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Epigramma in Duos montes Amosclivum Et Bilboreum

Farfacio.

Cernis ut ingenti distinguant limite campum
Montis Amos clivi Bilboreique juga!
Ille stat indomitus turritis undisque saxis:
Cingit huic laetum Fraximus alta Caput.
Illi petra minax rigidis cervicibus horret:
Huic quatiunt viridis lenia colla jubas.
Fulcit Atlanteo Rupes ea vertice coelos:
Collis at hic humeros subjicit Herculeos.
Hic ceu carceribus visum sylvaque coercet:
Ille Oculos alter dum quasi meta trahit.
Ille Giganteum surgit ceu Pelion Ossa:
Hic agit ut Pindi culmine Nympha choros.
Erectus, praeceps, salebrosus, & arduus ille:
Aeclivis, placidus, mollis, amoenus hic est.
Dissimilis Domino coiit Natura sub uno;
Farfaciaque tremunt sub ditione pares.
Dumque triumphanti terras perlabitur Axe,
Praeteriens aequa stringit utrumque Rota.
Asper in adversos, facilis cedentibus idem;
Ut credas Montes extimulasse suos.
Hi sunt Alcidae Borealis nempe Columnae,
Quos medio scindit vallis opaca freto.
An potius longe sic prona cacumina nutant,
Parnassus cupiant esse Maria tuus.

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Lies, Damned Lies And Statistics

World politicians adore the stat,
It can hide their lies in any format,
They can say we are now out of recession,
Despite the fact we're still in a depression.

What is this miracle we call the stat,
I hear you all ask what exactly is that,
Politicians will tell you that yes it's a fact,
If it's based on a stat then they will act.

They are the ultimate masters of the stat,
It can hide their deceit during a chat,
They truly are masters of their craft,
They'd have us believe that we're all daft.

Homes repossessed are contained in a stat,
Their figures are lower than we know they're at,
But the truth is different we're out on the street,
The fact is their stats are full of deceit.

Inflation is always contained in a stat,
They're as clear as treacle in a darkwood vat,
The prices we're paying are not as they seem,
Believe that if you like and let out a scream.

To believe what's contained within a stat,
You'd have to be a total prat,
While all of our lives are being enjoyed,
They can tell us nobody's unemployed.

The state of the world is based on a stat,
How many are thin how many are fat,
The information supplied is supposed to relieve,
Truth is none of it you can believe.

The way that they can present a stat,
Is a fish is a bird and a dog is a cat,
They're a strange way of saying all is well,
When truth is we're all heading for hell.

Whoever invented the bloody stat,
Was surely brought up as a spoiled brat,
Nothing better to do with their tedious life,
Than to devise a way of lying about life.

Facts just don't exist within a stat,
Or they could well show our world is flat,
This would have a terrible effect,
As quite frankly it's not politically correct.

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Amos Moses

Amos Moses was a Cajun.
And lived by himself in the swamp
Hunting alligator for a living.
Knock 'em on the head with a stump
The Louisiana law's gonna get you, Amos
It ain't legal hunting alligator down in the swamp, boy
Now everybody blamed his old man
for raising him mean as a snake
When Amos Moses was a boy,
his Daddy would use him as alligator bait
Tie a rope around his waist,
throw him in the swamp
Alligator bait on the Louisiana bayou
Just about 45 minutes
southeast of Tipidow, Louisiana
There lived a man called Duck Bill Sam
and his pretty wife Hannah
They raised up a son that could
eat up his weight in groceries
Named him after a man of the cloth.
They called him Amos Moses
Now folks in South Louisiana
said Amos was a helluva man
He could trap the biggest, meanest alligator.
He only had to use one hand
That's all he got left
'cause the alligator bit him. Ha ha!
Left arm gone clean up to the elbow
Just about 45 minutes
southeast of Tipidow, Louisiana
There lived a man called Duck Bill Sam
and his pretty wife Hannah
They raised up a son that could
eat up his weight in groceries
Named him after a man of the cloth.
They called him Amos Moses
Here comes Amos
And you should have seen his pretty wife, Hannah
Well, the Sheriff got wind that
Amos was in the swamp hunting alligator skin
So he hid in the swamp, I'm gonna get you boy.
He never did come out again.
Well, I wonder where the Louisiana Sheriff went to?
Sure can get lost in the Louisiana bayou (3X)

