Diamonds are of no value
If they aren’t known as diamonds.
White stones are of value
If they are taken as diamonds.
All Of The Good Ones Are Taken
Girl-things aint been goin too good for me
Girl-Im living in the middle of a mystery
Youre the only one that can turn me on
n now that youre gone I said
Girl-Im livin in the middle of your memory
Girl-youre still the figure in my favorite fantasy
I know you know
Thats the way it goes
And still my love grows-i said
All o the good, all o the good ones are taken
All o the good, all o the good ones are taken
Im hangin around with my head in the air
Watchin the lovers go by
I had a lover-but she never cared
All you could say was goodbye
Maybe I was mistaken
Maybe I got it wrong
But all of the good ones are taken from now on
n girl-Im livin in the middle of a broken dream
I said girl-all this fallin in love aint like it seems
Out in the rain-cant you feel my pain
Again n again n again n again n again
All of the good, all o the good ones are taken
Maybe I was mistaken-maybe I got it wrong
But all of the good ones are taken in my song
All The Good Ones Are Taken (Part One)
Girl-things ain't been goin' too good for me
Girl-i'm living in the middle of a mystery
You're the only one that can turn me on
'n' now that you're gone i said
Girl-i'm livin' in the middle of your memory
Girl-you're still the figure in my favorite fantasy
I know you know
That's the way it goes
And still my love grows-i said
All o' the good, all o' the good ones are taken
All o' the good, all o' the good ones are taken
I'm hangin' around with my head in the air
Watchin' the lovers go by
I had a lover-but she never cared
All you could say was goodbye
Maybe i was mistaken
Maybe i got it wrong
But all of the good ones are taken from now on
'n' girl-i'm livin' in the middle of a broken dream
I said girl-all this fallin' in love ain't like it seems
Out in the rain-can't you feel my pain
Again 'n' again 'n' again 'n' again 'n' again
All of the good, all o' the good ones are taken
Maybe i was mistaken-maybe i got it wrong
But all of the good ones are taken in my song
They Are All The Same
the silver fishes grouping
and scattering on the depths
of the dark blue sea
the white flapping wings of
birds within the circle of their
species, poised to fly far distances
the leaves falling from a tree to
the ground then blown by the
wind towards the desert and
the immeasurable mirages
oh, they are all the same
they are going somewhere
they are taken by what their
instincts and their hearts say
like us here, we are packing
we are always leaving so what
is the use of crying or even
laughing and merry making?
we are destined for some place
higher than this one
we are meant not for this or for
us but for some planes of
mystical existence that for
now we cannot really understand
prepare for that destiny
you do not have to carry a cent.
Things That Are Not Already There
things that you finally realize
but are not there anymore
either they are taken
either because you have taken
them for granted
since you did not mind
when they are gone
you start to think
and miss them but
is it really late?
go and find them
for there is always time
if you really love them
With Beliefs Their Misdeeds Are Not Perceived
No one achieves heights of success,
Professing what they have done...
Is at their best.
When what they have taken,
Is from someone else's nest.
To impress with accolades,
They expect to get!
They may strut in a charading,
With claims to attest!
But a theft is what it is.
And eventually faces protest and regret.
Upsetting not the victim...
But those who deceive,
With beliefs their misdeeds are not perceived!
They Never Come Again
Life doesn’t give second chances,
but rare occasions
it sometimes does.
When this happens,
you have to grasp it
for all it is worth.
Don’t let it slip by,
as you may never get another try.
If love comes
a second time around,
don’t let it slip
through your fingers,
but take it to higher ground.
Second chances in this world
are to be taken
and not let slip away.
For it is quite possible
they may never come again.
22 February 2008
Did They Tell You To Live Decently?
did they tell you to live decently
like gentlemen and ladies
societal models, sinless and spotless?
how easy for them
for they have the food and the accommodations
their houses and backyards
the smoke in their kitchens rising
to the skies
as offerings of the gods
the flavor of ham and roasted beef
and chiffon cakes
and salted bread
after they have taken all these things from you
deprived you of your inheritance
your birthright and your labors and your profession
after they have taken the rules away
and replaced them with their own
now they have all the hypocrisy to tell you
that you are not decent
and what about you? do you swear to be decent and
surrender the will that the gods have gifted you?
Quick Fix Remedies
I find it absurb and totally ridiculous,
That those who profess to be in the dark...
As to why these days...
That find them entwined,
In an assortment of dilemmas...
Have discovered they are beset,
With mental, physical and financial regrets!
As if the steps they have taken,
Were unconsciously made...
By an hypnotic inducement,
That tricked them and enslaved.
Demanding today they are as if entitled,
To have quick fix remedies...
That will come to sweep them free,
Of their ability to self inflict their own ailments.
To 'bah' with a humbug is tempting! '
And they are the same people,
Who refused to hear or listen...
To those they depicted,
In character assassination campaigns...
As being unpatriotic, nationalistic mavericks.
With a choosing to ruin their reputations.
Who amongst those self righteous types,
Are in the streets everywhere...
Declaring their displeasures now?
Aren't their activities,
Focused on the disparities of life?
Isn't this something once done years ago,
That was once declared...
A challenge to their way of life?
And they had turned their backs on those,
Doing 'then' what they felt had been right!
To 'bah' with a humbug is tempting!
Even if the holidays are not in sight.
But these times are so ripe for this expression.'
Dreams are heaven
Dreams are heaven for all
Not only lovers but traders as well
They think of big gain and sleep with good return
Next day to bring some gain and tides to turn
Girls or boys turn to dreams
Think of big kingdom and queen in arm
No one dares to stop on the way
Everybody to queue up in line and to stay
What a stage in dream to set?
He is not expected to come late
Always at service with complete acceptance
Never to say no at anything at once
All of sudden when they wake up
The stage is broken and dreams shut up
The things are taken away from the scene
Everybody laughs at things never seen
I used to feel shy after interruption of dream
My partner being pushed away and taken away from arm
Sometimes it may send me into full shock
With the fear that one day it should not turn against and block
Especially for females and girls like me it is unique experience
Not that everybody may find bed of roses with golden chance
Some may face rough weather and counter problems
The dust may never settle down and bring lot more worries to them
I still find no problem with existing arrangement
I have my own views and enjoy it as sacred moment
Dreams are designed in such way that I get complete joy
There are enough of movements that make me comfortable to enjoy
I wish the same opportunity and luck for everybody
Some restrictions are always imposed either by daddy
Or by family members from home to stop out going
Such blockade disheartens people who are young
Dreams provide easy access and means to escape
From fury of the people and falling into trap
It may result into success sometimes
But surely lead into controversy all the times
Some Animals are Easier Trained Than Others, and Some Just Have a Need to Feed
My desires are unfulfilled
I cannot possibly eat or drink enough
To fill the void created by what
They have bled from me
They have taken all
Leaving only passion and that passion
Is heating my body
Like coals in a furnace it burns
Fiery and Hot
But my ductwork is blocked
Not venting at all...
Never releasing it's tremendous power and need
To feed on a victim
Or a love
I stay caged by the restraints of distance and time
To the walls of this room or the sides of my car
As I linger and ride
'Hell' struggle through my thoughts
And those cravings I have
The cravings I salivate
When like an animal I drool
My bed wet as fetishes
Keep me awake, tossing and turning
As I try not to dream
The visions I have still remain unseen
Even by an myopic eye
And its cravings for love
Those unbridled cravings
For touching and holding
To lick with full force my kill
My prey... My love... My wounds and sacrifice
Those cravings that twist my insides
Like a wet towel and force me
To that of wild animal status
As I try to smack the ass of my own
That makes me the butt of my jokes
Till finally I stop
As if through the power of some grace
I collapse in a heap of exhausted waste
To here my final resting place
Where I sit and I wait and I salivate
For any word or sound or hint of movement
The phone to ring or the knock on my door
A honk A scream A prayer A word
Any word would do
I am a caged animal without you
I have been declawed
Left for dead
And it was all for nothing
I was harmless in my pursuit of you
I only needed love
And to rip your heart out
Copyright ©2009 T.S
- quotes about blood
- quotes about words
- quotes about strength
- quotes about screams
- quotes about walls
- quotes about telephone
- quotes about Thanksgiving
- quotes about sound
Be on your guard.
I do not think there'll ever be
A system that can guarantee
Of data on the internet
Although it is certain bet.
This statement is bound to upset.
The expert firms prepared to claim
They have succeeded in their aim.
There's other players in the game.
Hackers working tirelessly
are sure in time to find the key
And intrude on our privacy.
Their motivations various.
Not of all of them nefarious
Some few are. merely curious
They have the capability
To circumvent security
And they intend to definitely
If you are wise then you will vet
All contacts on the internet
Cross checking is your safest bet.
Maintaining your security
Is your responsibility.
So when you check, check thoroughly.
Don't trust new friends too easily.
Don't share too much too readily.
Take security seriously.
I cannot tell you what to do
For in the end it's up to you.
To make quite sure their words are true..
Your long term friends can verify.
Your would be friends identity.
Reducing your uncertainty.
If they aren't known to your old friends.
You have to doubt what they intend.
so bring all contact to an end.
Better to be safe than sorry.
They may be hunters seeking quarry.
Close them down and do not worry.
They will quickly realise
That you do not believe their lies.
Which will not take them by surprise.
They try again with someone new.
Who is not quite as wise as you.
Some wide eyed trusting ingénue.
Who will accept them as friend.
Not realising they intend.
It is her cash they mean to spend.
But you are safe you've closed the door.
You're not the fool they took you for
You won't be bothered any more.
They search the net for easy prey
And find one almost every day.
They make certain that crime will pay.
Independence and Reconciliation Celebration
It began with heartbreaking remembrance,
the acrid smell of canon fire still in the air
after half a century, the exhausted climb
up Cemetery Hill still felt in their muscles—
They had returned, veterans from both sides,
North and South, to re-enact their movements
on the last of those bloody three days
of the Battle of Gettysburg.
In the final Southern charge of the war~
12,500 Confederate soldiers led by
General George Pickett went straight up
that hill and into the line of fire by Union
troops waiting behind a stone wall.
Pickett lost half his men.
Of the 160,000 Americans
on both sides,51,000 or more
died in those three days
of the Battle of Gettysburg
in our Civil War.
On July 3,1913, the 50th anniversary of Pickett's Charge,
50,000 surviving veterans traveled to the same place
the youngest among them at 61 and the eldest purported to be 112.
The commemoration ended
with Confederate veterans
walking the path they'd taken
up Cemetery Hill to the stone wall
where Union veterans were waiting
to shake their hands and embrace them.
In 1938, President Franklin Roosevelt
met with nearly 2,000 still living veterans
for the battle's 75th anniversary.
Their average age was 94.
The President dedicated
the Eternal Light Peace Memorial
to commemorate that most truly civil reunion
and reconciliation embrace of 1913.
Today its flame can be seen
from a distance of twenty miles.
On the front of the memorial
are words carved in stone~
'Peace Eternal in a Nation United.'
Though we are in another fractious election year,
through all our fears and differences,
may it be so.
May civility rule with compassion and reason
in creating new paths to peace.
On the hundredth anniversary next year,
may the way ahead be brighter.
May we keep holy the day.
Diamonds in a Stony Field~
They Defend Its Application
I awakened this morning...
Not with the War on Terriorism on my mind,
But the War on My Quality of Life.
The War on My Liberties
The War on the Economy
And The War on Consciousness!
And it seems that very few are in the trenches,
Fighting these battles.
As what's left to democracy is being hocked away.
And the hoax of this joke is played on the people!
Who are encouraged to witness,
Their quality of life diminish!
I see no one dressed in combat gear,
Fighting against urban ignorance.
I see no defense against deceit and corruption.
Or legalized government theft.
Creating deeper debt.
But I am told to pray!
By those who 'prey' upon my goodwill!
And attempt to steal my comprehension...
By pretending to be offended that I speak out,
Against their acceptance of these social crimes!
I am given looks as if I have lost my mind!
And today I am beginning to wonder.
What do I cherish most...
My common sense with integrity?
Or my privacy protecting it?
Some say others are not patriotic,
Because they do not accept this nonsense!
Have we arrive at the Twilight Zone?
With no welcome committee to greet?
OR tour the bizarre?
I don't mean to sound sarcastic...
Too many have been slipped some tainted crack...
OR this 'normalcy' believed to be justisfied,
Needs a complete overhaul of 'reality'!
Since what is being accepted,
Is blistering ignorance inflicted!
And people don't believe they are the cause.
Who elected 'whom' to represent them and their 'interests'?
I think that was more like cynicism.
It was Franklin Delano Roosevelt,
The 32nd President of these United States who did say...
And I quote, '...those cynical men who say that democracy
cannot be honest and efficient.'
F.D.R. meant well.
Let's face it...
At one point in our lives we all had fantasies,
Of one kind or another!
And he was president for twelve years!
But times have vastly change since the corrupted '30's!
The visuals of special effects have greatly improved.
And deceit now has a manicured appearance.
And this team 'they' have in there now...
To represent their causes,
Couldn't wait to destroy everything of 'myth' that is valued!
They've taken the meaning of incompetence,
To a whole different level.
'Honesty and efficiency' are not choice words,
In their vocabulary.
Maybe 'shaft' 'hoodwink' 'bling' and 'gangsta'...
Are expressions tossed about by these morons!
No one could possibly recreate this kind of treason.
And get people addicted to their own self destruction?
As the people who put them in these positions...
You can call me anything you want!
But they can keep 'that' to themselves.
Whatever drug those folks are on,
Has damaged their brain cells.
And they defend its application...
Like an addict in denial,
Of obvious symptoms of abuse observed!
Give Your Heart To The Hawks
1 he apples hung until a wind at the equinox,
That heaped the beach with black weed, filled the dry grass
Under the old trees with rosy fruit.
In the morning Fayne Fraser gathered the sound ones into a
The bruised ones into a pan. One place they lay so thickly
She knelt to reach them.
Her husband's brother passing
Along the broken fence of the stubble-field,
His quick brown eyes took in one moving glance
A little gopher-snake at his feet flowing through the stubble
To gain the fence, and Fayne crouched after apples
With her mop of red hair like a glowing coal
Against the shadow in the garden. The small shapely reptile
Flowed into a thicket of dead thistle-stalks
Around a fence-post, but its tail was not hidden.
The young man drew it all out, and as the coil
Whipped over his wrist, smiled at it; he stepped carefully
Across the sag of the wire. When Fayne looked up
His hand was hidden; she looked over her shoulder
And twitched her sunburnt lips from small white teeth
To answer the spark of malice in his eyes, but turned
To the apples, intent again. Michael looked down
At her white neck, rarely touched by the sun,
But now the cinnabar-colored hair fell off from it;
And her shoulders in the light-blue shirt, and long legs like a boy's
Bare-ankled in blue-jean trousers, the country wear;
He stooped quietly and slipped the small cool snake
Up the blue-denim leg. Fayne screamed and writhed,
Clutching her thigh. 'Michael, you beast.' She stood up
And stroked her leg, with little sharp cries, the slender invader
Fell down her ankle.
