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There was an old woman
Liv'd under a hill,
And if she isn't gone
She lives there still.

catren by Anonymous English
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Chauvinist

I’d never really comprehended such a mighty range of
Shapes and sizes down behind, it’s really rather strange:
The buttock muscle in a woman, overlaid with fat
Is actually such a focal point for men to want to pat

Or squeeze, and then to tease her if it’s eminently stout,
Or even risk a stay in clink to sting it with a clout!
After all, we men are tuned to be that way inclined –
And tho’ our needs are varied, girls, they’re all perverse of mind!

Best of all, our sacred dream: to see her shed her gown
When gliding to the shower for the ritual sponging down.
But then alas! With body lathered, oops! she drops the soap;
‘Please! ’ we beg her, ‘bend and bare! ’ But we can only hope!

I’m sure by now you get the picture – like a rule of thumb –
That men like me obsess all day about the fairer bum.

Copyright © Mark R Slaughter 2010

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poem by Mark R Slaughter
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Thurso’s Landing

I
The coast-road was being straightened and repaired again,
A group of men labored at the steep curve
Where it falls from the north to Mill Creek. They scattered and hid
Behind cut banks, except one blond young man
Who stooped over the rock and strolled away smiling
As if he shared a secret joke with the dynamite;
It waited until he had passed back of a boulder,
Then split its rock cage; a yellowish torrent
Of fragments rose up the air and the echoes bumped
From mountain to mountain. The men returned slowly
And took up their dropped tools, while a banner of dust
Waved over the gorge on the northwest wind, very high
Above the heads of the forest.
Some distance west of the road,
On the promontory above the triangle
Of glittering ocean that fills the gorge-mouth,
A woman and a lame man from the farm below
Had been watching, and turned to go down the hill. The young
woman looked back,
Widening her violet eyes under the shade of her hand. 'I think
they'll blast again in a minute.'
And the man: 'I wish they'd let the poor old road be. I don't
like improvements.' 'Why not?' 'They bring in the world;
We're well without it.' His lameness gave him some look of age
but he was young too; tall and thin-faced,
With a high wavering nose. 'Isn't he amusing,' she said, 'that
boy Rick Armstrong, the dynamite man,
How slowly he walks away after he lights the fuse. He loves to
show off. Reave likes him, too,'
She added; and they clambered down the path in the rock-face,
little dark specks
Between the great headland rock and the bright blue sea.

II
The road-workers had made their camp
North of this headland, where the sea-cliff was broken down and
sloped to a cove. The violet-eyed woman's husband,
Reave Thurso, rode down the slope to the camp in the gorgeous
autumn sundown, his hired man Johnny Luna
Riding behind him. The road-men had just quit work and four
or five were bathing in the purple surf-edge,
The others talked by the tents; blue smoke fragrant with food
and oak-wood drifted from the cabin stove-pipe
And slowly went fainting up the vast hill.
Thurso drew rein by
a group of men at a tent door
And frowned at them without speaking, square-shouldered and
heavy-jawed, too heavy with strength for so young a man,
He chose one of the men with his eyes. 'You're Danny Woodruff,

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poem by Robinson Jeffers
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Woman Power

Youve heard of woman nation,
Well, thats coming, baby.
What we need is the power of trust,
That its coming.
Youve heard of the law of selection,
Well, thats how were gonna do it, baby.
We allow men who wanna join us
The rest can just stay by themselves.
Woman power! (woman power!)
Woman power! (woman power!)
Two thousand years of male society,
Laying fear and tyranny.
Seeking grades and money,
Clinging to values vain and phony.
Woman power! (woman power!)
Woman power! (woman power!)
Do you know that one day you lost your way, man?
Do you know that some day you have to pay, man?
Have you anything to say, man, except
Make no mistake about it, Im the president, you hear?
I wanna make one thing clear, Im the president, you hear?
Woman power! (woman power!)
Woman power! (woman power!)
You dont hear them singing songs,
You dont see them living life,
cause theyve got nothing to say, but
Make no mistake about it, Im the president, you hear?
I wanna make one thing clear, Im the president, you hear?
Woman power! (woman power!)
Woman power! (woman power!)
You may be the president now,
You may still be a man.
But you must also be a human,
So open up and join us in living.
Woman power! (woman power!)
Woman power! (woman power!)
In the coming age of feminine society,
Well regain our human dignity.
Well lay some truth and clarity
And bring back natures beauty.
Woman power! (woman power!)
Woman power! (woman power!)
Evry woman has a song to sing,
Evry woman has a story to tell.
Make no mistake about it, brothers,
We women have the power to move mountains.
Woman power! (woman power!)
Woman power! (woman power!)
Did you have to cook the meals?
Did you have to knit?

