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The Sea

The sea blown by the winds
A million lights glinting under the sun
Charting out a course for my mind
Each luminous line entering my mind
Helping clear my muddled thoughts
Lessening the pressure of thinking
Slowly, slowly, the hynoptic lines
Dance and glint in increasing
Intensity towards dusk
Affording a health exercise
More ideal than meditation and jogging
I then feel the sea taking up my
Thoughts and feelings sending them
To yonder lands where there are friends

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Charting The Single

(lyrics: derek dick)
Yeah!
Slow french kissing with the dauphins daughter
If I fall in love now Ill be floating in seine
Plastered in paris
Ive had an eiffel
Gonna make my escape on the midnight train
Choo, choo to you
Choo, choo to you
Charting the single
Schnapping my fingers on an alcoholic day
Sniff round a fraulein when Im scent to cologne
All night hotel liebling make your mark
Let sugar daddy melt in his home sweet home
Home is where the heart lies
Where is home, is where the heart lies, but where is home?
Get a pizza the action when I romeo again
Chianti see you with me, so just let him wine
Juliet on the balcony, its pasta serenade
Wedding rings, I know when venice time
Venice time to chart the single, to chart the single
Charting the single, charting the single
The chicks are getting cheaper on the not so common market
Stockpile experience before the blond hairs turn to grey
Before the blond hairs turn to grey
I like to train, express myself in the universal language
Ego on my face in the nicest possible way
Its absolutely the nicest possible way
Charting the single
I got no clause in my contract, got no shares in my name
Im just charting the single in a bachelors game
Charting the single
Its a solo performance on a one way street
Youll never have the chance again and never again well meet
Charting, charting, charting, charting the single
Yeah, yeah, charting the single
Yeah, yeah, charting the single
Charting, ouh, charting, ouh charting, ouh, charting the single
Charting, charting, charting, Im charting the single
Charting, charting, Im charting the single
Charting, charting, charting, charting the single
Charting the single, charting the single
Home is where the heart lies, but if the heart lies
Where is home, is where the heart lies, but where is home?
Where is home?
Charting the single

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The House Of Dust: Complete

I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.


II.

[...] Read more

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Pressure Drop

(hibbert)
Mmmmmm, mmmmmmm, mmmmmmmm yeah, mmmmmmm, mmmmmmm, mmmmmmmm, yeah
It is you, oh yeah, oh yeah
It is you, oh oh, oh yeah
I said pressure drop, whoa pressure yeah, pressures gonna drop on you
I said pressure drop, whoe pressure yeah, pressures gonna drop on you
I said when it drops, youre gonna feel it, how its been doin you wrong
I said when it drops, youre gonna feel it, how its been doin you wrong
I said pressure drop, whoa pressure yeah pressures gonna drop on you
I said pressure drop, whoa pressure yeah pressures gonna drop on you
It is you, oh yeah,
It is you , oh yeah
Mmmmm, nmmmmmmm, mmmmmm, yeah
Mmmmm, mmmmmm, mmmmmm yeah
It is you, oh yeah,
It is you, oh yeah,
I say pressure drop, whoa pressure yeah, pressures gonna drop on you
I say pressure drop, whoa pressure drop, pressures gonna drop on you
Pressure, pressure,pressure, pressures gonna drop on you
Pressure, pressure,pressure, pressures gonna drop on you, you you you, yeah
Pressure, pressure, pressures gonna drop on you,
Pressure, pressure, pressures gonna drop on you,
Pressure drop whoa pressure yeah,hey pressures gonna drop on you
Pressure drop hey pressure yeah,hey pressures gonna drop on you
I said when it drops youre gonna feel it, how its been doing you wrong
I said when it drops youre gonna feel it, how its been doing you wrong
It is you, oh yeah
It is you, oh yeah
Pressure,pressure, pressure, pressures pressures gonna drop on you
Pressure,pressure, pressure, yeah pressures gonna drop on you
Pressure drop, whoa pressure , yeah pressures gonna drop on you
I said pressure drop, whoa pressure drop,whoa pressures gonna drop on you
I said when it drops youre gonna feel it, how its been doing you wrong
I said when it drops youre gonna feel it, how its been doing you wrong
Pressure,pressure, pressure, pressures pressures gonna drop on you
Pressure,pressure, pressure, pressures pressures gonna drop on you
Pressure, pressure, pressures pressures gonna drop on you

