Fool's Gold
Cast: Matthew McConaughey, Kate Hudson, Donald Sutherland, Alexis Dziena, Ewen Bremner
trailer for Fool's Gold, directed by Andy Tennant (2008)
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The Sorcerer: Act I
DRAMATIS PERSONAE
Sir Marmaduke Pointdextre, an Elderly Baronet
Alexis, of the Grenadier Guards--His Son
Dr. Daly, Vicar of Ploverleigh
John Wellington Wells, of J. W. Wells & Co., Family Sorcerers
Lady Sangazure, a Lady of Ancient Lineage
Aline, Her Daughter--betrothed to Alexis
Mrs. Partlet, a Pew-Opener
Constance, her Daughter
Chorus of Villagers
ACT I -- Grounds of Sir Marmaduke's Mansion, Mid-day
SCENE -- Exterior of Sir Marmaduke's Elizabethan Mansion, mid-day.
CHORUS OF VILLAGERS
Ring forth, ye bells,
With clarion sound--
Forget your knells,
For joys abound.
Forget your notes
Of mournful lay,
And from your throats
Pour joy to-day.
For to-day young Alexis--young Alexis Pointdextre
Is betrothed to Aline--to Aline Sangazure,
And that pride of his sex is--of his sex is to be next her
At the feast on the green--on the green, oh, be sure!
Ring forth, ye bells etc.
(Exeunt the men into house.)
(Enter Mrs. Partlet with Constance, her daughter)
RECITATIVE
MRS. P. Constance, my daughter, why this strange depression?
[...] Read more
poem by William Schwenck Gilbert
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The Sorcerer: Act II
DRAMATIS PERSONAE
Sir Marmaduke Pointdextre, an Elderly Baronet
Alexis, of the Grenadier Guards--His Son
Dr. Daly, Vicar of Ploverleigh
John Wellington Wells, of J. W. Wells & Co., Family Sorcerers
Lady Sangazure, a Lady of Ancient Lineage
Aline, Her Daughter--betrothed to Alexis
Mrs. Partlet, a Pew-Opener
Constance, her Daughter
Chorus of Villagers
(Twelve hours are supposed to elapse between Acts I and II)
ACT II-- Grounds of Sir Marmaduke's Mansion, Midnight
Scene--Exterior of Sir Marmaduke's mansion by moonlight. All the
peasantry are discovered asleep on the ground, as at the end
of Act I.
Enter Mr. Wells, on tiptoe, followed by Alexis and Aline. Mr. Wells
carries a dark lantern.
TRIO--ALEXIS, ALINE, and MR. WELLS
'Tis twelve, I think,
And at this mystic hour
The magic drink
Should manifest its power.
Oh, slumbering forms,
How little ye have guessed
That fire that warms
Each apathetic breast!
ALEXIS. But stay, my father is not here!
ALINE. And pray where is my mother dear?
MR. WELLS. I did not think it meet to see
A dame of lengthy pedigree,
[...] Read more
poem by William Schwenck Gilbert
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Donald Caird's Come Again
Chorus
Donald Caird's
come again!
Donald Caird's come again!
Tell the news in brugh and glen,
Donald Caird's come again!
Donald Caird can lilt and sing,
Blithely dance the Hieland fling,
Drink till the gudeman be blind,
Fleech till the gudewife be kind;
Hoop a leglin, clout a pan,
Or crack a pow wi' ony man;
Tell the news in brugh and glen,
Donald Caird's come again.
Donald Caird's come again!
Donald Caird's come again!
Tell the news in brugh and glen,
Donald Caird's come again!
Donald Caird can wire a maukin,
Kens the wiles o' dun-deer staukin',
Leisters kipper, makes a shift
To shoot a muir-fowl in the drift;
Water-bailiffs, rangers, keepers,
He can wauk when they are sleepers;
Not for bountith or reward
Dare ye mell wi' Donald Caird.
Donald Caird's come again!
Donald Caird's come again!
Gar the bagpipes hum amain,
Donald Caird's come again!
Donald Caird can drink a gill
Fast as hostler wife can fill;
Ilka ane that sells gude liquor
Kens how Donald bends a bicker;
When he's fou he's stout and saucy,
Keeps the cantle o' the cawsey;
Hieland chief and Lawland laird
Maun gie room to Donald Caird!