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song performed by Yoko Ono
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Woman In Me (feat. Destiny's Child)

Doo doo da da da da da
Doo doo da da da da da
Doo doo da da da da da
Doo doo da da da da da
Doo doo da da da da da
Doo doo da da da da da
Ohhhhh
The face that I see it's the woman in me
It's the woman that I wanna be
The face that I see it's the woman in me
It's the woman in me I see (I see)
As I look in, look in the mirror I see
Life is really here to be with me, oh
I can see myself getting stronger everyday
I'm not the same woman I used to be
So now I tell myself I am thinkin strong
I see the beauty lying within my soul
The face that I see it's the woman in me
It's the woman that I wanna be
The face that I see it's the woman in me
It's the woman in me I see (I see)
When I love myself I can do whatever I want
Doesn't matter what you do to me, do to me
Honest people, there's a possibility
To tell you my real reality
The face that I see it's the woman in me
It's the woman that I wanna be (I wanna be)
The face that I see it's the woman in me
It's the woman in me I see (woman in me baby)
Doo doo da da da da da
Doo doo da da da da da
Doo doo da da da da da
Doo doo da da da da da
Doo doo da da da da da
Doo doo da da da da da
Can you see the woman in me
Do you really wanna see the woman in me
Hahha, let me show you
Don't underestimate the woman I become
The woman I am
So now I tell myself that I'm thinkin I'm strong
And I see the beauty lying within my soul
The face that I see it's the woman in me
It's the woman that I wanna be (I wanna be)
The face that I see it's the woman in me
It's the woman in me I see (I see)
The face that I see it's the woman in me
It's the woman that I wanna be (I wanna be)
The face that I see it's the woman in me
It's the woman in me I see (I see)

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song performed by Jessica Simpson
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Her Bum

‘Does my bum look big in this? ’ She glared.
I gulped and stared upon the floor.
I must escape; the bedroom door
Was open. ‘Run! ’ my senses cried.
But I was numb – nerves were fried!

‘Well? ’ She scowled. I sought a subterfuge.
‘It’s absolutely huge! ’ I thought –
But how to tell her that–? A short
And blighted life she’d wreak on me.
And so to Wife, on bended knee

I prayed ‘Oh please release me from this hell! ’
She gave a yell: ‘So is it big? ’
I looked again – a mammoth rig
Was hanging down – but how to say?
An honest man would surely pay!

I stuttered ‘Err... well, yes it’s nice.’
Her voice was ice: ‘But in this? ’
I tried diversion with a kiss.
‘I love you’ also burbled out – but
I was heading for a rout.

I drew a breath. ‘Be a man! ’ I growled
Inside this howling, quaking head.
‘Well actually love, ’ and now I’m dead,
‘It’s colossal – a real whopper... ’
The bedroom shook; I couldn’t stop her.

I daren’t publish anymore…

Copyright © Mark R Slaughter 2010

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poem by Mark R Slaughter
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Roan Stallion

The dog barked; then the woman stood in the doorway, and hearing
iron strike stone down the steep road
Covered her head with a black shawl and entered the light rain;
she stood at the turn of the road.
A nobly formed woman; erect and strong as a new tower; the
features stolid and dark
But sculptured into a strong grace; straight nose with a high bridge,
firm and wide eyes, full chin,
Red lips; she was only a fourth part Indian; a Scottish sailor had
planted her in young native earth,
Spanish and Indian, twenty-one years before. He had named her
California when she was born;
That was her name; and had gone north.
She heard the hooves and
wheels come nearer, up the steep road.
The buckskin mare, leaning against the breastpiece, plodded into
sight round the wet bank.
The pale face of the driver followed; the burnt-out eyes; they had
fortune in them. He sat twisted
On the seat of the old buggy, leading a second horse by a long
halter, a roan, a big one,
That stepped daintily; by the swell of the neck, a stallion. 'What
have you got, Johnny?' 'Maskerel's stallion.
Mine now. I won him last night, I had very good luck.' He was
quite drunk, 'They bring their mares up here now.
I keep this fellow. I got money besides, but I'll not show you.'
'Did you buy something, Johnny,
For our Christine? Christmas comes in two days, Johnny.' 'By
God, forgot,' he answered laughing.
'Don't tell Christine it's Christmas; after while I get her something,
maybe.' But California:
'I shared your luck when you lost: you lost me once, Johnny, remember?
Tom Dell had me two nights
Here in the house: other times we've gone hungry: now that
you've won, Christine will have her Christmas.
We share your luck, Johnny. You give me money, I go down to
Monterey to-morrow,
Buy presents for Christine, come back in the evening. Next day
Christmas.' 'You have wet ride,' he answered
Giggling. 'Here money. Five dollar; ten; twelve dollar. You
buy two bottles of rye whiskey for Johnny.'
A11 right. I go to-morrow.'
He was an outcast Hollander; not
old, but shriveled with bad living.
The child Christine inherited from his race blue eyes, from his
life a wizened forehead; she watched
From the house-door her father lurch out of the buggy and lead
with due respect the stallion
To the new corral, the strong one; leaving the wearily breathing
buckskin mare to his wife to unharness.

