American Girls
Darling, Im afraid to close my eyes when Im going to bed
Im afraid youll crack the phone down over my head
Why are all american girls so rough?
Damn, that girl cant ever hurt you enough
Lady (lady), you knock me on my knees and I cant stand up
You got the look in your eye and you smack my butt
Why are all american girls so rough?
Why do all american girls act so tough?
Why are all american girls so rough?
Darling, Im afraid to close my eyes when Im goin to bed
Im afraid youll crack the phone down over my head
Why are all american girls so rough?
Damn, that girl cant ever hurt you enough
Lady (lady), you knock me on my knees and I cant stand up
You got that look in your eye and you smack my butt
Why are all american girls so rough?
Why do all american girls act so tough?
Why are all american girls so rough?
That hole youre digging in my ribs
It aint no real wound
So baby take it easy
Lets try to be friends
Why are all american girls so rough?
Damn, that girl cant ever hurt you enough
Lady (lady), you knock me down on my knees and I cant stand up
You got the look in your eye, you smack my butt
Why are all american girls so rough?
Why do all american girls act so tough?
Why are all american girls so rough?
American girls
American girls
Why are all american girls so rough?
American girls
American girls
American girls
Why are all american girls so rough?
American girls
American girls
American girls
Why are all american girls so rough?
Why are all american girls so rough?
song performed by Weezer
Added by Lucian Velea
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[...] Read more
poem by Rwetewrt Erwtwer
Added by Poetry Lover
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Call It Evil (demo)
I've been around watching little late shows
Drink a lot of beer
Like playing cards with my friends
Call it evil
Call it pain
It goes knock, knock, knock-knock-knock-knock, on my door
It goes knock, knock, knock-knock-knock-knock, on my door
That rock and rock, yeah, call it evil
That rock and rock, yeah, call it evil
Knock, knock, knock, knock, knock, knock, on my door, Yeah!
Knock, knock, knock, knock, knock, knock, on my door
Going to get as my babe.
It goes knock, knock, knock, knock, knock, knock, on my door
Playing sopwith in the back of my head
What you trying to be crazy?
People look at me, they look at me, but you're dead
Call it evil
Call it pain
It goes knock, knock, knock-knock-knock-knock, on my door
It goes knock, knock, knock-knock-knock-knock, come on
Knock-knock-knock-knock, one more
Knock-knock-knock-knock
That rock and rock, yeah, call it evil
That rock and rock, yeah, call it evil
Knock, knock, knock, knock, knock, knock, on my door
Knock, knock, knock, knock, knock, knock, on my door
Knock, knock, knock, knock, knock, knock, on my door
Knock, knock, knock, knock, knock, knock, on my door
song performed by Alice Cooper
Added by Lucian Velea
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Knockin On Heavens Door
Mama take this badge off of me
I cant wear it anymore
Its getting too dark, too dark to see
And I feel like im
Feel Im knockin on heavens door
Knock, knock, knockin on heavens door
I feel like, I feel like im
Knock, knock, knockin on heavens door
I said i, I feel im
Knock, knock, knockin on heavens door
Mama mama mama
Knock, knock, knockin on heavens door
Oh
Take these guns and put em to the ground
I cant, I cant, I cant
I just cant shoot them anymore
Theres a long black cloud
Theres a long black cloud
You know its a, its a comin down
I feel i, I feel i, I feel im
I feel Im knockin on heavens door
Knock, knock, knockin on heavens door
Now I said mama mama
Knock, knock, knockin on heavens door
Oh now
Knock, knock, knockin on heavens door
Oh
Knock, knock, knockin on heavens door
Wipe this blood from my face
I cant see through the walls
Six white horses coming to carry me away
I feel Im knockin on heavens door
Im
Knock, knock, knockin on heavens door
Gonna take me, gonna take me, gonna take me now
Knock, knock, knockin on heavens door
Wipe this, wipe this, wipe this, wipe this
Knock, knock, knockin on heavens door
Oh mama im
Knock, knock, knockin on heavens door
Mama take these chains off of me
Cause I dont, I dont want them anymore
Theyre getting too damn heavy
And Im crawling across the floor
I feel like, I feel like Im knockin on heavens door
Oh mama
Knock, knock, knockin on heavens door
Ah mama mama mama
Knock, knock, knockin on heavens door
Gonna take me, gonna take me, gonna take me
[...] Read more
song performed by Indigo Girls
Added by Lucian Velea
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Knockin On Heavens Door
Mama take this badge off of me
I cant use it any more
Its gettin dark, too dark to see
I feel like Im knockin on heavens door
Knock, knock, knockin on heavens door
Knock, knock, knockin on heavens door
Knock, knock, knockin on heavens door
Knock, knock, knockin on heavens door
Mama, wipe the blood from my face
Im sick and tired of the war
[...]