[...] Read more
poem by Sir Walter Scott
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Donald MacGillavry
Donald's gane up the hill hard and hungry
Donald comes down the hill wild and angry
Donald will clear the gouk's nest cleverly
Here's tae the king and Donald Macgillavry
Come like a weigh-bauk, Donald Macgillavry
Come like a weigh-bauk, Donald Macgillavry
Balance them fair, and balance them cleverly
Off wi' the counterfeit, Donald Macgillavry
Donald's run o'er the hill but his tether, man
As he were wud, or stang'd wi' an ether, man
When he comes back, there's some will look merrily
Here's tae King James and Donald Macgillavry
Come like a weaver, Donald Macgillavry
Come like a weaver, Donald Macgillavry
Pack on your back, an elwand sae cleverly
Gie them full measure, my Donald Macgillavry
Donald has foughten wi' reif and roguery
Donald has dinner'd wi' banes and beggery
Better it were for Whigs and Whiggery
Meeting the devil than Donald Macgillavry
Come like a tailor, Donald Macgillavry
Come like a tailor, Donald Macgillavry
Push about, in and out, thimble them cleverly
Here's tae King James and Donald Macgillavry
Donald's the callan that brooks nae tangleness
Whigging, and prigging, and a' newfangleness
They maun be gane; he winna be baukit, man
He maun hae justice, or faith he'll tak it, man
Come like a cobler, Donald Macgillavry
Come like a cobler, Donald Macgillavry
Beat them, and bore them, and lingel them cleverly
Up wi' King James and Donald Macgillavry
Donald was mumpit wi' mirds and mockery
Donald was blindid wi' blads o' property
Arles ran high, but makings war naething, man
Lord, how Donald is flyting and fretting, man
Come like the devil, Donald Macgillavry
Come like the devil, Donald Macgillavry
Skelp them an' scaud them that prov'd sae unbritherly
Up wi' King James and Donald Macgillavry
poem by James Hogg
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Annie Marshall the Foundling
Annie Marshall was a foundling, and lived in Downderry,
And was trained up by a coast-guardsman, kind-hearted and merry
And he loved Annie Marshall as dear as his life,
And he resolved to make her his own loving wife.
The night was tempestuous, most terrific, and pitch dark,
When Matthew Pengelly rescued Annie Marshall from an ill-fated barque,
But her parents were engulfed in the briny deep,
Which caused poor Annie at times to sigh and weep.
One day Matthew asked Annie if she would be his wife,
And Annie replied, I never thought of it in all my life;
Yes, my wife, Annie, replied Matthew, hold hard a bit,
Remember, Annie, I've watched you grow up, and consider you most fit.
Poor Annie did not speak, she remained quite mute,
And with agitation she trembled from head to foot,
The poor girl was in a dilemma, she knew not what to say,
And owing to Matthew training her, she couldn't say him nay.
Oh! Matthew, I'm afraid I would not make you a good wife,
And in that respect there would be too much strife,
And the thought thereof, believe me, makes me feel ill,
Because I'm unfit to be thy wife, Matthew, faltered the poor girl.
Time will prove that, dear Annie, but why are you so calm?
Then Annie put her hand shyly into Matthew's brown palm
Just then the flashing lightning played upon Annie's face,
And the loud thunder drowned Matthew's words as Annie left the place.
But Matthew looked after her as she went home straightway,
And his old heart felt light and gay,
As he looked forward for his coming marriage day,
Because he knew that Annie Marshall couldn't say him nay.
Then the sky drew dark, and the sea lashed itself into foam,
But he heeded it not as he sat there alone,
Till the sound of a gun came booming o'er the sea,
Then Matthew had to attend to his duty immediately.
A ship, he muttered, Lord, help them! and coming right in by the sound,
And in a few minutes she will run aground.
And the vessel was dashed against the rocks with her helpless crew,
Then in hot haste for assistance Matthew instantly flew.
Then Matthew returned with a few men all willing to lend their aid,
But amongst them all Matthew seemed the least afraid;
Then an old man cried, Save my boy, for his mother's sake,
Oh! Matthew, try and save him, or my heart will break!