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poem by Robinson Jeffers
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10:10 A.M.

10: 10 AM

by Inro Lavil

09-13-12

Woman, Woman
This may be respectful but you held me an extra month
Three blood gushed out before I was beamed by
Sunlight and you were not in a right time to deliver
Woman, why did you love me?

Woman, Woman
I might be adamant but you molded me too early
I might be the biggest fool on this world
And I hated it when you made me intelligent like them
Woman, why did you love me?

Woman, Woman
I might be so selfish but you still treated me normal
I'm not normal since I am an extra month held by you
And everyone looks at me with piercing eyes
Woman, why did you love me?

Woman, Woman
I did my best but you angrily pushed me to be more of me
I wanted to do this and that but your eyes always watched me
Like you're some kind of omniscient being in clouds
Woman, why did you love me?

Woman, Woman
I was not prepared but why did you leave me abruptly?
All these tupperwares around me hid to me your stains
The name of the pain that you have also hidden to me
Woman, why did you betray me?

Woman, Woman
Your loss gave me no Merry Christmas since you left me
I had two graduations you failed to attend and now
The third is coming, when will I hear you're proud of me?
Woman, why did you leave me?

Woman, Woman
I am free to choose my path but yours is still the one
The one I still chose since you're not here, I will
Run the steps you have walked and try to surpass them
Woman, why did you love me?

Woman, Woman
I was waiting for you on the gate every afternoon you came

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poem by Inro Lavil
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Tamar

I
A night the half-moon was like a dancing-girl,
No, like a drunkard's last half-dollar
Shoved on the polished bar of the eastern hill-range,
Young Cauldwell rode his pony along the sea-cliff;
When she stopped, spurred; when she trembled, drove
The teeth of the little jagged wheels so deep
They tasted blood; the mare with four slim hooves
On a foot of ground pivoted like a top,
Jumped from the crumble of sod, went down, caught, slipped;
Then, the quick frenzy finished, stiffening herself
Slid with her drunken rider down the ledges,
Shot from sheer rock and broke
Her life out on the rounded tidal boulders.

The night you know accepted with no show of emotion the little
accident; grave Orion
Moved northwest from the naked shore, the moon moved to
meridian, the slow pulse of the ocean
Beat, the slow tide came in across the slippery stones; it drowned
the dead mare's muzzle and sluggishly
Felt for the rider; Cauldwell’s sleepy soul came back from the
blind course curious to know
What sea-cold fingers tapped the walls of its deserted ruin.
Pain, pain and faintness, crushing
Weights, and a vain desire to vomit, and soon again
die icy fingers, they had crept over the loose hand and lay in the
hair now. He rolled sidewise
Against mountains of weight and for another half-hour lay still.
With a gush of liquid noises
The wave covered him head and all, his body
Crawled without consciousness and like a creature with no bones,
a seaworm, lifted its face
Above the sea-wrack of a stone; then a white twilight grew about
the moon, and above
The ancient water, the everlasting repetition of the dawn. You
shipwrecked horseman
So many and still so many and now for you the last. But when it
grew daylight
He grew quite conscious; broken ends of bone ground on each
other among the working fibers
While by half-inches he was drawing himself out of the seawrack
up to sandy granite,
Out of the tide's path. Where the thin ledge tailed into flat cliff
he fell asleep. . . .
Far seaward
The daylight moon hung like a slip of cloud against the horizon.
The tide was ebbing
From the dead horse and the black belt of sea-growth. Cauldwell
seemed to have felt her crying beside him,

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poem by Robinson Jeffers
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Her Desire for 40G

Now back when I was 28,
I met and loved a 38 –
DD!

Hmm…I never really saw her eyes…
Perhaps I never needed to –
‘Twas all about her size.

Come on, be honest,
You really show surprise?

Oh yes, the storyline:

One sunny day she said to me,
‘I need to make you happy, see,
By undergoing surgery
So you can have my guarantee
That when you see my 40G,
You’ll hit new heights of ecstasy! ’

‘Phew! ’ I drew a breath.

‘Well thank you dear, you’re very kind,
But won’t you risk me going blind?
If one of those should catch my eye,
I’m sure to wave them both goodbye;

And after all, you’re rather tall –
With extra weight you’ll likely fall;
Forwards, I should clarify.
Hmm…we’re back again to my poor eye.’

‘It’s all about your precious sight! ’
She screamed at me with all her might,
‘I only want to make you proud
And me to stand out in the crowd.’

‘You do already stand right out!
Any more, then there’s no doubt
You might as well just poke me blind,
So in the streets I’ll tag behind,

Unaware of all the fuss,
Especially when on the bus –
Assuming you could squeeze on board…
Hmm…at least I know I’ll be ignored…

Okay – go get them done.’