Fayne snatched for it and missed;
Michael stood by rejoicing, his rather small
Finely cut features in a dance of delight;
Fayne with one sweep flung at his face
All the bruised and half-spoiled apples in the pan,
A fragrant volley, and while he staggered under it,
The hat fallen from his head, she found one thoroughly
Soft-rotten, brown in the long white grass, and threw
For the crown of his dark head but perfectly missed,
Crying 'Quits. We're even.' They stood and warily smiled at each
In the heavy-sweet apple air.
The garden was sunken lower than
the little fields; it had many fragrances
And its own shadow, while the cows lay in the stream-bed, large
sycamore leaves dropped on their flanks; the yellow
Heads of the hills quivered with sun and the straining sea-glare.
Fayne said, 'Where did it go, poor thing?'
Looking for the little serpent. Michael said gravely, 'That's to
remember me by. I wish I could do worse.
I'm going away.' 'What?' 'From here again.'
'Oh, no.' 'I am, though.' 'No, Michael.'
'Freckles,' he answered, 'didn't it ever occur to you
That it's fairly dull here? I'm going up to town again.
I've got to earn money and spend it and hear the motors.'
She said dismally, 'What about me? Who'll there be to talk to?'
'Lance, of course.' 'I love him dearly; he's not fun exactly.
He wouldn't stick a rattlesnake up my leg.'
'Gopher-snake,' he shouted. They stood and laughed at each
And Michael: 'I was over the ridge to Drunken Charlie's,
Fixing up a little party for Saturday.
There'll be a moon in the evening. I leave Monday.'
Fayne said unhappily, 'Help me pick up the apples
I poured on you.'
Michael was taking Mary Abbey;
The Dolmans came, and Will Howard with two girls,
And Leo Ramirez with his sister Nell, so that the youth
Of the coast was all there. They met at Erasers'
And crossed the ridge; and were picketing the horses
Where they could ride no farther, on the airy brink
Above the great slides of the thousand-foot cliff.
They were very gay, colorful mites on the edge of the world.
The men divided the pack to carry;
Lance Eraser, being strongest, took most.
Far down below, the
broad ocean burned like a vast cat's eye
Pupilled by the track of sun; but eastward, beyond the white-
grassed hump of the ridge, the day moon stood bleak
And badly shaped, face of stained clay, above the limestone fang
of one of the Ventana mountains
Just its own color. Lance, looking back, saw his wife talking to
Michael, her cinnabar-colored hair
Like a flag of life against the pale east. That moment he saw the
horses plunging against the sky
And heard a noise like a sharp head of water from a narrow pipe;
a girl cried out,
Lance dropped his pack and returned. Will Howard was looking
But found none, but Lance found a burnt fence-post, relic of an
ancient fire. The snake lay with raised head,
The rattle of its tail making that noise of sharp water running; a
big rattler, but very small
At bay in the circle of the laughing men. Lance struck for its head,
but the snake that moment struck at the rope's end
That Michael was flicking at it, so that Lance's blow failed, the
fence-post broke to bits in his hand,
The snake not harmed; then Michael laughing with pleasure
whipped the creature to death with the doubled rope
And set his heel on the head; Lance damned all rotten wood, his
blond face flushing
Dark through the sunburn. Michael cut off the victim's
Tail with the ten rattles to give to Mary;
The other young men quieted the horses, and caught
One that had dragged away the bush it was tied to.
Lance would not wait, he picked up his pack and went
Alone down the zigzag path; but after a moment
His temper cleared.
Far down, short of the cat's-eye ocean, they
saw like a brown pebble
Drunken Charlie's hut in a gorge of the cliff, a feather of smoke,
and his boat like a split berry
Of bladdery seaweed up the thin strand; and Lance stood waiting
down the wild cliff side, his light-brown hair
Golden with sun, his hat and the pack laid down. The warm wind
up the mountain was wild with fragrance,
Chiefly the scent of the chiya bushes, that wear rosettes of seed
Strung on the stem. The girls squealed as they scrambled down,
when the brittle trap-rock broke underfoot,
Small fragments ran over on the next below. When they came to
the foot of the cliff Michael said, 'Now,' and offered
A bottle hot from his pocket. 'It's time.' Mary Abbey refused
it but the others drank, from mouth to mouth,
Stinging fire from the slobbered bottle-neck.
The sun was low
But had played all day on this southwestward
Cliff over the burning-glass water and the air
Still swirled with heat; the headland of Eraser's Point
Stopped off the trade-wind here. Fayne Fraser a little dizzily
Looked seaward, left of the blazing sun-track, and saw the track
of the northwest gale and the running waves
Like an endless army of horse with banners going by offshore;
her eyes followed them, a ruled line southward
Of violent water, converging toward the bronze headland beyond
headland of the mountain coast; and someone was saying,
'It's hot, we'll swim.' 'Before we eat,' someone said.
The girls twittered together and clustered northward
To a little cove beyond a fair spit of rock;
The men remained on this side.
Fayne undressed beside Mary
And was careful of words, because she'd sucked from the bottle
more than she meant to, and had small experience of drinking.
She said carefully, 'Where did those girls of Will Howard's
come from?' 'Nina told me,' she answered; 'waitresses
Down from the city on their vacation.' 'Honestly are they? I
guessed it.' 'No,' Mary said, 'they're nice girls.'
'That yellow-haired one, she's bad.' 'No,' Mary said. Fayne
said, 'Did you see her face when she looked at Michael
Across that bottle?' 'Oh, no,' Mary answered. '. . . Well. Are
you ready, Mary? Let's go.'
They limped down to the waves, giggling and wincing.
Fayne had tied a broad handkerchief around her hair
To shed the spray; she swam out farther than others,
Mary remained along shore.
The other side of the rock-spit
The men had bathed, and had come up strand again
To dry by the driftwood fire; all except Michael,
Who loved to swim. Lance Fraser stood by the fire, his broad
smooth chest, grooved between the square plates
Of heavy muscle, steamed and was ruddy in the glowing heat. He
narrowed his eyes to look seaward
And saw Michael's left arm, over the speck of his head, lift, reach
Swimming side-stroke; two white arms flashing swanlike on either
side of a handkerchief-hooded head
Emerged from the scales of light on the edge of the sun-dazzle.
The swimmers approached each other,
And met this side the long brown stain of the breathing kelp-bed.
But only thinking that they were too far out
And making a show of themselves.
On the pleasant water
Michael had called to Fayne, 'I've something for you.
Come here a minute.' She hardly dared, and thought
In the flashing joy of the sea, 'Oh, the water covers us.
What have you got?' 'Gin for girls.
We've got a fire on this side.' They met laughing,
And reached the bottle from hand to hand and floated decorously
Separate again. Fayne looked toward shore, and saw the vast
cliff in the flare of sundown soaring above
Like beaten gold, the imperfect moon-disk gold on its brow; the
tiny distinct white shapes of men
Around their spot of fire in the flat blue sea-shadow. She breathed
hard and said,
'My God, how beautiful. Oh, Michael, stay here at home.'
He answered with a watery yell of pleasure, submerging his
To roar as the sea-lions do.
Fayne trailed the bottle
And swam ashore. There was nothing to dry herself with;
The chill of the water had touched her blood, she sucked breath
Through clicking teeth. She sipped from the salted bottle,
And dressed, but shivered still.
She sunned herself by the fire,
Watching with fascinated speculation of pain
The antennae of lobsters like spikes of jointed grass
Above the heating water in a five-gallon tin
Writhe at the sky, lives unable to scream.
Under the vast calm vaulting glory of the afterglow, low smoky
rose and delicately
Stratified amber, soaring purple; then rose again, luminous and
virginal, floating the moon,
High up a scoured hollow of the cliff
Cormorants were settling to roost on the jags and ledges.
They writhed long Negro snake-throats and shot
Sharp heads at each other, shaking out sooty wings
And angry complaining cries.
Below, on the thread of beach,
The lonely fisherman who was called Drunken Charlie,
Fire glowing on his drugged eyes, wide beard and lank hair,
Turned meat on the grid over the barbecue-pit
And talked to himself all the time. Michael Fraser knelt
By a turned chest that served for table and poured
From a jug into cups, fierce new distillate
From Charlie's cliff -hidden kettle.
Faync Eraser shook half-dried
The color of the coals at the heart of the fire
But darkening as light decreased, and went to Lance
Who stood alone at the waves' edge, turning his back on the
world, and the wet sand
Raised by his weight on either side of his foot-soles ran water and
glistened in the still light. Fayne said
'Are you cross, dear?' She pushed up his rolled sleeve and clasped
her fingers on the broad trunk of his arm
Above the elbow, 'Dear, are you sad?' 'I? No,' he said, 'What
about?' 'You haven't spoken to anyone
Since we were swimming.' 'Why should I? You were out too
far, though.' 'Oh, I can swim.
And Michael was there to help me if I'd got tired.' 'By God, no,'
Lance said, with a sharp vision in his mind
Of her bright nakedness, the shining whiteness and the red hair.
She understood and said softly, 'Well,
I didn't need help. But he's our brother.' 'Certainly; I didn't
mind him,' he answered. 'But I did hate
To think that rabble of girls could look at you; it isn't decent.'
She said, 'They didn't seem interested.
Come, drink and eat. Those waitress women are passing the paper
plates.' He saw that vision once more,
The form and whiteness, the little gay-colored flower of the
pubic hair, and groaned, as a thick bull
Alone in the field groans to himself, not knowing why the hot
brow and the hooves itch for destruction.
Fayne to cure his unhappiness hasted and returned
Fetching two cups of the fire Michael was pouring.
After they had
eaten, twilight and moonlight came;
The fire burned smaller and brighter; they were twelve around
it; and drinks were poured. The bearded fisherman seemed
Stiffly asleep, with open eyes like a drowned man's
Glazed by the yellow firelight. Tom Dolman and Leo Ramirez
Roughed at each other, and Nina Dolman
Sitting between them cried out; then Michael said,
'Get up and wrestle.' All but the fisherman turned
To watch them circle clumsily on the damp sand
And suddenly lock, into one quadruped body reeling
Against the dark band of ocean and the low sky.
Ramirez had the low hold but Dolman was the heavier man;
They tugged and sobbed; Ramirez was lifted high
And writhed on the other's shoulder by the evening star,
But the strained column staggered and crumbled, the Spaniard
Fell uppermost and was the first to rise up.
Michael asked very gravely, 'Who was the winner?
The winner may challenge Lance.' Ramirez gasping and laughing
Said, 'Drunk; not to that extent.' 'Then gather firewood.
The fire's got low.'
The yellow-haired one of the two girls Will
Howard had brought
Sat in the sand beside Lance Fraser; she leaned on his shoulder
and held a cup to his mouth and said
'Please drink it for me: things are beginning to go 'round in
circles.' He drank; then Fayne on his other side
Grew suddenly cool and quite clear; she leaned across him and
said, 'That hair in the cup! Well, you drank it.
Her bleaches have made it brittle so it keeps falling.' 'Oh,' the
other gasped, 'that's not true.' 'It's pretty,' Fayne said,
'Only the black half inch at the roots. Is your name Lois? What's
your name?' 'Lois.' 'Lean the other way,
Lois.' Then Lance said angrily, 'Be quiet, will you,' and got up
To fetch more firewood.
A timber from one of the four ships
That have broken in half a century off Fraser's Point
Lay near and dry; Ramirez and Howard had brought it,
But the axe was lost in the sand. Lance up-ended it,
An ivory-white pillar under the moon,
Garnished with great iron bolts. He wedged his fingers
Into a crack and suddenly straining tore it in two;
The splitting made a great noise under the cliff,
The sea being quiet. Lance felt himself curiously
Numbed, as if the sharp effort had strained the whiskey
Out of his blood through the sheathes of his nerves;
His body obeyed as ever but felt a distance
Blocked off and alien. He took the halves of the timber
Under each arm and a bolt in his hand,
For two or three had fallen out of the wood,
This one straight, long and heavy. After he had laid
His logs on the fire he saw the fisherman's
Firelight-discolored eyes, and called 'Hey! Charlie.'
Still the man slept. Lance, wavering a little, reached
Over Will Howard's shoulder and took the cup from his hand,
Drank half, poured the other half on Charlie's long hair;
It dribbled into his beard; he coughed and awoke.
Lance said 'D'you ever have rattlesnakes down here?
I snicked at one up the cliff with a rotten stick;
But this'd fix 'em.' He gave him the iron bar;
Charlie posted it carefully up in the sand
Between his feet and answered, 'Mm; but there's Injuns.'
'What?' 'All that was cleared out of the country.
Where did you think they got to? They ain't got ships.
Down here they are.' The dark-haired girl that Will Howard
Suddenly stood up from the fire, she went toward the sea and
was heard vomiting. Charlie nodded and said,
'There's one o' them now. Most nights I see their fires away
down the beach.' Mary Abbey whispered to Michael,
'Don't take any more. Time to go home.' 'Ah no,' he said,
'dear, we just got here.' Fayne came to Lance
And said, 'Don't drink any more. Time to go home.' He an-
swered briskly, 'Since when are you giving orders?'
'Since you're not fit to.' She knew while the words made in her
throat, 'Now he'll be angry,' a pale rush of anger
Ran to meet his; the memory of all his bad-tempered times, his
heavy earnestness and lack of laughter,
Pierced like a mountain-peak the cloud in her mind, 'Oh, I do
He stared, more astonished than angry, and saw her face
Lean, sharp, bled white, each freckle black as a mole
Against its moon-gleam pallor. 'That's how you feel, ah?'
He turned his back. She thought, 'He'll never forgive me:
Let him not,' and saw the Dolmans, Nina and Tom,
Seeking the way up the cliff, Mary Abbey with them,
Fayne went and said, 'Michael, I've lost my cup,
Aren't there any more cups?' 'I'll hold the jug:
You hold your mouth.' 'Oo, I need water with it.'
'No, you don't.' Half of the sip went strangling
Into her throat, half ran by her little chin
And trickled between her breasts. She looked at the fire,
Then at the moon, both blurred fantastically,
Red burrowed, white wavered high. Michael said, 'My girl's
Fayne said, 'Oh, and yours?' He said 'That's no sense. That's
She laughed and answered, 'They don't.'
The moon suspended
in her great antelope-leap from the head of the cliff
Hung pouring whiteness along the narrow runway of sand and
slide-rock under the continent's foot,
A watery glittering and secret place, walled from the world,
closed by the cliff, ditched by the ocean.
Drunken Charlie dreamed by the dying fire;
Will Howard and Nell Ramirez were one slight point
Far down the white beach. Yellow-haired Lois
Spilled her drink and said, 'Seeing is believing.
Come on, I'll show you.' She smiled at Lance, 'Come, dear.
Sadie's passed out; it's all right wi' Sadie,'
And to Leo Ramirez, 'Come if you like, dark boy.'
