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Giving the same value to fiction as to fact in the interest of so-called fairness is to mislead the American people and the press has become party to that.

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When The World Has Become Gray

when the world has become gray and I was part of it.. then you will no longer find words of sorrow, hatred, joy and happiness
of me because I had left Him:
'Lord, please tell all of one day to someone who I care' that he understood that I loved him.

then I was through with the peaceful solitude

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When I Found The Words

When I found the words,
that turned into poems
I was instructed to follow a career
that could earn a living,

something away from literature
or even journalism,
that would not come to defy
my relationship with God.

I was taught the languages
of mathematics and accounting
but the words were hunting
for a way of expression,

being stored up for years
even while my then wife,
saw my poetry
as just sentimental rubbish

and now that I am hammering out
the words, the meanings and sounds
I am again haunted by an elitist clique
for whom the position of the self

has become much higher
that the power of words,
who comprehends any able wordsmith
as a threatening menace

as they have to hammer away
at one verse for weeks and months,
rewriting it up to sixty times
to make a poem from it.

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Two Fifties and a Tomato Cart

Two.50 calibre rounds destroyed the old man's head
there was nothing left in the space
where once eyes, nose, mouth had lived
his face was shredded
The tomato cart untouched because
Americans fire tight shot groups
and they were directed at his head
The female MP surveyed the horror
with cool distaste posed the question
'cause of death? ' It was procedure.
An Army private could not resist delivering
his line with a wry twist of gallows humor
'Seems to me, seargeant, loss of head
would be the cause of death.'
Hearing this story now, second hand,
I am unable to make any sense of it.
I fail to grasp the value of it's telling
The facts are clear-
American convoy drew near
the old man and his tomato cart
two fifties opened up and took his head apart
head controls heart thus, life functions ceased
threat eliminated the American convoy eased
to a stop-
and the paperwork started with clinical indifference
to the recently departed tomato cart man
I feel nothing
I am unable to engage emotions though I guess
Somewhere, someone will be lost in an ocean of grief
that will bear no consolation-
no amount of belief in God, Allah, Jahweh
can begin to explain the immensity of their loss
as I attempt to calculate the cost to the Army as roughly-
nothing,
the empty feeling inside of me as
I try to tell myself I'm not dead-
try to sell myself on the idea that somewhere-deep inside
I'm aghast at the cheapness of life in the combat zone
where everybody dies alone and I know
each loss is a personal tragedy to someone back home
a catastrophy to mothers like Cindy Sheehan.
But what about the tomato cart man, his head squashed
like a ripe tomato by the twin hammers
of two fifties?
How much does his death really affect me?
It hits me then and I want to take the fact
and drive it through my own head like
those two fifties until
my head gives way
and my heart stops because
it is now clear that the numbness has become so severe
that I might as well be dead
Cause of death?
Not loss of Head
Oh no, no
I'd say loss of Heart

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The world has become so complex that the idea of a power in which everything comes together and can be controlled in a centralized way is now erroneous.

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Youth To Elder

The years are catching up to us
Our minds seem to be losing touch
No longer do we see or feel
What is fake and what is real.

They say humanity has five senses
Which I tend to disagree
Seeing, smelling, hearing, taste and touch.

But those are just the outer senses of which they speak
What about the inner senses which control you and me.

Love, compassion, fear, hate
Just a few which they forgot to rate.
The list has become so long
That in a book it doesn't belong.

Sadness, joy, anger, frustration
It's not even enough for our imagination.
All these things with age we've come to know
And in our souls it began to grow.

The soul is the only thing that we can not lose
And given a choice- this I'll choose
For when it's time for us to go to the other side
Everything else is left behind.

The soul is like a treasure chest
It holds all the wealth that you've created
Of all the feelings known to man
So when you get to GODS kingdom
You'll understand.
It becomes like a video that you can see
Of your every step and memory
So Alzheimer's and dementia stand aside
You ‘re in for a long, long ride.

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Byron

Don Juan: Canto The Sixteenth

The antique Persians taught three useful things,
To draw the bow, to ride, and speak the truth.
This was the mode of Cyrus, best of kings--
A mode adopted since by modern youth.
Bows have they, generally with two strings;
Horses they ride without remorse or ruth;
At speaking truth perhaps they are less clever,
But draw the long bow better now than ever.

The cause of this effect, or this defect,--
'For this effect defective comes by cause,'--
Is what I have not leisure to inspect;
But this I must say in my own applause,
Of all the Muses that I recollect,
Whate'er may be her follies or her flaws
In some things, mine's beyond all contradiction
The most sincere that ever dealt in fiction.

And as she treats all things, and ne'er retreats
From any thing, this epic will contain
A wilderness of the most rare conceits,
Which you might elsewhere hope to find in vain.
'Tis true there be some bitters with the sweets,
Yet mix'd so slightly, that you can't complain,
But wonder they so few are, since my tale is
'De rebus cunctis et quibusdam aliis.'

But of all truths which she has told, the most
True is that which she is about to tell.
I said it was a story of a ghost--
What then? I only know it so befell.
Have you explored the limits of the coast,
Where all the dwellers of the earth must dwell?
'Tis time to strike such puny doubters dumb as
The sceptics who would not believe Columbus.

Some people would impose now with authority,
Turpin's or Monmouth Geoffry's Chronicle;
Men whose historical superiority
Is always greatest at a miracle.
But Saint Augustine has the great priority,
Who bids all men believe the impossible,
Because 'tis so. Who nibble, scribble, quibble, he
Quiets at once with 'quia impossibile.'

And therefore, mortals, cavil not at all;
Believe:--if 'tis improbable you must,
And if it is impossible, you shall:
'Tis always best to take things upon trust.
I do not speak profanely, to recall
Those holier mysteries which the wise and just
Receive as gospel, and which grow more rooted,
As all truths must, the more they are disputed:

I merely mean to say what Johnson said,
That in the course of some six thousand years,
All nations have believed that from the dead
A visitant at intervals appears;
And what is strangest upon this strange head,
Is, that whatever bar the reason rears
'Gainst such belief, there's something stronger still
In its behalf, let those deny who will.

The dinner and the soiree too were done,
The supper too discuss'd, the dames admired,
The banqueteers had dropp'd off one by one -
The song was silent, and the dance expired:
The last thin petticoats were vanish'd, gone
Like fleecy Clouds into the sky retired,
And nothing brighter gleam'd through the saloon
Than dying tapers - and the peeping moon.

The evaporation of a joyous day
Is like the last glass of champagne, without
The foam which made its virgin bumper gay;
Or like a system coupled with a doubt;
Or like a soda bottle when its spray
Has sparkled and let half its spirit out;
Or like a billow left by storms behind,
Without the animation of the wind;

Or like an opiate, which brings troubled rest,
Or none; or like--like nothing that I know
Except itself;--such is the human breast;
A thing, of which similitudes can show
No real likeness,--like the old Tyrian vest
Dyed purple, none at present can tell how,
If from a shell-fish or from cochineal.
So perish every tyrant's robe piece -meal!

But next to dressing for a rout or ball,
Undressing is a woe; our robe de chambre
May sit like that of Nessus, and recall
Thoughts quite as yellow, but less clear than amber.
Titus exclaim'd, 'I've lost a day!' Of all
The nights and days most people can remember
(I have had of both, some not to be disdain'd),
I wish they 'd state how many they have gain'd.

And Juan, on retiring for the night,
Felt restless, and perplex'd, and compromised:
He thought Aurora Raby's eyes more bright
Than Adeline (such is advice) advised;
If he had known exactly his own plight,
He probably would have philosophised:
A great resource to all, and ne'er denied
Till wanted; therefore Juan only sigh'd.

He sigh'd;--the next resource is the full moon,
Where all sighs are deposited; and now
It happen'd luckily, the chaste orb shone
As clear as such a climate will allow;
And Juan's mind was in the proper tone
To hail her with the apostrophe--'O thou!'
Of amatory egotism the Tuism,
Which further to explain would be a truism.

But lover, poet, or astronomer,
Shepherd, or swain, whoever may behold,
Feel some abstraction when they gaze on her:
Great thoughts we catch from thence (besides a cold
Sometimes, unless my feelings rather err);
Deep secrets to her rolling light are told;
The ocean's tides and mortals' brains she sways,
And also hearts, if there be truth in lays.

Juan felt somewhat pensive, and disposed
For contemplation rather than his pillow:
The Gothic chamber, where he was enclosed,
Let in the rippling sound of the lake's billow,
With all the mystery by midnight caused;
Below his window waved (of course) a willow;
And he stood gazing out on the cascade
That flash'd and after darken'd in the shade.

Upon his table or his toilet,--which
Of these is not exactly ascertain'd
(I state this, for I am cautious to a pitch
Of nicety, where a fact is to be gain'd),--
A lamp burn'd high, while he leant from a niche,
Where many a Gothic ornament remain'd,
In chisell'd stone and painted glass, and all
That time has left our fathers of their hall.

Then, as the night was clear though cold, he threw
His chamber door wide open - and went forth
Into a gallery, of a sombre hue,
Long, furnish'd with old pictures of great worth,
Of knights and dames heroic and chaste too,
As doubtless should be people of high birth.
But by dim lights the portraits of the dead
Have something ghastly, desolate, and dread.

The forms of the grim knight and pictured saint
Look living in the moon; and as you turn
Backward and forward to the echoes faint
Of your own footsteps - voices from the urn
Appear to wake, and shadows wild and quaint
Start from the frames which fence their aspects stern,
As if to ask how you can dare to keep
A vigil there, where all but death should sleep.

And the pale smile of beauties in the grave,
The charms of other days, in starlight gleams,
Glimmer on high; their buried locks still wave
Along the canvas; their eyes glance like dreams
On ours, or spars within some dusky cave,
But death is imaged in their shadowy beams.
A picture is the past; even ere its frame
Be gilt, who sate hath ceased to be the same.

As Juan mused on mutability,
Or on his mistress - terms synonymous -
No sound except the echo of his sigh
Or step ran sadly through that antique house;
When suddenly he heard, or thought so, nigh,
A supernatural agent - or a mouse,
Whose little nibbling rustle will embarrass
Most people as it plays along the arras.

It was no mouse, but lo! a monk, array'd
In cowl and beads and dusky garb, appear'd,
Now in the moonlight, and now lapsed in shade,
With steps that trod as heavy, yet unheard;
His garments only a slight murmur made;
He moved as shadowy as the sisters weird,
But slowly; and as he pass'd Juan by,
Glanced, without pausing, on him a bright eye.

Juan was petrified; he had heard a hint
Of such a spirit in these halls of old,
But thought, like most men, there was nothing in't
Beyond the rumour which such spots unfold,
Coin'd from surviving superstition's mint,
Which passes ghosts in currency like gold,
But rarely seen, like gold compared with paper.
And did he see this? or was it a vapour?

Once, twice, thrice pass'd, repass'd--the thing of air,
Or earth beneath, or heaven, or t'other place;
And Juan gazed upon it with a stare,
Yet could not speak or move; but, on its base
As stands a statue, stood: he felt his hair
Twine like a knot of snakes around his face;
He tax'd his tongue for words, which were not granted,
To ask the reverend person what he wanted.

The third time, after a still longer pause,
The shadow pass'd away--but where? the hall
Was long, and thus far there was no great cause
To think his vanishing unnatural:
Doors there were many, through which, by the laws
Of physics, bodies whether short or tall
Might come or go; but Juan could not state
Through which the spectre seem'd to evaporate.

He stood -- how long he knew not, but it seem'd
An age -- expectant, powerless, with his eyes
Strain'd on the spot where first the figure gleam'd;
Then by degrees recall'd his energies,
And would have pass'd the whole off as a dream,
But could not wake; he was, he did surmise,
Waking already, and return'd at length
Back to his chamber, shorn of half his strength.

All there was as he left it: still his taper
Burnt, and not blue, as modest tapers use,
Receiving sprites with sympathetic vapour;
He rubb'd his eyes, and they did not refuse
Their office; he took up an old newspaper;
The paper was right easy to peruse;
He read an article the king attacking,
And a long eulogy of 'patent blacking.'

This savour'd of this world; but his hand shook--
He shut his door, and after having read
A paragraph, I think about Horne Tooke,
Undrest, and rather slowly went to bed.
There, couch'd all snugly on his pillow's nook,
With what he had seen his phantasy he fed;
And though it was no opiate, slumber crept
Upon him by degrees, and so he slept.

He woke betimes; and, as may be supposed,
Ponder'd upon his visitant or vision,
And whether it ought not to be disclosed,
At risk of being quizz'd for superstition.
The more he thought, the more his mind was posed:
In the mean time, his valet, whose precision
Was great, because his master brook'd no less,
Knock'd to inform him it was time to dress.

He dress'd; and like young people he was wont
To take some trouble with his toilet, but
This morning rather spent less time upon't;
Aside his very mirror soon was put;
His curls fell negligently o'er his front,
His clothes were not curb'd to their usual cut,
His very neckcloth's Gordian knot was tied
Almost an hair's breadth too much on one side.

