On The Disadvantages Of Central Heating
cold nights on the farm, a sock-shod
stove-warmed flatiron slid under
the covers, mornings a damascene-
sealed bizarrerie of fernwork
decades ago now
waking in northwest London, tea
brought up steaming, a Peak Frean
biscuit alongside to be nibbled
as blue gas leaps up singing
decades ago now
damp sheets in Dorset, fog-hung
habitat of bronchitis, of long
hot soaks in the bathtub, of nothing
quite drying out till next summer:
delicious to think of
hassocks pulled in close, toasting-
forks held to coal-glow, strong-minded
small boys and big eager sheepdogs
muscling in on bookish profundities
now quite forgotten
the farmhouse long sold, old friends
dead or lost track of, what's salvaged
is this vivid diminuendo, unfogged
by mere affect, the perishing residue
of pure sensation
poem by Amy Clampitt
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Related quotes
Lifes A Gas
Lifes a gas, lifes a gas, lifes a gas, a gas, oh yea
Lifes a gas, lifes a gas, lifes a gas, a gas, oh yea
So dont be sad cause Ill be there dont be sad at all
Lifes a gas, lifes a gas, lifes a gas, a gas, a gas, oh yea
Lifes a gas, lifes a gas, lifes a gas, a gas, a gas, oh yea
So dont be sad cause Ill be there dont be sad at all
Lifes a gas, lifes a gas, lifes a gas, a gas, oh yea
Lifes a gas, lifes a gas, lifes a gas, a gas, oh yea
So dont be sad cause Ill be there dont be sad at all
song performed by Ramones
Added by Lucian Velea
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I Turned You On
I turned you on
Now I can't turn you off
I turned you on
Now I can't turn you off
What a good, good feeling
A great sensation oh you and me baby
A good combination
Sock it to me, sock it to me
Sock it to me, sock it to me
Baby I started but I can't stop
I admit that I started baby
Oh but I can't stop it
What a good, good feeling
A great sensation oh you and me baby
A good combination
Sock it to me, sock it to me
Sock it to me, sock it to me
And get it George
Oh I turned you on sock it to me
Sock it to me, sock it to me
I turned you on
But I can't turn you off
Baby I said I turned you on
But I can't turn you off
Come on girl light my fire
Set me a little bit higher wooh
Round and round and up and down we go
Where we gonna stop baby nobody knows
Sock it to me, whip it to me
Give it to me, sock it to me
Sock it to me
song performed by Isley Brothers
Added by Lucian Velea
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Put a Sock In It
Put a sock in it,
Maybe this will rush a hush.
Put a sock in it,
Maybe this will rush a hush.
Put a sock in it,
Maybe this will rush a hush.
Today there is just too much stuff.
And people are getting fed up!
Put a sock in it,
Maybe this will rush a hush.
Put a sock in it,
Maybe this will rush a hush.
Put a sock in it,
Maybe this will rush a hush.
Today there is just too much stuff.
And people are getting fed up!
Many getting sick of the pickiness started.
And when it gets sticky they can not stop.
Instigating agitation with annoyance.
Dropping all they've got to tie a mind in knots.
Put a sock in it,
Maybe this will rush a hush.
Put a sock in it,
Maybe this will rush a hush.
Put a sock in it,
Maybe this will rush a hush.
Today there is just too much stuff.
And people are getting fed up!
Can't you see them strike poses and begin to 'cheese'.
Then plop on their knees,
To make their pleas.
These same folks cry about bad luck.
With claims their butts are stuck in ruts.
Put a sock in it,
Maybe this will rush a hush.
Put a sock in it,
Maybe this will rush a hush.
Put a sock in it,
Maybe this will rush a hush.
Today there is just too much stuff.
And people are getting fed up!
Put a sock in it,
Maybe this will rush a hush.
Folks have had enough,
[...] Read more
poem by Lawrence S. Pertillar
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Tamar
I
A night the half-moon was like a dancing-girl,
No, like a drunkard's last half-dollar
Shoved on the polished bar of the eastern hill-range,
Young Cauldwell rode his pony along the sea-cliff;
When she stopped, spurred; when she trembled, drove
The teeth of the little jagged wheels so deep
They tasted blood; the mare with four slim hooves
On a foot of ground pivoted like a top,
Jumped from the crumble of sod, went down, caught, slipped;
Then, the quick frenzy finished, stiffening herself
Slid with her drunken rider down the ledges,
Shot from sheer rock and broke
Her life out on the rounded tidal boulders.