He swayed and stammered, 'Responsible; Sister Nell.
Keep an eye on young sister.' 'Ah, go and find her.'
'Not till I see the picture on Sadie's stomach.'
They wandered toward Drunken Charlie's little hollow skiff
And its black shadow, drawn up the moonlight strand.
Lance thought, 'Here's a boat, let's break it,' and thought with
an ache of shame,
'I wouldn't think that, only being drunk.' The center of his
mind made savage war on rebellious out-liers
In breathless darkness behind the sweating forehead; while Leo
Ramirez, seeing the bright fish-scales glued
With blood and slime to the boat-thwarts glitter like a night of
stars, began to sing a stale song: 'We'll always,
Be young and gay. We'll always, feel that way.' Lois said 'Shut
up,' and led them around the boat,
Her friend lay in the moonlight nestled against it. Lois knelt
down and gently drew her by the shoulder;
She groaned in her sleep, resisting. Lois laughed, 'The boys want
to see it, Sadie,' and tugged, and turned her
Onto her back, the stained pale face up to the moonlight; the
teeth in the opened mouth glittered,
And sour breath crossed them, while Lois turned up the blouse,
loosened the band and jerked up the linen shift
To show a three-masted sailing-ship tattooed with black and red
inks on the soft white belly
Below the breasts. 'My God,' Ramirez said, 'there it is.'
Lois answered, 'A fellow dared her,' and looked for Lance,
Who trembled and said, 'Cover her up, damn you.'
Lois blinking drew down the blouse. Ramirez giggled,
'My God, a U. S. flag at the peak,' and reached
Over Lois's shoulder to raise the cloth;
Lance struck and felled him, and stepping across him fallen
Leaned and strode toward the cliff and the red coals
That had been the fire.
Drunken Charlie lay on the sand,
The iron bolt erect by his feet; Lance caught it up
And smashed the jug, and saw the remnant of whiskey
Glitter among the shards to sink into sand.
He ground his teeth; he saw in his mind in the stream of images
A second jug, and began to search for it.
The tide had fallen, the
steep ribbon of beach was but little wider,
But the sea was become so flattened that no waves flashed. Enor-
mous peace of the sea, white quiet of the cliff,
And at their angle and focus a few faint specks of humanity
happy in liquor or released in sleep,
But Lance alone. Then noises like the cries of a woman scream-
ing, bird after bird of sharp-colored sound
Flew on the face of the cliff, tattered wild wings against jagged
rocks. On the cliff head the patient horses
Turned their ears, grooving small wrinkles about the roots of the
cartilage, but did not lift up their heads;
And the sea was not moved, nor the moonlight quivered. Will
Howard was lying beside Nell Ramirez; they'd fallen asleep
Before he had his desire; they sighed and stirred in the sand. He
murmured 'Oh, somebody's got hysterics,'
And wriggled his fingers, which had grown painfully numb
between her plump knees. But Lois, Leo Ramirez
And Drunken Charlie heard the sounds nearer; they went in a
wind of fear to find out their fountain,
And Sadie awoke in the sand and followed heavily,
Falling but once, catching her clothes that slipped,
Whining at the hollow pain in her skull.
Beyond a rock
Stood Lance, high white in the moon-glaze, distorted, taller than
Lois said, 'Dearie?' He babbled, 'Oh Jesus Christ Oh Jesus
Christ Oh Jesus Christ,'
Behind him in a great shadow of her hair darkened
By the rock-shadow Fayne turned her white wedge of face
With three holes in it. She was kneeling, bent S-shape,
And seemed to stare up from the very ground. She said, 'I think
It is finished. Water please. Water please.
He fell down from the cliff.' Then Michael's feet were seen,
And thence the prone extended ridge of his body
Ending indefinitely under Fayne's face.
Lois cried, 'He's hurt.' But they dared not approach
For Lance standing between, high and twisted
Like a dead tree. Lance said, 'I . . .' Fayne cried,
'He fell down from the cliff.' They all stood silent,
Lois's mouth opened and closed on silence
Three times, then asked, 'Is he hurt?' Lance said, 'Oh Christ.
I ...' Fayne cried so that his words were hidden,
And stood up and said, 'He has died. Michael.
He was climbing the cliff and fell, his foot caught on that bush;
He struck his head on that rock, on that edge of rock.
It is all broken in. Oh, we loved him.'
Ramirez said, 'What for did he climb up there?'
'Have we drunk waterY* Fayne said. But Lance began
To shake, like a tall dead mast of redwood that men are felling,
It is half cut through, each dip of the axe the sonorous timber
quivers from the root up to the cloud,
He said 'I caught them . . .' 'He caught him,' Fayne cried,
'when he fell but he could not save him.' 'I killed . . .'
'You are wild with sorrow
He fell head down whether you'd tried to catch him or not.
You are not to blame.' He said, 'It is horrible
To hear the lies from her mouth like bees from a hot hive: I am
the one,' but Fayne running to him
Made an animal moan in her throat in time to hide what he said.
She came to Lance, and her face
Like a held spear, and said, 'Drunkard.
Too drunk to be understood. Keep still until you can talk and be
understood.' He drew backward from her,
Shuddering like a horse from a snake, but when his back was
against the rock he stammered, 'I
Will find my time.' 'Yes,' she answered, 'be quiet now. To-
morrow when you are better they'll understand you.'
'Is he dead?' 'Keep still. Will you shame his end
With drunkard babbling? For he was the dearest,' she said, 'in
the world to all of us. Lovelier than morning light
On the mountain before the morning. There is not one of us
would not have died for him: / would, / would, / would,'
She cried writhing, 'but not lose Lance too. How can I plan to
save him, I've got what I can't bear?
You are all our friends.'
She set her hands in the masses of red-dark hair, dark in the
moonlight, and tearing it, with her white face
To the white moon: 'That eye's blind. Like Juan Arriba's old
mare he used to beat on the face,
Her eyes froze white like that. He was larking on the cliff and
fell.' She seemed to be treading a tragic dance,
She was scuffling sand to cover the bolt of shipwreck that lay in
the shadow of the rock; she wrung her hands
And knelt moaning by Michael's head; she rose with blood on her
hand and fibers of hair, and ran
To the rock under the cliff. 'This rock killed him. He fell on this
edge,' she drew her hand on the edge
And the rock was stained. Then Sadie was heard gasping from
her poor stained face. One or two looked at her. 'O-uh,'
She whispered hoarsely, 'we was having fun!'
Lance moved at
length, like a dead man walking, toward his dead brother,
And stooped as one stoops to gather a sleeping child. Fayne ran
and said, 'No, the man. No, the man.
He has to come.' Lance turned toward her his face like a para-
Slack with peace, and said softly, 'The man.'
'He'd think wrong has been done. I can't think . . . coroner.
Don't take him up.' 'Home?' he said,
Seeming gently surprised; he gathered the body
Into his arms and walked along the foot of the cliff.
Fayne stayed behind a moment, the others following.
She cast quick looks over the rocks and sand;
One end of the rusty bolt was visible still;
She leaned toward it and fell on her face. She labored up
And went ten steps to the ebb and flung the iron
To the water edge.
Lance walked along the foot of the cliff.
He turned, not where the path went up, and walked
Into the face of the cliff, and stood there walking
Like an ox in a tread-mill, until Ramirez
Showed him the path. Fayne went up behind him.
Half way up
He awoke a moment out of his automatism
To feel failure and pain, his breathing like knives, and the failure
Of his eyes; it was impossible to see the path;
He checked a step and fell forward.
Fayne came up to him
And stood; there was nothing that she could do. They lay
Very peacefully together, Lance's face
On his brother's breast. She looked across them;
Terribly far down the moonlight cliff crouched the dark sea.
Ramirez came up and stood. Fayne said they had not the strength
to carry up either of the fallen, and so
They had to wait. They heard a faint breeze through the dry
bushes; and the crying of sea-lions far down below,
Where eight or ten were lying in a circle by the softly heaving
kelp-bed, as their custom is, and gazed
With great mild eyes at the sky and the night of water. Then
they sing in their manner, lifting up sleek
Dark-shining muzzles to the white moon, making a watery noise
of roaring and a lonely crying
For joy of life and the night.
At length Lance
Began to paw with his feet like a dreaming hound,
And some stones fell. He knelt and stood up
And took his burden and went up.
When they entered the sleep-
Fayne led the horse; Lance held his brother and rode behind him,
It would be hard to tell which one was slain
If the moon shone on their faces. The horse stopped and sighed
By the garden-gate; Lance did not move to dismount,
But sat and held up his brother. Fayne came beside,
Reaching to help; Lance whispered 'Ah, ah, thank God.'
'What?' 'He may be saved, Fayne.
He is hot under the arms and I heard him breathe.'
'You heard the horse breathe,' she said. They lifted down
The unmanageable weight.
Oh, ignorant penitents,
For surely the cause is too small for so much anguish.
To be drunk is a folly, to kill may call judgment down,
But these are not enormous evils,
And as for your brother, he has not been hurt.
For all the delights he has lost, pain has been saved him;
And the balance is strangely perfect,
And why are you pale with misery?
Because you have saved him from foolish labors and all the vain
From desires denied, and desires staled with attaining,
And from fear of want, and from all diseases, and from fear of
Or because you have kept him from becoming old,
When the teeth dropp and the eyes dim and the ears grow dull,
And the man is ashamed?
Surely it is nothing worse to be slain in the overflowing
Than to fall in the emptiness;
And though this moon blisters the night,
Darkness has not died, good darkness will come again;
Sometimes a fog will come in from sea,
Sometimes a cloud will crop all the stars.
The moonlight from the west window was a square cloth
Laid on the floor, with one corner on the bed,
Lying over Michael's hand; they had taken him
To his own room. Fayne whispered: 'Now we must tell them.
Your mother may dieher sick heart.
Don't let her die too bitterly. For this one night, dear,
Say nothing worse than 'Michael's gone.' Spare her something
Until she has cried. Four hours' mercy. By morning
That heart of hers will be seasoned.' Fayne strained in the dark
To see his face. He answered in a short while,
'How many mornings I've come in here
And routed him out of bed. He always was a late sleeper.
Sound asleep, Mother.' Fayne caught his arm. 'Can't you hear
'You,' he said, 'keep your hands off! . . . Until morning
I'll say he fell.'
It was not morning, but the moon was down.
The old mother sat by the bed with her hand on Michael's, regu-
larly her great fat-swollen body
Jerked with a sob, and tears were spurted from her closed eyes.
Old Fraser sat with his fists evenly
Together on his knees, his bony face held erect, the brown eyes in
their hollows red with lamplight.
Fayne heard the noise of a motor starting and left the room.
He was backing out the big truck,
The shed was full of the headlight glare, the ruby tail-light
glowed by the axle. Before she could come
It had crept out; its light swung up the driveway by the stooping
And picked from darkness the heavy timbers of the high corrals
and the white beehives remote on the hill;
Fayne ran down the river of light to the gate and closed it, and
stood in the gate for fear he might smash through;
But Lance came wearily to open; stooping, tall,
Black on the light. She said, 'Oh, where?' 'You know.
Tell dad to come to Salinas and get the truck;
There wasn't enough gas in the little one.'
She answered, 'Can the sheriff make us happy again?
Or the judge make Michael alive again?' 'Open the gate.'
'Yes, dear. Listen to me. When Arriba and his boys
Stole cows of ours, did you run to the courthouse?
We take care of ourselves down here. What we have done
Has to be borne. It's in ourselves and there's no escaping,
The state of California can't help you bear it.
That's only a herd of people, the state.
Oh, give your heart to the hawks for a snack o' meat
But not to men.' When she touched him with her hands,
Pleading, he sighed and said, 'If I'd been nearer
My decent mind, it would have been you, not Michael.
Did y' love him? Or was it only because you're female
And were drunk, female and drunk?' 'Oh. Hush. I was begging
Not to leave us, as I'm begging you. He promised me, dear.
He said he'd not go away. I kissed him for that; he was our
And you came behind.' Lance's blackness of his leaning bulk
Vibrated in the light-beam. 'It'd be a pity for me then.
I can't see clear, in the dirty streaming memories . . .
Don't be afraid; your part will be secret.
I'll say I killed him for nothing, a flea-bite quarrel,
Being beastly drunk.' 'He was killed,' she answered, 'for
'It's a great pity for me then.
Open the gate.' She clung to the timber bolt
To hold it home in the slot, and felt his mind
Tearing itself. 'Lance. Lance? Sweetheart:
Believe . . . whatever you need to save you.
I won't give you up. You can't remember what happened;
I tell you he fell from the cliff. But if your dreadful
Dream were true, I know you are strong enough
To give your heart to the hawks without a cry
And bear it in lonely silence to the end of life.
What else do you want? Ah. Confession's a coward
Running to officers, begging help. Not you.'
The scrape of slow boots on gravel outside the light-stream,
Across the pulses of the idling motor, and suddenly cried,
'He fell from the cliff.' An old man said in the dark,
'They ain't got consideration. Where was you going
This time o' night, after what's happened? Your dad wants you.
Your ma's took bad.' Lance moaned and stood still.
Fayne said, 'He was going to Lobos to telephone
The doct . . . the coroner. Dearest, you ought to go in.
She suffered great pain before, she was near death.
Old Davie will drive up the coast for you
When daylight comes.' 'Oh,' he said stilly, and turned
His face to the fountains of light; it gleamed without meaning
In the stream of radiance like a stake in a stream,
Except that from exhaustion the pupils of the eyes
Failed to contract, so that their secret interiors
Of their chambers returned the light all sanguine.
At length he kneaded them with his fists and said,
'I can't see well. You'll have to help me find the way in.
It's not a trick of yours, uh?'
His mother lay on the floor,
For Michael's body lay on the bed. The sun of pain at her heart
had rays like skewers of anguish
Along the left arm and up by the jugular arteries. She dared
not move; her face stood wet-white and still,
With live blue eyes; but the clay-pale lips opened and closed.
Old Eraser had swathed her in hasty blankets.
Fayne entered; Lance behind her stood swaying and stooping
in the door and saw his father
Crouched beside the great cocoon of the blankets; and Michael in
the bed above, and trinkets of Michael's
That hung on the wall, gleam in the lamplight. The violence of
pain was brief; she whispered 'better/* and breathed
With greedy shallow passion; her eyes found Lance.
grayed slowly into the room;
The lamp ran dry unnoticed. Lance and his father
Labored and carried the heavy old woman to bed.
Fayne brought them food, but Lance refused it. In the afternoon
He walked outdoors for a time, but nothing farther
Than the cattle-pens. Fayne must have been watching for him,
Because she went and walked by his side, and said,
When they were turned from the house, 'Mary Abbey was here.
It seems she expected to marry Michael, though he never told us.
She cried a lot.' Lance made no sign of hearing her.