[...] Read more
poem by William Topaz McGonagall
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Baby Kate
Kate closes the door
falls to her bedroom floor
kate cant even stand
the results in her hand
Kate closes her eyes
sees happiness she tries
to see a new world
but theres a worried girl
A girl stood staring
showing concern, caring
her heart is broken
looks up her eyes open
Kate picks herself up
a nightmare kate is shook
sees her reflection
then she asks a question
Can i get through this?
it was also her whish
can this pain be gone?
but kate doesnt respond
Puts on her lipstick
she had been feeling sick
so she took the test
kates chronicaly depressed
Posative results
kate took many insults
through out her life time
now isnt the right time
A jobs on the way
to give kate better pay
but kate can not work
it is over for her
Kate sits in her room
mayby a baby soon
kates next door neighber
kates neighbers in laber
Kates neighbers baby
is so small its crazy
the test was posative
kate never had a kid
[...] Read more
poem by Daniel McCann
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Malcolm's Katie: A Love Story - Part IV.
From his far wigwam sprang the strong North Wind
And rush'd with war-cry down the steep ravines,
And wrestl'd with the giants of the woods;
And with his ice-club beat the swelling crests.
Of the deep watercourses into death,
And with his chill foot froze the whirling leaves
Of dun and gold and fire in icy banks;
And smote the tall reeds to the harden'd earth;
And sent his whistling arrows o'er the plains,
Scatt'ring the ling'ring herds--and sudden paus'd
When he had frozen all the running streams,
And hunted with his war-cry all the things
That breath'd about the woods, or roam'd the bleak
Bare prairies swelling to the mournful sky.
'White squaw,' he shouted, troubl'd in his soul,
'I slew the dead, wrestl'd with naked chiefs
'Unplum'd before, scalped of their leafy plumes;
'I bound sick rivers in cold thongs of death,
'And shot my arrows over swooning plains,
'Bright with the Paint of death--and lean and bare.
'And all the braves of my loud tribe will mock
'And point at me--when our great chief, the Sun,
'Relights his Council fire in the moon
'Of Budding Leaves.' 'Ugh, ugh! he is a brave!
'He fights with squaws and takes the scalps of babes!
'And the least wind will blow his calumet--
'Fill'd with the breath of smallest flow'rs--across
'The warpaint on my face, and pointing with
'His small, bright pipe, that never moved a spear
'Of bearded rice, cry, 'Ugh! he slays the dead!'
'O, my white squaw, come from thy wigwam grey,
'Spread thy white blanket on the twice-slain dead;
'And hide them, ere the waking of the Sun!'
* * * * *
High grew the snow beneath the low-hung sky,
And all was silent in the Wilderness;
In trance of stillness Nature heard her God
Rebuilding her spent fires, and veil'd her face
While the Great Worker brooded o'er His work.
* * * * *
'Bite deep and wide, O Axe, the tree,
What doth thy bold voice promise me?'
* * * * *
'I promise thee all joyous things,
[...] Read more
poem by Isabella Valancy Crawford
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Malcolm's Katie: A Love Story - Part VI.
'Who curseth Sorrow knows her not at all.
Dark matrix she, from which the human soul
Has its last birth; whence, with its misty thews,
Close-knitted in her blackness, issues out;
Strong for immortal toil up such great heights,
As crown o'er crown rise through Eternity,
Without the loud, deep clamour of her wail,
The iron of her hands; the biting brine
Of her black tears; the Soul but lightly built
of indeterminate spirit, like a mist
Would lapse to Chaos in soft, gilded dreams,
As mists fade in the gazing of the sun.
Sorrow, dark mother of the soul, arise!
Be crown'd with spheres where thy bless'd children dwell,
Who, but for thee, were not. No lesser seat
Be thine, thou Helper of the Universe,
Than planet on planet pil'd!--thou instrument,
Close-clasp'd within the great Creative Hand!'
* * * * *
The Land had put his ruddy gauntlet on,
Of Harvest gold, to dash in Famine's face.
