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If I had been around when Rubens was painting, I would have been revered as a fabulous model. Kate Moss? Well, she would have been the paintbrush.

quote by Dawn French
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Baby Kate

Kate closes the door
falls to her bedroom floor
kate cant even stand
the results in her hand

Kate closes her eyes
sees happiness she tries
to see a new world
but theres a worried girl

A girl stood staring
showing concern, caring
her heart is broken
looks up her eyes open

Kate picks herself up
a nightmare kate is shook
sees her reflection
then she asks a question

Can i get through this?
it was also her whish
can this pain be gone?
but kate doesnt respond

Puts on her lipstick
she had been feeling sick
so she took the test
kates chronicaly depressed

Posative results
kate took many insults
through out her life time
now isnt the right time

A jobs on the way
to give kate better pay
but kate can not work
it is over for her

Kate sits in her room
mayby a baby soon
kates next door neighber
kates neighbers in laber

Kates neighbers baby
is so small its crazy
the test was posative
kate never had a kid

[...] Read more

poem by Daniel McCann
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Rubens' Hell

VENUS with rosy-cloven rump
And rings of straw-bright flying hair
Looks in the glass that slaves are plying
Not for her own face floating there,
But for the sly and curious gaze
Of Rubens, through the keyhole prying.
Warm flesh of gods, by light embayed,
And drifting daemon-bones within
That sweep like music up and down
To pouts and cups of ivory skin,
Firm-valleyed croup, and swagging arm
In whose embankment bracelets drown—
Do you remain, you strokes of paint,
With Venus mocked and Rubens dead
And Beauty sold for an antique
And microscopes raised up instead?
Still are your old adherents true;
Rubens is there, if he could speak.
Rubens is there in your high room,
Rubens it is who blows his breath
To fix you laughing in the glass,
Who keeps a castle here from death
While schools go out and fashions fall
And microscopes and movements pass.
This castle-keep of joys conceived
But never sucked is Rubens' hell,
Is Rubens' limbo, cut and won
From darkness. Here he comes to dwell.
Man's heaven is the place he builds
By thoughts imagined and things done.
Some choose a paradise of gas,
And some, by pious deeds below,
The heavenly butter-hatch for flunkeys;
Who dream of nought to nothing go.
Therefore I'd sooner Rubens' hell
Than go to heaven with the donkeys.

poem by Kenneth Slessor
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Malcolm's Katie: A Love Story - Part IV.

From his far wigwam sprang the strong North Wind
And rush'd with war-cry down the steep ravines,
And wrestl'd with the giants of the woods;
And with his ice-club beat the swelling crests.
Of the deep watercourses into death,
And with his chill foot froze the whirling leaves
Of dun and gold and fire in icy banks;
And smote the tall reeds to the harden'd earth;
And sent his whistling arrows o'er the plains,
Scatt'ring the ling'ring herds--and sudden paus'd
When he had frozen all the running streams,
And hunted with his war-cry all the things
That breath'd about the woods, or roam'd the bleak
Bare prairies swelling to the mournful sky.
'White squaw,' he shouted, troubl'd in his soul,
'I slew the dead, wrestl'd with naked chiefs
'Unplum'd before, scalped of their leafy plumes;
'I bound sick rivers in cold thongs of death,
'And shot my arrows over swooning plains,
'Bright with the Paint of death--and lean and bare.
'And all the braves of my loud tribe will mock
'And point at me--when our great chief, the Sun,
'Relights his Council fire in the moon
'Of Budding Leaves.' 'Ugh, ugh! he is a brave!
'He fights with squaws and takes the scalps of babes!
'And the least wind will blow his calumet--
'Fill'd with the breath of smallest flow'rs--across
'The warpaint on my face, and pointing with
'His small, bright pipe, that never moved a spear
'Of bearded rice, cry, 'Ugh! he slays the dead!'
'O, my white squaw, come from thy wigwam grey,
'Spread thy white blanket on the twice-slain dead;
'And hide them, ere the waking of the Sun!'