The night you know accepted with no show of emotion the little
accident; grave Orion
Moved northwest from the naked shore, the moon moved to
meridian, the slow pulse of the ocean
Beat, the slow tide came in across the slippery stones; it drowned
the dead mare's muzzle and sluggishly
Felt for the rider; Cauldwell’s sleepy soul came back from the
blind course curious to know
What sea-cold fingers tapped the walls of its deserted ruin.
Pain, pain and faintness, crushing
Weights, and a vain desire to vomit, and soon again
die icy fingers, they had crept over the loose hand and lay in the
hair now. He rolled sidewise
Against mountains of weight and for another half-hour lay still.
With a gush of liquid noises
The wave covered him head and all, his body
Crawled without consciousness and like a creature with no bones,
a seaworm, lifted its face
Above the sea-wrack of a stone; then a white twilight grew about
the moon, and above
The ancient water, the everlasting repetition of the dawn. You
shipwrecked horseman
So many and still so many and now for you the last. But when it
grew daylight
He grew quite conscious; broken ends of bone ground on each
other among the working fibers
While by half-inches he was drawing himself out of the seawrack
up to sandy granite,
Out of the tide's path. Where the thin ledge tailed into flat cliff
he fell asleep. . . .
Far seaward
The daylight moon hung like a slip of cloud against the horizon.
The tide was ebbing
From the dead horse and the black belt of sea-growth. Cauldwell
seemed to have felt her crying beside him,
[...] Read more
poem by Robinson Jeffers
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The Rain
(rock the joint)
Me i'm supa fly (uh-huh)
Supa dupa fly (uh-huh)
Supa dupa fly
{singing} i can't stand the rain!
(uh) me i'm supa fly (uh-huh)
{singing} 'gainst my window
Supa dupa fly (uh-huh)
Supa dupa fly
{singing} i can't stand the rain!
(uh) me i'm supa fly (uh-huh)
{singing} 'gainst my window
Supa dupa fly (uh-huh)
Supa dupa fly
{singing} i can't stand the rain!
(uh-huh) me i'm supa fly (uh-huh)
{singing} 'gainst my window
When the rain hits my window
I take and {inhale, cough} me some indo
Me and timbaland, ooh, we sang a jangle
We so tight, that you get our styles tango
Sway on dosie-do like you loco
{singing} can we get kinky tonight?
Like coco, so-so
You don't wanna play with my yo-yo
I smoke my hydro on the dee-low
{singing} i can't stand the rain! (uh-huh, uh-huh)
{singing} 'gainst my window (against my window)
{singing} i can't stand the rain! (uh-huh, uh-huh)
{singing} 'gainst my window (against my window)
{singing} i can't stand the rain! (uh-huh, uh-huh)
{singing} 'gainst my window (against my window)
{singing} i can't stand the rain! (uh-huh, uh-huh)
{singing} 'gainst my window (say what?)
Yeah..
Beep beep, who got the keys to the jeep? v-r-rrrrrrrooooom!
(uh-huh) i'm drivin to the beach
Top down, loud sounds, see my peeps (uhh)
Give them pounds, now look who it be (who it be)
It be me me me and timothy (me me!)
Look like it's bout to rain, what a shame (uh-huh)
I got the armor-all to shine up the stain
Oh missy, try to maintain
Icky-icky-icky-icky-icky-icky-icky..
