At The Gill-Nets
Tug at the net,
Haul at the net,
Strip off the quivering fish;
Hid in the mist
The winds whist,
Is like my heart's wish.
What is your wish,
Your heart's wish?
Is it for home on the hills?
Strip off the fish,
The silver fish,
Caught by their rosy gills.
How can I know,
I love you so,
Each little thought I get
Is held so,
It dies you know,
Caught in your heart's net.
Tug at your net,
Your heart's net,
Strip off my silver fancies;
Keep them in rhyme,
For a dull time,
Fragile as frost pansies.
poem by Duncan Campbell Scott
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Related quotes
Oxymoron
Oxymoron:
fresh fish
*********
JBO:
'The beach at Sanibel... an Arlington Cemetery of shells.'
*
Every suffocated or strangled fish is first given
waterboarding sensations.
*
Fishes more frequently than
mammals or birds are cut open
alive, while their eyes watch
the knifing of others and their
gills struggle for absent air.
Fish cannot scream.
Greed for suffocated fish flesh causes seals to be clubbed in Canada, Norway, S Africa etc., dolphins to be knifed in Japan, whales to be murdered by
Norwegian Japanese Icelandic and American Inuit fishermen, bears
to be murdered in Alaska, untold thousands of fishermen to
be lost in tsunamis,700 Bangladesh fishermen lost in just 1 storm, Thai fishermen working for slave wages, tens of millions around
the world to die of stomach cancer, food poisoning etc.**
What's in fish? unreported Mad Fish
Disease, nuclear toxins a million
times more concentrated than in
sea water, AIDS from unprocessed
human waste dumped into
the oceans, hepatitis, anaphylactic shock, ecoli,
and other food poisoning,
throat, stomach and other cancers,
mercury, lead, cadmium, arsenic, pbb's, pcb's, thousands
of carcinogenic industrial waste products, and heavy metal sired
brain damage, pfiesteria (red tide) which poisons the fishes
FISH CAN'T SCREAM, FISH TOXINS, FISH STORIES
Are all anglers stranglers?
Dick Gregory: Eating fish liver oil is like eating the filter out of a car.
[...] Read more
poem by O. Anna Niemus
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Lubie
I said I, I left my wife and child (Lubie come back home),
I said i, i left my wife and child (lubie come back home),
And lord my conscience is about to drive me wild (Lubie come back home),
And lord my conscience is about to drive me wild (lubie come back home),
A little voice inside my head goes on and on (Lubie come back home),
A little voice inside my head goes on and on (lubie come back home),
Said Lubie Lubie you better go back home.
Said lubie lubie you better go back home.
I said I, I thought I'd make it by myself (Lubie come back home),
I said i, i thought i'd make it by myself (lubie come back home),
And now my baby she got my heart dropped on a shelf (Lubie come back home),
And now my baby she got my heart dropped on a shelf (lubie come back home),
I said I, I still you're my baby now (Lubie come back home),
I said i, i still you're my baby now (lubie come back home),
Said Lubie Lubie you better go back home.
Said lubie lubie you better go back home.
You better go on home (Lubie come back home),
You better go on home (lubie come back home),
I said yeah Lubie go on home (Lubie come back home),
I said yeah lubie go on home (lubie come back home),
I said you better go home girl,
I said you better go home girl,
Ah yeah you go home.
Ah yeah you go home.
Go on home home home home home home,
Go on home home home home home home,
Yeah Lubie go on home home home home home home,
Yeah lubie go on home home home home home home,
Yeah Lubie go on home home home home home home,
Yeah lubie go on home home home home home home,
Little bit soft, everybody go soft,
Little bit soft, everybody go soft,
Go on home to see my baby,
Go on home to see my baby,
Yeah you know that she loves you daddy like crazy.
Yeah you know that she loves you daddy like crazy.
I say my misses I'm gonna stay what I'm gonna do,
I say my misses i'm gonna stay what i'm gonna do,
Gonna buy you a monkey and a new dog too yeah,
Gonna buy you a monkey and a new dog too yeah,
The guys have got yeah to get 'em to see my baby,
The guys have got yeah to get 'em to see my baby,
A little bit louder, everybody go on go louder, yeah yeah yeah yeah.
A little bit louder, everybody go on go louder, yeah yeah yeah yeah.
Now Lubie where you been,
Now lubie where you been,
I said I, I left my wife and child (Lubie come back home),
I said i, i left my wife and child (lubie come back home),
And lord my conscience is about to drive me wild (Lubie come back home),
And lord my conscience is about to drive me wild (lubie come back home),
[...] Read more
song performed by Who
Added by Lucian Velea
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OBIIT MDCCCXXXIII (Entire)
Strong Son of God, immortal Love,
Whom we, that have not seen thy face,
By faith, and faith alone, embrace,
Believing where we cannot prove;
Thine are these orbs of light and shade;
Thou madest Life in man and brute;
Thou madest Death; and lo, thy foot
Is on the skull which thou hast made.
Thou wilt not leave us in the dust:
Thou madest man, he knows not why,
He thinks he was not made to die;
And thou hast made him: thou art just.
Thou seemest human and divine,
The highest, holiest manhood, thou:
Our wills are ours, we know not how;
Our wills are ours, to make them thine.