And when he walk'd down into the saloon,
He sate him pensive o'er a dish of tea,
Which he perhaps had not discover'd soon,
Had it not happen'd scalding hot to be,
Which made him have recourse unto his spoon;
So much distrait he was, that all could see
That something was the matter -- Adeline
The first -- but what she could not well divine.

She look'd, and saw him pale, and turn'd as pale
Herself; then hastily look'd down, and mutter'd
Something, but what's not stated in my tale.
Lord Henry said his muffin was ill butter'd;
The Duchess of Fitz-Fulke play'd with her veil,
And look'd at Juan hard, but nothing utter'd.
Aurora Raby with her large dark eyes
Survey'd him with a kind of calm surprise.

But seeing him all cold and silent still,
And everybody wondering more or less,
Fair Adeline enquired, 'If he were ill?'
He started, and said, 'Yes--no--rather--yes.'
The family physician had great skill,
And being present, now began to express
His readiness to feel his pulse and tell
The cause, but Juan said, 'He was quite well.'

'Quite well; yes,--no.'--These answers were mysterious,
And yet his looks appear'd to sanction both,
However they might savour of delirious;
Something like illness of a sudden growth
Weigh'd on his spirit, though by no means serious:
But for the rest, as he himself seem'd loth
To state the case, it might be ta'en for granted
It was not the physician that he wanted.

Lord Henry, who had now discuss'd his chocolate,
Also the muffin whereof he complain'd,
Said, Juan had not got his usual look elate,
At which he marvell'd, since it had not rain'd;
Then ask'd her Grace what news were of the duke of late?
Her Grace replied, his Grace was rather pain'd
With some slight, light, hereditary twinges
Of gout, which rusts aristocratic hinges.

Then Henry turn'd to Juan, and address'd
A few words of condolence on his state:
'You look,' quoth he, 'as if you had had your rest
Broke in upon by the Black Friar of late.'
'What friar?' said Juan; and he did his best
To put the question with an air sedate,
Or careless; but the effort was not valid
To hinder him from growing still more pallid.

'Oh! have you never heard of the Black Friar?
The spirit of these walls?'--'In truth not I.'
'Why Fame--but Fame you know 's sometimes a liar--
Tells an odd story, of which by and by:
Whether with time the spectre has grown shyer,
Or that our sires had a more gifted eye
For such sights, though the tale is half believed,
The friar of late has not been oft perceived.

(Who watch'd the changes of Don Juan's brow,
And from its context thought she could divine
Connexions stronger then he chose to avow
With this same legend)--'if you but design
To jest, you'll choose some other theme just now,
Because the present tale has oft been told,
And is not much improved by growing old.'

'Jest!' quoth Milor; 'why, Adeline, you know
That we ourselves - 'twas in the honey-moon--
But, come, I'll set your story to a tune.'
Graceful as Dian, when she draws her bow,
She seized her harp, whose strings were kindled soon
As touch'd, and plaintively began to play
The air of ''Twas a Friar of Orders Gray.'

'But add the words,' cried Henry, 'which you made;
For Adeline is half a poetess,'
Turning round to the rest, he smiling said.
Of course the others could not but express
In courtesy their wish to see display'd
By one three talents, for there were no less--
The voice, the words, the harper's skill, at once
Could hardly be united by a dunce.

After some fascinating hesitation,--
The charming of these charmers, who seem bound,
I can't tell why, to this dissimulation,--
Fair Adeline, with eyes fix'd on the ground
At first, then kindling into animation,
Added her sweet voice to the lyric sound,
And sang with much simplicity,--a merit
Not the less precious, that we seldom hear it.

Beware! beware! of the Black Friar,
Who sitteth by Norman stone,
For he mutters his prayer in the midnight air,
And his mass of the days that are gone.
When the Lord of the Hill, Amundeville,
Made Norman Church his prey,
And expell'd the friars, one friar still
Would not be driven away.

Though he came in his might, with King Henry's right,
To turn church lands to lay,
With sword in hand, and torch to light
Their walls, if they said nay;
A monk remain'd, unchased, unchain'd,
And he did not seem form'd of clay,
For he's seen in the porch, and he 's seen in the church,
Though he is not seen by day.

And whether for good, or whether for ill,
It is not mine to say;
But still with the house of Amundeville
He abideth night and day.
By the marriage-bed of their lords, 'tis said,
He flits on the bridal eve;
And 'tis held as faith, to their bed of death
He comes - but not to grieve.

When an heir is born, he's heard to mourn,
And when aught is to befall
That ancient line, in the 'we moonshine
He walks from hall to hall.
His form you may trace, but not his face,
'Tis shadow'd by his cowl;
But his eyes may be seen from the folds between,
And they seem of a parted soul.

But beware! beware! of the Black Friar,
He still retains his sway,
For he is yet the church's heir
Whoever may be the lay.
Amundeville is lord by day,
But the monk is lord by night;
Nor wine nor wassail could raise a vassal
To question that friar's right.

Say nought to him as he walks the hall,
And he'll say nought to you;
He sweeps along in his dusky pall,
As o'er the grass the dew.
Then grammercy! for the Black Friar;
Heaven sain him, fair or foul!
And whatsoe'er may be his prayer,
Let ours be for his soul.

The lady's voice ceased, and the thrilling wires
Died from the touch that kindled them to sound;
And the pause follow'd, which when song expires
Pervades a moment those who listen round;
And then of course the circle much admires,
Nor less applauds, as in politeness bound,
The tones, the feeling, and the execution,
To the performer's diffident confusion.

Fair Adeline, though in a careless way,
As if she rated such accomplishment
As the mere pastime of an idle day,
Pursued an instant for her own content,
Would now and then as 'twere without display,
Yet with display in fact, at times relent
To such performances with haughty smile,
To show she could, if it were worth her while.

Now this (but we will whisper it aside)
Was - pardon the pedantic illustration--
Trampling on Plato's pride with greater pride,
As did the Cynic on some like occasion;
Deeming the sage would be much mortified,
Or thrown into a philosophic passion,
For a spoil'd carpet - but the 'Attic Bee'
Was much consoled by his own repartee.

Thus Adeline would throw into the shade
(By doing easily, whene'er she chose,
What dilettanti do with vast parade)
Their sort of half profession; for it grows
To something like this when too oft display'd;
And that it is so everybody knows
Who have heard Miss That or This, or Lady T'other,
Show off - to please their company or mother.

Oh! the long evenings of duets and trios!
The admirations and the speculations;
The 'Mamma Mia's!' and the 'Amor Mio's!'
The 'Tanti palpiti's' on such occasions:
The 'Lasciami's,' and quavering 'Addio's!'
Amongst our own most musical of nations;
With 'Tu mi chamas's' from Portingale,
To soothe our ears, lest Italy should fail.

In Babylon's bravuras - as the home
Heart-ballads of Green Erin or Gray Highlands,
That bring Lochaber back to eyes that roam
O'er far Atlantic continents or islands,
The calentures of music which o'ercome
All mountaineers with dreams that they are nigh lands,
No more to be beheld but in such visions -
Was Adeline well versed, as compositions.

She also had a twilight tinge of 'Blue,'
Could write rhymes, and compose more than she wrote,
Made epigrams occasionally too
Upon her friends, as everybody ought.
But still from that sublimer azure hue,
So much the present dye, she was remote;
Was weak enough to deem Pope a great poet,
And what was worse, was not ashamed to show it.

Aurora - since we are touching upon taste,
Which now-a-days is the thermometer
By whose degrees all characters are class'd -
Was more Shakspearian, if I do not err.
The worlds beyond this world's perplexing waste
Had more of her existence, for in her
There was a depth of feeling to embrace
Thoughts, boundless, deep, but silent too as Space.

Not so her gracious, graceful, graceless Grace,
The full-grown Hebe of Fitz-Fulke, whose mind,
If she had any, was upon her face,
And that was of a fascinating kind.
A little turn for mischief you might trace
Also thereon,--but that's not much; we find
Few females without some such gentle leaven,
For fear we should suppose us quite in heaven.

I have not heard she was at all poetic,
Though once she was seen reading the 'Bath Guide,'
And 'Hayley's Triumphs,' which she deem'd pathetic,
Because she said her temper had been tried
So much, the bard had really been prophetic
Of what she had gone through with - since a bride.
But of all verse, what most ensured her praise
Were sonnets to herself, or 'bouts rimes.'

'Twere difficult to say what was the object
Of Adeline, in bringing this same lay
To bear on what appear'd to her the subject
Of Juan's nervous feelings on that day.
Perhaps she merely had the simple project
To laugh him out of his supposed dismay;
Perhaps she might wish to confirm him in it,
Though why I cannot say - at least this minute.

But so far the immediate effect
Was to restore him to his self -propriety,
A thing quite necessary to the elect,
Who wish to take the tone of their society:
In which you cannot be too circumspect,
Whether the mode be persiflage or piety,
But wear the newest mantle of hypocrisy,
On pain of much displeasing the gynocracy.

And therefore Juan now began to rally
His spirits, and without more explanation
To jest upon such themes in many a sally.
Her Grace, too, also seized the same occasion,
With various similar remarks to tally,
But wish'd for a still more detail'd narration
Of this same mystic friar's curious doings,
About the present family's deaths and wooings.

Of these few could say more than has been said;
They pass'd as such things do, for superstition
With some, while others, who had more in dread
The theme, half credited the strange tradition;
And much was talk'd on all sides on that head:
But Juan, when cross-question'd on the vision,
Which some supposed (though he had not avow'd it)
Had stirr'd him, answer'd in a way to cloud it.

And then, the mid-day having worn to one,
The company prepared to separate;
Some to their several pastimes, or to none,
Some wondering 'twas so early, some so late.
There was a goodly match too, to be run
Between some greyhounds on my lord's estate,
And a young race-horse of old pedigree
Match'd for the spring, whom several went to see.

There was a picture-dealer who had brought
A special Titian, warranted original,
So precious that it was not to be bought,
Though princes the possessor were besieging all.
The king himself had cheapen'd it, but thought
The civil list he deigns to accept (obliging all
His subjects by his gracious acceptation)
Too scanty, in these times of low taxation.

But as Lord Henry was a connoisseur,--
The friend of artists, if not arts,--the owner,
With motives the most classical and pure,
So that he would have been the very donor,
Rather than seller, had his wants been fewer,
So much he deem'd his patronage an honour,
Had brought the capo d'opera, not for sale,
But for his judgment - never known to fail.

There was a modern Goth, I mean a Gothic
Bricklayer of Babel, call'd an architect,
Brought to survey these grey walls, which though so thick,
Might have from time acquired some slight defect;
Who after rummaging the Abbey through thick
And thin, produced a plan whereby to erect
New buildings of correctest conformation,
And throw down old - which he call'd restoration.

The cost would be a trifle - an 'old song,'
Set to some thousands ('tis the usual burden
Of that same tune, when people hum it long)--
The price would speedily repay its worth in
An edifice no less sublime than strong,
By which Lord Henry's good taste would go forth in
Its glory, through all ages shining sunny,
For Gothic daring shown in English money.

There were two lawyers busy on a mortgage
Lord Henry wish'd to raise for a new purchase;
Also a lawsuit upon tenures burgage,
And one on tithes, which sure are Discord's torches,
Kindling Religion till she throws down her gage,
'Untying' squires 'to fight against the churches;'
There was a prize ox, a prize pig, and ploughman,
For Henry was a sort of Sabine showman.

There were two poachers caught in a steel trap,
Ready for gaol, their place of convalescence;
There was a country girl in a close cap
And scarlet cloak (I hate the sight to see, since--
Since--since--in youth, I had the sad mishap--
But luckily I have paid few parish fees since):
That scarlet cloak, alas! unclosed with rigour,
Presents the problem of a double figure.

A reel within a bottle is a mystery,
One can't tell how it e'er got in or out;
Therefore the present piece of natural history
I leave to those who are fond of solving doubt;
And merely state, though not for the consistory,
Lord Henry was a justice, and that Scout
The constable, beneath a warrant's banner,
Had bagg'd this poacher upon Nature's manor.

Now justices of peace must judge all pieces
Of mischief of all kinds, and keep the game
And morals of the country from caprices
Of those who have not a license for the same;
And of all things, excepting tithes and leases,
Perhaps these are most difficult to tame:
Preserving partridges and pretty wenches
Are puzzles to the most precautious benches.

The present culprit was extremely pale,
Pale as if painted so; her cheek being red
By nature, as in higher dames less hale
'Tis white, at least when they just rise from bed.
Perhaps she was ashamed of seeming frail,
Poor soul! for she was country born and bred,
And knew no better in her immorality
Than to wax white - for blushes are for quality.

Her black, bright, downcast, yet espiegle eye,
Had gather'd a large tear into its corner,
Which the poor thing at times essay'd to dry,
For she was not a sentimental mourner
Parading all her sensibility,
Nor insolent enough to scorn the scorner,
But stood in trembling, patient tribulation,
To be call'd up for her examination.

Of course these groups were scatter'd here and there,
Not nigh the gay saloon of ladies gent.
The lawyers in the study; and in air
The prize pig, ploughman, poachers; the men sent
From town, viz., architect and dealer, were
Both busy (as a general in his tent
Writing despatches) in their several stations,
Exulting in their brilliant lucubrations.