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poem by Mark R Slaughter
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Second Book

TIMES followed one another. Came a morn
I stood upon the brink of twenty years,
And looked before and after, as I stood
Woman and artist,–either incomplete,
Both credulous of completion. There I held
The whole creation in my little cup,
And smiled with thirsty lips before I drank,
'Good health to you and me, sweet neighbour mine
And all these peoples.'
I was glad, that day;
The June was in me, with its multitudes
Of nightingales all singing in the dark,
And rosebuds reddening where the calyx split.
I felt so young, so strong, so sure of God!
So glad, I could not choose be very wise!
And, old at twenty, was inclined to pull
My childhood backward in a childish jest
To see the face of't once more, and farewell!
In which fantastic mood I bounded forth
At early morning,–would not wait so long
As even to snatch my bonnet by the strings,
But, brushing a green trail across the lawn
With my gown in the dew, took will and way
Among the acacias of the shrubberies,
To fly my fancies in the open air
And keep my birthday, till my aunt awoke
To stop good dreams. Meanwhile I murmured on,
As honeyed bees keep humming to themselves;
'The worthiest poets have remained uncrowned
Till death has bleached their foreheads to the bone,
And so with me it must be, unless I prove
Unworthy of the grand adversity,–
And certainly I would not fail so much.
What, therefore, if I crown myself to-day
In sport, not pride, to learn the feel of it,
Before my brows be numb as Dante's own
To all the tender pricking of such leaves?
Such leaves? what leaves?'
I pulled the branches down,
To choose from.
'Not the bay! I choose no bay;
The fates deny us if we are overbold:
Nor myrtle–which means chiefly love; and love
Is something awful which one dare not touch
So early o' mornings. This verbena strains
The point of passionate fragrance; and hard by,
This guelder rose, at far too slight a beck
Of the wind, will toss about her flower-apples.
Ah–there's my choice,–that ivy on the wall,
That headlong ivy! not a leaf will grow

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poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
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Eighth Book

ONE eve it happened when I sate alone,
Alone upon the terrace of my tower,
A book upon my knees, to counterfeit
The reading that I never read at all,
While Marian, in the garden down below,
Knelt by the fountain (I could just hear thrill
The drowsy silence of the exhausted day)
And peeled a new fig from that purple heap
In the grass beside her,–turning out the red
To feed her eager child, who sucked at it
With vehement lips across a gap of air
As he stood opposite, face and curls a-flame
With that last sun-ray, crying, 'give me, give,'
And stamping with imperious baby-feet,
(We're all born princes)–something startled me,–
The laugh of sad and innocent souls, that breaks
Abruptly, as if frightened at itself;
'Twas Marian laughed. I saw her glance above
In sudden shame that I should hear her laugh,
And straightway dropped my eyes upon my book,
And knew, the first time, 'twas Boccaccio's tales,
The Falcon's,–of the lover who for love
Destroyed the best that loved him. Some of us
Do it still, and then we sit and laugh no more.
Laugh you, sweet Marian! you've the right to laugh,
Since God himself is for you, and a child!
For me there's somewhat less,–and so, I sigh.

The heavens were making room to hold the night,
The sevenfold heavens unfolding all their gates
To let the stars out slowly (prophesied
In close-approaching advent, not discerned),
While still the cue-owls from the cypresses
Of the Poggio called and counted every pulse
Of the skyey palpitation. Gradually
The purple and transparent shadows slow
Had filled up the whole valley to the brim,
And flooded all the city, which you saw
As some drowned city in some enchanted sea,
Cut off from nature,–drawing you who gaze,
With passionate desire, to leap and plunge,
And find a sea-king with a voice of waves,
And treacherous soft eyes, and slippery locks
You cannot kiss but you shall bring away
Their salt upon your lips. The duomo-bell
Strikes ten, as if it struck ten fathoms down,
So deep; and fifty churches answer it
The same, with fifty various instances.
Some gaslights tremble along squares and streets
The Pitti's palace-front is drawn in fire:

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poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
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Three Women

My love is young, so young;
Young is her cheek, and her throat,
And life is a song to be sung
With love the word for each note.

Young is her cheek and her throat;
Her eyes have the smile o' May.
And love is the word for each note
In the song of my life to-day.

Her eyes have the smile o' May;
Her heart is the heart of a dove,
And the song of my life to-day
Is love, beautiful love.

Her heart is the heart of a dove,
Ah, would it but fly to my breast
Where love, beautiful love,
Has made it a downy nest.

Ah, would she but fly to my breast,
My love who is young, so young;
I have made her a downy nest
And life is a song to be sung.

