First Encounter - Ng Yen Yen
Ng Yen Yen
a character from my favourite
wang mei tiau movie?
The Tourism Minister Datuk Seri Ng Yen Yen reminds me of the characters in the Chinese period Wang Mei Tiau movies. Indeed she loves to wear a colourful shawl over her Kebaya (Malay influenced blouses with fine embellishment at the edges that accentuate the waist and long skirts. The women in Wang Mei Tiau Chinese period movies cover up their physiques, legs and hands included, in lengthy costumes. Wang Mei Tiau movies were a hit in the 60s and movies like Liang San Pe and Zhu Ying Tai and Hua Mulan are known all over the Chinese world. We met at a media dinner at the Royale Chulan Hotel in Kuala Lumpur in 2009 to introduce Jean Todt as an
ambassador of Tourism.
.
poem by John Tiong Chunghoo
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Related quotes
Na Tian Piet's Sha'er Of The Late Sultan Abu Bakar Of Johor
In the name of God, let his word begin:
Praise be to God, let praises clear ring;
May our Lord, Jesus Christ's[8] blessings
Guide my pen through these poetizings!
This sha'er is an entirely new composition
Composed by myself, no fear of imitation.
It's Allah's name, I will keep calling out
While creating this poem to avoid confusion.
This story I'm relating at the present moment
I copy not, nor is it by other hands wrought;
Nothing whatsoever is here laid out
That hereunder is not clearly put forth.
Not that I am able to create with much ease,
To all that's to come I'm yet not accustomed;
Why, this sha'er at this time is being composed
Only to console my heart which is heavily laden.
I'm a peranakan[9], of Chinese origin,
Hardly perfect in character and mind;
I find much that I can not comprehend,
I'm not a man given to much wisdom.
Na Tian Piet[10] is what I go by name
I have in the past composed stories and poems;
Even when explained to - most stupid I remain
The more I keep talking the less I understand.
I was born in times gone by
In the country known as Bencoolen[11];
Indeed, I am more than stupid:
Ashamed am I composing this lay.
Twenty-four years have gone by
Since I moved to the island of Singapore;
My wife and children accompanied me
To Singapore, a most lovely country.
I stayed in Riau[12] for some time
Together with my wife and children;
Two full years in Riau territory,
Back to Singapore my legs carried me.
At the time when Acheh[13] was waging war
I went there with goods to trade,
I managed to sell them at exhorbitant prices:
Great indeed were the profits I made.
[...] Read more
poem by T. Wignesan
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Who Dares To Take This Life From Me, Knows No Better
I
An important thing in living
Is to know when to go;
He who does not know this
Has not far to go,
Though death may come and go
When you do not know.
Come, give me your hand,
Together shoulder and cheek to shoulder
We'll go, sour kana in cheeks
And in the mornings cherry sticks
To gum: the infectious chilli smiles
Over touch-me-not thorns, crushing snails
From banana leaves, past
Clawing outstretched arms of the bougainvillea
To stone the salt-bite mangoes.
Tread carefully through this durian kampong
For the ripe season has pricked many a sole.
II
la la la tham'-pong
Let's go running intermittent
To the spitting, clucking rubber fruit
And bamboo lashes through the silent graves,
Fresh sod, red mounds, knee stuck, incensing joss sticks
All night long burning, exhuming, expelling the spirit.
Let's scour, hiding behind the lowing boughs of the hibiscus
Skirting the school-green parapet thorny fields.
Let us now squawk, piercing the sultry, humid blanket
In the shrill wakeful tarzan tones,
Paddle high on.the swings
Naked thighs, testicles dry.
Let us now vanish panting on the climbing slopes
Bare breasted, steaming rolling with perspiration,
Biting with lalang burn.
Let us now go and stand under the school
Water tap, thrashing water to and fro.
Then steal through the towkay's
Barbed compound to pluck the hairy
Eyeing rambutans, blood red, parang in hand,
And caoutchouc pungent with peeling.
