yet and images screaming when they see red light on the lilies on the stained glass window of St. Joseph. The girl with the black eyes holds you tight, and you run… and run past the wild, wild towers… and trees in the gardens tugging at their feet and little frightened dolls shut up in the shops crying… and crying… because no one stops… you spin like a penny thrown out in the street. Then the man clutches her by the hair…. He always clutches her by the hair…. His eyes stick out like spears. You see her pulled-back face and her black, black eyes lit up by the glare…. Then everything goes out. Please God, don't let me dream any more of the girl with the black, black eyes.
Celia's shadow rocks and rocks… and mama's eyes stare out of the pillow as though she had gone away and the night had come in her place as it comes in empty rooms… you can't bear it— the night threshing about and lashing its tail on its sides as bold as a wolf that isn't afraid— and you scream at her face, that is white as a stone on a grave and pull it around to the light, till the night draws backward… the night that walks alone and goes away without end. Mama says, I am cold, Betty, and shivers. Celia tucks the quilt about her feet, but I run for my little red cloak because red is hot like fire.
I wish Celia
could see the sea climb up on the sky
and slide off again…
[...] Read more
poem by Lola Ridge
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Moon, Moon, Crazy Moon
moon, moon, crazy moon
natural moon
torn apart and snoozing moon;
lovely moon, romantic moon
poor poor moon
the romance
plucked out of its drab surface;
moon moon going wild
moon moon running away
from the earth -
O moon, why do you run away from the earth?
does earth touch you in the wrong places
and you've got no Body
to which one could lodge
a complaint about sexual harassment? ?
ah, moon moon, temperamental moon
dark moon
glowing moon;
sexy moon
and old-woman hag of a moon;
moon moon with the best views of the earth
moon moon moon
puts me to sleep and wakes me up
in the middle of nights;
and one day we'll sleep in the moon
and produce babies there
and we'll have the first moon-ish boys and girls
and moon-ly families;
but meanwhile
moon moon driving fanatics
and inspiring love and romance and myths
moon moon eerie moon
moon moon that presides over love and horrors
and evil and good
and naked witches dancing in moonlit groves;
pooor moon moon the earth moon
not as interesting and dramatic as other moons;
don't get too friendly and dropp in -
oh, never dropp in, no one invited you
silly mooonn, no no, you're not invited home to earth
moon moon cheese moon eaten by mice;
but still our dear moon darling moon
moon mooon
our very own earth's moon
as we moo moo like cows
moo moo moo mooo
at our own moon moon moon
poem by Raj Arumugam
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Adam: A Sacred Drama. Act 1.
CHORUS OF ANGELS, Singing the Glory of God.
To Heaven's bright lyre let Iris be the bow,
Adapt the spheres for chords, for notes the stars;
Let new-born gales discriminate the bars,
Nor let old Time to measure times be slow.
Hence to new Music of the eternal Lyre
Add richer harmony and praise to praise;
For him who now his wondrous might displays,
And shows the Universe its awful Sire.
O Thou who ere the World or Heaven was made,
Didst in thyself, that World, that Heaven enjoy,
How does thy bounty all its powers employ;
What inexpressive good hast thou displayed!
O Thou of sovereign love almighty source,
Who knowest to make thy works thy love express,
Let pure devotion's fire the soul possess,
And give the heart and hand a kindred force.
Then shalt thou hear how, when the world began,
Thy life-producing voice gave myriads birth,
Called forth from nothing all in Heaven and Earth
Blessed in thy light Eagles in the Sun.
ACT I.
Scene I. -- God The Father. -- Chorus of Angels.
Raise from this dark abyss thy horrid visage,
O Lucifer! aggrieved by light so potent,
Shrink from the blaze of these refulgent planets
And pant beneath the rays of no fierce sun;
Read in the sacred volumes of the sky,
The mighty wonders of a hand divine.
Behold, thou frantic rebel,
How easy is the task,
To the great Sire of Worlds,
To raise his his empyrean seat sublime:
Lifting humility
Thither whence pride hath fallen.