I feel like Im knockin on heaves door
Knock, knock, knockin on heavens door
Knock, knock, knockin on heavens door
Knock, knock, knockin on heavens door
Knock, knock, knockin on heavens door
Knock, knock, knockin on heavens door
Knock, knock, knockin on heavens door
Knock, knock, knockin on heavens door
Knock, knock, knockin on heavens door
Knock, knock, knockin on heavens door
Knock, knock, knockin on heavens door
Knock, knock, knockin on heavens door
Knock, knock, knockin on heavens door
Knock, knock, knockin on heavens door
Knock, knock, knockin on heavens door
Knock, knock, knockin on heavens door
Knock, knock, knockin on heavens door
song performed by George Harrison
Added by Lucian Velea
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XI. Guido
You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock
[...] Read more
poem by Robert Browning from The Ring and the Book
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VI. Giuseppe Caponsacchi
Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,
[...] Read more
poem by Robert Browning from The Ring and the Book
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poem by Rwetewrt Erwtwer
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Luggage Canada
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poem by Rwetewrt Erwtwer
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Sixth Book
THE English have a scornful insular way
Of calling the French light. The levity
Is in the judgment only, which yet stands;
For say a foolish thing but oft enough,
(And here's the secret of a hundred creeds,–
Men get opinions as boys learn to spell,
By re-iteration chiefly) the same thing
Shall pass at least for absolutely wise,
And not with fools exclusively. And so,
We say the French are light, as if we said
The cat mews, or the milch-cow gives us milk:
Say rather, cats are milked, and milch cows mew,
For what is lightness but inconsequence,
Vague fluctuation 'twixt effect and cause,
Compelled by neither? Is a bullet light,
That dashes from the gun-mouth, while the eye
Winks, and the heart beats one, to flatten itself
To a wafer on the white speck on a wall
A hundred paces off? Even so direct,
So sternly undivertible of aim,
Is this French people.
All idealists
Too absolute and earnest, with them all
The idea of a knife cuts real flesh;
And still, devouring the safe interval
Which Nature placed between the thought and act,
They threaten conflagration to the world
And rush with most unscrupulous logic on
Impossible practice. Set your orators
To blow upon them with loud windy mouths
Through watchword phrases, jest or sentiment,
Which drive our burley brutal English mobs
Like so much chaff, whichever way they blow,–
This light French people will not thus be driven.
They turn indeed; but then they turn upon
Some central pivot of their thought and choice,
And veer out by the force of holding fast.
–That's hard to understand, for Englishmen
Unused to abstract questions, and untrained
To trace the involutions, valve by valve,
In each orbed bulb-root of a general truth,
And mark what subtly fine integument
Divides opposed compartments. Freedom's self
Comes concrete to us, to be understood,
Fixed in a feudal form incarnately
To suit our ways of thought and reverence,
The special form, with us, being still the thing.
With us, I say, though I'm of Italy
My mother's birth and grave, by father's grave
And memory; let it be,–a poet's heart
[...] Read more
poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
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Christabel
PART I
'Tis the middle of night by the castle clock
And the owls have awakened the crowing cock;
Tu-whit!- Tu-whoo!
And hark, again! the crowing cock,
How drowsily it crew.
Sir Leoline, the Baron rich,
Hath a toothless mastiff, which
From her kennel beneath the rock
Maketh answer to the clock,
Four for the quarters, and twelve for the hour;
Ever and aye, by shine and shower,
Sixteen short howls, not over loud;
Some say, she sees my lady's shroud.
Is the night chilly and dark?
The night is chilly, but not dark.
The thin gray cloud is spread on high,
It covers but not hides the sky.
The moon is behind, and at the full;
And yet she looks both small and dull.
The night is chill, the cloud is gray:
'T is a month before the month of May,
And the Spring comes slowly up this way.
The lovely lady, Christabel,
Whom her father loves so well,
What makes her in the wood so late,
A furlong from the castle gate?
She had dreams all yesternight
Of her own betrothed knight;
And she in the midnight wood will pray
For the weal of her lover that's far away.
She stole along, she nothing spoke,
The sighs she heaved were soft and low,
And naught was green upon the oak,
But moss and rarest mistletoe:
She kneels beneath the huge oak tree,
And in silence prayeth she.
The lady sprang up suddenly,
The lovely lady, Christabel!
It moaned as near, as near can be,
But what it is she cannot tell.-
On the other side it seems to be,
Of the huge, broad-breasted, old oak tree.
The night is chill; the forest bare;
Is it the wind that moaneth bleak?