Now scurrying through the estate glades
Crunching, kicking autumnal rubber leavings,
Kneading, rolling milky latex balls,
Now standing to water by the corner garden post.
[...] Read more
poem by T. Wignesan
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Gioconda And Si-Ya-U
to the memory of my friend SI-YA-U,
whose head was cut off in Shanghai
A CLAIM
Renowned Leonardo's
world-famous
"La Gioconda"
has disappeared.
And in the space
vacated by the fugitive
a copy has been placed.
The poet inscribing
the present treatise
knows more than a little
about the fate
of the real Gioconda.
She fell in love
with a seductive
graceful youth:
a honey-tongued
almond-eyed Chinese
named SI-YA-U.
Gioconda ran off
after her lover;
Gioconda was burned
in a Chinese city.
I, Nazim Hikmet,
authority
on this matter,
thumbing my nose at friend and foe
five times a day,
undaunted,
claim
I can prove it;
if I can't,
I'll be ruined and banished
forever from the realm of poesy.
1928
Part One
Excerpts from Gioconda's Diary
15 March 1924: Paris, Louvre Museum
At last I am bored with the Louvre Museum.
[...] Read more
poem by Nazim Hikmet
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The Great Chinese Dragon
The great Chinese dragon which is the greatest dragon in all the
world and which once upon a time was towed across the
Pacific by a crew of coolies rowing in an open boat—was
the first real live dragon ever actually to reach these shores
And the great Chinese dragon passing thru the Golden Gate
spouting streams of water like a string of fireboats then broke
loose somewhere near China Camp gulped down a hundred
Chinese seamen and forthwith ate all the shrimp in San Francisco Bay
And the great Chinese dragon was therefore forever after confined
in a Chinatown basement and ever since allowed out only for
Chinese New Year’s parades and other Unamerican demonstrations
paternally watched-over by those benevolent men in
blue who represent our more advanced civilization which has
reached such a high state of democracy as to allow even a
few barbarians to carry on their quaint native customs in our midst
And thus the great Chinese dragon which is the greatest dragon
in all the world now can only be seen creeping out of an
Adler Alley cellar like a worm out of a hole sometime during
the second week in February every year when it sorties out
of hibernation in its Chinese storeroom pushed from behind
by a band of fortythree Chinese electricians and technicians
who stuff its peristaltic accordion-body up thru a sidewalk
delivery entrance
And first the swaying snout appears and then the eyes at ground
level feeling along the curb and then the head itself casting
about and swayingand heaving finally up to the corner of
Grant Avenue itself where a huge paper sign proclaims the
World’s Largest Chinatown
And the great Chinese dragon’s jaws wired permanently agape as
if by a demented dentist to display the Cadmium teeth as the
hungry head heaves out into Grant Avenue right under the
sign and raising itself with a great snort of fire suddenly proclaims
the official firecracker start of the Chinese New Year
And the lightbulb eyes lighting up and popping out on coiled wire
springs and the body stretching and rocking further and
further around the corner and down Grant Avenue like a
caterpillar rollercoaster with the eyes sprung out and waving
in the air like the blind feelers of some mechanical preying
mantis and the eyes blinking on and off with Chinese red
pupils and tiny bamboo-blind eyelids going up and down
And here comes the St. Mary’s Chinese Girls’ Drum Corps and
here come sixteen white men in pith helmets beating big bass
drums representing the Order of the Moose and here comes
[...] Read more
poem by Lawrence Ferlinghetti
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Parichay
Poochu kisse parichay aapna
Mei khud se aanjaan
Barso se parkha hai khud ko
Baanker ke vidwan.
Har baras
dar baras
Badle hai pehchan mere
Herat mei hai jaan.
Har pal badalta
Ek ek pal mei machalta
Kabhi dhalta, kabhi nikharta
Paraspar badalta
Mera aastitwa
meri pehchan
kabhi dhoondha hai
kisi ki aakho ke pratibimb mei
to
kabhi paya hai
kisi ki ajnabi se muskan mei.
