It's Charley's Aunt and The Odd Couple rolled into one.
quote by Allan Carr
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Prior To Miss Belle's Appearance
What makes you come HERE fer, Mister,
So much to our house?--SAY?
Come to see our big sister!--
An' Charley he says 'at you kissed her
An' he ketched you, th'uther day!--
Didn' you, Charley?--But we p'omised Belle
An' crossed our heart to never to tell--
'Cause SHE gived us some o' them-er
Chawk'lut-drops 'at you bringed to her!
Charley he's my little b'uther--
An' we has a-mostest fun,
Don't we, Charley?--Our Muther,
Whenever we whips one anuther,
Tries to whip US--an' we RUN--
Don't we, Charley?--An' nen, bime-by,
Nen she gives us cake--an' pie--
Don't she, Charley?--when we come in
An' pomise never to do it ag'in!
HE'S named Charley.--I'm WILLIE--
An' I'm got the purtiest name!
But Uncle Bob HE calls me 'Billy'--
Don't he, Charley?--'N' our filly
We named 'Billy,' the same
Ist like me! An' our Ma said
'At 'Bob puts foolishnuss into our head!'--
Didn' she, Charley?--An' SHE don't know
Much about BOYS!--'Cause Bob said so!
Baby's a funniest feller!
Nain't no hair on his head--
IS they, Charley?--It's meller
Wite up there! An' ef Belle er
Us ask wuz WE that way, Ma said,--
'Yes; an' yer PA'S head wuz soft as that,
An' it's that way yet!'--An' Pa grabs his hat
An' says, 'Yes, childern, she's right about Pa--
'Cause that's the reason he married yer Ma!'
An' our Ma says 'at 'Belle couldn'
Ketch nothin' at all but ist 'BOWS!'--
An' PA says 'at 'you're soft as puddun!'--
An' UNCLE BOB says 'you're a good-un--
'Cause he can tell by yer nose!'-
Didn' he, Charley?--An' when Belle'll play
In the poller on th' pianer, some day,
Bob makes up funny songs about you,
Till she gits mad-like he wants her to!
[...] Read more
poem by James Whitcomb Riley
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Tamar
I
A night the half-moon was like a dancing-girl,
No, like a drunkard's last half-dollar
Shoved on the polished bar of the eastern hill-range,
Young Cauldwell rode his pony along the sea-cliff;
When she stopped, spurred; when she trembled, drove
The teeth of the little jagged wheels so deep
They tasted blood; the mare with four slim hooves
On a foot of ground pivoted like a top,
Jumped from the crumble of sod, went down, caught, slipped;
Then, the quick frenzy finished, stiffening herself
Slid with her drunken rider down the ledges,
Shot from sheer rock and broke
Her life out on the rounded tidal boulders.
The night you know accepted with no show of emotion the little
accident; grave Orion
Moved northwest from the naked shore, the moon moved to
meridian, the slow pulse of the ocean
Beat, the slow tide came in across the slippery stones; it drowned
the dead mare's muzzle and sluggishly
Felt for the rider; Cauldwell’s sleepy soul came back from the
blind course curious to know
What sea-cold fingers tapped the walls of its deserted ruin.
Pain, pain and faintness, crushing
Weights, and a vain desire to vomit, and soon again
die icy fingers, they had crept over the loose hand and lay in the
hair now. He rolled sidewise
Against mountains of weight and for another half-hour lay still.
With a gush of liquid noises
The wave covered him head and all, his body
Crawled without consciousness and like a creature with no bones,
a seaworm, lifted its face
Above the sea-wrack of a stone; then a white twilight grew about
the moon, and above
The ancient water, the everlasting repetition of the dawn. You
shipwrecked horseman
So many and still so many and now for you the last. But when it
grew daylight
He grew quite conscious; broken ends of bone ground on each
other among the working fibers
While by half-inches he was drawing himself out of the seawrack
up to sandy granite,
Out of the tide's path. Where the thin ledge tailed into flat cliff
he fell asleep. . . .
Far seaward
The daylight moon hung like a slip of cloud against the horizon.
