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It is a sure sign that a culture has reached a dead end when it is no longer intrigued by its myths.

quote by Greil Marcus
Added by Lucian Velea
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A Map Of Culture

Culture

Contents

What is Culture?

The Importance of Culture

Culture Varies

Culture is Critical

The Sociobiology Debate

Values, Norms, and Social Control

Signs and Symbols

Language

Terms and Definitions

Approaches to the Study of Culture

Are We Prisoners of Our Culture?

What is Culture?

I prefer the definition used by Ian Robertson: 'all the shared products of society: material and nonmaterial' (Our text defines it in somewhat more ponderous terms- 'The totality of learned, socially transmitted behavior. It includes ideas, values, and customs (as well as the sailboats, comic books, and birth control devices) of groups of people' (p.32) .

Back to Contents

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poem by Nyein Way
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Contract In Love

written by Lamont Dozier, Janie Bradford, & Brian Holland
(c) 1962 Jobete Music Co., Inc. (ASCAP)
Baby, baby, sign my contract on love
Baby, baby, sign my contract on love
Baby, baby, sign my contract on love
Baby, baby, sign it
Sign it
Sign it
Sign it
You say you love me
And I believe it's true
But before I let myself go
Here's what you've got to do
(Sign it)
(Sign it)
(Sign it)
(Sign it)
You've got to sign
(You, you, you'd better sign it)
My contract on love
(You, you, you'd better sign it)
Write it in your heart
(You, you, you'd better sign it)
That you'll never do anything
To ever make us part
(Sign it)
(Sign it)
(Sign it)
(Sign it)
Yeah, I know it may seem strange to you
Yeah, but I've lost a love so many times before
Yeah, and now that I know the score
No one's gonna hurt me no more
And I'm takin' all my chances with romances
Yeah
(Sign it)
(Sign it)
(Sign it)
(Sign it)
So just sign
(You, you, you'd better sign it)
Right here on this dotted line
(You, you, you'd better sign it)
Where it says you'll be mine, all mine
(You, you, you'd better sign it)
Until the end of time
(Sign it)
(Sign it)
(Sign it)
(Sign it)

[...] Read more

song performed by Stevie Wonder
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Contract On Love

Baby, baby, sign my contract on love
Baby, baby, sign my contract on love
Baby, baby, sign my contract on love
Baby, baby, sign it
Sign it
Sign it
Sign it
You say you love me
And I believe its true
But before I let myself go
Heres what youve got to do
(sign it)
(sign it)
(sign it)
(sign it)
Youve got to sign
(you, you, youd better sign it)
My contract on love
(you, you, youd better sign it)
Write it in your heart
(you, you, youd better sign it)
That youll never do anything
To ever make us part
(sign it)
(sign it)
(sign it)
(sign it)
Yeah, I know it may seem strange to you
Yeah, but Ive lost a love so many times before
Yeah, and now that I know the score
No ones gonna hurt me no more
And Im takin all my chances with romances
Yeah
(sign it)
(sign it)
(sign it)
(sign it)
So just sign
(you, you, youd better sign it)
Right here on this dotted line
(you, you, youd better sign it)
Where it says youll be mine, all mine
(you, you, youd better sign it)
Until the end of time
(sign it)
(sign it)
(sign it)
(sign it)
So come on, come on, come on, and
Sign, yeah

[...] Read more

song performed by Stevie Wonder
Added by Lucian Velea
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Youth Culture Killed My Dog