And like a vintage wain, deep dy'd with juice,
The great moon falter'd up the ripe, blue sky,
Drawn by silver stars--like oxen white
And horn'd with rays of light--Down the rich land
Malcolm's small valleys, fill'd with grain, lip-high,
Lay round a lonely hill that fac'd the moon,
And caught the wine-kiss of its ruddy light.
A cusp'd, dark wood caught in its black embrace
The valleys and the hill, and from its wilds,
Spic'd with dark cedars, cried the Whip-poor-will.
A crane, belated, sail'd across the moon;
On the bright, small, close link'd lakes green islets lay,
Dusk knots of tangl'd vines, or maple boughs,
Or tuft'd cedars, boss'd upon the waves.
The gay, enamell'd children of the swamp
Roll'd a low bass to treble, tinkling notes
Of little streamlets leaping from the woods.
Close to old Malcolm's mills, two wooden jaws
Bit up the water on a sloping floor;
And here, in season, rush'd the great logs down,
To seek the river winding on its way.
In a green sheen, smooth as a Naiad's locks,
The water roll'd between the shudd'ring jaws--
Then on the river level roar'd and reel'd--
In ivory-arm'd conflict with itself.
'Look down,' said Alfred, 'Katie, look and see
'How that but pictures my mad heart to you.
[...] Read more
poem by Isabella Valancy Crawford
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The Fortune-Teller, a Gypsy Tale
LUBIN and KATE, as gossips tell,
Were Lovers many a day;
LUBIN the damsel lov'd so well,
That folks pretend to say
The silly, simple, doting Lad,
Was little less than loving mad:
A malady not known of late--
Among the little-loving Great!
KATE liked the youth; but woman-kind
Are sometimes giv'n to range.
And oft, the giddy Sex, we find,
(They know not why)
When most they promise, soonest change,
And still for conquest sigh:
So 'twas with KATE; she, ever roving
Was never fix'd, though always loving!
STEPHEN was LUBIN'S rival; he
A rustic libertine was known;
And many a blushing simple She,
The rogue had left,--to sigh alone!
KATE cared but little for the rover,
Yet she resolv'd to have her way,
For STEPHEN was the village Lover,
And women pant for Sov'reign sway.
And he, who has been known to ruin,--
Is always sought, and always wooing.
STEPHEN had long in secret sigh'd;
And STEPHEN never was deny'd:
Now, LUBIN was a modest swain,
And therefore, treated with disdain:
For, it is said, in Love and War ,--
The boldest, most successful are!
Vows, were to him but fairy things
Borne on capricious Fancy's wings;
And promises, the Phantom's Airy
Which falsehood form'd to cheat th' unwary;
For still deception was his trade,
And though his traffic well was known,
Still, every trophy was his own
Which the proud Victor, Love, display'd.
In short, this STEPHEN was the bane
Of ev'ry maid,--and ev'ry swain!
KATE had too often play'd the fool,
And now, at length, was caught;
For she, who had been pleas'd to rule,
[...] Read more
poem by Mary Darby Robinson
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The Nightingale
NO easy matter 'tis to hold,
Against its owner's will, the fleece
Who troubled by the itching smart
Of Cupid's irritating dart,
Eager awaits some Jason bold
To grant release.
E'en dragon huge, or flaming steer,
When Jason's loved will cause no fear.
Duennas, grating, bolt and lock,
All obstacles can naught avail;
Constraint is but a stumbling block;
For youthful ardour must prevail.
Girls are precocious nowadays,
Look at the men with ardent gaze,
And longings' an infinity;
Trim misses but just in their teens
By day and night devise the means
To dull with subtlety to sleep
The Argus vainly set to keep
In safety their virginity.
Sighs, smiles, false tears, they'll fain employ
An artless lover to decoy.
I'll say no more, but leave to you,
Friend reader, to pronounce if true
What I've asserted when you have heard
How artful Kitty, caged her bird.
IN a small town in Italy,
The name of which I do not know,
Young Kitty dwelt, gay, pretty, free,
Varambon's child.--Boccacio
Omits her mother's name, which not
To you or me imports a jot.
At fourteen years our Kitty's charms
Were all that could be wished--plump arms,
A swelling bosom; on her cheeks
Roses' and lilies' mingled streaks,
A sparkling eye--all these, you know,
Speak well for what is found below.