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Magic Dance

You remind me of the baby
What baby? baby with the power
What power? power of voodoo
Who do? you do
Do what? remind me of the baby
I saw my baby, crying hard as babe could cry
What could I do
My babys love had gone
And left my baby blue
Nobody knew
What kind of magic spell to use
Slime and snails
Or puppy dogs tails
Thunder or lightning
Then baby said
Dance magic, dance (dance magic, dance)
Dance magic, dance (dance magic, dance)
Put that baby spell on me
Jump magic, jump (jump magic, jump)
Jump magic, jump (jump magic, jump)
Put that magic jump on me
Slap that baby, make him free
I saw my baby, trying hard as babe could try
What could I do
My babys fun had gone
And left my baby blue
Nobody knew
What kind of magic spell to use
Slime and snails
Or puppy dogs tails
Thunder or lightning
Then baby said
Dance magic, dance (dance magic, dance)
Dance magic, dance (dance magic, dance)
Put that baby spell on me
Jump magic, jump (jump magic, jump)
Jump magic, jump (jump magic, jump)
Put that magic jump on me
Slap that baby, make him free
Dance magic, dance (dance magic, dance)
Dance magic, dance (dance magic, dance)
Dance magic, dance (dance magic, dance)
Dance magic, dance (dance magic, dance)
Jump magic, jump (jump magic, jump)
Jump magic, jump (jump magic, jump)
Put that baby spell on me (ooh)
You remind me of the baby
What baby? the baby with the power
What power? power of voodoo
Who do? you do

[...] Read more

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Pressure Point

I can't get this pressure point out of my head
I can't get this pressure point out of my head
I feel it in work, you know, I feel it in bed
I can't get this pressure point out of my head
I've paid all my bills and I've acted so well
Ain't been cheating, there's nothing to tell
So why all this pressure, I dont understand
I call on my neighbours, and lend them a hand
Doctor, oh doctor, I'm willing to learn
Well all of my bones, well they toss and they turn
Mother, oh mother, I'm begging you please
To rid me of madness and cure this disease
... (?) told you what I have become
With all of this pressure, my mind's on a run
... (?) changing, let's hope for the best
Maybe it's something to get off my chest
Doctor, oh doctor, I'm begging you please
To rid me of madness and cure this disease
Mother, oh mother, I'm willing to learn
Well all of my bones, well they toss and they turn
Pressure pressure pressure pressure...
Pressure pressure pressure pressure...
Pressure pressure pressure pressure...
Pressure pressure pressure pressure...
I can't get this pressure point out of my head
I can't get this pressure point out of my head
I feel it in work, you know, I feel it in bed
I can't get this pressure point out of my head
Pressure pressure pressure pressure...
Pressure pressure pressure pressure...
Pressure pressure pressure pressure...
Pressure pressure pressure pressure...

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Dance, Dance, Dance

After six hours of school Ive had enough for the day
I hit the radio dial and turn it up all the way
I gotta dance (dance dance dance now the beats really hot) right on the spot
(dance dance dance right there on the spot)
The beats really hot
(dance dance dance now the beats really hot)
Dance (dance) dance (dance) dance (dance) yeah!
When I feel put down I try to shake it off quick
With my chick by my side the radio does the trick
I gotta dance (dance dance dance now the beats really hot) right on the spot
(dance dance dance right there on the spot)
The beats really hot
(dance dance dance now the beats really hot)
Dance (dance) dance (dance) dance (dance) yeah!
Ohby!
At a weekend dance we like to show up late
I play it cool when its slow and jump it when its fast
I gotta dance (dance dance dance now the beats really hot) right on the spot
(dance dance dance right there on the spot)
The beats really hot
(dance dance dance now the beats really hot)
Dance (dance) dance (dance) dance (dance) yeah!
(dance dance dance now the beats really hot)
(dance dance dance right there on the spot)
(dance dance dance now the beats really hot)
Dance (dance) dance (dance) dance (dance) yeah!
(dance dance dance now the beats really hot)
(dance dance dance right there on the spot)