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A Letter To Doctor Ingelo, then With My Lord Whitlock, Ambassador From The Protector To The Queen Of Sweden

Quid facis Arctoi charissime transfuga coeli,
Ingele, proh sero cognite, rapte cito?
Num satis Hybernum defendis pellibus Astrum,
Qui modo tam mollis nec bene firmus eras?
Quae Gentes Hominum, quae sit Natura Locorum,
Sint Homines, potius dic ibi sintre Loca?
Num gravis horrisono Polus obruit omnia lapsu,
Jungitur & praeceps Mundas utraque nive?
An melius canis horrescit Campus Aristis,
Amuius Agricolis & redit Orbe labor?
Incolit, ut fertur, saevam Gens mitior Oram,
Pace vigil, Bello strenua, justa Foro.
Quin ibi sunt Urbes, atque alta Palatia Regum,
Musarumque domus, & sua Templa Deo.
Nam regit Imperio populum Christina ferocem,
Et dare jura potest regia Virgo viris.
Utque trahit rigidum Magnes Aquilone Metallum,
Gandet eam Soboles ferrea sponte sequii.
Dic quantum liceat fallaci credere Famae,
Invida num taceat plura, sonet ve loquax.
At, si vera fides, Mundi melioris ab ortu,
Saecula Christinae nulla tulere parem.
Ipsa licet redeat (nostri decus orbis) Eliza,
Qualis nostra tamen quantaque Eliza fuit.
Vidimus Effigiem, mistasque Coloribus Umbras:
Sic quoque Sceptripotens, sic quoque visa Dea.
Augustam decorant (raro concordia) frontem
Majestas & Amor, Forma Pudorque simul.
Ingens Virgineo spirat Gustavus in ore:
Agnoscas animos, fulmineumque Patrem.
Nulla suo nituit tam lucida Stella sub Axe;
Non Ea quae meruit Crimine Nympha Polum.
Ah quoties pavidum demisit conscia Lumen,
Utque suae timuit Parrhasis Ora Deae!
Et, simulet falsa ni Pictor imagine Vultus,
Delia tam similis nec fuit ipsa sibi.
Ni quod inornati Triviae sint forte Capilli,
Sollicita sed buic distribuantur Acu.
Scilicet ut nemo est illa reverentior aequi;
Haud ipsas igitur fert sine Lege Comas.
Gloria sylvarum pariter communis utrique
Est, & perpetuae Virginitatis Honos.
Sic quoque Nympharum supereminet Agmina collo,
Fertque Choros Cynthi per Juga, per Nives.
Haud aliter pariles Ciliorum contrahit Arcus
Acribus ast Oculis tela subesse putes.
Luminibus dubites an straverit illa Sagittis
Quae foret exuviis ardua colla Feram.
Alcides humeros coopertus pelle Nemaea
Haud ita labentis sustulit Orbis Onus.

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Eres Como El Aire

Eres como el agua
Que entre los dedos se va
Eres como el aire
Que no se puede tocar
Eres y no eres
Estas y no estas
Te tengo y no te tengo
En realidad
Eres como el humo
Que del fuego se va
Eres como el cielo
Que no se puede alcanzar
Eres y no eres
Estas y no estas
Te tengo y no te tengo
En realidad
Que alta esta la luna
Y tu que lejos estas
Te quiero prisionera
Pero como apresar el mar
Que alta esta la luna
Y tu que lejos estas
Naciste aventurera
Y no te puedo controlar
Eres como el tiempo
Que no se puede frenar
Eres como una noche
Que con el dia se va
Eres y no eres
Estas y no estas
Te tengo y no te tengo
En realidad
En realidad
Que alta esta la luna
Y tu que lejos estas
Te quiero prisionera
Pero como apresar el mar
Que alta esta la luna
Y tu que lejos estas
Naciste aventurera
Y no te puedo controlar
Que alta esta la luna
Y tu que lejos estas
Te quiero prisionera
Pero como apresar el mar
Que alta esta la luna
Y tu que lejos estas
Naciste aventurera
Si te quiero que mas da...
Que mas da...