With such advantages as these
No virgin sure could fail to please,
Or lack a lover; nor did Kate;
But little time she had to wait;
One soon appeared to seal her fate.
Young Richard saw her, loved her, wooed her--
What swain I ask could have withstood her?
Soft words, caresses, tender glances,
The battery of love's advances,
Soon lit up in the maiden's breast
[...] Read more
poem by La Fontaine
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The Daft Days
The midnight hour is clinking, lads,
An' the douce an' the decent are winking, lads;
Sae I tell ye again,
Be't weel or ill ta'en,
It's time ye were quatting your drinking, lads.
Gae ben, 'an mind your gauntry, Kate,
Gi'es mair o' your beer, an' less bantry, Kate,
For we vow, whaur we sit,
That afore we shall flit,
We'se be better acquaint wi' your pantry, Kate.
The "daft days" are but beginning, Kate,
An we're sworn. Would you hae us a sinning, Kate?
By our faith an' our houp,
We will stick by the stoup
As lang as the barrel keeps rinning, Kate.
Thro' hay, an' thro' hairst, sair we toil it, Kate,
Thro' Simmer, an' Winter, we moil it, Kate;
Sae ye ken, whan the wheel
Is beginning to squeal,
It's time for to grease an' to oil it, Kate.
Sae draw us anither drappy, Kate,
An' gie us a cake to our cappy, Kate;
For, by spiggot an' pin!
It's waur than a sin
To flit when we're sitting sae happy, Kate.
poem by Hew Ainslie
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Seventh Book
'THE woman's motive? shall we daub ourselves
With finding roots for nettles? 'tis soft clay
And easily explored. She had the means,
The moneys, by the lady's liberal grace,
In trust for that Australian scheme and me,
Which so, that she might clutch with both her hands,
And chink to her naughty uses undisturbed,
She served me (after all it was not strange,;
'Twas only what my mother would have done)
A motherly, unmerciful, good turn.
'Well, after. There are nettles everywhere,
But smooth green grasses are more common still;
The blue of heaven is larger than the cloud;
A miller's wife at Clichy took me in
And spent her pity on me,–made me calm
And merely very reasonably sad.
She found me a servant's place in Paris where
I tried to take the cast-off life again,
And stood as quiet as a beaten ass
Who, having fallen through overloads, stands up
To let them charge him with another pack.
'A few months, so. My mistress, young and light,
Was easy with me, less for kindness than
Because she led, herself, an easy time
Betwixt her lover and her looking-glass,
Scarce knowing which way she was praised the most.
She felt so pretty and so pleased all day
She could not take the trouble to be cross,
But sometimes, as I stooped to tie her shoe,
Would tap me softly with her slender foot
Still restless with the last night's dancing in't,
And say 'Fie, pale-face! are you English girls
'All grave and silent? mass-book still, and Lent?
'And first-communion colours on your cheeks,
'Worn past the time for't? little fool, be gay!'
At which she vanished, like a fairy, through
A gap of silver laughter.
'Came an hour
When all went otherwise. She did not speak,
But clenched her brows, and clipped me with her eyes
As if a viper with a pair of tongs,
Too far for any touch, yet near enough
To view the writhing creature,–then at last,
'Stand still there, in the holy Virgin's name,
'Thou Marian; thou'rt no reputable girl,
'Although sufficient dull for twenty saints!
'I think thou mock'st me and my house,' she said;
'Confess thou'lt be a mother in a month,
[...] Read more
poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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Ecologue II
ALEXIS
The shepherd Corydon with love was fired
For fair Alexis, his own master's joy:
No room for hope had he, yet, none the less,
The thick-leaved shadowy-soaring beech-tree grove
Still would he haunt, and there alone, as thus,
To woods and hills pour forth his artless strains.
'Cruel Alexis, heed you naught my songs?
Have you no pity? you'll drive me to my death.
Now even the cattle court the cooling shade
And the green lizard hides him in the thorn:
Now for tired mowers, with the fierce heat spent,
Pounds Thestilis her mess of savoury herbs,
Wild thyme and garlic. I, with none beside,
Save hoarse cicalas shrilling through the brake,
Still track your footprints 'neath the broiling sun.