The tide was ebbing
From the dead horse and the black belt of sea-growth. Cauldwell
seemed to have felt her crying beside him,
[...] Read more
poem by Robinson Jeffers
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Second Book
TIMES followed one another. Came a morn
I stood upon the brink of twenty years,
And looked before and after, as I stood
Woman and artist,–either incomplete,
Both credulous of completion. There I held
The whole creation in my little cup,
And smiled with thirsty lips before I drank,
'Good health to you and me, sweet neighbour mine
And all these peoples.'
I was glad, that day;
The June was in me, with its multitudes
Of nightingales all singing in the dark,
And rosebuds reddening where the calyx split.
I felt so young, so strong, so sure of God!
So glad, I could not choose be very wise!
And, old at twenty, was inclined to pull
My childhood backward in a childish jest
To see the face of't once more, and farewell!
In which fantastic mood I bounded forth
At early morning,–would not wait so long
As even to snatch my bonnet by the strings,
But, brushing a green trail across the lawn
With my gown in the dew, took will and way
Among the acacias of the shrubberies,
To fly my fancies in the open air
And keep my birthday, till my aunt awoke
To stop good dreams. Meanwhile I murmured on,
As honeyed bees keep humming to themselves;
'The worthiest poets have remained uncrowned
Till death has bleached their foreheads to the bone,
And so with me it must be, unless I prove
Unworthy of the grand adversity,–
And certainly I would not fail so much.
What, therefore, if I crown myself to-day
In sport, not pride, to learn the feel of it,
Before my brows be numb as Dante's own
To all the tender pricking of such leaves?
Such leaves? what leaves?'
I pulled the branches down,
To choose from.
'Not the bay! I choose no bay;
The fates deny us if we are overbold:
Nor myrtle–which means chiefly love; and love
Is something awful which one dare not touch
So early o' mornings. This verbena strains
The point of passionate fragrance; and hard by,
This guelder rose, at far too slight a beck
Of the wind, will toss about her flower-apples.
Ah–there's my choice,–that ivy on the wall,
That headlong ivy! not a leaf will grow
[...] Read more
poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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Aunt Tabitha
THE YOUNG GIRL'S POEM
WHATEVER I do, and whatever I say,
Aunt Tabitha tells me that is n't the way;
When she was a girl (forty summers ago)
Aunt Tabitha tells me they never did so.
Dear aunt! If I only would take her advice!
But I like my own way, and I find it so nice
And besides, I forget half the things I am told;
But they all will come back to me--when I am old.
If a youth passes by, it may happen, no doubt,
He may chance to look in as I chance to look out;
She would never endure an impertinent stare,--
It is horrid, she says, and I must n't sit there.
A walk in the moonlight has pleasures, I own,
But it is n't quite safe to be walking alone;
So I take a lad's arm,--just for safety, you know,--
But Aunt Tabitha tells me they did n't do so.
How wicked we are, and how good they were then!
They kept at arm's length those detestable men;
What an era of virtue she lived in!--But stay--
Were the men all such rogues in Aunt Tabitha's day?
If the men were so wicked, I 'll ask my papa
How he dared to propose to my darling mamma;
Was he like the rest of them? Goodness! Who knows?
And what shall I say, if a wretch should propose?
I am thinking if Aunt knew so little of sin,
What a wonder Aunt Tabitha's aunt must have been!
And her grand-aunt--it scares me--how shockingly sad
That we girls of to-day are so frightfully bad!
A martyr will save us, and nothing else can;
Let me perish--to rescue some wretched young man!
Though when to the altar a victim I go,
Aunt Tabitha 'll tell me she never did so.
poem by Oliver Wendell Holmes
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Old Aunt Mary's
Wasn't it pleasant, O brother mine,
In those old days of the lost sunshine
Of youth-- when the Saturday's chores were through,
And the 'Sunday's wood' in the kitchen too,
And we went visiting, 'me and you,'
Out to Old Aunt Mary's?
It all comes back so clear to-day!
Though I am as bald as you are gray--
Out by the barn-lot, and down the lane,
We patter along in the dust again,
As light as the tips of the drops of the rain,
Out to Old Aunt Mary's!