[...] Read more

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Cleanness

Clannesse who so kyndly cowþe comende
& rekken vp alle þe resounz þat ho by ri3t askez,
Fayre formez my3t he fynde in for[þ]ering his speche
& in þe contrare kark & combraunce huge.
For wonder wroth is þe Wy3þat wro3t alle þinges
Wyth þe freke þat in fylþe fol3es Hym after,
As renkez of relygioun þat reden & syngen
& aprochen to hys presens & prestez arn called;
Thay teen vnto his temmple & temen to hym seluen,
Reken with reuerence þay rychen His auter;
Þay hondel þer his aune body & vsen hit boþe.
If þay in clannes be clos þay cleche gret mede;
Bot if þay conterfete crafte & cortaysye wont,
As be honest vtwyth & inwith alle fylþez,
Þen ar þay synful hemself & sulped altogeder
Boþe God & His gere, & hym to greme cachen.
He is so clene in His courte, þe Kyng þat al weldez,
& honeste in His housholde & hagherlych serued
With angelez enourled in alle þat is clene,
Boþ withine & withouten in wedez ful bry3t;
Nif he nere scoymus & skyg & non scaþe louied,
Hit were a meruayl to much, hit mo3t not falle.
Kryst kydde hit Hymself in a carp onez,
Þeras He heuened a3t happez & hy3t hem her medez.
Me mynez on one amonge oþer, as Maþew recordez,
Þat þus clanness vnclosez a ful cler speche:
Þe haþel clene of his hert hapenez ful fayre,
For he schal loke on oure Lorde with a bone chere';
As so saytz, to þat sy3t seche schal he neuer
Þat any vnclannesse hatz on, auwhere abowte;
For He þat flemus vch fylþe fer fro His hert
May not byde þat burre þat hit His body ne3en.
Forþy hy3not to heuen in haterez totorne,
Ne in þe harlatez hod, & handez vnwaschen.
For what vrþly haþel þat hy3honour haldez
Wolde lyke if a ladde com lyþerly attyred,
When he were sette solempnely in a sete ryche,
Abof dukez on dece, with dayntys serued?
Þen þe harlot with haste helded to þe table,
With rent cokrez at þe kne & his clutte traschez,
& his tabarde totorne, & his totez oute,
Oþer ani on of alle þyse, he schulde be halden vtter,
With mony blame ful bygge, a boffet peraunter,
Hurled to þe halle dore & harde þeroute schowued,
& be forboden þat bor3e to bowe þider neuer,
On payne of enprysonment & puttyng in stokkez;
& þus schal he be schent for his schrowde feble,
Þa3neuer in talle ne in tuch he trespas more.
& if vnwelcum he were to a worþlych prynce,
3et hym is þe hy3e Kyng harder in her euen;

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The Avowyng of Arthur

He that made us on the mulde,
And fair fourmet the folde,
Atte His will, as He wold,
The see and the sande,
Giffe hom joy that will here
Of dughti men and of dere,
Of haldurs that before us were,
That lifd in this londe.
One was Arther the Kinge,
Wythowtun any letting;
Wyth him was mony lordinge
Hardi of honde.
Wice and war ofte thay were,
Bold undur banere,
And wighte weppuns wold were,
And stifly wold stond.

This is no fantum ne no fabull;
Ye wote wele of the Rowun Tabull,
Of prest men and priveabull,
Was holdun in prise:
Chevetan of chivalry,
Kyndenesse and curtesy,
Hunting full warly,
As wayt men and wise.
To the forest thay fare
To hunte atte buk and atte bare,
To the herte and to the hare,
That bredus in the rise.
The King atte Carlele he lay;
The hunter cummys on a day -
Sayd, 'Sir, ther walkes in my way
A well grim gryse.
'He is a balefull bare -
Seche on segh I nevyr are:
He hase wroghte me mycull care
And hurte of my howundes,
Slayn hom downe slely
Wyth feghting full furcely.
Wasse ther none so hardi
Durste bide in his bandus.
On him spild I my spere
And mycull of my nothir gere.
Ther moue no dintus him dere,
Ne wurche him no wowundes.
He is masly made -
All offellus that he bade.
Ther is no bulle so brade
That in frith foundes.