From thence with bitter grief,
Inhabitant of fire, and mole of darkness,
Let the perverse behold,
Despairing his escape and my compassion,
His own perdition in another's good,
And Heaven now closed to him, to others opened;
And sighing from the bottom of his heart,
Let him in homage to my power exclaim,
Ah, this creative Sire,
(Wretch as I am) I see,
Hath need of nothing but himself alone
To re-establish all.
[...] Read more
poem by William Cowper
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Fireflies
My fancies are fireflies, —
Specks of living light
twinkling in the dark.
he voice of wayside pansies,
that do not attract the careless glance,
murmurs in these desultory lines.
In the drowsy dark caves of the mind
dreams build their nest with fragments
dropped from day's caravan.
Spring scatters the petals of flowers
that are not for the fruits of the future,
but for the moment's whim.
Joy freed from the bond of earth's slumber
rushes into numberless leaves,
and dances in the air for a day.
My words that are slight
my lightly dance upon time's waves
when my works havy with import have gone down.
Mind's underground moths
grow filmy wings
and take a farewell flight
in the sunset sky.
The butterfly counts not months but moments,
and has time enough.
My thoughts, like spark, ride on winged surprises,
carrying a single laughter.
The tree gazes in love at its own beautiful shadow
which yet it never can grasp.
Let my love, like sunlight, surround you
and yet give you illumined freedom.
Days are coloured vbubbles
that float upon the surface of fathomless night.
My offerings are too timid to claim your remembrance,
and therefore you may remember them.
Leave out my name from the gift
if it be a burden,
but keep my song.
[...] Read more
poem by Rabindranath Tagore
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The Columbiad: Book III
The Argument
Actions of the Inca Capac. A general invasion of his dominions threatened by the mountain savages. Rocha, the Inca's son, sent with a few companions to offer terms of peace. His embassy. His adventure with the worshippers of the volcano. With those of the storm, on the Andes. Falls in with the savage armies. Character and speech of Zamor, their chief. Capture of Rocha and his companions. Sacrifice of the latter. Death song of Azonto. War dance. March of the savage armies down the mountains to Peru. Incan army meets them. Battle joins. Peruvians terrified by an eclipse of the sun, and routed. They fly to Cusco. Grief of Oella, supposing the darkness to be occasioned by the death of Rocha. Sun appears. Peruvians from the city wall discover Roch an altar in the savage camp. They march in haste out of the city and engage the savages. Exploits of Capac. Death of Zamor. Recovery of Rocha, and submission of the enemy.
Now twenty years these children of the skies
Beheld their gradual growing empire rise.
They ruled with rigid but with generous care,
Diffused their arts and sooth'd the rage of war,
Bade yon tall temple grace their favorite isle,
The mines unfold, the cultured valleys smile,
Those broad foundations bend their arches high,
And rear imperial Cusco to the sky;
Wealth, wisdom, force consolidate the reign
From the rude Andes to the western main.
But frequent inroads from the savage bands
Lead fire and slaughter o'er the labor'd lands;
They sack the temples, the gay fields deface,
And vow destruction to the Incan race.
The king, undaunted in defensive war,
Repels their hordes, and speeds their flight afar;
Stung with defeat, they range a wider wood,
And rouse fresh tribes for future fields of blood.
Where yon blue ridges hang their cliffs on high,
And suns infulminate the stormful sky,
The nations, temper'd to the turbid air,
Breathe deadly strife, and sigh for battle's blare;
Tis here they meditate, with one vast blow,
To crush the race that rules the plains below.
Capac with caution views the dark design,
Learns from all points what hostile myriads join.
And seeks in time by proffer'd leagues to gain
A bloodless victory, and enlarge his reign.
His eldest hope, young Rocha, at his call,
Resigns his charge within the temple wall;
In whom began, with reverend forms of awe,
The functions grave of priesthood and of law,
In early youth, ere yet the ripening sun
Had three short lustres o'er his childhood run,
The prince had learnt, beneath his father's hand,
The well-framed code that sway'd the sacred land;
With rites mysterious served the Power divine,
Prepared the altar and adorn'd the shrine,
Responsive hail'd, with still returning praise,
Each circling season that the God displays,
[...] Read more
poem by Joel Barlow
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Last Instructions to a Painter
After two sittings, now our Lady State
To end her picture does the third time wait.