1
I.
A dull little station, a man with the eye
Of a dreamer; a bevy of girls moving by;
A swift moving train and a hot Summer sun,
The curtain goes up, and our play is begun.
The drama of passion, of sorrow, of strife,
Which always is billed for the theatre Life.
It runs on forever, from year unto year,
With scarcely a change when new actors appear.
It is old as the world is-far older in truth,
For the world is a crude little planet of youth.
And back in the eras before it was formed,
The passions of hearts through the Universe stormed.

Maurice Somerville passed the cluster of girls
Who twisted their ribbons and fluttered their curls
In vain to attract him; his mind it was plain
Was wholly intent on the incoming train.
That great one eyed monster puffed out its black breath,
Shrieked, snorted and hissed, like a thing bent on death,

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poem by Ella Wheeler Wilcox
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The Tower Beyond Tragedy

I
You'd never have thought the Queen was Helen's sister- Troy's
burning-flower from Sparta, the beautiful sea-flower
Cut in clear stone, crowned with the fragrant golden mane, she
the ageless, the uncontaminable-
This Clytemnestra was her sister, low-statured, fierce-lipped, not
dark nor blonde, greenish-gray-eyed,
Sinewed with strength, you saw, under the purple folds of the
queen-cloak, but craftier than queenly,
Standing between the gilded wooden porch-pillars, great steps of
stone above the steep street,
Awaiting the King.
Most of his men were quartered on the town;
he, clanking bronze, with fifty
And certain captives, came to the stair. The Queen's men were
a hundred in the street and a hundred
Lining the ramp, eighty on the great flags of the porch; she
raising her white arms the spear-butts
Thundered on the stone, and the shields clashed; eight shining
clarions
Let fly from the wide window over the entrance the wildbirds of
their metal throats, air-cleaving
Over the King come home. He raised his thick burnt-colored
beard and smiled; then Clytemnestra,
Gathering the robe, setting the golden-sandaled feet carefully,
stone by stone, descended
One half the stair. But one of the captives marred the comeliness
of that embrace with a cry
Gull-shrill, blade-sharp, cutting between the purple cloak and
the bronze plates, then Clytemnestra:
Who was it? The King answered: A piece of our goods out of
the snatch of Asia, a daughter of the king,
So treat her kindly and she may come into her wits again. Eh,
you keep state here my queen.
You've not been the poorer for me.- In heart, in the widowed
chamber, dear, she pale replied, though the slaves
Toiled, the spearmen were faithful. What's her name, the slavegirl's?
AGAMEMNON Come up the stair. They tell me my kinsman's
Lodged himself on you.
CLYTEMNESTRA Your cousin Aegisthus? He was out of refuge,
flits between here and Tiryns.
Dear: the girl's name?
AGAMEMNON Cassandra. We've a hundred or so other
captives; besides two hundred
Rotted in the hulls, they tell odd stories about you and your
guest: eh? no matter: the ships
Ooze pitch and the August road smokes dirt, I smell like an
old shepherd's goatskin, you'll have bath-water?
CLYTEMNESTRA
They're making it hot. Come, my lord. My hands will pour it.

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poem by Robinson Jeffers
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The Ballad of the White Horse

DEDICATION

Of great limbs gone to chaos,
A great face turned to night--
Why bend above a shapeless shroud
Seeking in such archaic cloud
Sight of strong lords and light?

Where seven sunken Englands
Lie buried one by one,
Why should one idle spade, I wonder,
Shake up the dust of thanes like thunder
To smoke and choke the sun?

In cloud of clay so cast to heaven
What shape shall man discern?
These lords may light the mystery
Of mastery or victory,
And these ride high in history,
But these shall not return.

Gored on the Norman gonfalon
The Golden Dragon died:
We shall not wake with ballad strings
The good time of the smaller things,
We shall not see the holy kings
Ride down by Severn side.

Stiff, strange, and quaintly coloured
As the broidery of Bayeux
The England of that dawn remains,
And this of Alfred and the Danes
Seems like the tales a whole tribe feigns
Too English to be true.

Of a good king on an island
That ruled once on a time;
And as he walked by an apple tree
There came green devils out of the sea
With sea-plants trailing heavily
And tracks of opal slime.

Yet Alfred is no fairy tale;
His days as our days ran,
He also looked forth for an hour
On peopled plains and skies that lower,
From those few windows in the tower
That is the head of a man.