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William Butler Yeats

Ego Dominus Tuus

Hic. On the grey sand beside the shallow stream
Under your old wind-beaten tower, where still
A lamp burns on beside the open book
That Michael Robartes left, you walk in the moon,
And, though you have passed the best of life, still trace,
Enthralled by the unconquerable delusion,
Magical shapes.
Ille. By the help of an image
I call to my own opposite, summon all
That I have handled least, least looked upon.
Hic. And I would find myself and not an image.
Ille. That is our modern hope, and by its light
We have lit upon the gentle, sensitive mind
And lost the old nonchalance of the hand;
Whether we have chosen chisel, pen or brush,
We are but critics, or but half create,
Timid, entangled, empty and abashed,
Lacking the countenance of our friends.
Hic. And yet
The chief imagination of Christendom,
Dante Alighieri, so utterly found himself
That he has made that hollow face of his
More plain to the mind's eye than any face
But that of Christ.
Ille. And did he find himself
Or was the hunger that had made it hollow
A hunger for the apple on the bough
Most out of reach? and is that spectral image
The man that Lapo and that Guido knew?
I think he fashioned from his opposite
An image that might have been a stony face
Staring upon a Bedouin's horse-hair roof
From doored and windowed cliff, or half upturned
Among the coarse grass and the camel-dung.
He set his chisel to the hardest stone.
Being mocked by Guido for his lecherous life,
Derided and deriding, driven out
To climb that stair and eat that bitter bread,
He found the unpersuadable justice, he found
The most exalted lady loved by a man.
Hic. Yet surely there are men who have made their art
Out of no tragic war, lovers of life,
Impulsive men that look for happiness
And sing when t'hey have found it.
Ille. No, not sing,
For those that love the world serve it in action,
Grow rich, popular and full of influence,
And should they paint or write, still it is action:
The struggle of the fly in marmalade.
The rhetorician would deceive his neighbours,

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Elinoure And Juga

ONNE Ruddeborne bank twa pynynge Maydens sate,
Theire teares faste dryppeynge to the waterre cleere;
Echone bementynge for her absente mate.
Who atte Seyncte Albonns shouke the morthynge speare.
The nottebrowne Elinoure to Juga fayre
Dydde speke acroole , wythe languishment of eyne,
Lyche roppes of pearlie dew, lemed the quyvryng brine.
ELINOURE.
O gentle Juga! heare mie dernie plainte,
To fyghte for Yorke mie love ys dyghte in stele;
O maie ne sanguen steine the whyte rose peyncte,
Maie good Seyncte Cuthberte watche Syrre Roberte wele.
Moke moe thanne deathe in phantasie I feele;
See! see! upon the grounde he bleedynge lies;
Inhild some joice of lyfe, or else mie deare love dies.
JUGA.
Systers in sorrowe, on thys daise-ey'd banke,
Where melancholych broods, we wyll lamente;
Be wette wythe mornynge dewe and evene danke;
Lyche levynde okes in eche the odher bente,
Or lyche forlettenn halles of merriemente,
Whose gastlie mitches holde the traine of fryghte ,
Where lethale ravens bark, and owlets wake the nyghte.

No moe the miskynette shall wake the morne,
The minstrelle daunce, good cheere, and morryce plaie;
No moe the amblynge palfrie and the horne
Shall from the lessel rouze the foxe awaie;
I'll seke the foreste alle the lyve-longe daie;
Alle nete amenge the gravde chyrche glebe wyll goe,
And to the pallante spryghtes lecture mie tale of woe.

Whan mokie cloudis do hange upon the leme
Of leden Moon, ynn sylver mantels dyghte;
The tryppeynge Faeries weve the golden dreme
Of Selyness , whyche flyethe wythe the nyghte;
Thenne (botte the Seynctes forbydde!) gif to a spryte
Syrr Rychardes forme ys lyped, I'll holde dystraughte
Hys bledeynge claie-colde corse, and die eche daie ynn thoughte.
ELINOURE.
Ah woe bementynge wordes; what wordes can shewe!
Thou limed ryver, on thie linche maie bleede
Champyons, whose bloude wylle wythe thie waterres flowe,
And Rudborne streeme be Rudborne streeme indeede!
Haste, gentle Juga, tryppe ytte oere the meade,
To knowe, or wheder we muste waile agayne,
Or wythe oure fallen knyghtes be menged onne the plain.