But ere thou fall'st to work, first, Painter, see
If't ben't too slight grown or too hard for thee.
Canst thou paint without colors? Then 'tis right:
For so we too without a fleet can fight.
Or canst thou daub a signpost, and that ill?
'Twill suit our great debauch and little skill.
Or hast thou marked how antic masters limn
The aly-roof with snuff of candle dim,
Sketching in shady smoke prodigious tools?
'Twill serve this race of drunkards, pimps and fools.
But if to match our crimes thy skill presumes,
As th' Indians, draw our luxury in plumes.
Or if to score out our compendious fame,
With Hooke, then, through the microscope take aim,
Where, like the new Comptroller, all men laugh
To see a tall louse brandish the white staff.
Else shalt thou oft thy guiltless pencil curse,
Stamp on thy palette, not perhaps the worse.
The painter so, long having vexed his cloth--
Of his hound's mouth to feign the raging froth--
His desperate pencil at the work did dart:
His anger reached that rage which passed his art;
Chance finished that which art could but begin,
And he sat smiling how his dog did grin.
So mayst thou pérfect by a lucky blow
What all thy softest touches cannot do.
Paint then St Albans full of soup and gold,
The new court's pattern, stallion of the old.
Him neither wit nor courage did exalt,
But Fortune chose him for her pleasure salt.
Paint him with drayman's shoulders, butcher's mien,
Membered like mules, with elephantine chine.
Well he the title of St Albans bore,
For Bacon never studied nature more.
But age, allayed now that youthful heat,
Fits him in France to play at cards and treat.
Draw no commission lest the court should lie,
That, disavowing treaty, asks supply.
He needs no seal but to St James's lease,
Whose breeches wear the instrument of peace;
Who, if the French dispute his power, from thence
Can straight produce them a plenipotence..
Nor fears he the Most Christian should trepan
Two saints at once, St Germain, St Alban,
But thought the Golden Age was now restored,
When men and women took each other's word.
[...] Read more
poem by Andrew Marvell
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How I Picture Heaven
How I Picture Heaven by Kenny Davis
How do I picture Heaven?
The great kingdom among clouds
His children, His saints
His angels, rejoicing loud
How do I picture Heaven?
This astonishing, glorious place
Where I pray to have the honor
To gaze upon his majestic face
How do I picture Heaven?
The street paved in gold
Worth more than the richest treasure
Even grander than I was told
How do I picture Heaven?
Beyond light-years away from earth
Beyond mere galaxies away from pain
Even much further away all of the hurt
How do I picture Heaven?
Many mansions made of pearl
Luster brighter than the stars
One that shines across the world
How do I picture Heaven?
Free of worry and strife
No more heartbreak and heart ache
Looking forward to this eternal life
How do I picture Heaven?
On every face, there is a smile
The joy amongst his followers
Can be seen for many miles
How do I picture Heaven?
Land of milk and honey
Sweeter than grain of a sugar cane
And every day is sunny
How do I picture Heaven?
Or should I say, “The land of honey and milk”
With everyone in their marvelous robes
Softer than Egyptian silk
How do I picture Heaven?
Land of joy and bliss
If you are to miss the train
Oh! What a party you would miss!
[...] Read more
poem by Kenneth Davis
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Flowers Are The Clocks Of The Light
Flowers are the clocks of the light.
Spring grey. Clouds. Half smoke, half crocus.
The rivulets are carrying last November's leaves away
like long lines of ants bearing the gnostic gospels
of the snow thawing into a spiritual life of water
back to the shrine of their colony
to be chewed over by the divines
masticating the mystery into something
like an edible orthodoxy of mystic impiety.
My heart is a bruised apple with purple blood today.
Neither passionate, nor aloof, clinging
nor unwilling to let go if that's what I must do.
One foot on shore. One in a lifeboat.
O what funny bridges we make as if
we were trying to balance the axis
of heaven and earth upon our nose
like the calves of giraffes learning to walk on stilts.
But there you go. What are you going to do?
That's the way it seems.
You've got to look up and stick your neck out
if you want to graze on the stars.
Same way with dreams. You've got to
risk waking up if you don't want to lose them.
