Merciles Beaute
1. CAPTIVITY
YOUR eyen two wol slee me sodenly,
I may the beaute of hem not sustene,
So woundeth hit through-out my herte kene.
And but your word wol helen hastily
My hertes wounde, whyl that hit is grene,
Your eyen two wol slee me sodenly,
I may the beaute of hem not sustene.
Upon my trouthe I sey yow feithfully,
That ye ben of my lyf and deeth the quene;
For with my deeth the trouthe shal be sene.
Your eyen two wol slee me sodenly,
I may the beaute of hem not sustene,
So woundeth hit through-out my herte kene.
2. REJECTION
So hath your beaute fro your herte chaced
Pitee, that me ne availeth not to pleyne;
For Daunger halt your mercy in his cheyne.
Giltles my deeth thus han ye me purchaced;
I sey yow sooth, me nedeth not to feyne;
So hath your beaute fro your herte chaced
Pitee, that me ne availeth not to pleyne.
Allas! that nature hath in yow compassed
So greet beaute, that no man may atteyne
To mercy, though he sterve for the peyne.
So hath your beaute fro your herte chaced
Pitee, that me ne availeth not to pleyne;
For Daunger halt your mercy in his cheyne.
3. ESCAPE
Sin I fro Love escaped am so fat,
I never thenk to ben in his prison lene;
Sin I am free, I counte him not a bene.
He may answere, and seye this or that;
I do no fors, I speke right as I mene.
Sin I fro Love escaped am so fat,
I never thenk to ben in his prison lene.
Love hath my name y-strike out of his sclat,
And he is strike out of my bokes clene
For ever-mo; ther is non other mene.
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poem by Geoffrey Chaucer
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Related quotes
A Tree Telling of Orpheus
White dawn. Stillness.When the rippling began
&nbs p; I took it for sea-wind, coming to our valley with rumors
&nb sp; of salt, of treeless horizons. But the white fog
didn't stir; the leaves of my brothers remained outstretched,
unmoving.
& nbsp; &n bsp; &nb sp;Yet the rippling drew nearer – and then
my own outermost branches began to tingle, almost as if
fire had been lit below them, too close, and their twig-tips
were drying and curling.
& nbsp; &n bsp; &nb sp; Yet I was not afraid, only
  ; & nbsp; deeply alert.
I was the first to see him, for I grew
  ; out on the pasture slope, beyond the forest.
He was a man, it seemed: the two
moving stems, the short trunk, the two
arm-branches, flexible, each with five leafless
& nbsp; &n bsp; &nb sp; &nbs p;   ; twigs at their ends,
and the head that's crowned by brown or golden grass,
bearing a face not like the beaked face of a bird,
&nbs p;   ; more like a flower's.
& nbsp; &n bsp; He carried a burden made of
some cut branch bent while it was green,
strands of a vine tight-stretched across it. From this,
when he touched it, and from his voice
which unlike the wind's voice had no need of our
leaves and branches to complete its sound,
&nb sp; &nbs p;   ; & nbsp;came the ripple.
But it was now no longer a ripple (he had come near and
stopped in my first shadow) it was a wave that bathed me
& nbsp; &n bsp; as if rain
  ; & nbsp; rose from below and around me
& nbsp; &n bsp; instead of falling.
And what I felt was no longer a dry tingling:
& nbsp; I seemed to be singing as he sang, I seemed to know
  ; what the lark knows; all my sap
& nbsp; &n bsp; was mounting towards the sun that by now
& nbsp; &n bsp; had risen, the mist was rising, the grass
was drying, yet my roots felt music moisten them
deep under earth.
  ; He came still closer, leaned on my trunk:
&nb sp; &nbs p; the bark thrilled like a leaf still-folded.
Music! There was no twig of me not
& nbsp; &n bsp; trembling with joy and fear.
Then as he sang
it was no longer sounds only that made the music:
he spoke, and as no tree listens I listened, and language
& nbsp; &n bsp; came into my roots
&nbs p;   ; out of the earth,
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poem by Denise Levertov
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The Nut-Brown Maid
He. BE it right or wrong, these men among
On women do complain;
Affirming this, how that it is
A labour spent in vain
To love them wele; for never a dele
They love a man again:
For let a man do what he can
Their favour to attain,
Yet if a new to them pursue,
Their first true lover than
Laboureth for naught; for from her thought
He is a banished man.