But who shall look from Alfred's hood

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poem by Gilbert Keith Chesterton
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Sugar Hill

Writer Dolly Parton
Up on Sugar Hill we'd go walkin'
Hand in hand while the south wind blowed
Bob whites callin', black crows cawkin',
Countin' the warts on a toad in the road
Down in the mill pond swimmin naked
Showin' more than we should have showed
We were just kids explorin' nature
Learnin more than we should have knowed
Sug, Sug, Sug, Sugar Hill memories
Stealing sugar on the mountainside
Sug, Sug, Sug, Sugar Hill sugar
Sweeter than candy and cake and pie
A yellow dress drapin off of my shoulder
Seein' myself in the lookin glass
Older now and a little bit bolder
Thinkin' about our summers past
Up on Sugar Hill we'd go walkin'
Hand in hand up the mountainside
Teenage lovers plannin' and talkin'
Dreamin' of a future for you and I
Sug, Sug, Sug, Sugar Hill memories
Stealin' sugar on the mountain top
Sug, Sug, Sug, Sugar Hill sugar
Sweeter than ice cream and soda pop
Years have past, we're married with children
Our days are happy and our memories fond
We still find it quite appealin'
To go to Sugar Hill and swim naked in the pond
Sug, Sug, Sug, Sugar Hill memories
Stealin' sugar on the mountaintop
Sug, Sug, Sug, Sugar Hill sugar
Sweeter than ice cream and soda pop
Up on Sugar Hill theres a wealth of treasure
Down its memory lane I go walking still
What it means to me is more than I can measure
Golden moments up on Sugar Hill
Up on Sugar Hill with the fireflies glowin
Sound of katydids and the whipperwill
Honeysuckle bloomin and a mountain stream flowin
A little spot of heaven up on Sugar Hill
Up On Sugar Hill with the bobwhites callin
Black crows cawkin', and the soft wind blows
Up on Sugar Hill there are love birds talkin'
Up on Sugar Hill where the good times roll
Sug, Sug, Sug, Sugar Hill memories
Stealin sugar on the mountainside
Sug, Sug, Sug, Sugar Hill sugar
Sweeter than candy and cakes and pies
A little spot of heaven up on Sugar Hill

song performed by Dolly Parton
Added by Lucian Velea
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Carric-Thura

Fingal, returning from an expedition which he had made into the Roman province, resolved to visit Cathulla, king of Inistore, and brother to Comala, whose story is related at large in the preceding dramatic poem. Upon his coming in sight of Carric-thura, the palace of Cathulla, he observed a flame on its top, which, in those days, was a signal of distress. The wind drove him into a bay at some distance from Carric-thura, and he was obliged to pass the night on shore. Next day he attacked the army of Frothal, king of Sora, who had besieged Cathulla in his palace of Carric-thura, and took Frothal himself prisoner, after he had engaged him in a single combat. The deliverance of Carric-thura is the subject of the poem; but several other episodes are interwoven with it. It appears, from tradition, that this poem was addressed to a Culdee, or one of the first Christian missionaries, and that the story of the spirit of Loda, supposed to be the ancient Odin of Scandinavia, was introduced by Ossian in opposition to the Culdee's doctrine. Be this as it will, it lets us into Ossian's notions of a superior Being; and shows us that he was not addicted to the superstition which prevailed all the world over, before the introduction of Christianity.

HAST thou left thy blue course in heaven, golden-haired son of the sky! The west opened its gates; the bed of thy repose is there. The waves come to behold thy beauty. They lift their trembling heads. They see thee lovely in thy sleep; they shrink away with fear. Rest in thy shadowy cave, O sun! let thy return be in joy.

But let a thousand lights arise to the sound of the harps of Selma: let the beam spread in the hall, the king of shells is returned! The strife of Crona is past, like sounds that are no more. Raise the song, O bards! the king is returned with his fame!

Such were the words of Ullin, when Fingal returned from war; when he returned in the fair blushing of youth with all his heavy locks. His blue arms were on the hero; like a light cloud on the sun, when he moves in his robes of mist, and shows but half his beams. His heroes followed the king: the feast of shells is spread. Fingal turns to his bards, and bids the song to rise.

Voices of echoing Cona! he said; O bards of other times! Ye, on whose souls the blue host of our fathers rise! strike the harp in my hall: and let me hear the song. Pleasant is the joy of grief; it is like the shower of spring when it softens the branch of the oak, and the young leaf rears its green head. Sing on, O bards! to-morrow we lift the sail. My blue course is through the ocean, to Carric-thura's walls; the mossy walls of Sarno, where Comala dwelt. There the noble Cathulla spreads the feast of shells. The boars of his woods are many; the sound of the chase shall arise!

Cronnan, son of the song! said Ullin; Minona, graceful at the harp! raise the tale of Shilric, to please the king of Morven. Let Vinvela come in her beauty, like the showery bow when it shows its lovely head on the lake, and the setting sun is bright. She comes, O Fingal! her voice is soft, but sad.

Vinvela. My love is a son of the hill. He pursues the flying deer. His gray dogs are panting around him; his bow-string sounds in the wind. Dost thou rest by the fount of the rock, or by the noise of the mountain stream? The rushes are nodding to the wind, the mist flies over the hill. I will approach my love unseen; I will behold him from the rock. Lovely I saw thee first by the aged oak of Branno; thou wert returning tall from the chase; the fairest among thy friends.

