Sugar Hill
Writer Dolly Parton
Up on Sugar Hill we'd go walkin'
Hand in hand while the south wind blowed
Bob whites callin', black crows cawkin',
Countin' the warts on a toad in the road
Down in the mill pond swimmin naked
Showin' more than we should have showed
We were just kids explorin' nature
Learnin more than we should have knowed
Sug, Sug, Sug, Sugar Hill memories
Stealing sugar on the mountainside
Sug, Sug, Sug, Sugar Hill sugar
Sweeter than candy and cake and pie
A yellow dress drapin off of my shoulder
Seein' myself in the lookin glass
Older now and a little bit bolder
Thinkin' about our summers past
Up on Sugar Hill we'd go walkin'
Hand in hand up the mountainside
Teenage lovers plannin' and talkin'
Dreamin' of a future for you and I
Sug, Sug, Sug, Sugar Hill memories
Stealin' sugar on the mountain top
Sug, Sug, Sug, Sugar Hill sugar
Sweeter than ice cream and soda pop
Years have past, we're married with children
Our days are happy and our memories fond
We still find it quite appealin'
To go to Sugar Hill and swim naked in the pond
Sug, Sug, Sug, Sugar Hill memories
Stealin' sugar on the mountaintop
Sug, Sug, Sug, Sugar Hill sugar
Sweeter than ice cream and soda pop
Up on Sugar Hill theres a wealth of treasure
Down its memory lane I go walking still
What it means to me is more than I can measure
Golden moments up on Sugar Hill
Up on Sugar Hill with the fireflies glowin
Sound of katydids and the whipperwill
Honeysuckle bloomin and a mountain stream flowin
A little spot of heaven up on Sugar Hill
Up On Sugar Hill with the bobwhites callin
Black crows cawkin', and the soft wind blows
Up on Sugar Hill there are love birds talkin'
Up on Sugar Hill where the good times roll
Sug, Sug, Sug, Sugar Hill memories
Stealin sugar on the mountainside
Sug, Sug, Sug, Sugar Hill sugar
Sweeter than candy and cakes and pies
A little spot of heaven up on Sugar Hill
song performed by Dolly Parton
Added by Lucian Velea
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Related quotes
Thurso’s Landing
I
The coast-road was being straightened and repaired again,
A group of men labored at the steep curve
Where it falls from the north to Mill Creek. They scattered and hid
Behind cut banks, except one blond young man
Who stooped over the rock and strolled away smiling
As if he shared a secret joke with the dynamite;
It waited until he had passed back of a boulder,
Then split its rock cage; a yellowish torrent
Of fragments rose up the air and the echoes bumped
From mountain to mountain. The men returned slowly
And took up their dropped tools, while a banner of dust
Waved over the gorge on the northwest wind, very high
Above the heads of the forest.
Some distance west of the road,
On the promontory above the triangle
Of glittering ocean that fills the gorge-mouth,
A woman and a lame man from the farm below
Had been watching, and turned to go down the hill. The young
woman looked back,
Widening her violet eyes under the shade of her hand. 'I think
they'll blast again in a minute.'
And the man: 'I wish they'd let the poor old road be. I don't
like improvements.' 'Why not?' 'They bring in the world;
We're well without it.' His lameness gave him some look of age
but he was young too; tall and thin-faced,
With a high wavering nose. 'Isn't he amusing,' she said, 'that
boy Rick Armstrong, the dynamite man,
How slowly he walks away after he lights the fuse. He loves to
show off. Reave likes him, too,'
She added; and they clambered down the path in the rock-face,
little dark specks
Between the great headland rock and the bright blue sea.
II
The road-workers had made their camp
North of this headland, where the sea-cliff was broken down and
sloped to a cove. The violet-eyed woman's husband,
Reave Thurso, rode down the slope to the camp in the gorgeous
autumn sundown, his hired man Johnny Luna
Riding behind him. The road-men had just quit work and four
or five were bathing in the purple surf-edge,
The others talked by the tents; blue smoke fragrant with food
and oak-wood drifted from the cabin stove-pipe
And slowly went fainting up the vast hill.
Thurso drew rein by
a group of men at a tent door
And frowned at them without speaking, square-shouldered and
heavy-jawed, too heavy with strength for so young a man,
He chose one of the men with his eyes. 'You're Danny Woodruff,
[...] Read more
poem by Robinson Jeffers
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Twa Sisters O' Binnorie
There were twa sisters sat in a bow'r;
(Binnorie, O Binnorie!)
A knight cam' there, a noble wooer,
By the bonny mill-dams o' Binnorie.
He courted the eldest wi' glove and ring,
(Binnorie, O Binnorie!)