I've wandered off from the carnage
of my doomed holy war of one with my heart
into a peaceful valley where I can sit
on a glacial skull of prophetic rock
and sheathe my sword in the wound I drew it from
like fire from the ore of a crippled dragon
that walked with a limp out of the war
weary of winning these honourable surrenders
like Jacob wrestling with the angel in the way.
Soft here. Easy on the eyes. A gentle touch.
The air on the verge of tears and the trees
about to see who's a skeleton and who's a survivor.
Who made it through the winter, and who
dreamed they died in their sleep and did,
and who, the ghost amputee of the limbs they lost.
I have a mindful heart and a warrior's compassion
for lost lovers, friends, suicides, martyrs, heretics,
neglected gods, defrocked saints, those
who fell half crazy on the broken panes
of their own clarity, committing hara kiri
on the splintered plinths of their own love-crossed stars.
One-eyed artists riding a pair of red bicycle glasses
in a high-wire act without safety nets
like a dropp of dew on a spider's thread
[...] Read more
poem by Patrick White
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Vision of Columbus – Book 3
Now, twice twelve years, the children of the skies
Beheld in peace their growing empire rise;
O'er happy realms, display'd their generous care,
Diffused their arts and soothd the rage of war;
Bade yon tall temple grace the favourite isle.
The gardens bloom, the cultured valleys smile,
The aspiring hills their spacious mines unfold.
Fair structures blaze, and altars burn, in gold,
Those broad foundations bend their arches high,
And heave imperial Cusco to the sky;
From that fair stream that mark'd their northern sway,
Where Apurimac leads his lucid way,
To yon far glimmering lake, the southern bound,
The growing tribes their peaceful dwellings found;
While wealth and grandeur bless'd the extended reign,
From the bold Andes to the western main.
When, fierce from eastern wilds, the savage bands
Lead war and slaughter o'er the happy lands;
Thro' fertile fields the paths of culture trace,
And vow destruction to the Incan race.
While various fortune strow'd the embattled plain,
And baffled thousands still the strife maintain,
The unconquer'd Inca wakes the lingering war,
Drives back their host and speeds their flight afar;
Till, fired with rage, they range the wonted wood,
And feast their souls on future scenes of blood.
Where yon blue summits hang their cliffs on high;
Frown o'er the plains and lengthen round the sky;
Where vales exalted thro' the breaches run;
And drink the nearer splendors of the sun,
From south to north, the tribes innumerous wind,
By hills of ice and mountain streams confined;
Rouse neighbouring hosts, and meditate the blow,
To blend their force and whelm the world below.
Capac, with caution, views the dark design,
From countless wilds what hostile myriads join;
And greatly strives to bid the discord cease,
By profferd compacts of perpetual peace.
His eldest hope, young Rocha, at his call,
Leaves the deep confines of the temple wall;
In whose fair form, in lucid garments drest,
Began the sacred function of the priest.
In early youth, ere yet the genial sun
Had twice six changes o'er his childhood run,
The blooming prince, beneath his parents' hand,
Learn'd all the laws that sway'd the sacred land;
With rites mysterious served the Power divine,
Prepared the altar and adorn'd the shrine,
Responsive hail'd, with still returning praise,
Each circling season that the God displays,
[...] Read more
poem by Joel Barlow
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Rime Of The Ancient Mariner, The
IN SEVEN PARTS
Facile credo, plures esse Naturas invisibiles quam visibiles in rerum
universitate. Sed horum omnium familiam quis nobis enarrabit ? et gradus et
cognationes et discrimina et singulorum munera ? Quid agunt ? quae loca
habitant ? Harum rerum notitiam semper ambivit ingenium humanum, nunquam
attigit. Juvat, interea, non diffiteor, quandoque in animo, tanquam in
tabulâ, majoris et melioris mundi imaginem contemplari : ne mens assuefacta
hodiernae vitae minutiis se contrahat nimis, et tota subsidat in pusillas
cogitationes. Sed veritati interea invigilandum est, modusque servandus, ut
certa ab incertis, diem a nocte, distinguamus. - T. Burnet, Archaeol.
Phil., p. 68 (slightly edited by Coleridge).