* * * * *

High grew the snow beneath the low-hung sky,
And all was silent in the Wilderness;
In trance of stillness Nature heard her God
Rebuilding her spent fires, and veil'd her face
While the Great Worker brooded o'er His work.

* * * * *

'Bite deep and wide, O Axe, the tree,
What doth thy bold voice promise me?'

* * * * *

'I promise thee all joyous things,

[...] Read more

poem by Isabella Valancy Crawford
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Malcolm's Katie: A Love Story - Part VI.

'Who curseth Sorrow knows her not at all.
Dark matrix she, from which the human soul
Has its last birth; whence, with its misty thews,
Close-knitted in her blackness, issues out;
Strong for immortal toil up such great heights,
As crown o'er crown rise through Eternity,
Without the loud, deep clamour of her wail,
The iron of her hands; the biting brine
Of her black tears; the Soul but lightly built
of indeterminate spirit, like a mist
Would lapse to Chaos in soft, gilded dreams,
As mists fade in the gazing of the sun.
Sorrow, dark mother of the soul, arise!
Be crown'd with spheres where thy bless'd children dwell,
Who, but for thee, were not. No lesser seat
Be thine, thou Helper of the Universe,
Than planet on planet pil'd!--thou instrument,
Close-clasp'd within the great Creative Hand!'

* * * * *

The Land had put his ruddy gauntlet on,
Of Harvest gold, to dash in Famine's face.
And like a vintage wain, deep dy'd with juice,
The great moon falter'd up the ripe, blue sky,
Drawn by silver stars--like oxen white
And horn'd with rays of light--Down the rich land
Malcolm's small valleys, fill'd with grain, lip-high,
Lay round a lonely hill that fac'd the moon,
And caught the wine-kiss of its ruddy light.
A cusp'd, dark wood caught in its black embrace
The valleys and the hill, and from its wilds,
Spic'd with dark cedars, cried the Whip-poor-will.
A crane, belated, sail'd across the moon;
On the bright, small, close link'd lakes green islets lay,
Dusk knots of tangl'd vines, or maple boughs,
Or tuft'd cedars, boss'd upon the waves.
The gay, enamell'd children of the swamp
Roll'd a low bass to treble, tinkling notes
Of little streamlets leaping from the woods.
Close to old Malcolm's mills, two wooden jaws
Bit up the water on a sloping floor;
And here, in season, rush'd the great logs down,
To seek the river winding on its way.
In a green sheen, smooth as a Naiad's locks,
The water roll'd between the shudd'ring jaws--
Then on the river level roar'd and reel'd--
In ivory-arm'd conflict with itself.
'Look down,' said Alfred, 'Katie, look and see
'How that but pictures my mad heart to you.

[...] Read more

poem by Isabella Valancy Crawford
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The Fortune-Teller, a Gypsy Tale

LUBIN and KATE, as gossips tell,
Were Lovers many a day;
LUBIN the damsel lov'd so well,
That folks pretend to say
The silly, simple, doting Lad,
Was little less than loving mad:
A malady not known of late--
Among the little-loving Great!

KATE liked the youth; but woman-kind
Are sometimes giv'n to range.
And oft, the giddy Sex, we find,
(They know not why)
When most they promise, soonest change,
And still for conquest sigh:
So 'twas with KATE; she, ever roving
Was never fix'd, though always loving!

STEPHEN was LUBIN'S rival; he
A rustic libertine was known;
And many a blushing simple She,
The rogue had left,--to sigh alone!
KATE cared but little for the rover,
Yet she resolv'd to have her way,
For STEPHEN was the village Lover,
And women pant for Sov'reign sway.
And he, who has been known to ruin,--
Is always sought, and always wooing.

STEPHEN had long in secret sigh'd;
And STEPHEN never was deny'd:
Now, LUBIN was a modest swain,
And therefore, treated with disdain:
For, it is said, in Love and War ,--
The boldest, most successful are!