We cross the pasture, and through the wood
Where the old gray snag of the poplar stood,
Where the hammering 'red-heads' hopped awry,
And the buzzard 'raised' in the 'clearing' sky
And lolled and circled, as we went by
Out to Old Aunt Mary's.
And then in the dust of the road again;
And the teams we met, and the countrymen;
And the long highway, with sunshine spread
As thick as butter on country bread,
Our cares behind, and our hearts ahead
Out to Old Aunt Mary's.
Why, I see her now in the open door,
Where the little gourds grew up the sides and o'er
The clapboard roof--! And her face-- ah, me!
Wasn't it good for a boy to see--
And wasn't it good for a boy to be
Out to Old Aunt Mary's?
The jelly-- the Jam and the marmalade,
And the cherry and quince 'preserves'' she made!
And the sweet-sour pickles of peach and pear,
With cinnamon in 'em, and all things rare--!
And the more we ate was the more to spare,
Out to Old Aunt Mary's!
And the old spring-house in the cool green gloom
Of the willow-trees--, and the cooler room
Where the swinging-shelves and the crocks were kept--
Where the cream in a golden languor slept
While the waters gurgled and laughed and wept--
Out to Old Aunt Mary's.
And O my brother, so far away,
[...] Read more
poem by James Whitcomb Riley
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The Growth of Sym
Now Sym was a Glug; and 'tis mentioned so
That the tale reads perfectly plain as we go.
In his veins ran blood of that stupid race
Of docile folk, who inhabit the place
Called Gosh, sad Gosh, where the tall trees sigh
With a strange, significant sort of cry
When the gloaming creeps and the wind is high.
When the deep shades creep and the wind is high
The trees bow low as the gods ride by:
Gods of the gloaming, who ride on the breeze,
Stooping to heaften the birds and the trees.
But each dull Glug sits down by his door,
And mutters, ' 'Tis windy!' and nothing more,
Like the long-dead Glugs in the days of yore.
When Sym was born there was much to-do,
And his parents thought him a joy to view;
But folk not prejudiced saw the Glug,
As his nurse remarked, 'In the cut of his mug.'
For he had their hair, and he had their eyes,
And the Glug expression of pained surprise,
And their predilection for pumpkin pies.
And his parents' claims were a deal denied
By his maiden aunt on his mother's side,
A tall Glug lady of fifty-two
With a slight moustache of an auburn hue.
'Parental blither!' she said quite flat.
'He's an average Glug; and he's red and fat!
And exceedingly fat and red at that!'
But the father, joi, when he gazed on Sym,
Dreamed great and wonderful things for him.
Said he, 'If the mind of a Glug could wake
Then, Oh, what a wonderful Glug he'd make!
We shall teach this laddie to play life's game
With a different mind and a definite aim:
A Glug in appearance, yet not the same.'
But the practical aunt said, 'Fudge! You fool!
We'll pack up his dinner and send him to school.
He shall learn about two-times and parsing and capes,
And how to make money with inches on tapes.
We'll apprentice him then to the drapery trade,
Where, I've heard it reported, large profits are made;
Besides, he can sell us cheap buttons and braid.'
So poor young Sym, he was sent to school,
Where the first thing taught is the Golden Rule.
[...] Read more
poem by Clarence Michael James Stanislaus Dennis
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The Birth Of The Rail
DRAMATIS PERSONAE
LELAND, THE KID _a Road Agent_
COWBOY CHARLEY _Same Line of Business_
HAPPY HUNTY _Ditto in All Respects_
SOOTYMUG _a Devil_
_Scene_-the Dutch Flat Stage Road, at 12 P.M., on a Night
of 1864.
COWBOY CHARLEY:
My boss, I fear she is delayed to-night.
Already it is past the hour, and yet
My ears have reached no sound of wheels; no note
Melodious, of long, luxurious oaths
Betokens the traditional dispute
(Unsettled from the dawn of time) between
The driver and off wheeler; no clear chant
Nor carol of Wells Fargo's messenger
Unbosoming his soul upon the air
his prowess to the tender-foot,
And how at divers times in sundry ways
He strewed the roadside with our carcasses.