But this poor girl was left in the great hall,
While Scout, the parish guardian of the frail,
Discuss'd (he hated beer yclept the 'small')
A mighty mug of moral double ale.
She waited until justice could recall
Its kind attentions to their proper pale,
To name a thing in nomenclature rather
Perplexing for most virgins - a child's father.

You see here was enough of occupation
For the Lord Henry, link'd with dogs and horses.
There was much bustle too, and preparation
Below stairs on the score of second courses;
Because, as suits their rank and situation,
Those who in counties have great land resources
Have 'Public days,' when all men may carouse,
Though not exactly what's call'd 'open house.'

But once a week or fortnight, uninvited
(Thus we translate a general invitation),
All country gentlemen, esquired or knighted,
May drop in without cards, and take their station
At the full board, and sit alike delighted
With fashionable wines and conversation;
And, as the isthmus of the grand connection,
Talk o'er themselves the past and next election.

Lord Henry was a great electioneerer,
Burrowing for boroughs like a rat or rabbit;
But county contests cost him rather dearer,
Because the neighbouring Scotch Earl of Giftgabbit
Had English influence in the self-same sphere here;
His son, the Honourable Dick Dicedrabbit,
Was member for the 'other interest' (meaning
The same self-interest, with a different leaning).

Courteous and cautious therefore in his county,
He was all things to all men, and dispensed
To some civility, to others bounty,
And promises to all - which last commenced
To gather to a somewhat large amount, he
Not calculating how much they condensed;
But what with keeping some, and breaking others,
His word had the same value as another's.

A friend to freedom and freeholders--yet
No less a friend to government--he held,
That he exactly the just medium hit
'Twixt place and patriotism--albeit compell'd,
Such was his sovereign's pleasure (though unfit,
He added modestly, when rebels rail'd),
To hold some sinecures he wish'd abolish'd,
But that with them all law would be demolish'd.

He was 'free to confess' (whence comes this phrase?
Is't English? No--'tis only parliamentary)
That innovation's spirit now-a-days
Had made more progress than for the last century.
He would not tread a factious path to praise,
Though for the public weal disposed to venture high;
As for his place, he could but say this of it,
That the fatigue was greater than the profit.

Heaven, and his friends, knew that a private life
Had ever been his sole and whole ambition;
But could he quit his king in times of strife,
Which threaten'd the whole country with perdition?
When demagogues would with a butcher's knife
Cut through and through (oh! damnable incision!)
The Gordian or the Geordi-an knot, whose strings
Have tied together commons, lords, and kings.

Sooner 'come lace into the civil list
And champion him to the utmost'--he would keep it,
Till duly disappointed or dismiss'd:
Profit he care not for, let others reap it;
But should the day come when place ceased to exist,
The country would have far more cause to weep it:
For how could it go on? Explain who can!
He gloried in the name of Englishman.

He was as independent--ay, much more--
Than those who were not paid for independence,
As common soldiers, or a common--shore,
Have in their several arts or parts ascendance
O'er the irregulars in lust or gore,
Who do not give professional attendance.
Thus on the mob all statesmen are as eager
To prove their pride, as footmen to a beggar.

All this (save the last stanza) Henry said,
And thought. I say no more--I've said too much;
For all of us have either heard or read--
Off--or upon the hustings--some slight such
Hints from the independent heart or head
Of the official candidate. I'll touch
No more on this--the dinner-bell hath rung,
And grace is said; the grace I should have sung--

But I'm too late, and therefore must make play.
'Twas a great banquet, such as Albion old
Was wont to boast--as if a glutton's tray
Were something very glorious to behold.
But 'twas a public feast and public day,--
Quite full, right dull, guests hot, and dishes cold,
Great plenty, much formality, small cheer,
And every body out of their own sphere.

The squires familiarly formal, and
My lords and ladies proudly condescending;
The very servants puzzling how to hand
Their plates--without it might be too much bending
From their high places by the sideboard's stand--
Yet, like their masters, fearful of offending.
For any deviation from the graces
Might cost both man and master too--their places.

There were some hunters bold, and coursers keen,
Whose hounds ne'er err'd, nor greyhounds deign'd to lurch;
Some deadly shots too, Septembrizers, seen
Earliest to rise, and last to quit the search
Of the poor partridge through his stubble screen.
There were some massy members of the church,
Takers of tithes, and makers of good matches,
And several who sung fewer psalms than catches.

There were some country wags too - and, alas!
Some exiles from the town, who had been driven
To gaze, instead of pavement, upon grass,
And rise at nine in lieu of long eleven.
And lo! upon that day it came to pass,
I sate next that o'erwhelming son of heaven,
The very powerful parson, Peter Pith,
The loudest wit I e'er was deafen'd with.

I knew him in his livelier London days,
A brilliant diner out, though but a curate;
And not a joke he cut but earn'd its praise,
Until preferment, coming at a sure rate
(O Providence! how wondrous are thy ways!
Who would suppose thy gifts sometimes obdurate?),
Gave him, to lay the devil who looks o'er Lincoln,
A fat fen vicarage, and nought to think on.

His jokes were sermons, and his sermons jokes;
But both were thrown away amongst the fens;
For wit hath no great friend in aguish folks.
No longer ready ears and short-hand pens
Imbibed the gay bon-mot, or happy hoax:
The poor priest was reduced to common sense,
Or to coarse efforts very loud and long,
To hammer a horse laugh from the thick throng.

There is a difference, says the song, 'between
A beggar and a queen,' or was (of late
The latter worse used of the two we've seen--
But we'll say nothing of affairs of state);
A difference ''twixt a bishop and a dean,'
A difference between crockery ware and plate,
As between English beef and Spartan broth--
And yet great heroes have been bred by both.

But of all nature's discrepancies, none
Upon the whole is greater than the difference
Beheld between the country and the town,
Of which the latter merits every preference
From those who have few resources of their own,
And only think, or act, or feel, with reference
To some small plan of interest or ambition--
Both which are limited to no condition.

But 'en avant!' The light loves languish o'er
Long banquets and too many guests, although
A slight repast makes people love much more,
Bacchus and Ceres being, as we know
Even from our grammar upwards, friends of yore
With vivifying Venus, who doth owe
To these the invention of champagne and truffles:
Temperance delights her, but long fasting ruffles.

Dully past o'er the dinner of the day;
And Juan took his place, he knew not where,
Confused, in the confusion, and distrait,
And sitting as if nail'd upon his chair:
Though knives and forks clank'd round as in a fray,
He seem'd unconscious of all passing there,
Till some one, with a groan, exprest a wish
(Unheeded twice) to have a fin of fish.

On which, at the third asking of the bans,
He started; and perceiving smiles around
Broadening to grins, he colour'd more than once,
And hastily--as nothing can confound
A wise man more than laughter from a dunce--
Inflicted on the dish a deadly wound,
And with such hurry, that ere he could curb it
He had paid his neighbour's prayer with half a turbot.

This was no bad mistake, as it occurr'd,
The supplicator being an amateur;
But others, who were left with scarce a third,
Were angry--as they well might, to be sure.
They wonder'd how a young man so absurd
Lord Henry at his table should endure;
And this, and his not knowing how much oats
Had fallen last market, cost his host three votes.

They little knew, or might have sympathised,
That he the night before had seen a ghost,
A prologue which but slightly harmonised
With the substantial company engross'd
By matter, and so much materialised,
That one scarce knew at what to marvel most
Of two things--how (the question rather odd is)
Such bodies could have souls, or souls such bodies.

But what confused him more than smile or stare
From all the 'squires and 'squiresses around,
Who wonder'd at the abstraction of his air,
Especially as he had been renown'd
For some vivacity among the fair,
Even in the country circle's narrow bound
(For little things upon my lord's estate
Were good small talk for others still less great)--

Was, that he caught Aurora's eye on his,
And something like a smile upon her cheek.
Now this he really rather took amiss:
In those who rarely smile, their smiles bespeak
A strong external motive; and in this
Smile of Aurora's there was nought to pique
Or hope, or love, with any of the wiles
Which some pretend to trace in ladies' smiles.

'Twas a mere quiet smile of contemplation,
Indicative of some surprise and pity;
And Juan grew carnation with vexation,
Which was not very wise, and still less witty,
Since he had gain'd at least her observation,
A most important outwork of the city--
As Juan should have known, had not his senses
By last night's ghost been driven from their defences.

But what was bad, she did not blush in turn,
Nor seem embarrass'd--quite the contrary;
Her aspect was as usual, still--not stern--
And she withdrew, but cast not down, her eye,
Yet grew a little pale--with what? concern?
I know not; but her colour ne'er was high--
Though sometimes faintly flush'd--and always clear,
As deep seas in a sunny atmosphere.

But Adeline was occupied by fame
This day; and watching, witching, condescending
To the consumers of fish, fowl, and game,
And dignity with courtesy so blending,
As all must blend whose part it is to aim
(Especially as the sixth year is ending)
At their lord's, son's, or similar connection's
Safe conduct through the rocks of re-elections.

Though this was most expedient on the whole,
And usual--Juan, when he cast a glance
On Adeline while playing her grand role,
Which she went through as though it were a dance,
Betraying only now and then her soul
By a look scarce perceptibly askance
(Of weariness or scorn), began to feel
Some doubt how much of Adeline was real;

So well she acted all and every part
By turns--with that vivacious versatility,
Which many people take for want of heart.
They err--'tis merely what is call'd mobility,
A thing of temperament and not of art,
Though seeming so, from its supposed facility;
And false--though true; for surely they 're sincerest
Who are strongly acted on by what is nearest.

This makes your actors, artists, and romancers,
Heroes sometimes, though seldom--sages never;
But speakers, bards, diplomatists, and dancers,
Little that's great, but much of what is clever;
Most orators, but very few financiers,
Though all Exchequer chancellors endeavour,
Of late years, to dispense with Cocker's rigours,
And grow quite figurative with their figures.

The poets of arithmetic are they
Who, though they prove not two and two to be
Five, as they might do in a modest way,
Have plainly made it out that four are three,
Judging by what they take, and what they pay.
The Sinking Fund's unfathomable sea,
That most unliquidating liquid, leaves
The debt unsunk, yet sinks all it receives.

While Adeline dispensed her airs and graces,
The fair Fitz-Fulke seem'd very much at ease;
Though too well bred to quiz men to their faces,
Her laughing blue eyes with a glance could seize
The ridicules of people in all places -
That honey of your fashionable bees -
And store it up for mischievous enjoyment;
And this at present was her kind employment.

However, the day closed, as days must close;
The evening also waned - and coffee came.
Each carriage was announced, and ladies rose,
And curtsying off, as curtsies country dame,
Retired: with most unfashionable bows
Their docile esquires also did the same,
Delighted with their dinner and their host,
But with the Lady Adeline the most.

Some praised her beauty; others her great grace;
The warmth of her politeness, whose sincerity
Was obvious in each feature of her face,
Whose traits were radiant with the rays of verity.
Yes; she was truly worthy her high place!
No one could envy her deserved prosperity.
And then her dress - what beautiful simplicity
Draperied her form with curious felicity!

Meanwhile Sweet Adeline deserved their praises,
By an impartial indemnification
For all her past exertion and soft phrases,
In a most edifying conversation,
Which turn'd upon their late guests' miens and faces,
And families, even to the last relation;
Their hideous wives, their horrid selves and dresses,
And truculent distortion of their tresses.

True, she said little - 'twas the rest that broke
Forth into universal epigram;
But then 'twas to the purpose what she spoke:
Like Addison's 'faint praise,' so wont to damn,
Her own but served to set off every joke,
As music chimes in with a melodrame.
How sweet the task to shield an absent friend!
I ask but this of mine, to - not defend.

There were but two exceptions to this keen
Skirmish of wits o'er the departed; one
Aurora, with her pure and placid mien;
And Juan, too, in general behind none
In gay remark on what he had heard or seen,
Sate silent now, his usual spirits gone:
In vain he heard the others rail or rally,
He would not join them in a single sally.

'Tis true he saw Aurora look as though
She approved his silence; she perhaps mistook
Its motive for that charity we owe
But seldom pay the absent, nor would look
Farther - it might or might not be so.
But Juan, sitting silent in his nook,
Observing little in his reverie,
Yet saw this much, which he was glad to see.

The ghost at least had done him this much good,
In making him as silent as a ghost,
If in the circumstances which ensued
He gain'd esteem where it was worth the most.
And certainly Aurora had renew'd
In him some feelings he had lately lost,
Or harden'd; feelings which, perhaps ideal,
Are so divine, that I must deem them real:--

The love of higher things and better days;
The unbounded hope, and heavenly ignorance
Of what is call'd the world, and the world's ways;
The moments when we gather from a glance
More joy than from all future pride or praise,
Which kindle manhood, but can ne'er entrance
The heart in an existence of its own,
Of which another's bosom is the zone.