Fayne said, looking up sidelong at his cheek and jaw,
Where the flesh hung thin on the bone: 'Her griefs not
Like ours, forever; but sharp at present. If she ever
Imagined that you . . . how could we bear her looks? You are
too strong, dear,
To lay on weaker persons a burden
That you alone ought to bear.' He strode faster
And stopped, muttering, 'He lies up there, like that.
And my mother, like that; and I have done it;
And you talk about Mary Abbey.' Fayne said, 'I have no time
To choose names, for a man is coming to-day
To question us. He's sent for. I have to tell you that you must
choose whether to relieve
Your own weakness , . . conscience I mean ... by easy con-
Or bear the whole weight unhelped. The first way's easy; you'll
be acquitted; you'll be left humbled and soiled,
But free; for confession is not enough; and you were too lost to
remember anything clearly; and I
Am the one witness. I saw him climb on the cliff and fall. So your
conscience will be well comforted,
And fairly cheap. Only your mother perhaps will die of it; your
father and I will swallow our portion;
And the crowd at Salinas
Will have had a good time watching your face in court. It would
be harder, if youVe a snake in your heart,
To keep it shut there.'
He was silent, and drew sharp breath and
said, 'A red-haired one. Ah.
A white one with a red brush. Did you do it with him
Or not?' 'Leave that,' she said stilly; 'this choice is now?
He groaned and answered, 'My mind's not quick like yours.
. . . I'll not lie to them.' 'Let me show your mind to you;
Be patient a moment still; if I seem cruel,
That's to save, all that's left. Look at yourself:
A man who believes his own sweet brother's blood
Lies on his hands: yet
Too scrupulous to tell a lie, for his mother's life.
Our minds are wonderful.' He meditated, and answered
Heavily, 'The sunlight seems dull but red.
What makes it red?' 'Your eyes are sick of not sleeping;
Or there's a forest-fire in the south.' 'Our minds? Little bottles
That hold all hell. I seem too tired to feel it, though.
I'll think, I'll think.'
'You have no time for thinking. He will come probably
Within this hour.' 'Who? Let him come. I'll tell him
God made them male and female but men have made
So-and-so ... I fall asleep while I talk . . . whiskey eh?
Lighted the sticky fire. It's not possible
I'd ever done it except that I stumbled on you
In the heart of guilt. I know that.' 'Believe it then,'
She answered shrilly, and stood twitching her lips
In the white freckled face, in the reddish light of her hair,
'If that will help.' 'Oh,' he said.
'... I wish you had picked from another tree.'
She answered: 'You are to say that you found him dying.
You heard me cry, and he was down by the rock.
Isn't that the truth exactly, because you remember
No previous thing? You heard me cry out; you came;
Michael was dying or had died. That's all. You carried him home.
. . , I wish he'd come.'
But the man did not come
Until afternoon the next day. Dark weather, for a stagnant ocean
of cloud was hung on the sky,
And what light shone came colored like the taste of metal through
smoke of burning forests far to the south,
That veiled the coast, so that it seemed brown twilight
In the house, in Michael's room. A lamp was lighted,
The death-wound viewed. 'Who saw him fall?' 'I alone.
My husband and others came when I cried.' 'Where is your
'With his mother,' she answered faintly. 'She had an attack,
Her heart, angina, and has to lie still. Shall I
Call him, sir?' her voice hardening, her eyes
Growing hard and narrow. 'Pretty soon. Was this young man
In trouble about anything?' 'No.' 'A girl?' 'He was engaged
To Miss Abbey.' 'They had a quarrel, ah?' 'No.'
'Did he seem cheerful?' 'Very.' 'They always do.
Yesterday I had to drive by Elkhorn Slough
Because a very cheerful old man opened his throat
With his nephew T s pen-knife. I was two hours
Finding that place; the farmers around there they couldn't tell
Whether Jesus Christ died on the cross
Or at the battle of Bull Run.'
Old Eraser had stood
Nerveless and dreaming over the livid face
Since they uncovered it; abruptly he turned his head
Above his bowed shoulder, saying 'It's enough.
Dog, blaspheme not. Go to your own place.
My son found death in recklessness, I fear in folly;
Write that and leave us alone; go hence and leave us
To mourn and hope.' 'Well, Mr. Fraser. You understand . . .'
'I am very patient,' the old man said, thrusting
His hollowed face toward the other, the closely set
Inflamed brown eyes pushing like the burnt end of a stick
That has been used to stir fire; the man stepped backward.
'Did he say patient! . . . Well, is your husband here?'
Payne's mouth jerked and froze hard, her hands quieted.
'I will call him. Come to the room downstairs.'
She said at the foot of the stair, 'This way, sir. It's dark.
Will you have to go ... to see the cliff, to see
The cliff?' 'Hm, what's that?' 'Where he fell.'
'Can we drive there?' 'No, ride and walk.' 'Look here,'
He said, 'I've come sixty-five miles already.
You're sure it was accidental?' 'Yes.' 'Well.
I always try to save the family feelings
When the case is not clear.' He tried his pen,
Shook it, and wrote. Fayne watched, quiet and cold, thinking that
Would not have to be questioned; he was saved now;
And saw the man to his car. When he had gone
She thought that now she could laugh or cry if she wanted to,
Now Lance was saved, but her nerves and her mind stood quiet.
She looked at the dusty gate and the dark house-gable
In the stagnant air against the black cloud, and perceived that all
events are exact and were shaped beforehand,
And spaced in a steel frame; when they come up we know them;
there is nothing for excitement.
She went in,
And found Lance in the dark at the head of the stair, bent for-
ward like a great bird. 'Has he gone, Fayne?'
'Did you know he was here?' 'I will live on,' he answered,
'seems to be best. I loved him well; he died instantly,
No anger nor pain. Davis has dug a place by the children's
On account of the dull weather
And closing twilight the group on the hilltop was hardly visible
in their vast scene. It was quite evident
That not only Pico Blanco against the north, and the gray Ven-
tanas, but even every dry fold
And gully of the humbler hills was almost by an infinite measure
of more importance
Than the few faint figures on the bare height,
The truck, and three saddled horses,
And some persons.
The old man swayed and shook, standing praying
At the head of a dug slot
Beside the pile of pale earth.
The heavy great brown-furred sky that covered all things made
a red point in the west, lost it and darkened,
And the Point Sur lighthouse made a thin stabbing from the
Swaying on his heels and toes the old man prayed:
'Oh Lord our God, when thy churches fell off from thee
To go awhoring after organ music,
Singing-women and lecturers, then my people
Came out from among them; and when thy last church,
Thy little band, thy chosen, was turned at length
To lust for wealth and amusement and worldly vanities,
I cried against them and I came forth from among them.
I promised thee in that day that I and my house
Would remain faithful, thou must never despair;
I said, though all men forget thee thou hast a fort
Here in these hills, one candle burning in the infidel world,
And my house is thy people.
My children died,
And I laid them in this place and begot more children
To be thy servants, and I taught them thy ways, but they fell
away from thee.
They found their pleasure among the ungodly, and I believe
They made themselves drunk with wine, and my dear son is
He died on the shore. One half of the curse of Eli has fallen
He covered his face with his knotted hands and stood gasping,
And said, 'I loved him. Here he is, Lord.
Surely thou hast forgiven his sins as I have forgiven them,
And wilt lift him to thy glory on the last day.'
The old man stood silent, lifting his face, and fixed his deep
close-set eyes, like the eyes of an old ape,
Small, dark and melancholy under the bar of the brow, between
the wide cheek-bones, fixed them far off
Across the darkening ridges and ocean upon that single red spot
that waned in the western sky,
And said 'The world darkens and the end is coming.
I cannot beget more children; I am old and empty,
And my wife is old. All men have turned their faces away from
I alone am thy church. Lord God, I beseech thee not to despair,
But remember thine ancient power, and smite the ungodly on
And the faithless churches with utter destruction. For Jesus'
sake, amen.' While he prayed, Fayne watched Lance
With pity and fear; and Mary Abbey, who was there with her
Kept stealing glances at Lance through her wet eyelashes.
She whispered to Fayne: 'Oh, Lance looks dreadfully.
I never knew he loved him so dreadfully.'
Fayne answered, 'Yes, he did'; and looked up at Lance
With pity and fear. 'He looks as if he'd fall sick,'
Mary said. Fayne answered, 'No, he is strong.
He hasn't eaten since Michael died; maybe
He hasn't slept.' Mary said, wiping her eyes,
'His face is so sad and fine, like carved marble.
They say he carried him all the way home, up that cliff.'
The old man ended his prayer, the redwood box
Was lowered with ropes; Lance had the weight at one end,
Old Fraser and Davis at the other. The ropes cut grooves
In the earth edges. While they were shovelling earth,
Mary Abbey, with a sudden abandoned gesture
Of the hand that had the handkerchief in it, ran up to Lance
On the scraped ground. 'Don't grieve so.' She reached and
His hand on the spade-handle. 'It makes me afraid for you.
We all loved him; life has to go on.' He jerked his hand,
And looked down at her face with startled eyes
So pale gray-blue that all the light that remained in the world
Under the low black sky seemed to live in them,
Stammering, 'No. No. He fell from the cliff.' She said, 'I know,
We have to bear it. I loved him too.' He gathered his dreaming
Into the bundle again and said, 'Oh. All right. Please keep out of
the way for the time.
We have this to do.' 'Good-bye,' she answered patiently. 'Fa-
ther's calling me.'
The pit was filled full and mounded;
Fayne came and said, 'What was she saying to you?' 'Nothing.
Who?' 'Mary Abbey.' 'I didn't see her.'
'What, Lance? She came and spoke to you.' 'I'd rather be there
with Michael,' he answered. 'Dear, you must rouse yourself.
Life has to go on.' 'Somebody was saying so, I think.
There's not a hawk in the sky.' She answered from a hoarse
throat, 'After dark? What are you dreaming?
See, Davie's turned on the headlights.' 'I hate them,' he said,
'killers, dirty chicken-thieves.'
The farm-truck headlights
Shone on the mounded earth, and cast its enormously lengthened
shadow and the shadows of a few moving
Persons across the world, with the beam of light, over mound
beyond mound of bare autumn hills, and black
Ocean under the black-roofed evening.
That night he returned
To lie with Fayne in their bed, but like two strangers
Lying in one bed in a crowded inn, who avoid
Touching each other; but the fifth night
She laid her hand on the smooth strength of his breast,
He pretended to be asleep, she moved against him,
Plucking his throat with her lips. He answered, 'After all?
You're right. If we're to live in this life
We'll keep its customs.' He approached her confidently,
And had no power. The little irrational anger
At finding himself ridiculous brought to his mind
That worse rage, never before clearly remembered,
But now to the last moment; or imagined. He drew
His limbs from Payne's without thinking of her, and lay still,
with shut fists,
Sweating, staring up spirals of awful darkness, that spun away up
and wound over his eyes
Around a hollow gray core with flecks in it. 'I am damned un-
justly. I did it in a moment.'
But Fayne knew nothing
Of the shut agony beside her; only she was troubled at heart, and
Whether he had ceased to love her said tenderly, 'Sleep,
Darling. I didn't mean. I didn't want.
Only I love you.' He felt her instinctive hand
Move downward fondling along the flat of his belly.
He set it aside and spoke, so low that her ears
Lost every word between the hair and the pillow.
'What, dearest?' 'I know it,' he said, 'they're dogs: that was
Fit to tell dogs. I can be damned
At home as well.' 'Hush, dear.' 'I don't make a good murderer,'
He said, 'I sweat.' She was silent and heard him breathing,
And mourned, 'Oh, cover your mind with quietness to-night.
In the morning you'll face it down again. This will get well with
It was really only a dreadful accident.' 'Very damnable,' he said,
'Very true.' Fayne said, 'We'll live, sweetheart, to feel it
Only a dreadful accident, and the sad death
Of one we loved.' 'That's your smooth skin.
The fires fester on mine. Will you do something
For me?' 'Dearest, with all my heart.' 'An easy kindness:
Shut up your mouth.'
He got up after a time;
When he went out she followed, trembling. He turned on her
Outside the door. 'I'm not going to Salinas,'
He whispered, 'nor bump myself off either.
I'll not starve your hawks of their snatch o' meat.
Now let me alone for Christ's sake.' She stood and saw him
Against the starlit window at the end steal down
The hallway, go past the stairhead, and enter the empty
Room of his brother. He slept there from that night on,
And seemed to regain calm strength.
In the course of a month
Rain seemed at hand, the south wind whetting his knife on the
long mountain and wild clouds flying;
Lance and his father set out to burn the hill to make pasture. They
carried fire in forkfuls of straw
Along the base of the south wall of their valley; the horses they
rode snorted against it, and smoke
Boiled, but the seaward end of the hill would only be burnt in
patches. Inland, at the parched end,
A reach of high grass and sage might have led out the fire to the
forest, and Lance rode up
To watch a flame down the wind to black out the danger.
He carried two barley-sacks and went to the Abbeys' trough
At the hill spring to dip them, to beat down the fire's
Creepings up wind. From that spur of the mountain
He saw the planted pine trees at Abbey's place,
And riding back with the dipped sacks, the vale
Of his own place, the smoke-mist, and Sycamore Creek
Wound like a long serpent down the small fields.
He set his fires and watched them rage with the wind,
Easily stifling their returns, riding herd
On the black line; then from the base of the hill
Red surf, and the dark spray rolled back by the wind,
Of the other fire came up roaring. The lines met
On the fall of the hill like waves at a river's mouth
That spout up and kill each other, and hang white spray
On cold clear wind.
A rabbit with blazing fur broke through the back-fire,
Bounding and falling, it passed by Lance and ran
Straight into the stem of a wild lilac bush,
He saw it was blind from the fire, and watching it struggle away
Up its dark pain, saw Mary Abbey coming down the black hill
against the white sky,
Treading on embers. Lance turned and hardened in the saddle,
and saw the vale below him a long trough of smoke
Spilled northward, then Mary came near and said, 'I wanted to
talk to you. I saw you ride by the water-trough.'
He shuddered and said, 'What? I'll watch the fire.' 'Fayne
doesn't like me so well I think
Since Michael . . . indeed I'm ashamed to be always around your
'I noticed you there,' he said, carefully regarding
The dark braids of her hair, and the pale brown face
Seen from above. 'I don't know,' she said.
'My father says to go away for a time,
His sister lives on a place in Idaho.
But I wouldn't want to forget. But I told Fayne . . .
So I don't know. We could see that you grieved for him
More deeply than anyone else, and all these great hills are empty.'
He said, 'Is that all?' 'Ah . . . ? Yes,' she answered,
And turned away and looked back. Lance found that the bridle-
Had broken suddenly between his hands, and said 'You won't get
anything from Fayne; she's hard as iron.
Why do you follow us around? What do you think you'll find
out?' She said, 'Your grief is greater perhaps,
For you knew him longer. But you have Fayne and I have no-
body: speak kindly to me. As I remember,
At first it came from seeing you and Fayne so happy in each
I wanted to be like that. I can't talk well, like Fayne,
But I read a great deal.' He stared at her face and began to knot
the bridle, his hands relaxing,
And said, 'I must ride around by the oak-scrub and see that the
fire has checked. I've got to be watchful always.