Our little systems have their day;
They have their day and cease to be:
They are but broken lights of thee,
And thou, O Lord, art more than they.
We have but faith: we cannot know;
For knowledge is of things we see;
And yet we trust it comes from thee,
A beam in darkness: let it grow.
Let knowledge grow from more to more,
But more of reverence in us dwell;
That mind and soul, according well,
May make one music as before,
But vaster. We are fools and slight;
We mock thee when we do not fear:
But help thy foolish ones to bear;
Help thy vain worlds to bear thy light.
Forgive what seem’d my sin in me;
What seem’d my worth since I began;
For merit lives from man to man,
And not from man, O Lord, to thee.
Forgive my grief for one removed,
Thy creature, whom I found so fair.
I trust he lives in thee, and there
I find him worthier to be loved.
Forgive these wild and wandering cries,
[...] Read more
poem by Alfred Lord Tennyson
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F.M. Doll
Take my doll put on her pretty clothes
Now don't you soil her dress
Brush her hair, paint her lips like a rose
Cover up your mess
Strip baby strip 'cause your daddy is watching
Strip baby strip just for me
Strip baby strip show your mother knows nothing
Strip baby strip Just for me, oh
Someone say doctor is my friend
Bruising is his cause
Behind closing doors
Strip baby strip for the soul of your brother
Strip baby strip for his wife
Strip baby strip 'cause you know she's not willing
Strip baby strip by the knife, Yeah
I lost my doll, put on my pretty clothes
I wont soil my dress
I brush my hair, paint my lips like a rose
I cover up my mess
Strip baby strip for the soul of your mother
Strip baby strip for her life
Strip baby strip 'cause you know you're worth nothing
Strip baby strip by the knife
Strip baby strip 'cause your daddy is watching
Strip baby strip just for me
Strip baby strip 'cause you know you're worth nothing
Strip baby strip for me, oh yeah
song performed by Queen Adreena
Added by Lucian Velea
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The Undying One- Canto III
'THERE is a sound the autumn wind doth make
Howling and moaning, listlessly and low:
Methinks that to a heart that ought to break
All the earth's voices seem to murmur so.
The visions that crost
Our path in light--
The things that we lost
In the dim dark night--
The faces for which we vainly yearn--
The voices whose tones will not return--
That low sad wailing breeze doth bring
Borne on its swift and rushing wing.
Have ye sat alone when that wind was loud,
And the moon shone dim from the wintry cloud?
When the fire was quench'd on your lonely hearth,
And the voices were still which spoke of mirth?
If such an evening, tho' but one,
It hath been yours to spend alone--
Never,--though years may roll along
Cheer'd by the merry dance and song;
Though you mark'd not that bleak wind's sound before,
When louder perchance it used to roar--
Never shall sound of that wintry gale
Be aught to you but a voice of wail!
So o'er the careless heart and eye
The storms of the world go sweeping by;
But oh! when once we have learn'd to weep,
Well doth sorrow his stern watch keep.
Let one of our airy joys decay--
Let one of our blossoms fade away--
And all the griefs that others share
Seem ours, as well as theirs, to bear:
And the sound of wail, like that rushing wind
Shall bring all our own deep woe to mind!
'I went through the world, but I paused not now
At the gladsome heart and the joyous brow:
I went through the world, and I stay'd to mark
Where the heart was sore, and the spirit dark:
And the grief of others, though sad to see,
Was fraught with a demon's joy to me!
'I saw the inconstant lover come to take
Farewell of her he loved in better days,
And, coldly careless, watch the heart-strings break--
Which beat so fondly at his words of praise.
She was a faded, painted, guilt-bow'd thing,
Seeking to mock the hues of early spring,
When misery and years had done their worst
[...] Read more
poem by Caroline Elizabeth Sarah Norton
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Three Women
My love is young, so young;
Young is her cheek, and her throat,
And life is a song to be sung
With love the word for each note.
Young is her cheek and her throat;
Her eyes have the smile o' May.
And love is the word for each note
In the song of my life to-day.
Her eyes have the smile o' May;
Her heart is the heart of a dove,
And the song of my life to-day
Is love, beautiful love.
Her heart is the heart of a dove,
Ah, would it but fly to my breast
Where love, beautiful love,
Has made it a downy nest.
Ah, would she but fly to my breast,
My love who is young, so young;
I have made her a downy nest
And life is a song to be sung.
1
I.
A dull little station, a man with the eye
Of a dreamer; a bevy of girls moving by;
A swift moving train and a hot Summer sun,
The curtain goes up, and our play is begun.
The drama of passion, of sorrow, of strife,
Which always is billed for the theatre Life.
It runs on forever, from year unto year,
With scarcely a change when new actors appear.
It is old as the world is-far older in truth,
For the world is a crude little planet of youth.
And back in the eras before it was formed,
The passions of hearts through the Universe stormed.
Maurice Somerville passed the cluster of girls
Who twisted their ribbons and fluttered their curls
In vain to attract him; his mind it was plain
Was wholly intent on the incoming train.
That great one eyed monster puffed out its black breath,
Shrieked, snorted and hissed, like a thing bent on death,
[...] Read more
poem by Ella Wheeler Wilcox
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The House Of Dust: Complete
I.
The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.
And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.
'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.
We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .
Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.
Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.
Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.
II.