But he lo'ed the youngest aboon a' thing,
By the bonny mill-dams o' Binnorie.
The eldest she was vexed sair,
(Binnorie, O Binnorie!)
And sair envìed her sister fair,
By the bonny mill-dams o' Binnorie.
Upon a morning fair and clear,
(Binnorie, O Binnorie !)
She cried upon her sister dear,
By the bonny mill-dams o' Binnorie.
`O sister, sister, tak' my hand,'
(Binnorie, O Binnorie!)
`And let's go down to the river-strand,'
By the bonny mill-dams o' Binnorie.
She's ta'en her by the lily hand,
(Binnorie, O Binnorie!)
And down they went to the river-strand
By the bonny mill-dams o' Binnorie.
The youngest stood upon a stane,
(Binnorie, O Binnorie!)
The eldest cam' and pushed her in,
By the bonny mill-dams o' Binnorie.
'O sister, sister, reach your hand!'
(Binnorie, O Binnorie!)
'And ye sall be heir o' half my land'--
By the bonny mill-dams o' Binnorie.
'O sister, reach me but your glove!'
(Binnorie, O Binnorie!)
'And sweet William sall be your love'--
By the bonny mill-dams o' Binnorie.
Sometimes she sank, sometimes she swam,
(Binnorie, O Binnorie!)
Till she cam' to the mouth o' yon mill-dam,
By the bonny mill-dams o' Binnorie
Out then cam' the miller's son
(Binnorie, O Binnorie!)
[...] Read more
poem by Anonymous Americas
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Uncle Toad Said
Uncle toad sittin by the old south gate
Waitin them boys they bin stayin out late
Uncle toad thinks theyre way out of line
Maybe they think he is past his prime
Uncle toad said better straighten up right
When uncle toad spoke it was not a pretty sight
Uncle toad lived in the wood out back
Lived in the shade of a utility shack
He looked in at the big brick housr
At the girls as quiet as a mouse
Uncle toad said you had best get it right
When uncle toad spoke it was not a pretty sight
Uncle toad tucked in the compost pile
Out by the back door look at him smile
He said kid stop drinkin that brew
Plan while ya can or the jokes on you
Uncle toad said better straighten up right
When uncle toad spoke it was not a pretty sight
Uncle toad sittin by the swimmin pool
Sits in the sun when the weather turns cool
Sits in the sun when the girls walk by
Maybe they think hes a little bit sly
Uncle toad said you had best get it right
When uncle toad spoke it was not a pretty sight
Uncle toad sittin by the cool mill race
All day long with a grin on his face
He said boys you had better not try
Kissin em girls cause I wont stand by
Uncle toad sittin by the wrought iron fence
Lookin at the moon like it dont make sense
We say toad heres lookin at you
Hopin you get your wish too
Sway to the left, sway to the right
When uncle toad spoke it was not a pretty sight
song performed by Gordon Lightfoot
Added by Lucian Velea
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Sneakin' Around
(((((From the movie The Best Little Whorehouse in Texas)))))
((((Dolly Parton & Burt Reynolds sings))))
DOLLY:I like fancy,frilly things
High-heeld shoes and diamond rings
Ragtime bands and western swing
And sneakin' around with you
BURT:Well I like beer and rodeos
Detective books and dominoes
Footballgames and Cheerios
And sneakin' around with you
DOLLY & BURT:Sneakin' around with you
Goin' a round or two
Doin' what lovers do
Whenever they're sneakin' around
DOLLY:I like lots of cash on hand
And dirty jokes about the Fuller Brush Man
BURT:I like stuff I understand,like sneakin' around with you
DOLLY:You know I like a thrill that has no strings
BURT:Friendship that don't ever change
DOLLY:And laughter from the joy of things
DOLLY & BURT:And sneakin' around with you
Sneakin' around with you
Goin' a round or two
Doin' what lovers do
Whenever they're sneakin' around
DOLLY:I like drive-in picture shows
Kissin' long and lovin' slow
BURT:The secret places lovers go,whenever they're sneakin' around
DOLLY:I like the crazy things we try
BURT:And the sexy things we fantasie
DOLLY:Just a-makin' out in the broad daylight
DOLLY & BURT:And sneakin' around with you
Sneakin' around with you
Keeping it all brand-new
Gettin' the best of you
Whenever we're sneakin' around
Sneakin' around that's all
DOLLY:I'm gonna lay down the law
BURT:Watchin' the rise and fall
DOLLy & BURT:Of lovers sneaking' around
BURT:We're just sneaking' around
DOLLY:Oh we're just
DOLLY & BURT:Sneakin'!
song performed by Dolly Parton
Added by Lucian Velea
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The Interpretation of Nature and
I.