Mei ek
aur mujhme
na jane
kitne anek.
Ek ko jaanu to
Dooja ho jaye
Pal hi mei mehman.
Sthirta ki moorat mei
Kan kan aasthirta se bhara
Meri shinakt.
Poochu kisse parichay aapna
Mei khud se aanjaan
-anjali
poem by Anjali Kakati
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First Encounter - Jean Todt
another kind
old gweilo
Jean Todt
thank god
he doesn't talk fast
as the Grand Prix cars
I met him and the Malaysian Tourism Minister Datuk Seri Ng Yen Yen
at a dinner the Royale Chulan Hotel in Kuala Lumpur in June when Todt was chosen as a tourism ambassador of Malaysia to help promote the country particularly in France and Europe. Todt came across as a very friendly man. He was very obliging in his conversation
answering one reporter at a time. He told us that he loves Mechelle Yeoh and Malaysia. Todt is the founder of Peugeot Talbot Sport; Team Principal for Scuderia Ferrari,1993-2007 and was the CEO of Ferrari from 2008-2009.
poem by John Tiong Chunghoo
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The Court Of Love
With timerous hert and trembling hand of drede,
Of cunning naked, bare of eloquence,
Unto the flour of port in womanhede
I write, as he that non intelligence
Of metres hath, ne floures of sentence;
Sauf that me list my writing to convey,
In that I can to please her hygh nobley.
The blosmes fresshe of Tullius garden soote
Present thaim not, my mater for to borne:
Poemes of Virgil taken here no rote,
Ne crafte of Galfrid may not here sojorne:
Why nam I cunning? O well may I morne,
For lak of science that I can-not write
Unto the princes of my life a-right
No termes digne unto her excellence,
So is she sprong of noble stirpe and high:
A world of honour and of reverence
There is in her, this wil I testifie.
Calliope, thou sister wise and sly,
And thou, Minerva, guyde me with thy grace,
That langage rude my mater not deface.
Thy suger-dropes swete of Elicon
Distill in me, thou gentle Muse, I pray;
And thee, Melpomene, I calle anon,
Of ignoraunce the mist to chace away;
And give me grace so for to write and sey,
That she, my lady, of her worthinesse,
Accepte in gree this litel short tretesse,
That is entitled thus, 'The Court of Love.'
And ye that ben metriciens me excuse,
I you besech, for Venus sake above;
For what I mene in this ye need not muse:
And if so be my lady it refuse
For lak of ornat speche, I wold be wo,
That I presume to her to writen so.
But myn entent and all my besy cure
Is for to write this tretesse, as I can,
Unto my lady, stable, true, and sure,
Feithfull and kind, sith first that she began
Me to accept in service as her man:
[...] Read more
poem by Anonymous Olde English
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Robbing the Tomb
The year was bad, the crops were burnt,
The dragon turned his back,
The River Wei was almost dry
The earth was brown, and cracked,
The peasant army, risen up
Destroyed the House of Chin,
Set fire to all their palaces,
Their army turned and ran.
But we were left with nothing since
The death of Chin Shi Huang,
That first and greatest Emperor
Who'd ruled across the land,
He lay within his tomb up there
Hid deep within Mount Li,
And left us all with nothing but
A distant memory.
So Wang and Tong, my neighbours
With both Zheng and Shao along,
Had thought about the riches that
Lay underneath the ground,
They'd murdered all the builders and
The architects, the slaves,
So no-one could reveal the plans
Of Chin Shi Huang-ti's grave.
The ruling class were weak, had fled,
We thought this was our chance,
Why shouldn't we be rich, we thought,
We'd fought with sword and lance,
We'd long defended Chin Shi Huang
So now we should be paid,
The riches of the tomb lay there
Down where his corpse was laid.