{singing} i can't stand the rain! (uh-huh, uh-huh)
(uh-huh)
{singing} i can't stand the rain! (say what? uh-huh, uh-huh)
{singing} 'gainst my window (uh-huh)
{singing} i can't stand the rain! (uh-huh, uh-huh)
{singing} 'gainst my window (yeah)
[...] Read more
song performed by Missy Elliott
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London Song
Theres a room in a house in a street in a manor in a borough
Thats part of a city that is generally referred to as london
Its a dark place, a mysterious place
And it is said that if youre born within the sound of bow-bells
You have the necessary qualifications to be christened a londoner
[its a cruel place, its a hard place]
But when you think back to all the great londoners
William blake, charles dickens, dick whittington,
Pearly kings, barrow boys, arthur daley, max wall
And dont forget the kray twins
But if youre ever up on highgate hill on a clear day
You can see right down to leicester square [london, london]
Crystal palace, clapham common, right down to streatham hill
North and south, I feel that Im a londoner still [london, london]
Chiswick bridge to newham and east ham
Churchbells ring out through the land
You were born in london, england
[london, london, through the dark alley-ways and passages of london]
And theres a tap by a reservoir, leading to a stream,
That turns into a river estuary that eventually opens to the sea
[london, london]
And theres a docker by a wharf, sending cargo overseas,
Unloading foreign trade from a large ocean vessel
In the mighty metropolitan port of london
[london, london, through the dark alley-ways and passages of london]
When I think of all the londoners still unsung
East-enders, west-enders, oriental-enders
Fu manchu, sherlock holmes, jack spock, henry cooper,
Thomas abecket, thomas moore, and dont forget the kray twins
Theres a part of me that says get out
Then one day Ill hear somebody shout
Sounds to me like you come from london town
But if youre ever up on highgate hill on a clear day,
Ill be there [Ill be there]
Yes I will be there [there]
Through the dark alley-ways and passages of london, london
London, london, through the dark alley-ways and passages of london, london
London, london, through the dark alley-ways and passages of london, london
song performed by Kinks
Added by Lucian Velea
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The House Of Dust: Complete
I.
The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.
And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.
'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.
We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .
Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.
Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.
Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.
II.
[...] Read more
poem by Conrad Potter Aiken
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Damascus, What Are You Doing to Me?
1
My voice rings out, this time, from Damascus
It rings out from the house of my mother and father
In Sham. The geography of my body changes.
The cells of my blood become green.
My alphabet is green.
In Sham. A new mouth emerges for my mouth
A new voice emerges for my voice
And my fingers
Become a tribe
2
I return to Damascus
Riding on the backs of clouds
Riding the two most beautiful horses in the world
The horse of passion.
The horse of poetry.
I return after sixty years
To search for my umbilical cord,
For the Damascene barber who circumcised me,
For the midwife who tossed me in the basin under the bed
And received a gold lira from my father,
She left our house
On that day in March of 1923
Her hands stained with the blood of the poem…
3
I return to the womb in which I was formed . . .
To the first book I read in it . . .
To the first woman who taught me
The geography of love . . .
And the geography of women . . .
4
I return
After my limbs have been strewn across all the continents
And my cough has been scattered in all the hotels
After my mother’s sheets scented with laurel soap
I have found no other bed to sleep on . . .
And after the “bride” of oil and thyme
That she would roll up for me
No longer does any other 'bride' in the world please me
And after the quince jam she would make with her own hands
I am no longer enthusiastic about breakfast in the morning
And after the blackberry drink that she would make
No other wine intoxicates me . . .
5
I enter the courtyard of the Umayyad Mosque
And greet everyone in it
[...] Read more
poem by Nizar Qabbani
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Give Your Heart To The Hawks
1 he apples hung until a wind at the equinox,
That heaped the beach with black weed, filled the dry grass
Under the old trees with rosy fruit.
In the morning Fayne Fraser gathered the sound ones into a
basket,
The bruised ones into a pan. One place they lay so thickly
She knelt to reach them.
Her husband's brother passing
Along the broken fence of the stubble-field,
His quick brown eyes took in one moving glance
A little gopher-snake at his feet flowing through the stubble
To gain the fence, and Fayne crouched after apples
With her mop of red hair like a glowing coal
Against the shadow in the garden. The small shapely reptile
Flowed into a thicket of dead thistle-stalks
Around a fence-post, but its tail was not hidden.
The young man drew it all out, and as the coil
Whipped over his wrist, smiled at it; he stepped carefully
Across the sag of the wire. When Fayne looked up
His hand was hidden; she looked over her shoulder
And twitched her sunburnt lips from small white teeth
To answer the spark of malice in his eyes, but turned
To the apples, intent again. Michael looked down
At her white neck, rarely touched by the sun,
But now the cinnabar-colored hair fell off from it;
And her shoulders in the light-blue shirt, and long legs like a boy's
Bare-ankled in blue-jean trousers, the country wear;
He stooped quietly and slipped the small cool snake
Up the blue-denim leg. Fayne screamed and writhed,
Clutching her thigh. 'Michael, you beast.' She stood up
And stroked her leg, with little sharp cries, the slender invader
Fell down her ankle.