Youth culture (youth culture)
Youth culture (youth culture)
Youth culture (youth culture)
Youth culture (youth culture)
Youth culture killed my dog
And i don't think it's fair (i don't think it's fair)
And his suicide can be justified
By the tastemakers, how they cried and cried and so
Bacharach and david used to write his favorite songs
Never, never, never would he worry, he'd just run and fetch the ball
But the night lights and my dog's life aren't exactly one and the same
Youth culture killed my dog
And i don't think it's fair (i don't think it's fair)
And the judgement made in the city of hate
Just broke his spirit so
Bacharach and david used to write his favorite songs
Never, never, never would he worry, he'd just run and fetch the ball
But the hiphop and the white funk just blew away my puppy's mind
I don't understand what you did to my dog
And i don't understand what you did to my dog
I don't understand what you did to my dog
I don't understand what you did to my dog
Youth culture killed my dog (youth culture killed my dog)
And i don't think it's fair (i don't think it's fair)
And his suicide can be justified
By the tastemakers, how they cried and cried and so
Youth culture (youth culture)
Youth culture (youth culture)
Broke his spirit so (broke his spirit so)
Broke his spirit so
Youth culture (youth culture)
(youth culture)
Youth culture (youth culture)
(youth culture)
Broke his spirit so (broke his spirit so)
Broke his spirit so

song performed by They Might Be Giants
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Pop and Culture

Peeps peep on pop and culture.
People peep on pop and culture.
There's a peep on pop and culture,
With not a poop to stop.

They peep on pop and culture.
People peep on pop and culture.
There is a peep on pop and culture,
Without a poop to stop.

Lady Gaga got that pop.
People peep on pop and culture.
Taylor Swift's got Country Rock.
People peep on pop and culture.
And Kanye's a social poppa.
People peep on pop and culture.
With Beyonce and Jay-Z,
Seen on top in magazines.

Peeps peep on pop and culture.
People peep on pop and culture.
There's a peep on pop and culture,
With no poop to stop.

Peeps peep on pop and culture.
People peep on pop and culture.
There's a peep on pop and culture,
With no poop to stop.

We feed on Beatles.
Those songs of Beatles.
We feed on Beatles.
And...
Prince is there with beats.
And Michael Jackson's Pop is sweet.

We feed on Beatles.
Those songs of Beatles.
We feed on Beatles.
And Lady Gaga just rocks.

We feed on Beatles.
And they introduced this culture shock.

Peeps peep on pop and culture.
People peep on pop and culture.
There's a peep on pop and culture,
With not a poop to stop.

poem by Lawrence S. Pertillar
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Dj Culture

(tennant/lowe)
--------------
(attention! attention!
Trente-neuf, quarante)
Imagine a war which everyone won
Permanent holiday in endless sun
Peace without wisdom, one steals to achieve
Relentlessly, pretending to believe
Attitudes are materialistic, positive or frankly realistic
Which is terribly old-fashioned, isnt it?
Or isnt it?
(dj culture) dance with me
(dj culture) lets pretend
Living in a satellite fantasy
Waiting for the night to end
(dj culture dj d)
Lets pretend we won a war
Like a football match, ten-nil the score
Anythings possible, were on the same side
Or otherwise on trial for our lives
Ive been around the world for a number of reasons
Ive seen it all, the change of seasons
And i, my lord, may I say nothing?
(dj culture) dance with me
(dj culture) lets pretend
Living in a satellite fantasy
Waiting for the night to end (dj culture)
(dj culture) dance with me
(dj culture) lets pretend
Living in a satellite fantasy
Wondering whos your friend (dj culture)
Now as a matter of pride
Indulge yourself, your every mood
No feast-days, or fast-days, or days of abstinence intrude
Consider for a minute who you are (consider/who you are)
What youd like to change, never mind the scars (change)
Bury the past, empty the shelf (bury the past)
Decide its time to reinvent yourself (its time)
Like liz before betty, she after sean
Suddenly youre missing, then youre reborn
And i, my lord, may I say nothing?
(dj culture) (dance with me)
(dj culture) (dance with me)
Living in a satellite fantasy
Waiting for the night to end (dj culture)
(dj culture) dance with me
(dj culture) lets pretend
Living in a satellite fantasy
Wondering whos your friend (dj culture)
(dj culture) and i, my lord, (une foix)

[...] Read more

song performed by Pet Shop Boys
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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Too Many Myths