There is not wind enough in the air
[...] Read more
poem by Samuel Taylor Coleridge
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The Undying One- Canto III
'THERE is a sound the autumn wind doth make
Howling and moaning, listlessly and low:
Methinks that to a heart that ought to break
All the earth's voices seem to murmur so.
The visions that crost
Our path in light--
The things that we lost
In the dim dark night--
The faces for which we vainly yearn--
The voices whose tones will not return--
That low sad wailing breeze doth bring
Borne on its swift and rushing wing.
Have ye sat alone when that wind was loud,
And the moon shone dim from the wintry cloud?
When the fire was quench'd on your lonely hearth,
And the voices were still which spoke of mirth?
If such an evening, tho' but one,
It hath been yours to spend alone--
Never,--though years may roll along
Cheer'd by the merry dance and song;
Though you mark'd not that bleak wind's sound before,
When louder perchance it used to roar--
Never shall sound of that wintry gale
Be aught to you but a voice of wail!
So o'er the careless heart and eye
The storms of the world go sweeping by;
But oh! when once we have learn'd to weep,
Well doth sorrow his stern watch keep.
Let one of our airy joys decay--
Let one of our blossoms fade away--
And all the griefs that others share
Seem ours, as well as theirs, to bear:
And the sound of wail, like that rushing wind
Shall bring all our own deep woe to mind!
'I went through the world, but I paused not now
At the gladsome heart and the joyous brow:
I went through the world, and I stay'd to mark
Where the heart was sore, and the spirit dark:
And the grief of others, though sad to see,
Was fraught with a demon's joy to me!
'I saw the inconstant lover come to take
Farewell of her he loved in better days,
And, coldly careless, watch the heart-strings break--
Which beat so fondly at his words of praise.
She was a faded, painted, guilt-bow'd thing,
Seeking to mock the hues of early spring,
When misery and years had done their worst
[...] Read more
poem by Caroline Elizabeth Sarah Norton
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V. Count Guido Franceschini
Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Count Me Out
Count me out
Count me out
Fellas want to hang
And save tonight just
For the gang
But youll have to count me
Out this time
If I cant bring my girl
Dont look surprised
When I tell you that
Gotta spend some time
With my baby, yes
So if that means
Were gonna rain on
Your parade
Youll have to count me out
Youre gonna have to count me
Out
Youll have to count me out
I wanna be with my girlfriend
Youll have to count me out
This time
Youll have to count me out
When she asked me please
Could I say no and feel at
Ease
If you count me out tonight
Shes gonna be with me wherever
I go
Shes got a sweet personality
She saves her kisses just for me
So if that means were gonna rain on
Your parade
Youll have to count me out
Youre gonna have to count
Me out
Youll have to count me out
Im saving kisses for my baby
Youll have to count me out
This time
Youll have to count me out
Youll have to count me out
Youre gonna have to count
Me out
Youll have to count me out
My baby wants to be with me
Youll have to count me out
Thats the way its gonna be
Youll have to count me out
Count me out
[...] Read more
song performed by New Edition
Added by Lucian Velea
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Fourth Book
THEY met still sooner. 'Twas a year from thence
When Lucy Gresham, the sick semptress girl,
Who sewed by Marian's chair so still and quick,
And leant her head upon the back to cough
More freely when, the mistress turning round,
The others took occasion to laugh out,–
Gave up a last. Among the workers, spoke
A bold girl with black eyebrows and red lips,–
'You know the news? Who's dying, do you think?
Our Lucy Gresham. I expected it
As little as Nell Hart's wedding. Blush not, Nell,
Thy curls be red enough without thy cheeks;
And, some day, there'll be found a man to dote
On red curls.–Lucy Gresham swooned last night,
Dropped sudden in the street while going home;
And now the baker says, who took her up
And laid her by her grandmother in bed,
He'll give her a week to die in. Pass the silk.
Let's hope he gave her a loaf too, within reach,
For otherwise they'll starve before they die,
That funny pair of bedfellows! Miss Bell,
I'll thank you for the scissors. The old crone
Is paralytic–that's the reason why
Our Lucy's thread went faster than her breath,
Which went too quick, we all know. Marian Erle!
Why, Marian Erle, you're not the fool to cry?
Your tears spoil Lady Waldemar's new dress,
You piece of pity!'
Marian rose up straight,
And, breaking through the talk and through the work,
Went outward, in the face of their surprise,
To Lucy's home, to nurse her back to life
Or down to death. She knew by such an act,
All place and grace were forfeit in the house,
Whose mistress would supply the missing hand
With necessary, not inhuman haste,
And take no blame. But pity, too, had dues:
She could not leave a solitary soul
To founder in the dark, while she sate still
And lavished stitches on a lady's hem
As if no other work were paramount.