She. I say not nay, but that all day
It is both written and said
That woman's faith is, as who saith,
All utterly decayd:
But nevertheless, right good witness
In this case might be laid
That they love true and continue:
Record the Nut-brown Maid,
Which, when her love came her to prove,
To her to make his moan,
Would not depart; for in her heart
She loved but him alone.
He. Then between us let us discuss
What was all the manere
Between them two: we will also
Tell all the pain in fere
That she was in. Now I begin,
So that ye me answere:
Wherefore all ye that present be,
I pray you, give an ear.
I am the Knight. I come by night,
As secret as I can,
Saying, Alas! thus standeth the case,
I am a banished man.
She. And I your will for to fulfil
In this will not refuse;
Trusting to show, in wordes few,
That men have an ill use--
To their own shame--women to blame,
And causeless them accuse.
Therefore to you I answer now,
All women to excuse--
Mine own heart dear, with you what cheer?
I pray you, tell anone;
For, in my mind, of all mankind
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poem by Anonymous
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Hertha
I AM that which began;
Out of me the years roll;
Out of me God and man;
I am equal and whole;
God changes, and man, and the form of them bodily; I am the soul.
Before ever land was,
Before ever the sea,
Or soft hair of the grass,
Or fair limbs of the tree,
Or the flesh-colour'd fruit of my branches, I was, and thy soul was in
me.
First life on my sources
First drifted and swam;
Out of me are the forces
That save it or damn;
Out of me man and woman, and wild-beast and bird: before God was, I
am.
Beside or above me
Naught is there to go;
Love or unlove me,
Unknow me or know,
I am that which unloves me and loves; I am stricken, and I am the
blow.
I the mark that is miss'd
And the arrows that miss,
I the mouth that is kiss'd
And the breath in the kiss,
The search, and the sought, and the seeker, the soul and the body that
is.
I am that thing which blesses
My spirit elate;
That which caresses
With hands uncreate
My limbs unbegotten that measure the length of the measure of fate.
But what thing dost thou now,
Looking Godward, to cry,
'I am I, thou art thou,
I am low, thou art high'?
I am thou, whom thou seekest to find him; find thou but thyself, thou
art I.
I the grain and the furrow,
The plough-cloven clod
And the ploughshare drawn thorough,
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poem by Algernon Charles Swinburne
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Ave atque Vale (In memory of Charles Baudelaire)
SHALL I strew on thee rose or rue or laurel,
Brother, on this that was the veil of thee?
Or quiet sea-flower moulded by the sea,
Or simplest growth of meadow-sweet or sorrel,
Such as the summer-sleepy Dryads weave,
Waked up by snow-soft sudden rains at eve?
Or wilt thou rather, as on earth before,
Half-faded fiery blossoms, pale with heat
And full of bitter summer, but more sweet
To thee than gleanings of a northern shore
Trod by no tropic feet?
For always thee the fervid languid glories
Allured of heavier suns in mightier skies;
Thine ears knew all the wandering watery sighs
Where the sea sobs round Lesbian promontories,
The barren kiss of piteous wave to wave
That knows not where is that Leucadian grave
Which hides too deep the supreme head of song.
Ah, salt and sterile as her kisses were,
The wild sea winds her and the green gulfs bear
Hither and thither, and vex and work her wrong,
Blind gods that cannot spare.
Thou sawest, in thine old singing season, brother,
Secrets and sorrows unbeheld of us:
Fierce loves, and lovely leaf-buds poisonous,
Bare to thy subtler eye, but for none other
Blowing by night in some unbreathed-in clime;
The hidden harvest of luxurious time,
Sin without shape, and pleasure without speech;
And where strange dreams in a tumultuous sleep
Make the shut eyes of stricken spirits weep;
And with each face thou sawest the shadow on each,
Seeing as men sow men reap.
O sleepless heart and sombre soul unsleeping,
That were athirst for sleep and no more life
And no more love, for peace and no more strife!
Now the dim gods of death have in their keeping
Spirit and body and all the springs of song,
Is it well now where love can do no wrong,
Where stingless pleasure has no foam or fang
Behind the unopening closure of her lips?
Is it not well where soul from body slips
And flesh from bone divides without a pang
As dew from flower-bell drips?