Better have borne the petulant proud disdain
Of Amaryllis, or Menalcas wooed,
Albeit he was so dark, and you so fair!
Trust not too much to colour, beauteous boy;
White privets fall, dark hyacinths are culled.
You scorn me, Alexis, who or what I am
Care not to ask- how rich in flocks, or how
In snow-white milk abounding: yet for me
Roam on Sicilian hills a thousand lambs;
Summer or winter, still my milk-pails brim.
I sing as erst Amphion of Circe sang,
What time he went to call his cattle home
On Attic Aracynthus. Nor am I
So ill to look on: lately on the beach
I saw myself, when winds had stilled the sea,
And, if that mirror lie not, would not fear
Daphnis to challenge, though yourself were judge.
Ah! were you but content with me to dwell.
Some lowly cot in the rough fields our home,
Shoot down the stags, or with green osier-wand
Round up the straggling flock! There you with me
In silvan strains will learn to rival Pan.
Pan first with wax taught reed with reed to join;
For sheep alike and shepherd Pan hath care.
Nor with the reed's edge fear you to make rough
Your dainty lip; such arts as these to learn
What did Amyntas do?- what did he not?
A pipe have I, of hemlock-stalks compact
In lessening lengths, Damoetas' dying-gift:
'Mine once,' quoth he, 'now yours, as heir to own.'
Foolish Amyntas heard and envied me.
Ay, and two fawns, I risked my neck to find
In a steep glen, with coats white-dappled still,
[...] Read more
Hudson
Hudson bawled loudly inside his head
As the harpoons of lightning struck
Piercing his six-inch thick chest.
He had expected the violent rasp
Before it had even transpired,
Essentially, he actually
Ignited the electrified fire;
But farcically or inevitably,
It had not kept him from turning over
To flailing into the famished sea
Of consuming ignorance
It had consumed him, especially his eyes,
Now aqueous and dithering
With no reservations for coagulation.
With such wavering and waxed vision,
Hudson had dispensed vexation
Into a twaddle tug-of-war
Between skepticism and ignorance.
He tried to outrun the asphyxiation
In butterfly-pace as he let the bleeding
Deluge and wear out, until the veins
And the valves caressing the rivulets
Of his blood would halt,
And the serrations need not to clot.
He tried to outrun his pervading nightmares,
His abandonments, his interstates,
His moon, his sun, his stars,
His one-man-bandwagon of harlequinade.
He tried to elude them
With a dragonfly's erratic flight.
Hudson had successfully left Summer,
But as he painstakingly vied
To latch its portcullis,
The whiff of Summer's aberrant
Redolence of tawny sun,
Tangerine skies,
Languid inebriations,
Warm tans in shuffling sands,
And a searing foliage
Of innocuous complacence,
Had been pulling and keeping him
From shutting the closing gate.
Relentless, Hudson, lunged
Forward towards another invitation.
An invitation to another dance
In the halls of ambiguity,
In poetries,
[...] Read more
poem by Norman Santos
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Malcolm's Katie: A Love Story - Part III.
The great farm house of Malcolm Graem stood
Square shoulder'd and peak roof'd upon a hill,
With many windows looking everywhere;
So that no distant meadow might lie hid,
Nor corn-field hide its gold--nor lowing herd
Browse in far pastures, out of Malcolm's ken.
He lov'd to sit, grim, grey, and somewhat stern,
And thro' the smoke-clouds from his short clay pipe
Look out upon his riches; while his thoughts
Swung back and forth between the bleak, stern past,
And the near future, for his life had come
To that close balance, when, a pendulum,
The memory swings between me 'Then' and 'Now';
His seldom speech ran thus two diff'rent ways:
'When I was but a laddie, this I did';
Or, 'Katie, in the Fall I'll see to build
'Such fences or such sheds about the place;
'And next year, please the Lord, another barn.'
Katie's gay garden foam'd about the walls,
'Leagur'd the prim-cut modern sills, and rush'd
Up the stone walls--and broke on the peak'd roof.
