Online Rumours Suggest A Daft Punk Track Titled Renoma Street
To Guy-Manuel de Homem-Christo and Thomas Bangalter.
soma loma saloma
choma sonoma
blastoma MOMA
hiroshima naoma
oklahoma nuioma
poem by Nicolas Grenier
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The Sale of Saint Thomas
A quay with vessels moored
Thomas
To India! Yea, here I may take ship;
From here the courses go over the seas,
Along which the intent prows wonderfully
Nose like lean hounds, and tack their journeys out,
Making for harbours as some sleuth was laid
For them to follow on their shifting road.
Again I front my appointed ministry. --
But why the Indian lot to me? Why mine
Such fearful gospelling? For the Lord knew
What a frail soul He gave me, and a heart
Lame and unlikely for the large events. --
And this is worse than Baghdad! though that was
A fearful brink of travel. But if the lots,
That gave to me the Indian duty, were
Shuffled by the unseen skill of Heaven, surely
That fear of mine in Baghdad was the same
Marvellous Hand working again, to guard
The landward gate of India from me. There
I stood, waiting in the weak early dawn
To start my journey; the great caravan's
Strange cattle with their snoring breaths made steam
Upon the air, and (as I thought) sadly
The beasts at market-booths and awnings gay
Of shops, the city's comfortable trade,
Lookt, and then into months of plodding lookt.
And swiftly on my brain there came a wind
Of vision; and I saw the road mapt out
Along the desert with a chalk of bones;
I saw a famine and the Afghan greed
Waiting for us, spears at our throats, all we
Made women by our hunger; and I saw
Gigantic thirst grieving our mouths with dust,
Scattering up against our breathing salt
Of blown dried dung, till the taste eat like fires
Of a wild vinegar into our sheathèd marrows;
And a sudden decay thicken'd all our bloods
As rotten leaves in fall will baulk a stream;
Then my kill'd life the muncht food of jackals. --
The wind of vision died in my brain; and lo,
The jangling of the caravan's long gait
Was small as the luting of a breeze in grass
Upon my ears. Into the waiting thirst
Camels and merchants all were gone, while I
Had been in my amazement. Was this not
A sign? God with a vision tript me, lest
Those tall fiends that ken for my approach
[...] Read more
poem by Lascelles Abercrombie
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At Hiroshima's rock
I had to do a project on Hiroshima for school and I came across a poem about helping the victims at Hiroshima. That one poem inspired me to go and write this about a victim of Hiroshima.
P.S. For those of you who don't know the Enola gay was the plane that bombed Hiroshima
In solitude I walk
Down at Hiroshima’s rock
With the wind at my back
The sky itself was jet black
As I walk
At Hiroshima’s rock
I, the white soldier
Down at Hiroshima’s rock I watch
Waiting on the world
Something will occur
For if nothing were to happen
The world would just arrest
As I walk
At Hiroshima’s rock
I, the white soldier
I hope for the best
But hoping has done nothing
It has killed my friends
It has destroyed my country
As I walk
At Hiroshima’s rock
I, the white soldier
I knew the war was on
All our support had been withdrawn
Peace was on the way
This could well be the last day
We all just want this to be over
As I walk
At Hiroshima’s rock
I, the white soldier
I saw in the distance
The gray Enola gay
I knew right then
The war wasn’t over
As I was running to the ground
I saw little boy fall from the sky
I saw a huge flash of light
Then, I saw no more
As I walked
At Hiroshima’s rock
I, the dead soldier
poem by Dillon Crawford
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Thomas the Rhymer
Part First
Ancient
True Thomas lay on Huntlie bank;
A ferlie he spied wi' his ee;
And there he saw a lady bright,
Come riding down by the Eildon Tree.
Her skirt was o the grass-green silk,
Her mantle o the velvet fyne,
At ilka tett of her horse's mane
Hang fifty siller bells and nine.
True Thomas he pulld aff his cap,
And louted low down to his knee:
'All hail, thou mighty Queen of Heaven!
For thy peer on earth I never did see.'
'O no, O no, Thomas,' she said,
'That name does not belang to me;
I am but the queen of fair Elfland,
That am hither come to visit thee.
'Harp and carp, Thomas,' she said,
'Harp and carp, along wi' me,
And if ye dare to kiss my lips,
Sure of your bodie I will be!'
'Betide me weal, betide me woe,
That weird sall never daunton me;
Syne he has kissed her rosy lips,
All underneath the Eildon Tree.
'Now, ye maun go wi me,' she said,
'True Thomas, ye maun go wi me,
And ye maun serve me seven years,
Thro weal or woe as may chance to be.'
She mounted on her milk-white steed,
She's taen True Thomas up behind,
And aye wheneer her bride rung,
The steed flew swifter than the wind.
O they rade on, and farther on -
The steed gaed swifter than the wind -
Until they reached a desart wide,
And living land was left behind.
'Light down, light down, now, True Thomas,
[...] Read more
poem by Sir Walter Scott
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The Loft of Time Looms
My pain cries
inside of me - I smother it
with alcohol; laughter; drugs;
orgasms; - the Yin-yang life,
me in the middle
Good and Evil
playing Ping-pong together...
-in a basement- Filthy Losers
'hahahahaha'-ing
squeezing cold beer onto their teeth
Hollow chugging
into their throats - Esophagus Cathedrals
-Laughing, sad men who don't know what
to say exactly - Men who avoid feelings
and Big Books at all cost
To them, touching a big book
is worse than touching
another man's cock
Men and Women, fat and sexy alike
fucking their minds stupid
fucking their veins with needles
fucking their mouthes with cigarettes
screwing themselves and stimulating
that Frontal Lobe Brain-Clit
with 'Soma' TV!
Soma Real Housewives...