It is enough; the end and the beginning
Are one thing to thee, who art past the end.
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poem by Algernon Charles Swinburne
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The Lass of Lochroyan
'O WHA will shoe my bonny foot?
And wha will glove my hand?
And wha will bind my middle jimp
Wi' a lang, lang linen band?
'O wha will kame my yellow hair,
With a haw bayberry kame?
And wha will be my babe's father
Till Gregory come hame?'
'They father, he will shoe thy foot,
Thy brother will glove thy hand,
Thy mither will bind thy middle jimp
Wi' a lang, lang linen band.
'Thy sister will kame thy yellow hair,
Wi' a haw bayberry kame;
The Almighty will be thy babe's father
Till Gregory come hame.'
'And wha will build a bonny ship,
And set it on the sea?
For I will go to seek my love,
My ain love Gregory.'
Up then spak her father dear,
A wafu' man was he;
'And I will build a bonny ship,
And set her on the sea.
'And I will build a bonny ship,
And set her on the sea,
And ye sal gae and seek your love,
Your ain love Gregory.'
Then he 's gart build a bonny ship,
And set it on the sea,
Wi' four-and-twenty mariners,
To bear her company.
O he 's gart build a bonny ship,
To sail on the salt sea;
The mast was o' the beaten gold,
The sails o' cramoisie.
The sides were o' the gude stout aik,
The deck o' mountain pine,
The anchor o' the silver shene,
The ropes o' silken twine.
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poem by Anonymous
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Ode, Intimations of Immortality from Recollections of Early Childhood
THERE was a time when meadow, grove, and stream,
The earth, and every common sight,
To me did seem
Apparell'd in celestial light,
The glory and the freshness of a dream.
It is not now as it hath been of yore;--
Turn wheresoe'er I may,
By night or day,
The things which I have seen I now can see no more.
The rainbow comes and goes,
And lovely is the rose;
The moon doth with delight
Look round her when the heavens are bare;
Waters on a starry night
Are beautiful and fair;
The sunshine is a glorious birth;
But yet I know, where'er I go,
That there hath pass'd away a glory from the earth.
Now, while the birds thus sing a joyous song,
And while the young lambs bound
As to the tabor's sound,
To me alone there came a thought of grief:
A timely utterance gave that thought relief,
And I again am strong:
The cataracts blow their trumpets from the steep;
No more shall grief of mine the season wrong;
I hear the echoes through the mountains throng,
The winds come to me from the fields of sleep,
And all the earth is gay;
Land and sea
Give themselves up to jollity,
And with the heart of May
Doth every beast keep holiday;--
Thou Child of Joy,
Shout round me, let me hear thy shouts, thou happy
Shepherd-boy!
Ye blessed creatures, I have heard the call
Ye to each other make; I see
The heavens laugh with you in your jubilee;
My heart is at your festival,
My head hath its coronal,
The fulness of your bliss, I feel--I feel it all.
O evil day! if I were sullen
While Earth herself is adorning,
This sweet May-morning,
And the children are culling
On every side,
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poem by William Wordsworth
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People at Night
A night that cuts between you and you
and you and you and you
and me : jostles us apart, a man elbowing
through a crowd. & nbsp; We won't
&nbs p;   ; look for each other, either-
wander off, each alone, not looking
in the slow crowd. Among sideshows
& nbsp; under movie signs,
&nb sp; &nbs p; pictures made of a million lights,
&n bsp; &nb sp; giants that move and again move
  ; again, above a cloud of thick smells,
&n bsp; &nb sp; franks, roasted nutmeats-
Or going up to some apartment, yours
&nbs p;   ; or yours, finding
someone sitting in the dark:
who is it really? So you switch the
light on to see: you know the name but
who is it ?
&n bsp; But you won't see.
The fluorescent light flickers sullenly, a
pause. But you command. It grabs
each face and holds it up
by the hair for you, mask after mask.
&nbs p;   ; You &nb sp;and you and I repeat
&n bsp; &nb sp; &nbs p;gestures that make do when speech
&nb sp; &nbs p; has failed & nbsp; and talk
  ; and talk, laughing, saying
&nb sp; &nbs p; 'I', and 'I',
meaning 'Anybody'.