Fayne snatched for it and missed;
Michael stood by rejoicing, his rather small
Finely cut features in a dance of delight;
Fayne with one sweep flung at his face
All the bruised and half-spoiled apples in the pan,
[...] Read more
poem by Robinson Jeffers
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The Farm
There┬┤s a cockroach in my coffee
There┬┤s a needle in my arm
And I feel like New York City
Get me to the farm
Get me to the farm
Get me to the farm
Somebody get me to the farm
I got terminal uniqueness
I'm an egocentric man
I get caught up in my freakness
But I ain┬┤t no Peter Pan
Get me to the farm
Get me to the farm
Get me to the farm
Get me...
Buckle up straight Jack
Sanity is such a drag
Jellybeam thorazene
Trancendental jet lag
Sanity I ain┬┤t gotta
Feeling like a pinala
Sucker punch-blowin┬┤lung
Motherload-pigeonholed
I'm feeling like I'm gonna explode
I wanna be a Hare Krishna
Tattoo a dot right on my head
And the prozac is my fixer
I am the living dead
Take me to the farm
Take me to the farm
Somebody take me to the farm
Somebody take me to the farm
Take me to the farm
Take me to the farm
Somebody take me to the farm
Somebody take me to the farm
Take me to the farm
Take me to the farm
Take me to the farm...
Take me to the farm
[...] Read more
song performed by Aerosmith
Added by Lucian Velea
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The Ballad of the White Horse
DEDICATION
Of great limbs gone to chaos,
A great face turned to night--
Why bend above a shapeless shroud
Seeking in such archaic cloud
Sight of strong lords and light?
Where seven sunken Englands
Lie buried one by one,
Why should one idle spade, I wonder,
Shake up the dust of thanes like thunder
To smoke and choke the sun?
In cloud of clay so cast to heaven
What shape shall man discern?
These lords may light the mystery
Of mastery or victory,
And these ride high in history,
But these shall not return.
Gored on the Norman gonfalon
The Golden Dragon died:
We shall not wake with ballad strings
The good time of the smaller things,
We shall not see the holy kings
Ride down by Severn side.
Stiff, strange, and quaintly coloured
As the broidery of Bayeux
The England of that dawn remains,
And this of Alfred and the Danes
Seems like the tales a whole tribe feigns
Too English to be true.
Of a good king on an island
That ruled once on a time;
And as he walked by an apple tree
There came green devils out of the sea
With sea-plants trailing heavily
And tracks of opal slime.
Yet Alfred is no fairy tale;
His days as our days ran,
He also looked forth for an hour
On peopled plains and skies that lower,
From those few windows in the tower
That is the head of a man.
But who shall look from Alfred's hood
[...] Read more
poem by Gilbert Keith Chesterton
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Steep From A Peak A Fall Deep
Steep from a peak a fall,
Deep.
Just like a ball rolling,
Gaining speed.
Eyes open wide as they witness to see...
A clarity that stops their sleeping.
Steep from a peak a fall,
Deep.
Just like a ball rolling,
Gaining speed.
Eyes open wide as they witness to see.
A clarity that stops their sleeping.
Deceit is wished to be defeated.
Steep from a peak a fall,
Deep.
People see this and the creeps.
Steep from a peak a fall,
Deep.
Honesty reveals all evils.
Steep from a peak a fall,
Deep.
And those of wicked ways.
Try not to look afraid,
But.
Steep from a peak a fall,
Deep.
Steep from a peak a fall,
Deep.
Steep from a peak a fall,
Deep.
People see this and the creeps.
Steep from a peak a fall,
Deep.
Steep from a peak a fall,
Deep.
Steep from a peak a fall,
Deep.
People see this and the creeps.
Deceit is wished to be defeated.
Steep from a peak a fall,
Deep.
People see this and the creeps.
Steep from a peak a fall,
Deep.
Honesty reveals all evils.