Vows, were to him but fairy things
Borne on capricious Fancy's wings;
And promises, the Phantom's Airy
Which falsehood form'd to cheat th' unwary;
For still deception was his trade,
And though his traffic well was known,
Still, every trophy was his own
Which the proud Victor, Love, display'd.
In short, this STEPHEN was the bane
Of ev'ry maid,--and ev'ry swain!

KATE had too often play'd the fool,
And now, at length, was caught;
For she, who had been pleas'd to rule,

[...] Read more

poem by Mary Darby Robinson
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Seventh Book

'THE woman's motive? shall we daub ourselves
With finding roots for nettles? 'tis soft clay
And easily explored. She had the means,
The moneys, by the lady's liberal grace,
In trust for that Australian scheme and me,
Which so, that she might clutch with both her hands,
And chink to her naughty uses undisturbed,
She served me (after all it was not strange,;
'Twas only what my mother would have done)
A motherly, unmerciful, good turn.

'Well, after. There are nettles everywhere,
But smooth green grasses are more common still;
The blue of heaven is larger than the cloud;
A miller's wife at Clichy took me in
And spent her pity on me,–made me calm
And merely very reasonably sad.
She found me a servant's place in Paris where
I tried to take the cast-off life again,
And stood as quiet as a beaten ass
Who, having fallen through overloads, stands up
To let them charge him with another pack.

'A few months, so. My mistress, young and light,
Was easy with me, less for kindness than
Because she led, herself, an easy time
Betwixt her lover and her looking-glass,
Scarce knowing which way she was praised the most.
She felt so pretty and so pleased all day
She could not take the trouble to be cross,
But sometimes, as I stooped to tie her shoe,
Would tap me softly with her slender foot
Still restless with the last night's dancing in't,
And say 'Fie, pale-face! are you English girls
'All grave and silent? mass-book still, and Lent?
'And first-communion colours on your cheeks,
'Worn past the time for't? little fool, be gay!'
At which she vanished, like a fairy, through
A gap of silver laughter.
'Came an hour
When all went otherwise. She did not speak,
But clenched her brows, and clipped me with her eyes
As if a viper with a pair of tongs,
Too far for any touch, yet near enough
To view the writhing creature,–then at last,
'Stand still there, in the holy Virgin's name,
'Thou Marian; thou'rt no reputable girl,
'Although sufficient dull for twenty saints!
'I think thou mock'st me and my house,' she said;
'Confess thou'lt be a mother in a month,

[...] Read more

poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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The Daft Days

The midnight hour is clinking, lads,
An' the douce an' the decent are winking, lads;
Sae I tell ye again,
Be't weel or ill ta'en,
It's time ye were quatting your drinking, lads.
Gae ben, 'an mind your gauntry, Kate,

Gi'es mair o' your beer, an' less bantry, Kate,
For we vow, whaur we sit,
That afore we shall flit,
We'se be better acquaint wi' your pantry, Kate.
The "daft days" are but beginning, Kate,

An we're sworn. Would you hae us a sinning, Kate?
By our faith an' our houp,
We will stick by the stoup
As lang as the barrel keeps rinning, Kate.

Thro' hay, an' thro' hairst, sair we toil it, Kate,
Thro' Simmer, an' Winter, we moil it, Kate;
Sae ye ken, whan the wheel
Is beginning to squeal,
It's time for to grease an' to oil it, Kate.

Sae draw us anither drappy, Kate,
An' gie us a cake to our cappy, Kate;
For, by spiggot an' pin!
It's waur than a sin
To flit when we're sitting sae happy, Kate.

poem by Hew Ainslie
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The Nightingale

NO easy matter 'tis to hold,
Against its owner's will, the fleece
Who troubled by the itching smart
Of Cupid's irritating dart,
Eager awaits some Jason bold
To grant release.
E'en dragon huge, or flaming steer,
When Jason's loved will cause no fear.