  ; & nbsp; No one.
poem by Denise Levertov
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Book Of The Duchesse
THE PROEM
I have gret wonder, be this lighte,
How that I live, for day ne nighte
I may nat slepe wel nigh noght,
I have so many an ydel thoght
Purely for defaute of slepe
That, by my trouthe, I take no kepe
Of no-thing, how hit cometh or goth,
Ne me nis no-thing leef nor loth.
Al is y-liche good to me --
Ioye or sorowe, wherso hyt be --
For I have feling in no-thinge,
But, as it were, a mased thing,
Alway in point to falle a-doun;
For sorwful imaginacioun
Is alway hoolly in my minde.
And wel ye wite, agaynes kynde
Hit were to liven in this wyse;
For nature wolde nat suffyse
To noon erthely creature
Not longe tyme to endure
Withoute slepe, and been in sorwe;
And I ne may, ne night ne morwe,
Slepe; and thus melancolye
And dreed I have for to dye,
Defaute of slepe and hevinesse
Hath sleyn my spirit of quiknesse,
That I have lost al lustihede.
Suche fantasies ben in myn hede
So I not what is best to do.
But men myght axe me, why soo
I may not slepe, and what me is?
But natheles, who aske this
Leseth his asking trewely.
My-selven can not telle why
The sooth; but trewely, as I gesse,
I holde hit be a siknesse
That I have suffred this eight yere,
And yet my bote is never the nere;
For ther is phisicien but oon,
That may me hele; but that is doon.
Passe we over until eft;
That wil not be, moot nede be left;
Our first matere is good to kepe.
So whan I saw I might not slepe,
Til now late, this other night,
Upon my bedde I sat upright
And bad oon reche me a book,
A romaunce, and he hit me took
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poem by Geoffrey Chaucer
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Welsh Incident
'But that was nothing to what things came out
From the sea-caves of Criccieth yonder.'
'What were they? Mermaids? dragons? ghosts?'
'Nothing at all of any things like that.'
'What were they, then?'
&nb sp; &nbs p;   ; 'All sorts of queer things,
Things never seen or heard or written about,
Very strange, un-Welsh, utterly peculiar
Things. Oh, solid enough they seemed to touch,
Had anyone dared it. Marvellous creation,
All various shapes and sizes, and no sizes,
All new, each perfectly unlike his neighbour,
Though all came moving slowly out together.'
'Describe just one of them.'
&nb sp; &nbs p;   ; & nbsp;'I am unable.'
'What were their colours?'
& nbsp; &n bsp; &nb sp; &nbs p; 'Mostly nameless colours,
Colours you'd like to see; but one was puce
Or perhaps more like crimson, but not purplish.
Some had no colour.'
& nbsp; &n bsp; &nb sp; &nbs p; 'Tell me, had they legs?'
'Not a leg or foot among them that I saw.'
'But did these things come out in any order?'
What o'clock was it? What was the day of the week?
Who else was present? How was the weather?'
'I was coming to that. It was half-past three
On Easter Tuesday last. The sun was shining.
The Harlech Silver Band played Marchog Jesu
On thrity-seven shimmering instruments
Collecting for Caernarvon's (Fever) Hospital Fund.
The populations of Pwllheli, Criccieth,
Portmadoc, Borth, Tremadoc, Penrhyndeudraeth,
Were all assembled. Criccieth's mayor addressed them
First in good Welsh and then in fluent English,
Twisting his fingers in his chain of office,
Welcoming the things. They came out on the sand,
Not keeping time to the band, moving seaward
Silently at a snail's pace. But at last
The most odd, indescribable thing of all
Which hardly one man there could see for wonder
Did something recognizably a something.'
'Well, what?'
&nb sp; &nbs p; 'It made a noise.'
&n bsp; &nb sp; &nbs p;   ; 'A frightening noise?'
'No, no.'
  ; 'A musical noise? A noise of scuffling?'
'No, but a very loud, respectable noise ---
Like groaning to oneself on Sunday morning
In Chapel, close before the second psalm.'
'What did the mayor do?'
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poem by Robert Graves
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The Souls of the Slain
I
The thick lids of Night closed upon me
Alone at the Bill
Of the Isle by the Race {1} -
Many-caverned, bald, wrinkled of face -
And with darkness and silence the spirit was on me
To brood and be still.