Will you stay here?' He went and returned and said, 'Come
down to our place whenever you are lonely, Mary.
My mother's quite well again. His death was ... do people talk
much about it?' She looked in wonder at his face,
And he with numbed lips: 'What lies do they . . . can't you
speak out?' 'I never
Talked about it with anyone, since Nina Dolman
Told us that day. Truly there's nothing to be said by anyone
Except, he was bright with life and suddenly nothing, nothing,
Lance breathed and said sharply, 'I wouldn't bet on it
If I were you. Mary, you are tender and merciful:
Don't come to the house; Fayne is like iron. You'd better
Run home and forget about us. Unless you should hear something
I ought to know.' 'What do you mean?' 'Good-bye.'
She saw his bridle-hand lift, she said 'I've no pride,
I pray you not to leave me yet, Lance.
I loved him greatly, and now that bond hangs cut,
Bleeding on the empty world, it reaches after
You that were near him, Fayne and you. I was always
Without companions, and now I'd give anything
To be in your friendship a little.' 'Anything?' he said.
'You faithful women.
Fayne was five days. Mmhm, I have seen a vision.
My eyes are opened I believe.'
He rode across the burnt hill,
Watching the wind swirl up the ashes and flatten
The spits of smoke. Past the singed oak-scrub he began to wonder,
If there was honey in the little tree, had . . . the dead
Tasted it before he died? 'You'd better be off to Idaho.
... I shy from his name like a scared horse.
By God, I'd better get used to it; I've got to live with it.'
He looked sharply all about the burnt solitude
To be sure of no hearers, and recited aloud:
'I killed Michael. My name is Lance Fraser.
I murdered my brother Michael. I was plastered,
But I caught 'em at it. I killed my brother Michael.
I'm not afraid to sleep in his room or even
Take over his girl if I choose. I am a dog,
But so are all.'
The tall man riding the little bay horse
Along the burnt ridge, talking loudly to nothing but the ash-
drifting wind; a shadow passed his right shoulder;
He turned on it with slitted eyes, and saw through the strained
lashes against the gray wind a ghastly old woman
Pursuing him, bent double with age and fury, her brown cloak
wild on the wind, but when she turned up the wind
It was only a redtail hawk that hunted
On the burnt borders, making her profit in the trouble of field-
mice. Lance groaned in his throat 'Go up you devil.
Ask your high places whether they can save you next time.'
Leo Ramirez rode down on business
About redwood for fence-posts; he asked in vain
For Lance, and had to deal with old Eraser. When he went out
He saw red hair around the corner of the house
And found Fayne in the garden, and asked for Lance.
'I couldn't tell you. I saw him ride to the south.
He'll be home soon for supper.' Ramirez stood
In troubled silence, looking at the earth, and said
'I wonder ought I to tell him . . .' Payne's body quivered
Ever so slightly, her face grew carefully blank.
'What, Leo?' 'Will Howard, for instance. Mouths that can't
Shut up for the love of God.' 'He drives the coast-stage,'
Fayne answered carefully. Ramirez looked over the creek
At the branded flanks of the south hill, and no rain had come
To streak them with gray relentings. 'He didn't see it,'
He said; 'and those two janes on vacation
Went back to town the next day.' He giggled, remembering
The sailing-ship stippled on the white skin,
And fixed his mind smooth again. Fayne said, 'How dares he
Lie about us?' Ramirez's brown soft eyes
Regarded her with mournful wonder and slid away.
He said, 'You was very quick-thinking.' 'What?' she said, 'You
And when I cried to him to be careful you looked
And saw him larking on the rock, and you saw him fall,
You could see very plainly in the awful moonlight.
These are things, Leo, that you could swear to.' He nodded,
And slid his red tongue along his dry lips and answered,
'Yes'm.' 'So Howard's a liar,' she said. 'But don't tell Lance;
He'd break him in two. We'll all do very well,
All wicked stories will die, long long before
Our ache of loss.' 'Yes'm.' She walked beside him
To his tethered horse, and charmed him with an impulsive hand-
After he was in the saddle.
She stood with her face high, the
great sponge of red hair
Lying like a helmet-plume on her shoulders, and thought she was
sure of conquering security but she was tired;
She was not afraid of the enemy world, but Michael would never
be here laughing again. On the hill,
In the hill he lay; it was stranger than that, and sharper. And his
Ought to be hated a little in the much love. The smells in the
wind were of ocean, the reedy creek-mouth,
Cows, and wood-smoke, and chile-con-carne on the kitchen stove;
it was harder to analyze thoughts in the mind.
She looked at the dear house and its gables
Darkening so low against the hill and wide sky and the evening
color commencing; it was Lance's nest
Where he was born, and h
- quotes about Moon
- quotes about swimming
- quotes about red
- quotes about brown
- quotes about stuttering
- quotes about sequoia
- quotes about grey
- quotes about fishing
The coast-road was being straightened and repaired again,
A group of men labored at the steep curve
Where it falls from the north to Mill Creek. They scattered and hid
Behind cut banks, except one blond young man
Who stooped over the rock and strolled away smiling
As if he shared a secret joke with the dynamite;
It waited until he had passed back of a boulder,
Then split its rock cage; a yellowish torrent
Of fragments rose up the air and the echoes bumped
From mountain to mountain. The men returned slowly
And took up their dropped tools, while a banner of dust
Waved over the gorge on the northwest wind, very high
Above the heads of the forest.
Some distance west of the road,
On the promontory above the triangle
Of glittering ocean that fills the gorge-mouth,
A woman and a lame man from the farm below
Had been watching, and turned to go down the hill. The young
woman looked back,
Widening her violet eyes under the shade of her hand. 'I think
they'll blast again in a minute.'
And the man: 'I wish they'd let the poor old road be. I don't
like improvements.' 'Why not?' 'They bring in the world;
We're well without it.' His lameness gave him some look of age
but he was young too; tall and thin-faced,
With a high wavering nose. 'Isn't he amusing,' she said, 'that
boy Rick Armstrong, the dynamite man,
How slowly he walks away after he lights the fuse. He loves to
show off. Reave likes him, too,'
She added; and they clambered down the path in the rock-face,
little dark specks
Between the great headland rock and the bright blue sea.
The road-workers had made their camp
North of this headland, where the sea-cliff was broken down and
sloped to a cove. The violet-eyed woman's husband,
Reave Thurso, rode down the slope to the camp in the gorgeous
autumn sundown, his hired man Johnny Luna
Riding behind him. The road-men had just quit work and four
or five were bathing in the purple surf-edge,
The others talked by the tents; blue smoke fragrant with food
and oak-wood drifted from the cabin stove-pipe
And slowly went fainting up the vast hill.
Thurso drew rein by
a group of men at a tent door
And frowned at them without speaking, square-shouldered and
heavy-jawed, too heavy with strength for so young a man,
He chose one of the men with his eyes. 'You're Danny Woodruff,
aren't you, that drives the tractor?' Who smiled
And answered 'Maybe. What then?' 'Why, nothing, except you
broke my fence and you've got to fix it.' 'You don't say,'
He said laughing. 'Did somebody break your fence? Well, that's
too bad.' 'My man here saw you do it.
He warned you out of the field.' 'Oh, was I warned?' He turned
to Luna: 'What did I say to you, cowboy?'
'You say, you say,' Luna's dark face flushed black, 'you say
'Go to hell.'
' Woodruff gravely, to Thurso:
'That's what I say.' The farmer had a whip in his hand, a hotter
man might have struck, but he carefully
Hung it on the saddle-horn by the thong at the butt, dismounted,
and said, 'You'll fix it though.' He was somewhat
Short-coupled, but so broad in the chest and throat, and obviously
all oak, that Woodruff recoiled a step,
Saying 'If you've got a claim for damages, take it to the county.'
'I'm taking it nearer hand.
You'll fix the fence.' Woodruffs companions
Began to come in between, and one said 'Wait for him
Until he fixes it, your cows will be down the road.'
Thurso shook his head slightly and bored forward
Toward his one object; who felt the persecuting
Pale eyes under dark brows dazzle resistance.
He was glad the bathers came up the shore, to ask
What the dispute was, their presence released his mind
A moment from the obstinate eyes. The blithe young firer
Of dynamite blasts, Rick Armstrong, came in foremost,
Naked and very beautiful, all his blond body
Gleaming from the sea; he'd been one or two evenings
A guest at the farmhouse, and now took Thurso's part
So gracefully that the tractor-driver, already
Unnerved by that leaden doggedness, was glad to yield.
He'd mend the fence in the morning: Oh, sure, he wanted
To do the right thing: but Thurso's manner
Had put him off.
The group dissolved apart, having made for
a moment its unconscious beauty
In the vast landscape above the ocean in the colored evening;
the naked bodies of the young bathers
Polished with light, against the brown and blue denim core of
the rest; and the ponies, one brown, one piebald,
Compacted into the group, the Spanish-Indian horseman dark
bronze above them, under broad red
Heavens leaning to the lonely mountain.
In the moonlight two hours before Sunday dawn
Rick Armstrong went on foot over the hill
Toward the farmhouse in the deep gorge, where it was dark,
And he smelled the stream. Thurso had invited him
To go deer-hunting with them, seeing lights in the house
He hurried down, not to make his friends wait.
He passed under a lonely noise in the sky
And wondered at it, and remembered the great cable
That spanned the gorge from the hill, with a rusted iron skip
Hanging from it like a stuck black moon; relics,
With other engines on the headland, of ancient lime-kilns
High up the canyon, from which they shot the lime
To the promontory along the airy cable-way
To be shipped by sea. The works had failed; the iron skip
Stuck on its rusted pulleys would never move again
Until it fell, but to make a desolate creaking
In the mountain east-wind that poured down the gorge
Every clear night. He looked for it and could not find it
Against the white sky, but stumbled over a root
And hurried down to the house.
There were layered smells of
horses and leather
About the porch; the door stood half open, in the yellow slot
Of lamplight appeared two faces, Johnny Luna's dark hollow
Egyptian profile and Helen Thurso's
Very white beyond, her wide-parted violet eyes looked black
and her lips moved. Her husband's wide chest
Eclipsed the doorway. 'Here you are. I was afraid you wouldn't
wake up. Come in,' Thurso said,
'Coffee and bacon, it will be long to lunch.' A fourth in the
room was the lame man, Reave Thurso's brother,
Who said at parting, 'Take care of Helen, won't you, Reave,
Don't tire her out.' He was not of the party but had risen to see
them off. She answered from the porch, laughing,
The light from the door gilding her cheek, 'I'll not be the tired
one, Mark, by evening. Pity the others.'
'Let the men do the shooting, Helen, spare yourself. Killing's
against your nature, it would hurt with unhappy thought
Some later time.' 'Ah,' she answered, 'not so gentle as you
think. Good-bye, brother.'
They mounted the drooping horses and rode up canyon
Between black trees, under that lonely creaking in the sky, and
Along the coast-road to enter a darker canyon.
The horses jerked at the bridle-hands,
Nosing out a way for the stammering hooves
Along the rocks of a ribbed creek-bed; thence a path upward
To the height of a ridge; in that clear the red moonset
Appeared between murky hills, like a burning ship
On the world's verge.
Thurso and Luna stealthily dismounted.
They stole two ways down the starry-glimmering slope like
assassins, above the black fur of forest, and vanished
In the shifty gray. The two others remained, Armstrong looked
Toward his companion through the high reddish gloom, and
saw the swell of her breast and droop of her throat
Darkling against the low moon-scarred west. She whispered and
said, 'The poor thing may drive up hill toward us:
And I'll not fire, do you want to trade rifles with me? The old
one that Reave has lent you is little use.'
He answered, 'I guess one gun's as good as another, you can't
see the bead, you can't see the notch.' 'Oh: well.
The light will grow.' They were silent a time, sitting and holding
the horses, the red moon on the sea-line
Suddenly foundered; still the east had nothing.
'We'd better take ourselves
Out of the sky, and tie up the horses.' She began to move, down
the way lately climbed, the cowboy's
Pony trailing behind her, Armstrong led Reave's. He saw her
white shirt below him gleam in the starlight
Like bare shoulders above the shadow. They unbridled the horses
and tethered them to buckthorn bushes, and went back
Into the sky; but lay close against the ridge to be hidden, for a
cloud whitened. Orion and Sirius
Stood southward in the mid heaven, and Armstrong said,
'They're strange at dawn, see, they're not autumn stars,
They belong to last March.' 'Maybe next March,' she answered
Without looking. 'Tell me how you've charmed Reave
To make him love you? He never has cared for a friend before,
Cold and lonely by nature. He seems to love you.'
'Why: nothing. If he lacks friends perhaps it's only
Because this country has been too vacant for him
To make choices from.' 'No,' she answered, 'he's cold,
And all alone in himself. Well. His goodness is strength.
He's never set his mind on anything yet
But got it with a strong hand. His brother, you met this morning,
Is very different, a weak man of course,
But kindly and full of pity toward every creature, but really at heart
As cold as Reave. I never loved hunting, and he's
Persuaded me to hate it. Let him persuade
Reave if he could!' Armstrong said, 'Why did you come then?'
'Ah? To watch things be killed.'
They heard the wind
Flustering below, and felt the sallow increase of clearness
On grass-blades, and the girl's face, and the far sea,
A light of visions, faint and a virgin. One rifle-shot
Snapped the still dawn; Armstrong cradled his gun
But nothing came up the hill. The cloud-line eastward
Suddenly flushed with rose-color flame, and standing
Rays of transparent purple shadow appeared
Behind the fired fleece. Helen Thurso sighed and stood up,
'Let's see if we can't lead one of the horses down,
Now light has come, to bring up the corpse.' 'The . . . for
'The meat,' she said impatiently, 'the killed thing. It's a hard
'You think they got it?' 'Couldn't fail; but other years
They've taken two in that trap.' Nearly straight down,
At the edge of the wood, in the pool of blue shade in the cleft
The two men were seen, one burdened, like mites in a bowl; and
Helen with a kind of triumph: 'Look down there:
What size Reave Thurso is really: one of those little dirty black
ants that come to dead things could carry him
With the deer added.'
They drove a horse down the headlong
pitch; the sun came up like a man shouting
While they climbed back, then Helen halted for breath. Thurso
tightened the lashings under the saddle,
That held his booty on the pony's back, and said to Armstrong,
'That tree that stands alone on the spur,
It looks like a match: its trunk's twenty feet through. The biggest
redwoods left on the coast are there,
The lumbermen couldn't reach them.'
Johnny Luna, when they
reached the ridge,
Was sent home leading his horse, with the buck mounted. The
others rode east, the two men ahead, and Helen
Regarding their heads and shoulders against the sharp sky or
the sides of hills; they left the redwood canyons
And rode a long while among interminable gray ranges bushed
on the north with oak and lupin;
Farther they wandered among flayed bison-shaped hills, and rode
at noon under sparse bull-pines,
And so returned, having seen no life at all
Except high up the sun the black vultures,
Some hawks hunting the gorges, and a far coyote.