Clearly, the stage will not come by to-night.
LELAND, THE KID:
I now remember that but yesterday
I saw three ugly looking fellows start
From Colfax with a gun apiece, and they
Did seem on business of importance bent.
Furtively casting all their eyes about
And covering their tracks with all the care
That business men do use. I think perhaps
They were Directors of that rival line,
The great Pacific Mail. If so, they have
Indubitably taken in that coach,
And we are overreached. Three times before
This thing has happened, and if once again
These outside operators dare to cut
Our rates of profit I shall quit the road
And take my money out of this concern.
When robbery no longer pays expense
It loses then its chiefest charm for me,
And I prefer to cheat-you hear me shout!
HAPPY HUNTY:
[...] Read more
poem by Ambrose Bierce
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241st Chorus
And how sweet a story it is
When you hear Charley Parker
tell it,
Either on records or at sessions,
Or at offical bits in clubs,
Shots in the arm for the wallet,
Gleefully he Whistled the
perfect
horn
Anyhow, made no difference.
Charley Parker, forgive me-
Forgive me for not answering your eyes-
For not having made in indication
Of that which you can devise-
Charley Parker, pray for me-
Pray for me and everybody
In the Nirvanas of your brain
Where you hide, indulgent and huge,
No longer Charley Parker
But the secret unsayable name
That carries with it merit
Not to be measured from here
To up, down, east, or west-
-Charley Parker, lay the bane,
off me, and every body
poem by Jack Kerouac
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Baby Charley.
He's fast asleep. See how, O Wife,
Night's finger on the lip of life
Bids whist the tongue, so prattle-rife,
Of busy Baby Charley.
One arm stretched backward round his head,
Five little toes from out the bed
Just showing, like five rosebuds red,
-- So slumbers Baby Charley.
Heaven-lights, I know, are beaming through
Those lucent eyelids, veined with blue,
That shut away from mortal view
Large eyes of Baby Charley.
O sweet Sleep-Angel, throned now
On the round glory of his brow,
Wave thy wing and waft my vow
Breathed over Baby Charley.
I vow that my heart, when death is nigh,
Shall never shiver with a sigh
For act of hand or tongue or eye
That wronged my Baby Charley!
poem by Sidney Lanier
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Charley Plays A Tune
Charley Plays a Tune
By Michael Lee Johnson
(Version 4)
Crippled, in Chicago,
with arthritis
and Alzheimer's,
in a dark rented room,
Charley plays
melancholic melodies
on a dust-filled
harmonica he
found abandoned
on a playground of sand
years ago by a handful of children
playing on monkey bars.
He hears bedlam when he buys fish at the local market
and the skeleton bones of the fish show through.
He lies on his back, riddled with pain,
pine cones fill his pillows and mattress;
praying to Jesus and rubbing his rosary beads
Charley blows tunes out his
celestial instrument
notes float through the open window
touch the nose of summer clouds.
Charley overtakes himself with grief
and is ecstatically alone.
Charley plays a solo tune.
-2010-
poem by Michael Lee Johnson
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The Victories Of Love. Book II
I
From Jane To Her Mother
Thank Heaven, the burthens on the heart
Are not half known till they depart!
Although I long'd, for many a year,
To love with love that casts out fear,
My Frederick's kindness frighten'd me,
And heaven seem'd less far off than he;
And in my fancy I would trace
A lady with an angel's face,
That made devotion simply debt,
Till sick with envy and regret,
And wicked grief that God should e'er
Make women, and not make them fair.
That he might love me more because
Another in his memory was,
And that my indigence might be
To him what Baby's was to me,
The chief of charms, who could have thought?
But God's wise way is to give nought
Till we with asking it are tired;
And when, indeed, the change desired
Comes, lest we give ourselves the praise,
It comes by Providence, not Grace;
And mostly our thanks for granted pray'rs
Are groans at unexpected cares.
First Baby went to heaven, you know,
And, five weeks after, Grace went, too.