II
No wind fanned the flats of the ocean,
Or promontory sides,
Or the ooze by the strand,
Or the bent-bearded slope of the land,
Whose base took its rest amid everlong motion
Of criss-crossing tides.
III
Soon from out of the Southward seemed nearing
A whirr, as of wings
Waved by mighty-vanned flies,
Or by night-moths of measureless size,
And in softness and smoothness well-nigh beyond hearing
Of corporal things.
IV
And they bore to the bluff, and alighted -
A dim-discerned train
Of sprites without mould,
Frameless souls none might touch or might hold -
On the ledge by the turreted lantern, farsighted
By men of the main.
V
And I heard them say "Home!" and I knew them
For souls of the felled
On the earth's nether bord
Under Capricorn, whither they'd warred,
And I neared in my awe, and gave heedfulness to them
With breathings inheld.
VI
Then, it seemed, there approached from the northward
A senior soul-flame
Of the like filmy hue:
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poem by Thomas Hardy
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Sirena
NEAR to the silver Trent
SIRENA dwelleth;
She to whom Nature lent
All that excelleth;
By which the Muses late
And the neat Graces
Have for their greater state
Taken their places;
Twisting an anadem
Wherewith to crown her,
As it belong'd to them
Most to renown her.
On thy bank,
In a rank,
Let thy swans sing her,
And with their music
Along let them bring her.
Tagus and Pactolus
Are to thee debtor,
Nor for their gold to us
Are they the better:
Henceforth of all the rest
Be thou the River
Which, as the daintiest,
Puts them down ever.
For as my precious one
O'er thee doth travel,
She to pearl paragon
Turneth thy gravel.
On thy bank...
Our mournful Philomel,
That rarest tuner,
Henceforth in Aperil
Shall wake the sooner,
And to her shall complain
From the thick cover,
Redoubling every strain
Over and over:
For when my Love too long
Her chamber keepeth,
As though it suffer'd wrong,
The Morning weepeth.
On thy bank...
Oft have I seen the Sun,
To do her honour,
Fix himself at his noon
To look upon her;
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poem by Michael Drayton
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Confessio Amantis. Explicit Liber Secundus
Incipit Liber Tercius
Ira suis paribus est par furiis Acherontis,
Quo furor ad tempus nil pietatis habet.
Ira malencolicos animos perturbat, vt equo
Iure sui pondus nulla statera tenet.
Omnibus in causis grauat Ira, set inter amantes,
Illa magis facili sorte grauamen agit:
Est vbi vir discors leuiterque repugnat amori,
Sepe loco ludi fletus ad ora venit.
----------------------------------- ------------------------------------------------
If thou the vices lest to knowe,
Mi Sone, it hath noght ben unknowe,
Fro ferst that men the swerdes grounde,
That ther nis on upon this grounde,
A vice forein fro the lawe,
Wherof that many a good felawe
Hath be distraght be sodein chance;
And yit to kinde no plesance
It doth, bot wher he most achieveth
His pourpos, most to kinde he grieveth,
As he which out of conscience
Is enemy to pacience:
And is be name on of the Sevene,
Which ofte hath set this world unevene,
And cleped is the cruel Ire,
Whos herte is everemore on fyre
To speke amis and to do bothe,
For his servantz ben evere wrothe.
Mi goode fader, tell me this:
What thing is Ire? Sone, it is
That in oure englissh Wrathe is hote,
Which hath hise wordes ay so hote,
That all a mannes pacience
Is fyred of the violence.
For he with him hath evere fyve
Servantz that helpen him to stryve:
The ferst of hem Malencolie
Is cleped, which in compaignie
An hundred times in an houre
Wol as an angri beste loure,
And noman wot the cause why.
Mi Sone, schrif thee now forthi:
Hast thou be Malencolien?
Ye, fader, be seint Julien,
Bot I untrewe wordes use,
I mai me noght therof excuse:
And al makth love, wel I wot,
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poem by John Gower
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An Ode to Master Anthony Stafford to hasten Him into the Country
COME, spur away,
I have no patience for a longer stay,
But must go down
And leave the chargeable noise of this great town:
I will the country see,
Where old simplicity,
Though hid in gray,
Doth look more gay
Than foppery in plush and scarlet clad.
Farewell, you city wits, that are
Almost at civil war--
'Tis time that I grow wise, when all the world grows mad.
