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When Will It End

when will this pain end
of you lieing
and hurting me
when will it end
die forever
do you love hurting me?


i dont want to leave you
i love you so much
or is it?
that im afraid to leave you
when will it end
you make me feel so bad to the point
that a slap or a beating
will make my mouth go quiet
and do what you say

when will it end
that i can be free
the pain you have given me
the bumps and bruses
i cant take this pain


we are not marryed
we have no kids
whats going on that i can break free
let me go
stop hurting me

dont hit me anymore
baby im sorry i never ment to
baby stop

those words never work
you dont see how i feel
why am i still here
with you
beside you


while you hurt and beat me
WHEN will this pain end? ?
maybe when im dead and im no longer here
for you to make hurt


thats when the pain will end

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I Dont Stop Rappin

Dont stop
Dont stop that rap
Too short
And I dont stop rappin
Just dont stop
Too short
I dont stop rappin
Dont stop that rap
Well Im sir too short
The true mc
Fresh again with the brand new beat
The big bank roller, I know whats happening
I get on the mike and I dont stop rappin
Dont stop
Dont stop that rap
Too short
I dont stop rappin
My rap dont stop, you know it cant
I get on the mic and I make big bank
Unlike some rappers that I know
Trying to get no, but that dont go
Im that rapper, sir too short
I know youve heard my name before
And if you havent, now you have
Sir too short dont stop that rap
Dont stop
I dont stop rappin
Too short
Dont stop that rap
Im so rough so tough when I talk my stuff
I dont stop rappin cuz Im too tough
Telling you rappers what its all about
Most mcs are played out
But not too short, Im the best
You know too short is so so fresh
If thats not short, your mind is snapping
The best is fresh cause I dont stop rappin
Dont stop
Dont stop rappin
Too short
I dont stop rappin
Im sir too short, the rapping man
Im a cold mc and I know I am
Im the big time rapper from east oakland
Into music and making fans
I love young ladies who love my rhymes
Cuz what they say is right on time
The only mc with fresh hits
Its sir too short, he never quits
Thats so so true, what they say

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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

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Dont Stop til You Get Enough

Written and composed by michael jackson, 1979.
1st verse
Lovely is the feelin now
Fever, temperatures risin now
Power (ah power) is the force the vow that makes it happen it asks no questions why (ooh)
So get closer (closer now) to my body now just love me til you dont know how (ooh)
Chorus
Keep on with the force dont stop
Dont stop til you get enough
Keep on with the force dont stop
Dont stop til you get enough
Keep on with the force dont stop
Dont stop til you get enough
Keep on with the force dont stop
Dont stop til you get enough
2nd verse
Touch me and I feel on fire
Aint nothin like a love desire (ooh)
Im melting (Im melting) like hot candle wax sensation (ah sensation) lovely where were
At (ooh) so let love take us through the hours I wont be complanin cause this is love
Power (ooh)
Chorus
Keep on with the force dont stop
Dont stop til you get enough
Keep on with the force dont stop
Dont stop til you get enough
Keep on with the force dont stop
Dont stop til you get enough
Keep on with the force dont stop
Dont stop til you get enough
(ooh)
3rd verse
Heartbreak enemy despise
Eternal (ah eternal) love shines in my eyes (ooh) so let love take us through the hours i
Wont be complanin (no no)
cause your love is alright, alright
Chorus
Keep on with the force dont stop
Dont stop til you get enough
Keep on with the force dont stop
Dont stop til you get enough
Keep on with the force dont stop
Dont stop til you get enough
Keep on with the force dont stop
Dont stop til you get enough
Keep on with the force dont stop
Dont stop til you get enough
Keep on with the force dont stop
Dont stop til you get enough
Keep on with the force dont stop

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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Dont Cha Stop