Duennas, grating, bolt and lock,
All obstacles can naught avail;
Constraint is but a stumbling block;
For youthful ardour must prevail.
Girls are precocious nowadays,
Look at the men with ardent gaze,
And longings' an infinity;
Trim misses but just in their teens
By day and night devise the means
To dull with subtlety to sleep
The Argus vainly set to keep
In safety their virginity.
Sighs, smiles, false tears, they'll fain employ
An artless lover to decoy.
I'll say no more, but leave to you,
Friend reader, to pronounce if true
What I've asserted when you have heard
How artful Kitty, caged her bird.

IN a small town in Italy,
The name of which I do not know,
Young Kitty dwelt, gay, pretty, free,
Varambon's child.--Boccacio
Omits her mother's name, which not
To you or me imports a jot.
At fourteen years our Kitty's charms
Were all that could be wished--plump arms,
A swelling bosom; on her cheeks
Roses' and lilies' mingled streaks,
A sparkling eye--all these, you know,
Speak well for what is found below.
With such advantages as these
No virgin sure could fail to please,
Or lack a lover; nor did Kate;
But little time she had to wait;
One soon appeared to seal her fate.
Young Richard saw her, loved her, wooed her--
What swain I ask could have withstood her?
Soft words, caresses, tender glances,
The battery of love's advances,
Soon lit up in the maiden's breast

[...] Read more

poem by La Fontaine
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Model Citizen

Be an Arab
Be a Jew
Be a boxing
Kangaroo
Beat yourself
All black and blue
I don't care
Be a bleeder
Be a Cancer
A hemophiliac
Romancer
Be a crippled disco
Dancer
Oooh... What a pair
He's a model citizen
I think I've got them fooled them again
He's an ultra-sweety guy
And a master of disguise
He's a model citizen
Just keep believing that my friends
I'm a model citizen
I'm a model citizen
I'm a model citizen
I'm a model citizen
I'm an all American!!!
I'm a hostage
In a city of creeps
They've got mercenary guards
That watch me sleep
They'd like to kill me slow
Bury me deep
In the heart of Texas
I'm a martyr
I'm a sadist
I might be the Saviour here to save us
I'm a friend of Sammy Davis, casually
He's a model citizen
I think I've got them fooled again
He's an ultra-sweety guy
I won't let down my disguise
He's a model citizen
Just keep believing that my friends
I'm a model citizen
I'm a model citizen
I'm a model citizen
I'm a model citizen
I'm an all American
I'm a model citizen
I'm a model citizen
I'm a model citizen

[...] Read more

song performed by Alice Cooper
Added by Lucian Velea
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Malcolm's Katie: A Love Story - Part III.

The great farm house of Malcolm Graem stood
Square shoulder'd and peak roof'd upon a hill,
With many windows looking everywhere;
So that no distant meadow might lie hid,
Nor corn-field hide its gold--nor lowing herd
Browse in far pastures, out of Malcolm's ken.
He lov'd to sit, grim, grey, and somewhat stern,
And thro' the smoke-clouds from his short clay pipe
Look out upon his riches; while his thoughts
Swung back and forth between the bleak, stern past,
And the near future, for his life had come
To that close balance, when, a pendulum,
The memory swings between me 'Then' and 'Now';
His seldom speech ran thus two diff'rent ways:
'When I was but a laddie, this I did';
Or, 'Katie, in the Fall I'll see to build
'Such fences or such sheds about the place;
'And next year, please the Lord, another barn.'
Katie's gay garden foam'd about the walls,
'Leagur'd the prim-cut modern sills, and rush'd
Up the stone walls--and broke on the peak'd roof.
And Katie's lawn was like a Poet's sward,
Velvet and sheer and di'monded with dew;
For such as win their wealth most aptly take
Smooth, urban ways and blend them with their own;
And Katie's dainty raiment was as fine
As the smooth, silken petals of the rose;
And her light feet, her nimble mind and voice,
In city schools had learn'd the city's ways,
And grafts upon the healthy, lonely vine
They shone, eternal blossoms 'mid the fruit.
For Katie had her sceptre in her hand
And wielded it right queenly there and here,
In dairy, store-room, kitchen--ev'ry spot
Where women's ways were needed on the place.
And Malcolm took her through his mighty fields,
And taught her lore about the change of crops;
And how to see a handsome furrow plough'd;
And how to choose the cattle for the mart;
And how to know a fair day's work when done;
And where to plant young orchards; for he said,
'God sent a lassie, but I need a son--
'Bethankit for His mercies all the same.'
And Katie, when he said it, thought of Max--
Who had been gone two winters and two springs,
And sigh'd, and thought, 'Would he not be your son?'
But all in silence, for she had too much
Of the firm will of Malcolm in her soul
To think of shaking that deep-rooted rock;
But hop'd the crystal current of his love