MAN, being the servant and interpreter of Nature, can do and understand so much and so much only as he has observed in fact or in thought of the course of nature: beyond this he neither knows anything nor can do anything.
II.
Neither the naked hand nor the understanding left to itself can effect much. It is by instruments and helps that the work is done, which are as much wanted for the understanding as for the hand. And as the instruments of the hand either give motion or guide it, so the instruments of the mind supply either suggestions for the understanding or cautions.
III.
Human knowledge and human power meet in one; for where the cause is not known the effect cannot be produced. Nature to be commanded must be obeyed; and that which in contemplation is as the cause is in operation as the rule.
IV.
Towards the effecting of works, all that man can do is to put together or put asunder natural bodies. The rest is done by nature working within.
V.
The study of nature with a view to works is engaged in by the mechanic, the mathematician, the physician, the alchemist, and the magician; but by all (as things now are) with slight endeavour and scanty success.
VI.
It would be an unsound fancy and self-contradictory to expect that things which have never yet been done can be done except by means which have never yet been tried.
VII.
The productions of the mind and hand seem very numerous in books and manufactures. But all this variety lies in an exquisite subtlety and derivations from a few things already known; not in the number of axioms.
VIII.
Moreover the works already known are due to chance and experiment rather than to sciences; for the sciences we now possess are merely systems for the nice ordering and setting forth of things already invented; not methods of invention or directions for new works.
IX.
The cause and root of nearly all evils in the sciences is this -- that while we falsely admire and extol the powers of the human mind we neglect to seek for its true helps.
X.
The subtlety of nature is greater many times over than the subtlety of the senses and understanding; so that all those specious meditations, speculations, and glosses in which men indulge are quite from the purpose, only there is no one by to observe it.
XI.
As the sciences which we now have do not help us in finding out new works, so neither does the logic which we now have help us in finding out new sciences.
XII.
The logic now in use serves rather to fix and give stability to the errors which have their foundation in commonly received notions than to help the search after truth. So it does more harm than good.
XIII.
[...] Read more
poem by Sir Francis Bacon
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Give Your Heart To The Hawks
1 he apples hung until a wind at the equinox,
That heaped the beach with black weed, filled the dry grass
Under the old trees with rosy fruit.
In the morning Fayne Fraser gathered the sound ones into a
basket,
The bruised ones into a pan. One place they lay so thickly
She knelt to reach them.
Her husband's brother passing
Along the broken fence of the stubble-field,
His quick brown eyes took in one moving glance
A little gopher-snake at his feet flowing through the stubble
To gain the fence, and Fayne crouched after apples
With her mop of red hair like a glowing coal
Against the shadow in the garden. The small shapely reptile
Flowed into a thicket of dead thistle-stalks
Around a fence-post, but its tail was not hidden.
The young man drew it all out, and as the coil
Whipped over his wrist, smiled at it; he stepped carefully
Across the sag of the wire. When Fayne looked up
His hand was hidden; she looked over her shoulder
And twitched her sunburnt lips from small white teeth
To answer the spark of malice in his eyes, but turned
To the apples, intent again. Michael looked down
At her white neck, rarely touched by the sun,
But now the cinnabar-colored hair fell off from it;
And her shoulders in the light-blue shirt, and long legs like a boy's
Bare-ankled in blue-jean trousers, the country wear;
He stooped quietly and slipped the small cool snake
Up the blue-denim leg. Fayne screamed and writhed,
Clutching her thigh. 'Michael, you beast.' She stood up
And stroked her leg, with little sharp cries, the slender invader
Fell down her ankle.
Fayne snatched for it and missed;
Michael stood by rejoicing, his rather small
Finely cut features in a dance of delight;
Fayne with one sweep flung at his face
All the bruised and half-spoiled apples in the pan,
[...] Read more
poem by Robinson Jeffers
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The Georgics
GEORGIC I
What makes the cornfield smile; beneath what star
Maecenas, it is meet to turn the sod
Or marry elm with vine; how tend the steer;
What pains for cattle-keeping, or what proof
Of patient trial serves for thrifty bees;-
Such are my themes.
O universal lights
Most glorious! ye that lead the gliding year
Along the sky, Liber and Ceres mild,
If by your bounty holpen earth once changed
Chaonian acorn for the plump wheat-ear,
And mingled with the grape, your new-found gift,
The draughts of Achelous; and ye Fauns
To rustics ever kind, come foot it, Fauns
And Dryad-maids together; your gifts I sing.