(who the hell are they trying to fool? ? , ...like we don't already know ALLLLL housewives are real! !)
Soma Food
Soma Cars
Soma Iphone
Soma shitty, shallow,6th-grade level reading popularized, like Harry Potter! ! !
Soma - thank you SOOOOOO MUCH!
They hide from the Light - Its too bright.
And me as well...I can't even read Kerouac
sometimes - it makes me cry
His pure, soul-obliterating and resurrecting
visions are too intense
for an intense soul sometimes...
Soooo...
50 or 60 years after
the 6 Gallery readings
and somehow the world
has forgotten Ginsberg
-forgotten freedom
and forgotten the choices we have
[...] Read more
poem by Ray Quesada
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Im That Type Of Guy
Youre the type of guy that cant control your girl
You try to buy her love with diamonds and pearls
Im the type of guy that shows up on the scene
And gets the seven digits, you know the routine
Youre the type of guy that tells her, stay inside
While youre steady frontin in your homeboys ride
Im the type of guy that comes when you leave
Im doin your girlfriend, thats somethin you cant believe
Cause Im that type of guy
Youre the type of guy that gets suspicious
Im the type of guy that says, the puddin is delicious
Youre the type of guy that has no idea
That a sneaky, freaky brothers sneakin in from the rear
Im the type of guy to eat it, when he wont
And look in the places that your boyfriend dont
Youre the type of guy to try to call me a punk
Now knowin that your main girls bitin my chunk
Im the type of guy that loves a dedicated lady
Their boyfriends are borin, and I can drive em crazy
Youre the type of guy to give her money to shop
She gave me a sweater _kiss_ thank you, sweetheart
Im that type of guy
Im the type of guy that picks her up from work early
Takes her to breakfast, lunch, dinner, and breakfast
Youre the type of guy eatin a tv dinner
Talkin about... goddamn it, ima kill her
Im the type of guy to make her say, why youre illin, bee?
...youre the type of guy to say, my lower back is killin me
...catch my drift?
Youre the type of guy that likes to drink olde english
Im the type of guy to cold put on a pamper
Youre the type of guy to say, what you talkin bout?
Im the type of guy to leave my drawers in your hamper
Im that type of guy
Im that type of guy
You know what I mean?
Check it out...
T-y-p-e g-u-y
Im that type of guy to give you a pound and wink my eye
Like a bandit, caught me redhanded, took her for granted
But when I screwed her, you couldnt understand it
Cause youre the type of guy that dont know the time
Swearin up and down, that girls all mine
Im the type of guy to let you keep believin it
Go head to work, while I defrost it, and season it
Im that type of guy
Im that type of guy
Know what I mean
Im that type of guy
So ridiculous
[...] Read more
song performed by LL Cool J
Added by Lucian Velea
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University Of Central Florida Volleyball
universoty of fl youth summer camp
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unl forensics summer camp
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unl summer volleyball camps
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unlv national youth camp
unlv soccer camps
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unlv summer football camp 2008
[...] Read more
poem by Caasder Fronds
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The Last Rhyme Of True Thomas
The King has called for priest and cup,
The King has taken spur and blade
To dub True Thomas a belted knight,
And all for the sake o' the songs he made.
They have sought him high, they have sought him low,
They have sought him over down and lea;
They have found him by the milk-white thorn
That guards the gates o' Faerie.
'Twas bent beneath and blue above,
Their eyes were held that they might not see
The kine that grazed beneath the knowes,
Oh, they were the Queens o' Faerie!
"Now cease your song," the King he said,
"Oh, cease your song and get you dight
To vow your vow and watch your arms,
For I will dub you a belted knight.
"For I will give you a horse o' pride,
Wi' blazon and spur and page and squire;
Wi' keep and tail and seizin and law,
And land to hold at your desire."
True Thomas smiled above his harp,
And turned his face to the naked sky,
Where, blown before the wastrel wind,
The thistle-down she floated by.
"I ha' vowed my vow in another place,
And bitter oath it was on me,
I ha' watched my arms the lee-long night,
Where five-score fighting men would flee.
"My lance is tipped o' the hammered flame,
My shield is beat o' the moonlight cold;
And I won my spurs in the Middle World,
A thousand fathom beneath the mould.
"And what should I make wi' a horse o' pride,
And what should I make wi' a sword so brown,
But spill the rings o' the Gentle Folk
And flyte my kin in the Fairy Town?
"And what should I make wi' blazon and belt,
Wi' keep and tail and seizin and fee,
And what should I do wi' page and squire
That am a king in my own countrie?
[...] Read more
poem by Rudyard Kipling
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Average Guy
I aint no christian or no born again saint
I aint no cowboy or marxist d.a.
I aint no criminal or reverend cripple from the right
I am just your average guy, trying to do whats right
Im just your average guy
An average guy
I am just your average guy
Im just an average guy
Average guy, Im just your average guy
Im average looking and Im average inside
Im an average lover and I live in an average place
You wouldnt know me if you met me face to face
Im just your average guy
Average guy
Average guy
Im just an average guy
I worry about money and taxes and such
I worry that my livers big and it hurts to the touch
I worry about my health and bowels
And the crime waves in the street
Im really just your average guy
Trying to stand on his own two feet
Im just your average guy
Im just your average guy
Im just your average guy
Average guy
Average looks, average taste
Average height, an average waist
Average in everything I do
My temperature is 98.2
Im just your average guy
An average guy
Average guy
Im just an average guy
Average guy
Im just your average guy
Im just your average guy
Im just your average guy
Average
song performed by Lou Reed
Added by Lucian Velea
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Temora - Book II
ARGUMENT.