Translation
-------------------
ARGUMENT
How a Ship having passed the Line was driven by storms to the cold Country
towards the South Pole ; and how from thence she made her course to the
tropical Latitude of the Great Pacific Ocean ; and of the strange things
that befell ; and in what manner the Ancyent Marinere came back to his own
Country.
PART I
An ancient Mariner meeteth three Gallants bidden to a wedding-feast, and
detaineth one.
It is an ancient Mariner,
And he stoppeth one of three.
`By thy long beard and glittering eye,
Now wherefore stopp'st thou me ?
The Bridegroom's doors are opened wide,
And I am next of kin ;
The guests are met, the feast is set :
May'st hear the merry din.'
He holds him with his skinny hand,
`There was a ship,' quoth he.
`Hold off ! unhand me, grey-beard loon !'
Eftsoons his hand dropt he.
The Wedding-Guest is spell-bound by the eye of the old seafaring man, and
constrained to hear his tale.
He holds him with his glittering eye--
The Wedding-Guest stood still,
And listens like a three years' child :
[...] Read more
poem by Samuel Taylor Coleridge
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The Rime Of The Ancient Mariner
IN SEVEN PARTS
Facile credo, plures esse Naturas invisibiles quam visibiles in rerum
universitate. Sed horum omnium familiam quis nobis enarrabit ? et gradus et
cognationes et discrimina et singulorum munera ? Quid agunt ? quae loca
habitant ? Harum rerum notitiam semper ambivit ingenium humanum, nunquam
attigit. Juvat, interea, non diffiteor, quandoque in animo, tanquam in
tabulâ, majoris et melioris mundi imaginem contemplari : ne mens assuefacta
hodiernae vitae minutiis se contrahat nimis, et tota subsidat in pusillas
cogitationes. Sed veritati interea invigilandum est, modusque servandus, ut
certa ab incertis, diem a nocte, distinguamus. - T. Burnet, Archaeol.
Phil., p. 68 (slightly edited by Coleridge).
Translation
-------------------
ARGUMENT
How a Ship having passed the Line was driven by storms to the cold Country
towards the South Pole ; and how from thence she made her course to the
tropical Latitude of the Great Pacific Ocean ; and of the strange things
that befell ; and in what manner the Ancyent Marinere came back to his own
Country.
PART I
An ancient Mariner meeteth three Gallants bidden to a wedding-feast, and
detaineth one.
It is an ancient Mariner,
And he stoppeth one of three.
`By thy long beard and glittering eye,
Now wherefore stopp'st thou me ?
The Bridegroom's doors are opened wide,
And I am next of kin ;
The guests are met, the feast is set :
May'st hear the merry din.'
He holds him with his skinny hand,
`There was a ship,' quoth he.
`Hold off ! unhand me, grey-beard loon !'
Eftsoons his hand dropt he.
The Wedding-Guest is spell-bound by the eye of the old seafaring man, and
constrained to hear his tale.
He holds him with his glittering eye--
The Wedding-Guest stood still,
And listens like a three years' child :
[...] Read more
poem by Samuel Taylor Coleridge
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Mr. Moon: A Song of the Little People
O MOON, Mr. Moon,
When you comin' down?
Down on the hilltop,
Down in the glen,
Out in the clearin',
To play with little men?
Moon, Mr. Moon,
When you comin' down?
O Mr. Moon,
Hurry up your stumps!
Don't you hear Bullfrog
Callin' to his wife,
And old black Cricket
A-wheezin' at his fife?
Hurry up your stumps,
And get on your pumps!
Moon, Mr. Moon,
When you comin' down?
O Mr. Moon,
Hurry up along!
The reeds in the current
Are whisperin' slow;
The river's a-wimplin'
To and fro.
Hurry up along,
Or you'll miss the song!
Moon, Mr. Moon,
When you comin' down?
O Mr. Moon,
We're all here!
Honey-bug, Thistledrift,
White-imp, Weird,
Wryface, Billiken,
Quidnunc, Queered;
We're all here,
And the coast is clear!
Moon, Mr. Moon,
When you comin' down?
O Mr. Moon,
We're the little men!
Dewlap, Pussymouse,
Ferntip, Freak,
Drink-again, Shambler,
Talkytalk, Squeak;
Three times ten
Of us little men!