Shilric. What voice is that I hear? that voice like the summer wind! I sit not by the nodding rushes; I hear not the fount of the rock . Afar, Vinvela, afar, I go to the wars of Fingal. My dogs attend me no more. No more I tread the hill. No more from on high I see thee, fair moving by the stream of the plain; bright as the bow of heaven; as the moon on the western wave.

Vinvela. Then thou art gone, O Shilric! I am alone on the hill! The deer are seen on the brow: void of fear they graze along. No more they dread the wind; no more the rustling tree. The hunter is far removed, he is in the field of graves. Strangers! sons of the waves! spare my lovely Shilric!

Shilric. If fall I must in the field, raise high my grave, Vinvela. Gray stones, and heaped up earth, shall mark me to future times. When the hunter shall sit by the mound, and produce his food at noon, "some warrior rests here," he will say; and my fame shall live in his praise. Remember me, Vinvela, when low on earth I lie!

Vinvela. Yes! I will remember thee! alas! my Shilric will fall! What shall I do, my love, when thou art for ever gone? Through these hills I will go at noon: I will go through the silent heath. There I will see the place of thy rest, returning from the chase. Alas! my Shilric will fall; but I will remember Shilric.

And I remember the chief, said the king of woody Morven; he consumed the battle in his rage. But now my eyes behold him not. I met him one day on the hill; his cheek was pale: his brow was dark. The sigh was frequent in his breast: his steps were towards the desert. But now he is not in the crowd of my chiefs, when the sounds of my shields arise. Dwells he in the narrow house, the chief of high Carmora?

Cronnan! said Ullin of other times, raise the song of Shilric! when he returned to his hills, and Vinvela was no more. He leaned on her gray mossy stone he thought Vinvela lived. He saw her fair moving on the plain; but the bright form lasted not: the sunbeam fled from the field, and she was seen no more. Hear the song of Shilric; it is soft, but sad!

I sit by the mossy fountain; on the top of the hill of winds. One tree is rustling above me. Dark waves roll over the heath. The lake is troubled below. The deer descend from the hill. No hunter at a distance is seen. It is mid-day: but all is silent. Sad are my thoughts alone. Didst thou but appear, O my love? a wanderer on the heath? thy hair floating on the wind behind thee; thy bosom heaving on the sight; thine eyes full of tears for thy friends, whom the mists of the hill had concealed? Thee I would comfort, my love, and bring thee to thy father's house?

But is it she that there appears, like a beam of light on the heath? bright as the moon in autumn, as the sun in a summer storm, comest thou, O maid, over rocks, over mountains, to me? She speaks: but how weak her voice! like the breeze in the reeds of the lake.

"Returnest thou safe from the war? Where are thy friends, my love? I heard of thy death on the hill; I heard and mourned thee, Shilric! Yes, my fair, I return: but I alone of my race. Thou shalt see them no more; their graves I raised on the plain. But why art thou on the desert hill? Why on the heath alone?

" Alone I am, O Shilric! alone in the winter-house. With grief for thee I fell. Shilric, I am pale in the tomb."

She fleets, she sails away; as mist before the wind; and wilt thou not stay, Vinvela? Stay, and behold my tears! Fair thou appearest, Vinvela! fair thou wast, when alive!

By the mossy fountain I will sit; on the top of the hills of winds. When mid-day is silent around, O talk with me, Vinvela! come on the light-winged gale! on the breeze of the desert, come! Let me hear thy voice, as thou passest, when mid-day is silent around!

Such was the song of Cronnan, on the night of Selma's joy. But morning rose in the east; the blue waters rolled in light. Fingal bade his sails to rise; the winds came rustling from their hills. Inistore rose to sight, and Carric-thura's mossy towers! But the sign of distress was on their top: the warning flame edged with smoke. The king of Morven struck his breast: he assumed at once his spear. His darkened brow bends forward to the coast: he looks back to the lagging winds. His hair is disordered on his back. The silence of the king is terrible!

Night came down on the sea: Rotha's bay received the ship. A rock bends along the coast with all its echoing wood. On the top is the circle of Loda, the mossy stone of power! A narrow plain spreads beneath covered with grass and aged trees, which the midnight winds, in their wrath, had torn from their shaggy rock. The blue course of a stream is there! the lonely blast of ocean pursues the thistle's beard. The flame of three oaks arose: the feast is spread round; but the soul of the king is sad, for Carric-thura's chief distrest.

The wan cold moon rose in the east. Sleep descended on the youths! Their blue helmets glitter to the beam; the fading fire decays. But sleep did not rest on the king: he rose in the midst of his arms, and slowly ascended the hill, to behold the flame of Sarno's tower.

The flame was dim and distant; the moon hid her red face in the east. A blast came from the mountain, on its wings was the spirit of Loda. He came to his place in his terrors, and shook his dusky spear. His eyes appear like flames in his dark face; his voice is like distant thunder. Fingal advanced his spear in night, and raised his voice on high.