[...] Read more
poem by Conrad Potter Aiken
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The Loves of the Angels
'Twas when the world was in its prime,
When the fresh stars had just begun
Their race of glory and young Time
Told his first birth-days by the sun;
When in the light of Nature's dawn
Rejoicing, men and angels met
On the high hill and sunny lawn,-
Ere sorrow came or Sin had drawn
'Twixt man and heaven her curtain yet!
When earth lay nearer to the skies
Than in these days of crime and woe,
And mortals saw without surprise
In the mid-air angelic eyes
Gazing upon this world below.
Alas! that Passion should profane
Even then the morning of the earth!
That, sadder still, the fatal stain
Should fall on hearts of heavenly birth-
And that from Woman's love should fall
So dark a stain, most sad of all!
One evening, in that primal hour,
On a hill's side where hung the ray
Of sunset brightening rill and bower,
Three noble youths conversing lay;
And, as they lookt from time to time
To the far sky where Daylight furled
His radiant wing, their brows sublime
Bespoke them of that distant world-
Spirits who once in brotherhood
Of faith and bliss near ALLA stood,
And o'er whose cheeks full oft had blown
The wind that breathes from ALLA'S throne,
Creatures of light such as still play,
Like motes in sunshine, round the Lord,
And thro' their infinite array
Transmit each moment, night and day,
The echo of His luminous word!
Of Heaven they spoke and, still more oft,
Of the bright eyes that charmed them thence;
Till yielding gradual to the soft
And balmy evening's influence-
The silent breathing of the flowers-
The melting light that beamed above,
As on their first, fond, erring hours,-
Each told the story of his love,
The history of that hour unblest,
When like a bird from its high nest
[...] Read more
poem by Thomas Moore
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Tamar
I
A night the half-moon was like a dancing-girl,
No, like a drunkard's last half-dollar
Shoved on the polished bar of the eastern hill-range,
Young Cauldwell rode his pony along the sea-cliff;
When she stopped, spurred; when she trembled, drove
The teeth of the little jagged wheels so deep
They tasted blood; the mare with four slim hooves
On a foot of ground pivoted like a top,
Jumped from the crumble of sod, went down, caught, slipped;
Then, the quick frenzy finished, stiffening herself
Slid with her drunken rider down the ledges,
Shot from sheer rock and broke
Her life out on the rounded tidal boulders.
The night you know accepted with no show of emotion the little
accident; grave Orion
Moved northwest from the naked shore, the moon moved to
meridian, the slow pulse of the ocean
Beat, the slow tide came in across the slippery stones; it drowned
the dead mare's muzzle and sluggishly
Felt for the rider; Cauldwell’s sleepy soul came back from the
blind course curious to know
What sea-cold fingers tapped the walls of its deserted ruin.
Pain, pain and faintness, crushing
Weights, and a vain desire to vomit, and soon again
die icy fingers, they had crept over the loose hand and lay in the
hair now. He rolled sidewise
Against mountains of weight and for another half-hour lay still.
With a gush of liquid noises
The wave covered him head and all, his body
Crawled without consciousness and like a creature with no bones,
a seaworm, lifted its face
Above the sea-wrack of a stone; then a white twilight grew about
the moon, and above
The ancient water, the everlasting repetition of the dawn. You
shipwrecked horseman
So many and still so many and now for you the last. But when it
grew daylight
He grew quite conscious; broken ends of bone ground on each
other among the working fibers
While by half-inches he was drawing himself out of the seawrack
up to sandy granite,
Out of the tide's path. Where the thin ledge tailed into flat cliff
he fell asleep. . . .
Far seaward
The daylight moon hung like a slip of cloud against the horizon.
The tide was ebbing
From the dead horse and the black belt of sea-growth. Cauldwell
seemed to have felt her crying beside him,
[...] Read more
poem by Robinson Jeffers
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Pickthorn Manor
I
How fresh the Dartle's little waves that day!
A steely silver, underlined with blue,
And flashing where the round clouds, blown away,
Let drop the yellow sunshine to gleam through
And tip the edges of the waves with shifts
And spots of whitest fire, hard like gems
Cut from the midnight moon they were, and sharp
As wind through leafless stems.
The Lady Eunice walked between the drifts
Of blooming cherry-trees, and watched the rifts
Of clouds drawn through the river's azure warp.
II
Her little feet tapped softly down the path.
Her soul was listless; even the morning breeze
Fluttering the trees and strewing a light swath
Of fallen petals on the grass, could please
Her not at all. She brushed a hair aside
With a swift move, and a half-angry frown.
She stopped to pull a daffodil or two,
And held them to her gown
To test the colours; put them at her side,
Then at her breast, then loosened them and tried
Some new arrangement, but it would not do.
III
A lady in a Manor-house, alone,
Whose husband is in Flanders with the Duke
Of Marlborough and Prince Eugene, she's grown
Too apathetic even to rebuke
Her idleness. What is she on this Earth?
No woman surely, since she neither can
Be wed nor single, must not let her mind
Build thoughts upon a man
Except for hers. Indeed that were no dearth
Were her Lord here, for well she knew his worth,
And when she thought of him her eyes were kind.
IV
Too lately wed to have forgot the wooing.
Too unaccustomed as a bride to feel
Other than strange delight at her wife's doing.