More of my days
I will not spend to gain an idiot's praise;
Or to make sport
For some slight Puisne of the Inns of Court.
Then, worthy Stafford, say,
How shall we spend the day?
With what delights
Shorten the nights?
When from this tumult we are got secure,
Where mirth with all her freedom goes,
Yet shall no finger lose;
Where every word is thought, and every thought is pure?
There from the tree
We'll cherries pluck, and pick the strawberry;
And every day
Go see the wholesome country girls make hay,
Whose brown hath lovelier grace
Than any painted face
That I do know
Hyde Park can show:
Where I had rather gain a kiss than meet
(Though some of them in greater state
Might court my love with plate)
The beauties of the Cheap, and wives of Lombard Street.
But think upon
Some other pleasures: these to me are none.
Why do I prate
Of women, that are things against my fate!
I never mean to wed
That torture to my bed:
My Muse is she
My love shall be.
Let clowns get wealth and heirs: when I am gone
And that great bugbear, grisly Death,
Shall take this idle breath,
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poem by Thomas Randolph
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The Canterbury Tales; the Wyves tale of Bathe
The Prologe of the Wyves tale of Bathe.
Experience, though noon auctoritee
Were in this world, were right ynogh to me
To speke of wo that is in mariage;
For, lordynges, sith I twelf yeer was of age,
Thonked be God, that is eterne on lyve,
Housbondes at chirche-dore I have had fyve-
For I so ofte have ywedded bee-
And alle were worthy men in hir degree.
But me was toold, certeyn, nat longe agoon is,
That sith that Crist ne wente nevere but onis
To weddyng in the Cane of Galilee,
That by the same ensample, taughte he me,
That I ne sholde wedded be but ones.
Herkne eek, lo, which a sharpe word for the nones,
Biside a welle Jesus, God and Man,
Spak in repreeve of the Samaritan.
'Thou hast yhad fyve housbondes,' quod he,
'And thilke man the which that hath now thee
Is noght thyn housbonde;' thus seyde he, certeyn.
What that he mente ther by, I kan nat seyn;
But that I axe, why that the fifthe man
Was noon housbonde to the Samaritan?
How manye myghte she have in mariage?
Yet herde I nevere tellen in myn age
Upon this nombre diffinicioun.
Men may devyne, and glosen up and doun,
But wel I woot expres withoute lye,
God bad us for to wexe and multiplye;
That gentil text kan I wel understonde.
Eek wel I woot, he seyde, myn housbonde
Sholde lete fader and mooder, and take me;
But of no nombre mencioun made he,
Of bigamye, or of octogamye;
Why sholde men speke of it vileynye?
Lo, heere the wise kyng, daun Salomon;
I trowe he hadde wyves mo than oon-
As, wolde God, it leveful were to me
To be refresshed half so ofte as he-
Which yifte of God hadde he, for alle hise wyvys?
No man hath swich that in this world alyve is.
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poem by Geoffrey Chaucer
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Phoebus with Admetus
WHEN by Zeus relenting the mandate was revoked,
Sentencing to exile the bright Sun-God,
Mindful were the ploughmen of who the steer had yoked,
Who: and what a track show'd the upturn'd sod!
Mindful were the shepherds, as now the noon severe
Bent a burning eyebrow to brown evetide,
How the rustic flute drew the silver to the sphere,
Sister of his own, till her rays fell wide.
God! of whom music
And song and blood are pure,
The day is never darken'd
That had thee here obscure.
Chirping none, the scarlet cicalas crouch'd in ranks:
Slack the thistle-head piled its down-silk gray:
Scarce the stony lizard suck'd hollows in his flanks:
Thick on spots of umbrage our drowsed flocks lay.
Sudden bow'd the chestnuts beneath a wind unheard,
Lengthen'd ran the grasses, the sky grew slate:
Then amid a swift flight of wing'd seed white as curd,
Clear of limb a Youth smote the master's gate.
God! of whom music
And song and blood are pure,
The day is never darken'd
That had thee here obscure.
Water, first of singers, o'er rocky mount and mead,
First of earthly singers, the sun-loved rill,
Sang of him, and flooded the ripples on the reed,
Seeking whom to waken and what ear fill.