(Van Morrison)
Too many myths
People just assuming things that aren't true
There's too many myths
Coming between me and you
You might have your name up in lights
But you still have to keep your game uptight
Too many myths
Tell me, tell me how you gonna cope with this
Too many myths
You act like you've never been kissed
You put your name up in lights
And now you gotta keep your game uptight
You got problems
I got problems too
Everybody's gonna think
There must be something wrong with you because
There's just too many myths
Can't you see I'm just trying to stay in the game
Just too many myths
I'm just trying to maintain
Sure I got my name in lights
But I've still gotta keep my game uptight
[Instrumental break]
You got problems
And I got problems too
But that doesn't necessarily mean that
There's something wrong with you
There's just too many myths,
Baby I'm just trying to stay in the game
There's far too many myths
I'm just trying to maintain
I got my name up in lights
But I'm just trying to keep my game uptight

song performed by Van Morrison
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The Tower Beyond Tragedy

I
You'd never have thought the Queen was Helen's sister- Troy's
burning-flower from Sparta, the beautiful sea-flower
Cut in clear stone, crowned with the fragrant golden mane, she
the ageless, the uncontaminable-
This Clytemnestra was her sister, low-statured, fierce-lipped, not
dark nor blonde, greenish-gray-eyed,
Sinewed with strength, you saw, under the purple folds of the
queen-cloak, but craftier than queenly,
Standing between the gilded wooden porch-pillars, great steps of
stone above the steep street,
Awaiting the King.
Most of his men were quartered on the town;
he, clanking bronze, with fifty
And certain captives, came to the stair. The Queen's men were
a hundred in the street and a hundred
Lining the ramp, eighty on the great flags of the porch; she
raising her white arms the spear-butts
Thundered on the stone, and the shields clashed; eight shining
clarions
Let fly from the wide window over the entrance the wildbirds of
their metal throats, air-cleaving
Over the King come home. He raised his thick burnt-colored
beard and smiled; then Clytemnestra,
Gathering the robe, setting the golden-sandaled feet carefully,
stone by stone, descended
One half the stair. But one of the captives marred the comeliness
of that embrace with a cry
Gull-shrill, blade-sharp, cutting between the purple cloak and
the bronze plates, then Clytemnestra:
Who was it? The King answered: A piece of our goods out of
the snatch of Asia, a daughter of the king,
So treat her kindly and she may come into her wits again. Eh,
you keep state here my queen.
You've not been the poorer for me.- In heart, in the widowed
chamber, dear, she pale replied, though the slaves
Toiled, the spearmen were faithful. What's her name, the slavegirl's?
AGAMEMNON Come up the stair. They tell me my kinsman's
Lodged himself on you.
CLYTEMNESTRA Your cousin Aegisthus? He was out of refuge,
flits between here and Tiryns.
Dear: the girl's name?
AGAMEMNON Cassandra. We've a hundred or so other
captives; besides two hundred
Rotted in the hulls, they tell odd stories about you and your
guest: eh? no matter: the ships
Ooze pitch and the August road smokes dirt, I smell like an
old shepherd's goatskin, you'll have bath-water?
CLYTEMNESTRA
They're making it hot. Come, my lord. My hands will pour it.

[...] Read more

poem by Robinson Jeffers
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Song: Popular Culture

Oh I'm sick to death of spin,
And this banal, self-serving sin,
That justifies usurpation like a king.
When shove will come to push,
Weilding power without blush,
This vigilante State is so right-wing!

Pop, pop, popular history,
Grows a crop of myth and mystery,
Where legends reap the cynical flattery,
That maintains the lie:
Of who we are,
What we've become,
In whose name,
Was violence done;
Of why we're here,
And how we came.
Who's excused,
And who's to blame.
Of where we're going,
And where we're from;
And what we're doing,
To right the wrongs...

Pop, pop, popular culture.
Does it diminish or exalt ya?
Pop, pop, popular culture.
Is it Art or just sheer torture?