'You know the penalty for this, '
Said Shao, 'we'll lose our heads,
If anyone should get to hear
That we've disturbed the dead.'
'We're going to die soon anyway, '
Croaked Zheng, 'you'd rather starve?
I'd risk my head for just one ring...'
The rest of us just laughed.
'What if his ghost has roamed abroad
To rage and roar at us?
Down in that ghostly sepulchre
Where he was laid in trust? '
'No man survived to see beneath
[...] Read more
poem by David Lewis Paget
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You Wear It So Well
All of those things
Yeah, that you got to give
Yeah, you wear it so well
Hey, you wear it so well
All of those stories
Honey, that i know you could tell
Yeah, you wear it so well
And your face hides it so we can't tell
That you knew we would wear it so well
You wear it so well
Yeah darling, you wear it so well
(you wear it so well)
Yeah baby, you wear it so well
(you wear it so well)
Yeah now baby, you wear it so well
(you wear it so well)
Hey now darling now, yeah, you wear it so well
(you wear it so well)
All of those things
That make poets sing
You wear it so well
Yeah, you hide it so well
And all of those pain
That you used to tell
You hide it so well
Can't tell from your face that you knew it so well
Hey, now that you have such a story to tell
Yeah, you got style and grace and you wear it so well
You wear it so well
And you got, you got such a story to tell
Yeah, yeah, yeah, you wear it so well
Grace and style equals you so well
Yeah, yeah, yeah, you wear it so well, well, yeah, so well
Yeah, you wear it, wear it, wear it now, wear it now, baby
Yeah, now you wear it so well
And you got such a story to tell
(ooohhh, ooohhh, ooohhh)
(ooohhh, you wear it so well)
(you wear it so well)
(you wear it so well)
song performed by Lou Reed
Added by Lucian Velea
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In Your Room
In your room
Where time stands still
Or moves at your will
Will you let the morning come soon
Or will you leave me lying here
In your favourite darkness
Your favourite half-light
Your favourite consciousness
Your favourite slave
In your room
Where souls disappear
Only you exist here
Will you lead me to your armchair
Or leave me lying here
Your favourite innocence
Your favourite prize
Your favourite smile
Your favourite slave
I'm hanging on your words
living on your breath
feeling with your skin
Will I always be here
In your room
Your burning eyes
Cause flames to arise
Will you let the fire die down soon
Or will I always be here
Your favourite passion
Your favourite game
Your favourite mirror
Your favourite slave
I'm hanging on your words
living on your breath
feeling with your skin
Will I always be here
song performed by Zeraphine
Added by Lucian Velea
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Who Loves Ya Baby?
Verse 1:
Busy life, not enough time
To look in the mirror
Life in the fast lane...
Look around and take note
Who really loves you?
Dont get caught up in the clouds
Or youll go insane
When it seems everyone is needing something
Remember whos always been there for you
Chorus:
Who loves ya baby?
Who really loves ya baby?
Whos always been on your side morning and night?
Who loves ya baby?
Who really loves ya baby?
Whos gonna see to it that
Youre treated right?
Verse 2:
Just a smile is alright
Dont owe me anything
Come escape with me...[laugh]
You have got the world at your feet
Thats not always easy
All those people caring,
Yet youre still alone
I understand whats behind the feelings
I think I know you better than anyone (anyone)
Chorus
Bridge:
I believe in you...yes!
You believe in me too
Dont ever get swept away by something not real
cause the way I feel...
Oh I will always feel that way
Chorus
Who loves ya baby?
Chorus
Oh, who loves ya baby?
Who really loves you, loves you baby?
Oo yeah! (morning and night)
I say, who, who, who (who loves ya baby? )
Who loves ya baby? (who really loves you baby? )
Who, who, who (youre treated right)
Who loves ya baby? yeah! (who loves ya baby? )
Oo yeah! (who really loves you baby? )
Whos always been on your side morning and night?
Who loves ya baby?
Who really loves you baby?