This book opens, we may suppose, about midnight, with a soliloquy of Ossian, who had retired from the rest of the army, to mourn for his son Oscar. Upon hearing the noise of Cathmor's army approaching, he went to find out his brother Fillan, who kept the watch on the hill of Mora, in the front of Fingal's army. In the conversation of the brothers, the episode of Conar, the son of Trenmor, who was the first king of Ireland, is introduced, which lays open the origin of the contests between the Gael and the Fir-bolg, the two nations who first possessed themselves of that island. Ossian kindles a fire on Mora: upon which Cathmor desisted from the design he had formed of surprising the army of the Caledonians. He calls a council of his chiefs: reprimands Foldath for advising a night attack, as the Irish were so much superior in number to the enemy. The bard Fonar introduces the story of Crothar, the ancestor of the king, which throws further light on the history of Ireland, and the original pretensions of the family of Atha to the throne of that kingdom. The Irish chiefs lie down to rest, and Cathmor himself undertakes the watch. In his circuit round the army he is met by Ossian. The interview of the two heroes is described. Cathmor obtains a promise from Ossian to order a funeral elegy to be sung over the grave of Cairbar: it being the opinion of the times, that the souls of the dead could not be happy till their elegies were sung by a bard. Morning comes. Cathmor and Ossian part; and the latter, casually meeting with Carril the son of Kinfena, sends that bard, with a funeral song, to the tomb of Cairbar.
FATHER of heroes! O Trenmor! High dweller of eddying winds! where the dark-red thunder marks the troubled clouds! Open thou thy stormy halls. Let the bards of old be near. Let them draw near with songs and their half viewless harps. No dweller of misty valley comes! No hunter unknown at his streams! It is the car-borne Oscar, from the field of war. Sudden is thy change, my son, from what thou wert on dark Moi-lena! The blast folds thee in its skirt, and rustles through the sky! Dost thou not behold thy father, at the stream of night? The chiefs of Morven sleep far distant. They have lost no son! But ye have lost a hero, chiefs of resounding Morven! Who could equal his strength, when battle rolled against his side, like the darkness of crowded waters? Why this cloud on Ossian's soul? It ought to burn in danger. Erin is near with her host. The king of Selma is alone. Alone thou shalt not be, my father, while I can lift the spear!
I rose in all my arms. I rose and listened to the wind. The shield of Fillan is not heard. I tremble for the son of Fingal. "Why should the foe come by night? Why should the dark-haired warrior fall?" Distant, sullen murmurs rise; like the noise of the lake of Lego, when its waters shrink, in the days of frost, and all its bursting ice resounds. The people of Lara look to heaven, and foresee the storm! My steps are forward on the heath. The spear of Oscar is in my hand? Red stars looked from high. I gleamed along the night.
I saw Fillan silent before me, bending forward from Mora's rock. He heard the shout of the foe. The joy of his soul arose. He heard my sounding tread, and turned his lifted spear. "Comest thou, son of night, in peace? Or dost thou meet my wrath? The foes of Fingal are mine. Speak, or fear my steel. I stand not, in vain, the shield of Morven's race." "Never mayest thou stand in vain, son of blue-eyed Clatho! Fingal begins to be alone. Darkness gathers on the last of his days. Yet he has two sons who ought to shine in war. Who ought to be two beams of light, near the steps of his departure."
"Son of Fingal," replied the youth, "it is not long since I raised the spear. Few are the marks of my sword in war. But Fillan's soul is fire! The chiefs of Bolga crowd around the shield of generous Cathmor. Their gathering is on the heath. Shall my steps approach their host? I yielded to Oscar alone in the strife of the race of Cona!"
"Fillan, thou shalt not approach their host; nor fall before thy fame is known. My name is heard in song; when needful, I advance. From the skirts of night I shall view them over all their gleaming tribes. Why, Fillan, didst thou speak of Oscar? Why awake my sigh! I must forget the warrior, till the storm is rolled away. Sadness ought not to dwell in danger, nor the tear in the eye of war. Our fathers forgot their fallen sons, till the noise of arms was past. Then sorrow returned to the tomb, and the song of bards arose. The memory of those who fell quickly followed the departure of war: when the tumult of battle is past, the soul in silence melts away for the dead.
"Conar was the brother of Trathal, first of mortal men. His battles were on every coast. A thousand streams rolled down the blood of. his foes. His fame filled green Erin, like a pleasant gale. The nations gathered in Ullin, and they blessed the king; the king of the race of their fathers, from the land of Selma.
"The chiefs of the south were gathered, in the darkness of their pride. In the horrid cave of Moma they mixed their secret words. Thither often, they said, the spirits of their fathers came; showing their pale forms from the chinky rocks; reminding them of the honor of Bolga. 'Why should Conar reign,' they said, 'the son of resounding Morven?'
"They came forth, like the streams of the desert, with the roar of their hundred tribes. Cona was a rock before them: broken, they rolled on every side. But often they returned, and the sons of Selma fell. The king stood, among the tombs of his warriors. He darkly bent his mournful face. His soul was rolled into itself: and he had marked the place where he was to fall: when Trathal came, in his strength, his brother from cloudy Morven. Nor did he come alone. Colgar was at his side: Colgar the son of the king and of white-bosomed Solin-corma.
"As Trenmor, clothed with meteors, descends from the halls of thunder, pouring the dark storm before him over the troubled sea: so Colgar descended to battle, and wasted the echoing field. His father rejoiced over the hero: but an arrow came! His tomb was raised without a tear. The king was to revenge his son. He lightened forward in battle, till Bolga yielded at her streams!
"When peace returned to the land: when his blue waves bore the king to Morven: then he remembered his son, and poured the silent tear. Thrice did the bards, at the cave of Furmono, call the soul of Colgar. They called him to the hills of his land. He heard them in his mist. Trathal placed his sword in the cave, that the spirit of his son might rejoice."