Pop, pop, popular culture;
Soporific by it's nature,
From mediocre to bad.
Pop, pop, popular culture,
Confers on all a bland inertia,
Embracing every fad:
Of how we look,
The way we feel;
What is image,
And what is real.
Of what to eat,
And what to wear;
How best to cheat,
Or how to care.
The puzzle of love,
The seizures of hate;
How best to survive,
The quirks of cruel fate.
The rule of the stars,
Or the lives of the great;
Hints from the famous,

[...] Read more

poem by Dave SmithWhite
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Tamar

I
A night the half-moon was like a dancing-girl,
No, like a drunkard's last half-dollar
Shoved on the polished bar of the eastern hill-range,
Young Cauldwell rode his pony along the sea-cliff;
When she stopped, spurred; when she trembled, drove
The teeth of the little jagged wheels so deep
They tasted blood; the mare with four slim hooves
On a foot of ground pivoted like a top,
Jumped from the crumble of sod, went down, caught, slipped;
Then, the quick frenzy finished, stiffening herself
Slid with her drunken rider down the ledges,
Shot from sheer rock and broke
Her life out on the rounded tidal boulders.

The night you know accepted with no show of emotion the little
accident; grave Orion
Moved northwest from the naked shore, the moon moved to
meridian, the slow pulse of the ocean
Beat, the slow tide came in across the slippery stones; it drowned
the dead mare's muzzle and sluggishly
Felt for the rider; Cauldwell’s sleepy soul came back from the
blind course curious to know
What sea-cold fingers tapped the walls of its deserted ruin.
Pain, pain and faintness, crushing
Weights, and a vain desire to vomit, and soon again
die icy fingers, they had crept over the loose hand and lay in the
hair now. He rolled sidewise
Against mountains of weight and for another half-hour lay still.
With a gush of liquid noises
The wave covered him head and all, his body
Crawled without consciousness and like a creature with no bones,
a seaworm, lifted its face
Above the sea-wrack of a stone; then a white twilight grew about
the moon, and above
The ancient water, the everlasting repetition of the dawn. You
shipwrecked horseman
So many and still so many and now for you the last. But when it
grew daylight
He grew quite conscious; broken ends of bone ground on each
other among the working fibers
While by half-inches he was drawing himself out of the seawrack
up to sandy granite,
Out of the tide's path. Where the thin ledge tailed into flat cliff
he fell asleep. . . .
Far seaward
The daylight moon hung like a slip of cloud against the horizon.
The tide was ebbing
From the dead horse and the black belt of sea-growth. Cauldwell
seemed to have felt her crying beside him,

[...] Read more

poem by Robinson Jeffers
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Soccer Rollback

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soccer referee training san diego ca

[...] Read more

poem by Rwetewrt Erwtwer
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Rose Mary

Of her two fights with the Beryl-stone
Lost the first, but the second won.

PART I

“MARY mine that art Mary's Rose
Come in to me from the garden-close.
The sun sinks fast with the rising dew,
And we marked not how the faint moon grew;
But the hidden stars are calling you.
“Tall Rose Mary, come to my side,
And read the stars if you'd be a bride.
In hours whose need was not your own,
While you were a young maid yet ungrown
You've read the stars in the Beryl-stone.
“Daughter, once more I bid you read;
But now let it be for your own need:
Because to-morrow, at break of day,
To Holy Cross he rides on his way,
Your knight Sir James of Heronhaye.
“Ere he wed you, flower of mine,
For a heavy shrift he seeks the shrine.
Now hark to my words and do not fear;
Ill news next I have for your ear;
But be you strong, and our help is here.
“On his road, as the rumour's rife,
An ambush waits to take his life.
He needs will go, and will go alone;
Where the peril lurks may not be known;
But in this glass all things are shown.”
Pale Rose Mary sank to the floor:—
“The night will come if the day is o'er!”
“Nay, heaven takes counsel, star with star,
And help shall reach your heart from afar:
A bride you'll be, as a maid you are.”
The lady unbound her jewelled zone
And drew from her robe the Beryl-stone.
Shaped it was to a shadowy sphere,—
World of our world, the sun's compeer,
That bears and buries the toiling year.
With shuddering light 'twas stirred and strewn
Like the cloud-nest of the wading moon:
Freaked it was as the bubble's ball,
Rainbow-hued through a misty pall
Like the middle light of the waterfall.
Shadows dwelt in its teeming girth
Of the known and unknown things of earth;
The cloud above and the wave around,—
The central fire at the sphere's heart bound,
Like doomsday prisoned underground.