Right here Id like to melt inside of you
Right here you kiss is totally new
Right here your hands are soft and creamy
Right here your mouth is wet and dreamy
And its just what I like
So dim down the light
(dont cha stop dont cha stop)
(dont cha stop dont cha stop)
If it makes you feel good
(dont cha stop dont cha stop)
(dont cha stop dont cha stop)
(dont cha stop dont cha stop)
(dont cha stop dont cha stop)
Your rhapsody is blowing my cool-ool
Your fantasies there written for fools
Your long black hair tickles my skin skin
It feels so luscious come on do it again, oh yeah
And its just what I like
Dim down the light
(dont cha stop dont cha stop)
(dont cha stop dont cha stop)
If it makes you feel good
(dont cha stop dont cha stop)
(dont cha stop dont cha stop)
If it makes you feel good
(dont cha stop dont cha stop)
(dont cha stop dont cha stop)
If it makes you feel good, good,
Good, good, good
Dont cha stop dont cha stop
A dont cha stop if it makes you feel
Good, good, good
Oo dont cha stop dont cha stop
(dont cha stop dont cha stop)
(dont cha stop dont cha stop)
Dont you stop dont cha stop
If it makes you feel
Good, good, good
Good, good, good
Good, good, good
Dont cha stop
(dont cha stop dont cha stop)
(dont cha stop dont cha stop)
[repeat-fade]

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Afrikaans: Sterregordels, Stilsonjare, Tydsbroekspypdinge, Haarsliert

Sterregordels

Cosmology in Afrikaans is an ode to joy, the
terms form sing-song strings with delightful
sounds “ewigbewegende elektron”
continuously spinning electron

“elektron in die hart van die atoomkorrel”
electron in the centre of the atom particle
- what a song!

“Triljoene Melkwegstelsels waaromheen ons
Melkweg elke tweehonderdmiljoenjaar
wentel – ‘n mallemeule van sterregordels…”

“Dobberende patrone, mesone en elektrone,
'n konfigurasie van konvekse novae”…

- these terms are singing to me!

A merry-go-round of star systems

Quotes from Adriaan Snyman “Die Messias Kode” (The Messiah Code) pp.9,10


Bombardement Van Frekwensies (English Explanation)

Waarmee sal ek hierdie leë oomblikke,
ankerloos, betekenisloos; aan die ewigheid
vasmaak - die gevoelsruimte in my hart

Is leeg, alle gevoel en denke het gesamentlik
in die donker duisternis van my brein ingeval
‘n laserbrein wat die hologramwêreld

Self moet konsituteer uit ‘n bombardement
van betekenislose frekwensies – maar
vandag is die ligstraalfokus uit

My pendulumgedagtes swaai ongefokus rond
die opgerolde, ingevoude ses-en-twintig of
meer dimensies van die virtuele werklikheid

Wil nie vir my oopgaan nie…


All thought and feeling fell into the black hole in my brain and the twenty-six or more rolled-up frequencies of reality does not want to open for me today…


Geloof In Liefde - Faith In Love

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Getting Over Bumps And Humps

Getting over bumps and humps...
Is not easy.
Taking a leap that's jumped...
With a wish pushed done by winds.

Getting over bumps and humps...
Is not easy.
For the one who seeks to see,
All their needs pleased.

Getting over bumps and humps...
Is not easy.
Taking a leap that's jumped...
With a wish pushed done by winds.

Getting over bumps and humps...
Is not easy.
For the one who seeks to see,
All their needs pleased.

It pays to face mistakes,
When getting over bumps and humps.
With a faith that's dedicated.
Getting over bumps and humps...
One should never turn away,
Hoping troubles fade.
No!

Getting over bumps and humps...
Is not easy.
Taking a leap that's jumped...
With a wish pushed done by winds.

Getting over bumps and humps...
Is not easy.
For the one who seeks to see,
All their needs pleased.

With a faith that's dedicated.
One can rid their junk.
Knowing it's not there to stay.
Getting over bumps and humps...
Is not easy.
For the one who seeks to see,
All their needs pleased.