Even at the thought a gentle blush would steal
Over her face, and then her lips would frame
Some little word of loving, and her eyes
[...] Read more
poem by Amy Lowell
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Canto the Second
I
Oh ye! who teach the ingenuous youth of nations,
Holland, France, England, Germany, or Spain,
I pray ye flog them upon all occasions,
It mends their morals, never mind the pain:
The best of mothers and of educations
In Juan's case were but employ'd in vain,
Since, in a way that's rather of the oddest, he
Became divested of his native modesty.
II
Had he but been placed at a public school,
In the third form, or even in the fourth,
His daily task had kept his fancy cool,
At least, had he been nurtured in the north;
Spain may prove an exception to the rule,
But then exceptions always prove its worth -—
A lad of sixteen causing a divorce
Puzzled his tutors very much, of course.
III
I can't say that it puzzles me at all,
If all things be consider'd: first, there was
His lady-mother, mathematical,
A—never mind; his tutor, an old ass;
A pretty woman (that's quite natural,
Or else the thing had hardly come to pass);
A husband rather old, not much in unity
With his young wife—a time, and opportunity.
IV
Well—well, the world must turn upon its axis,
And all mankind turn with it, heads or tails,
And live and die, make love and pay our taxes,
And as the veering wind shifts, shift our sails;
The king commands us, and the doctor quacks us,
The priest instructs, and so our life exhales,
A little breath, love, wine, ambition, fame,
Fighting, devotion, dust,—perhaps a name.
V
I said that Juan had been sent to Cadiz -—
A pretty town, I recollect it well -—
'T is there the mart of the colonial trade is
(Or was, before Peru learn'd to rebel),
And such sweet girls—I mean, such graceful ladies,
Their very walk would make your bosom swell;
I can't describe it, though so much it strike,
Nor liken it—I never saw the like:
[...] Read more
poem by Byron from Don Juan (1824)
Added by Veronica Serbanoiu
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The Four Seasons : Summer
From brightening fields of ether fair disclosed,
Child of the Sun, refulgent Summer comes,
In pride of youth, and felt through Nature's depth:
He comes attended by the sultry Hours,
And ever fanning breezes, on his way;
While, from his ardent look, the turning Spring
Averts her blushful face; and earth, and skies,
All-smiling, to his hot dominion leaves.
Hence, let me haste into the mid-wood shade,
Where scarce a sunbeam wanders through the gloom;
And on the dark-green grass, beside the brink
Of haunted stream, that by the roots of oak
Rolls o'er the rocky channel, lie at large,
And sing the glories of the circling year.
Come, Inspiration! from thy hermit-seat,
By mortal seldom found: may Fancy dare,
From thy fix'd serious eye, and raptured glance
Shot on surrounding Heaven, to steal one look
Creative of the Poet, every power
Exalting to an ecstasy of soul.
And thou, my youthful Muse's early friend,
In whom the human graces all unite:
Pure light of mind, and tenderness of heart;
Genius, and wisdom; the gay social sense,
By decency chastised; goodness and wit,
In seldom-meeting harmony combined;
Unblemish'd honour, and an active zeal
For Britain's glory, liberty, and Man:
O Dodington! attend my rural song,
Stoop to my theme, inspirit every line,
And teach me to deserve thy just applause.
With what an awful world-revolving power
Were first the unwieldy planets launch'd along
The illimitable void! thus to remain,
Amid the flux of many thousand years,
That oft has swept the toiling race of men,
And all their labour'd monuments away,
Firm, unremitting, matchless, in their course;
To the kind-temper'd change of night and day,
And of the seasons ever stealing round,
Minutely faithful: such the All-perfect hand!
That poised, impels, and rules the steady whole.
When now no more the alternate Twins are fired,
And Cancer reddens with the solar blaze,
Short is the doubtful empire of the night;
And soon, observant of approaching day,
The meek'd-eyed Morn appears, mother of dews,
At first faint-gleaming in the dappled east:
Till far o'er ether spreads the widening glow;
And, from before the lustre of her face,
[...] Read more
poem by James Thomson
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The Four Seasons : Spring
Come, gentle Spring! ethereal Mildness! come,
And from the bosom of yon dropping cloud,
While music wakes around, veil'd in a shower
Of shadowing roses, on our plains descend.
O Hertford, fitted or to shine in courts
With unaffected grace, or walk the plain
With innocence and meditation join'd
In soft assemblage, listen to my song,
Which thy own Season paints; when Nature all
Is blooming and benevolent, like thee.
And see where surly Winter passes off,
Far to the north, and calls his ruffian blasts:
His blasts obey, and quit the howling hill,
The shatter'd forest, and the ravaged vale;
While softer gales succeed, at whose kind touch,
Dissolving snows in livid torrents lost,
The mountains lift their green heads to the sky.
As yet the trembling year is unconfirm'd,
And Winter oft at eve resumes the breeze,
Chills the pale morn, and bids his driving sleets
Deform the day delightless: so that scarce
The bittern knows his time, with bill ingulf'd,
To shake the sounding marsh; or from the shore
The plovers when to scatter o'er the heath,
And sing their wild notes to the listening waste
At last from Aries rolls the bounteous sun,
And the bright Bull receives him. Then no more
The expansive atmosphere is cramp'd with cold
But, full of life and vivifying soul,
Lifts the light clouds sublime, and spreads then thin,
Fleecy, and white, o'er all-surrounding heaven.