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Dance Dance Dance

After six hours of school I've had enough for the day
I hit the radio dial and turn it up all the way
I gotta dance (dance dance dance now the beat's really hot) right on the spot
(Dance dance dance right there on the spot)
The beat's really hot
(Dance dance dance now the beat's really hot)
Dance (dance) dance (dance) dance (dance) yeah!
When I feel put down I try to shake it off quick
With my guy by my side the radio does the trick
I wanna dance (dance dance dance now the beat's really hot) right on the spot
(Dance dance dance right there on the spot)
The beat's really hot
(Dance dance dance now the beat's really hot)
Dance (dance) dance (dance) dance (dance) yeah!
At a weekend dance we like to show up late
I play it cool when it's slow and jump it when it's fast
I gotta dance (dance dance dance now the beat's really hot) right on the spot
(Dance dance dance right there on the spot)
The beat's really hot
(Dance dance dance now the beat's really hot)
Dance (dance) dance (dance) dance (dance) yeah!
(Dance dance dance now the beat's really hot)
(Dance dance dance right there on the spot)
(Dance dance dance now the beat's really hot)
Dance (dance) dance (dance) dance (dance) yeah!
(Dance dance dance now the beat's really hot)
(Dance dance dance right there on the spot)

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Tamar

I
A night the half-moon was like a dancing-girl,
No, like a drunkard's last half-dollar
Shoved on the polished bar of the eastern hill-range,
Young Cauldwell rode his pony along the sea-cliff;
When she stopped, spurred; when she trembled, drove
The teeth of the little jagged wheels so deep
They tasted blood; the mare with four slim hooves
On a foot of ground pivoted like a top,
Jumped from the crumble of sod, went down, caught, slipped;
Then, the quick frenzy finished, stiffening herself
Slid with her drunken rider down the ledges,
Shot from sheer rock and broke
Her life out on the rounded tidal boulders.

The night you know accepted with no show of emotion the little
accident; grave Orion
Moved northwest from the naked shore, the moon moved to
meridian, the slow pulse of the ocean
Beat, the slow tide came in across the slippery stones; it drowned
the dead mare's muzzle and sluggishly
Felt for the rider; Cauldwell’s sleepy soul came back from the
blind course curious to know
What sea-cold fingers tapped the walls of its deserted ruin.
Pain, pain and faintness, crushing
Weights, and a vain desire to vomit, and soon again
die icy fingers, they had crept over the loose hand and lay in the
hair now. He rolled sidewise
Against mountains of weight and for another half-hour lay still.
With a gush of liquid noises
The wave covered him head and all, his body
Crawled without consciousness and like a creature with no bones,
a seaworm, lifted its face
Above the sea-wrack of a stone; then a white twilight grew about
the moon, and above
The ancient water, the everlasting repetition of the dawn. You
shipwrecked horseman
So many and still so many and now for you the last. But when it
grew daylight
He grew quite conscious; broken ends of bone ground on each
other among the working fibers
While by half-inches he was drawing himself out of the seawrack
up to sandy granite,
Out of the tide's path. Where the thin ledge tailed into flat cliff
he fell asleep. . . .
Far seaward
The daylight moon hung like a slip of cloud against the horizon.
The tide was ebbing
From the dead horse and the black belt of sea-growth. Cauldwell
seemed to have felt her crying beside him,