In the afternoon, nearing toward home, it was Helen
Who saw five deer strung on a ridge. 'Oh. Look.
So I've betrayed them,' she said bitterly. Reave said to Armstrong,
'Your shot: the buck to the north,' and while he spoke fired, but
Had raised his cheek from the rifle-stock to look
At Helen angrily laughing, her face brilliant
In the hard sunlight, with lakes of deep shade
Under the brows and the chin; when he looked back
The ridge was cleared. 'Why didn't you let him have it?
You'd such an easy shot,' Thurso said,
'Against the cloud, mine was among the bushes,
I saw him fall and roll over.' 'Be very happy,'
Helen said. 'He was hard hit, for he ran down hill.
That makes you shine.'
They labored across the gorge
And climbed up to the ridge. A spongy scarlet thing
Was found at the foot of a green oak-bush and Helen
Came and saw it. 'He was hit in the lung,' Reave said,
'Coughed up a froth of blood and ran down hill.
I have to get him.' 'It looks like a red toadstool:
Red scum on rotten wood. Does it make you sick?
Not a bit: it makes you happy.' 'Why do you come hunting, Helen,
If you hate hunting? Keep still at least. As for being happy:
Look where I have to go down.' He showed her the foamy spots
of blood, on the earth and the small leaves,
Going down a steep thicket that seemed impassable. She answered,
'Let the poor thing die in peace.' 'It would seem a pity,'
He answered, 'to let him suffer; besides the waste.' Armstrong
looked down and said, 'He'll be in the creek-bed.
I'll go down there and work up the gulch, if you go down here.'
'You'd never find him without the blood-trail,'
Reave answered. Then Helen suddenly went back and touched
the foam of blood on the ground, dipping four fingers,
And returned and said, 'I was afraid to do it, so I did it. Now
I'm no better than you. Don't go down.
Please, Reave. Let's hurry and go home. I'm tired.' Reave said
to Armstrong, 'That would be best, if you'd take her home.
It's only a mile and a half, help her with the horses, won't you?
Take mine too. I'll hang the buck in a tree
Near where I find him, and come fetch him to-morrow.' 'If you
want,' Armstrong said. Helen clenched
Her blood-tipped fingers and felt them stick to the palm. 'All
right. I'll do
What you've chosen,' she said with smoothed lips. 'Mark wins,
he said I'd be tired. But he was wrong,'
Opening her hand, regarding the red-lined nails,
'To think me all milk and kindness.' Thurso went down
The thicket; and Helen: 'Nothing could turn him back.
He's never set his mind on anything yet
But snuffled like a bloodhound to the bitter end.' They heard
Breaking below, and returned by the open slope
To the horses across the creek.
They rode softly
Down the canyon; Helen said, 'I'm not tired.
Do you ever think about death? I've seen you play with it,
Strolling away while the fuse fizzed in the rock.'
'Hell no, that was all settled when they made the hills.'
'Did you notice how high he held his bright head
And the branched horns, keen with happiness?
Nothing told him
That all would break in a moment and the blood choke his throat.
I hope that poor stag
Had many loves in his life.' He looked curiously,
A little moved, at her face; too pale, like a white flame
That has form but no brilliance in the light of day;
The wide violet eyes hollowed with points of craving darkness
Under the long dark lashes; and the charcoal mark
Across her slightly hollowed cheek, where a twig had crossed it
When they rode the burnt hillside. He said: 'I ought
ToVe gone with Reave, it doesn't seem fair to let him
Sweat alone in that jungle.' 'He enjoys toil.
You don't know him yet. Give him a blood-trail to follow,
That's all he wants for Christmas. What he's got's nothing to him,
His game's the getting. But slow, slow: be hours yet.
From here we can choose ways, and though it's a good deal longer,
There's daylight left, we'll go by the head of the hill: up there
you can see the whole coast
And a thousand hills. Look,' she said laughing,
'What the crooked bushes have done,' showing her light shirt
Torn at the breast, and a long red scratch
Under the bright smooth breast. He felt in his mind
A moving dizziness, and shifted his body backward
From the saddle-horn.
A curl of sea-cloud stood on the head of the hill
Like a wave breaking against the wind; but when they reached
it, windows of clearness in it were passing
From the northwest, through which the mountain sea-wall looked
abrupt as dreams, from Lobos like a hand on the sea
To the offshore giant at Point Sur southward. Straight down
through the coursing mists like a crack in the mountain sea-root,
Mill Creek Canyon, like a crack in the naked root of a dead pine
when the bark peels off. The bottom
Of the fissure was black with redwood, and lower
Green with alders; between the black and the green the painted
roof of the farmhouse, like a dropped seed,
Thurso's house, like a grain of corn in the crack of a plank, where
the hens can't reach it.
Cloud steered between;
Helen Thurso said 'What if the rut is a rock canyon,
Look how Fm stuck in a rut: do I have to live there?
And Reave's old mother's like a white-headed hawk.
Your job here's nearly finished, where will you go?'
'I haven't thought: all places are like each other:
Maybe Nevada in the spring.
There's work all over.' 'I,' she said, trembling; 'it seems cold
I hate the sea-fog. Now let's look east.' They had tied
The horses to the highest bushes on the north slope,
And walked on the open dome of the hill, they crossed it
And the east was clear; the beautiful desolate inhuman range
beyond range of summits all seen at once,
Dry bright and quiet and their huge blue shadows. Helen said
'He's down there somewhere. It's that deer's blood.
It made me drunk, it was too red I thought.
Life is so tiny little, and if it shoots
Into the darkness without ever once flashing?'
They turned back to the dome-top under the cloud.
'You're tired, Helen.' 'I'll not let the days of my life
Hang like a string of naughts between two nothings.
Wear a necklace of round zeros for pearls;
I'm not made that way. Think what you please. Shall we go down
'The cloud has come all around us,' he answered, seeing the distilled
drops of the cloud like seed-pearls
Hung in her hair and on the dark lashes. He turned to go down
to the horses, she said 'I have seen dawn with you,
The red moonset and white dawn,
And starlight on the mountain, and noon on burnt hills where
there was no shadow but a vulture's, and that stag's blood:
I've lived with you
A long day like a lifetime, at last I've drawn something
In the string of blanks.' She lifted her face against his shoulder
and said 'Good-bye.' He said 'I'm Reave's friend,'
And kissed her good-bye seeing she desired it, her breasts burrowed
against him and friendship forgot his mind,
With such brief wooing they stirred the deep wells of pleasure.
She lay but half quieted, still hotly longing,
Her eyes morbidly shuttered like the sleep of fever showed
threads of the white and faint arcs of the crystalline
Violet irises, barred across by the strong dark lashes; the night
of the lids covered the pupils,
Behind them, and under the thick brown hair and under the
cunning sutures of the hollow bone the nerve-cells
With locking fibrils made their own world and light, the multitude
of small rayed animals of one descent.
That make one mind, imagined a mountain
Higher than the scope of nature, predominant over all these edges
of the earth, on its head a sacrifice
Half naked, all flaming, her hair blown like a fire through the
level skies; for she had to believe this passion
Not the wild heat of nature, but the superstitiously worshipped
spirit of love, that is thought to burn
All its acts righteous.
While Helen adorned the deed with the
dream it needed, her lover meanwhile
Explored with hands and eyes the moulded smoothness through
the open clothing, reviving his spent desire
Until they were joined in longer-lasting delight; her nerve-cells
intermitted their human dream;
The happy automatism of life, inhuman as the sucking heart of
the whirlwind, usurped the whole person,
Aping pain, crying out and writhing like torture.
They rose and
went down to the horses;
The light had changed in the sea-cloud, the sun must be near
setting. When they were halfway down the mountain
The whole cloud began to glow with color like a huge rose, a
forest of transparent pale crimson petals
Blowing all about them; slowly the glory
Flared up the slope and faded in the high air.
through pale twilight
And whispered at the farmhouse door inarticulate leave-takings.
Helen went in; Armstrong unsaddled the horses
Ahd walked heavily up canyon and crossed the hill.
Helen said, 'Reave went after a wounded deer
And sent me home. He hasn't come home yet?'
Reave's mother said 'We've not seen him,' steadily watching her
Across the lamplight with eyes like an old hawk's,
Red-brown and indomitable, and tired. But if she was hawk-like
As Helen fancied, it was not in the snatching look
But the alienation and tamelessness and sullied splendor
Of a crippled hawk in a cage. She was worn at fifty
To thin old age; the attritions of time and toil and arthritis
That wear old women to likeness had whetted this one
To difference, as if they had bitten on a bronze hawk
Under the eroded flesh.
Helen avoided her eyes
And said to the other in the room, 'Ah, Mark, you guessed right.
I'm tired to death, must creep up to bed now.' The old woman:
'So you came home alone? That young Armstrong
Stayed with Reave.' Helen faltered an instant and said,
'No, for Reave sent him with me, wishing his horse
To be taken home. Mr. Armstrong stopped
By the corral, he was unsaddling the horses I think,
But I was too tired to help him. My rifle, Mark,
Is clean: I minded your words.'
An hour later the heavy tread
of a man was heard on the steps
And the fall of a fleshy bulk by the door, crossed by the click of
hooves or antlers, and Reave came in,
His shirt blood-stained on the breast and shoulders. 'I got him,'
he said. 'It seemed for awhile I'd be out all night.
By luck I found him, at twilight in a buckeye bush. Where's
Helen, gone to bed?' 'She seemed flurried with thoughts,'
His mother answered, and going to the door that led to the
kitchen she called, 'Olvidia,'
Bring in the supper.' 'Well, yes,' Reave said. 'I must first hang
up the carcass and wash my hands.' 'Olvidia,'
His mother called to the kitchen, 'will you tell Johnny: is Johnny
there? Tell him to fetch the meat
From the door-step and hang it up with the other.' Mark said,
'How far, Reave, did you carry it?' 'Two miles or so.
Rough country at first; I held it in front of me to butt the brush
with.' 'Why, what does it weigh?' 'Oh,' he said, 'a young
About Helen's weight.' 'You are strong,' his mother said, 'that's
good: but a fool.' 'Well, mother, I might have hung it
In a tree and gone up with a horse to-morrow; I shouldered it
to save time.'
'You've seen many green canyons and the clouds on a hundred
My mind has better mountains than these in it,
And bloodless ones.' The dark Spanish-Indian woman
Olvidia took Reave's empty plate and the dish,
And Mrs. Thurso said, 'Reave, you've big arms,
And ribs like a rain-barrel, what do they amount to
If the mind inside is a baby? Our white-face bull's
Bigger and wiser.' 'What have I done?' 'I'll never say
Your young Helen's worth keeping, but while you have her
Don't turn her out to pasture on the mountain
With the yellow-haired young man. Those heavy blue eyes
Came home all enriched.' Reave laughed and Mark said bitterly,
'Mother, that's mean.
You know her too well for that. Helen is as clear as the crystal
sky, don't breathe on her.' 'You,' she answered fondly.
Reave smiled, 'I trust Rick Armstrong as I do my own hand.'
'It shames my time of life,'
She answered, 'to have milky-new sons. What has he done for you
To be your angel?' 'Why,' he said, 'I like him.' 'That's generous,
And rare in you. How old is he?' 'My age. Twenty-four.'
'Oh, that's a better reason to trust him.' 'Hm?' 'You're the
'That's no reason.' 'No,' she answered.
Toward noon the next day
Helen was ironing linen by the kitchen stove,
A gun-shot was heard quite near the house, she dropped the iron
And ran outdoors and met Mark. 'What was that shot?' 'Don't
go up there, Helen.' 'Why not, why not,' she stammered,
'Why not,' the flush of the stove-heat graying on her cheek.
'Reave has put poor old Bones out of pain.' 'Oh, that!'
Laughing and trembling, 'Your funeral face. I thought something
had happened to someone. Let the old dog sleep.'
She went up hill to the screen of seawind-stunted laurel and oak,
where Reave was already spading
Dust into the gape of a small grave. 'You've done for poor old
Bones, have you? You knew I loved him,
So you took him off.' 'A pity you came just now, Helen. He
died in a moment. If we'd used this mercy
Two or three months ago we'd have saved pain.' She answered,
quivering with anger, 'You do it on the sly
And call it mercy. Ah, killing's your pleasure, your secret vice.'
'I'll wish you sunnier pleasures: and a little
Sense in your head: he was made of miseries: you've seen him plead
To be helped, and wonder at us when the pain stayed.
I've helped him now.' 'Will you do as much for yourself
When life dirties and darkens? Your father did.'
'No, I will not,' he said, shovelling the dust.
'What's that said for? For spite?' 'No, Reave.
I was wondering. For I think it's reasonable.
When the flower and fruit are gone, nothing but sour rind,
Why suck the shell? I think your father was right.'
'Drop a little silence on him,' Reave answered.
'We may help out the beasts, but a man mustn't be beaten.
That was a little too easy, to pop himself off because he went broke.
I was ten years old, I tried not to despise the soft stuff
That ran away to the dark from a touch of trouble:
Because the lime-kilns failed and the lumber mill
Ran out of redwood.
My mother took up his ruins and made a farm;
She wouldn't run away, to death or charity. Mark and I helped.
We lost most of the land but we saved enough.'
'Think of one man owning so many canyons:
Sovranes, Granite,' she counted on her fingers, 'Garapatas, Palo
Rocky Creek, and this Mill Creek.' 'Oh, that was nothing, the
land was worth nothing
In those days, only for lime and redwood.' She answered,
'You needn't despise him, Reave. My dad never owned anything.
While I worked in a laundry and while I crated fruit
He ate my wages and lived as long as he could
And died crying.' 'We're proud of our fathers, hm?
Well, he was sick a long time,' Reave said, patting
The back of the spade on the filled grave; 'but courage might live
While the lungs rot. I think it might. You never
Saw him again, did you?' 'How saw him?' 'We used to see mine
Often in the evenings.' 'What do you mean, Reave?'
'Why: in the evenings.
Coming back to stare at his unfinished things.
Mother still often sees him.' Helen's face brightening
With happy interest, 'Oh where?' she said. 'On the paths;
Looking up at that thing, with his mouth open.'
Reave waved his hand toward the great brown iron skip
Hanging on its cable in the canyon sky,
That used to carry the lime from the hill, but now
Stuck on dead pulleys in the sky. 'It ought to be taken down
Before it falls. I’ll do it when we've done the plowing.'
Helen said, 'Does he ever speak?' 'Too ashamed of himself.
I spoke to him once:
I was carrying firewood into the house, my arms were full. He
worked a smile on his face and pointed
At the trolley up there.' 'Do you really believe,' she said, 'that
your father's ghost?' 'Certainly not. Some stain
Stagnates here in the hollow canyon air, or sticks in our minds.