Who would not sigh Ai ai Tan Kuuerheian
That hath a memory, or that had a heart?
Alas! her star must fade like that of Dian:
Ray fades on ray, as years on years depart.
Anacreon only had the soul to tie an
Unwithering myrtle round the unblunted dart
Of Eros: but though thou hast play'd us many tricks,
Still we respect thee, 'Alma Venus Genetrix!'

And full of sentiments, sublime as billows
Heaving between this world and worlds beyond,
Don Juan, when the midnight hour of pillows
Arrived, retired to his; but to despond
Rather than rest. Instead of poppies, willows
Waved o'er his couch; he meditated, fond
Of those sweet bitter thoughts which banish sleep,
And make the worldling sneer, the youngling weep.

The night was as before: he was undrest,
Saving his night-gown, which is an undress;
Completely 'sans culotte,' and without vest;
In short, he hardly could be clothed with less:
But apprehensive of his spectral guest,
He sate with feelings awkward to express
(By those who have not had such visitations),
Expectant of the ghost's fresh operations.

And not in vain he listen'd;--Hush! what's that?
I see--I see--Ah, no!--'tis not--yet 'tis--
Ye powers! it is the-the-the-Pooh! the cat!
The devil may take that stealthy pace of his!
So like a spiritual pit-a-pat,
Or tiptoe of an amatory Miss,
Gliding the first time to a rendezvous,
And dreading the chaste echoes of her shoe.

Again--what is't? The wind? No, no--this time
It is the sable friar as before,
With awful footsteps regular as rhyme,
Or (as rhymes may be in these days) much more.
Again through shadows of the night sublime,
When deep sleep fell on men, and the world wore
The starry darkness round her like a girdle
Spangled with gems--the monk made his blood curdle.

A noise like to wet fingers drawn on glass,
Which sets the teeth on edge; and a slight clatter,
Like showers which on the midnight gusts will pass,
Sounding like very supernatural water,
Came over Juan's ear, which throbb'd, alas!
For immaterialism's a serious matter;
So that even those whose faith is the most great
In souls immortal, shun them tete-a-tete.

Were his eyes open?--Yes! and his mouth too.
Surprise has this effect--to make one dumb,
Yet leave the gate which eloquence slips through
As wide as if a long speech were to come.
Nigh and more nigh the awful echoes drew,
Tremendous to a mortal tympanum:
His eyes were open, and (as was before
Stated) his mouth. What open'd next?--the door.

It open'd with a most infernal creak,
Like that of hell. 'Lasciate ogni speranza
Voi che entrate!' The hinge seem'd to speak,
Dreadful as Dante's rhima, or this stanza;
Or - but all words upon such themes are weak:
A single shade's sufficient to entrance
Hero - for what is substance to a spirit?
Or how is't matter trembles to come near it?

The door flew wide,--not swiftly, but, as fly
The sea -gulls, with a steady, sober flight,
And then swung back, nor close, but stood awry,
Half letting in long shadows on the light,
Which still in Juan's candlesticks burned high,
For he had two, both tolerably bright,
And in the doorway, darkening darkness, stood
The sable Friar in his solemn hood.

Between two worlds life hovers like a star,
'Twixt night and morn, upon the horizon's verge.
How little do we know that which we are!
How less what we may be! The eternal surge
Of time and tide rolls on, and bears afar
Our bubbles; as the old burst, new emerge,
Lash'd from the foam of ages; while the graves
Of empires heave but like some passing waves.

Don Juan shook, as erst he had been shaken
The night before, but being sick of shaking,
He first inclined to think he had been mistaken,
And then to be ashamed of such mistaking.
His own internal ghost began to awaken
Within him and to quell his corporal quaking,
Hinting that soul and body on the whole
Were odds against a disembodied soul.

And then his dread grew wrath, and his wrath fierce,
And he arose, advanced. The shade retreated,
But Juan, eager now the truth to pierce,
Followed, his veins no longer cold, but heated,
Resolved to thrust the mystery carte and tierce,
At whatsoever risk of being defeated.
The ghost stopped, menaced, then retired, until
He reached the ancient wall, then stood stone still.

Juan put forth one arm. Eternal powers!
It touched no soul nor body, but the wall,
On which the moonbeams fell in silvery showers
Checkered with all the tracery of the hall.
He shuddered, as no doubt the bravest cowers
When he can't tell what 'tis that doth appal.
How odd, a single hobgoblin's nonentity
Should cause more fear than a whole host's identity.

But still the shade remained, the blue eyes glared,
And rather variably for stony death.
Yet one thing rather good the grave had spared;
The ghost had a remarkably sweet breath.
A straggling curl showed he had been fair-haired.
A red lip with two rows of pearls beneath
Gleamed forth, as through the casement's ivy shroud
The moon peeped, just escaped from a grey cloud.

And Juan, puzzled but still curious, thrust
His other arm forth. Wonder upon wonder!
It pressed upon a hard but glowing bust,
Which beat as if there was a warm heart under.
He found, as people on most trials must,
That he had made at first a silly blunder
And that in his confusion he had caught
Only the wall, instead of what he sought

The ghost, if ghost it were, seemed a sweet soul
As ever lurked beneath a holy hood.
A dimpled chin, a neck of ivory stole
Forth into something much like flesh and blood.
Back fell the sable frock and dreary cowl
And they revealed, alas, that ere they should,
In full, voluptuous, but not o'ergrown bulk,
The phantom of her frolic Grace - Fita-Fulke!

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Byron

Canto the Sixteenth

I
The antique Persians taught three useful things,
To draw the bow, to ride, and speak the truth.
This was the mode of Cyrus, best of kings --
A mode adopted since by modern youth.
Bows have they, generally with two strings;
Horses they ride without remorse or ruth;
At speaking truth perhaps they are less clever,
But draw the long bow better now than ever.

II
The cause of this effect, or this defect, --
"For this effect defective comes by cause," --
Is what I have not leisure to inspect;
But this I must say in my own applause,
Of all the Muses that I recollect,
Whate'er may be her follies or her flaws
In some things, mine's beyond all contradiction
The most sincere that ever dealt in fiction.

III
And as she treats all things, and ne'er retreats
From any thing, this epic will contain
A wilderness of the most rare conceits,
Which you might elsewhere hope to find in vain.
'T is true there be some bitters with the sweets,
Yet mix'd so slightly, that you can't complain,
But wonder they so few are, since my tale is
"De rebus cunctis et quibusdam aliis."

IV
But of all truths which she has told, the most
True is that which she is about to tell.
I said it was a story of a ghost --
What then? I only know it so befell.
Have you explored the limits of the coast,
Where all the dwellers of the earth must dwell?
'T is time to strike such puny doubters dumb as
The sceptics who would not believe Columbus.

V
Some people would impose now with authority,
Turpin's or Monmouth Geoffry's Chronicle;
Men whose historical superiority
Is always greatest at a miracle.
But Saint Augustine has the great priority,
Who bids all men believe the impossible,
Because 't is so. Who nibble, scribble, quibble, he
Quiets at once with "quia impossibile."

VI
And therefore, mortals, cavil not at all;
Believe: -- if 't is improbable you must,
And if it is impossible, you shall:
'T is always best to take things upon trust.
I do not speak profanely, to recall
Those holier mysteries which the wise and just
Receive as gospel, and which grow more rooted,
As all truths must, the more they are disputed:

VII
I merely mean to say what Johnson said,
That in the course of some six thousand years,
All nations have believed that from the dead
A visitant at intervals appears;
And what is strangest upon this strange head,
Is, that whatever bar the reason rears
'Gainst such belief, there's something stronger still
In its behalf, let those deny who will.

VIII
The dinner and the soirée too were done,
The supper too discuss'd, the dames admired,
The banqueteers had dropp'd off one by one --
The song was silent, and the dance expired:
The last thin petticoats were vanish'd, gone
Like fleecy Clouds into the sky retired,
And nothing brighter gleam'd through the saloon
Than dying tapers -- and the peeping moon.

IX
The evaporation of a joyous day
Is like the last glass of champagne, without
The foam which made its virgin bumper gay;
Or like a system coupled with a doubt;
Or like a soda bottle when its spray
Has sparkled and let half its spirit out;
Or like a billow left by storms behind,
Without the animation of the wind;

X
Or like an opiate, which brings troubled rest,
Or none; or like -- like nothing that I know
Except itself; -- such is the human breast;
A thing, of which similitudes can show
No real likeness, -- like the old Tyrian vest
Dyed purple, none at present can tell how,
If from a shell-fish or from cochineal.
So perish every tyrant's robe piece-meal!

XI
But next to dressing for a rout or ball,
Undressing is a woe; our robe de chambre
May sit like that of Nessus, and recall
Thoughts quite as yellow, but less clear than amber.
Titus exclaim'd, "I've lost a day!" Of all
The nights and days most people can remember
(I have had of both, some not to be disdain'd),
I wish they 'd state how many they have gain'd.

XII
And Juan, on retiring for the night,
Felt restless, and perplex'd, and compromised:
He thought Aurora Raby's eyes more bright
Than Adeline (such is advice) advised;
If he had known exactly his own plight,
He probably would have philosophised:
A great resource to all, and ne'er denied
Till wanted; therefore Juan only sigh'd.

XIII
He sigh'd; -- the next resource is the full moon,
Where all sighs are deposited; and now
It happen'd luckily, the chaste orb shone
As clear as such a climate will allow;
And Juan's mind was in the proper tone
To hail her with the apostrophe -- "O thou!"
Of amatory egotism the Tuism,
Which further to explain would be a truism.

XIV
But lover, poet, or astronomer,
Shepherd, or swain, whoever may behold,
Feel some abstraction when they gaze on her:
Great thoughts we catch from thence (besides a cold
Sometimes, unless my feelings rather err);
Deep secrets to her rolling light are told;
The ocean's tides and mortals' brains she sways,
And also hearts, if there be truth in lays.

XV
Juan felt somewhat pensive, and disposed
For contemplation rather than his pillow:
The Gothic chamber, where he was enclosed,
Let in the rippling sound of the lake's billow,
With all the mystery by midnight caused;
Below his window waved (of course) a willow;
And he stood gazing out on the cascade
That flash'd and after darken'd in the shade.

XVI
Upon his table or his toilet, -- which
Of these is not exactly ascertain'd
(I state this, for I am cautious to a pitch
Of nicety, where a fact is to be gain'd), --
A lamp burn'd high, while he leant from a niche,
Where many a Gothic ornament remain'd,
In chisell'd stone and painted glass, and all
That time has left our fathers of their hall.

XVII
Then, as the night was clear though cold, he threw
His chamber door wide open -- and went forth
Into a gallery, of a sombre hue,
Long, furnish'd with old pictures of great worth,
Of knights and dames heroic and chaste too,
As doubtless should be people of high birth.
But by dim lights the portraits of the dead
Have something ghastly, desolate, and dread.

XVIII
The forms of the grim knight and pictured saint
Look living in the moon; and as you turn
Backward and forward to the echoes faint
Of your own footsteps -- voices from the urn
Appear to wake, and shadows wild and quaint
Start from the frames which fence their aspects stern,
As if to ask how you can dare to keep
A vigil there, where all but death should sleep.

XIX
And the pale smile of beauties in the grave,
The charms of other days, in starlight gleams,
Glimmer on high; their buried locks still wave
Along the canvas; their eyes glance like dreams
On ours, or spars within some dusky cave,
But death is imaged in their shadowy beams.
A picture is the past; even ere its frame
Be gilt, who sate hath ceased to be the same.

XX
As Juan mused on mutability,
Or on his mistress -- terms synonymous --
No sound except the echo of his sigh
Or step ran sadly through that antique house;
When suddenly he heard, or thought so, nigh,
A supernatural agent -- or a mouse,
Whose little nibbling rustle will embarrass
Most people as it plays along the arras.

XXI
It was no mouse, but lo! a monk, array'd
In cowl and beads and dusky garb, appear'd,
Now in the moonlight, and now lapsed in shade,
With steps that trod as heavy, yet unheard;
His garments only a slight murmur made;
He moved as shadowy as the sisters weird,
But slowly; and as he pass'd Juan by,
Glanced, without pausing, on him a bright eye.

XXII
Juan was petrified; he had heard a hint
Of such a spirit in these halls of old,
But thought, like most men, there was nothing in 't
Beyond the rumour which such spots unfold,
Coin'd from surviving superstition's mint,
Which passes ghosts in currency like gold,
But rarely seen, like gold compared with paper.
And did he see this? or was it a vapour?

XXIII
Once, twice, thrice pass'd, repass'd -- the thing of air,
Or earth beneath, or heaven, or t' other place;
And Juan gazed upon it with a stare,
Yet could not speak or move; but, on its base
As stands a statue, stood: he felt his hair
Twine like a knot of snakes around his face;
He tax'd his tongue for words, which were not granted,
To ask the reverend person what he wanted.

XXIV
The third time, after a still longer pause,
The shadow pass'd away -- but where? the hall
Was long, and thus far there was no great cause
To think his vanishing unnatural:
Doors there were many, through which, by the laws
Of physics, bodies whether short or tall
Might come or go; but Juan could not state
Through which the spectre seem'd to evaporate.