Then he became more talkative,
And, stooping to my heart, would give
Signs of his love, which pleased me more
Than all the proofs he gave before;
And, in that time of our great grief,
We talk'd religion for relief;
For, though we very seldom name
Religion, we now think the same!
Oh, what a bar is thus removed
To loving and to being loved!
For no agreement really is
In anything when none's in this.
Why, Mother, once, if Frederick press'd
His wife against his hearty breast,
The interior difference seem'd to tear
My own, until I could not bear
The trouble. 'Twas a dreadful strife,
And show'd, indeed, that faith is life.
He never felt this. If he did,
I'm sure it could not have been hid;
For wives, I need not say to you,
[...] Read more
poem by Coventry Patmore
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Tale VIII
THE MOTHER.
There was a worthy, but a simple Pair,
Who nursed a Daughter, fairest of the fair:
Sons they had lost, and she alone remain'd,
Heir to the kindness they had all obtain'd,
Heir to the fortune they design'd for all,
Nor had th' allotted portion then been small;
And now, by fate enrich'd with beauty rare,
They watch'd their treasure with peculiar care:
The fairest features they could early trace,
And, blind with love saw merit in her face -
Saw virtue, wisdom, dignity, and grace;
And Dorothea, from her infant years,
Gain'd all her wishes from their pride or fears;
She wrote a billet, and a novel read,
And with her fame her vanity was fed;
Each word, each look, each action was a cause
For flattering wonder and for fond applause;
She rode or danced, and ever glanced around,
Seeking for praise, and smiling when she found,
The yielding pair to her petitions gave
An humble friend to be a civil slave,
Who for a poor support herself resign'd
To the base toil of a dependant mind:
By nature cold, our Heiress stoop'd to art,
To gain the credit of a tender heart.
Hence at her door must suppliant paupers stand,
To bless the bounty of her beauteous hand:
And now, her education all complete,
She talk'd of virtuous love and union sweet;
She was indeed by no soft passion moved,
But wished with all her soul to be beloved.
Here, on the favour'd beauty Fortune smiled;
Her chosen Husband was a man so mild,
So humbly temper'd, so intent to please,
It quite distress'd her to remain at ease,
Without a cause to sigh, without pretence to tease:
She tried his patience on a thousand modes,
And tried it not upon the roughest roads.
Pleasure she sought, and disappointed, sigh'd
For joys, she said, 'to her alone denied;'
And she was sure 'her parents if alive
Would many comforts for their child contrive:'
The gentle Husband bade her name him one;
'No--that,' she answered, 'should for her be done;
How could she say what pleasures were around?
But she was certain many might be found.'
'Would she some seaport, Weymouth, Scarborough,
[...] Read more
poem by George Crabbe
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Drop Your Buns Aunt Betty
Drop your buns Aunt Betty,
And that package on your back.
We ate your baked cookies,
And they went rather fast.
Drop your buns Aunt Betty,
We know they are delicious
Since they're made with cinnamon.
We're not a bit suspicious
Of the love that's in them.
Drop your buns Aunt Betty,
And grab a little snack and relax.
You owe us that!
Drop your buns Aunt Betty,
And that package on your back.
We ate your baked cookies,
And they went rather fast.
Drop your buns Aunt Betty.
Would you like a bowl of soup,
To boot that mood that has you pooped.
From all that mixing in the kitchen fixing food that you do.
There's some noodles with onions and peppers in it too!
Drop your buns Aunt Betty,
And that package on your back...
And relax.
Drop your buns Aunt Betty,
We know they are delicious
Since they're made with cinnamon.
We're not a bit suspicious
Of the love that's in them.
Drop your buns Aunt Betty,
And grab a little snack and relax.
You owe us that!
poem by Lawrence S. Pertillar
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Aunt Imogen
Aunt Imogen was coming, and therefore
The children—Jane, Sylvester, and Young George—
Were eyes and ears; for there was only one
Aunt Imogen to them in the whole world,
And she was in it only for four weeks
In fifty-two. But those great bites of time
Made all September a Queen’s Festival;
And they would strive, informally, to make
The most of them.—The mother understood,
And wisely stepped away. Aunt Imogen
Was there for only one month in the year,
While she, the mother,—she was always there;
And that was what made all the difference.