Son of night, retire; call thy winds, and fly! Why dost thou come to my presence, with thy shadowy arms? Do I fear thy gloomy form, spirit of dismal Loda! Weak is thy shield of clouds; feeble is that meteor, thy sword! The blast rolls them together; and thou thyself art lost. Fly from my presence, son of night; call thy winds, and fly!

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poem by James Macpherson
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Battered Doll

A red dress for blood spilt,
Torn blouse for flesh rent;
Ladders in the stockings –
A rung for every callous blow landed.
Scuffed shoes winked about the kicks –
After all, bruise-gorged eyes can’t –
Just permanently closed.

Burning tears were scant warmth
Against a chill from ugly cries.

Lipstick smudges on the chin to
Nullify all vestiges of beauty –
Those that constituted rare patches
Of purest cream skin, from
Days of feminine joy, telling once
Upon a time there was an angel…
But now, a battered doll.

Copyright © Mark R Slaughter 2010

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poem by Mark R Slaughter
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Her Hidden Treasure

Her flame was only for the women –
Not for us unlucky men;
A weakness lay for feminine way:
To feel an even fairer skin
In silky slide.

Her lips were for the satin love that
Only flows from rising breast;
The creamy tan was not for man
To pull towards a chiselled chest
In weathered hide.

Her hidden treasure down below
Would shy away from macho length
And only rouse upon the blouse
Undone by other sapphic strength –
In time, inside!

Copyright © Mark R Slaughter 2010

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poem by Mark R Slaughter
Added by Poetry Lover
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A Strong Woman vs. A Woman Of Strength

A strong woman works out every day,
Pride in her appearance she portrays,
But a woman of strength kneels to pray,
Her soul in shape, God leading the way.

A strong woman claims she isn't afraid of anything,
Looking forward to challenges each day will bring,
Women of strength show courage in the midst of fear,
Declaring triumph through faith because God is near.

Strong women won't let anyone get the best of them,
So skilled in defenses even if they have to pretend,
Yet a woman of strength gives her best to everyone,
And even on a cloud filled day still bright as the sun.

A strong woman relies on the physical attributes making her tough,
In her search for power and money she will never have enough,
A woman of strength understands that it's not about material stuff,
Knowing that before becoming a diamond first she'll be in the rough.

A strong woman sometimes disguises her feelings shadowed by clouds,
Unhinged when challenged on her policy becoming boisterous and loud,
A woman of strength concerns herself not with judgment from others,
And will not let business interfere with commitments as a wife and mother.

A strong woman is easily impatient back and forth she will begin to pace,
Counting on her holier than thou attitude instead of depending on faith,
A woman of strength is assured trust in God will always carry her through,
And at the Creator's appointed time she'll receive all that is justly due.

A strong woman makes mistakes and avoids the same for tomorrow,
Refusing to take time looking back with reverence and Godly sorrow,
The woman of strength realizes life's mistakes no matter how slim,
While thanking God for the blessings as she capitalizes on them.

A strong woman walks head first with no doubt in her mind,
No matter what, she'll not make this mistake a second time,
But a woman of strength knows God will catch her when she falls,
So when a situation arises again, she's not afraid to answer the call.

A strong woman wears the look of confidence on her face,
Always doing whatever it takes to finish, seeking only first place,
The woman of strength competes with an emotional sense of grace,
Understanding it's more important to run a Holy Spirit filled race.

A strong woman has faith that for the journey she'll have enough,
No matter how uneven the terrain or roads being rocky and rough,
A woman of strength knows it's in the journey she will become strong,
And the love of God is forever with her, no matter how difficult or long.

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poem by Luke Easter
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To Love A Woman

(ian hunter)
To love a woman
Lost and lonely through the night
My baby doesnt hear me right
Cross my heart and hope to die
The words wont come although I try
Its there beneath me deep and strong
And when I speak it sounds so wrong
Oh cross my heart and hope to die
Ill never know the reason why
You and I were so in love
And if the sun wont shine
Ill be warm enough for the both of us
To love a woman
To love a woman
To love a woman
To love a woman
Sometimes when Im away from you
I love you more you know its true
Oh cross my heart and hope to die
This loneliness is good sometimes
And youll return smile over me
And I still cant say whats plain to see
But cross my heart and hope to die
Youll never know how hard I try
You and I we fell in love
And if the sun wont shine
Ill be warm enough for the both of us
To love a woman
To love a woman
To love a woman
To love a woman
To love a woman
To love a woman
To love a woman
To love a woman
Loving a woman like you aint hard to do
You know it happens all the time
To love a woman another woman
To love a woman aint never been hard
(cross my heart and hope to die)
To love a woman
To love a woman
To love a woman
To love a woman
To love a woman
To love a woman
To love a woman
So Ill go on through this night
Wishing the words to come out right

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song performed by Ian Hunter
Added by Lucian Velea
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