XXV
He stood -- how long he knew not, but it seem'd
An age -- expectant, powerless, with his eyes
Strain'd on the spot where first the figure gleam'd;
Then by degrees recall'd his energies,
And would have pass'd the whole off as a dream,
But could not wake; he was, he did surmise,
Waking already, and return'd at length
Back to his chamber, shorn of half his strength.

XXVI
All there was as he left it: still his taper
Burnt, and not blue, as modest tapers use,
Receiving sprites with sympathetic vapour;
He rubb'd his eyes, and they did not refuse
Their office; he took up an old newspaper;
The paper was right easy to peruse;
He read an article the king attacking,
And a long eulogy of "patent blacking."

XXVII
This savour'd of this world; but his hand shook --
He shut his door, and after having read
A paragraph, I think about Horne Tooke,
Undrest, and rather slowly went to bed.
There, couch'd all snugly on his pillow's nook,
With what he had seen his phantasy he fed;
And though it was no opiate, slumber crept
Upon him by degrees, and so he slept.

XXVIII
He woke betimes; and, as may be supposed,
Ponder'd upon his visitant or vision,
And whether it ought not to be disclosed,
At risk of being quizz'd for superstition.
The more he thought, the more his mind was posed:
In the mean time, his valet, whose precision
Was great, because his master brook'd no less,
Knock'd to inform him it was time to dress.

XXIX
He dress'd; and like young people he was wont
To take some trouble with his toilet, but
This morning rather spent less time upon 't;
Aside his very mirror soon was put;
His curls fell negligently o'er his front,
His clothes were not curb'd to their usual cut,
His very neckcloth's Gordian knot was tied
Almost an hair's breadth too much on one side.

XXX
And when he walk'd down into the saloon,
He sate him pensive o'er a dish of tea,
Which he perhaps had not discover'd soon,
Had it not happen'd scalding hot to be,
Which made him have recourse unto his spoon;
So much distrait he was, that all could see
That something was the matter -- Adeline
The first -- but what she could not well divine.

XXXI
She look'd, and saw him pale, and turn'd as pale
Herself; then hastily look'd down, and mutter'd
Something, but what's not stated in my tale.
Lord Henry said his muffin was ill butter'd;
The Duchess of Fitz-Fulke play'd with her veil,
And look'd at Juan hard, but nothing utter'd.
Aurora Raby with her large dark eyes
Survey'd him with a kind of calm surprise.

XXXII
But seeing him all cold and silent still,
And everybody wondering more or less,
Fair Adeline enquired, "If he were ill?"
He started, and said, "Yes -- no -- rather -- yes."
The family physician had great skill,
And being present, now began to express
His readiness to feel his pulse and tell
The cause, but Juan said, "He was quite well."

XXXIII
"Quite well; yes, -- no." -- These answers were mysterious,
And yet his looks appear'd to sanction both,
However they might savour of delirious;
Something like illness of a sudden growth
Weigh'd on his spirit, though by no means serious:
But for the rest, as he himself seem'd loth
To state the case, it might be ta'en for granted
It was not the physician that he wanted.

XXXIV
Lord Henry, who had now discuss'd his chocolate,
Also the muffin whereof he complain'd,
Said, Juan had not got his usual look elate,
At which he marvell'd, since it had not rain'd;
Then ask'd her Grace what news were of the duke of late?
Her Grace replied, his Grace was rather pain'd
With some slight, light, hereditary twinges
Of gout, which rusts aristocratic hinges.

XXXV
Then Henry turn'd to Juan, and address'd
A few words of condolence on his state:
"You look," quoth he, "as if you had had your rest
Broke in upon by the Black Friar of late."
"What friar?" said Juan; and he did his best
To put the question with an air sedate,
Or careless; but the effort was not valid
To hinder him from growing still more pallid.

XXXVI
"Oh! have you never heard of the Black Friar?
The spirit of these walls?" -- "In truth not I."
"Why Fame -- but Fame you know's sometimes a liar --
Tells an odd story, of which by and by:
Whether with time the spectre has grown shyer,
Or that our sires had a more gifted eye
For such sights, though the tale is half believed,
The friar of late has not been oft perceived.

XXXVII
"The last time was -- " -- "I pray," said Adeline --
(Who watch'd the changes of Don Juan's brow,
And from its context thought she could divine
Connexions stronger then he chose to avow
With this same legend) -- "if you but design
To jest, you'll choose some other theme just now,
Because the present tale has oft been told,
And is not much improved by growing old."

XXXVIII
"Jest!" quoth Milor; "why, Adeline, you know
That we ourselves -- 't was in the honey-moon --
"Saw --" -- "Well, no matter. t was so long ago;
But, come, I'll set your story to a tune."
Graceful as Dian, when she draws her bow,
She seized her harp, whose strings were kindled soon
As touch'd, and plaintively began to play
The air of "'T was a Friar of Orders Gray."

XXXIX
"But add the words," cried Henry, "which you made;
For Adeline is half a poetess,"
Turning round to the rest, he smiling said.
Of course the others could not but express
In courtesy their wish to see display'd
By one three talents, for there were no less --
The voice, the words, the harper's skill, at once
Could hardly be united by a dunce.

XL
After some fascinating hesitation, --
The charming of these charmers, who seem bound,
I can't tell why, to this dissimulation, --
Fair Adeline, with eyes fix'd on the ground
At first, then kindling into animation,
Added her sweet voice to the lyric sound,
And sang with much simplicity, -- a merit
Not the less precious, that we seldom hear it.

1
Beware! beware! of the Black Friar,
Who sitteth by Norman stone,
For he mutters his prayer in the midnight air,
And his mass of the days that are gone.
When the Lord of the Hill, Amundeville,
Made Norman Church his prey,
And expell'd the friars, one friar still
Would not be driven away.

2
Though he came in his might, with King Henry's right,
To turn church lands to lay,
With sword in hand, and torch to light
Their walls, if they said nay;
A monk remain'd, unchased, unchain'd,
And he did not seem form'd of clay,
For he 's seen in the porch, and he's seen in the church,
Though he is not seen by day.

3
And whether for good, or whether for ill,
It is not mine to say;
But still with the house of Amundeville
He abideth night and day.
By the marriage-bed of their lords, 't is said,
He flits on the bridal eve;
And 't is held as faith, to their bed of death
He comes -- but not to grieve.

4
When an heir is born, he's heard to mourn,
And when aught is to befall
That ancient line, in the "we moonshine
He walks from hall to hall.
His form you may trace, but not his face,
'T is shadow'd by his cowl;
But his eyes may be seen from the folds between,
And they seem of a parted soul.

5
But beware! beware! of the Black Friar,
He still retains his sway,
For he is yet the church's heir
Whoever may be the lay.
Amundeville is lord by day,
But the monk is lord by night;
Nor wine nor wassail could raise a vassal
To question that friar's right.

6
Say nought to him as he walks the hall,
And he'll say nought to you;
He sweeps along in his dusky pall,
As o'er the grass the dew.
Then grammercy! for the Black Friar;
Heaven sain him, fair or foul!
And whatsoe'er may be his prayer,
Let ours be for his soul.

XLI
The lady's voice ceased, and the thrilling wires
Died from the touch that kindled them to sound;
And the pause follow'd, which when song expires
Pervades a moment those who listen round;
And then of course the circle much admires,
Nor less applauds, as in politeness bound,
The tones, the feeling, and the execution,
To the performer's diffident confusion.

XLII
Fair Adeline, though in a careless way,
As if she rated such accomplishment
As the mere pastime of an idle day,
Pursued an instant for her own content,
Would now and then as 't were without display,
Yet with display in fact, at times relent
To such performances with haughty smile,
To show she could, if it were worth her while.

XLIII
Now this (but we will whisper it aside)
Was -- pardon the pedantic illustration --
Trampling on Plato's pride with greater pride,
As did the Cynic on some like occasion;
Deeming the sage would be much mortified,
Or thrown into a philosophic passion,
For a spoil'd carpet -- but the "Attic Bee"
Was much consoled by his own repartee.

XLIV
Thus Adeline would throw into the shade
(By doing easily, whene'er she chose,
What dilettanti do with vast parade)
Their sort of half profession; for it grows
To something like this when too oft display'd;
And that it is so everybody knows
Who have heard Miss That or This, or Lady T'other,
Show off -- to please their company or mother.

XLV
Oh! the long evenings of duets and trios!
The admirations and the speculations;
The "Mamma Mia's!" and the "Amor Mio's!"
The "Tanti palpiti's" on such occasions:
The "Lasciami's," and quavering "Addio's!"
Amongst our own most musical of nations;
With "Tu mi chamas's" from Portingale,
To soothe our ears, lest Italy should fail.

XLVI
In Babylon's bravuras -- as the home
Heart-ballads of Green Erin or Gray Highlands,
That bring Lochaber back to eyes that roam
O'er far Atlantic continents or islands,
The calentures of music which o'ercome
All mountaineers with dreams that they are nigh lands,
No more to be beheld but in such visions --
Was Adeline well versed, as compositions.

XLVII
She also had a twilight tinge of "Blue,"
Could write rhymes, and compose more than she wrote,
Made epigrams occasionally too
Upon her friends, as everybody ought.
But still from that sublimer azure hue,
So much the present dye, she was remote;
Was weak enough to deem Pope a great poet,
And what was worse, was not ashamed to show it.

XLVIII
Aurora -- since we are touching upon taste,
Which now-a-days is the thermometer
By whose degrees all characters are class'd --
Was more Shakspearian, if I do not err.
The worlds beyond this world's perplexing waste
Had more of her existence, for in her
There was a depth of feeling to embrace
Thoughts, boundless, deep, but silent too as Space.

XLIX
Not so her gracious, graceful, graceless Grace,
The full-grown Hebe of Fitz-Fulke, whose mind,
If she had any, was upon her face,
And that was of a fascinating kind.
A little turn for mischief you might trace
Also thereon, -- but that's not much; we find
Few females without some such gentle leaven,
For fear we should suppose us quite in heaven.

L
I have not heard she was at all poetic,
Though once she was seen reading the Bath Guide,
And Hayley's Triumphs, which she deem'd pathetic,
Because she said her temper had been tried
So much, the bard had really been prophetic
Of what she had gone through with -- since a bride.
But of all verse, what most ensured her praise
Were sonnets to herself, or bouts rimés.

LI
'T were difficult to say what was the object
Of Adeline, in bringing this same lay
To bear on what appear'd to her the subject
Of Juan's nervous feelings on that day.
Perhaps she merely had the simple project
To laugh him out of his supposed dismay;
Perhaps she might wish to confirm him in it,
Though why I cannot say -- at least this minute.

LII
But so far the immediate effect
Was to restore him to his self-propriety,
A thing quite necessary to the elect,
Who wish to take the tone of their society:
In which you cannot be too circumspect,
Whether the mode be persiflage or piety,
But wear the newest mantle of hypocrisy,
On pain of much displeasing the gynocracy.

LIII
And therefore Juan now began to rally
His spirits, and without more explanation
To jest upon such themes in many a sally.
Her Grace, too, also seized the same occasion,
With various similar remarks to tally,
But wish'd for a still more detail'd narration
Of this same mystic friar's curious doings,
About the present family's deaths and wooings.

LIV
Of these few could say more than has been said;
They pass'd as such things do, for superstition
With some, while others, who had more in dread
The theme, half credited the strange tradition;
And much was talk'd on all sides on that head:
But Juan, when cross-question'd on the vision,
Which some supposed (though he had not avow'd it)
Had stirr'd him, answer'd in a way to cloud it.

LV
And then, the mid-day having worn to one,
The company prepared to separate;
Some to their several pastimes, or to none,
Some wondering 't was so early, some so late.
There was a goodly match too, to be run
Between some greyhounds on my lord's estate,
And a young race-horse of old pedigree
Match'd for the spring, whom several went to see.

LVI
There was a picture-dealer who had brought
A special Titian, warranted original,
So precious that it was not to be bought,
Though princes the possessor were besieging all.
The king himself had cheapen'd it, but thought
The civil list he deigns to accept (obliging all
His subjects by his gracious acceptation)
Too scanty, in these times of low taxation.

LVII
But as Lord Henry was a connoisseur, --
The friend of artists, if not arts, -- the owner,
With motives the most classical and pure,
So that he would have been the very donor,
Rather than seller, had his wants been fewer,
So much he deem'd his patronage an honour,
Had brought the capo d'opera, not for sale,
But for his judgment -- never known to fail.

LVIII
There was a modern Goth, I mean a Gothic
Bricklayer of Babel, call'd an architect,
Brought to survey these grey walls, which though so thick,
Might have from time acquired some slight defect;
Who after rummaging the Abbey through thick
And thin, produced a plan whereby to erect
New buildings of correctest conformation,
And throw down old -- which he call'd restoration.

LIX
The cost would be a trifle -- an "old song,"
Set to some thousands ('t is the usual burden
Of that same tune, when people hum it long) --
The price would speedily repay its worth in
An edifice no less sublime than strong,
By which Lord Henry's good taste would go forth in
Its glory, through all ages shining sunny,
For Gothic daring shown in English money.