Soe sayinge, lyke twa levyn-blasted trees,
Or twayne of cloudes that holdeth stormie rayne;

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Sang Pujaan

Dia terus saja memandangmu
Gadis yang melihat dari atas jendela
Dan gadis yang berpapasan di jalan
Dia jelas-jelas mengagumimu
Gadis pembuat kue
Dan gadis anak penjahit
Tapi mungkin kau tak menyadarinya
Hatimu begitu dingin dan acuh
Dia pasti mengincarmu
Gadis putri tuan tanah
Dan gadis penyanyi bar itu
Dia juga diam-diam mencintaimu
Gadis pemalu yang tak sanggup memandangmu
Dan gadis sahabat yang ada di dekatmu
Tapi mungkin kau tak peduli
Hatimu sangat dingin dan tak tersentuh

Siapakah dia yang akan kau ajak ke pesta?
Siapakah dia yang akan kau ajak berdansa?
Gadis yang cantikkah atau biasa saja
Siapakah dia yang akan kau pilih?
Siapakah dia yang mencuri perhatianmu?
Gadis yang ceriakah atau gadis yang lembut
Seisi kota begitu ingin tahu tentangmu
Tapi kau masih saja berjalan dengan santai
Mengapa kau begitu mempesona setiap gadis?
Mengapa tak kau pilih salah satu saja?
Gadis yang kau kenal baik atau gadis yang dijodohkan
Berilah kesempatan pada para gadis untuk mendapatkanmu
Juga beri kesempatan para pria untuk mendapat gadis
Bila tak juga mencari seisi kota akan menjadi gila
Dia yang mencintaimu akan menyelamatkanmu
Dia yang kau cintai akan menyelamatkan kami semua!

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Ad Sylonem. Ep. 104.

AD SYLONEM. EP. 104.

Aut sodes mihi redde decem sestertia, Sylo,
Deindo esto quam vis saevus et indomitus;
Aut si te nummi delectant, desine, quaeso,
Leno esse, atque idem saevus et indomitus.

ENGLISHED.

Sylo, pray pay me my ten sesterces,
Then rant and roar as much as you shall please;
Or if that mony takes [you,] pray, give ore
To be a pimp, or else to rant and roar.

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Byron

English Bards and Scotch Reviewers: A Satire

'I had rather be a kitten, and cry mew!
Than one of these same metre ballad-mongers'~Shakespeare

'Such shameless bards we have; and yet 'tis true,
There are as mad, abandon'd critics too,'~Pope.


Still must I hear? -- shall hoarse Fitzgerald bawl
His creaking couplets in a tavern hall,
And I not sing, lest, haply, Scotch reviews
Should dub me scribbler, and denounce my muse?
Prepare for rhyme -- I'll publish, right or wrong:
Fools are my theme, let satire be my song.

O nature's noblest gift -- my grey goose-quill!
Slave of my thoughts, obedient to my will,
Torn from thy parent bird to form a pen,
That mighty instrument of little men!
The pen! foredoom'd to aid the mental throes
Of brains that labour, big with verse or prose,
Though nymphs forsake, and critics may deride,
The lover's solace, and the author's pride.
What wits, what poets dost thou daily raise!
How frequent is thy use, how small thy praise!
Condemn'd at length to be forgotten quite,
With all the pages which 'twas thine to write.
But thou, at least, mine own especial pen!
Once laid aside, but now assumed again,
Our task complete, like Hamet's shall be free;
Though spurn'd by others, yet beloved by me:
Then let us soar today, no common theme,
No eastern vision, no distemper'd dream
Inspires -- our path, though full of thorns, is plain;
Smooth be the verse, and easy be the strain.

When Vice triumphant holds her sov'reign sway,
Obey'd by all who nought beside obey;
When Folly, frequent harbinger of crime,
Bedecks her cap with bells of every clime;
When knaves and fools combined o'er all prevail,
And weigh their justice in a golden scale;
E'en then the boldest start from public sneers,
Afraid of shame, unknown to other fears,
More darkly sin, by satire kept in awe,
And shrink from ridicule, though not from law.

Such is the force of wit! but not belong
To me the arrows of satiric song;
The royal vices of our age demand
A keener weapon, and a mightier hand.

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The Vision Of Piers Plowman - Part 01

What this mountaigne bymeneth and the merke dale
And the feld ful of folk, I shal yow faire shewe.
A lovely lady of leere in lynnen yclothed
Cam doun fom [the] castel and called me faire,
And seide, 'Sone, slepestow? Sestow this peple-
How bisie they ben aboute the maze?
The mooste partie of this peple that passeth on this erthe,
Have thei worship in this world, thei wilne no bettre;
Of oother hevene than here holde thei no tale'.-
I was afeed of hire face, theigh she faire weere,
And seide, ' Mercy, madame, what [may] this [be] to mene?'

