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Band Concert

Band concert public square Nebraska city. Flowing and circling dresses, summer-white dresses. Faces, flesh tints flung like sprays of cherry blossoms. And gigglers, God knows, gigglers, rivaling the pony whinnies of the Livery Stable Blues.

Cowboy rags and nigger rags. And boys driving sorrel horses hurl a cornfield laughter at the girls in dresses, summer-white dresses. Amid the cornet staccato and the tuba oompa, gigglers, God knows, gigglers daffy with life’s razzle dazzle.

Slow good-night melodies and Home Sweet Home. And the snare drummer bookkeeper in a hardware store nods hello to the daughter of a railroad conductor—a giggler, God knows, a giggler—and the summer-white dresses filter fanwise out of the public square.

The crushed strawberries of ice cream soda places, the night wind in cottonwoods and willows, the lattice shadows of doorsteps and porches, these know more of the story.

poem by Carl Sandburg
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University Of Central Florida Volleyball

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poem by Caasder Fronds
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Allegany Camp

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poem by Rwetewrt Erwtwer
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Veterinary Camps

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poem by Caasder Fronds
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Using Boot Camp

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poem by Caasder Fronds
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Twin State

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poem by Caasder Fronds
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Cherry, Cherry Coupe

Go cherry, cherry coupe now
The wildest short around is my cherry, cherry coupe
Its the sharpest thing in town and the envy of my group
Its one of its kind and it really looks good
Chopped nose and deck with louvers on the hood
Go cherry, cherry coupe now
Go cherry, cherry coupe now
Go cherry, cherry coupe now
(my cherry coupe beats em up coming off the line)
Go cherry, cherry coupe now
(and she really gets sparks when she starts to whine)
Chrome reversed rims with whitewall slicks
And it turns a quarter mile in one oh six
Door handles are off but you know Ill never miss em
They open when I want with the cellunoid system
Go cherry, cherry coupe now
Go cherry, cherry coupe now
Go cherry, cherry coupe now
(my cherry coupe beats em up coming off the line)
Go cherry, cherry coupe now
(and she really gets sparks when she starts to whine)
My coupes tuck and roll underneath the hood
And the rugs, seats, and panels now are looking good
When I go looking for something to do
Shes got enough room now to barely seat two
Go cherry, cherry coupe now
Go cherry, cherry coupe now
Go cherry, cherry coupe now
(my cherry coupe beats em up coming off the line)
Go cherry, cherry coupe now
(and she really gets sparks when she starts to whine)
Go cherry, cherry coupe now
Go cherry, cherry coupe now
Go cherry, cherry coupe now
(my cherry coupe beats em up coming off the line)
Go cherry, cherry coupe now
(and she really gets sparks when she starts to whine)

song performed by Beach Boys
Added by Lucian Velea
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Life Blossoms into vitality

Petals blossoms into flowers,
Clouds blossom into rain,
Seeds blossoms into trees,
Minutes blossom into hours,
Bricks blossom into dwellings,
Anger blossoms into destruction,
Exuberance blossoms into newness,
Nervousness blossoms into exhaustion,
Teamwork blossoms into unity,
Perseverance blossoms into success,
Beauty blossoms into enchantment,
Intrigue blossoms into enigma,
Trends blossom into innovations,
Eggs blossom into fledglings,
Rose blossoms into scent,
Sun blossoms into optimism,
Stars blossom into radiation,
Soil blossoms into vegetation,
Art blossoms into exoticism,
Ice blossoms into waterfalls,
Fire blossoms into compassion,
Imagination blossoms into concepts,
Wine blossoms into sedation,
War blossoms into hatred,
Pearls blossom into resplendence,
Dreams blossom into floatation,
Fashion blossoms into style,
Roots blossom into stem,
Salt blossoms into tanginess,
Strength blossoms into fortitude,
Resilience blossoms into conviction,
Surrender blossoms into despair,
Truth blossoms into harmony,
Relationships blossom into empathy,
Violence blossoms into prejudice,
Discrimination blossoms into bloodshed,
Scalp blossoms into hair,
Love blossoms into passion,
Peace blossoms into solidarity,
Rainbow blossoms into vivacity,
Endeavor blossoms into sweetness,
Tunes blossom into songs,
Mind blossoms into ingenuity,
Wilderness blossoms into mysticism,
Flames blossom into ardor,
Corpses blossom into ghosts,
Retreat blossoms into sadness,
Bondage blossoms into rebel,
Faith blossoms into worship,
Infidelity blossoms into nemesis,