And thou, for whose delight the war-horse first
Sprang from earth's womb at thy great trident's stroke,
Neptune; and haunter of the groves, for whom
Three hundred snow-white heifers browse the brakes,
The fertile brakes of Ceos; and clothed in power,
Thy native forest and Lycean lawns,
Pan, shepherd-god, forsaking, as the love
Of thine own Maenalus constrains thee, hear
And help, O lord of Tegea! And thou, too,
Minerva, from whose hand the olive sprung;
And boy-discoverer of the curved plough;
And, bearing a young cypress root-uptorn,
Silvanus, and Gods all and Goddesses,
Who make the fields your care, both ye who nurse
The tender unsown increase, and from heaven
Shed on man's sowing the riches of your rain:
And thou, even thou, of whom we know not yet
What mansion of the skies shall hold thee soon,
Whether to watch o'er cities be thy will,
Great Caesar, and to take the earth in charge,
That so the mighty world may welcome thee
Lord of her increase, master of her times,
Binding thy mother's myrtle round thy brow,
Or as the boundless ocean's God thou come,
Sole dread of seamen, till far Thule bow
Before thee, and Tethys win thee to her son
With all her waves for dower; or as a star
Lend thy fresh beams our lagging months to cheer,
Where 'twixt the Maid and those pursuing Claws
A space is opening; see! red Scorpio's self
His arms draws in, yea, and hath left thee more
Than thy full meed of heaven: be what thou wilt-
For neither Tartarus hopes to call thee king,
[...] Read more
Tamar
I
A night the half-moon was like a dancing-girl,
No, like a drunkard's last half-dollar
Shoved on the polished bar of the eastern hill-range,
Young Cauldwell rode his pony along the sea-cliff;
When she stopped, spurred; when she trembled, drove
The teeth of the little jagged wheels so deep
They tasted blood; the mare with four slim hooves
On a foot of ground pivoted like a top,
Jumped from the crumble of sod, went down, caught, slipped;
Then, the quick frenzy finished, stiffening herself
Slid with her drunken rider down the ledges,
Shot from sheer rock and broke
Her life out on the rounded tidal boulders.
The night you know accepted with no show of emotion the little
accident; grave Orion
Moved northwest from the naked shore, the moon moved to
meridian, the slow pulse of the ocean
Beat, the slow tide came in across the slippery stones; it drowned
the dead mare's muzzle and sluggishly
Felt for the rider; Cauldwell’s sleepy soul came back from the
blind course curious to know
What sea-cold fingers tapped the walls of its deserted ruin.
Pain, pain and faintness, crushing
Weights, and a vain desire to vomit, and soon again
die icy fingers, they had crept over the loose hand and lay in the
hair now. He rolled sidewise
Against mountains of weight and for another half-hour lay still.
With a gush of liquid noises
The wave covered him head and all, his body
Crawled without consciousness and like a creature with no bones,
a seaworm, lifted its face
Above the sea-wrack of a stone; then a white twilight grew about
the moon, and above
The ancient water, the everlasting repetition of the dawn. You
shipwrecked horseman
So many and still so many and now for you the last. But when it
grew daylight
He grew quite conscious; broken ends of bone ground on each
other among the working fibers
While by half-inches he was drawing himself out of the seawrack
up to sandy granite,
Out of the tide's path. Where the thin ledge tailed into flat cliff
he fell asleep. . . .
Far seaward
The daylight moon hung like a slip of cloud against the horizon.
The tide was ebbing
From the dead horse and the black belt of sea-growth. Cauldwell
seemed to have felt her crying beside him,
[...] Read more
poem by Robinson Jeffers
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Sun-Up
(Shadows over a cradle…
fire-light craning….
A hand
throws something in the fire
and a smaller hand
runs into the flame and out again,
singed and empty….
Shadows
settling over a cradle…
two hands
and a fire.)
I
CELIA
Cherry, cherry, glowing on the hearth, bright red cherry…. When you try to pick up cherry Celia's shriek sticks in you like a pin.
When God throws hailstones you cuddle in Celia's shawl and press your feet on her belly high up like a stool. When Celia makes umbrella of her hand. Rain falls through big pink spokes of her fingers. When wind blows Celia's gown up off her legs she runs under pillars of the bank— great round pillars of the bank have on white stockings too.
Celia says my father
will bring me a golden bowl.
When I think of my father
I cannot see him
for the big yellow bowl
like the moon with two handles
he carries in front of him.
Grandpa, grandpa…
(Light all about you…
ginger… pouring out of green jars…)
You don't believe he has gone away and left his great coat…
so you pretend… you see his face up in the ceiling.
When you clap your hands and cry, grandpa, grandpa, grandpa,
Celia crosses herself.