Whos gonna see to it that youre treated right?
[...] Read more
song performed by Debbie Gibson
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The Chinese Nightingale
A Song in Chinese Tapestries
"How, how," he said. "Friend Chang," I said,
"San Francisco sleeps as the dead—
Ended license, lust and play:
Why do you iron the night away?
Your big clock speaks with a deadly sound,
With a tick and a wail till dawn comes round.
While the monster shadows glower and creep,
What can be better for man than sleep?"
"I will tell you a secret," Chang replied;
"My breast with vision is satisfied,
And I see green trees and fluttering wings,
And my deathless bird from Shanghai sings."
Then he lit five fire-crackers in a pan.
"Pop, pop," said the fire-crackers, "cra-cra-crack."
He lit a joss stick long and black.
Then the proud gray joss in the corner stirred;
On his wrist appeared a gray small bird,
And this was the song of the gray small bird:
"Where is the princess, loved forever,
Who made Chang first of the kings of men?"
And the joss in the corner stirred again;
And the carved dog, curled in his arms, awoke,
Barked forth a smoke-cloud that whirled and broke.
It piled in a maze round the ironing-place,
And there on the snowy table wide
Stood a Chinese lady of high degree,
With a scornful, witching, tea-rose face....
Yet she put away all form and pride,
And laid her glimmering veil aside
With a childlike smile for Chang and for me.
The walls fell back, night was aflower,
The table gleamed in a moonlit bower,
While Chang, with a countenance carved of stone,
Ironed and ironed, all alone.
And thus she sang to the busy man Chang:
"Have you forgotten....
Deep in the ages, long, long ago,
I was your sweetheart, there on the sand—
Storm-worn beach of the Chinese land?
We sold our grain in the peacock town
Built on the edge of the sea-sands brown—
Built on the edge of the sea-sands brown....
"When all the world was drinking blood
[...] Read more
poem by Vachel Lindsay
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Chinese woman
When your eyes,
Meet mine,
You smile,
So fine.
The thought
Of being with you,
Excites me,
It’s all I wanna do.
Chinese woman,
I love you,
Chinese woman,
Why don’t you love me too?
Chinese woman,
Don’t go far away,
Chinese woman,
Why don’t you stay?
Every time,
You see me,
I try
to be funny.
I don’t understand,
You laugh and smile,
Yet I don’t hear from
You in a while.
Chinese woman,
I love you,
Chinese woman,
Why don’t you love me too?
Chinese woman,
Don’t go far away,
Chinese woman,
Why don’t you stay?
Days come
In and out.
Still I have
To shout.
Just so you
Look at me.
Just so you
Can see…
[...] Read more
poem by Roger Naya
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Massacre in Nanjing
On a clear winter day you can see from Tokyo
The snow-capped volcanic cone of Mount Fuji.
Towering to a height of 3,776 meters on Honshu Island,
About 100 kilometers south-west from the capital,
The majestic mountain is a staunch symbol
Of the Land of the Rising Sun.
During the Sino-Japanese War of 1937-1945,
Hirohito's armies invaded China, carrying along
A fascist banner of samurai honor and pride.
The Japanese Imperial troops
Advanced with brutal force,
Committing dreadful atrocities
Against prisoners and civilians.
They reinterpreted bushido virtues and believed
That their war crimes elevated the splendor and glory
Of Mount Fuji to new heights.
Articles published in November and December 1937
In the Tokyo Nichi Nichi Shimbun reported the exploits
Of Japanese Imperial Army officers Toshiaki Mukai and
Tsuyoshi Noda, who on the road to Nanjing competed,
For being the first to behead 100 Chinese with a sword.
Okumiya Masatake, a Japanese officer,
Was a witness to the atrocities.
He was a principled aviator in the Imperial Navy,
Serving in Jiangsu.
He was shocked by the carnage he saw in China.
On December 12,1937,
He participated outside Nanjing
In the bombing and sinking
Of the American Gunboat USS Panay
In the Yangtze River.