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Do Your Dance

{b-side of cream}
Do your dance, why should u wait any longer? (let me push up on it)
Take a chance, it could only make you stronger (Im gonna push up on it)
(heh, heh, heh)
Do your dance (its time to do your dance)
(its time to do your dance)
(come on, come on)
La-la-la-la-la (come on, come on, move something)
La-la-la-la (move something)
(come on, come on, move something)
La-la-la-la-la (come on, move something)
La-la-la-la (come on, come on, move something, yeah)
Do your dance, (yeah)
Why should u wait any longer? (why you wanna wait? )
[u wanna babe, u wanna babe]
U wanna dance with me
Do your dance (dance, dance, dance)
U wanna dance with me (oh yeah) (lets dance)
Doobie, doobie, doobie
Do your dance (do your dance) (its time to do your dance)
(u know what Im saying, its time, yall)
(its time to do your dance)
Ooh baby, baby (its time to do that dance. oh yeah, thats it)
Ooh baby, baby (it aint that hard cmon now)
Ohh baby, come on lets dance
Ooh baby, baby
Ooh baby, baby
Ohh baby, come on lets dance
(oh yeah) get on up
Do your dance
(sweet thing) (shake it, shake it baby)
Do your dance (sweet thing)
(its time to do your dance) (sweet thing)
Everybodys got somethin that they know how to do (everybody)
If you wanna do it baby, Ill do it with you (come on)
Come on do, uh, (here we go)
Come on do, uh, (here we go)
Do your dance
Come on
Do your dance (its time to do your dance)
Do your dance (its time to do your dance)
Come on, now
Do your dance (its time to do your dance)
Do your dance (its time to do your dance)
Come on, now
(get on the floor and slam)
Listen 2 the drummer (get on the floor and slam)
Listen 2 the drummer, now (get on the floor and slam)
Listen 2 the drummer (get on the floor and slam)
Listen 2 the drummer, now

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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The Ballad of the White Horse

DEDICATION

Of great limbs gone to chaos,
A great face turned to night--
Why bend above a shapeless shroud
Seeking in such archaic cloud
Sight of strong lords and light?

Where seven sunken Englands
Lie buried one by one,
Why should one idle spade, I wonder,
Shake up the dust of thanes like thunder
To smoke and choke the sun?

In cloud of clay so cast to heaven
What shape shall man discern?
These lords may light the mystery
Of mastery or victory,
And these ride high in history,
But these shall not return.

Gored on the Norman gonfalon
The Golden Dragon died:
We shall not wake with ballad strings
The good time of the smaller things,
We shall not see the holy kings
Ride down by Severn side.

Stiff, strange, and quaintly coloured
As the broidery of Bayeux
The England of that dawn remains,
And this of Alfred and the Danes
Seems like the tales a whole tribe feigns
Too English to be true.

Of a good king on an island
That ruled once on a time;
And as he walked by an apple tree
There came green devils out of the sea
With sea-plants trailing heavily
And tracks of opal slime.

Yet Alfred is no fairy tale;
His days as our days ran,
He also looked forth for an hour
On peopled plains and skies that lower,
From those few windows in the tower
That is the head of a man.

But who shall look from Alfred's hood

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Dance, Dance Everywhere!

Dance, Dance Dance
everywhere,
When I look at the sky,
I see the clouds dance
Into steps of winds
My heart dance when I watch clouds dance!
How it can make me dance?

Without any tune or beats,
Its own beats me my heart dance.
Some strange tune it sings in silence and dance!

When I see at shore of ocean waves that dance,
Some birds in sky fly and dance,
On the waves boats that to the tune of waves, dance,

My mind sing lyricless
music to which it dance!

When I walk along the beach,
The headless crown of palm trees with wide open hands dance,
Watching them dance trees start their dance!

When I on countryside, green paddy fields dance,
Looking at them, the bird on the branch dance!

When walk along, trees with fruits dance,
And to its own rustling music, leaves dance!

When I walk in the park,
Plants with flowers dance!
Looking at the graceful dance flowerless dance,

When I move on street, hope and hap dance,
Seeing at them even hopeless an hapless to dance!
Smile on faces with hope dance,
Wrinkles on the forehead of hapless dance!

When I look at people in them mind dance,
In some happiness dance,
In some sorrowfulness dance,

Some I found with desperation dance
In some their laziness dance,
In some saintliness dance,
Most of the time wickedness dance,
And in some other dreams that dance!

Success that dance with some,
Distress that in unsuccessful dance,

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Byron

Canto the Second

I
Oh ye! who teach the ingenuous youth of nations,
Holland, France, England, Germany, or Spain,
I pray ye flog them upon all occasions,
It mends their morals, never mind the pain:
The best of mothers and of educations
In Juan's case were but employ'd in vain,
Since, in a way that's rather of the oddest, he
Became divested of his native modesty.

II
Had he but been placed at a public school,
In the third form, or even in the fourth,
His daily task had kept his fancy cool,
At least, had he been nurtured in the north;
Spain may prove an exception to the rule,
But then exceptions always prove its worth -—
A lad of sixteen causing a divorce
Puzzled his tutors very much, of course.