And Katie's lawn was like a Poet's sward,
Velvet and sheer and di'monded with dew;
For such as win their wealth most aptly take
Smooth, urban ways and blend them with their own;
And Katie's dainty raiment was as fine
As the smooth, silken petals of the rose;
And her light feet, her nimble mind and voice,
In city schools had learn'd the city's ways,
And grafts upon the healthy, lonely vine
They shone, eternal blossoms 'mid the fruit.
For Katie had her sceptre in her hand
And wielded it right queenly there and here,
In dairy, store-room, kitchen--ev'ry spot
Where women's ways were needed on the place.
And Malcolm took her through his mighty fields,
And taught her lore about the change of crops;
And how to see a handsome furrow plough'd;
And how to choose the cattle for the mart;
And how to know a fair day's work when done;
And where to plant young orchards; for he said,
'God sent a lassie, but I need a son--
'Bethankit for His mercies all the same.'
And Katie, when he said it, thought of Max--
Who had been gone two winters and two springs,
And sigh'd, and thought, 'Would he not be your son?'
But all in silence, for she had too much
Of the firm will of Malcolm in her soul
To think of shaking that deep-rooted rock;
But hop'd the crystal current of his love
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poem by Isabella Valancy Crawford
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Belphegor Addressed To Miss De Chammelay
YOUR name with ev'ry pleasure here I place,
The last effusions of my muse to grace.
O charming Phillis! may the same extend
Through time's dark night: our praise together blend;
To this we surely may pretend to aim
Your acting and my rhymes attention claim.
Long, long in mem'ry's page your fame shall live;
You, who such ecstacy so often give;
O'er minds, o'er hearts triumphantly you reign:
In Berenice, in Phaedra, and Chimene,
Your tears and plaintive accents all engage:
Beyond compare in proud Camilla's rage;
Your voice and manner auditors delight;
Who strong emotions can so well excite?
No fine eulogium from my pen expect:
With you each air and grace appear correct
My first of Phillis's you ought to be;
My sole affection had been placed on thee;
Long since, had I presumed the truth to tell;
But he who loves would fain be loved as well.
NO hope of gaining such a charming fair,
Too soon, perhaps, I ceded to despair;
Your friend, was all I ventured to be thought,
Though in your net I more than half was caught.
Most willingly your lover I'd have been;
But time it is our story should be seen.
ONE, day, old Satan, sov'reign dread of hell;
Reviewed his subjects, as our hist'ries tell;
The diff'rent ranks, confounded as they stood,
Kings, nobles, females, and plebeian blood,
Such grief expressed, and made such horrid cries,
As almost stunned, and filled him with surprise.
The monarch, as he passed, desired to know
The cause that sent each shade to realms below.
Some said--my HUSBAND; others WIFE replied;
The same was echoed loud from ev'ry side.
His majesty on this was heard to say:
If truth these shadows to my ears convey,
With ease our glory we may now augment:
I'm fully bent to try th' experiment.
With this design we must some demon send,
Who wily art with prudence well can blend;
And, not content with watching Hymen's flock,
Must add his own experience to the stock.
THE sable senate instantly approved
The proposition that the monarch moved;
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poem by La Fontaine
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Down-Hall. A Ballad.
Tune. - 'King John and the Abbot of Canterbury.'
I sing not old Jason who travell'd through Greece
To kiss the fair maids and possess the rich fleece,
Nor sing I AEneas, who, led by his mother,
Got rid of one wife and went far for another.
Derry down, down, hey derry down.
Nor him who through Asia and Europe did roam,
Ulysses by name, who ne'er cared to go home,
But rather desired to see cities and men
Than return to his farms and converse with old Pen.
Derry down, down, hey derry down.
Hang Homer and Virgil; their meaning to seek,
A man must have poked into Latin and Greek;
Those who love their own tongue we have reason to hope,
Have read them translated by Dryden and Pope.
Derry down, down, hey derry down.
But I sing of exploits that have lately been done
By two British heroes call'd Matthew and John,
And how they rid friendly from fine London town,
Fair Essex to see, and a place they call Down.
Derry down, down, hey derry down.
Now ere they went out, you may rightly suppose
How much they discoursed both in prudence and prose:
For before this great journey was thoroughly concerted,
Full often they met, and as often they parted.
Derry down, down, hey derry down.