"Colgar, son of Trathal," said Fillan, "thou wert renowned in youth! but the king hath not marked my sword, bright streaming on the field. I go forth with the crowd. I return without my fame. But the foe approaches, Ossian! I hear their murmur on the heath. The sound of their steps is like thunder, in the bosom of the ground, when the rocking hills shake their groves, and not a blast pours from the darkened sky!"
Ossian turned sudden on his spear. He raised the flame of an oak on high. I spread it large on Mora's wind. Cathmor stopt in his course. Gleaming he stood, like a rock, on whose sides are the wandering blasts; which seize its echoing streams, and clothe them with ice. So stood the friend of strangers! The winds lift his heavy locks. Thou art the tallest of the race of Erin, king of streamy Atha!
"First of bards" said Cathmor, "Fonar, call the chiefs of Erin. Call red-haired Cormar: dark-browed Malthos: the sidelong-looking gloom of Maronnan. Let the pride of Foldath appear. The red-rolling eye of Turlotho. Nor let Hidalla be forgot; his voice, in danger, is the sound of a shower, when it falls in the blasted vale, near Atha's falling stream. Pleasant is its sound on the plain, whilst broken thunder travels over the sky!"
They came in their clanging arms. They bent forward to his voice, as if a spirit of their fathers spoke from a cloud of night. Dreadful shone they to the light, like the fall of the stream of Bruno, when the meteor lights it, before the nightly stranger. Shuddering he stops in his journey, and looks up for the beam of the morn!
"Why delights Foldath," said the king, "to pour the blood of foes by night? Fails his arm in battle, in the beams of day? Few are the foes before us; why should we clothe us in shades? The valiant delight to shine in the battles of their land! Thy counsel was in vain, chief of Moma! The eyes of Morven do not sleep. They are watchful as eagles on their mossy rocks. Let each collect beneath his cloud the strength of his roaring tribe. To-morrow I move, in light, to meet the foes of Bolga! Mighty was he that is low, the race of Borbar-duthul!"
"Not unmarked," said Foldath, "were my steps be. fare thy race. In light, I met the foes of Cairbar. The warrior praised my deeds. But his stone was raised without a tear! No bard sung over Erin's king. Shall his foes rejoice along their mossy hills? No they must not rejoice! He was the friend of Foldath. Our words were mixed, in secret, in Moma's silent cave; whilst thou, a boy in the field, pursued'st the thistle's beard. With Moma's sons I shall rush abroad, and find the foe on his dusky hills. Fingal shall die without his song, the gray-haired king of Selma."
" Dost thou think, thou feeble man," replied Cathmor, half enraged: "Dost thou think Fingal can fail, without his fame, in Erin? Could the bards be silent at the tomb of Selma's king; the song would burst in secret! the spirit of the king would rejoice! It is when thou shalt fall, that the bard shall forget the song. Thou art dark, chief of Moma, though thine arm is a tempest in war. Do I forget the king of Erin, in his narrow house? My soul is not lost to Cairbar, the brother of my love! I marked the bright beams of joy which travelled over his cloudy mind, when I returned, with fame, to Atha of the streams."
Tall they removed, beneath the words of the king. Each to his own dark tribe; where, humming, they rolled on the heath, faint-glittering to the stars: like waves in a rocky bay, before the nightly wind. Beneath an oak lay the chief of Atha. His shield, a dusky round, hung high. Near him, against a rock, leaned the fair stranger of Inis-huna: that beam of light, with wandering locks, from Lumon of the roes. At a distance rose the voice of Fonar, with the deeds of the days of old. The song fails, at times, in Lubar's growing roar.
"Crothar," began the bard, first dwelt at Atha's mossy stream! A thousand oaks, from the mountains, formed his echoing hail. The gathering of the people
was there, around the feast of the blue-eyed king. But who, among his chiefs, was like the stately Crothar? Warriors kindled in his presence. The young sigh of the virgins rose. In Alnecma was the warrior honored: the first of the race of Bolga.
"He pursued the chase in Ullin: on the moss-covered top of Drumardo. From the wood looked the daughter of Cathmin, the blue-rolling eye of Con-láma. Her sigh rose in secret. She bent her head, amidst her wandering locks. The moon looked in, at night, and saw the white tossing of her arms; for she thought of the mighty Crothar in the season of dreams.
"Three days feasted Crothar with Cathmin. On the fourth they awaked the hinds. Con-láma moved to the chase, with all her lovely steps. She met Crothar in the narrow path. The bow fell at once from her hand. She turned her face away, and half hid it with her locks. The love of Crothar rose. He brought the white-bosomed maid to Atha. Bards raised the song in her presence. Joy dwelt round the daughter of Cathmin.
[...] Read more
poem by James Macpherson
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Lord Thomas And Fair Ellinor
Lord Thomas he was a bold forrester,
And a chaser of the kings deere;
Faire Ellinor was a fine woman,
And Lord Thomas he loved her deare.
'Come riddle my riddle, dear mother,' he sayd,
'And riddle us both as one;
Whether I shall marrye with faire Ellinor,
And let the browne girl alone?'
'The browne girl she has got houses and lands,
Faire Ellinor she has got none;
And therefore I charge thee on my blessing,
To bring me the browne girl home.'
And as it befelle on a high holidaye,
As many there are beside,
Lord Thomas he went to faire Ellinor,
That should have been his bride.
And when he came to faire Ellinor's bower,
He knocked there at the ring;
And who was so readye as faire Ellinor,
To lett Lord Thomas withinn?
'What newes, what newes, Lord Thomas,' she sayd,
'What newes dost thou bring to mee?'
'I am come to bid thee to my wedding,
And that is bad newes for thee.'
'O God forbid, Lord Thomas,' she sayd,
'That such a thing should be done;
I thought to have been the bride my selfe
And thou to have been the bride-grome.'