[...] Read more

poem by Isabella Valancy Crawford
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Joe Fabulous

don't play my music on mtv
play it on the radio
we are the street kings and we don't care
yeah we really don't wanna know
i'm joe fabulous
life is my school
joe fabulous
and we are the merchants of cool
we do our thing
we believe in no sin
we are beyond your control
if you look closely
you'll find that were mostly
machines looking for a soul
im joe fabulous
life is my school
the next joe fabulous
and we are the merchants of cool
we aim to analyze
everything you say and do
so we can sell it back to you
joe fabulous
life is my school
joe fabulous
and we are the merchants of cool
there are no nations
just large corporations
flying the flag of the day
from dawn of creation
to civilisation
please don't take my music away
joe fabulous
life is my school
joe fabulous
play by my rules
joe fabulous
and we are the merchants of cool
thats all
bye bye everybody
bye bye

song performed by Bad Company
Added by Lucian Velea
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In Bohemia

Ha! My dear! I'm back again--
Vendor of Bohemia's wares!
Lordy! How it pants a man
Climbing up those awful stairs!
Well, I've made the dealer say
Your sketch _might_ sell, anyway!
And I've made a publisher
Hear my poem, Kate, my dear.

In Bohemia, Kate, my dear--
Lodgers in a musty flat
On the top floor--living here
Neighborless, and used to that,--
Like a nest beneath the eaves,
So our little home receives
Only guests of chirping cheer--
We'll be happy, Kate, my dear!

Under your north-light there, you
At your easel, with a stain
On your nose of Prussian blue,
Paint your bits of shine and rain;
With my feet thrown up at will
O'er my littered window-sill,
I write rhymes that ring as clear
As your laughter, Kate, my dear.

Puff my pipe, and stroke my hair--
Bite my pencil-tip and gaze
At you, mutely mooning there
O'er your 'Aprils' and your 'Mays!'
Equal inspiration in
Dimples of your cheek and chin,
And the golden atmosphere
Of your paintings, Kate, my dear!

_Trying_! Yes, at times it is,
To clink happy rhymes, and fling
On the canvas scenes of bliss,
When we are half famishing!--
When your 'jersey' rips in spots,
And your hat's 'forget-me-nots'
Have grown tousled, old and sere--
It is trying, Kate, my dear!

But--as sure--_some_ picture sells,
And--sometimes--the poetry--
Bless us! How the parrot yells
His acclaims at you and me!
How we revel then in scenes

[...] Read more

poem by James Whitcomb Riley
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Les Phares (The Beacons)

Rubens, fleuve d'oubli, jardin de la paresse,
Oreiller de chair fraîche où l'on ne peut aimer,
Mais où la vie afflue et s'agite sans cesse,
Comme l'air dans le ciel et la mer dans la mer;

Léonard de Vinci, miroir profond et sombre,
Où des anges charmants, avec un doux souris
Tout chargé de mystère, apparaissent à l'ombre
Des glaciers et des pins qui ferment leur pays;