LX
There were two lawyers busy on a mortgage
Lord Henry wish'd to raise for a new purchase;
Also a lawsuit upon tenures burgage,
And one on tithes, which sure are Discord's torches,
Kindling Religion till she throws down her gage,
"Untying" squires "to fight against the churches;"
There was a prize ox, a prize pig, and ploughman,
For Henry was a sort of Sabine showman.

LXI
There were two poachers caught in a steel trap,
Ready for gaol, their place of convalescence;
There was a country girl in a close cap
And scarlet cloak (I hate the sight to see, since --
Since -- since -- in youth, I had the sad mishap --
But luckily I have paid few parish fees since):
That scarlet cloak, alas! unclosed with rigour,
Presents the problem of a double figure.

LXII
A reel within a bottle is a mystery,
One can't tell how it e'er got in or out;
Therefore the present piece of natural history
I leave to those who are fond of solving doubt;
And merely state, though not for the consistory,
Lord Henry was a justice, and that Scout
The constable, beneath a warrant's banner,
Had bagg'd this poacher upon Nature's manor.

LXIII
Now justices of peace must judge all pieces
Of mischief of all kinds, and keep the game
And morals of the country from caprices
Of those who have not a license for the same;
And of all things, excepting tithes and leases,
Perhaps these are most difficult to tame:
Preserving partridges and pretty wenches
Are puzzles to the most precautious benches.

LXIV
The present culprit was extremely pale,
Pale as if painted so; her cheek being red
By nature, as in higher dames less hale
'T is white, at least when they just rise from bed.
Perhaps she was ashamed of seeming frail,
Poor soul! for she was country born and bred,
And knew no better in her immorality
Than to wax white -- for blushes are for quality.

LXV
Her black, bright, downcast, yet espiègle eye,
Had gather'd a large tear into its corner,
Which the poor thing at times essay'd to dry,
For she was not a sentimental mourner
Parading all her sensibility,
Nor insolent enough to scorn the scorner,
But stood in trembling, patient tribulation,
To be call'd up for her examination.

LXVI
Of course these groups were scatter'd here and there,
Not nigh the gay saloon of ladies gent.
The lawyers in the study; and in air
The prize pig, ploughman, poachers; the men sent
From town, viz., architect and dealer, were
Both busy (as a general in his tent
Writing despatches) in their several stations,
Exulting in their brilliant lucubrations.

LXVII
But this poor girl was left in the great hall,
While Scout, the parish guardian of the frail,
Discuss'd (he hated beer yclept the "small")
A mighty mug of moral double ale.
She waited until justice could recall
Its kind attentions to their proper pale,
To name a thing in nomenclature rather
Perplexing for most virgins -- a child's father.

LXVIII
You see here was enough of occupation
For the Lord Henry, link'd with dogs and horses.
There was much bustle too, and preparation
Below stairs on the score of second courses;
Because, as suits their rank and situation,
Those who in counties have great land resources
Have "Public days," when all men may carouse,
Though not exactly what's call'd "open house."

LXIX
But once a week or fortnight, uninvited
(Thus we translate a general invitation),
All country gentlemen, esquired or knighted,
May drop in without cards, and take their station
At the full board, and sit alike delighted
With fashionable wines and conversation;
And, as the isthmus of the grand connection,
Talk o'er themselves the past and next election.

LXX
Lord Henry was a great electioneerer,
Burrowing for boroughs like a rat or rabbit;
But county contests cost him rather dearer,
Because the neighbouring Scotch Earl of Giftgabbit
Had English influence in the self-same sphere here;
His son, the Honourable Dick Dicedrabbit,
Was member for the "other interest" (meaning
The same self-interest, with a different leaning).

LXXI
Courteous and cautious therefore in his county,
He was all things to all men, and dispensed
To some civility, to others bounty,
And promises to all -- which last commenced
To gather to a somewhat large amount, he
Not calculating how much they condensed;
But what with keeping some, and breaking others,
His word had the same value as another's.

LXXII
A friend to freedom and freeholders -- yet
No less a friend to government -- he held,
That he exactly the just medium hit
'Twixt place and patriotism -- albeit compell'd,
Such was his sovereign's pleasure (though unfit,
He added modestly, when rebels rail'd),
To hold some sinecures he wish'd abolish'd,
But that with them all law would be demolish'd.

LXXIII
He was "free to confess" (whence comes this phrase?
Is 't English? No -- 't is only parliamentary)
That innovation's spirit now-a-days
Had made more progress than for the last century.
He would not tread a factious path to praise,
Though for the public weal disposed to venture high;
As for his place, he could but say this of it,
That the fatigue was greater than the profit.

LXXIV
Heaven, and his friends, knew that a private life
Had ever been his sole and whole ambition;
But could he quit his king in times of strife,
Which threaten'd the whole country with perdition?
When demagogues would with a butcher's knife
Cut through and through (oh! damnable incision!)
The Gordian or the Geordi-an knot, whose strings
Have tied together commons, lords, and kings.

LXXV
Sooner "come Place into the civil list
And champion him to the utmost" -- he would keep it,
Till duly disappointed or dismiss'd:
Profit he care not for, let others reap it;
But should the day come when place ceased to exist,
The country would have far more cause to weep it:
For how could it go on? Explain who can!
He gloried in the name of Englishman.

LXXVI
He was as independent -- ay, much more --
Than those who were not paid for independence,
As common soldiers, or a common -- shore,
Have in their several arts or parts ascendance
O'er the irregulars in lust or gore,
Who do not give professional attendance.
Thus on the mob all statesmen are as eager
To prove their pride, as footmen to a beggar.

LXXVII
All this (save the last stanza) Henry said,
And thought. I say no more -- I've said too much;
For all of us have either heard or read --
Off -- or upon the hustings -- some slight such
Hints from the independent heart or head
Of the official candidate. I'll touch
No more on this -- the dinner-bell hath rung,
And grace is said; the grace I should have sung --

LXXVIII
But I'm too late, and therefore must make play.
'T was a great banquet, such as Albion old
Was wont to boast -- as if a glutton's tray
Were something very glorious to behold.
But 't was a public feast and public day, --
Quite full, right dull, guests hot, and dishes cold,
Great plenty, much formality, small cheer,
And every body out of their own sphere.

LXXIX
The squires familiarly formal, and
My lords and ladies proudly condescending;
The very servants puzzling how to hand
Their plates -- without it might be too much bending
From their high places by the sideboard's stand --
Yet, like their masters, fearful of offending.
For any deviation from the graces
Might cost both man and master too -- their places.

LXXX
There were some hunters bold, and coursers keen,
Whose hounds ne'er err'd, nor greyhounds deign'd to lurch;
Some deadly shots too, Septembrizers, seen
Earliest to rise, and last to quit the search
Of the poor partridge through his stubble screen.
There were some massy members of the church,
Takers of tithes, and makers of good matches,
And several who sung fewer psalms than catches.

LXXXI
There were some country wags too -- and, alas!
Some exiles from the town, who had been driven
To gaze, instead of pavement, upon grass,
And rise at nine in lieu of long eleven.
And lo! upon that day it came to pass,
I sate next that o'erwhelming son of heaven,
The very powerful parson, Peter Pith,
The loudest wit I e'er was deafen'd with.

LXXXII
I knew him in his livelier London days,
A brilliant diner out, though but a curate;
And not a joke he cut but earn'd its praise,
Until preferment, coming at a sure rate
(O Providence! how wondrous are thy ways!
Who would suppose thy gifts sometimes obdurate?),
Gave him, to lay the devil who looks o'er Lincoln,
A fat fen vicarage, and nought to think on.

LXXXIII
His jokes were sermons, and his sermons jokes;
But both were thrown away amongst the fens;
For wit hath no great friend in aguish folks.
No longer ready ears and short-hand pens
Imbibed the gay bon-mot, or happy hoax:
The poor priest was reduced to common sense,
Or to coarse efforts very loud and long,
To hammer a horse laugh from the thick throng.

LXXXIV
There is a difference, says the song, "between
A beggar and a queen," or was (of late
The latter worse used of the two we've seen --
But we'll say nothing of affairs of state);
A difference "'twixt a bishop and a dean,"
A difference between crockery ware and plate,
As between English beef and Spartan broth --
And yet great heroes have been bred by both.

LXXXV
But of all nature's discrepancies, none
Upon the whole is greater than the difference
Beheld between the country and the town,
Of which the latter merits every preference
From those who have few resources of their own,
And only think, or act, or feel, with reference
To some small plan of interest or ambition --
Both which are limited to no condition.

LXXXVI
But en avant! The light loves languish o'er
Long banquets and too many guests, although
A slight repast makes people love much more,
Bacchus and Ceres being, as we know
Even from our grammar upwards, friends of yore
With vivifying Venus, who doth owe
To these the invention of champagne and truffles:
Temperance delights her, but long fasting ruffles.

LXXXVII
Dully past o'er the dinner of the day;
And Juan took his place, he knew not where,
Confused, in the confusion, and distrait,
And sitting as if nail'd upon his chair:
Though knives and forks clank'd round as in a fray,
He seem'd unconscious of all passing there,
Till some one, with a groan, exprest a wish
(Unheeded twice) to have a fin of fish.

LXXXVIII
On which, at the third asking of the bans,
He started; and perceiving smiles around
Broadening to grins, he colour'd more than once,
And hastily -- as nothing can confound
A wise man more than laughter from a dunce --
Inflicted on the dish a deadly wound,
And with such hurry, that ere he could curb it
He had paid his neighbour's prayer with half a turbot.

LXXXIX
This was no bad mistake, as it occurr'd,
The supplicator being an amateur;
But others, who were left with scarce a third,
Were angry -- as they well might, to be sure.
They wonder'd how a young man so absurd
Lord Henry at his table should endure;
And this, and his not knowing how much oats
Had fallen last market, cost his host three votes.

XC
They little knew, or might have sympathised,
That he the night before had seen a ghost,
A prologue which but slightly harmonised
With the substantial company engross'd
By matter, and so much materialised,
That one scarce knew at what to marvel most
Of two things -- how (the question rather odd is)
Such bodies could have souls, or souls such bodies.

XCI
But what confused him more than smile or stare
From all the 'squires and 'squiresses around,
Who wonder'd at the abstraction of his air,
Especially as he had been renown'd
For some vivacity among the fair,
Even in the country circle's narrow bound
(For little things upon my lord's estate
Were good small talk for others still less great) --

XCII
Was, that he caught Aurora's eye on his,
And something like a smile upon her cheek.
Now this he really rather took amiss:
In those who rarely smile, their smiles bespeak
A strong external motive; and in this
Smile of Aurora's there was nought to pique
Or hope, or love, with any of the wiles
Which some pretend to trace in ladies' smiles.

XCIII
'T was a mere quiet smile of contemplation,
Indicative of some surprise and pity;
And Juan grew carnation with vexation,
Which was not very wise, and still less witty,
Since he had gain'd at least her observation,
A most important outwork of the city --
As Juan should have known, had not his senses
By last night's ghost been driven from their defences.

XCIV
But what was bad, she did not blush in turn,
Nor seem embarrass'd -- quite the contrary;
Her aspect was as usual, still -- not stern --
And she withdrew, but cast not down, her eye,
Yet grew a little pale -- with what? concern?
I know not; but her colour ne'er was high --
Though sometimes faintly flush'd -- and always clear,
As deep seas in a sunny atmosphere.

XCV
But Adeline was occupied by fame
This day; and watching, witching, condescending
To the consumers of fish, fowl, and game,
And dignity with courtesy so blending,
As all must blend whose part it is to aim
(Especially as the sixth year is ending)
At their lord's, son's, or similar connection's
Safe conduct through the rocks of re-elections.

XCVI
Though this was most expedient on the whole,
And usual -- Juan, when he cast a glance
On Adeline while playing her grand rôle,
Which she went through as though it were a dance,
Betraying only now and then her soul
By a look scarce perceptibly askance
(Of weariness or scorn), began to feel
Some doubt how much of Adeline was real;

XCVII
So well she acted all and every part
By turns -- with that vivacious versatility,
Which many people take for want of heart.
They err -- 't is merely what is call'd mobility,
A thing of temperament and not of art,
Though seeming so, from its supposed facility;
And false -- though true; for surely they're sincerest
Who are strongly acted on by what is nearest.

XCVIII
This makes your actors, artists, and romancers,
Heroes sometimes, though seldom -- sages never;
But speakers, bards, diplomatists, and dancers,
Little that's great, but much of what is clever;
Most orators, but very few financiers,
Though all Exchequer chancellors endeavour,
Of late years, to dispense with Cocker's rigours,
And grow quite figurative with their figures.

XCIX
The poets of arithmetic are they
Who, though they prove not two and two to be
Five, as they might do in a modest way,
Have plainly made it out that four are three,
Judging by what they take, and what they pay.
The Sinking Fund's unfathomable sea,
That most unliquidating liquid, leaves
The debt unsunk, yet sinks all it receives.

C
While Adeline dispensed her airs and graces,
The fair Fitz-Fulke seem'd very much at ease;
Though too well bred to quiz men to their faces,
Her laughing blue eyes with a glance could seize
The ridicules of people in all places --
That honey of your fashionable bees --
And store it up for mischievous enjoyment;
And this at present was her kind employment.