'The tour upon the toft', quod she, 'Truthe is therinne,
And wolde that ye wroughte as his word techeth.
For he is fader of feith and formed yow alle
Bothe with fel and with face and yaf yow fyve wittes
For to worshipe hym therwith while that ye ben here.
And therfore he highte the erthe to helpe yow echone
Of woilene, of lynnen, of liflode at nede
In mesurable manere to make yow at ese;
And comaunded of his curteisie in commune three thynges:
Are none nedfulle but tho, and nempne hem I thynke,
And rekene hem by reson - reherce thow hem after.
'That oon is vesture from chele thee to save,
And mete at meel for mysese of thiselve,
And drynke whan thow driest - ac do noght out of reson,
That thow worthe the wers whan thow werche sholdest.
For Lot in hise lifdayes, for likynge of drynke,
Dide by hise doughtres that the devel liked:
Delited hym in drynke as the devel wolde,
And leccherie hym laughte, and lay by hem bothe -
And al he witte it the wyn, that wikked dede:
Inebriemus eum vino dormiamusque cum eo, ut
servare possimus de patre nostro semen.
Thorugh wyn and thorugh wommen ther was Loth acombred,
And there gat in glotonie gerles that were cherles.
Forthi dred delitable drynke and thow shalt do the bettre.
Mesure is medicine, though thow muchel yerne.
Al is nought good to the goost that the gut asketh,
Ne liflode to the likame that leef is to the soule.
Leve nought thi likame, for a liere hym techeth -
That is the wrecched world, wolde thee bitraye.

For the fend and thi flessh folwen togidere,
And that [shendeth] thi soule; set it in thin herte.
And for thow sholdest ben ywar, I wisse thee the beste.'
'A, madame, mercy,' quod I, ' me liketh wel youre wordes.
Ac the moneie of this molde that men so faste holdeth -
Telleth me to whom that tresour appendeth.'
Go to the Gospel,' quod she, 'that God seide hymselven,

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The Vision Of Piers Plowman - Part 18

Wolleward and weetshoed wente I forth after
As a recchelees renk that [reccheth of no wo],
And yede forth lik a lorel al my lif tyme,
Til I weex wery of the world and wilned eft to slepe,
And lened me to a Lenten - and longe tyme I slepte;
Reste me there and rutte faste til ramis palmarum.
Of gerlis and of Gloria, laus gretly me dremed
And how osanna by organye olde folk songen,

And of Cristes passion and penaunce, the peple that ofraughte.
Oon semblable to the Samaritan, and somdeel to Piers the Plowman,
Barefoot on an asse bak bootles cam prikye,
Withouten spores other spere; spakliche he loked,
As is the kynde of a knyght that cometh to be dubbed,
To geten hym gilte spores on galoches ycouped.
Thanne was Feith in a fenestre, and cryde 'At Fili David!'
As dooth an heraud of armes whan aventrous cometh to iustes.
Olde Jewes of Jerusalem for joye thei songen,
Benedictus qui venit in nomine Domini.
Thanne I frayned at Feith what al that fare bymente,
And who sholde juste in Jerusalem. 'jesus,' he seide,
'And fecche that the fend claymeth - Piers fruyt the Plowman.'
'Is Piers in this place?' quod I, and he preynte on me.
'This Jesus of his gentries wol juste in Piers armes,
In his helm and in his haubergeon - humana natura.
That Crist be noght biknowe here for consummatus Deus,
In Piers paltok the Plowman this prikiere shal ryde;
For no dynt shal hym dere as in deitate Patris.'
'Who shal juste with Jesus?' quod I, 'Jewes or scrybes?'
'Nay,' quod Feith, 'but the fend and fals doom to deye.
Deeth seith he shal fordo and adoun brynge
Al that lyveth or loketh in londe or in watre.
Lif seith that he lieth, and leieth his lif to wedde
That, for al that Deeth kan do, withinne thre daies to walke
And fecche fro the fend Piers fruyt the Plowman,
And legge it ther hym liketh, and Lucifer bynde,

And forbete and adoun brynge bale-deeth for evere
O Mors ero mors tua!'
Thanne cam Pilatus with muche peple, sedens pro tribunali,
To se how doghtiliche Deeth sholde do, and deme hir botheres right.
The Jewes and the justieeayeins Jesu thei weere,
And al the court on hym cryde ' Crucifige!' sharpe.
Tho putte hym forth a p[e]lour bifore Pilat and seide,
'This Jesus of oure Jewes temple japed and despised,
To fordoon it on o day, and in thre dayes after
Edifie it eft newe - here he stant that seide it -
And yit maken it as muche in alle manere poyntes
Bothe as long and as large a lofte and by grounde.'
' Crucifige!' quod a cachepol, ' I warante hym a wicche!'