[...] Read more
poem by Bliss William Carman
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Spots On A Paint Rag
Spots on a paint rag trying to figure out
if they're part of a larger picture.
Daubs and smudges and smears of black and red.
Topographies of dry thick ridges of blue acrylic,
peach-coloured mesas bruised
by the encroaching violets of dusk in a painted desert.
Are these the wanna-be windows of life
who failed to achieve a whole and harmonious view
of what they're doing here swiping off knives
thick with the gore of cadmium red,
cleaning off brushes that get to go out
on the field to caress and poke
stars and trees into being? Waterboys, not players.
I say the word, life, and I feel tonight like
the heaviness of a bell that's supplanted my heart.
The right root, but the wrong blossom.
Even though I'd melt that bell
back down into raucous cannon
to defend the concept to my very last breath.
But tonight I'm tunnelling under the foundations
of the cornerstones of life to bring
the walls down on top of my head,
like an avalanche of prophetic skulls
to just get a peek inside the grand paradigm,
the white light of the gessoed underpainting.
The secret garden with low-hanging fruit
on easy street with the sacred whores of Babylon.
An existential sadness, deep as a death-wound,
as if I'd just been stabbed in the heart
by the hands of a clock that mistook me for an intruder,
undermines me from below, a pyramid built on quicksand.
As if all those who had drowned in life
like fish up over their gills in water
were swimming in the watershed of every tear
that almost makes it up over the top of the dam
I try to throw up like a manly front to what
I know I won't be able to hold back for long.
And there go the villages in the flooded valley
I tried to live among like a neighbourly mountain
come to Muhammad on the way up and down.
It's cold and lonely and the air is thin
at the peaks of experience, with only
a star and a cloud for company.
The hard diamond in the rough I used to be
has grown mushy over the years. Tears.
Imagine that. Warm, salt seas with undulant tides
of emotion coursing in and out,
[...] Read more
poem by Patrick White
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The Ballad of the White Horse
DEDICATION
Of great limbs gone to chaos,
A great face turned to night--
Why bend above a shapeless shroud
Seeking in such archaic cloud
Sight of strong lords and light?
Where seven sunken Englands
Lie buried one by one,
Why should one idle spade, I wonder,
Shake up the dust of thanes like thunder
To smoke and choke the sun?
In cloud of clay so cast to heaven
What shape shall man discern?
These lords may light the mystery
Of mastery or victory,
And these ride high in history,
But these shall not return.
Gored on the Norman gonfalon
The Golden Dragon died:
We shall not wake with ballad strings
The good time of the smaller things,
We shall not see the holy kings
Ride down by Severn side.
Stiff, strange, and quaintly coloured
As the broidery of Bayeux
The England of that dawn remains,
And this of Alfred and the Danes
Seems like the tales a whole tribe feigns
Too English to be true.
Of a good king on an island
That ruled once on a time;
And as he walked by an apple tree
There came green devils out of the sea
With sea-plants trailing heavily
And tracks of opal slime.
Yet Alfred is no fairy tale;
His days as our days ran,
He also looked forth for an hour
On peopled plains and skies that lower,
From those few windows in the tower
That is the head of a man.
But who shall look from Alfred's hood
[...] Read more
poem by Gilbert Keith Chesterton
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C Moon
C moon c moon c moon is she.
C moon c moon c moon to me.
How come no one older than me
Ever seems to understand the things I wanna to do?
It will be l7 and Id never get to heaven
If I filled my head with glue
Whats it all to you?
C moon, c moon, c moon is she
C moon, c moon, c moon to me
Bobby lived with patty
But they never told her daddy
What their love was all about
She could tell her lover that he thought but
She never was the type to let it out
Whats it all about?
C moon, c moon, oh c moon are we
C moon, c moon, c moon are we
How come no one older than me
Ever seems to understand the things I wanna to do?
It will be l7 and Id never get to heaven
If I filled my head with glue
Whats it all to you?
C moon, c moon, c moon is she
C moon, c moon, c moon to me
Bobby lived with patty
But they never told her daddy
What their love was all about
She could tell her lover that he thought but
She never wanted to let it out
Whats it all about?