'Come riddle my riddle, dear mother,' she sayd,
'And riddle it all in one;
Whether I shall goe toLord Thomas his wedding,
Or whether shall tarry at home?'
'There are manye that are your friendes, daughter,
And manye a one your foe;
Therefore I charge you on my blessing,
To Lord Thomas his wedding don't goe.'
She cloathed herself in gallant attire,
And her merrye men all in greene;
And as they rid through every towne,
They took her to be some queene.
[...] Read more
poem by Anonymous Olde English
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Thomas the Rhymer
True Thomas lay on Huntlie bank;
A ferlie he spied wi' his e'e;
And there he saw a ladye bright
Come riding down by the Eildon Tree.
Her skirt was o' the grass-green silk,
Her mantle o' the velvet fyne;
At ilka tett o' her horse's mane,
Hung fifty siller bells and nine.
True Thomas he pu'd aff his cap,
And louted low down on his knee
'Hail to thee Mary, Queen of Heaven!
For thy peer on earth could never be.'
'O no, O no, Thomas' she said,
'That name does not belang to me;
I'm but the Queen o' fair Elfland,
That am hither come to visit thee.
'Harp and carp, Thomas,' she said;
'Harp and carp along wi' me;
And if ye dare to kiss my lips,
Sure of your bodie I will be.'
'Betide me weal; betide me woe,
That weird shall never daunten me.'
Syne he has kiss'd her rosy lips,
All underneath the Eildon Tree.
'Now ye maun go wi' me,' she said,
'True Thomas, ye maun go wi' me;
And ye maun serve me seven years,
Thro' weal or woe as may chance to be.'
She 's mounted on her milk-white steed,
She 's ta'en true Thomas up behind;
And aye, whene'er her bridle rang,
The steed gaed swifter than the wind.
O they rade on, and farther on,
The steed gaed swifter than the wind;
Until they reach'd a desert wide,
And living land was left behind.
'Light down, light down now, true Thomas,
And lean your head upon my knee;
Abide ye there a little space,
And I will show you ferlies three.
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poem by Anonymous
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Thomas the Rhymer
True Thomas lay on Huntlie bank;
A ferlie he spied wi' his e'e;
And there he saw a ladye bright
Come riding down by the Eildon Tree.
Her skirt was o' the grass-green silk,
Her mantle o' the velvet fyne;
At ilka tett o' her horse's mane,
Hung fifty siller bells and nine.
True Thomas he pu'd aff his cap,
And louted low down on his knee
'Hail to thee Mary, Queen of Heaven!
For thy peer on earth could never be.'
'O no, O no, Thomas' she said,
'That name does not belang to me;
I'm but the Queen o' fair Elfland,
That am hither come to visit thee.
'Harp and carp, Thomas,' she said;
'Harp and carp along wi' me;
And if ye dare to kiss my lips,
Sure of your bodie I will be.'
'Betide me weal; betide me woe,
That weird shall never daunten me.'
Syne he has kiss'd her rosy lips,
All underneath the Eildon Tree.
'Now ye maun go wi' me,' she said,
'True Thomas, ye maun go wi' me;
And ye maun serve me seven years,
Thro' weal or woe as may chance to be.'
She 's mounted on her milk-white steed,
She 's ta'en true Thomas up behind;
And aye, whene'er her bridle rang,
The steed gaed swifter than the wind.
O they rade on, and farther on,
The steed gaed swifter than the wind;
Until they reach'd a desert wide,
And living land was left behind.
'Light down, light down now, true Thomas,
And lean your head upon my knee;
Abide ye there a little space,
And I will show you ferlies three.
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poem by anonym
Added by Veronica Serbanoiu
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Thomas the Rhymer
True Thomas lay on Huntlie bank;
A ferlie he spied wi' his e'e;
And there he saw a ladye bright
Come riding down by the Eildon Tree.
Her skirt was o' the grass-green silk,
Her mantle o' the velvet fyne;
At ilka tett o' her horse's mane,
Hung fifty siller bells and nine.
True Thomas he pu'd aff his cap,
And louted low down on his knee
'Hail to thee Mary, Queen of Heaven!
For thy peer on earth could never be.'
'O no, O no, Thomas' she said,
'That name does not belang to me;
I'm but the Queen o' fair Elfland,
That am hither come to visit thee.
'Harp and carp, Thomas,' she said;
'Harp and carp along wi' me;
And if ye dare to kiss my lips,
Sure of your bodie I will be.'
'Betide me weal; betide me woe,
That weird shall never daunten me.'
Syne he has kiss'd her rosy lips,
All underneath the Eildon Tree.
'Now ye maun go wi' me,' she said,
'True Thomas, ye maun go wi' me;
And ye maun serve me seven years,
Thro' weal or woe as may chance to be.'
She 's mounted on her milk-white steed,
She 's ta'en true Thomas up behind;
And aye, whene'er her bridle rang,
The steed gaed swifter than the wind.
O they rade on, and farther on,
The steed gaed swifter than the wind;
Until they reach'd a desert wide,
And living land was left behind.
'Light down, light down now, true Thomas,
And lean your head upon my knee;
Abide ye there a little space,
And I will show you ferlies three.
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poem by Anonymous Americas
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The Brewing Of Soma
The fagots blazed, the caldron's smoke
Up through the green wood curled;
'Bring honey from the hollow oak,
Bring milky sap,' the brewers spoke,
In the childhood of the world.
And brewed they well or brewed they ill,
The priests thrust in their rods,
First tasted, and then drank their fill,
And shouted, with one voice and will,
'Behold the drink of gods!'
They drank, and to! in heart and brain
A new, glad life began;
The gray of hair grew young again,
The sick man laughed away his pain,
The cripple leaped and ran.