[...] Read more
poem by Lawrence S. Pertillar
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Jumpin Jack Flash / Youngblood
(george: a couple of numbers from leon)
[jumpin jack flash]
I was born in a crossfire hurricane
And I howled at my mama in the driving rain
But its alright now in fact its a gas
And its alright, hey
Im jumping jack flash its a gas gas gas
I was raised by a toothless bearded hag
I was schooled with a strap right across my back
But its alright now in fact its a gas
And its alright, hey
Im jumping jack flash its a gas gas gas
But its alright now in fact its a gas
And its alright
Im jumping jack flash its a gas gas gas
[...]
But its alright now in fact its a gas
Its alright now in fact its a gas
But its alright now in fact its a gas
But its alright now, but its alright now
But its alright
[jumpin jack flash end - 3:48]
Well, you know that I love my woman
But just sometimes she just dont treat me right
Yeah, I woke up this morning and I looked her in the eye
She said sweet daddy, you got what I want
But you aint givin it to me
Oh, and it hurt me deep down into my soul
And I had [...] out of the door
I was [..] my heart [...]
Gonna ever see my baby no more
I went a-walkin down the street
And I was ashamed to look at anyoone I meet
Ooh, [..] and there she was standing
Leaning up against a lamp post
(well, tell it, tell it)
[youngblood - 4:35]
I saw her standing on the corner
A yellow ribbon in her hair
All night long my heart was shudder
Look at there, look at there
Youre the one, look at there
Youngblood, youngblood, youngblood
Woo, I cant get you out of my mind
And I couldnt sleep, I went on crying
And I saw the risin of the sun
All night long my heart was crying
Youre the one, youre the one
Youre the one, youre the one
Youngblood, youngblood, youngblood
[...] Read more
song performed by George Harrison
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Ain't Gonna Work On Your Farm No More
I ain’t gonna work on your farm no more
I ain’t gonna scrub all your floors,
I ain’t gonna take all your friends who ignore
what I do when they hide behind doors
where they pay no attention to stuff that I think,
and say, when they pay me a dime,
that I ain’t entitled to spend it on drink,
or ladies who show me good time.
I ain’t gonna work for your children or friends
who preach of the law and the Lord,
and hear all those messages God never sends
to people with who He is bored,
like I am. I ain’t gonna work on your farm,
instead I will write me a song,
and pray that its words will all sound the alarm,
for I expect to be back before long.
Mark Z. Barabak (“He’s Digging ‘Farm, ’” LA Times, June 26,2008) writes that Barack Obama’s favorite Bob Dylan song is “Maggie’s Farm, ” performed in 1995 at the Newport Festival, when he turned electric and never looked back:
I AIN’T GONNA WORK ON MAGGIE’S FARM NO MORE
I ain't gonna work on Maggie's farm no more
I ain't gonna work on Maggie's farm no more
I wake up every morning
hold my hands and pray for rain
I've got a head full of ideas
driving me insane
It's a shame the way she makes me scrub the floor
well, I ain't gonna work on Maggie's farm no more
Well, I ain't gonna work for Maggie's brother no more
I ain't gonna work for Maggie's brother no more
He hands you a nickel
he hands you a dime
He asks you and your friends
if you're having a good time
He blames you every time you slam the door
Well, I ain't gonna work on Maggie's farm no more
Well, I ain't gonna work for Maggie's Pa no more
I ain't gonna work for Maggie's Pa no more
He stubs his cigarette out in your face just for kicks
his bedroom window is made out of bricks
And the National Guard are standing at his door
well, I ain't gonna work on Maggie's farm no more
Well, I ain't gonna work for Maggie's mother no more
I ain't gonna work for Maggie's mother no more
She talks to all the servants about man and God and law
[...] Read more
poem by Gershon Hepner
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Cold Feet
There was a little boy once upon a time
Who in spite of his young age and small size knew his mind
For every copper penny and clover he would find
Make a wish for better days the end of hard times
For no more cold feet
Cold cold cold cold feet
His clothes were always clean
His face was always scrubbed
There was food on the table enough to fill him up
His house was full of life - his house was full of love
But when winter days arrived
There was never money enough to shod his cold feet
Cold cold cold cold feet
He grew up to be a worker determined to succeed
He made a life for himself, free from worldly wants or needs
But with nobody to share the life hed made
No body to keep him warm at night
When hed go to sleep hed sleep alone with his cold feet
Cold cold cold cold feet