It pays to face mistakes,
When getting over bumps and humps.
With a faith that's dedicated.
Getting over bumps and humps...

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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Tamar

I
A night the half-moon was like a dancing-girl,
No, like a drunkard's last half-dollar
Shoved on the polished bar of the eastern hill-range,
Young Cauldwell rode his pony along the sea-cliff;
When she stopped, spurred; when she trembled, drove
The teeth of the little jagged wheels so deep
They tasted blood; the mare with four slim hooves
On a foot of ground pivoted like a top,
Jumped from the crumble of sod, went down, caught, slipped;
Then, the quick frenzy finished, stiffening herself
Slid with her drunken rider down the ledges,
Shot from sheer rock and broke
Her life out on the rounded tidal boulders.

The night you know accepted with no show of emotion the little
accident; grave Orion
Moved northwest from the naked shore, the moon moved to
meridian, the slow pulse of the ocean
Beat, the slow tide came in across the slippery stones; it drowned
the dead mare's muzzle and sluggishly
Felt for the rider; Cauldwell’s sleepy soul came back from the
blind course curious to know
What sea-cold fingers tapped the walls of its deserted ruin.
Pain, pain and faintness, crushing
Weights, and a vain desire to vomit, and soon again
die icy fingers, they had crept over the loose hand and lay in the
hair now. He rolled sidewise
Against mountains of weight and for another half-hour lay still.
With a gush of liquid noises
The wave covered him head and all, his body
Crawled without consciousness and like a creature with no bones,
a seaworm, lifted its face
Above the sea-wrack of a stone; then a white twilight grew about
the moon, and above
The ancient water, the everlasting repetition of the dawn. You
shipwrecked horseman
So many and still so many and now for you the last. But when it
grew daylight
He grew quite conscious; broken ends of bone ground on each
other among the working fibers
While by half-inches he was drawing himself out of the seawrack
up to sandy granite,
Out of the tide's path. Where the thin ledge tailed into flat cliff
he fell asleep. . . .
Far seaward
The daylight moon hung like a slip of cloud against the horizon.
The tide was ebbing
From the dead horse and the black belt of sea-growth. Cauldwell
seemed to have felt her crying beside him,

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Dont Stop

The clock is ticking, and Im here wishing
This new found love will find no end
Dont wanna feel, another feeling
Dont wanna know what time will send
I wanna stop, the earth from turning,
The rain from falling,
The wind from blowing
But dont stop (stop), the love from growing, keep that river flowing
We can find a way
Dont stop (stop), the love from showing
I dont want tomorrow, just give me today
Dont stop (stop), stop the hands of time
Hold back the time
And make forever, the same as the moment I felt your love
Youve touched my heart
Erase the pain, the memories, and mistakes I made
Stop, the earth from turning, the rain from falling, the wind from blowing
But dont stop (stop), the love from growing, keep that river flowing
We can find a way
Dont stop (stop), the love from showing
I dont want tomorrow, just give me today
Dont stop (stop), the flame from burning
Stop tomorrows hurting, from seeing the light
Dont stop (stop), my heart from beating
Keep the time from fleeting, into the night
Cant think about tomorrows fears, cause today is here to stay
Clear away all of yesterdays tears, theres nothing to block our way
Stop, the earth from turning, the rain from falling, the wind from blowing, the sun from shining
Cant find the reason, another season
Could never match a love so pleasin
Dont let it go, no, no, no, no, no
Dont stop (stop), the love from growing, keep that river flowing
We can find a way
Dont stop (stop), the love from showing
I dont want tomorrow, just give me today
Dont stop (stop), the flame from burning
Stop tomorrows hurting, from seeing the light
Dont stop (stop)
My heart from beating, keep the time from fleeting, into the night
Dont stop (stop), the love from growing, keep that river flowing
We can find a way
Dont stop (stop), the love from showing
I dont want tomorrow, just give me today
Dont stop the love, stop the time, another day, to keep you mine
Dont stop the love, stop the time, another, to keep you mine