'Drink, mortals, what the gods have sent,
Forget your long annoy.'
So sang the priests. From tent to tent
The Soma's sacred madness went,
A storm of drunken joy.
Then knew each rapt inebriate
A winged and glorious birth,
Soared upward, with strange joy elate,
Beat, with dazed head, Varuna's gate,
And, sobered, sank to earth.
The land with Soma's praises rang;
On Gihon's banks of shade
Its hymns the dusky maidens sang;
In joy of life or mortal pang
All men to Soma prayed.
The morning twilight of the race
Sends down these matin psalms;
And still with wondering eyes we trace
The simple prayers to Soma's grace,
That Vedic verse embalms.
As in that child-world's early year,
Each after age has striven
By music, incense, vigils drear,
And trance, to bring the skies more near,
Or lift men up to heaven!
Some fever of the blood and brain,
Some self-exalting spell,
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poem by John Greenleaf Whittier
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ACT: Goodbye
Girl: Goodbye
I always want to say it in front of you
Goodbye
And there would be no more “I love you”
Goodbye
But why though I really meant to
The pain is still haunting my soul
Guy: Goodbye
You don’t know there’s a mystery inside
Goodbye
You are a fool to quickly decide
Goodbye
When you say something you don’t want to
It will affect you most with regret
Girl: Goodbye means leaving
Guy: Goodbye means nothing
Girl: Goodbye means releasing
Guy: Goodbye means waiting
Girl: And will you forget me after
Guy: Or will I love you forever
Girl: And how if I miss you in the lonely night
Guy: I will torture you to see my face
Girl: It’s over!
Guy: Not yet
Girl: Why are you so stubborn?
Guy: Because you make it complicated
Girl: But there’s no future for us
Guy: There’s always a hope
Girl: Goodbye
I will definitely cry
Goodbye
But the tears are not going to show
Goodbye
I don’t ask to be forgiven
Because I’m the one who put this misery
Guy: Goodbye
You can’t beat me with just that
Goodbye
Don’t judge me because I have the power of
Goodbye
Though I let my beloved go
Someday I’ll bring you to my arm again
Girl: Goodbye means separate
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poem by Maria Sudibyo
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Temora - Book V
ARGUMENT.
The poet, after a short address to the harp of Cona, describes the arrangement of both armies on either side of the river Lubar. Fingal gives the command to Fillan; but at the same time orders Gaul, the son of Morni, who had been wounded in the hand in the preceding battle, to assist him with his counsel. The army of the Fir-bolg is commanded by Foldath. The general onset is described. the great actions of Fillan. He kills Rothmar and Culmin. But when Fillan conquers in one wing, Foldath presses hard on the other. He wounds Dermid, the son of Duthno, and puts the whole wing to flight. Dermid deliberates with himself. and, at last, resolves to put a stop to the progress of Foldath, by engaging him in single combat. When the two chiefs were approaching towards one another, Fillan came suddenly to the relief of Dermid; engaged Foldath, and killed him. The behavior of Malthos towards the fallen Foldath. Fillan puts the whole army, of the Fir-bolg to flight. The book closes with an address to Clatho, the mother of that hero.
THOU dweller between the shields that hang, on high, in Ossian's hall! Descend from thy place, O harp, and let me hear thy voice! Son of Alpin, strike the string. Thou must awake the soul of the bard. The murmur of Lora's stream has rolled the tale away. I stand in the cloud of years. Few are its openings towards the' past; and when the vision comes, it is but dim and dark. I hear thee, harp of Selma! my soul returns like a breeze, which the sun brings back to the vale, where dwelt the lazy mist.
Lubar is bright before me in the windings of its vale. On either side, on their hills, arise the tall forms of the kings. Their people are poured around them, bending forward to their words: as if their fathers spoke, descending from the winds. But they themselves are like two rocks in the midst; each with its dark head of pines, when they are seen in the desert, above low-sailing mist. High on their face are streams which spread their foam on blasts of wind!
Beneath the voice of Cathmor pours Erin, like the sound of flame. Wide they come down to Lubar. Before them is the stride of Foldath. But Cathmor retires to his hill, beneath his bending oak. The tumbling of a stream is near the king. He lifts, at times, his gleaming spear. It is a flame to his people, in the midst of war. Near him stands the daughter of Conmor, leaning on a rock. She did not rejoice at the strife. Her soul delighted not in blood. A valley spreads green behind the hill, with its three, blue streams. The sun is there in silence. The dun mountain roes come down. On these are turned the eyes of Sul-malla in her thoughtful mood.
Fingal beholds Cathmor, on high, the son of Borbar-duthul! he beholds the deep rolling of Erin, on the darkened plain. He strikes that warning boss, which bids the people to obey, when he sends his chief before them, to the field of renown. Wide rise their spears to the sun. Their echoing shields reply around. Fear, like a vapor, winds not among the host: for he, the king, is near, the strength of streamy Selma. Gladness brightens the hero. We hear his words with joy.
"Like the coming forth of winds, is the sound of Selma's sons! They are mountain waters, determined in their course. Hence is Fingal renowned. Hence is his name in other lands. He was not a lonely beam in danger: for your steps were always near! But never was Fingal a dreadful form, in your presence, darkened into wrath. My voice was no thunder to your ears. Mine eyes sent forth no death. When the haughty appeared, I beheld them not. They were forgot at my feasts. Like mist they melted away. A young beam is before you! Few are his paths to war! They are few, but he is valiant. Defend my dark-haired son. Bring Fillan back with joy. Hereafter he may stand alone. His form is like his fathers. His soul is a flame of their fire. Son of car-borne Morni, move behind the youth. Let thy voice reach his ear, from the skirts of war. Not unobserved rolls battle before thee, breaker of the shields."