Water, sweetest soother to kiss a wound and cool,
Sweetest and divinest, the sky-born brook,
Chuckled, with a whimper, and made a mirror-pool
Round the guest we welcomed, the strange hand shook.
God! of whom music
And song and blood are pure,
The day is never darken'd
That had thee here obscure.
Many swarms of wild bees descended on our fields:
Stately stood the wheatstalk with head bent high:
Big of heart we labour'd at storing mighty yields,
Wool and corn, and clusters to make men cry!
Hand-like rush'd the vintage; we strung the bellied skins
Plump, and at the sealing the Youth's voice rose:
Maidens clung in circle, on little fists their chins;
Gentle beasties through push'd a cold long nose.
God! of whom music
And song and blood are pure,
The day is never darken'd
That had thee here obscure.
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poem by George Meredith
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From Omar Khayyam
I
A BOOK of Verses underneath the Bough,
A Jug of Wine, a Loaf of Bread--and Thou
Beside me singing in the Wilderness--
O, Wilderness were Paradise enow!
Some for the Glories of This World; and some
Sigh for the Prophet's Paradise to come;
Ah, take the Cash, and let the Credit go,
Nor heed the rumble of a distant Drum!
Look to the blowing Rose about us--'Lo,
Laughing,' she says, 'into the world I blow,
At once the silken tassel of my Purse
Tear, and its Treasure on the Garden throw.'
And those who husbanded the Golden grain
And those who flung it to the winds like Rain
Alike to no such aureate Earth are turn'd
As, buried once, Men want dug up again.
II
Think, in this batter'd Caravanserai
Whose Portals are alternate Night and Day,
How Sultán after Sultán with his Pomp
Abode his destined Hour, and went his way.
They say the Lion and the Lizard keep
The Courts where Jamshyd gloried and drank deep:
And Bahrám, that great Hunter--the wild Ass
Stamps o'er his Head, but cannot break his Sleep.
I sometimes think that never blows so red
The Rose as where some buried Caesar bled;
That every Hyacinth the Garden wears
Dropt in her Lap from some once lovely Head.
And this reviving Herb whose tender Green
Fledges the River-Lip on which we lean--
Ah, lean upon it lightly! for who knows
From what once lovely Lip it springs unseen!
Ah, my Beloved, fill the Cup that clears
TO-DAY of past Regrets and Future Fears:
To-morrow!--Why, To-morrow I may be
Myself with Yesterday's Sev'n thousand Years.
For some we loved, the loveliest and the best
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poem by Edward Fitzgerald
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Song of the Indian Maid, from 'Endymion
O SORROW!
Why dost borrow
The natural hue of health, from vermeil lips?--
To give maiden blushes
To the white rose bushes?
Or is it thy dewy hand the daisy tips?
O Sorrow!
Why dost borrow
The lustrous passion from a falcon-eye?--
To give the glow-worm light?
Or, on a moonless night,
To tinge, on siren shores, the salt sea-spry?
O Sorrow!
Why dost borrow
The mellow ditties from a mourning tongue?--
To give at evening pale
Unto the nightingale,
That thou mayst listen the cold dews among?
O Sorrow!
Why dost borrow
Heart's lightness from the merriment of May?--
A lover would not tread
A cowslip on the head,
Though he should dance from eve till peep of day--
Nor any drooping flower
Held sacred for thy bower,
Wherever he may sport himself and play.
To Sorrow
I bade good morrow,
And thought to leave her far away behind;
But cheerly, cheerly,
She loves me dearly;
She is so constant to me, and so kind:
I would deceive her
And so leave her,
But ah! she is so constant and so kind.
Beneath my palm-trees, by the river side,
I sat a-weeping: in the whole world wide
There was no one to ask me why I wept,--
And so I kept
Brimming the water-lily cups with tears
Cold as my fears.
Beneath my palm-trees, by the river side,
I sat a-weeping: what enamour'd bride,
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poem by John Keats
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Confessio Amantis. Explicit Liber Tercius
Incipit Liber Quartus
Dicunt accidiam fore nutricem viciorum,
Torpet et in cunctis tarda que lenta bonis:
Que fieri possent hodie transfert piger in cras,
Furatoque prius ostia claudit equo.
Poscenti tardo negat emolumenta Cupido,
Set Venus in celeri ludit amore viri.