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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

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The Undying One- Canto III

'THERE is a sound the autumn wind doth make
Howling and moaning, listlessly and low:
Methinks that to a heart that ought to break
All the earth's voices seem to murmur so.
The visions that crost
Our path in light--
The things that we lost
In the dim dark night--
The faces for which we vainly yearn--
The voices whose tones will not return--
That low sad wailing breeze doth bring
Borne on its swift and rushing wing.
Have ye sat alone when that wind was loud,
And the moon shone dim from the wintry cloud?
When the fire was quench'd on your lonely hearth,
And the voices were still which spoke of mirth?

If such an evening, tho' but one,
It hath been yours to spend alone--
Never,--though years may roll along
Cheer'd by the merry dance and song;
Though you mark'd not that bleak wind's sound before,
When louder perchance it used to roar--
Never shall sound of that wintry gale
Be aught to you but a voice of wail!
So o'er the careless heart and eye
The storms of the world go sweeping by;
But oh! when once we have learn'd to weep,
Well doth sorrow his stern watch keep.
Let one of our airy joys decay--
Let one of our blossoms fade away--
And all the griefs that others share
Seem ours, as well as theirs, to bear:
And the sound of wail, like that rushing wind
Shall bring all our own deep woe to mind!

'I went through the world, but I paused not now
At the gladsome heart and the joyous brow:
I went through the world, and I stay'd to mark
Where the heart was sore, and the spirit dark:
And the grief of others, though sad to see,
Was fraught with a demon's joy to me!

'I saw the inconstant lover come to take
Farewell of her he loved in better days,
And, coldly careless, watch the heart-strings break--
Which beat so fondly at his words of praise.
She was a faded, painted, guilt-bow'd thing,
Seeking to mock the hues of early spring,
When misery and years had done their worst

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Beat Of Love

This is for the ones
That like to party till dawn
And the beat wont stop
Till the last one drops
And the people wont stay
If the dj dont play
This if for the ones
Who like to really have fun
And the bad girls do
What the bad boys want to
And the good girls dont
And the good guys really want to
But theyre scared
Whats the world without a beat of love
I dont know but its no place of mine
And that place Ill never be
Whats the world without a beat of love
I dont know cause my hearts beating fine
Thumpin bumpin
This is for the old
And the new school too
From the beat box sands
To the hip hop waste land
From the house of blues
To the jazzy and the cool
This is for the world
Or wherever you are
On the sun or moon
Or in between those two
You are never too far
To connect with all of us
From which you stand
Whats the world without a beat of love
I dont know but its no place of mine
And that place Ill never be
Whats the world without a beat of love
I dont know cause my hearts beating fine
Thumpin bumpin
Whats the world without a beat of love
I dont know but its no place of mine
And that place Ill never be be
Whats the world without a beat of love
I dont know cause my hearts beating fine
And it beats on time
This is for the year
And the years to come
So lets celebrate
And let us elevate our fellow mankind
Its purposive love through others
Human waste

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I Cant Stop Hurting You

She looked at me with eyes that cut right through me and said
You must be blind
Let me tell you a little something about yourself
Youre the hurtin kind
I must admit after the pain and fight
Ive a sneaking suspicion that you might be right
I love you, I love you, I love you
But I cant stop hurting you
I want to, I want to
I cant stop hurting you
I cant, I cant
I cant stop hurting you, its getting bad
I dont know what to do
I see you packing up all your precious little things
That mean so much to you
I hurt you now youre moving out again
But we know just what youll do
Well see the error of our ways in crime
With conciliatory promises well change this time
I love you, I love you, I love you
But I cant stop hurting you
I want to, I want to
I cant stop hurting you
I cant, I cant
I cant stop hurting you, its getting bad
I dont know what to do
I love you, I love you
I cant stop hurting you
I need to, I need to
I cant stop hurting you
I cant, I cant
I cant stop hurting you
Its getting bad, I dont know what to do
And when you go I miss you all night
The wounds heal from the scratch and bite
I dont know whats wrong
I dont know whats right
But I cant stop hurting you
I cant stop hurting you
We talk so coolly about the pros and cons
When I get hot headed I just cant hold on
I love you, I love you, I love you
I cant stop hurting you
I need to, I need to
I cant stop hurting you
I cant, I cant
I cant stop hurting you
Its getting bad, I dont know what to do