Rembrandt, triste hôpital tout rempli de murmures,
Et d'un grand crucifix décoré seulement,
Où la prière en pleurs s'exhale des ordures,
Et d'un rayon d'hiver traversé brusquement;

Michel-Ange, lieu vague où l'on voit des Hercules
Se mêler à des Christs, et se lever tout droits
Des fantômes puissants qui dans les crépuscules
Déchirent leur suaire en étirant leurs doigts;

Colères de boxeur, impudences de faune,
Toi qui sus ramasser la beauté des goujats,
Grand coeur gonflé d'orgueil, homme débile et jaune,
Puget, mélancolique empereur des forçats;

Watteau, ce carnaval où bien des coeurs illustres,
Comme des papillons, errent en flamboyant,
Décors frais et légers éclairés par des lustres
Qui versent la folie à ce bal tournoyant;

Goya, cauchemar plein de choses inconnues,
De foetus qu'on fait cuire au milieu des sabbats,
De vieilles au miroir et d'enfants toutes nues,
Pour tenter les démons ajustant bien leurs bas;

Delacroix, lac de sang hanté des mauvais anges,
Ombragé par un bois de sapins toujours vert,
Où, sous un ciel chagrin, des fanfares étranges
Passent, comme un soupir étouffé de Weber;

Ces malédictions, ces blasphèmes, ces plaintes,
Ces extases, ces cris, ces pleurs, ces Te Deum,
Sont un écho redit par mille labyrinthes;
C'est pour les coeurs mortels un divin opium!

C'est un cri répété par mille sentinelles,
Un ordre renvoyé par mille porte-voix;
C'est un phare allumé sur mille citadelles,
Un appel de chasseurs perdus dans les grands bois!

[...] Read more

poem by Charles Baudelaire
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The Thorn

I

'There is a Thorn--it looks so old,
In truth, you'd find it hard to say
How it could ever have been young,
It looks so old and grey.
Not higher than a two years' child
It stands erect, this aged Thorn;
No leaves it has, no prickly points;
It is a mass of knotted joints,
A wretched thing forlorn.
It stands erect, and like a stone
With lichens is it overgrown.

II

'Like rock or stone, it is o'ergrown,
With lichens to the very top,
And hung with heavy tufts of moss,
A melancholy crop:
Up from the earth these mosses creep,
And this poor Thorn they clasp it round
So close, you'd say that they are bent
With plain and manifest intent
To drag it to the ground;
And all have joined in one endeavour
To bury this poor Thorn for ever.

III

'High on a mountain's highest ridge,
Where oft the stormy winter gale
Cuts like a scythe, while through the clouds
It sweeps from vale to vale;
Not five yards from the mountain path,
This Thorn you on your left espy;
And to the left, three yards beyond,
You see a little muddy pond
Of water--never dry
Though but of compass small, and bare
To thirsty suns and parching air.

IV

'And, close beside this aged Thorn,
There is a fresh and lovely sight,
A beauteous heap, a hill of moss,
Just half a foot in height.
All lovely colours there you see,
All colours that were ever seen;

[...] Read more

poem by William Wordsworth
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Black Kate

KATE, they say, is seventeen—
Do not count her sweet, you know.
Arms of her are rather lean—
Ditto, calves and feet, you know.
Features of Hellenic type
Are not patent here, you see.
Katie loves a black clay pipe—
Doesn’t hate her beer, you see.
Spartan Helen used to wear
Tresses in a plait, perhaps:
Kate has ochre in her hair—
Nose is rather flat, perhaps.
Rose Lorraine’s surpassing dress
Glitters at the ball, you see:
Daughter of the wilderness
Has no dress at all, you see.

Laura’s lovers every day
In sweet verse embody her:
Katie’s have a different way,
Being frank, they “waddy” her.
Amy by her suitor kissed,
Every nightfall looks for him:
Kitty’s sweetheart isn’t missed—
Kitty “humps” and cooks for him.