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VIII. Dominus Hyacinthus de Archangelis, Pauperum Procurator

Ah, my Giacinto, he's no ruddy rogue,
Is not Cinone? What, to-day we're eight?
Seven and one's eight, I hope, old curly-pate!
—Branches me out his verb-tree on the slate,
Amo-as-avi-atum-are-ans,
Up to -aturus, person, tense, and mood,
Quies me cum subjunctivo (I could cry)
And chews Corderius with his morning crust!
Look eight years onward, and he's perched, he's perched
Dapper and deft on stool beside this chair,
Cinozzo, Cinoncello, who but he?
—Trying his milk-teeth on some crusty case
Like this, papa shall triturate full soon
To smooth Papinianian pulp!

It trots
Already through my head, though noon be now,
Does supper-time and what belongs to eve.
Dispose, O Don, o' the day, first work then play!
—The proverb bids. And "then" means, won't we hold
Our little yearly lovesome frolic feast,
Cinuolo's birth-night, Cinicello's own,
That makes gruff January grin perforce!
For too contagious grows the mirth, the warmth
Escaping from so many hearts at once—
When the good wife, buxom and bonny yet,
Jokes the hale grandsire,—such are just the sort
To go off suddenly,—he who hides the key
O' the box beneath his pillow every night,—
Which box may hold a parchment (someone thinks)
Will show a scribbled something like a name
"Cinino, Ciniccino," near the end,
"To whom I give and I bequeath my lands,
"Estates, tenements, hereditaments,
"When I decease as honest grandsire ought."
Wherefore—yet this one time again perhaps—
Shan't my Orvieto fuddle his old nose!
Then, uncles, one or the other, well i' the world,
May—drop in, merely?—trudge through rain and wind,
Rather! The smell-feasts rouse them at the hint
There's cookery in a certain dwelling-place!
Gossips, too, each with keepsake in his poke,
Will pick the way, thrid lane by lantern-light,
And so find door, put galligaskin off
At entry of a decent domicile
Cornered in snug Condotti,—all for love,
All to crush cup with Cinucciatolo!

Well,
Let others climb the heights o' the court, the camp!

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The Rock In El Ghor

Dead Petra in her hill-tomb sleeps,
Her stones of emptiness remain;
Around her sculptured mystery sweeps
The lonely waste of Edom's plain.

From the doomed dwellers in the cleft
The bow of vengeance turns not back;
Of all her myriads none are left
Along the Wady Mousa's track.

Clear in the hot Arabian day
Her arches spring, her statues climb;
Unchanged, the graven wonders pay
No tribute to the spoiler, Time!

Unchanged the awful lithograph
Of power and glory undertrod;
Of nations scattered like the chaff
Blown from the threshing-floor of God.

Yet shall the thoughtful stranger turn
From Petra's gates with deeper awe,
To mark afar the burial urn
Of Aaron on the cliffs of Hor;

And where upon its ancient guard
Thy Rock, El Ghor, is standing yet,--
Looks from its turrets desertward,
And keeps the watch that God has set.

The same as when in thunders loud
It heard the voice of God to man,
As when it saw in fire and cloud
The angels walk in Israel's van,

Or when from Ezion-Geber's way
It saw the long procession file,
And heard the Hebrew timbrels play
The music of the lordly Nile;

Or saw the tabernacle pause,
Cloud-bound, by Kadesh Barnea's wells,
While Moses graved the sacred laws,
And Aaron swung his golden bells.

Rock of the desert, prophet-sung!
How grew its shadowing pile at length,
A symbol, in the Hebrew tongue,
Of God's eternal love and strength.