C moon, c moon, c moon are we
C moon, c moon, c moon are we
Well whats it all about?
C moon, c moon, c moon are we
C moon are we
song performed by Paul McCartney
Added by Lucian Velea
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Tale of Two Stars
The mind of Sun smiles from the centre
The mind of Moon beams from the corner: they seek
Body to put on the Beam Bang to ensure a universality…
Moon says to Sun “you are hot” And Sun says
To Moon “you are cool”. Sun without quenching glow
Asks: What bores you Moon” Moon replies “a Sun that
Is dull” Sun asks “can a Sun be dull” Moon retorted
Oh, so you don’t have this coverage”
Sun opens instantaneous hotline “sorry, I thought a
Sun radiates on halos like you”. Moon twirls, the toss of
Blondeness touching Sun’s brunette! Then asks Sun “what
Drink would you like” Sun replies, I am a ‘totaller, Orange
Thanks! Thru flagrant osmosis Moon presses keys that
Titillate like “the IQ of zebras will be great on a Mensa…
And Sun lifts his voice and sings an Akan drum
I call gold—gold is mute—I call cloth—
Cloth is mute—It is humankind that matters”
Sun buys Moon glass of her choice boasting warmth
Still they throw topics along osmotic understandings
Then Moon brings out a house of wrapped tobacco
And asks Sun “do you want to stick with one? ”—
Sun replies, “I am a Non-smoker Thanks”. Sun
Watches Moon cover the mirror with…then Moon
Turns suddenly to Sun and asks in an unshakable
Diminuendo—Are you a boring Sun? ”
The DJ releases Marley—the legend wasted no
Time to charge the floor with positive vibrations…
Sun vibrates warm with the One Love Consciousness…
And bubbles of sweats of Sun’s Afro reflect the lights
Extra curvy stars speed grace the shaking floor
The galaxy of curvy stars form an orbit around Sun
Their rotations tantalizingly passionate with Sun
Hastily Moon gather steps and reggae thru the orbits
Her feet dactylology like Adowa dancer catches Sun’s eyes
Then Moon explodes genially on eardrums of Sun
Thought we could see through our multicultural
Osmotic discourses somewhere quiet we two? ”
Sun cogitates on zebra, the Akan drum then glows green
Moon soliloquises with palpable royal splendour: Eureka!
poem by Gabriel Eshun
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First Book
OF writing many books there is no end;
And I who have written much in prose and verse
For others' uses, will write now for mine,–
Will write my story for my better self,
As when you paint your portrait for a friend,
Who keeps it in a drawer and looks at it
Long after he has ceased to love you, just
To hold together what he was and is.
I, writing thus, am still what men call young;
I have not so far left the coasts of life
To travel inland, that I cannot hear
That murmur of the outer Infinite
Which unweaned babies smile at in their sleep
When wondered at for smiling; not so far,
But still I catch my mother at her post
Beside the nursery-door, with finger up,
'Hush, hush–here's too much noise!' while her sweet eyes
Leap forward, taking part against her word
In the child's riot. Still I sit and feel
My father's slow hand, when she had left us both,
Stroke out my childish curls across his knee;
And hear Assunta's daily jest (she knew
He liked it better than a better jest)
Inquire how many golden scudi went
To make such ringlets. O my father's hand,
Stroke the poor hair down, stroke it heavily,–
Draw, press the child's head closer to thy knee!
I'm still too young, too young to sit alone.
I write. My mother was a Florentine,
Whose rare blue eyes were shut from seeing me
When scarcely I was four years old; my life,
A poor spark snatched up from a failing lamp
Which went out therefore. She was weak and frail;
She could not bear the joy of giving life–
The mother's rapture slew her. If her kiss
Had left a longer weight upon my lips,
It might have steadied the uneasy breath,
And reconciled and fraternised my soul
With the new order. As it was, indeed,
I felt a mother-want about the world,
And still went seeking, like a bleating lamb
Left out at night, in shutting up the fold,–
As restless as a nest-deserted bird
Grown chill through something being away, though what
It knows not. I, Aurora Leigh, was born
To make my father sadder, and myself
Not overjoyous, truly. Women know
The way to rear up children, (to be just,)
[...] Read more
poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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