song performed by Rick SpringfieldReport problemRelated quotes
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Dont Stop Now

Whispering those words that make my mind ?
? so fast that itll find no ending
I ? to a feeling that I cant name love
My eyes are closed but I ? no use pretending
Outside my head I see I feel ? dont mind
The beatings getting strong
And I dont stop now, baby
Can you take me higher that Ive never been
Those things are all around and I dont stop,
Dont stop now
Dont stop now
Have my mind, cant help it, wonder why
My body is aching for you all the time ? your love Im ?
Oh so high Im ?
You are ? me moving
From your stop
Dont stop now
Dont stop now
Dont stop now
Whispering those words that make my mind ? ?
? ? ? so fast that itll find no ending
? ? feeling that I cant name love
My eyes are closed but I ? ? ? no use pretending
Outside my head I see ? ? ? ?
The beatings getting strong and I dont stop now, baby
Can you take me higher that Ive never been ?
Those things are all around and I dont stop,
Dont stop now (dont stop now, baby)
Dont stop now (dont stop now, baby)
Have my mind, cant help it, wonder why
My body is aching for you all the time ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ?
Dont stop now (dont stop now, baby)
Dont stop now (baby)
Dont stop now (dont stop now, baby)
Dont stop now (dont stop now, baby)
Dont stop now (baby)
Dont stop now (dont stop, dont stop now, baby)
Dont stop now (dont stop now, baby)
Dont stop now (dont stop now, baby)
Dont stop now (dont stop now, baby)
Dont stop now

song performed by Gloria EstefanReport problemRelated quotes
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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip ofwhy, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

[...] Read more

poem by from The Ring and the BookReport problemRelated quotes
Added by Veronica Serbanoiu
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For Them It's Automatic

People lie and they like it...
Just that way.
People lie out of habit,
Like a sport...
To play!

It is in their eyes as if there's something to hide!
And there are those people lieing to defy with denying.
People lie and they like it...
Everyday.
People lie out of habit,
And it's here to stay!

It's in their eyes as if there's something to hide!
And there are those people lieing defying to deny,
They are lieing out of habit since for them it's automatic.
People lie and they like it...
Just that way.
Lieing out of habit since for them it's automatic.

People lie and they like it...
Everyday.
Lieing out of habit since for them it's automatic.
People lie and they like it...
Just that way.
Lieing out of habit since for them it's automatic.

It's in their eyes as if there's something to hide!
Lieing out of habit since for them it's automatic.
People lie and think,
They're in disguise.
And lieing out of habit since for them it's automatic.

People lie and think,
They're in disguise.
And lieing out of habit since for them it's automatic.
And lieing out of habit since for them it's automatic.

poem by Report problemRelated quotes
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Give Your Heart To The Hawks

1 he apples hung until a wind at the equinox,

That heaped the beach with black weed, filled the dry grass

Under the old trees with rosy fruit.

In the morning Fayne Fraser gathered the sound ones into a

basket,

The bruised ones into a pan. One place they lay so thickly
She knelt to reach them.