[...] Read more

poem by Nikhil Parekh
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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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The Idiot Boy

'Tis eight o'clock,--a clear March night,
The moon is up,--the sky is blue,
The owlet, in the moonlight air,
Shouts from nobody knows where;
He lengthens out his lonely shout,
Halloo! halloo! a long halloo!

--Why bustle thus about your door,
What means this bustle, Betty Foy?
Why are you in this mighty fret?
And why on horseback have you set
Him whom you love, your Idiot Boy?

Scarcely a soul is out of bed;
Good Betty, put him down again;
His lips with joy they burr at you;
But, Betty! what has he to do
With stirrup, saddle, or with rein?

But Betty's bent on her intent;
For her good neighbour, Susan Gale,
Old Susan, she who dwells alone,
Is sick, and makes a piteous moan
As if her very life would fail.

There's not a house within a mile,
No hand to help them in distress;
Old Susan lies a-bed in pain,
And sorely puzzled are the twain,
For what she ails they cannot guess.

And Betty's husband's at the wood,
Where by the week he doth abide,
A woodman in the distant vale;
There's none to help poor Susan Gale;
What must be done? what will betide?

And Betty from the lane has fetched
Her Pony, that is mild and good;
Whether he be in joy or pain,
Feeding at will along the lane,
Or bringing faggots from the wood.

And he is all in travelling trim,--
And, by the moonlight, Betty Foy
Has on the well-girt saddle set
(The like was never heard of yet)
Him whom she loves, her Idiot Boy.

And he must post without delay

[...] Read more

poem by William Wordsworth
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The House Of Dust: Complete

I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.

II.

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poem by Conrad Potter Aiken
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Satan Absolved

(In the antechamber of Heaven. Satan walks alone. Angels in groups conversing.)
Satan. To--day is the Lord's ``day.'' Once more on His good pleasure
I, the Heresiarch, wait and pace these halls at leisure
Among the Orthodox, the unfallen Sons of God.
How sweet in truth Heaven is, its floors of sandal wood,
Its old--world furniture, its linen long in press,
Its incense, mummeries, flowers, its scent of holiness!
Each house has its own smell. The smell of Heaven to me
Intoxicates and haunts,--and hurts. Who would not be
God's liveried servant here, the slave of His behest,
Rather than reign outside? I like good things the best,
Fair things, things innocent; and gladly, if He willed,
Would enter His Saints' kingdom--even as a little child.

[Laughs. I have come to make my peace, to crave a full amaun,
Peace, pardon, reconcilement, truce to our daggers--drawn,
Which have so long distraught the fair wise Universe,
An end to my rebellion and the mortal curse
Of always evil--doing. He will mayhap agree
I was less wholly wrong about Humanity
The day I dared to warn His wisdom of that flaw.
It was at least the truth, the whole truth, I foresaw
When He must needs create that simian ``in His own
Image and likeness.'' Faugh! the unseemly carrion!
I claim a new revision and with proofs in hand,
No Job now in my path to foil me and withstand.
Oh, I will serve Him well!
[Certain Angels approach. But who are these that come
With their grieved faces pale and eyes of martyrdom?
Not our good Sons of God? They stop, gesticulate,
Argue apart, some weep,--weep, here within Heaven's gate!
Sob almost in God's sight! ay, real salt human tears,
Such as no Spirit wept these thrice three thousand years.
The last shed were my own, that night of reprobation
When I unsheathed my sword and headed the lost nation.
Since then not one of them has spoken above his breath
Or whispered in these courts one word of life or death
Displeasing to the Lord. No Seraph of them all,
Save I this day each year, has dared to cross Heaven's hall
And give voice to ill news, an unwelcome truth to Him.
Not Michael's self hath dared, prince of the Seraphim.
Yet all now wail aloud.--What ails ye, brethren? Speak!
Are ye too in rebellion? Angels. Satan, no. But weak
With our long earthly toil, the unthankful care of Man.