Smith, and Brown, and Jenkins, bring
Roses to the fair, you know.
Darkies at their Katie fling
Hunks of native bear, you know.
English girls examine well
All the food they take, you twig:
Kate is hardly keen of smell—
Kate will eat a snake, you twig.

Yonder lady’s sitting room—
Clean and cool and dark it is:
Kitty’s chamber needs no broom—
Just a sheet of bark it is.
You may find a pipe or two
If you poke and grope about:
Not a bit of starch or blue—
Not a sign of soap about.

Girl I know reads Lalla Rookh—
Poem of the “heady” sort:
Kate is better as a cook
Of the rough and ready sort.
Byron’s verse on Waterloo,
Makes my darling glad, you see:

[...] Read more

poem by Henry Kendall
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Do Bears

Rowan Atkinson:
For years I thought
I'd have to live alone
I never got a letter
Had to disconnect the phone
The only girls I ever saw
Were on TV
But now I've got a Venus
Who's sitting next to me
Both:
Do I love you?
Do I want you?
Would I give my life
To you if I could?
Do birds fly?
Do fish swim?
And do bears sha-la-la-la-la
In the woods?
Rowan:
I met her in the first class lounge
Of a jumbo jet
It was love at first sight
Romeo and Juliet
Kate:
He looked pretty rich
And I was down on m' luck
So I charged him a fortune
For a flying f...
Rowan:
...for crying out loud!
Both:
Do I love you?
Do I want you?
Would I sacrifice my life
To you if I could?
Is the Pope Catholic?
Is Luxembourg small?
And do those hairy bears shhh...
In the woods?
Rowan:
I introduced her round my friends
She was ace
I was no longer on Earth
But in better place
Kate:
He's an utter creep and he
Drives me round the bend
And so to alleviate the boredom
I sleep with his friends
Rowan:

[...] Read more

song performed by Kate Bush
Added by Lucian Velea
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The Mad Wanderer

There came to Grasmere's pleasant vale
A stranger maid in tatters clad,
Whose eyes were wild, whose cheek was pale,
While oft she cried, "Poor Kate is mad!"

Four words were all she'd ever say,
Nor would she shelter in a cot;
And e'en in winter's coldest day
She still would cry, "My brain is hot."

A look she had of better days;
And once, while o'er the hills she ranged,
We saw her on her tatters gaze,
And heard her say, "How Kate is changed!"

Whene'er she heard the death-bell sound,
Her face grew dreadful to behold;
She started, trembled, beat the ground,
And shuddering cried, "Poor Kate is cold!"

And when to church we brought the dead,
She came in ragged mourning drest;
The coffin-plate she trembling read,
Then laughing cried, "Poor Kate is blest!"

But when a wedding peal was rung,
With dark revengeful leer she smiled,
And, curses muttering on her tongue,
She loudly screamed, "Poor Kate is wild!"

To be in Grasmere church interred,
A corpse one day from far was brought;
Poor Kate the death-bell sounding heard,
And reached the aisle as quick as thought:

When on the coffin looking down,
She started, screamed, and back retired,
Then clasped it....breathing such a groan!
And with that dreadful groan expired.

poem by Amelia Opie
Added by Poetry Lover
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In The Public Library