CI
However, the day closed, as days must close;
The evening also waned -- and coffee came.
Each carriage was announced, and ladies rose,
And curtsying off, as curtsies country dame,
Retired: with most unfashionable bows
Their docile esquires also did the same,
Delighted with their dinner and their host,
But with the Lady Adeline the most.

CII
Some praised her beauty; others her great grace;
The warmth of her politeness, whose sincerity
Was obvious in each feature of her face,
Whose traits were radiant with the rays of verity.
Yes; she was truly worthy her high place!
No one could envy her deserved prosperity.
And then her dress -- what beautiful simplicity
Draperied her form with curious felicity!

CIII
Meanwhile Sweet Adeline deserved their praises,
By an impartial indemnification
For all her past exertion and soft phrases,
In a most edifying conversation,
Which turn'd upon their late guests' miens and faces,
And families, even to the last relation;
Their hideous wives, their horrid selves and dresses,
And truculent distortion of their tresses.

CIV
True, she said little -- 't was the rest that broke
Forth into universal epigram;
But then 't was to the purpose what she spoke:
Like Addison's "faint praise," so wont to damn,
Her own but served to set off every joke,
As music chimes in with a melodrame.
How sweet the task to shield an absent friend!
I ask but this of mine, to -- not defend.

CV
There were but two exceptions to this keen
Skirmish of wits o'er the departed; one
Aurora, with her pure and placid mien;
And Juan, too, in general behind none
In gay remark on what he had heard or seen,
Sate silent now, his usual spirits gone:
In vain he heard the others rail or rally,
He would not join them in a single sally.

CVI
'T is true he saw Aurora look as though
She approved his silence; she perhaps mistook
Its motive for that charity we owe
But seldom pay the absent, nor would look
Farther -- it might or might not be so.
But Juan, sitting silent in his nook,
Observing little in his reverie,
Yet saw this much, which he was glad to see.

CVII
The ghost at least had done him this much good,
In making him as silent as a ghost,
If in the circumstances which ensued
He gain'd esteem where it was worth the most.
And certainly Aurora had renew'd
In him some feelings he had lately lost,
Or harden'd; feelings which, perhaps ideal,
Are so divine, that I must deem them real: --

CVIII
The love of higher things and better days;
The unbounded hope, and heavenly ignorance
Of what is call'd the world, and the world's ways;
The moments when we gather from a glance
More joy than from all future pride or praise,
Which kindle manhood, but can ne'er entrance
The heart in an existence of its own,
Of which another's bosom is the zone.

CIX
Who would not sigh Ai ai Tan Kytherheian
That hath a memory, or that had a heart?
Alas! her star must fade like that of Dian:
Ray fades on ray, as years on years depart.
Anacreon only had the soul to tie an
Unwithering myrtle round the unblunted dart
Of Eros: but though thou hast play'd us many tricks,
Still we respect thee, "Alma Venus Genetrix!"

CX
And full of sentiments, sublime as billows
Heaving between this world and worlds beyond,
Don Juan, when the midnight hour of pillows
Arrived, retired to his; but to despond
Rather than rest. Instead of poppies, willows
Waved o'er his couch; he meditated, fond
Of those sweet bitter thoughts which banish sleep,
And make the worldling sneer, the youngling weep.

CXI
The night was as before: he was undrest,
Saving his night-gown, which is an undress;
Completely sans culotte, and without vest;
In short, he hardly could be clothed with less:
But apprehensive of his spectral guest,
He sate with feelings awkward to express
(By those who have not had such visitations),
Expectant of the ghost's fresh operations.

CXII
And not in vain he listen'd; -- Hush! what's that?
I see -- I see -- Ah, no! -- 't is not -- yet 't is --
Ye powers! it is the -- the -- the -- Pooh! the cat!
The devil may take that stealthy pace of his!
So like a spiritual pit-a-pat,
Or tiptoe of an amatory Miss,
Gliding the first time to a rendezvous,
And dreading the chaste echoes of her shoe.

CXIII
Again -- what is 't? The wind? No, no -- this time
It is the sable friar as before,
With awful footsteps regular as rhyme,
Or (as rhymes may be in these days) much more.
Again through shadows of the night sublime,
When deep sleep fell on men, and the world wore
The starry darkness round her like a girdle
Spangled with gems -- the monk made his blood curdle.

CXIV
A noise like to wet fingers drawn on glass,
Which sets the teeth on edge; and a slight clatter,
Like showers which on the midnight gusts will pass,
Sounding like very supernatural water,
Came over Juan's ear, which throbb'd, alas!
For immaterialism's a serious matter;
So that even those whose faith is the most great
In souls immortal, shun them tête-à-tête.

CXV
Were his eyes open? -- Yes! and his mouth too.
Surprise has this effect -- to make one dumb,
Yet leave the gate which eloquence slips through
As wide as if a long speech were to come.
Nigh and more nigh the awful echoes drew,
Tremendous to a mortal tympanum:
His eyes were open, and (as was before
Stated) his mouth. What open'd next? -- the door.

CXVI
It open'd with a most infernal creak,
Like that of hell. "Lasciate ogni speranza
Voi che entrate!" The hinge seem'd to speak,
Dreadful as Dante's rima, or this stanza;
Or -- but all words upon such themes are weak:
A single shade's sufficient to entrance
Hero -- for what is substance to a spirit?
Or how is 't matter trembles to come near it?

CXVII
The door flew wide, -- not swiftly, but, as fly
The sea-gulls, with a steady, sober flight, --
And then swung back; nor close -- but stood awry,
Half letting in long shadows on the light,
Which still in Juan's candlesticks burn'd high,
For he had two, both tolerably bright,
And in the door-way, darkening darkness, stood
The sable friar in his solemn hood.

CXVIII
Don Juan shook, as erst he had been shaken
The night before; but being sick of shaking,
He first inclined to think he had been mistaken;
And then to be ashamed of such mistaking;
His own internal ghost began to awaken
Within him, and to quell his corporal quaking --
Hinting that soul and body on the whole
Were odds against a disembodied soul.

CXIX
And then his dread grew wrath, and his wrath fierce,
And he arose, advanced -- the shade retreated;
But Juan, eager now the truth to pierce,
Follow'd, his veins no longer cold, but heated,
Resolved to thrust the mystery carte and tierce,
At whatsoever risk of being defeated:
The ghost stopp'd, menaced, then retired, until
He reach'd the ancient wall, then stood stone still.

CXX
Juan put forth one arm -- Eternal powers!
It touched no soul, nor body, but the wall,
On which the moonbeams fell in silvery showers,
Chequer'd with all the tracery of the hall;
He shudder'd, as no doubt the bravest cowers
When he can't tell what 't is that doth appal.
How odd, a single hobgoblin's non-entity
Should cause more fear than a whole host's identity.

CXXI
But still the shade remain'd: the blue eyes glared,
And rather variably for stony death:
Yet one thing rather good the grave had spared,
The ghost had a remarkably sweet breath.
A straggling curl show'd he had been fair-hair'd;
A red lip, with two rows of pearls beneath,
Gleam'd forth, as through the casement's ivy shroud
The moon peep'd, just escaped from a grey cloud.

CXXII
And Juan, puzzled, but still curious, thrust
His other arm forth -- Wonder upon wonder!
It press'd upon a hard but glowing bust,
Which beat as if there was a warm heart under.
He found, as people on most trials must,
That he had made at first a silly blunder,
And that in his confusion he had caught
Only the wall, instead of what he sought.

CXXIII
The ghost, if ghost it were, seem'd a sweet soul
As ever lurk'd beneath a holy hood:
A dimpled chin, a neck of ivory, stole
Forth into something much like flesh and blood;
Back fell the sable frock and dreary cowl,
And they reveal'd -- alas! that e'er they should!
In full, voluptuous, but not o'ergrown bulk,
The phantom of her frolic Grace -- Fitz-Fulke!

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Giving The Attention

If someone finds they are reminding another,
Repeatedly...
Of a disrespect shown and done,
Maybe another approach would be...
Is to not be the one repeatedly,
Giving the attention to remind them.
Sometimes absence delivers a message.
But then again,
Some are so accustomed to being disrespectful...
It has to be part of their D.N.A.

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Giving the carabao feelings of wings

The carabaos are grazing again
It is summer and
The white herons are teeming
On the green fields

Some take the usual sight
Of friendship
The white heron on top
Of the carabao’s back


They are so close I wonder
If there is this familiarity
Between them
Their friendship has lasted
For centuries

They say the white herons
Feed on carabao's lice
And to repay the kindness
The carabao gives the bird
Its free ground ride

I disagree totally
There is no pecking that I see
And there is no distance
Whatsoever that the carabao gives

This is friendship, this is a picture
Of friendship, the heron is giving
The carabao the feel of its white wings.

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The Giving & The Taking

I keep on a givin
And I took all the takin
I gave all my love to you
And I took all your hurt
I treated you so good
But you treated me like dirt
They say love is give and take
Now my poor heart is breakin
I keep on a givin
And I took all the takin
I always gave you everything
That I knew how to give I would for you
I treated you too good for my own good
Now Im along and left forsaken
I keep on a givin
And took all the takin
The giving and the takin
Has caused my heart to break
Ive given all that I can give
And I have taken all that I can take
The giving and the takin
Has caused my heart to break
Ive given all that I can give
And I have takin all that I can take

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Oliver Goldsmith

Letter In Prose And Verse To Mrs. Bunbury

MADAM,

I read your letter with all that allowance which critical candour could
require, but after all find so much to object to, and so much to raise
my indignation, that I cannot help giving it a serious answer.

I am not so ignorant, Madam, as not to see there are many sarcasms
contained in it, and solecisms also. (Solecism is a word that comes from
the town of Soleis in Attica, among the Greeks, built by Solon, and
applied as we use the word Kidderminster for curtains, from a town also
of that name; -- but this is learning you have no taste for!) -- I say,
Madam, there are sarcasms in it, and solecisms also. But not to seem an
ill-natured critic, I'll take leave to quote your own words, and give
you my remarks upon them as they occur. You begin as follows:--

'I hope, my good Doctor, you soon will be here,
And your spring-velvet coat very smart will appear,
To open our ball the first day of the year.'

Pray, Madam, where did you ever find the epithet 'good,' applied to the
title of Doctor? Had you called me 'learned Doctor,' or 'grave Doctor,'
or 'noble Doctor,' it might be allowable, because they belong to the
profession. But, not to cavil at trifles, you talk of my 'spring-velvet
coat,' and advise me to wear it the first day in the year, -- that is,
in the middle of winter! -- a spring-velvet in the middle of winter!!!
That would be a solecism indeed! and yet, to increase the inconsistence,
in another part of your letter you call me a beau. Now, on one side or
other, you must be wrong. If I am a beau, I can never think of wearing a
spring-velvet in winter: and if I am not a beau, why then, that explains
itself. But let me go on to your two next strange lines:--

'And bring with you a wig, that is modish and gay,
To dance with the girls that are makers of hay.'

The absurdity of making hay at Christmas, you yourself seem sensible of:
you say your sister will laugh; and so indeed she well may! The Latins
have an expression for a contemptuous sort of laughter, 'Naso contemnere
adunco'; that is, to laugh with a crooked nose. She may laugh at you in
the manner of the ancients if she thinks fit. But now I come to the most
extraordinary of all extraordinary propositions, which is, to take your
and your sister's advice in playing at loo. The presumption of the offer
raises my indignation beyond the bounds of prose; it inspires me at once
with verse and resentment. I take advice! and from whom? You shall hear.

First let me suppose, what may shortly be true,
The company set, and the word to be, Loo;
All smirking, and pleasant, and big with adventure,
And ogling the stake which is fix'd in the centre.
Round and round go the cards, while I inwardly damn
At never once finding a visit from Pam.
I lay down my stake, apparently cool,
While the harpies about me all pocket the pool.
I fret in my gizzard, yet, cautious and sly,
I wish all my friends may be bolder than I:
Yet still they sit snug, not a creature will aim
By losing their money to venture at fame.
'Tis in vain that at niggardly caution I scold,
'Tis in vain that I flatter the brave and the bold:
All play their own way, and they think me an ass, --
'What does Mrs. Bunbury?' 'I, Sir? I pass.'
'Pray what does Miss Horneck? Take courage, come do,' --
'Who, I? let me see, Sir, why I must pass too.'
Mr. Bunbury frets, and I fret like the devil,
To see them so cowardly, lucky, and civil.
Yet still I sit snug, and continue to sigh on,
Till made by my losses as bold as a lion,
I venture at all, -- while my avarice regards
The whole pool as my own -- 'Come, give me five cards.'
'Well done!' cry the ladies; 'Ah, Doctor, that's good!
The pool's very rich -- ah! the Doctor is loo'd!'
Thus foil'd in my courage, on all sides perplex'd,
I ask for advice from the lady that's next:
'Pray, Ma'am, be so good as to give your advice;
Don't you think the best way is to venture for 't twice?'
'I advise,' cries the lady, 'to try it, I own. --
Ah! the Doctor is loo'd! Come, Doctor, put down.'
Thus, playing, and playing, I still grow more eager,
And so bold, and so bold, I'm at last a bold beggar.
Now, ladies, I ask, if law-matters you're skill'd in,
Whether crimes such as yours should not come before Fielding?
For giving advice that is not worth a straw,
May well be call'd picking of pockets in law;
And picking of pockets, with which I now charge ye,
Is, by quinto Elizabeth, Death without Clergy.
What justice, when both to the Old Bailey brought!
By the gods, I'll enjoy it; though 'tis but in thought!
Both are plac'd at the bar, with all proper decorum,
With bunches of fennel, and nosegays before 'em;
Both cover their faces with mobs and all that;
But the judge bids them, angrily, take off their hat.
When uncover'd, a buzz of enquiry runs round, --
'Pray what are their crimes?' -- 'They've been pilfering found.'
'But, pray, whom have they pilfer'd?' -- 'A Doctor, I hear.'
'What, yon solemn-faced, odd-looking man that stands near!'
'The same.' -- 'What a pity! how does it surprise one!
Two handsomer culprits I never set eyes on!'
Then their friends all come round me with cringing and leering,
To melt me to pity, and soften my swearing.
First Sir Charles advances with phrases well strung,
'Consider, dear Doctor, the girls are but young.'
'The younger the worse,' I return him again,
'It shows that their habits are all dyed in grain.'
'But then they're so handsome, one's bosom it grieves.'
'What signifies 'handsome', when people are thieves?'
'But where is your justice? their cases are hard.'
'What signifies 'justice'? I want the 'reward'.