Satan. Ye have in truth good cause.

Angels. And we would know God's plan,
His true thought for the world, the wherefore and the why
Of His long patience mocked, His name in jeopardy.

[...] Read more

poem by Wilfrid Scawen Blunt
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City Boy Blues

Fireflies in dogfights
Runnin hot in the heat
Street noise, another bribe
Things too hard to believe--so head out
My hearts in the country
My feets in the city with you
All my friends are eatin sushi
Talkin bad about you know who-who-who
My tongues talkin riddles
But I just cant seem to find a clue
So I take a swig of whiskey
And jump into the saddle with you-you-you
And I just cant seem to break the shackles of the city boy blues
I got the city boy blues
I got the city boy blues
I got the city boy blues
I got the city boy blues
And I just cant seem to break the shackles of the city boy blues
Cats in the alley
Rats in my snakeskin boots
All my neighbors think Im crazy
And my girl thinks Im losin my cool-cool-cool
And I just cant seem to break the shackles of the city boy blues
I got the city boy blues
I got the city boy blues
I got the city boy blues
I got the city boy blues
And I just cant seem to break the shackles of the city boy blues
Dont look to jesus to change your seasons
Its the american dream
Souls of gypsies, road of stone
Cant seem to find no peace--so head out
And I just cant seem to break the shackles of the city boy blues
And I just cant seem to break the shackles of the city boy blues
I got the blues, I got the blues, got the city boy blues
And I just cant seem to break the shackles of the city boy blues
And I just cant seem to break the shackles of the city boy blues
And I just cant seem to break the shackles of the city boy blues
I got the blues, I got the blues,
I got the blues, I got the blues
I got the blues, I got the blues,
I got the blues, I got the blues

song performed by Motley Crue
Added by Lucian Velea
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The Tower Beyond Tragedy

I
You'd never have thought the Queen was Helen's sister- Troy's
burning-flower from Sparta, the beautiful sea-flower
Cut in clear stone, crowned with the fragrant golden mane, she
the ageless, the uncontaminable-
This Clytemnestra was her sister, low-statured, fierce-lipped, not
dark nor blonde, greenish-gray-eyed,
Sinewed with strength, you saw, under the purple folds of the
queen-cloak, but craftier than queenly,
Standing between the gilded wooden porch-pillars, great steps of
stone above the steep street,
Awaiting the King.
Most of his men were quartered on the town;
he, clanking bronze, with fifty
And certain captives, came to the stair. The Queen's men were
a hundred in the street and a hundred
Lining the ramp, eighty on the great flags of the porch; she
raising her white arms the spear-butts
Thundered on the stone, and the shields clashed; eight shining
clarions
Let fly from the wide window over the entrance the wildbirds of
their metal throats, air-cleaving
Over the King come home. He raised his thick burnt-colored
beard and smiled; then Clytemnestra,
Gathering the robe, setting the golden-sandaled feet carefully,
stone by stone, descended
One half the stair. But one of the captives marred the comeliness
of that embrace with a cry
Gull-shrill, blade-sharp, cutting between the purple cloak and
the bronze plates, then Clytemnestra:
Who was it? The King answered: A piece of our goods out of
the snatch of Asia, a daughter of the king,
So treat her kindly and she may come into her wits again. Eh,
you keep state here my queen.
You've not been the poorer for me.- In heart, in the widowed
chamber, dear, she pale replied, though the slaves
Toiled, the spearmen were faithful. What's her name, the slavegirl's?
AGAMEMNON Come up the stair. They tell me my kinsman's
Lodged himself on you.
CLYTEMNESTRA Your cousin Aegisthus? He was out of refuge,
flits between here and Tiryns.
Dear: the girl's name?
AGAMEMNON Cassandra. We've a hundred or so other
captives; besides two hundred
Rotted in the hulls, they tell odd stories about you and your
guest: eh? no matter: the ships
Ooze pitch and the August road smokes dirt, I smell like an
old shepherd's goatskin, you'll have bath-water?
CLYTEMNESTRA
They're making it hot. Come, my lord. My hands will pour it.