She knew it must be so, for Jane had once
Expounded it to her so learnedly
That she had looked away from the child’s eyes
And thought; and she had thought of many things.
There was a demonstration every time
Aunt Imogen appeared, and there was more
Than one this time. And she was at a loss
Just how to name the meaning of it all:
It puzzled her to think that she could be
So much to any crazy thing alive—
Even to her sister’s little savages
Who knew no better than to be themselves;
But in the midst of her glad wonderment
She found herself besieged and overcome
By two tight arms and one tumultuous head,
And therewith half bewildered and half pained
By the joy she felt and by the sudden love
That proved itself in childhood’s honest noise.
Jane, by the wings of sex, had reached her first;
And while she strangled her, approvingly,
Sylvester thumped his drum and Young George howled.
But finally, when all was rectified,
And she had stilled the clamor of Young George
By giving him a long ride on her shoulders,
They went together into the old room
That looked across the fields; and Imogen
Gazed out with a girl’s gladness in her eyes,
Happy to know that she was back once more
Where there were those who knew her, and at last
Had gloriously got away again
From cabs and clattered asphalt for a while;
And there she sat and talked and looked and laughed
And made the mother and the children laugh.
Aunt Imogen made everybody laugh.
There was the feminine paradox—that she
[...] Read more
poem by Edwin Arlington Robinson
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Polyhymnia
[Polyhymnia: Describing, The honourable Triumph at Tylt,
before her Maiestie, on the 17. of Nouember, last past,
being the first day of the three and thirtith yeare of
her Highnesse raigne. With Sir Henrie Lea, his resignation
of honour at Tylt, to her Maiestie, and receiued by the right
honourable, the Earle of Cumberland.]
[Polyhimnia. Entituled, with all dutie to the Right
Honourable, Lord Compton of Compton.]
Therefore, when thirtie two were come and gone,
Years of her raigne, daies of her countries peace,
Elizabeth great Empresse of the world,
Britanias Atlas, Star of Englands globe,
That swaies the massie scepter of her land,
And holdes the royall raynes of Albion:
Began the gladsome sunnie day to shine,
That drawes in length date of her golden raigne:
And thirtie three shee numbreth in her throne:
That long in happinesse and peace (I pray)
May number manie to these thirtie three.
Wherefore it fares as whilom and of yore,
In armour bright and sheene, faire Englands knights
In honour of their peerelesse Soueraigne:
High Maistresse of their seruice, thoughtes and liues
Make to the Tyltamaine: and trumpets sound,
And princelie Coursers neigh, and champ the byt,
When all addrest for deeds of high deuoyre,
Preace to the sacred presence of their Prince.
The 1. couple. Sir Henrie Lea. The Earle of Cumberland.
Mightie in Armes, mounted on puissant horse,
Knight of the Crown in rich imbroderie,
And costlie faire Caparison charg'd with Crownes,
Oreshadowed with a withered running Vine,
As who would say, My spring of youth is past:
In Corslet gylt of curious workmanship,
Sir Henry Lea, redoubted man at Armes.
Leades in the troopes, whom woorthie Cumberland
Thrice noble Earle, aucutred as became
So greate a Warriour and so good a Knight.
Encountred first, yclad in coate of steele,
And plumes and pendants al as white as Swanne,
And speare in rest, right readie to performe
What long'd vnto the honour of the place.
Together went these Champions, horse and man,
Thundring along the Tylt, that at the shocke
[...] Read more
poem by George Peele
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Tale VI
THE FRANK COURTSHIP.
Grave Jonas Kindred, Sybil Kindred's sire,
Was six feet high, and look'd six inches higher;
Erect, morose, determined, solemn, slow,
Who knew the man could never cease to know:
His faithful spouse, when Jonas was not by,
Had a firm presence and a steady eye;
But with her husband dropp'd her look and tone,
And Jonas ruled unquestion'd and alone.
He read, and oft would quote the sacred words,
How pious husbands of their wives were lords;
Sarah called Abraham Lord! and who could be,
So Jonas thought, a greater man than he?