III
I can't say that it puzzles me at all,
If all things be consider'd: first, there was
His lady-mother, mathematical,
A—never mind; his tutor, an old ass;
A pretty woman (that's quite natural,
Or else the thing had hardly come to pass);
A husband rather old, not much in unity
With his young wife—a time, and opportunity.

IV
Well—well, the world must turn upon its axis,
And all mankind turn with it, heads or tails,
And live and die, make love and pay our taxes,
And as the veering wind shifts, shift our sails;
The king commands us, and the doctor quacks us,
The priest instructs, and so our life exhales,
A little breath, love, wine, ambition, fame,
Fighting, devotion, dust,—perhaps a name.

V
I said that Juan had been sent to Cadiz -—
A pretty town, I recollect it well -—
'T is there the mart of the colonial trade is
(Or was, before Peru learn'd to rebel),
And such sweet girls—I mean, such graceful ladies,
Their very walk would make your bosom swell;
I can't describe it, though so much it strike,
Nor liken it—I never saw the like:

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Under Pressure

Under pressure.
Don't let it be...
Or make that be you.

Under pressure.

Feel an effort that's less due.
Don't allow it to weaken.
Or accept what is 'not'
To become true.

Under pressure.

Don't let it be...
Or make that be you.
That's under pressure.

Feel there's nothing for you to prove.

Under pressure.
Unsnap and throw it away...
Under pressure.
Unsnap and do it today.

That pressure.
Rid yourself of,
That pressure.
Rid yourself of it!
That pressure.
Unsnap and throw it away...
That pressure.
Unsnap and do it today.
That pressure.
Rid yourself of,
That pressure.
Rid yourself of it!

Feel an effort that's less due.
Don't allow it to weaken.
Or accept what is 'not'
To become true.

Under pressure.

Don't let it be...
Or make that be you.
That's under pressure.

Feel there's nothing for you to prove.

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Thurso’s Landing

I
The coast-road was being straightened and repaired again,
A group of men labored at the steep curve
Where it falls from the north to Mill Creek. They scattered and hid
Behind cut banks, except one blond young man
Who stooped over the rock and strolled away smiling
As if he shared a secret joke with the dynamite;
It waited until he had passed back of a boulder,
Then split its rock cage; a yellowish torrent
Of fragments rose up the air and the echoes bumped
From mountain to mountain. The men returned slowly
And took up their dropped tools, while a banner of dust
Waved over the gorge on the northwest wind, very high
Above the heads of the forest.
Some distance west of the road,
On the promontory above the triangle
Of glittering ocean that fills the gorge-mouth,
A woman and a lame man from the farm below
Had been watching, and turned to go down the hill. The young
woman looked back,
Widening her violet eyes under the shade of her hand. 'I think
they'll blast again in a minute.'
And the man: 'I wish they'd let the poor old road be. I don't
like improvements.' 'Why not?' 'They bring in the world;
We're well without it.' His lameness gave him some look of age
but he was young too; tall and thin-faced,
With a high wavering nose. 'Isn't he amusing,' she said, 'that
boy Rick Armstrong, the dynamite man,
How slowly he walks away after he lights the fuse. He loves to
show off. Reave likes him, too,'
She added; and they clambered down the path in the rock-face,
little dark specks
Between the great headland rock and the bright blue sea.

II
The road-workers had made their camp
North of this headland, where the sea-cliff was broken down and
sloped to a cove. The violet-eyed woman's husband,
Reave Thurso, rode down the slope to the camp in the gorgeous
autumn sundown, his hired man Johnny Luna
Riding behind him. The road-men had just quit work and four
or five were bathing in the purple surf-edge,
The others talked by the tents; blue smoke fragrant with food
and oak-wood drifted from the cabin stove-pipe
And slowly went fainting up the vast hill.
Thurso drew rein by
a group of men at a tent door
And frowned at them without speaking, square-shouldered and
heavy-jawed, too heavy with strength for so young a man,
He chose one of the men with his eyes. 'You're Danny Woodruff,

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Henry Wadsworth Longfellow

Evangeline: A Tale of Acadie

This is the forest primeval. The murmuring pines and the hemlocks,
Bearded with moss, and in garments green, indistinct in the twilight,
Stand like Druids of eld, with voices sad and prophetic,
Stand like harpers hoar, with beards that rest on their bosoms.
Loud from its rocky caverns, the deep-voiced neighboring ocean
Speaks, and in accents disconsolate answers the wail of the forest.