Forth fly the tepid airs: and unconfined,
Unbinding earth, the moving softness strays.
Joyous, the impatient husbandman perceives
Relenting Nature, and his lusty steers
Drives from their stalls, to where the well used plough
Lies in the furrow, loosen'd from the frost.
There, unrefusing, to the harness'd yoke
They lend their shoulder, and begin their toil,
Cheer'd by the simple song and soaring lark.
Meanwhile incumbent o'er the shining share
The master leans, removes the obstructing clay,
Winds the whole work, and sidelong lays the glebe
While through the neighbouring fields the sowe stalks,
With measured step, and liberal throws the grain
Into the faithful bosom of the ground;
The harrow follows harsh, and shuts the scene.
Be gracious, Heaven! for now laborious Man
Has done his part. Ye fostering breezes, blow!
Ye softening dews, ye tender showers, descend!
[...] Read more
poem by James Thomson
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Temora - Book VIII
ARGUMENT.
The fourth morning from the opening of the poem comes on Fingal, still continuing in the place to which he had retired on the preceding sight, is seen, at intervals, through the mist which covered the rock of Cormul. The descent of the king is described. He orders Gaul, Dermid, and Carril the bard, to go to the valley of China, and conduct from thence the Caledonian army, Ferad-artho, the son of Cairbar, the only person remaining of the family of Conar, the first king of Ireland. The king makes the command of the army, and prepares for battle. Marching towards the enemy, he comes to the cave of Lubar, where the body of Fillan lay. Upon seeing his dog, Bran, who lay at the entrance of the cave, his grief returns. Cathmor arranges the Irish army in order of battle. The appearance of that hero. The general conflict is described. The actions of Fingal and Cathmor. A storm. The total rout of the Fir-bolg. The two kings engage, in a column of mist, on the banks of Lubar, Their attitude and conference after the combat. The death of Cathmor. Fingal resigns the spear of Trenmor to Ossian. The ceremonies observed on that occasion. The spirit of Cathmor, in the mean time, appears to Sul-malla, in the valley of Lona. Her sorrow. Evening comes on. A feast is prepared. The coming of Ferad-artho is announced by the songs of a hundred bards. The poem closes with a speech of Fingal.
As when the wintry winds have seized the waves of the mountain lake, have seized them in stormy night, and clothed them over with ice; white to the hunter's early eye, the billows still seem to roll. He turns his ear to the sound of each unequal ridge. But each is silent, gleaming, strewn with boughs, and tufts of grass, which shake and whistle to the wind, over their gray seats of frost. So silent shone to the morning the ridges of Morven's host, as each warrior looked up from his helmet towards the hill of the king; the cloud-covered hill of Fingal, where he strode in the folds of mist. At times is the hero seen, greatly dim in all his arms. From thought to thought tolled the war, along his mighty soul.
Now is the coming forth of the king. First appeared the sword of Luno; the spear half issuing from a cloud, the shield still dim in mist. But when the stride of the king came abroad, with all his gray dewy locks in the wind; then rose the shouts of his host over every moving tribe. They gathered, gleaming round, with all their echoing shields. So rise the green seas round a spirit, that comes down from the squally wind. The traveller hears the sound afar, and lifts his head over the rock. He looks on the troubled bay, and thinks he dimly sees the form. The waves sport, unwieldy, round, with all their backs of foam.
Far distant stood the son of Morni, Duthno's race, and Cona's bard. We stood far distant; each beneath his tree. We shunned the eyes of the king: we had not conquered in the field. A little stream rolled at my feet: I touched its light wave, with my spear. I touched it with my spear: nor there was the soul of Ossian. It darkly rose, from thought to thought, and sent abroad the sigh.
"Son of Morni," said the king, "Dermid, hunter of roes! why are ye dark, like two rocks, each with its trickling waters? No wrath gathers on Fingal's soul, against the chiefs of men. Ye are my strength in battle; the kindling of my joy in peace. My early voice has been a pleasant gale to your years, when Fillan prepared the bow. The son of Fingal is not here, nor yet the chase of the bounding roes. But why should the breakers of shields stand, darkened, far way?"
Tall they strode towards the king: they saw him turned to Morn's wind. His, tears came down for his blue-eyed son, no slept in the cave of streams. But he brightened before them, and spoke to the broad-shielded kings.
"Crommal, with woody rocks, and misty top, the field of winds, pours forth, to the sight, blue Lubar's streamy roar. Behind it rolls clear-winding Lavath, in the still vale of deer. A cave is dark in a rock; above it strong-winged eagles dwell; broad-headed oaks, before it, sound in Cluna's wind. Within, in his locks of youth, is Ferad-artho, blue-eyed king, the son of broad-shielded Cairbar, from Ullin of the roes. He listens to the voice of Condan, as gray he bends in feeble light. He listens, for his foes dwell in the echoing halls of Temora. He comes, at times, abroad in the skirts of mist, to pierce the bounding roes. When the sun looks on the field, nor by the rock, nor stream, is he! He shuns the race of Bolga, who dwell in his father's hall. Tell him, that Fingal lifts the spear, and that his foes, perhaps, may fail.