Standing on tiptoe, head back, eyes and arm
Upraised, Kate groped to reach the higher shelf.
Her sleeve slid up like darkness in alarm
At gleam of dawn. Impatient with herself
For lack of inches, careless of her charm,
She strained to grasp a volume; then she turned
Back to her chair, an unforgetful Eve
Still snatching at the fruit for which she yearned
In Eden. She read idly to relieve
The forehead where her daylong studies burned,
Tales of an uncrowned queen who fed her child
On poisons, till death lurked, in act to spring,
Between the girl's breasts; who with soft mouth smiled
With soft eyes tempted the usurping King
Then dealt him death in kisses. Kate had piled
Her books three deep before her and across
This barricade she watched an old man nod
Over a dirty paper, until loss
Of life seemed better than possession. Shod
With kisses death might skid like thistle floss
Down windy slides, might prove at heart as gay
As Cinderella in glass slippers.
Life goes awkwardly so sandalled. Had decay
Been the girl's gift in that Miltonic strife
She would have rivalled God, Kate thought. A ray
Of sunshine carrying gilded flecks of dust
And minutes bright with fancies, touched her hair
To powder it with gold and silver, just
As if being now admitted she should wear
The scholar's wig, colleague of those whose lust
For beauty hidden in an outworn tongue
Had made it possible for her to read
Tales that were fathered in Arabia, sung
By trouvères and forgotten with their creed
Of love and magic. Beams that strayed among
Kate's fingers lit a rosy lantern there
To glow in twilight. Suddenly afraid
She seemed to see her beauty in a flare
Of light from hell. A throng of devils swayed
Before her, devils that had learned to wear
The shape of scholar, poet, libertine.
They smiled, frowned, beckoned, swearing to estrange
Kate from reflection that her soul had been
Slain by her woman's body or would change
From contact with it to a thing unclean.
Woman was made to worship man, they preached,
Not God, to serve earth's purpose, not to roam
The heavens of thought . . . A factory whistle screeched,
Someone turned up the lights. On her way home
Kate wondered in what mode were angels breeched.

poem by Lesbia Harford
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Club America

i ride into the town on a big black trojan horse
i'm looking to have some fun
some kind of trigger-happy intercourse
'club america salutes you,'
says the girl on the door
'we accept all major lies
we love any kind of fraud
so go on in and enjoy
go on in and enjoy!!!'
i'm buying for my bright new friends
blue suzannes all round
and my mood's heavily pregnant...
yeah you're right
i couldn't help but notice your icy blue eyes
they've been burning two holes in the sides of my head
since the second I arrived
and it's not too hard to guess from your stick-on stars
and your canary feather dress
your hair in such a carefully careless mess
that you're really trying very hard to impress
you're such a wonderful person living a fabulous life
sensational dazzling perfectly sized
such a wonderful person living a fabulous life
sharing it with me in club america tonight...
so we talk a while about some band you saw on TV
but I don't listen to you and you don't listen to me
yeah it's an old routine but it's a very special part of the game
and you don't really care what I call you at all
and I can't quite remember your name
and it's not too hard to guess from your stick-on stars
and your canary feather dress
the way you so carefully couldn't care less
that you're really trying very hard to impress
you're such a wonderful person living a fabulous life
sensational dazzling perfectly sized
you're such a wonderful person living a fabulous life
sharing it with me tonight
yeah you're a wonderful person living a fabulous life
fantastic divine and thrillingly bright
you're a wonderful person living a fabulous lie
with me in club america tonight...

song performed by Cure
Added by Lucian Velea
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Spanish Moss

Let go darlin
I can feel the night wind call
Guess Id better go
I like you more than half as much
As I love your spanish moss
Spanish moss hangin down
Lofty as the southern love weve found
Spanish moss
Keeps on followin my thoughts around
Georgia pine and ripple wine
Memories of savannah summertime
Spanish moss
Wish you knew what I was sayin
So Im rollin north thinkin
Of the way things might have been
If she and I could have changed it all somehow
Spanish moss hangin down
Lofty as the sycamore youve found
Spanish moss
Keeps on followin my thoughts around
Georgia pine and ripple wine
Kisses mixed with moonshine and red clay
Spanish moss
Wish you knew what I was sayin
So Im rollin north thinkin
Of the way things might have been
If she and I could have changed it all somehow
Let go darlin
I can feel the night wind call
The devil take the cost
I like the way your kisses flow and I love your spanish moss

song performed by Gordon Lightfoot
Added by Lucian Velea
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