This is the forest primeval; but where are the hearts that beneath it
Leaped like the roe, when he hears in the woodland the voice of the huntsman
Where is the thatch-roofed village, the home of Acadian farmers,--
Men whose lives glided on like rivers that water the woodlands,
Darkened by shadows of earth, but reflecting an image of heaven?
Waste are those pleasant farms, and the farmers forever departed!
Scattered like dust and leaves, when the mighty blasts of October
Seize them, and whirl them aloft, and sprinkle them far o'er the ocean
Naught but tradition remains of the beautiful village of Grand-Pre.

Ye who believe in affection that hopes, and endures, and is patient,
Ye who believe in the beauty and strength of woman's devotion,
List to the mournful tradition still sung by the pines of the forest;
List to a Tale of Love in Acadie, home of the happy.

PART THE FIRST

I

In the Acadian land, on the shores of the Basin of Minas,
Distant, secluded, still, the little village of Grand-Pre
Lay in the fruitful valley. Vast meadows stretched to the eastward,
Giving the village its name, and pasture to flocks without number.
Dikes, that the hands of the farmers had raised with labor incessant,
Shut out the turbulent tides; but at stated seasons the flood-gates
Opened, and welcomed the sea to wander at will o'er the meadows.
West and south there were fields of flax, and orchards and cornfields
Spreading afar and unfenced o'er the plain; and away to the northward
Blomidon rose, and the forests old, and aloft on the mountains
Sea-fogs pitched their tents, and mists from the mighty Atlantic
Looked on the happy valley, but ne'er from their station descended
There, in the midst of its farms, reposed the Acadian village.
Strongly built were the houses, with frames of oak and of hemlock,
Such as the peasants of Normandy built in the reign of the Henries.
Thatched were the roofs, with dormer-windows; and gables projecting
Over the basement below protected and shaded the doorway.
There in the tranquil evenings of summer, when brightly the sunset
Lighted the village street and gilded the vanes on the chimneys,
Matrons and maidens sat in snow-white caps and in kirtles
Scarlet and blue and green, with distaffs spinning the golden
Flax for the gossiping looms, whose noisy shuttles within doors

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The Four Seasons : Summer

From brightening fields of ether fair disclosed,
Child of the Sun, refulgent Summer comes,
In pride of youth, and felt through Nature's depth:
He comes attended by the sultry Hours,
And ever fanning breezes, on his way;
While, from his ardent look, the turning Spring
Averts her blushful face; and earth, and skies,
All-smiling, to his hot dominion leaves.
Hence, let me haste into the mid-wood shade,
Where scarce a sunbeam wanders through the gloom;
And on the dark-green grass, beside the brink
Of haunted stream, that by the roots of oak
Rolls o'er the rocky channel, lie at large,
And sing the glories of the circling year.
Come, Inspiration! from thy hermit-seat,
By mortal seldom found: may Fancy dare,
From thy fix'd serious eye, and raptured glance
Shot on surrounding Heaven, to steal one look
Creative of the Poet, every power
Exalting to an ecstasy of soul.
And thou, my youthful Muse's early friend,
In whom the human graces all unite:
Pure light of mind, and tenderness of heart;
Genius, and wisdom; the gay social sense,
By decency chastised; goodness and wit,
In seldom-meeting harmony combined;
Unblemish'd honour, and an active zeal
For Britain's glory, liberty, and Man:
O Dodington! attend my rural song,
Stoop to my theme, inspirit every line,
And teach me to deserve thy just applause.
With what an awful world-revolving power
Were first the unwieldy planets launch'd along
The illimitable void! thus to remain,
Amid the flux of many thousand years,
That oft has swept the toiling race of men,
And all their labour'd monuments away,
Firm, unremitting, matchless, in their course;
To the kind-temper'd change of night and day,
And of the seasons ever stealing round,
Minutely faithful: such the All-perfect hand!
That poised, impels, and rules the steady whole.
When now no more the alternate Twins are fired,
And Cancer reddens with the solar blaze,
Short is the doubtful empire of the night;
And soon, observant of approaching day,
The meek'd-eyed Morn appears, mother of dews,
At first faint-gleaming in the dappled east:
Till far o'er ether spreads the widening glow;
And, from before the lustre of her face,