Upon the vices to procede
After the cause of mannes dede,
The ferste point of Slowthe I calle
Lachesce, and is the chief of alle,
And hath this propreliche of kinde,
To leven alle thing behinde.
Of that he mihte do now hier
He tarieth al the longe yer,
And everemore he seith, 'Tomorwe';
And so he wol his time borwe,
And wissheth after 'God me sende,'
That whan he weneth have an ende,
Thanne is he ferthest to beginne.
Thus bringth he many a meschief inne
Unwar, til that he be meschieved,
And may noght thanne be relieved.
And riht so nowther mor ne lesse
It stant of love and of lachesce:
Som time he slowtheth in a day
That he nevere after gete mai.
Now, Sone, as of this ilke thing,
If thou have eny knowleching,
That thou to love hast don er this,
Tell on. Mi goode fader, yis.
As of lachesce I am beknowe
That I mai stonde upon his rowe,
As I that am clad of his suite:
For whanne I thoghte mi poursuite
To make, and therto sette a day
To speke unto the swete May,
Lachesce bad abide yit,
And bar on hond it was no wit
Ne time forto speke as tho.
Thus with his tales to and fro
Mi time in tariinge he drowh:
Whan ther was time good ynowh,
He seide, 'An other time is bettre;
Thou schalt mowe senden hire a lettre,
And per cas wryte more plein
Than thou be Mowthe durstest sein.'
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poem by John Gower
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Edom o' Gordon
IT fell about the Martinmas,
When the wind blew shrill and cauld,
Said Edom o' Gordon to his men,
'We maun draw to a hauld.
'And what a hauld sall we draw to,
My merry men and me?
We will gae to the house o' the Rodes,
To see that fair ladye.'
The lady stood on her castle wa',
Beheld baith dale and down;
There she was ware of a host of men
Cam riding towards the town.
'O see ye not, my merry men a',
O see ye not what I see?
Methinks I see a host of men;
I marvel wha they be.'
She ween'd it had been her lovely lord,
As he cam riding hame;
It was the traitor, Edom o' Gordon,
Wha reck'd nae sin nor shame.
She had nae sooner buskit hersell,
And putten on her gown,
But Edom o' Gordon an' his men
Were round about the town.
They had nae sooner supper set,
Nae sooner said the grace,
But Edom o' Gordon an' his men
Were lighted about the place.
The lady ran up to her tower-head,
Sae fast as she could hie,
To see if by her fair speeches
She could wi' him agree.
'Come doun to me, ye lady gay,
Come doun, come doun to me;
This night sall ye lig within mine arms,
To-morrow my bride sall be.'
'I winna come down, ye fals Gordon,
I winna come down to thee;
I winna forsake my ain dear lord,
That is sae far frae me.'
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poem by Anonymous
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Ode to Apollo
"Tandem venias precamur
Nube candentes humeros amictus
Augur Apollo."
Lord of the golden lyre
Fraught with the Dorian fire,
Oh! fair-haired child of Leto, come again;
And if no longer smile
Delphi or Delos' isle,
Come from the depth of thine Aetnean glen,
Where in the black ravine
Thunders the foaming green
Of waters writhing far from mortals' ken;
Come o'er the sparkling brine,
And bring thy train divine --
The sweet-voiced and immortal violet-crowned Nine.
For here are richer meads,
And here are goodlier steeds
Than ever graced the glorious land of Greece;
Here waves the yellow corn,
Here is the olive born --
The gray-green gracious harbinger of peace;
Here too hath taken root
A tree with golden fruit,
In purple clusters hangs the vine's increase,
And all the earth doth wear
The dry clear Attic air
That lifts the soul to liberty, and frees the heart from care.
Or if thy wilder mood
Incline to solitude,
Eternal verdure girds the lonely hills,
Through the green gloom of ferns
Softly the sunset burns,
Cold from the granite flow the mountain rills;
And there are inner shrines
Made by the slumberous pines,
Where the rapt heart with contemplation fills,
And from wave-stricken shores
Deep wistful music pours
And floods the tempest-shaken forest corridors.
Oh, give the gift of gold
The human heart to hold
With liquid glamour of the Lesbian line;
With Pindar's lava glow,
With Sophocles' calm flow,
Or Aeschylean rapture airy fine;
Or with thy music's close
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poem by James Lister Cuthbertson
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