"Lift up, O Gaul, the shield before him. Stretch, Dermid, Temora's spear. Be thy voice in his ear, O Carril, with the deeds of his fathers. Lead him to green Moi-lena, to the dusky field of ghosts; for there, I fall forward, in battle, in the folds of war. Before dun night descends, come to high Dunmora's top. Look, from the gray skirts of mist, on Lena of the streams. If there my standard shall float on wind, over Lubar's gleaming stream, then has not Fingal failed in the last of his fields."
Such were his words; nor aught replied the silent striding kings. They looked sidelong on Erin's host, and darkened as they went. Never before had they left the king, in the midst of the stormy field. Behind them, touching at times his harp, the gray-haired Carril moved. He foresaw the fall, of the people, and mournful was the sound! It was like a breeze that comes, by fits, over Lego's reedy lake; when sleep half descends on the hunter, within his mossy cave.
"Why bends the bard of Cona," said Fingal, "over his secret stream? Is this a time for sorrow, father of low-laid Oscar? Be the warriors remembered in peace; when echoing shields are heard no more. Bend, then, in grief, over the flood, where blows the mountain breeze. Let them pass on thy soul, the blue-eyed dwellers of the tomb. But Erin rolls to war; wide tumbling, rough, aid dark. Lift, Ossian, lift the shield. I am alone, my son
As comes the sudden voice of winds to the becalmed ship of Inis-huna, and drives it large, along the deep, dark rider of the wave; so the voice of Fingal sent Ossian, tall along the heath. He lifted high his shining shield, in the dusky wing of war; like the broad, blank moon, in the skirt of a cloud, before the storms. arise.
Loud, from moss-covered Mora, poured down, at once, the broad-winged war. Fingal led his people forth, king of Morven of streams. On high spreads the eagle's wing. His gray hair is poured on his shoulders broad. In thunder are his mighty strides. He often stood, and saw, behind, the wide-gleaming rolling of armor. A rock he seemed, gray over with ice, whose woods are high in wind. Bright streams leapt from its head, and spread their foam on blasts.
Now he came to Lubar's cave, where Fillan darkly slept. Bran still lay on the broken shield: the eagle-wing is strewed by the winds. Bright, from withered furze, looked forth the hero's spear. Then grief stirred the soul of the king, like whirlwinds blackening on a lake. He turned his sudden step, and leaned on his bending spear.
White-breasted Bran came bounding with joy to the known path of Fingal. He came, and looked towards the cave, where the blue-eyed hunter lay, for he was wont to stride, with morning, to the dewy bed of the roe. It was then the tears of the king came down and all his soul was dark. But as the rising wind rolls away the storm of rain, and leaves the white streams to the sun, and high hills with their heads of grass; so the returning war brightened the mind of Fingal. He bounded, on his spear, over Lubar, and struck his echoing shield. His ridgy host bend forward, at once, with all their pointed steel.
Nor Erin heard, with fear, the sound: wide they come rolling along. Dark Malthos, in the wing of war, looks forward from shaggy brows. Next rose that beam of light, Hidalla! then the sidelong-looking gloom of Maronnan. Blue-shielded Clonar lifts the spear: Cormar shakes his bushy locks on the wind. Slowly, from behind a rock, rose the bright form of Atha. First appeared his two-pointed spears, then the half of his burnished shield: like the rising of a nightly meteor, over the valley of ghosts. But when ha shone all abroad, the hosts plunged, at once, into strife. The gleaming waves of steel are poured on either side.
As meet two troubled seas, with the rolling of all their waves, when they feel the wings of contending winds, in the rock-sided firth of Lumon; along the echoing hills in the dim course of ghosts: from the blast fall the torn groves on the deep, amidst the foamy path of whales. So mixed the hosts! Now Fingal; now Cathmor came abroad. The dark tumbling of death is before them: the gleam of broken steel is rolled on their steps, as, loud, the high-bounding kings hewed down the ridge of shields.
Maronnan fell, by Fingal, laid large across a stream. The waters gathered by his side, and leapt gray over his bossy shield. Clonar is pierced by Cathmor; nor yet lay the chief on earth. An oak seized his hair in his fall. His helmet rolled on the ground. By its thong, hung his broad shield; over it wandered his streaming blood. Tla-min shall weep, in the hall, and strike her heaving breast. Nor did Ossian forget the spear, in the wing of his war. He strewed the field with dead. Young Hidallan came. "Soft voice of streamy Clonra! why dost thou lift the steel? O that we met in the strife of song, in thine own rushy vale!" Malthos beheld him low, and darkened as he rushed along. On either side of a stream, we bent in the echoing strife. Heaven comes rolling down; around burst the voices of squally winds. Hills are clothed, at times, in fire. Thunder rolls in wreaths of mist. In darkness shrunk the foe: Morven's warriors stood aghast. Still I bent over the stream, amidst my whistling locks.
Then rose the voice of Fingal, and the sound of the flying foe. I saw the king, at times, in lightning, darkly striding in his might. I struck my echoing shield, and hung forward on the steps of Alnecma; the foe is rolled before me, like a wreath of smoke.
The sun looked forth from his cloud. The hundred streams of Moi-lena shone. Slow rose the blue columns of mist, against the glittering hill. Where are the mighty kings? Nor by that stream, nor wood, are they! I hear the clang of arms! Their strife is in the bosom of that mist. Such is the contending of spirits in a nightly cloud, when they strive for the wintry wings of winds, and the rolling of the foam-covered waves.