How could too weak to live
Show after it died?' 'I knew,' she answered, blanching again
with capricious anger, 'you'd no mercy in you,
But only sudden judgment for any weak thing;
And neither loving nor passionate; dull, cold and scornful. I used
to keep a gay heart in my worst days
And laugh a little: how can I live
Where nothing except poor Mark is even half human, you like
a stone, hard and joyless, dark inside,
And your mother like an old hawk, and even dirty Olvidia and
Johnny Luna, dark and hollow
As the hearts of jugs. The dog here in the ground Oh but how
carefully you scrape the blood-lake
Had loving brown eyes: so you killed him: he was sometimes
joyful: it wouldn't do. You killed him for that.' He answered,
Staring, 'Were you born a fool? What's the matter, Helen?'
'If I had to stay here
I'd turn stone too: cold and dark: I'd give a dollar
For a mirror now, and show you that square face of yours
Taken to pieces with amazement: you never guessed
Helen's a shrew. Oh, what do you want her for?
Let her go.' She left him; and when he came in at noon
Spoke meekly, she seemed to have wept.
In the evening, in
Reave's mother said, 'Did that sand-haired young man
Find you, Reave, when he came this afternoon?
He didn't come to the house.' 'Who?' 'That road-worker,
Arnfield.' 'Rick Armstrong?' 'Most likely: the one I warned you
Not to pasture your heifer with.' 'He was here?' 'No,
Not here. I saw him come down the hill, and Helen
Went out to meet him.' Mark Thurso looked up
From the book he'd been reading, and watched his mother
As a pigeon on a rock watches a falcon quartering
The field beyond the next fence; but Helen suddenly:
'Now listen, Mark. I'm to be framed, ah?
I think so. I never liked her.' The old woman said,
'Did you say something?' 'Not yet,' she answered. Reave made
Noise in his throat and said, 'Let them alone.
No peace between women.
This morning I sent Luna over the hill
With one of the bucks we killed, no doubt my friend came over
At quitting-time to say thank-you: why he didn't find me's
Less clear, but watch the women build it between them
To a big darkness.' 'Not I,' Helen said,
And dipped her needle two or three careful stitches
In the cloth she was mending, then looked up suddenly
To see who watched her. 'If I'd seen him,' she said, 'I'd have
spoken to him.
I am not sick with jealousy of your new friend. But he was
probably not here; the old eyes that make
A dead man's phantom can imagine a live one's.' The old woman:
'When you saw him you ran to meet him; I sent Olvidia
To see if the speckled hen had stolen a nest in the willows. She
walked down there, what she saw amazed her.
I've not allowed her to tell me though she bubbles with it. Your
business, Reave: ask her. Not mine: I'm only
The slow man's mother.' Helen stood up, trembling a little and
smiling, she held the needle and the spool
And folded the cloth, saying 'Your mother, Reave,
Loves you well: too well: you and I honor her for that. She has
hated me from the day she heard of me,
But that was jealousy, the shadow that shows love's real: nothing
to resent. But now you seem very friendly
With that young man too: she can't bear to yield you again, it
cracks the string of her mind. No one can fancy
What she's plotted with the kitchen woman . . .' Mark Thurso
said with lips that suddenly whitened: '7 met Armstrong.
I told him you'd ridden up the high pasture, for so I believed.
He asked me to thank you warmly
For the buck you sent: I forgot to tell you. I was with him while
he was here, and when he went back I hobbled
Some ways up hill.' The old woman moved her lips but said
nothing; but Reave: 'Here: what's the matter,
Brother? You were with me constantly all afternoon.' 'But an
hour,' Mark said. 'Hm? Five minutes.' Then Helen,
Looking from the one to the other: 'If I am hated, I think I am
loved too. I'd something to say . . .
Oh: yes: will you promise, Reave, promise Olvidia
You'll give her, for telling the perfect truth, whatever your
mother has promised her for telling lies: then I'm safe.
Call her and ask her.' He answered, 'She'll sleep in hell first.
Here's enough stories
Without hers in the egg-basket. Do you think it was Armstrong
you saw, mother? I trust Rick Armstrong
From the bright point to the handle.' Helen said, 'Ah, Mark,
You'd never imagine I'd be satisfied with that.
I have to be satisfied with that.' 'Why not?' Reave said.
And she: 'If it was nothing worse than killing to fear
I'd confess. All kinds of lies. I fear you so much
I'd confess ... all kinds of lies ... to get it over with,'
She said, making a clicking noise in her throat
Like one who has drunk too much and hiccoughs, 'only
To get it over with: only, I haven't done anything.
This terror, Mark, has no reason,
Reave never struck nor threatened me, yet well I know
That while I've lived here I've always been sick with fear
As that woman is with jealousy. Deep in me, a black lake
His eyes drill to, it spurts. Sometime he'll drill to my heart
And that's the nut of courage hidden in the lake.
Then we'll see. I don't mean anything bad, you know: I'm very
And wish to think high, like Mark. Olvidia of course is a hollow
liar. May I go now? I'm trembling-tired:
If you'll allow me to go up to bed? But indeed I dare not
While you sit judging.' She looked at Mark and slightly
Reached both her hands toward him, smiled and went out.
But in the little dark hallway under the stair,
When she hastened through it in the sudden darkness,
The door being neither open nor shut passed edgewise
Between her two groping hands, her cheek and brow
Struck hard on the edge.
Her moan was heard in the room of
Where they had been sitting silent while she went out,
An4 when she had gone Mark Thurso had said, 'Mother:
You've done an infamous thing.' 'They might play Jack and queen
All they please,' she answered, 'but not my son
For the fool card in the deck,' the shock of struck wood was heard,
And Helen's hushed groan: Mark, dragging his lameness, reeled
Swiftly across the room saying 'What has she done?'
He groped in the passage and spoke tenderly, then Reave
Went and brought Helen to the lamplight; a little blood
Ran through her left eye to her lips from the cut eyebrow.
The implacable old woman said 'She's not hurt.
Will you make a fuss?' Helen said, 'The wood of your house
Is like your mother, Reave, hits in the dark.
This will wash off.' She went to the kitchen and met
Olvidia who'd been listening against the door,
Then Helen, moaning 'I'm ringed with my enemies,' turned
To flee, and turned back. 'I will take it now. My husband, Olvidia,
Is ready to kill me, you see. I have been kind to you
Two or three times. Have you seen any unusual
Or wicked meeting to-day?' The Indian woman,
Dreading Reave's anger and seeing the blood, but hardly
Understanding the words, blanked her dark face
And wagged her head. 'Don't know. What you mean, wicked?
I better keep out of this.' 'A dish of water, Olvidia.
Be near me, Mark. Reave: will you ask her now?'
He said 'Wash and be quiet.' Helen said, 'Oh Olvidia,
Someone has made him angry at you and me.
Look in my eyes. Tell no bad stories . . . lies, that is ...
Did you see anything when you looked for eggs
In the willows along the creek?' Olvidia folded
Her lips together and stepped backward, then Helen
Sighed, dabbling her cheek with water. 'It hurts. I think
It will turn black.' Reave suddenly shouted 'Answer.'
Olvidia, retreating farther: 'What you want of me?
I find no eggs.' Mark said, 'Come, Helen, Oh come. I've watched
And can no more. Go up and sleep if you can, I'll speak for you,
to-morrow all this black cloud of wrong
Will be melted quite away in the morning.' Reave said, 'Don't
fawn on her, you make me mad. Women will do it.
But why praise 'em for it?' Helen, meekly: 'I am very tired and
helpless and driven to the edge. Think kindly of me,
Mark, I believe I shall be much hated. Your mother . . .
This is all. Light me a candle.' At the foot of the stair
She closed the door, and silently tip-toed through
The passage and the other room to the door of the house,
There pinched the wick, and praying for no wind
To make a stir in the house, carefully opened
The outer door and latched it behind her.
She traversed the hill,
And at the road-men's camp, plucking at the fly
Of a lit tent, thought momently it was curious
She stood among so many unrestrained men
Without fear, yet feared Reave. 'I must see Rick Armstrong
This moment: which tent?' They laid their hands of cards
Carefully face down on the packing-box.
'Why, ma'am, I can't say exactly,' but she had run off
To another lamp of shining canvas and found him.
'Let me stand into the light.' She showed her cut brow
A little bleeding again with hurry in the dark,
And the purpling bruise. 'What Reave did. Your friend Reave.
His mother spied and told on us. What will you do?'
'By God!' 'Oh,' she said, 'that's no good.
How could you keep me here? Borrow a car,
There are cars here.' He said 'I'll take care of you.' She
Beating her fists together, breathed long and said:
'If you choose to stand here and talk among the men listening
It is not my fault. I say if you and these men could stop him when
You can'tto-night, to-night, in an hour nothing can stop him:
he'd call the sheriff to-morrow and have me
Like a stolen cow, nothing but ridiculous, a mark for children to
hoot at, crying in my hair, probably
Led on a rope. Don't you know him? I do. Oh my lover
Take me to the worst hut at the world's end and kill me there,
but take me from here before Reave comes.
I'd go so gladly. And how could you bear to face him, he thought
you his faithful friend, for shame even?
Oh hurry, hurry!'
In the desert at the foot of sun-rotted hills
A row of wooden cabins flanks a gaunt building
Squatted on marbly terraces of its own excrement,
Digested rock from which the metal has been sucked,
Drying in the rage of the sun. Reave Thurso stopped
At the first cabin, a woman came out and pointed;
He went to the farthest cabin, knocked, and went in.
'Well, Helen. You found a real sunny place.' Opening the door
She'd been a violet-eyed girl, a little slatternly
But rich with life; she stood back from the door
Sallow, with pinched nostrils and dwindled eyes,
As if she had lost a fountain of blood, and faintly
Whispering 'I knew you.' Reave looked about him like one
Attentively learning the place, and Helen said
'I never hoped that you wouldn't come at last,
It seemed a kind of blood-trail for you to follow.
And then I knew you were tardy and cold of course and at last
You'd come at last, you never give up anything,
How did you track us at last?' 'Oh,' he laughed, 'Time and I.
He's at work?' 'Yes.' 'If you wanted to hide
You'd have got him to change his name.' 'I begged him to,' she
Suddenly weeping, 'so many times.' 'Don't cry, don't cry.
You know that I'll never hurt you. Mark loves you too, he's been
very lonely. He wanted me to let you go,
But that was nonsense. He's been sick since you went away. Do
you remember the rose-bush you made me buy
That time in Salinas? Mark's watered it for you, sick or well,
Every day, limping around the house with a pail of water spilling
on his poor ankle-joint,
He'll be glad to see you again. Well, pack your things.' She gathered
Her blanked face to some show of life. 'Look around at this
country. Oh Reave. Reave. Look. I let him
Take me here at last. And he hasn't been always perfectly kind:
but since I’ve been living with him I love him . . .
My heart would break if I tried to tell you how much. I'm not
ashamed. There was something in me that didn't
Know about love until I was living with him. I kissed him, when
he went back to work this noon.
I didn't know you were corning; forgot you were coming sometime.
See how it is. No: I understand:
You won't take me.' He, astonished: 'Not take you? After hunting
you a whole year? You dream too much, Helen.
It makes you lovely in a way, but it clouds your mind. You must
distinguish. All this misfortune of yours
Probably . . .' 'Oh God,' she said, shuddering,
'Will you preach too? First listen to me: I tell you all the other
joys I’ve ever known in my life
Were dust to this . . . misfortune; the desert sun out there is a
crow's wing against the brightness of this . . .
Misfortune: Oh I didn't mean, dear,
To make you angry.' She was suddenly kneeling to him and
pressed her face
On his hard thigh: 'I know Pve been wicked, Reave.
You must leave me in the dirt for a bad woman: the women here
See the marks of it, look sidelings at me.
I'll still believe you used to love me a little,
But now of course
You wouldn't want for a wife ... a handkerchief
You lost and another man picked me up and
Wiped his mouth. Oh there may have been many
Other men. In a year: you can't tell.
Your mother is strong and always rightly despised me.
She'd spit on me if she saw me now. So now
You'll simply cast me off; you're strong, like your mother,
And when you see that a thing's perfectly worthless
You can pick it out of your thoughts. Don't forgive me. I only
Pray you to hate me. Say 'She's no good. To hell with her!
That's the mercy I pray you for.' He said hastily, 'Get up,
This is no theater. I intend to take you back, Helen,
I never was very angry at you, remembering
That a. woman's more like a child, besides you were muddled
With imaginations and foolish reading. So we'll shut this bad year
In a box of silence and drown it out of our minds.' She stood
away from him toward the farther wall
With a sharp white face, like a knife-blade worn thin and hollow
with too much whetting, and said, turning her face
Toward the window, 'How do I know that he can compel me?
He can torment us, but there's no law
To give me to him. You can't take me against my will. No: I
won't go. Do you think you're God,
And we have to do what you want?' He said, 'You'll go all
right.' She, laughing, 'At last you've struck something
Stiffer than you. Reave, that stubborn will
Is not strength but disease, I've always known it, like the slow
You hear about, that turns a man's flesh to bone,
The willing muscles and fibers little by little
Grow hard and helpless, at last you can't dent them, nothing will move,
He lands in a tent beside the circus, with a painting of him
Over the door and people pay ten cents
To see the petrified man: that's your stubbornness,
Your mind sets and can't change, you don't go on
Because you want to but because you have to, I pity you,
But here you're stopped.' Suddenly she trembled and shrank
little again. '7f you could take me
I'd stab you in bed sleeping.' 'You know,' he answered,
'You're talking foolishness. I have to see Armstrong before we go,
When he quits work, I guess there's a couple of hours, but you'd
best get ready.' 'Why must you see ... Rick?'
Reave made no answer, Helen covertly watched him, slowly the
metal temper failed from her face.
'I'll go,' she said faintly, 'and tell him.' 'You'll stay here.' 'Reave?
Reave. You said you weren't angry.' 'Not at you. If I'd anyone
To help me, I'd send you off first. Walked around like a man,
Was a male bitch . . .' 'I led him, I called him, I did it.
It's all mine.' 'What?' 'The blame, the blame, the blame,
I planned it, all mine, I did it, Reave.' A white speck glittered
At the commissure of his lips, he licked his lips
As if he were thirsty and said difficultly, 'I've had a
Year to think about it: have to have relief, you're
Let off, keep still.' She felt his eyes
Craftily avoiding hers, and something monstrous in him moulding
the mass of his body to a coarsened
More apelike form, that a moment appeared and then was
cramped back to human: her image-making mind beheld
Her lover go under the hammers of this coarse power, his face
running thick blood turn up at last
Like a drowning man's, before he went down the darkness, all his
gay bravery crushed made horrible submission:
With any warning or whatever weapons he'd be like a bird in a
dog's mouth, Reave had all the strength,
Would fight foul, with all means and no mercy: 'Oh, Oh, take
me with you
If you want me, but now. Before he comes.