[...] Read more

poem by Dante Gabriel Rossetti
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Vulture Culture

Lenny zakatek - lead vocal
Somehow you made it in the big wide world
And youre absolutely home and dry
You got away from a one horse town
And the only way out was to fly
You heard a lot about an easy street
And it seems like the place to be
You heard some talk about a slippery slope
But you think it cant happen to me
Vulture culture
Use it or you lose it
Vulture culture
Choose it or refuse it
Hollywood is calling wont you join the dance
Moving onto wall street why not take a chance
Its a vulture culture
Never lend a loser a hand
Just a vulture culture
Living off the fat of the land
Nowhere to turn around and catch your breath
Its all relatively trouble free
No need to bother with the bottom line
Or a money back guarantee
You sign a deal thats been etched in stone
Its absolutely cut and dry
Thats when they got you in the danger zone
And the only way out is to die
Vulture culture
Use it or you lose it
Vulture culture
Choose it or refuse it
Hollywood is waiting striking up the band
Everyone on wall street shakes you by the hand
Such a vulture culture
Never lend a loser a hand
Just a vulture culture
Living off the fat of the land
Use it or you lose it
Choose it or refuse it
Hollywoods a no go not a second chance
Nobody on wall street gives a second glance
Its a vulture culture
Moving to the beat of the band
Its a vulture culture
Never lend a loser a hand
Its just a vulture culture
Living off the fat of the land

song performed by Alan Parsons Project
Added by Lucian Velea
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The City of Dreadful Night

Per me si va nella citta dolente.

--Dante

Poi di tanto adoprar, di tanti moti
D'ogni celeste, ogni terrena cosa,
Girando senza posa,
Per tornar sempre la donde son mosse;
Uso alcuno, alcun frutto
Indovinar non so.

Sola nel mondo eterna, a cui si volve
Ogni creata cosa,
In te, morte, si posa
Nostra ignuda natura;
Lieta no, ma sicura
Dell' antico dolor . . .
Pero ch' esser beato
Nega ai mortali e nega a' morti il fato.

--Leopardi

PROEM

Lo, thus, as prostrate, "In the dust I write
My heart's deep languor and my soul's sad tears."
Yet why evoke the spectres of black night
To blot the sunshine of exultant years?
Why disinter dead faith from mouldering hidden?
Why break the seals of mute despair unbidden,
And wail life's discords into careless ears?

Because a cold rage seizes one at whiles
To show the bitter old and wrinkled truth
Stripped naked of all vesture that beguiles,
False dreams, false hopes, false masks and modes of youth;
Because it gives some sense of power and passion
In helpless innocence to try to fashion
Our woe in living words howe'er uncouth.

Surely I write not for the hopeful young,
Or those who deem their happiness of worth,
Or such as pasture and grow fat among
The shows of life and feel nor doubt nor dearth,
Or pious spirits with a God above them
To sanctify and glorify and love them,
Or sages who foresee a heaven on earth.

For none of these I write, and none of these
Could read the writing if they deigned to try;

[...] Read more

poem by James Thomson
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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Dead End Street