I rushed along. The gray mist rose. Tall, gleaming, they stood at Lubar. Cathmor leaned against a rock. His half-fallen shield received the stream, that leapt from the moss above. Towards him is the stride of Fingal: he saw the hero's blood. His sword fell slowly to his side. He spoke, amidst his darkening joy.
"Yields the race of Borbar-duthul? Or still does he lift the spear? Not unheard is thy name, at Atha, in the green dwelling of strangers. It has come, like the breeze of his desert, to the ear of Fingal. Come o my hill of feasts: the mighty fail, at times. No fire am I to low-laid foes; I rejoice not over the fall of the brave. To close the wound is mine: I have known the herbs of the hills. I seized their fair heads, on high, as they waved by their secret streams. Thou art dark and silent, king of Atha of strangers!"
"By Atha of the stream," he said, "there rises a mossy rock. On its head is the wandering of boughs, within the course of winds. Dark, in its face, is a cave, with its own loud rill. There have I heard the tread of strangers, when they passed to my hall of shells. Joy rose, like a flame, on my soul; I blest the echoing rock. Here be my dwelling, in darkness; in my grassy vale. From this I shall mount the breeze, that pursues my thistle's beard; or look down on blue-winding Atha, from its wandering mist."
"Why speaks the king of the tomb? Ossian, the warrior has failed! Joy meet thy soul, like a stream, Cathmor friend of strangers! My son, I hear the call of years; they take my spear as they pass along. Why does not Fingal, they seem to say, rest within his hall? Dost thou always delight in blood? In the tears of the sad? No; ye dark-rolling years, Fingal delights not in blood. Tears are wintry streams that waste away my soul. But when I lie down to rest, then comes the mighty voice of war. It awakes me in my hall and calls forth all my steel. It shall call it forth no more; Ossian, take thou thy father's spear. Lift it, in battle, when the proud arise.
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poem by James Macpherson
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Second Book
TIMES followed one another. Came a morn
I stood upon the brink of twenty years,
And looked before and after, as I stood
Woman and artist,–either incomplete,
Both credulous of completion. There I held
The whole creation in my little cup,
And smiled with thirsty lips before I drank,
'Good health to you and me, sweet neighbour mine
And all these peoples.'
I was glad, that day;
The June was in me, with its multitudes
Of nightingales all singing in the dark,
And rosebuds reddening where the calyx split.
I felt so young, so strong, so sure of God!
So glad, I could not choose be very wise!
And, old at twenty, was inclined to pull
My childhood backward in a childish jest
To see the face of't once more, and farewell!
In which fantastic mood I bounded forth
At early morning,–would not wait so long
As even to snatch my bonnet by the strings,
But, brushing a green trail across the lawn
With my gown in the dew, took will and way
Among the acacias of the shrubberies,
To fly my fancies in the open air
And keep my birthday, till my aunt awoke
To stop good dreams. Meanwhile I murmured on,
As honeyed bees keep humming to themselves;
'The worthiest poets have remained uncrowned
Till death has bleached their foreheads to the bone,
And so with me it must be, unless I prove
Unworthy of the grand adversity,–
And certainly I would not fail so much.
What, therefore, if I crown myself to-day
In sport, not pride, to learn the feel of it,
Before my brows be numb as Dante's own
To all the tender pricking of such leaves?
Such leaves? what leaves?'
I pulled the branches down,
To choose from.
'Not the bay! I choose no bay;
The fates deny us if we are overbold:
Nor myrtle–which means chiefly love; and love
Is something awful which one dare not touch
So early o' mornings. This verbena strains
The point of passionate fragrance; and hard by,
This guelder rose, at far too slight a beck
Of the wind, will toss about her flower-apples.
Ah–there's my choice,–that ivy on the wall,
That headlong ivy! not a leaf will grow
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poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
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The Dream
'TWAS summer eve; the changeful beams still play'd
On the fir-bark and through the beechen shade;
Still with soft crimson glow'd each floating cloud;
Still the stream glitter'd where the willow bow'd;
Still the pale moon sate silent and alone,
Nor yet the stars had rallied round her throne;
Those diamond courtiers, who, while yet the West
Wears the red shield above his dying breast,
Dare not assume the loss they all desire,
Nor pay their homage to the fainter fire,
But wait in trembling till the Sun's fair light
Fading, shall leave them free to welcome Night!
So when some Chief, whose name through realms afar
Was still the watchword of succesful war,
Met by the fatal hour which waits for all,
Is, on the field he rallied, forced to fall,
The conquerors pause to watch his parting breath,
Awed by the terrors of that mighty death;
Nor dare the meed of victory to claim,
Nor lift the standard to a meaner name,
Till every spark of soul hath ebb'd away,
And leaves what was a hero, common clay.
Oh! Twilight! Spirit that dost render birth
To dim enchantments; melting Heaven with Earth,
Leaving on craggy hills and rumning streams
A softness like the atmosphere of dreams;
Thy hour to all is welcome! Faint and sweet
Thy light falls round the peasant's homeward feet,
Who, slow returning from his task of toil,
Sees the low sunset gild the cultured soil,
And, tho' such radliance round him brightly glows,
Marks the small spark his cottage window throws.