The king strode, at once, away to Cormul's lofty rock. Intermitting darts the light from his shield, as slow the king of heroes moves. Sidelong rolls his eye o'er the heath, as forming advance the lines. Graceful fly his half-gray locks round his kingly features, now lightened with dreadful joy. Wholly mighty is the chief! Behind him dark and slow I moved. Straight came forward the strength of Gaul. His shield hung loose on its thong. He spoke, in haste, to Ossian. "Bind, son of Fingal, this shield! Bind it high to the side of Gaul. The foe may behold it, and think I lift the spear. If I should fall, let my tomb be hid in the field; for fall I must without fame. Mine arm cannot lift the steel. Let not Evir-choma hear it, to blush between her locks. Fillan, the mighty behold us! Let us not forget the strife. Why should they come from their hills, to aid our flying field!"
He strode onward, with the sound of his shield. My voice pursued him as he went. "Can the son of Morni fall, without his fame in Erin? But the deeds of the mighty are forgot by themselves. They rush carless over the fields of renown. Their words are never heard!" I rejoiced over the steps of the chief. I strode to the rock of the king, where he sat, in his wandering locks, amid the mountain wind!
In two dark ridges bend the host towards each other, at Lubar Here Foldath rises a pillar of darkness: there brightens the youth of Fillan. Each, with his spear in the stream, sent forth the voice of war. Gaul struck, the shield of Selma. At once they plunge in battle! Steel pours its gleam on steel: like the fall of streams shone the field, when they mix their foam together, from two dark-browed rocks! Behold he comes, the son of fame! He lays the people low! Deaths sit on blasts around him! Warriors strew thy paths, O Fillan!
Rothmar, the shield of warriors, stood between two chinky rocks. Two oaks, which winds had bent from high, spread their branches on either side. He rolls his darkening eyes on Fillan, and, silent, shades his friends. Fingal saw the approaching fight. The hero's soul arose. But as the stone of Loda falls, shook, at once, from rocking Drumanard, when spirits heave the earth in their wrath; so fell blue-shielded Rothmar.
Near are the steps of Culmin; the youth came, bursting into tears. Wrathful he cut the wind, ere yet he mixed his strokes with Fillan. He had first bent the bow with Rothmar, at the rock of his own blue streams. There they had marked the place of the roe, as the sunbeam flew over the fern. Why, son of Cul-allin! why, Culmin, dost thou rush on that beam of light? It is a fire that consumes. Son of Cul-allin, retire. Your fathers were not equal in the glittering strife of the field. The mother of Culmin remains in the hall. She looks forth on blue-rolling Strutha. A whirlwind rises, on the stream, dark-eddying round the ghost of her son. His dogs are howling in their place. His shield is bloody in the hall. "Art thou fallen, my fair-haired son, in Erin's dismal war?"
As a roe, pierced in secret, lies panting, by her wonted streams; the hunter surveys her feet of wind! He remembers her stately bounding before. So lay the son of Cul-allin beneath the eye of Fillan. His hair is rolled in a little stream. His blood wanders on his shield. Still his hand holds the sword, that failed him in the midst of danger. "Thou art fallen," said Fillan, "ere yet thy fame was heard. Thy father sent thee to war. He expects to hear of thy deeds. He is gray, perhaps, at his streams. His eyes are towards Moi-lena. But thou shalt not return with the spoil of the fallen foe!"
Fillan pours the flight of Erin before him, over the resounding heath. But, man on man, fell Morven before the dark-red rage of Foldath: for, far on the field, he poured the roar of half his tribes. Dermid stands before him in wrath. The sons of Selma gathered around. But his shield is cleft by Foldath. His people fly over the heath.
Then said the foe in his pride, "They have fled. My fame begins! Go, Malthos, go bid Cathmor guard the dark rolling of ocean; that Fingal may not escape from my sword. He must lie on earth. Beside some fen shall his tomb be seen. It shall rise without a song. His ghost shall hover, in mist, over the reedy pool."
Malthos heard, with darkening doubt. He rolled his silent eyes. He knew the pride of Foldath. He looked up to Fingal on his hills; then darkly turning, in doubtful mood, he plunged his sword in war.
In Clono's narrow vale, where bend two trees above the stream, dark, in his grief, stood Duthno's silent son. The blood pours from the side of Dermid. His shield is broken near. His spear leans against a stone. Why, Dermid, why so sad? "I hear the roar of battle. My people are alone. My steps are slow on the heath and no shield is mine. Shall he then prevail? It is then after Dermid is low! I will call thee forth, O Foldath, and meet thee yet in fight."
He took his spear, with dreadful joy. The son of Morni came. "Stay, son of Duthno, stay thy speed. Thy steps are marked with blood. No bossy shield is thine. Why shouldst thou fall unarmed?" — "Son of Morni, give thou thy shield. It has often rolled back the war! I shall stop the chief in his course. Son of Morni, behold that stone! It lifts its gray head through grass. There dwells a chief of the race of Dermid. Place me there in night."
He slowly rose against the hill. He saw the troubled field: the gleaming ridges of battle, disjointed and broken around. As distant fires, on heath by night, now seem as lost in smoke: now rearing their red streams on the hill, as blow or cease the winds; so met the intermitting war the eye of broad-shielded Dermid. Through the host are the strides of Foldath, like some dark ship on wintry waves, when she issues from between two isles to sport on resounding ocean!
Dermid with rage beholds his course. He strives to rush along. But he fails amid his steps; and the big tear comes down. He sounds his father's horn. He thrice strikes his bossy shield. He calls thrice the name of Foldath, from his roaring tribes. Foldath, with joy, beholds the chief. He lifts aloft his bloody spear. As a rock is marked with streams, that fell troubled down its side in a storm; so streaked with wandering blood, is the dark chief of Moma! The host on either side withdraw from the contending kings. They raise, at once, their gleaming points. Rushing comes Fillan of Selma. Three paces back Foldath withdraws, dazzled with that beam of light, which came, as issuing from a cloud, to save the wounded chief. Growing in his pride he stands. He calls forth all his steel.