Theres a crack up in the ceiling,
And the kitchen sink is leaking.
Out of work and got no money,
A sunday joint of bread and honey.
What are we living for?
Two-roomed apartment on the second floor.
No money coming in,
The rent collectors knocking, trying to get in.
We are strictly second class,
We dont understand,
(dead end!)
Why we should be on dead end street.
(dead end!)
People are living on dead end street.
(dead end!)
Gonna die on dead end street.
Dead end street (yeah)
Dead end street (yeah)
On a cold and frosty morning,
Wipe my eyes and stop me yawning.
And my feet are nearly frozen,
Boil the tea and put some toast on.
What are we living for?
Two-roomed apartment on the second floor.
No chance to emigrate,
Im deep in debt and now its much too late.
We both want to work so hard,
We cant get the chance,
(dead end!)
People live on dead end street.
(dead end!)
People are dying on dead end street.
(dead end!)
Gonna die on dead end street.
Dead end street (yeah)
Dead end street (yeah)
(dead end!)
People live on dead end street.
(dead end!)
People are dying on dead end street.
(dead end!)
Gonna die on dead end street.
Dead end street (yeah)
Dead end street (yeah)
Dead end street (yeah)
Head to my feet (yeah)
Dead end street (yeah)
Dead end street (yeah)
Dead end street (yeah)
Hows it feel? (yeah)

[...] Read more

song performed by Kinks
Added by Lucian Velea
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Insane Culture Of Mass-Murder” (The Billion-Dollar Question)

We must all stay aware…..,
Of the Insane Culture Of Mass-Murder….,
It’s been increasing for years….,
The Insane Culture Of Mass-Murder ….! ! !

Can’t dare turn our backs….,
On the Insane Culture Of Mass-Murder ….,
It’ll sneak up and kill us…,
The Insane Culture Of Mass-Murder ….! ! !

It’s hard to believe and conceive….
The Insane Culture Of Mass-Murder ….,
That’s why so many are blind….,
To the Insane Culture Of Mass-Murder …! ! !

We’ve seen the bloody attacks…..,
Of the Insane Culture Of Mass-Murder ….,
So we must face the facts….,
On the Insane Culture Of Mass-Murder ….! ! !

Yes they’re after us all…,
The Insane Culture Of Mass-Murder ….,
Their radical religion condones it….,
The Insane Culture Of Mass-Murder ….! ! !

Can we control it or stop it….,
So it won’t go any further….? ? ?
That’s the billion-dollar question….,
On the Insane Culture Of Mass-Murder …! ! !

poem by Trade Martin
Added by Poetry Lover
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Racism and the Culture Of Racism

We must be aware…..,
Of the Culture Of Racism….,
It’s a slur and a swear….,
The Culture Of Racism….! ! !

Can’t turn your back….,
On the Culture Of Racism….,
Or you’ll feel the whack…,
Of the Culture Of Racism….! ! !

It’s hard to believe….
The Culture Of Racism….,
That’s why we all grieve….,
The Culture Of Racism…! ! !

We must face the facts….,
On the Culture Of Racism ….! ! !
Cause we’ve seen the attacks…..,
Of the Culture Of Racism….,

It follows us all…,
The Culture Of Racism….,
But we must stand tall….,
Against the Culture Of Racism….! ! !

Can we control or stop it….,
As long as it’s been livin’….? ? ?
That’s the priceless question….,
On the Culture Of Racism…! ! !

poem by Trade Martin
Added by Poetry Lover
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How Much Longer

I'm stuck
Inside
Can't get this done wish I could hide
This scene is really such a pain
I just
Can't see
How this is any use to me
This work is drivin' me insane
All I really want is to get away (can anybody tell me)
How much longer
Till I'm done
How much longer
Wanna feel the sun
How much longer
I can't wait
How much longer until I can play that game
It's on
My mind
I think I'm runnin out of time
This weight is more than I can take
That clock
Is slow
It's never gonna let me go
This time I need more than just a break
All I really want is to get away (can anybody tell me)
How much longer
Till I'm done
How much longer
Wanna feel the sun
How much longer
I can't wait
How much longer until I can play that game
How much longer
Till I'm done
How much longer
Wanna feel the sun
How much longer
I can't wait
How much longer until I can play that game
And here I go again (and here I go again)
Wondering when (when)
I can have my time to play
(Can anybody tell me)
(Can anybody, can anybody tell me)
How much longer
Till I'm done
How much longer
Wanna feel the sun
How much longer
I can't wait

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song performed by Yu-Gi-Oh
Added by Lucian Velea
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