[...] Read more

poem by Robinson Jeffers
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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

[...] Read more

poem by Robert Browning (1871)
Added by Veronica Serbanoiu
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Orlando Furioso Canto 18

ARGUMENT
Gryphon is venged. Sir Mandricardo goes
In search of Argier's king. Charles wins the fight.
Marphisa Norandino's men o'erthrows.
Due pains Martano's cowardice requite.
A favouring wind Marphisa's gallery blows,
For France with Gryphon bound and many a knight.
The field Medoro and Cloridano tread,
And find their monarch Dardinello dead.

I
High minded lord! your actions evermore
I have with reason lauded, and still laud;
Though I with style inapt, and rustic lore,
You of large portion of your praise defraud:
But, of your many virtues, one before
All others I with heart and tongue applaud,
- That, if each man a gracious audience finds,
No easy faith your equal judgment blinds.

II
Often, to shield the absent one from blame,
I hear you this, or other, thing adduce;
Or him you let, at least, an audience claim,
Where still one ear is open to excuse:
And before dooming men to scaith and shame,
To see and hear them ever is your use;
And ere you judge another, many a day,
And month, and year, your sentence to delay.

III
Had Norandine been with your care endued,
What he by Gryphon did, he had not done.
Profit and fame have from your rule accrued:
A stain more black than pitch he cast upon
His name: through him, his people were pursued
And put to death by Olivero's son;
Who at ten cuts or thrusts, in fury made,
Some thirty dead about the waggon laid.

IV
Whither fear drives, in rout, the others all,
Some scattered here, some there, on every side,
Fill road and field; to gain the city-wall
Some strive, and smothered in the mighty tide,
One on another, in the gateway fall.
Gryphon, all thought of pity laid aside,
Threats not nor speaks, but whirls his sword about,
Well venging on the crowd their every flout.

[...] Read more

poem by Ludovico Ariosto
Added by Poetry Lover
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Cherry, Cherry

Cherry, cherry
Rozanda was her real name
But cherry was her chosen one
Everybody said that shed soon be dead
But cherry replied at least I had some fun (oh yes)
Her eyes were like a pool of 24 karat diamonds
I was the last in a long line of foolish men who dived in
Chorus:
Cherry, cherry
I think about u every rising sun
Whoa cherry, cherry
Wherever u are, I hope ure havin fun (oh yes)
Tuesday was my big game
North vs. central in basketball
Underneath their long coats
Cherry and the girls wore camisoles
Every time north would run the hoop
Cherry would flash em and they would fall
But not as hard as I fell
When cherry gave me her number and told me 2 call (u should call me)
Using all the money her boyfriend wilbur gave her, shed buy
Anything I wanted, thats why my babys so fly
Chorus
(do do do do do)
Me and cherry got married
And tried our best 2 keep it on the down low, the down low
I was combing her hair
The day that wilbur called and cussed her on the phone
He beat her up real bad and figured I was gonna leave her
Instead I bought a 45 and set out 2 relieve her (take him out)
If he was taken out then he could never harm another
No sooner than I got there, I was met by cherrys mother cryin
Cherry, cherry
Every night I ask the lord why? oh why?
Cherry, cherry
Another victim of a suicide (why oh why? )
Why?
Cherry, cherry
I think about u every rising sun
Whoa cherry, cherry
Wherever u are, I hope ure havin fun
I hope ure having fun, baby
Cherry, cherry
Id give anything 2 kiss u
Cherry, cherry
I guess I just miss u
Cherry

song performed by Prince
Added by Lucian Velea
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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Show Me (Cherry Baby)