A few days after the sinking of the Panay,
Okumiya rode a chauffeur-driven car,
Searching for the bodies of downed Japanese pilots.
It was then that he had witnessed
His Majesty's Imperial Troops
Perpetrating gruesome Massacres.
In the streets of Nanjing, Japanese soldiers
Were slaughtering indiscriminately
Chinese men and women, young and old.
On December 25 and 27 of 1937,
Okumiya photographed in the capital
Piles of innumerable bodies of Chinese people,
Lying unburied along the Yangtze River
[...] Read more
poem by Paul Hartal
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In A Far Away Land
In A Far Away Land, a song written by Luo Bin Wang, is sung, by John, in 1994 Australia concert. The visual footage is availabele on the John Denver "VIDEOKE" available only in Japan. Audio is available on Calypso Collection of The John Denver Collection, 1997 release by LaserLight Digital.
This song is a tradition Chinese folk song, written by Luo Bin Wang, who spent over the last 40+ years of his life studying the songs and lifestyles of the peoples in the Qing Hai area of China, an area that is similar to PrairieLands and GrassLands, where the Zhang people live a nomadic life, raising such livestock as goats and sheep.
Luo Bin Wang is considered the King of Chinese Folk/Country songs. He wrote over 100 songs. He has helped to preserve and to promote a very special part of China's social culture, and is regarded highly in China. Luo Bin Wang died in the late 1980's, but his music still lives, today.
There appear to be many more stanzas to this song, although John only sings one. In addition, the song seems to be well-known to the Chinese people, and, John's rendition appears to be somewhat humorous.
Courtesy extended to Rick Li Bao, for helping me with John's singing of this song, and for the historical perspective. If we have not done this song its due justice, please email us with any helpful modifications. Thanks.
There is a nice, pretty girl, in a far away land.
When people pass by her tent, they always stop and take a double-glimpse
(People said that she always keeps a lamb beside her)
I wish I can be a young lamb, running towards you, until I am by your side
I wish her narrow quirt always whips me gently
I wish I can be a young lamb, running towards you, until I am by your side
I wish her narrow quirt always whips me gently
I wish I can be a young lamb, running towards you, until I am by your side
I wish her narrow quirt always whips me gently
???????
???????
?????
????????
?????????
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???????
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song performed by John Denver
Added by Lucian Velea
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Family History
My father left when I was one,
Or maybe two - I don't recall,
I have no memory of him now,
No memory then, now none at all.
It didn't seem important then
I had my mother, she had me,
And Uncle George would call each day,
Call by most nights, and stay for tea.
I wasn't even curious,
My world was perfect as it was,
We lived beside a village green
And travelled by the village bus.
Our house was large, a mansion set
In Parklands, much too large for us,
Whole wings were closed and boarded in,
My mother said, 'it makes less fuss! '
It wasn't 'til I went to school
That doubts arose about my kin,
The boys would taunt and tease me there,
Would comment on my yellow skin.
They called me 'Squinty' for my eyes,
They looked so different then, to them,
My hair was black and very straight:
'You'll never make an Englishman! '
I asked my mother why I looked
So different, just like chalk and cheese,
She smiled and held me close to her,
And said: 'Your father was Chinese! '
'I met him through your Uncle George,
They served together in some war,
He charmed me once, but then he left,
Went off to fight for Chiang-Kai-shek.'
'I thought that he'd return one day
But truth to tell, he never did,
I heard that he'd been killed before
The White Army had turned and fled.'
She mentioned words I'd never heard
'Formosa', 'Tao' and 'Mao Zedong',
'Long March', 'Red Army', words that I
Remembered when no longer young.