One night he walked the street looking to the heavens above
Searching for a shooting star a benevolent god
When a woman passing by brushed his arm
He turned and found love
He then wished for the courage to ask this stranger
Who she was to not have cold feet
Cold cold cold cold feet
He thought shed like the party life and want the finer things
So he promised more than he could buy
And he promised her the sun and moon to not have cold feet
Cold cold cold cold feet
He worked day and night his fingers to the bone
Hi worried mind guilty conscience drive him on
He cant give her what she needs
He wants to give her what he thinks she wants
Her sad-eyed face, his empty pockets drive him on and his cold feet
Cold cold cold cold feet
Hed struggled all his life to be an honest man
Proud that the dirt on his palms was the soil of the land
But some guys he knew from high school days
Said they had a plan to get rich quick
And they could count him in if he dont have cold feet
Cold cold cold cold feet
He thought about their offer accepted it without qualms
Dreamt about the life hed buy
The comfort that would come without cold feet
Cold cold cold cold feet
He decided to tell his wife things would soon turn around
He said the little boy is dead
A man stands with you now without cold feet
Cold cold cold cold feet
[...] Read more
song performed by Tracy Chapman
Added by Lucian Velea
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Afternoon Tea
Tea time wont be the same without my donna
At night I lie awake and dream of donna
I think about that small cafe
Thats where we used to meet each day
And then we used to sit a while
And drink our afternoon tea
Ill take afternoon tea (afternoon tea)
If you take it with me (afternoon tea)
You take as long as you like
cause I like you, girl
I take sugar with tea (afternoon tea)
You take milk if you please (afternoon tea)
Like you talking to me
Because you ease my mind
Ba-ba-ba-ba-ba-ba (afternoon tea)
Ba-ba-ba-ba-ba-ba (afternoon tea)
Ba-ba-ba-ba-ba-ba (afternoon tea)
Ba-ba-ba-ba-ba-ba (afternoon tea)
Tea time still aint the same without my donna
At night I lie awake and dream of donna
I went to our cafe one day
They said that donna walked away
Youd think at least she might have stayed
To drink her afternoon tea
Ill take afternoon tea (afternoon tea)
If you take it with me (afternoon tea)
You take as long as you like
cause I like you, girl
I take afternoon tea (afternoon tea)
Every day of the week (afternoon tea)
Please come along if you like
Because I like you, girl
Ba-ba-ba-ba-ba-ba (afternoon tea)
Ba-ba-ba-ba-ba-ba (afternoon tea)
song performed by Kinks
Added by Lucian Velea
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Thurso’s Landing
I
The coast-road was being straightened and repaired again,
A group of men labored at the steep curve
Where it falls from the north to Mill Creek. They scattered and hid
Behind cut banks, except one blond young man
Who stooped over the rock and strolled away smiling
As if he shared a secret joke with the dynamite;
It waited until he had passed back of a boulder,
Then split its rock cage; a yellowish torrent
Of fragments rose up the air and the echoes bumped
From mountain to mountain. The men returned slowly
And took up their dropped tools, while a banner of dust
Waved over the gorge on the northwest wind, very high
Above the heads of the forest.
Some distance west of the road,
On the promontory above the triangle
Of glittering ocean that fills the gorge-mouth,
A woman and a lame man from the farm below
Had been watching, and turned to go down the hill. The young
woman looked back,
Widening her violet eyes under the shade of her hand. 'I think
they'll blast again in a minute.'
And the man: 'I wish they'd let the poor old road be. I don't
like improvements.' 'Why not?' 'They bring in the world;
We're well without it.' His lameness gave him some look of age
but he was young too; tall and thin-faced,
With a high wavering nose. 'Isn't he amusing,' she said, 'that
boy Rick Armstrong, the dynamite man,
How slowly he walks away after he lights the fuse. He loves to
show off. Reave likes him, too,'
She added; and they clambered down the path in the rock-face,
little dark specks
Between the great headland rock and the bright blue sea.
II
The road-workers had made their camp
North of this headland, where the sea-cliff was broken down and
sloped to a cove. The violet-eyed woman's husband,
Reave Thurso, rode down the slope to the camp in the gorgeous
autumn sundown, his hired man Johnny Luna
Riding behind him. The road-men had just quit work and four
or five were bathing in the purple surf-edge,
The others talked by the tents; blue smoke fragrant with food
and oak-wood drifted from the cabin stove-pipe
And slowly went fainting up the vast hill.