And thus Matthew said, look you here my friend John,
I fairly have travell'd years thirty and one,
And though I still carried my Sovereign's warrants,
I only have gone upon other folks errands.
Derry down, down, hey derry down.
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poem by Matthew Prior
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Matthew & Son
Up at eight, you can't be late
For matthew & son, he won't wait.
Watch them run down to platform one
And the eight-thirty train to matthew & son.
Matthew & son, the work's never done, there's always something new.
The files in your head, you take them to bed, you're never ever through.
And they've been working all day, all day, all day!
There's a five minute break and that's all you take,
For a cup of cold coffee and a piece of cake.
Matthew & son, the work's never done, there's always something new.
The files in your head, you take them to bed, you're never ever through.
And they've been working all day, all day, all day!
He's got people who've been working for fifty years
No one asks for more money cuz nobody cares
Even though they're pretty low and their rent's in arrears
Matthew & son, matthew & son, matthew & son, matthew & son,
And they've been working all day, all day, all day!
song performed by Cat Stevens
Added by Lucian Velea
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Matthew Son
Up at eight, you cant be late
For matthew & son, he wont wait.
Watch them run down to platform one
And the eight-thirty train to matthew & son.
Matthew & son, the works never done, theres always something new.
The files in your head, you take them to bed, youre never ever through.
And theyve been working all day, all day, all day!
Theres a five minute break and thats all you take,
For a cup of cold coffee and a piece of cake.
Matthew & son, the works never done, theres always something new.
The files in your head, you take them to bed, youre never ever through.
And theyve been working all day, all day, all day!
Hes got people whove been working for fifty years
No one asks for more money cuz nobody cares
Even though theyre pretty low and their rents in arrears
Matthew & son, matthew & son, matthew & son, matthew & son,
And theyve been working all day, all day, all day!
song performed by Cat Stevens
Added by Lucian Velea
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Eclogue 2: Alexis
The shepherd Corydon with love was fired
For fair Alexis, his own master's joy:
No room for hope had he, yet, none the less,
The thick-leaved shadowy-soaring beech-tree grove
Still would he haunt, and there alone, as thus,
To woods and hills pour forth his artless strains.
'Cruel Alexis, heed you naught my songs?
Have you no pity? you'll drive me to my death.
Now even the cattle court the cooling shade
And the green lizard hides him in the thorn:
Now for tired mowers, with the fierce heat spent,
Pounds Thestilis her mess of savoury herbs,
Wild thyme and garlic. I, with none beside,
Save hoarse cicalas shrilling through the brake,
Still track your footprints 'neath the broiling sun.
Better have borne the petulant proud disdain
Of Amaryllis, or Menalcas wooed,
Albeit he was so dark, and you so fair!
Trust not too much to colour, beauteous boy;
White privets fall, dark hyacinths are culled.
You scorn me, Alexis, who or what I am
Care not to ask- how rich in flocks, or how
In snow-white milk abounding: yet for me
Roam on Sicilian hills a thousand lambs;
Summer or winter, still my milk-pails brim.
I sing as erst Amphion of Circe sang,
What time he went to call his cattle home
On Attic Aracynthus. Nor am I
So ill to look on: lately on the beach
I saw myself, when winds had stilled the sea,
And, if that mirror lie not, would not fear
Daphnis to challenge, though yourself were judge.
Ah! were you but content with me to dwell.
Some lowly cot in the rough fields our home,
Shoot down the stags, or with green osier-wand
Round up the straggling flock! There you with me
In silvan strains will learn to rival Pan.
Pan first with wax taught reed with reed to join;
For sheep alike and shepherd Pan hath care.
Nor with the reed's edge fear you to make rough
Your dainty lip; such arts as these to learn
What did Amyntas do?- what did he not?
A pipe have I, of hemlock-stalks compact
In lessening lengths, Damoetas' dying-gift:
'Mine once,' quoth he, 'now yours, as heir to own.'
Foolish Amyntas heard and envied me.
Ay, and two fawns, I risked my neck to find
In a steep glen, with coats white-dappled still,
From a sheep's udders suckled twice a day-
These still I keep for you; which Thestilis
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poem by Publius Vergilius Maro
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