[...] Read more
poem by David Lewis Paget
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Baby Loves To Rock
Words and music by rick nielsen
More and more I been thinkin bout love
Love aint all I been thinkin of
Some people do and some people dont
Some people will and say they wont
But my baby loves to rock
And my baby loves to roll
My baby loves to all night long
My baby loves to rock
More and more Im thinkin bout s-s-sex
The more I think the better it gets
More and more Im thinkin bout s-s-sex
The more I think the worse it gets
But my baby loves to rock
And my baby loves to roll
My baby loves to all night long
My baby loves to rock
She loves to rock
She loves to rock
She loves to rock
But my baby loves to rock
And my baby loves to roll
My baby loves to all night long
My baby loves to rock
She loves to rock
She loves to rock
She loves to rock
In the morning, in the evening
In the summer, in the winter
In my car, in the night, in an airplane
Not in russia!
She loves to rock, she loves to rock
She loves to rock, she loves to rock
She loves to rock
More and more I been thinkin bout love
Love aint all I been thinkin of
song performed by Cheap Trick
Added by Lucian Velea
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Visit Malaysia Year - Newton Food Court (State of Malacca)
Newton
every stall splashes its best
on the wall
Newton
Malacca's new age
hawkers
Here at Malacca Newton foodcourt is one of the model hawker's
food outlet. There are sections for Chinese, Indian and Malay food.
The Chinese cuisine can be found at the fore, the Indian at the side and the Malay at the back of the food court. Each hawker stall has his own space to showcase his food including in the form of large pictures on the wall. You see at the back of every stall, large tasteful fare such as satay, popiah, chi cheong fun, herbal soups, porridge, fried oysters, char koey tiaw among others. There are some 30 Chinese stalls,10 Malay and eight Indian stalls. The environment is clean with wooden tables and chairs, and large Chinese lanterns hanging from the ceiling. There are sections where one can dine open air styled.
poem by John Tiong Chunghoo
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Groovy Movies
Sometimes I think Im gonna better myself,
Searching for acceptance in this big, wide world.
Sometimes I think I wont make it,
Playing in a rock n roll band.
Sometimes I wanna be a picture director,
And try to make the world understand.
By making groovy movies,
By making groovy movies,
By making groovy movies.
All the movie makers of the world would be,
Falling over backwards to have dinner with me.
Ill go down to [? ]
Anytime I feel like a game[? ].
Or take a long vacation to san tropez,
And think of all the money I made.
By making groovy movies,
By making groovy movies,
By making groovy movies.
I dont want to be a producer,
I dont want to be a big star.
I just want to be a picture director,
And smoke a big havana cigar.
By making groovy movies,
By making groovy movies,
By making groovy movies,
By making groovy movies,
By making groovy movies,
By making groovy movies.
song performed by Kinks
Added by Lucian Velea
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Notes On An Unadorned Night
after Rene Char
Let's agree that the night is a blank canvas, a station
break, a bridge of a song.
Let's agree further that activities at night—movies,
campfires, reading by a lamp—are all
basically an homage to the day.
I have come to regard these two statements as
contradictory. Let me explain.
First, set aside that one could see a movie, torch a fire,
and read with the sun blazing over us.
The in-between aspect of night need not spark a flurry of
activity, is all I'm saying.
You could do nothing at night! Just lay and sleep!
A Cézanne sketch I looked at last night bears
mentioning.
A big Gallic face, reclining upwards, looks up at three
boxcars on train tracks.
The man's eyes are wide open and unfulfilled.
The two disemboweled deer I saw the night before also
bear mentioning.
The torsos of both deer were connected to faces, both
looking up.
I assumed they were struck by trains near the house
where I was sleeping.
Anyway, it occurred to me that as I looked into these
two dead deer's eyes that so much has fallen at
me, rather than simply by me.
I want to be among people. I do.
But I just want the easy parts skipped, for bodies to rub
up against each other, to always feel as new flesh
touches new flesh.
Those deer weren't an emblem of anything. I'm not like that.
I don't need dead animals to mirror my own interior world.
[...] Read more
poem by Daniel Nester
Added by Poetry Lover
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