There's the parish of Edmonton offers forty pounds; there's the
parish of St. Leonard, Shoreditch, offers forty pounds; there's
the parish of Tyburn, from the Hog-in-the-Pound to St. Giles's
watchhouse, offers forty pounds, -- I shall have all that if I
convict them!' --

'But consider their case, -- it may yet be your own!
And see how they kneel! Is your heart made of stone?'
This moves:-- so at last I agree to relent,
For ten pounds in hand, and ten pounds to be spent.

I challenge you all to answer this: I tell you, you cannot. It
cuts deep; -- but now for the rest of the letter: and next --
but I want room -- so I believe I shall battle the rest out at
Barton some day next week.

I don't value you all!

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Lenexa Baptist Church = The Power Of Love

THE POWER OF LOVE


The power of love transforms our soul
As we live for deliverance from sin.
Ready to defend and protect what’s right
Loving our Lord, family or friend.

Ester saved her people by the power of love
And changed the way an evil king behaved.
She prayed to God and trusted His grace
And the lives of her people were saved.

Down through history from Adam till now
Man has always suffered from sin.
When we completely discount the laws of God
All that we love can come to its end!

The power of love is always among us
As God loves us more than we love our own.
He watches, punishes, directs and rewards
As the seeds of our behavior are sown.


LOST FROM GOD


You may feel that you’re lost from God
But He has never been lost from you.
God never walks away from His children
Despite all the foolish things we do.

Doubting causes us to stay fearful and isolated
Never to rise above thoughts of our own.
We need to believe and trust in God
As the seeds of His glory are sown.

God has His purpose for every problem
Teaching us our need for the power of His will.
When we truly summit and abide to His word
All we believe will fortify and fulfill.

The most important blessing that happens in life
Is accepting Christ as our Savior and Son of our Lord.
The price we pay as a nonbeliever
Is far more than a mortal can afford.

Never listen to the Devil for he is a liar
And all that he stands for is wrong.
Turn your eyes toward God and focus on His love
As His passion for us we sing in a song.


HEAVEN’S TEST


Father we pray You will deliver us from evil
And fill us with Your mercy and love.
We pray for Your wisdom and understanding
To guide us to Your kingdom above.

We pray for those who ignore Your Grace
And deny you as their Lord and king.
Help us to know the power of Your will
For Your deliverance is everything.

All of us have sinned at some point in our life
And discovered our actions had a cost.
We pray for forgiveness from transgressions
As we testify God’s salvation to the lost!

Praise our Lord for His heavenly Blessings
And the divine love we feel within.
He delivers us from the dark side of life
To rise above wrong to be born again.


FAITH, LOVE, DEVOTION & DESIRE


All men’s desires are justified in their own mind
But it’s God who weighs what the eye cannot see.
Just as our intentions are to plan for the future
It’s how we respond that decides what will be.

The hateful and the selfish never go unpunished
For they have turned their back on the Lord.
A wise man shuns what is ungodly and corrupt
While fools pursue all they can never afford.

The heart of the righteous seek God’s wisdom and grace
As the mouth of the wicked spews forth hate.
The faithful never lie, cheat or give false witness
For Christ is their Shepard without hesitation or debate.

Evildoers practice what is unclean, wicked and cruel
As sinfulness drips from their lips of fire.
They justify the guilty and denounce the just
Who heed God’s laws through faith, love, devotion and desire.


THE JOY of FAITH

I’m broke, busted and disgusted
But I always have hope because of the Lord.
He is aware of my every problem and fear
And the mistakes I’ve made I could never afford.

The joy of faith adds length to life
Where the pleasures of the wicked cut it short.
All must someday stand before God
Fore He is the Judge of heaven’s court.

God’s blessings crown the head of the righteous
As violence overwhelms the lives of the lost.
The faithful hate all which, is evil or false
Where the wicked ignore every consequence and cost.

The teaching of God’s love and the sacrifice of Christ
Is the foundation of Christian existence.
The wisdom of God is our armor of faith
To protect us from Satan’s wrath of persistence.

The path of uprightness avoids what is evil
Where the highway of downfall seeks it all.
A wise man heeds his Father’s instruction
While the mockers of faith refuse His call.


DEVINE DELIVERANCE


When we refuse to listen or take to account
The words, laws and commandments of our Master,
He will send us a curse upon our blessings
Changing everything to fear, hate and disaster.

Who can endure the day of His coming,
And who can stand tall as He appears?
Only those who have committed their heart and soul
To serve God with their blood, sweet and tears.

Give thanks to God for His divine deliverance
Make known His blessings among the crowd.
Sing forth His praise with trust and love
And life will become more peaceful and proud.


CONFIDENCE


Confidence that conquers is a glorious blessing
Look what a boy named David was able to do.
He toppled the giant and became a great King
All because he had confidence in his faith and God too.

When we completely believe in the will of our Lord
We have confidence we can do anything He ask us to.
We say our prayers and confront problems whatever
As God teaches us through faith what to say and do.

Faith, love and confidence are the greatest predictors of life
To determine if we are blessed, happy and successful.
As we loose our confidence it affects our ability to triumph
Over all which keeps us staying ungodly and fearful.

Confidence is powerful when we have total trust in the Lord
For He has plans for all to justify, sanctify and serve.
God calls us to rise by faith, love and confidence
Repenting from wickedness to the life we deserve.


OUR INTIMACY WITH GOD”


When we accurately realize that our intimacy with God
Determines the impact of our lives and attitude.
We avoid doing anything that dishonors Him
Or our own self worth, humility and gratitude.

Recognizing that God The Father knows the path ahead
Far better than any politician, preacher or teacher.
We submit ourselves to respond to His call
As we struggle to be more than a wicked creature.

Always stay mindful of what must be done
With purpose, determination, prayer and accountability.
Giving your best to provide, protect and preserve
A life of freedom, faith, love and stability.

You and I some day shall stand before God
And give an account for our actions to measure.
Never give up and walk away from His grace
Lost in a world of impureness and ungodly pleasure.

Christians have a deep hunger and yearning for Gods approval
The ultimate purpose He created us to faithfully be.
Our intimacy with God is a relationship of love and trust
The more we pray and actually listen the more we become as He.


ANXIOUS, LOST & ALONE


The Bible teaches us that all humans are sinful
And the only way to the Father is by grace.
Offered through the sacrifice of Jesus our Lord
As we struggle to rise above failure, greed and disgrace.

What do we do when we feel anxious, lost and alone?
We cry out to the Lord with our burdens, sins and fears.
We can be assured God will meet our needs
For He is aware our pain, suffering and tears.

For believers are called to emulate Christ
Through our obedience, trust and servitude.
Be thankful of heart and share your blessings
As a testament of our faith and gratitude.


STAND UP FOR GOD


Christians are connected to God’s power and magnificence
Who has authority over everything that transpires.
He loves to hear the prayers from our heart
And provide us blessings that fulfill our desires.

Because God was the first to love us completely
He always gives us more than we deserve.
It’s up to us to stand up for God
And glorify His love by our willingness to serve.

There’s nothing more exciting and satisfying
Than our companionship with Jesus our Lord.
He teaches us what to shun, reject and avoid
Having consequences we could never afford.

Our lives are transformed and are never the same
Once Jesus has taken His appropriate place.
On the throne of our heart, conscience and soul
To deliver us from Satan’s shame, dishonor and disgrace.


By God’s Poet Tom Zart
Most Published Poet
On The Web

To Read Or Listen To Tom Zart’s Poems Go To =

http: //new.pivtr.com/en/schedule/tom-zart/
http: //www.veteranstodayforum.com/viewforum.php? f=38

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Returns to Rescue the Rhythm of Life

A ballet with knowledge ignored and/or forgotten...
Has become a dance recovered.
And unearthed with scientific gratitude.
A spiritualistic wisdom of ancient value,
Returns to rescue the rhythm of life.
Just because it has not been seen...
Does not mean it is without its power!

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Every Intention The Creator Has Had

'When should it be realized that life is precious? '

Once it has been discovered,
With opened eyes...
That the Earth rotates,
Majestically in the Universe.

And no one known giving an opinion...
Can claim to have had anything to do with it!
Or can say The Creator of our existence,
Has made a mistake!

Although there will be those...
Who will attempt to convince,
Every intention The Creator has had...
Was 'first' given their approval.

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The Idea

you come surprisingly
and i am amazed about what you are
you are risky
and gives me the shivers
of the dangers that you are giving me
you are quick
to appear and too quickly you
disappear
you tell me that i must be prepared
to record you in memory
that i must have a paper and pen on hand
ready for the keeping

you are the idea
so much has been wasted
because i am raged with age
too lax
and lazy and
to time has become
a slave
bound for oblivion.

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Who Has Been In Charge of the Press Releases?

As long as we keep them depicted,
As needy heathens...
This will provide all the incentive we need,
To maintain our delusions.
With the same marketing tactics.
And keeping those ignorant believing we are better.

Who has been in charge of the press releases?
I don't care who they voted for!
This 'liberal' atmosphere has gotten out of hand.
Before you know it...
Everyone will believe they are here to 'think'.
And we will lose our status of being a great people.

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After The Filth Has Been Filtered

After the filth has been filtered,
And drained from minds forced to open...
There will be more honest discussions,
Attempted and made...
Between those in shadows,
And those accustomed to giving shade.
After the filth has been filtered.

With more uninhibited wishes,
From those who escaped away from those days...
When people were afraid to remove those masks,
Some homemade...
That did not convey true portrayals.
But were worn instead,
To deny and hide themselves with choices to be led.

And after the filth has been filtered,
More of life for them begins.
More of life is felt and shared.
With the necessity of charades and masquerades,
For them to end.

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The World Is A Party

The world is a party [x4]
As I watch the world as it keeps spinning round
And try to figure out what's going down
With so much joy and love in demand
Why can't we get it right and understand
[Chorus:]
The world is a party [x4]
Look at the faces out there everywhere
There is a happiness we all can share
Walk in the sunshine come out the rain
It's time to face the truth that we're all the same
[Chorus]
It's so right it can't be wrong
All you got to do is come along
It's our time to celebrate
Tonight it's gonna be that way
[Chorus]
It's so right it can't be wrong
All you got to do is come along
It's our time to celebrate
Tonight it's gonna be that way
The world is a party, The world is a party...

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A Bird Story, The Hint...

watching you in full beauty
is an attempt of my hand to set myself free
i have the key and the door is not locked
there is no use for the key even
no one is locking me in and i am always
free at any time of the day to go
and be the wings of the bird that
my mind imagines every hour of the
waking day

there was once a bird captured by an enemy
put inside a cage and well feed
and well attended
it sings of freedom and love and beauty
in one sad song
the enemy decides to open the cage to set it free
the bird doubts this time
the enemy has become a loyal friend
the cage has become its sweetest home


the words are the same as arranged in that desired ending
ah, they all live happily ever after....

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July 21,1969- The Eagle has landed

Houston we have landed
It is one small step,
To land on the moon in this decade,
Just as JFK promised.

Not because it was easy
But because it was hard,
That is what he said,
And that is what we did!

The only problem was since those words
Were said our country had changed.
Gone are JFK, RFK, and MLK
Gone is LBJ,
Now Nixon is the one,
But objective remained the same
To land on the moon
No matter what the cost

On this summer day in 1969
We all came a little closer together
As we saw
The first man walk on the moon.

Now we may find
That he didn't walk on the moon at all.

A Government that lies about a break in
Could they tell a story about something else?
Now as we look up towards the moon,
Let us remember that special day
When are attention was directed to man who walked on the moon.

July 21,1969 the Eagle had landed
Now the question is where did in land?

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