It isn't a dream…. It comes again and again…. You hear ivy crying on steeples the flames haven't caught yet and images screaming when they see red light on the lilies on the stained glass window of St. Joseph. The girl with the black eyes holds you tight, and you run… and run past the wild, wild towers… and trees in the gardens tugging at their feet and little frightened dolls shut up in the shops crying… and crying… because no one stops… you spin like a penny thrown out in the street. Then the man clutches her by the hair…. He always clutches her by the hair…. His eyes stick out like spears. You see her pulled-back face and her black, black eyes lit up by the glare…. Then everything goes out. Please God, don't let me dream any more of the girl with the black, black eyes.
Celia's shadow rocks and rocks… and mama's eyes stare out of the pillow as though she had gone away and the night had come in her place as it comes in empty rooms… you can't bear it— the night threshing about and lashing its tail on its sides as bold as a wolf that isn't afraid— and you scream at her face, that is white as a stone on a grave and pull it around to the light, till the night draws backward… the night that walks alone and goes away without end. Mama says, I am cold, Betty, and shivers. Celia tucks the quilt about her feet, but I run for my little red cloak because red is hot like fire.
I wish Celia
could see the sea climb up on the sky
and slide off again…
[...] Read more
poem by Lola Ridge
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Road Block
Yeah!, all right!
Oh, ain't no problem
Carry no heavy load
Lord, no!
Why can't i love you, baby ?
You try to block my road.
You try to block my road. hey!
Oh, better off to hand you
Everything i own, ha ha ha ha!
Strange to see you waiting for me,
You try to block my road, yeah yeah,
Try to block my road
Hey, hey, hey, hey.
Road block
Road block
Road block
Road block
Road block daddy daddy daddy
Road block
Road block
Alright on the road block
Road block
Road block
Road block
Road block
Road block
Road block
Yeah! road block
Road block, alright, alright, alright!
Road block
Road block
Road block
Road block
Road block
Road block
Whoa road block
Road block
Road block
Road block
Road block
Road block
Road block
Road block
Road block
Road block
Road block
Road block
Yeah!
Try to block my road, daddy daddy daddy
I said now every time i turn around
[...] Read more
song performed by Janis Joplin
Added by Lucian Velea
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The Old Swimmin' Hole
1 Oh! the old swimmin'-hole! whare the crick so still and deep
2 Looked like a baby-river that was laying half asleep,
3 And the gurgle of the worter round the drift jest below
4 Sounded like the laugh of something we onc't ust to know
5 Before we could remember anything but the eyes
6 Of the angels lookin' out as we left Paradise;
7 But the merry days of youth is beyond our controle,
8 And it's hard to part ferever with the old swimmin'-hole.
9 Oh! the old swimmin'-hole! In the happy days of yore,
10 When I ust to lean above it on the old sickamore,
11 Oh! it showed me a face in its warm sunny tide
12 That gazed back at me so gay and glorified,
13 It made me love myself, as I leaped to caress
14 My shadder smilin' up at me with sich tenderness.
15 But them days is past and gone, and old Time's tuck his toll
16 From the old man come back to the old swimmin'-hole.
17 Oh! the old swimmin'-hole! In the long, lazy days
18 When the humdrum of school made so many run-a-ways,
19 How plesant was the jurney down the old dusty lane,
20 Whare the tracks of our bare feet was all printed so plane
21 You could tell by the dent of the heel and the sole
22 They was lots o' fun on hands at the old swimmin'-hole.
23 But the lost joys is past! Let your tears in sorrow roll
24 Like the rain that ust to dapple up the old swimmin'-hole.
25 Thare the bullrushes growed, and the cattails so tall,
26 And the sunshine and shadder fell over it all;
27 And it mottled the worter with amber and gold
28 Tel the glad lilies rocked in the ripples that rolled;
29 And the snake-feeder's four gauzy wings fluttered by
30 Like the ghost of a daisy dropped out of the sky,
31 Or a wownded apple-blossom in the breeze's controle
32 As it cut acrost some orchard to'rds the old swimmin'-hole.
33 Oh! the old swimmin'-hole! When I last saw the place,
34 The scenes was all changed, like the change in my face;
35 The bridge of the railroad now crosses the spot
36 Whare the old divin'-log lays sunk and fergot.
37 And I stray down the banks whare the trees ust to be --
38 But never again will theyr shade shelter me!
39 And I wish in my sorrow I could strip to the soul,
40 And dive off in my grave like the old swimmin'-hole.
poem by James Whitcomb Riley
Added by Poetry Lover
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The Castle Of Indolence
The castle hight of Indolence,
And its false luxury;
Where for a little time, alas!
We lived right jollily.