Himself he view'd with undisguised respect,
And never pardon'd freedom or neglect.
They had one daughter, and this favourite child
Had oft the father of his spleen beguiled;
Soothed by attention from her early years,
She gained all wishes by her smiles or tears;
But Sybil then was in that playful time,
When contradiction is not held a crime;
When parents yield their children idle praise
For faults corrected in their after days.
Peace in the sober house of Jonas dwelt,
Where each his duty and his station felt:
Yet not that peace some favour'd mortals find,
In equal views and harmony of mind;
Not the soft peace that blesses those who love,
Where all with one consent in union move;
But it was that which one superior will
Commands, by making all inferiors still;
Who bids all murmurs, all objections, cease,
And with imperious voice announces--Peace!
They were, to wit, a remnant of that crew,
Who, as their foes maintain, their Sovereign slew;
An independent race, precise, correct,
Who ever married in the kindred sect:
No son or daughter of their order wed
A friend to England's king who lost his head;
Cromwell was still their Saint, and when they met,
They mourn'd that Saints were not our rulers yet.
Fix'd were their habits; they arose betimes,
Then pray'd their hour, and sang their party-
rhymes:
Their meals were plenteous, regular and plain;
The trade of Jonas brought him constant gain;
Vender of hops and malt, of coals and corn -
And, like his father, he was merchant born:
[...] Read more
poem by George Crabbe
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Recollections Of A Faded Beauty
AH! I remember when I was a girl
How my hair naturally used to curl,
And how my aunt four yards of net would pucker,
And call the odious thing, 'Diana's tucker.'
I hated it, because although, you see,
It did for her, it didn't do for me.
(Popkins said I should wear a low corsage,
But this I know was merely badinage.)
I recollect the gaieties of old--
Ices when hot, and punch when we were cold!
Race-balls, and county-balls, and balls where you,
For seven shillings, got dance and supper too.
Oh! I remember all the routs and plays--
'But words are idle,' as Lord Byron says;
And so am I, and therefore can spare time,
To put my recollections into rhyme.
I recollect the man who did declare
When I was at the fair, myself was fair:
(I had it in my album for three years,
And often looked, and shed delicious tears.)
I didn't fall in love, however, then,
Because I never saw that man again.
And I remember Popkins--ah! too well!
And all who once in love with Chloë fell.
They called me Chloë for they said my grace
Was nymph-like; as was also half my face.
My mouth was wide, but then I had a smile
Which might a demon of its tears beguile.--
As Captain Popkins said, or rather swore,
He liked me, (ah! my Popkins!) all the more.
He couldn't bear a little mouth, for when
It laughed, 'twas like a long slit in a pen;
Or button-hole stretched on too big a button;
Or little cut for gravy in boiled mutton.
(Popkins was clever)--but I must proceed
More regularly, that my friends may read.
I didn't marry, for I couldn't get
A man I liked; I havn't got one yet;
But I had handsome lovers by the score:
Alas! alas! I always sighed for more.
First came young Minton, of the ninth Hussars,
His eyes were bright and twinkling as the stars.
There was, indeed, a little little cast,
But he assured me that it would not last;
And only came, when he, one cold bivouac,
Gazed on the foe, and could not turn it back--
The chill was so intense! Poor Minton, I
Really did think he certainly would die.
He gave me of himself a little print;
[...] Read more
poem by Caroline Elizabeth Sarah Norton
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At My Aunt's Unveiling
AT MY AUNT’S UNVEILING
At my aunt’s unveiling
There were five of us
Only five
One was a woman
A friend of hers
Not the closest one
But someone who knew her
And wanted to be a friend.
Thousands of people had known my aunt
Hundreds had worked with or for her
She was born into a large family
But all of them were gone
Or out of it.
My sister and I were the relatives
My aunt had been very generous to us
And difficult for my sister
Who cared for her.
I had only been a taker all the years.
My aunt worked so hard for so many years
And she was ‘somebody’ in her world
There were five of us there
And the ceremony short
No minyan.
There was no sign of my aunt’s smile
Or her nervous energy or her superabundant love
‘Moll ‘as my mother called her
was not there.