Her husband's brother passing
Along the broken fence of the stubble-field,
His quick brown eyes took in one moving glance
A little gopher-snake at his feet flowing through the stubble
To gain the fence, and Fayne crouched after apples
With her mop of red hair like a glowing coal
Against the shadow in the garden. The small shapely reptile
Flowed into a thicket of dead thistle-stalks
Around a fence-post, but its tail was not hidden.
The young man drew it all out, and as the coil
Whipped over his wrist, smiled at it; he stepped carefully
Across the sag of the wire. When Fayne looked up
His hand was hidden; she looked over her shoulder
And twitched her sunburnt lips from small white teeth
To answer the spark of malice in his eyes, but turned
To the apples, intent again. Michael looked down
At her white neck, rarely touched by the sun,
But now the cinnabar-colored hair fell off from it;
And her shoulders in the light-blue shirt, and long legs like a boy's
Bare-ankled in blue-jean trousers, the country wear;
He stooped quietly and slipped the small cool snake
Up the blue-denim leg. Fayne screamed and writhed,
Clutching her thigh. 'Michael, you beast.' She stood up
And stroked her leg, with little sharp cries, the slender invader
Fell down her ankle.

Fayne snatched for it and missed;


Michael stood by rejoicing, his rather small

Finely cut features in a dance of delight;

Fayne with one sweep flung at his face

All the bruised and half-spoiled apples in the pan,

[...] Read more

poem by Report problemRelated quotes
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I'm Bad

bad bad bad bad bad
bad bad bad bad bad
bad bad bad bad
I was bas born
I'd be badder when I die
I'm bad when I am sober
I'm badder when I'm high
I'm when I feel good
I'm bad when I'm blue
I'm bad to myself
So I'll be bad to you
So I'll be bad to you
I should've been good
Look at the trouble I've had
I would if I could
But I'm just bad
bad bad bad bad bad
bad bad bad bad
I'm, bad and I'm alive
I'll be badder when I'm dead
I'm bad in my body
man I'm badder in the head
I'm bad in the bed
Something wrong from the start
Guilt in my mind
Evil in my heart
Evil in my heart
I don't need to be happy
I don't care if I'm sad
I don't care about nothin'
Cause I'm bad bad bad bad bad
bad bad bad bad
Don't lend me a dollar
Don't lend me a dime
Don't lend me your wife
She'll have a good time
I'm bad in my car
I'm badder when I'm home
I'm bad when I'm with you
And I'm badder all alone
I'm a low down worm
I'm a conquering worm
I'm a blood-suckin' worm
I'm a slime baitin' worm
I'll put you on the hook
And I'll watch you squirm
I could never learn
Any young turks new tricks
I could never learn
Not to kick against the pricks

[...] Read more

song performed by Violent FemmesReport problemRelated quotes
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Color

Performed by the steeles
Composed by prince
Color me black if u color me just like u
Color me angry if u color me less than I do
(whoa, whats your color? )
Yeah, whats your color?
(whoa, whats your color? )
Whats your color?
Color me happy if u teach me what I need 2 know
Color me gone if u dont, if u dont cuz every child needs 2 grow
This I know
(whoa, whats your color? )
Oh, whats your color, yeah?
I wanna know
(whoa, whats your color? )
Oh, whats your color?
Listen (listen)
Love is my color when Im shown love in return
But when I am not, its a bet u can guess what I have learned
Whats my color?
Hey
Color me green (color me green) if I cannot have what uve got
Color me blue (blue) until I do cuz the fire will shonuff be hot
Yes it will
(whoa, whats your color? )
Whats your color, yeah?
Hey yeah
(whoa, whats your color? )
Whats your color, yeah?
Oh, make me a promise (make me a promise)
Oh, make me a promise (that whatever u color me) that whatever u color me
U will at least color me then I can color u 2
Whats your color?
(whoa, whats your color? )
Whats your color, yeah?
Hey
Color
(whoa, whats your color? )
Whats your color?
(whoa, whats your color? )
Whats your color, yeah?
Whats your color?
Make it love
Whats your color?
Mine is love
(whoa, whats your color? ) yeah
(whoa, whats your color? )
Whats your color?
(whoa, whats your color? )

song performed by PrinceReport problemRelated quotes
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