As meet two broad-winged eagles, in their sounding strife, in winds: so rush the two chiefs, on Moi-lena, into gloomy fight. By turns are the steps of the kings [Fingal and Cathmor] forward on their rocks above; for now the dusky war seems to descend on their swords. Cathmor feels the joy of warriors!, on his mossy hill: their joy in secret, when dangers rise to match their souls. His eye is not turned on Lubar, but on Selma's dreadful king. He beholds him, on Mora, rising in his arms.
Foldath falls on his shield. The spear of Fillan pierced the king. Nor looks the youth on the fallen, but onward rolls the war. The hundred voices of death arise. "Stay, son of Fingal, stay thy speed. Beholdest thou not that gleaming form, a dreadful sign of death? Awaken not the king of Erin. Return, son of blue-eyed Clatho."
Malthos beholds Foldath low. He darkly stands above the chief. Hatred is rolled from his soul. He seems a rock in a desert, on whose dark side are the trickling of waters; when the slow-sailing mist has left it, and all its trees are blasted with winds. He spoke to the dying hero about the narrow house. "Whether shall thy gray stones rise in Ullin, or in Moma's woody land; where the sun looks, in secret, on the blue streams of Dalrutho? Them are the steps of thy daughter, blue-eyed Dardu-lena!"
"Rememberest thou her," said Foldath, "because no son is mine; no youth to roll the battle before him, in revenge of me? Malthos, I am revenged. I was not peaceful in the field. Raise the tombs of those I have slain, around my narrow house. Often shall I forsake the blast, to rejoice above their graves; when I behold them spread around, with their long-whistling grass."
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poem by James Macpherson
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Look At That Guy
Just look at that guy, He seem so happy
Look at that guy, He seem so free
Look at that guy, Just looking at me
Look at that guy, I wish I looked as good as him
Just look at that guy, Man he dress so good
Look at that guy, I bet all the girls like him
Look at that guy, How can I be more like him
Look at that guy, He's the real hero
Just look at that guy, probably thinks im a zero
Look at that guy, I hope he's not judging me
Look at that guy, being all he can be
Look at that guy, fighting for a cause
Just look at that guy, making me pause
Look at that guy, He probably thinks im stupid
Look at that guy, His friend must be cupid
Look at that guy, looking like a thug
Just look at that guy, he looks full of love
Look at that guy, He needs no correction
Look at that guy, do we have any connection
Oh my god, that guy I see Is my own reflection....
poem by Daniel Chapman
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Oklahoma Swing
Thers a redhead from my hometown that loves to let her hair down
She tears my heart out when she starts to sing
Shes from the right side of red river and shes pretty as a picture
Dont you know shes this ole cowboys dream
Theres a boy from okie city and I sure think hes pretty
But I know hes trying to steal my heart away
Oh my mama tried to warn me hes done time in california
But hell be an okie til his dyin day
Theres a dance we do in oklahoma
A dnace like youve never seen
Sit back and were gonna show ya
How to do that oklahoma swing
Well when two okies get together man theres nothin they like better
Than to hold each other on a dawdust floor
Oh I love it when were swayin to those sweet twi fiddles playin
Come on boy what are we waitin for
Theres a dance we do in oklahoma
A dnace like youve never seen
Sit back and were gonna show ya
How to do that oklahoma swing
Yeah theres a dance we do in oklahoma
A dnace like youve never seen
Sit back and were gonna show ya
Yeah how to do that oklahoma swing
How to do that oklahoma swing
song performed by Vince Gill
Added by Lucian Velea
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Oklahoma Swing (feat. Reba McEntire)
Ther's a redhead from my hometown that loves to let her hair down
She tears my heart out when she starts to sing
She's from the right side of Red River and she's pretty as a picture
Don't you know she's this ole cowboy's dream
There's a boy from Okie City and I sure think he's pretty
But I know he's trying to steal my heart away
Oh my mama tried to warn me he's done time in California
But he'll be an Okie til his dyin' day
There's a dance we do in Oklahoma
A dnace like you've never seen
Sit back and we're gonna show ya
How to do that Oklahoma swing
Well when two Okies get together man there's nothin' they like better
Than to hold each other on a dawdust floor
Oh I love it when we're swayin' to those sweet twi fiddles playin'
Come on boy what are we waitin' for
There's a dance we do in Oklahoma
A dnace like you've never seen
Sit back and we're gonna show ya
How to do that Oklahoma swing
Yeah there's a dance we do in Oklahoma
A dnace like you've never seen
Sit back and we're gonna show ya
Yeah how to do that Oklahoma swing
How to do that Oklahoma swing
song performed by Vince Gill
Added by Lucian Velea
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Where There's Smoke, There's Failure
So it goes like this,
Guy meets girl.
Guy buys flowers.
Girl puts them in a vase.
Guy buys a ring.
Girl says yes.
Guy goes to work.
Girl goes to work.
Guy meets girl.
Girl meets guy.
Guy and girl fight about girl and guy.
Guy leaves work for new work and gets an apartment by himself.
Girl moves over seas and doesn't have to work any more because she has a new guy and the old guy has to send her money from his new work.
Guy writes poems.
Guy writes about new girl and old girl and new guy and work and old friends.
Guy wants to stop working and sell poems about the stuff in his life so that he can do other stuff in his life without having to go to real work.
Guy does not yet have high selling collection of poems.
Guy goes to work.
Guy meets girl.
Guy buys flowers.
poem by John W. McEwers
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