I see her so clearly in my mind now
‘What does it all mean? ’ my father would ask my mother
after reading of the death of another person they knew
‘What does it all mean’
When my sister and I go
The memory of my aunt
Will be gone forever.
poem by Shalom Freedman
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Monodies
I.
I stand in thought beside my father’s grave:
The grave of one who, in his old age, died
Too late perhaps, since he endured so much
Of corporal anguish, sweating bloody sweat;
But not an hour too soon—no, not an hour!
Even if through all his many years, he ne’er
Had known another ailment than decay,
Or felt one bodily pang. For his bruised heart
And wounded goodwill, wounded through its once
Samsonian vigour and too credulous trust
In that great Delilah, the harlot world,
Had done with fortune;—nay, his very tastes,
Even the lowliest, had by blast on blast
Of sorrow and mischance, been blown like leaves
Deciduous, when the year is withering out,
From every living hold on what we here
Call nature; he but followed in their wake.
Nor was there in the lives of those he loved,
Even had he been susceptible of cheer,
Enough of fortune to warm into peace
A little longer ere he passed away
The remnant of his chilled humanity.
Wet are mine eyes, and my heart aches, to think
How much of evil ridged his course of time
And earthly pilgrimage. Alas! Enough
(However bravely struggled with throughout,
Or passively accepted) to have slain
In almost any other human heart,
All comforting reliance on the sure
Though still reserved supremecy of good!
For few are they, who, on this stormy ball,
Can live a long life full of loss and pain,
And yet through doubts, dull clouds, uplooking, see
In that wide dome which roofs the apparent whole
Without or seam or flaw, a visible type
Of heaven’s intact infinitude of love.
Yet died he a believer in the truth
And fatherhood of the Holy One—a God
Help-mighty, nor unmindful of mankind;
Yea, in the heavenward reaching light of faith
His soul went forth, as in a sunbeam’s track
Some close-caged bird, from a long bondage freed,
Goes winging up—up through the open sky,
Rejoicing in the widening glow that paths
The final victory of its native wings!
And whether all was triumph as it went
Piercing eternity, or whether clouds
Of penal terror gathered in the way,
Not less must death the great inductor be
[...] Read more
poem by Charles Harpur
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Harry (Engaged To Be Married) To Charley (Who Is Not)
To all my fond rhapsodies, Charley,
You have wearily listened, I fear;
As yet not an answer you’ve given
Save a shrug, or an ill-concealed sneer;
Pray, why, when I talk of my marriage,
Do you watch me with sorrowing eye?
’Tis you, hapless bachelor, Charley,
That are to be pitied—not I!
You mockingly ask me to tell you,
Since to bondage I soon must be sold,
Have I wisely chosen my fetters,
Which, at least, should be forged of pure gold.
Hem! the sole wealth my love possesses
Are her tresses of bright golden hair,
Pearly teeth, lips of rosiest coral,
Eyes I know not with what to compare.
Don’t talk about all I surrender—
My club, champagne dinners, cigars,
My hand at écarté, my harmless
Flirtations with Opera “stars.”
Think of the pleasant home, Charley—
Home! I utter the word with just pride—
Its music, soft lights, countless comforts,
Over which she will smiling preside.
And picture in fancy the welcome
That will greet my arrival each night!
How she’ll help me to take off my wrappings
With her dear little fingers so white;
The sweet silvery voice that will utter
The airiest nothings with grace,
The smiles that will dimple all over
That loving and lovely young face.
If sickness should ever o’ertake me,
O! just think how cherished I’ll be—
What loving cares, gentle caresses,
Shall be showered on fortunate me;
While you in some lone, gloomy attic,
To dull death posting off at quick pace,
Will encounter no tokens of pity
Save the smirk on some pert waiter’s face.
And who, perhaps, twelve hours after,
Bringing up your weak tea and dry toast,
Will look in, find you “gone,” and drawl forth,
“Number ten has just given up the ghost.”
Then, Charley, to good counsel listen,
[...] Read more
poem by Rosanna Eleanor Leprohon
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