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Fundamental of Liar Chapter CXVI: One in a Million

A million feeling, one story
One feeling, a million story

A million question, one anxiety
One question, a million anxieties

A million smile, one meaning
One smile, a million meaning

A million languages, one will
One language, a million will

A million anger, one reaction
One anger, a million reaction

A million beginning, one ending
One beginning, a million ending

A million face, one heart
One face, a million hearts

A million dream, one happiness
One dream, a million happiness

A million love, one human
One love, a million human

A million trouble, one way
One trouble, a million ways

A million arts, one impression
One art, a million impressions

A million witness, one event
One witness, a million event

A million memories, one fact
One memory, a million facts

A million chance, one choice
One chance, a million choices

A million lives, one hope
One life, a million hope

A million reason, one lie
One reason, a million lie

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Tannhauser

The Landgrave Hermann held a gathering
Of minstrels, minnesingers, troubadours,
At Wartburg in his palace, and the knight,
Sir Tannhauser of France, the greatest bard,
Inspired with heavenly visions, and endowed
With apprehension and rare utterance
Of noble music, fared in thoughtful wise
Across the Horsel meadows. Full of light,
And large repose, the peaceful valley lay,
In the late splendor of the afternoon,
And level sunbeams lit the serious face
Of the young knight, who journeyed to the west,
Towards the precipitous and rugged cliffs,
Scarred, grim, and torn with savage rifts and chasms,
That in the distance loomed as soft and fair
And purple as their shadows on the grass.
The tinkling chimes ran out athwart the air,
Proclaiming sunset, ushering evening in,
Although the sky yet glowed with yellow light.
The ploughboy, ere he led his cattle home,
In the near meadow, reverently knelt,
And doffed his cap, and duly crossed his breast,
Whispering his 'Ave Mary,' as he heard
The pealing vesper-bell. But still the knight,
Unmindful of the sacred hour announced,
Disdainful or unconscious, held his course.
'Would that I also, like yon stupid wight,
Could kneel and hail the Virgin and believe!'
He murmured bitterly beneath his breath.
'Were I a pagan, riding to contend
For the Olympic wreath, O with what zeal,
What fire of inspiration, would I sing
The praises of the gods! How may my lyre
Glorify these whose very life I doubt?
The world is governed by one cruel God,
Who brings a sword, not peace. A pallid Christ,
Unnatural, perfect, and a virgin cold,
They give us for a heaven of living gods,
Beautiful, loving, whose mere names were song;
A creed of suffering and despair, walled in
On every side by brazen boundaries,
That limit the soul's vision and her hope
To a red hell or and unpeopled heaven.
Yea, I am lost already,-even now
Am doomed to flaming torture for my thoughts.
O gods! O gods! where shall my soul find peace?'
He raised his wan face to the faded skies,
Now shadowing into twilight; no response
Came from their sunless heights; no miracle,
As in the ancient days of answering gods.

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Pressure

Pressure pressure I got pressure, oh yeah, oh yeah, oh yeah
Pressure pressure I got pressure, oh yeah
I dont really want to give it to you
cos its really contagious
You can pick it up anywhere
And it can be quite dangerous
You can spread it mouth to mouth
You can even get it when youre alone
But I can always live with it
Whenever I am close to you
Pressure pressure I got pressure, oh yeah, oh yeah, oh yeah
Pressure pressure I got pressure
I get it driving in my motor car
I get it when Im drinking in a bar
I get it riding on the subway
I get it regular every day
And anyone who never had it yet
And doesnt know what Im going through
But I forget the pressure
When I am close to you
Altogether now-oh yeah, oh yeah, oh yeah
Oh yeah, oh yeah, oh yeah
Pressure pressure I got pressure oh yeah. oh yeah. oh yeah
Pressure pressure feel the pressure
You got the pressure and thats a fact
I can tell by the way you act
And I can tell that youre pressurised
By the look thats in your eyes
I know the pressure cos Ive got it too
So I know what youre going through
But I forget the pressure
Whenever I am close to you

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