O mortal man, who livest here by toil,
Do not complain of this thy hard estate;
That like an emmet thou must ever moil,
Is a sad sentence of an ancient date:
And, certes, there is for it reason great;
For, though sometimes it makes thee weep and wail,
And curse thy star, and early drudge and late;
Withouten that would come a heavier bale,
Loose life, unruly passions, and diseases pale.
In lowly dale, fast by a river's side,
With woody hill o'er hill encompass'd round,
A most enchanting wizard did abide,
Than whom a fiend more fell is no where found.
It was, I ween, a lovely spot of ground;
And there a season atween June and May,
Half prankt with spring, with summer half imbrown'd,
A listless climate made, where, sooth to say,
No living wight could work, ne cared even for play.
Was nought around but images of rest:
Sleep-soothing groves, and quiet lawns between;
And flowery beds that slumbrous influence kest,
From poppies breathed; and beds of pleasant green,
Where never yet was creeping creature seen.
Meantime, unnumber'd glittering streamlets play'd,
And hurled every where their waters sheen;
That, as they bicker'd through the sunny glade,
Though restless still themselves, a lulling murmur made.
Join'd to the prattle of the purling rills
Were heard the lowing herds along the vale,
And flocks loud bleating from the distant hills,
And vacant shepherds piping in the dale:
And, now and then, sweet Philomel would wail,
Or stock-doves plain amid the forest deep,
That drowsy rustled to the sighing gale;
And still a coil the grasshopper did keep;
Yet all these sounds yblent inclined all to sleep.
Full in the passage of the vale, above,
A sable, silent, solemn forest stood;
Where nought but shadowy forms was seen to move,
As Idless fancied in her dreaming mood:
And up the hills, on either side, a wood
Of blackening pines, aye waving to and fro,
Sent forth a sleepy horror through the blood;
And where this valley winded out, below,
The murmuring main was heard, and scarcely heard, to flow.
[...] Read more
poem by James Thomson
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Walkin Down The Line
Well, Im walkin down the line,
Im walkin down the line
An Im walkin down the line.
My feetll be a-flyin
To tell about my troubled mind.
I got a heavy-headed gal
I got a heavy-headed gal
I got a heavy-headed gal
She aint feelin well
When shes better only time will tell
Well, Im walkin down the line,
Im walkin down the line
An Im walkin down the line.
My feetll be a-flyin
To tell about my troubled mind.
My money comes and goes
My money comes and goes
My money comes and goes
And rolls and flows and rolls and flows
Through the holes in the pockets in my clothes
Well, Im walkin down the line,
Im walkin down the line
An Im walkin down the line.
My feetll be a-flyin
To tell about my troubled mind.
I see the morning light
I see the morning light
Well its not because
Im an early riser
I didnt go to sleep last night
Well, Im walkin down the line,
Im walkin down the line
An Im walkin down the line.
My feetll be a-flyin
To tell about my troubled mind.
I got my walkin shoes
I got my walkin shoes
I got my walkin shoes
An I aint a-gonna lose
I believe I got the walkin blues
Well, Im walkin down the line,
Im walkin down the line
An Im walkin down the line.
My feetll be a-flyin
To tell about my troubled mind.
song performed by Bob Dylan
Added by Lucian Velea
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Roan Stallion
The dog barked; then the woman stood in the doorway, and hearing
iron strike stone down the steep road
Covered her head with a black shawl and entered the light rain;
she stood at the turn of the road.
A nobly formed woman; erect and strong as a new tower; the
features stolid and dark
But sculptured into a strong grace; straight nose with a high bridge,
firm and wide eyes, full chin,
Red lips; she was only a fourth part Indian; a Scottish sailor had
planted her in young native earth,
Spanish and Indian, twenty-one years before. He had named her
California when she was born;
That was her name; and had gone north.
She heard the hooves and
wheels come nearer, up the steep road.
The buckskin mare, leaning against the breastpiece, plodded into
sight round the wet bank.
The pale face of the driver followed; the burnt-out eyes; they had
fortune in them. He sat twisted
On the seat of the old buggy, leading a second horse by a long
halter, a roan, a big one,
That stepped daintily; by the swell of the neck, a stallion. 'What
have you got, Johnny?' 'Maskerel's stallion.
Mine now. I won him last night, I had very good luck.' He was
quite drunk, 'They bring their mares up here now.
I keep this fellow. I got money besides, but I'll not show you.'
'Did you buy something, Johnny,
For our Christine? Christmas comes in two days, Johnny.' 'By
God, forgot,' he answered laughing.
'Don't tell Christine it's Christmas; after while I get her something,
maybe.' But California:
'I shared your luck when you lost: you lost me once, Johnny, remember?
Tom Dell had me two nights
Here in the house: other times we've gone hungry: now that
you've won, Christine will have her Christmas.