Thurso drew rein by
a group of men at a tent door
And frowned at them without speaking, square-shouldered and
heavy-jawed, too heavy with strength for so young a man,
He chose one of the men with his eyes. 'You're Danny Woodruff,
[...] Read more
poem by Robinson Jeffers
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The Barrel-Organ
There's a barrel-organ carolling across a golden street
In the City as the sun sinks low;
And the music's not immortal; but the world has made it sweet
And fulfilled it with the sunset glow;
And it pulses through the pleasures of the City and the pain
That surround the singing organ like a large eternal light;
And they've given it a glory and a part to play again
In the Symphony that rules the day and night.
And now it's marching onward through the realms of old romance,
And trolling out a fond familiar tune,
And now it's roaring cannon down to fight the King of France,
And now it's prattling softly to the moon.
And all around the organ there's a sea without a shore
Of human joys and wonders and regrets;
To remember and to recompense the music evermore
For what the cold machinery forgets...
Yes; as the music changes,
Like a prismatic glass,
It takes the light and ranges
Through all the moods that pass;
Dissects the common carnival
Of passions and regrets,
And gives the world a glimpse of all
The colours it forgets.
And there La Traviata sighs
Another sadder song;
And there Il Trovatore cries
A tale of deeper wrong;
And bolder knights to battle go
With sword and shield and lance,
Than ever here on earth below
Have whirled into--a dance!--
Go down to Kew in lilac-time, in lilac-time, in lilac-time;
Go down to Kew in lilac-time (it isn't far from London!)
And you shall wander hand in hand with love in summer's wonderland;
Go down to Kew in lilac-time (it isn't far from London!)
The cherry-trees are seas of bloom and soft perfume and sweet perfume,
The cherry-trees are seas of bloom (and oh, so near to London!)
And there they say, when dawn is high and all the world's a blaze of sky
The cuckoo, though he's very shy, will sing a song for London.
The nightingale is rather rare and yet they say you'll hear him there
At Kew, at Kew in lilac-time (and oh, so near to London!)
The linnet and the throstle, too, and after dark the long halloo
And golden-eyed tu-whit, tu-whoo of owls that ogle London.
[...] Read more
poem by Alfred Noyes
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Banapple Gas
Banapple gas, oh banapple gas
Everybodys sniffing it banapple gas
O-o alas!
All the world is stuck on it banapple gas.
Does it do you good, make you better
Set you healthy when youre bed-tied?
Well I dont know if it makes you well...
But it must be healthy
cause it dont smell.
Banapple gas, oh banapple gas
Everybodys living on banapple gas
O-o alas!
All the world is grooving on banapple gas.
Do you know what goes inside to make it
What kind of strange spice makes it right?
Well I dont know what kind of spice
But it must be healthy cause its sterilized.
Banapple gas...banapple gas
Give me more banapple gas
O-o...o-o-o
Does it help you smile more to wake up
Make you happy just to be alive?
Well I dont know if it makes you happy...
But it must be healthy
cause its certified.
Banapple gas, oh banapple gas
All the world is breathing banapple gas
O-o alas!
No one knows whats inside it banapple gas
Oh banapple gas.
song performed by Cat Stevens
Added by Lucian Velea
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Jumpin Jack Flash
I was born in a cross-fire hurricane
And I howled at my ma in the driving rain,
But it's all right now, in fact, it's a gas!
But it's all right. I'm Jumpin' Jack Flash,
It's a Gas! Gas! Gas!
I was raised by a toothless, bearded hag,
I was schooled with a strap right across my back,
But it's all right now, in fact, it's a gas!
But it's all right, I'm Jumpin' Jack Flash,
It's a Gas! Gas! Gas!
I was drowned, I was washed up and left for dead.
I fell down to my feet and I saw they bled.
I frowned at the crumbs of a crust of bread.
Yeah, yeah, yeah
I was crowned with a spike right thru my head.
But it's all right now, in fact, it's a gas!
But it's all right, I'm Jumpin' Jack Flash,
It's a Gas! Gas! Gas!
Jumping Jack Flash, its a gas
Jumping Jack Flash, its a gas
Jumping Jack Flash, its a gas
Jumping Jack Flash, its a gas
Jumping Jack Flash
song performed by Guns N' Roses
Added by Lucian Velea
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