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Soboba

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Guillaume Apollinaire

Cortège

Oiseau tranquille au vol inverse oiseau
Qui nidifie en l'air
À la limite où notre sol brille déjà
Baisse ta deuxième paupière la terre t'éblouit
Quand tu lèves la tête

Et moi aussi de près je suis sombre et terne
Une brume qui vient d'obscurcir les lanternes
Une main qui tout à coup se pose devant les yeux
Une voûte entre vous et toutes les lumières
Et je m'éloignerai m'illuminant au milieu d'ombres
Et d'alignements d'yeux des astres bien-aimés

Oiseau tranquille au vol inverse oiseau,
Qui nidifie en l'air
À la limite où brille déjà ma mémoire
Baisse ta deuxième paupière
Ni à cause du soleil ni à cause de la terre
Mais par ce feu oblong dont l'intensité ira s'augmentant
Au point qu'il deviendra un jour l'unique lumière

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Cesar Vallejo

Himno A Los Voluntarios De La República

Voluntario de España, miliciano
de huesos fidedignos, cuando marcha a morir tu corazón,
cuando marcha a matar con su agonía
mundial, no sé verdaderamente
qué hacer, dónde ponerme; corro, escribo, aplaudo,
lloro, atisbo, destrozo, apagan, digo
a mi pecho que acabe, al que bien, que venga,
y quiero desgraciarme;
descúbrome la frente impersonal hasta tocar
el vaso de la sangre, me detengo,
detienen mi tamaño esas famosas caídas de arquitecto
con las que se honra el animal que me honra;
refluyen mis instintos a sus sogas,
humea ante mi tumba la alegría
y, otra vez, sin saber qué hacer, sin nada, déjame,
desde mi piedra en blanco, déjame,
solo,
cuadrumano, más acá, mucho más lejos,
al no caber entre mis manos tu largo rato extático,
quiebro con tu rapidez de doble filo
mi pequeñez en traje de grandeza!

Un día diurno, claro, atento, fértil
¡oh bienio, el de los lóbregos semestres suplicantes,
por el que iba la pólvora mordiéndose los codos!
¡oh dura pena y más duros pedernales!
!oh frenos los tascados por el pueblo!
Un día prendió el pueblo su fósforo cautivo, oró de cólera
y soberanamente pleno, circular,
cerró su natalicio con manos electivas;
arrastraban candado ya los déspotas
y en el candado, sus bacterias muertas...

¿Batallas? ¡No! Pasiones. Y pasiones precedidas
de dolores con rejas de esperanzas,
de dolores de pueblos con esperanzas de hombres!
¡Muerte y pasión de paz, las populares!

¡Muerte y pasión guerreras entre olivos, entendámosnos!
Tal en tu aliento cambian de agujas atmosféricas los vientos
y de llave las tumbas en tu pecho,
tu frontal elevándose a primera potencia de martirio.

El mundo exclama: '¡Cosas de españoles!' Y es verdad.
Consideremos,
durante una balanza, a quema ropa,
a Calderon, dormido sobre la cola de un anfibio muerto
o a Cervantes, diciendo: 'Mi reino es de este mundo, pero
también del otro': ¡punta y filo en dos papeles!
Contemplemos a Goya, de hinojos y rezando ante un espejo,

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Countrymen Ballad

mengadu nasib di negeri sendiri
tak punya uang jadi masalah
punya uang jadi omongan
jadi kuli atau tukang pulung
yang penting kenyang dan halal
terlilit utang sudah biasa
ketiban malang masih untung juga
sungguh enak di negeri sendiri
tidur nyenyak di mana saja
asal pandai cari situasi
biar kata orang rusuh
yang penting hidup dan bahagia
diinjak orang sudah biasa
ketimpuk batu selamat juga
hari ini kita berjaya
esok serahkan pada-Nya

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Jangan maksa

Jangan maksa cuma keinginan kita
Kalau kamu juga tidak mau dipaksa-paksa
Jangan maksa bersikap ceria
Kalau sedang tak ingin tertawa
Jangan maksa ngebut di jalan raya
Kalau nantinya malah celaka
Jangan maksa kelihatan kaya
Kalau hanya untuk gaya

Jangan maksa apa pun juga
Karena hasilnya pasti sia-sia
Jangan maksa tentang rasa suka
Karena cinta datang dengan rela
Jangan maksa tetap menderita
Karena hati bisa lebih keras dari baja
Jangan maksa tapi tanpa usaha
Karena keberuntungan bukan cara

Jangan maksa semua harus sempurna
Yang penting bermakna dan berguna
Jangan maksa anak-anak cepat dewasa
Biarkan mereka tumbuh apa adanya
Jangan maksa merasa punya kuasa
Tetap bersama saja sudah luar biasa
Jangan maksa menjadi serupa
Berbeda bukan hal yang hina

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