We share your luck, Johnny. You give me money, I go down to
Monterey to-morrow,
Buy presents for Christine, come back in the evening. Next day
Christmas.' 'You have wet ride,' he answered
Giggling. 'Here money. Five dollar; ten; twelve dollar. You
buy two bottles of rye whiskey for Johnny.'
A11 right. I go to-morrow.'
He was an outcast Hollander; not
old, but shriveled with bad living.
The child Christine inherited from his race blue eyes, from his
life a wizened forehead; she watched
From the house-door her father lurch out of the buggy and lead
with due respect the stallion
To the new corral, the strong one; leaving the wearily breathing
buckskin mare to his wife to unharness.
[...] Read more
poem by Robinson Jeffers
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XI. Guido
You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Walking On Fire
Words and music: taylor rhodes, todd carney paul dean
I cant stop when youre smokin in the third degree
A dead shot, she takes aim and now Im history
Right on the money, make no mistake
She can sting you like a rattlesnake
Red hot, she redefines the word fantasy
A hurricane, a heart attack, a tidal wave that you cant
Hold back
Im walkin, Im walkin on fire
Wolkin, Im walkin on fire, Im taking my turn
Im burnin (burnin), Im burnin, when the lightning strikes
Im walkin on fire
Green light, theres no stopping when the word is go
Fahrenheit, one on one, and now Im ready to blow
Relieve the pressure, works like a charm,
She got me ringin like a three-alarm
Stage fright, she got me shaking like a tremolo
A hurricane, a heart attack, a tidal wave that you cant
Hold bock
Im walkin, Im walkin on fire
Walkin, walkin on fire, Im taking my turn
Im burnin, (burnin), Im burnin, when the lightning strikes
Im walkin on fire
A hurricane, a heart attack, a tidal wove that you cant
Hold back
Im walkin, Im walkin on fire
Walkin, walkin on fire, oh yeah
Im walkin, walkin on fire
Im walkin, walkin on fire, Im taking my turn
Im burnin, (burnin), Im burnin, when the lightning strikes
Im walkin on fire
song performed by Loverboy
Added by Lucian Velea
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Valley Of Pain
DON'T LET ME GROW BITTER I PRAY
GIVE ME STRENGTH TO CARRY ON MY WAY
IM LEANIN' ON YOU LIKE A WOODEN CANE
WHILE I'M WALKIN THROUGH I'M WALKIN' THROUGH
THE VALLEY OF PAIN
I'M BELIEVN' THERE'S A REASON FOR THIS TRIAL
THIS TOO SHALL PASS IN A LITTLE WHILE
OH LORD HAVE MERCY IF I COMPLAIN
WHILE I'M WALKIN' THROUGH, I'M WALKIN THROUGH
A VALLEY OF PAIN
WHILE I'M WALKIN' THROUGH, I'M WALKIN THROUGH
A VALLEY OF PAIN
WON'T YOU BATHE ME IN A RIVER OF MY TEARS
WHISPER HOPE AND TRUTH AND COURAGE IN MY EARS
WHEN I'M HURTING I HAVE A DANGEROUS TOUNGE
I'LL LOSE IT AND USE IT LIKE A GUN
LORD STOP ME IF YOU SEE ME TAKIN' AIM
WHILE I'M WALKIN' THROUGH, I'M WALKIN THROUGH
A VALLEY OF PAIN
I'M WALKIN' THROUGH, I'M WALKIN THROUGH
A VALLEY OF PAIN
I'M WALKIN' THROUGH, I'M WALKIN THROUGH
A VALLEY OF PAIN
BATHE ME IN A RIVER OF MY TEARS
WHISPER HOPE AND TRUTH AND COURAGE IN MY EARS
REMIND ME WHEN I REACH THE OTHER SIDE
I'LL BE THANKFUL FOR EVERY TEAR THAT I CRIED
DON'T LET ME GROW BITTER I PRAY
GIVE ME STRENGTH TO CARRY ON MY WAY
DON'T LET THE DARKNESS DRIVE ME INSANE
WHILE I'M WALKIN' THROUGH, WALKIN THROUGH
A VALLEY OF PAIN
I'M WALKIN' THROUGH, I'M WALKIN' THROUGH
A VALLEY OF PAIN
I'M WALKIN' THROUGH, I'M WALKIN' THROUGH
THIS VALLEY OF PAIN
song performed by Randy Travis
Added by Lucian Velea
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Blow Your House Down
She did go
She got my jokes
Sit why we win
Go by the sin
Get high, get quick
Get bopping on a stick
Hollywood
Shake by go
Get barking in sin
Get high with the folks
Get down in the swim
Don't you walk away
I want you baby
How does it feel
When you're meet her in your home
How does it feel
When you feel her, let it go
Bono: "break."