How could I look at him again if I'm going to leave him? You
That's too much to ask me, to stand between you
Like a cow between the brown bull and the white one.
In spite of all I'm not so ... shameless as ...
You think.' He made a questioning noise, 'Hm?' and she thinking
He'd failed to hear: 'I'll go and live with you
If you'll take me now. I can't face Rick, not wait for Rick,'
She said, weaving and parting the fingers
Of her two supplicant hands. She essayed more words,
But only the lips and no voice made them, then again
Breath filled the words, 'I've done wickedly, I'm sorry.
I will obey you now.' His eyes were hidden
While he considered, all at once he said joyfully
'Pack then.' 'Me, not my things: there's nothing.' 'Then come.'
She followed him; suddenly in the doorway she dropped
And kissed the threshold.
Thurso watched and said nothing;
She got up and walked at his side in the hot white dust by the
row of small cabins,
The wood of their doors and walls was worn to the look of seadrift
by the desert sand-scour. Suddenly Helen
Laughed like the bitter crying of a killdeer when someone walks
near the nest, 'My God, Reave, have you come for me
In the old wreck of a farm-truck, will it still run?' 'What else?
We haven't got rich, we haven't bought cars
While I've been away from home hunting you.' 'The pigs and
I,' she cried shrilly. Reave nodded, and went to the door
Of the last cabin, and said to the woman to whom he had spoken
before: 'I'm taking my wife home.
This woman's my wife. When Armstrong comes, tell that bastard
We're going west. He's got a car.' Helen cried, 'Oh, cheat, cheat,
Will you tole him after you?' He said heavily. 'What do you mean?
Come on,' and so holding her wrist that the bones ached
Drew her to the car. She had yielded and was subject to him,
She could imagine no recourse, her mind palsied
Like the wrist-clenched hand.
After twenty miles he turned
The carbureter-connection, slyly regarding
His seat-mate, she fogged with misery observed nothing.
The engine went lame, 'What's the matter?' he said, turning
The carbureter-connection; the engine stalled.
He lifted the hood and made the motions of helplessness,
Looking up sometimes at Helen, who sat in the dust on the high
seat on the folded blanket,
Her face in her hands. 'We're stuck here,' Thurso said. 'Well,
we have water.' She dropped her hands from her face
And stared at the road ahead; then she began to see the desert
about them, the unending incandescent
Plain of white dust, stippled with exact placing of small gray
plants, each tuft a painfully measured
Far distance from every other and so apparently forever, all
wavering under the rage of the sun,
A perfect arena for the man's cruelty; but now she was helpless.
Still Armstrong failed to come; Helen awoke again
From blind misery, and watched Reave's nerves
Growing brittle while the sun sailed west. He babbled childlike
About cattle and pastures, things unreal, unimaginable,
In the white anguish here; his hands quivered,
And the sun sank.
In the night Helen revived
Enough to make action appear possible again.
She crept stealthily away in the starry darkness
Thinking Reave slept; when he spoke she tried to run,
Her thighs and calves were like hollow water, he followed
And brought her back through the vast unnatural pallor of the night,
Rough-handed, but only saying 'You're too restless.' She writhed
her hands together like bitter flames and lay down
On the spread blanket. After while she lay face upward. Those
foam-bubbles on the stale water of night
Were floating stars, what did it matter, which of two men?
Yesterday the one had been lovely and the other
Came in like ugly death, but difference had died. Rick Armstrong
must have made some ridiculous plan
For heading them off or else he'd have come. Perhaps he thought
she went willingly. Why not? 'I go with you willingly,'
She said aloud, 'dear, do you hear me? I've shot my load of
feeling, there's nothing left in the world
Worth thinking twice. We'll crawl home to our hole.'
He answered, 'I can't believe he's a coward: he'll come in the
morning.' 'I dread death
More than your mother's eyes,' she answered. 'I'm the coward
or I'd kill myself. Dear, I fear death
More than I hate this dishwater broth of life. A bowlful a day, O
God! Do the stars look
Like lonely and pretty sparkles when you look up?
They look to me like bubbles of grease on cold
Dishwater.' He said, 'Sleep, you’ll feel better.' He heard her
And twisting her body on the sand while the night waned.
He got up and stood beside her and said anxiously,
'I was to blame too, Helen. Part of the blame
Is mine, Helen. I didn't show enough love,
Nor do often enough
What women want. Maybe it made your life
Seem empty. It seems ... it seems to me it wouldn't be decent
To do it just now: but I'll remember and be
Better when we get home.' She said, 'O God! Fool, fool,
A spoonful a night. Your mother was lying to you.
She knows better.'
In the morning
Thurso waited two hours from sunrise;
They had nothing to eat; Helen endured her headache, and the
Blared from the east. Reave greased the joints of the truck.
When one of those long gray desert lizards that run
With heads raised highly, scudded through the white sand,
He flung the wrench suddenly and broke its back
And said 'He won't come then. My God, Helen,
Was he tired of you? He won't come.' She watched her husband
Pick up the wrench and batter that broken life,
Still lifting up its head at him, into the sand. He saw the yellow
Grains of fat in the red flesh and said,
'Come here, Helen. Yellow you see, yellow you see.
Your friend makes us all vile.' She understood
That 'yellow' meant cowardly, and that this was Armstrong
Battered to a cake of blood.
They drove west
Through the white land; the heat and the light increased,
At length around a ridge of ancient black lava
Appeared a place of dust where food could be bought, but Helen
Would eat nothing. In the evening they came
Among fantastic Joshua-trees to a neat
Framed square of cabins at the foot of a mountain
Like a skeleton; seeing Helen so white and sick,
And the motor misfiring, Reave chose to lodge at this camp.
He'd tinker the engine while there was daylight. He found the timer
Choked up with drift of the desert; having washed it with gasoline
and heard the cylinders
Roar cheerfully again, he returned to Helen.
She was not in the cabin,
But sat with chance companions on a painted bench under the
boughs of one of those reptilian trees
Near the camp entrance; no longer white and morose, her face
was flushed, her eyes sparkling with darkness
In the purple evening that washed the mountain. Before he came
she was saying, 'My husband just doesn't care
What anyone thinks: he said, all right, if I wanted to see the
desert, but he wouldn't take either one
Of our new cars to be spoiled, he'd drive the old farmtruck . . .'
Seeing Reave approaching, greased black to the elbows, 'Oh, Oh,
What's he been doing? Oh: it's black, I think? Dear, I felt better
When the sun went down.' He, staring at her companions:
'That's good.' 'They call it desert fever,' she stammered.
'The heat's the cause.' She stood up, giggling and swaying.
'Was nearly exhausted, they gave me a little medicine.
Nice people.' 'What did you give her?' 'She begged for a tablespoonful,'
the old woman answered, 'Texas corn-whiskey.
Are you going west?' Helen said gravely, 'A spoonful a night:
O God!' 'She's eaten nothing,' Reave said,
'Since yesterday. Come and lie down, Helen.' She obeyed, walking
unsteadily beside him, with terrified eyes.
'Dear, please don't touch me, your hands are terrible,' she said.
'They think you killed him.'
He made her lie down on the bed while he washed himself.
She wept and said, 'I always make friends easily.
I used to be full of joy. Now my wishes
Or your own soul will destroy you when you get home.
I'd give my life to save you.' He groaned angrily,
But she was unable to be silent and said:
'I think you're even worse hurt than I am. Were you ever on a ship?
This place is like a ship, everything smells
In spite of neatness, and I am desert-sick.
Oh, Reave, I never dreamed that you'd be deep-wounded.
Forgive me dear.' He violently: 'Lick your own sores.
The man was my friend and that degrades me: but you’ve
Slept with him. You couldn't help but have learned him
In a year's familiar life and I've been thinking
That whores you, because no woman can love a coward,
And still you stayed . . .' 'For his money, for his money you know,'
She answered through chattering teeth, 'and the fine house
You found me in among the rich gardens, the jewels and furs,
Necklaces of pearls like round zeroes, all these hangings of gold
That make me heavy . . .' 'Ah,' he said, 'be quiet.' He went
out, and returning after a time with a tray of food
Lighted the lamp and cut meat in small bites and forced her to
eat. 'Dear,' she mourned, 'I can't swallow
Though I chew and chew. The rocking of the ship and the hot
smell close up my throat. Oh be patient with me.
When we land I'll feel better,' her deep-colored eyes moving in
sickly rhythm to the roll of the ship,
He said 'You're in the desert: an auto-camp by the road. Wake
up and eat.' She sat up on the bed
And looked anxiously about the bleak lamplight, then took the tray
And obeyed his will. 'I thought you were my dad.
Once we travelled on a boat from the south
To San Francisco. I expect I saw from the deck the Mill Creek
mountains and never
Guessed,' she said, shuddering. While she ate she began to fear
That people who were going to die dreamed of a ship
The night before. The truck would be overturned
And crush her body in the sand like that lizard's,
A tire would have burst.
Against the black horror of death
All living miseries looked sweet; in a moment of aimless
Wild anguish she was unable not to cry out, and said:
'Ah, Ah, what have you done, tearing me from him? I love him,
Maybe he's cowardly or maybe he's only tired of me, but if he's
yellow to the bones, if he's yellower than gold,
I love him, you know.
If I were crushed in the sand like that lizard you killed, to a cake
of blood why not? for I think you'll
Do it sometime the sun would dry me and my dust would blow
to his feet: if I were dead in the desert
And he drowned in the middle ocean toward Asia, yet something
and something from us would climb like white
Fires up the sky and twine high shining wings in the hollow sky:
while you in your grave lie stuck
Like a stone in a ditch.' He, frowning: 'Have you finished?'
He took the tray and said, 'Have you had enough?'
'Never enough. Dear, give me back to him. I can't think yet
That you understand,' she said slyly and trembling.
'Don't you care, that he and I have made love together
In the mountains and in the city and in the desert,
And once at a Navajo shepherd's camp in the desert in a storm of
Playing through the cracks of the shed: can you wink and
All that?' 'I can't help it. You've played the beast.
But you are my goods and you'll be guarded, your filthy time
Has closed. Now keep still.'
She was silent and restless for a good while.
He said, 'You'll be sleeping soon, and you need sleep.
I'll go outside while you get ready for bed.'
'Let me speak, just a little,' she said humbly.
'Please, Reave, won't you leave me here in the morning, I'll
You're too strong for us, but, dear, be merciful.
I think you don't greatly want me: what you love really
Is something to track down: your mountains are full of deer:
Oh, hunt some bleeding doe. I truly love you.
I always thought of you as a dear, dear friend
When even we were hiding from you.' He was astonished
To see her undress while she was speaking to him,
She seemed to regard him as a mere object, a keeper,
But nothing human. 'And Rick Armstrong,' she said,
'I can't be sure that I love him: dear, I don't know
That I'll go back to him; but I must have freedom, I must have
If only to die in, it comes too late . . .'
She turned her back and slipped off the undergarment
And glided into the bed. She was beautiful still,
The smooth fluted back and lovely long tapering legs not
Nor the supple motions; nor that recklessness
Of what Thurso called modesty was any change;
She never tried to conceal her body from him
Since they were married, but always thoughtless and natural;
And nestled her head in the pillow when she lay down
With little nods, the tender way he remembered:
So that a wave of compassionate love
Dissolved his heart: he thought, 'Dearest, I've done
Brutally: I'll not keep you against your will.
But you must promise to write to me for help
When you leave that cur.' He made the words in his mind
And began to say: 'Dearest . . .' but nothing further
Had meaning in it, mere jargon of mutterings, the mouth's refusal
Of the mind's surrender; and his mind flung up a memory
Of that poor dead man, his father, with the sad beaten face
When the lime-kilns failed: that man yielded and was beaten,
A man mustn't be beaten. But Helen hearing
The 'dearest,' and the changed voice, wishfully
Lifted her head, and the great violet eyes
Sucked at Reave's face. 'No,' he said. He blew out the lamp,
Resolved to make this night a new marriage night
And undo their separation. She bitterly submitted;
'I can bear this: it doesn't matter: I'll never tell him.
I feel the ship sailing to a bad place. Reave, I'm so tired
That I shall die. If my wrist were broken
You wouldn't take my hand and arm in your hands
And wriggle the bones for pleasure? You're doing that
With a worse wound.' Her mind had many layers;
The vocal one was busy with anguish, and others
Finding a satisfaction in martyrdom
Enjoyed its outcry; the mass of her mind
Remained apparently quite neutral, under a familiar
Embrace without sting, without savor, without significance,
Except that this breast was hairier.
They drove through the two
deserts and arrived home. Helen went in
With whetted nerves for the war with Reave's mother, resolving
Not to be humble at least; but instead of the sharp old woman a
With yellow hair and pleated excess of clothing stood up in the
room; and blushed and whitened, anxiously
Gazing, clasping thin hands together. Reave said, 'It's Hester
Clark.' And to Hester Clark: 'Tell Olvidia
To count two more for supper; my wife and I have come home.'
She answered, 'Oh yes,' fleeing. Then Helen:
'What's this little thing? Why does it wear my dress?' 'She's
only hemmed it over,' he said, 'at the edges.
Have it again if you want, I had to find something for her.' His
mother was heard on the stair, and entering
Looked hard at Helen and went and kissed Reave. Who said, 'I
shall stay at home now, mother: Helen's come home.'
'Yes. How do you do.' Her red-brown eyes brushed Helen's
body from the neck to the ankles, 'I'll have them heat
Bathwater.' Helen trembled and said, 'How kind. There are
showers in all the camps: if you mean anything else:
Reave seems content.' 'Very well. He's easily of course contented.
He picks up things by the road: one of them
I've allowed to live here: to speak honestly
In hope to keep his mind off another woman: but that cramps
and can't change.' 'If I knew what I want!'
Helen cried suddenly. 'The girl is a servant here,' Reave said.
'I hate the spitefulness of women. The housework
Needed help when you were not here.' Then Helen: 'She's quite
sick I think: she'll have to clear out I think.
Yet something in me felt kindly toward that little wax face
In my old clothes. I came home against my will. Why isn't Mark
here?' The far door opened for Olvidia,
Unable to imagine any pretext for entrance, but unable to bridle
Of coming, to stare and smile from flat black eyes. Behind her
Johnny Luna was seen peering, but dared not enter.
Then Helen wondered, where was that thin little thing?
Crying somewhere? And Reave's mother said: 'Now you'll cut down
The old cable, as you promised, Reave. We're tired of seeing it.
You'll have time now.' He answered, 'Where's Mark, mother?
Helen just asked you.' 'I heard her.
Sitting under a bush on the
Lessons are not given, they are taken.
I like long walks, especially when they are taken by people who annoy me.
The Social Sciences are good at accounting for disasters once they have taken place.
When people are taken out of their depths they lose their heads, no matter how charming a bluff they may put up.
Be poor to get love.
She loves and helps her sister poorer;
Her sister loves and helps her brother, still poorer.
We love kin till they are poorer than us.