Show me, show me
Show me how
Show me, show me
Show me how
Oh cherry
Oh cherry baby
Oh cherry
Oh cherry baby
Oh cherry
Oh cherry baby
Oh cherry
Oh cherry
I found you wanting
Like everyone
Always trying
Happy lying
cos Im no stranger
To the ways of the world
I felt like crying
I felt like dying
We took a coffee
You took it so strong
Shaded from the neon
I could still see your eyes
Oh cherry
Oh cherry baby
Oh cherry
Oh cherry baby
Oh cherry
Oh cherry baby
Oh cherry
Oh cherry baby
Found in the gutter
With a knife in her back
Letter said sorry
Please dont worry
She had a lover
With danger in his eyes
I tried to tell her
But she had the wildest heart
Show me, show me
Show me how
Show me, show me
Show me how
Oh cherry
Oh cherry baby
Oh cherry
Oh cherry baby
Oh cherry
Oh cherry baby

[...] Read more

song performed by INXS
Added by Lucian Velea
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Show Me

Show me, show me
Show me how
Show me, show me
Show me how
Oh cherry
Oh cherry baby
Oh cherry
Oh cherry baby
Oh cherry
Oh cherry baby
Oh cherry
Oh cherry
I found you wanting
Like everyone
Always trying
Happy lying
'Cos I'm no stranger
To the ways of the world
I felt like crying
I felt like dying
We took a coffee
You took it so strong
Shaded from the neon
I could still see your eyes
Oh cherry
Oh cherry baby
Oh cherry
Oh cherry baby
Oh cherry
Oh cherry baby
Oh cherry
Oh cherry baby
Found in the gutter
With a knife in her back
Letter said sorry
Please don't worry
She had a lover
With danger in his eyes
I tried to tell her
But she had the wildest heart
Show me, show me
Show me how
Show me, show me
Show me how
Oh cherry
Oh cherry baby
Oh cherry
Oh cherry baby
Oh cherry
Oh cherry baby

[...] Read more

song performed by INXS
Added by Lucian Velea
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I. The Ring and the Book

Do you see this Ring?
'T is Rome-work, made to match
(By Castellani's imitative craft)
Etrurian circlets found, some happy morn,
After a dropping April; found alive
Spark-like 'mid unearthed slope-side figtree-roots
That roof old tombs at Chiusi: soft, you see,
Yet crisp as jewel-cutting. There's one trick,
(Craftsmen instruct me) one approved device
And but one, fits such slivers of pure gold
As this was,—such mere oozings from the mine,
Virgin as oval tawny pendent tear
At beehive-edge when ripened combs o'erflow,—
To bear the file's tooth and the hammer's tap:
Since hammer needs must widen out the round,
And file emboss it fine with lily-flowers,
Ere the stuff grow a ring-thing right to wear.
That trick is, the artificer melts up wax
With honey, so to speak; he mingles gold
With gold's alloy, and, duly tempering both,
Effects a manageable mass, then works:
But his work ended, once the thing a ring,
Oh, there's repristination! Just a spirt
O' the proper fiery acid o'er its face,
And forth the alloy unfastened flies in fume;
While, self-sufficient now, the shape remains,
The rondure brave, the lilied loveliness,
Gold as it was, is, shall be evermore:
Prime nature with an added artistry—
No carat lost, and you have gained a ring.
What of it? 'T is a figure, a symbol, say;
A thing's sign: now for the thing signified.

Do you see this square old yellow Book, I toss
I' the air, and catch again, and twirl about
By the crumpled vellum covers,—pure crude fact
Secreted from man's life when hearts beat hard,
And brains, high-blooded, ticked two centuries since?
Examine it yourselves! I found this book,
Gave a lira for it, eightpence English just,
(Mark the predestination!) when a Hand,
Always above my shoulder, pushed me once,
One day still fierce 'mid many a day struck calm,
Across a Square in Florence, crammed with booths,
Buzzing and blaze, noontide and market-time,
Toward Baccio's marble,—ay, the basement-ledge
O' the pedestal where sits and menaces
John of the Black Bands with the upright spear,
'Twixt palace and church,—Riccardi where they lived,
His race, and San Lorenzo where they lie.

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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