Bono: "turn that guitar up there."
Sugar sugar sugar sugar sugar
Sugar sugar sugar sugar sugar
Sugar sugar sugar sugar sugar
Ah, it ain't over child
Your racing car
Raised by the boldness
You know you are
Your lips like cherries
And they call to me
I wasn't in the bottle
Next to me
I'm down by the call
Maybe the sun
Where nobody feels
They gotta give it and go
She's...gonna take her chances
Gonna take her chances
And you don't
Jump...you're gonna be the tele'
Is there anybody calling
Is anybody home
Anybody home
'body home
Anybody home
Bono: "just drums."
She likes it
Little bit of sky
Locked in the ocean
Bitty bitty sky
On a crutch rate
Country
[...] Read more
song performed by U2
Added by Lucian Velea
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The Toad And Spyder. A Duell
Upon a day, when the Dog-star
Unto the world proclaim'd a war,
And poyson bark'd from black throat,
And from his jaws infection shot,
Under a deadly hen-bane shade
With slime infernal mists are made,
Met the two dreaded enemies,
Having their weapons in their eyes.
First from his den rolls forth that load
Of spite and hate, the speckl'd toad,
And from his chaps a foam doth spawn,
Such as the loathed three heads yawn;
Defies his foe with a fell spit,
To wade through death to meet with it;
Then in his self the lymbeck turns,
And his elixir'd poyson urns.
Arachne, once the fear oth' maid
Coelestial, thus unto her pray'd:
Heaven's blew-ey'd daughter, thine own mother!
The Python-killing Sun's thy brother.
Oh! thou, from gods that didst descend,
With a poor virgin to contend,
Shall seed of earth and hell ere be
A rival in thy victorie?
Pallas assents: for now long time
And pity had clean rins'd her crime;
When straight she doth with active fire
Her many legged foe inspire.
Have you not seen a charact lie
A great cathedral in the sea,
Under whose Babylonian walls
A small thin frigot almshouse stalls?
So in his slime the toad doth float
And th' spyder by, but seems his boat.
And now the naumachie begins;
Close to the surface her self spins:
Arachne, when her foe lets flye
A broad-side of his breath too high,
That's over-shot, the wisely-stout,
Advised maid doth tack about;
And now her pitchy barque doth sweat,
Chaf'd in her own black fury wet;
Lasie and cold before, she brings
New fires to her contracted stings,
And with discolour'd spumes doth blast
The herbs that to their center hast.
Now to the neighb'ring henbane top
Arachne hath her self wound up,
And thence, from its dilated leaves,
[...] Read more
poem by Richard Lovelace
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The Death of Yazdagird
From the Shahnameh
There was a paladin, a Turk by race,
A man of influence and named Bizhan;
He dwelt within the coasts of Samarkand
Where he had many kin. Ill-starred Mahwi,
Becoming self-assertive, wrote to him:-
'Thou prosperous scion of the paladins!
A strife hath risen that will bring thee profit:
The Sháh is of all places here at Marv
And with no troops! His head and crown and state,
Wealth, throne, and host, are thine if thou wilt come.
Recall the vengeance owing to thy sires,
And give this unjust race its just reward.'
Bizhan, considering the letter, saw
That insolent Mahwi would win the world,
Then spake thus to his minister: 'Thou chief
Of upright men! what sayest thou to this?
If I lead forth a host to aid Mahwi
'Twill be my ruin here.'
The minister
Replied: 'O lion-hearted warrior!
'Twere shame to help Mahwi and then withdraw.
Command Barsám to set forth with a host
To aid upon this scene of strife. The sage
Will term thee daft to go and fight in person
At the insistence of this man of Súr.'
Bizhan replied: ''Tis well, I will not go
Myself.'
He therefore bade Barsám to lead
Ten thousand valiant cavaliers and swordsmen
To Marv with all the implements of war
If haply he might take the Sháh. That host
Went like a flying pheasant from Bukhárá
To Marv within one week. One night at cock-crow
The sound of tymbals went up from the plain.
How could the king of kings suspect Mahwi
Of Súr to be his enemy? Shouts rose.
A cavalier reached Yazdagird at dawn
To say: 'Mahwi said thus: 'A host of Turks
Hath come. What is the bidding of the Sháh?
The Khán and the Faghfúr of Chin command:
Earth is not able to support their host!''
The Sháh wroth donned his mail. The armies ranged.
He formed his troops to right and left, and all
Advanced to battle. Spear in hand he held
[...] Read more
poem by Hakim Abu'l-Qasim Ferdowsi Tusi Firdowsi
Added by Poetry Lover
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