Still as his heart forestals his weary pace,
Fondly he dreams of each familiar face,
Recalls the treasures of his narrow life,
His rosy children, and his sunburnt wife,
To whom his coming is the chief event
Of simple days in cheerful labour spent.
The rich man's chariot hath gone whirling past,
And those poor cottagers have only cast
One careless glance on all that show of pride,
Then to their tasks turn'd quietly aside;
But him they wait for, him they welcome home,
Fond sentinels look forth to see him come;
The fagot sent for when the fire grew dim,
The frugal meal prepared, are all for him;
For him the watching of that sturdy boy,
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poem by Caroline Elizabeth Sarah Norton
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Synergy of Love
'Were you honed from poetry? '
I asked your saddened smile.
For it seems to tell a longing tale -
One of words in oratory
That speaks in languid metaphors
From lips of mind in deep despair
And solitude from inner wars
That over time has rendered life so frail.
'Were you carved from doleful prose? '
I sought to ask your gaze,
For a pain lies deep within your eyes -
One of barren territory
Where no fair heart could ever drift
And hope to venture back content
With grateful memories in a gift -
A land of your affectional demise.
'Do I hear a mournful hum? '
I wondered of your cry,
For it sings a song of deep lament -
One of quiet soliloquy
Recited on deserted strands
To waves that have no sense of song
And only wish to fight the sands -
A chant that cites emotional descent.
Do you know your face portrays
The colours of your soul?
It tells me at a single glance
Of how you burned your furnace whole
To stay the fire in our romance.
And see the prismic hues they bore!
I cherished all I ever saw:
Mauve of mystic; browns of rustic;
Reddened tones to match your blush;
Marine of passion, spending out your being,
Leaving you for ashen embers, fleeing
The dying light in hush of night.
And how you lay there empty.
So let me help re-grow the flowers
Once erect in fiery showers!
For now I've seen what love can do
When torn asunder - oh my catastrophic blunder!
But we must realise -
Our flaming want is meant to be!
We are the ocean and the sea;
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poem by Mark R Slaughter
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VI. Giuseppe Caponsacchi
Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,
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poem by Robert Browning from The Ring and the Book
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The Witch of Hebron
A Rabbinical Legend
Part I.
From morn until the setting of the sun
The rabbi Joseph on his knees had prayed,
And, as he rose with spirit meek and strong,
An Indian page his presence sought, and bowed
Before him, saying that a lady lay
Sick unto death, tormented grievously,
Who begged the comfort of his holy prayers.
The rabbi, ever to the call of grief
Open as day, arose; and girding straight
His robe about him, with the page went forth;
Who swiftly led him deep into the woods
That hung, heap over heap, like broken clouds
On Hebron’s southern terraces; when lo!
Across a glade a stately pile he saw,
With gleaming front, and many-pillared porch
Fretted with sculptured vinage, flowers and fruit,
And carven figures wrought with wondrous art
As by some Phidian hand.
But interposed
For a wide space in front, and belting all
The splendid structure with a finer grace,
A glowing garden smiled; its breezes bore
Airs as from paradise, so rich the scent
That breathed from shrubs and flowers; and fair the growths
Of higher verdure, gemm’d with silver blooms,
Which glassed themselves in fountains gleaming light
Each like a shield of pearl.
Within the halls
Strange splendour met the rabbi’s careless eyes,
Halls wonderful in their magnificance,
With pictured walls, and columns gleaming white
Like Carmel’s snow, or blue-veined as with life;
Through corridors he passed with tissues hung
Inwrought with threaded gold by Sidon’s art,
Or rich as sunset clouds with Tyrian dye;
Past lofty chambers, where the gorgeous gleam
Of jewels, and the stainèd radiance
Of golden lamps, showed many a treasure rare
Of Indian and Armenian workmanship
Which might have seemed a wonder of the world:
And trains of servitors of every clime,
Greeks, Persians, Indians, Ethiopians,
In richest raiment thronged the spacious halls.
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poem by Charles Harpur
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Forsaking My Love
I hate you
I wish to tear you away from me
This tumor that clings to my chest
The thing that makes me ache
That haunts my dreams
And tears at my desires
You have brought me only pain
My untamed heart
That beast that gnaws at my soul
That pitifully whines
Bringing my mind into unwanted pain
Yet how can I blame you
How can I chastise you when I listen intently to your pleas
Why should I punish you for what my eyes feed upon
How can I blame my eyes for falling upon her
She who brings light to the eternal darkness of my soul
She whose eyes bring me to subjection
Whose smile leaves me in awe
How can I blame you when my ears are met with her laughter
How they submerge into her song
How they quiver at her voice
Why should I punish you for inclining my soul
Tempting it with the one sense that has been forsaken by her
How could I look over the thought of the brushing of lips
The touching of hands
The binding of the soul, mind, and body
O you wretched heart
What am I to do with this constant companion
How could I tear you away
When she is the cause of my agony
Or rather
It is the lack of her which brings me sorrow
It is the need for her that leaves my heart in pain
Yet she is not mine
She was never mine
She will never be mine
O my poor heart
How can I make you see reason
When all you do is show me the truth
love love love love love love love
love love love love love love love
love love love love love love love
love love love love love love love
love love love love love love love
love love love love love love love
love love love love love love love
love love love love love love love
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poem by Michael Silver
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