'Why, God,' thought Marian, 'has a missing hand
This moment; Lucy wants a drink, perhaps.
Let others miss me! never miss me, God!'
So Marian sat by Lucy's bed, content
With duty, and was strong, for recompense,
To hold the lamp of human love arm-high
To catch the death-strained eyes and comfort them,
Until the angels, on the luminous side
[...] Read more
poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
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Canto the Second
I
Oh ye! who teach the ingenuous youth of nations,
Holland, France, England, Germany, or Spain,
I pray ye flog them upon all occasions,
It mends their morals, never mind the pain:
The best of mothers and of educations
In Juan's case were but employ'd in vain,
Since, in a way that's rather of the oddest, he
Became divested of his native modesty.
II
Had he but been placed at a public school,
In the third form, or even in the fourth,
His daily task had kept his fancy cool,
At least, had he been nurtured in the north;
Spain may prove an exception to the rule,
But then exceptions always prove its worth -—
A lad of sixteen causing a divorce
Puzzled his tutors very much, of course.
III
I can't say that it puzzles me at all,
If all things be consider'd: first, there was
His lady-mother, mathematical,
A—never mind; his tutor, an old ass;
A pretty woman (that's quite natural,
Or else the thing had hardly come to pass);
A husband rather old, not much in unity
With his young wife—a time, and opportunity.
IV
Well—well, the world must turn upon its axis,
And all mankind turn with it, heads or tails,
And live and die, make love and pay our taxes,
And as the veering wind shifts, shift our sails;
The king commands us, and the doctor quacks us,
The priest instructs, and so our life exhales,
A little breath, love, wine, ambition, fame,
Fighting, devotion, dust,—perhaps a name.
V
I said that Juan had been sent to Cadiz -—
A pretty town, I recollect it well -—
'T is there the mart of the colonial trade is
(Or was, before Peru learn'd to rebel),
And such sweet girls—I mean, such graceful ladies,
Their very walk would make your bosom swell;
I can't describe it, though so much it strike,
Nor liken it—I never saw the like:
[...] Read more
poem by Byron from Don Juan (1824)
Added by Veronica Serbanoiu
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Butt Town
The cops are well-groomed, with
Muscled physiques in butt town
Their tan uniforms are tailored in chic
In butt town
Any young black male who walks down the street
Is gonna get stopped by a car full of meat
But the girl with the hair
Flies by in her underwear-
Shes done nothing so far to deserve that car
When you live in butt town
You gotta get down
But in butt town Im learnin
In butt town Im earnin
In butt town Im turnin
Into my worst nightmare
Im tellin you, its a motley crew in butt town
Monday youre new, and friday youre through
In butt town
The producer is wily, and owns what he sells
The talent is eager to go straight to hell
Th tits are amazing, and everyones gazing
At some body part-
Thats the nature of art in butt town
All over butt town dreams have a show down
All over butt town values are thrown down
But in butt town Im learnin
In butt town Im earnin
In butt town Im turnin
Into my worst nightmare
In butt town baby
Im gonna be a star
Im gonna shake my butt far
Now here we go
Im gonna shake my butt
Shake my butt shake my butt
In butt town
song performed by Iggy Pop
Added by Lucian Velea
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Knock On Wood
I dont want to lose the good thing that Ive got
If I do, I will surely, I will lose a lot
For your love is better than any love other Ive know
Its like thunder, lightning
The way you love me is frightening
I better knock on wood
Baby
I got superstitious about you, but I cant take change
You got me spinning, baby, spinning in a trance
But your love is better than any other love Ive known
Its like thunder, lightning
The way you love me is frightening
You better knock on wood
Its no secret, but that woman fills my lovin cup
She sees, so ready, that I get enough
And her love is better than any other love Ive known
Its like thunder
Its like lightning
The way you love me is frightening
I better knock on wood
Baby
Better, yes, better
(yes you better knock, knock, knock on wood) yes, I better
(yes you better knock, knock, knock on wood) oh, knock on wood
(yes you better knock, knock, knock on wood) you know I would, would
(yes you better knock, knock, knock on wood) its no secret
(yes you better knock, knock, knock on wood) no, oh, better
(yes you better knock, knock, knock on wood) hangin above me
(yes you better knock, knock, knock on wood) I cant leave her
(yes you better knock, knock, knock on wood) oh no, baby
Knock on wood, woo!
song performed by David Bowie
Added by Lucian Velea
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Knock It Down
Knock it down,
All the hurting.
Knock it down,
All the pain.
Knock it down,
From your vision.
Knock it off your name!
Knock it down,
All the hurting.
Knock it down,
All the pain.
Knock it down,
From your vision.
And knock it off your name.
Take that load,
Off those shoulders you hold.
And knock it down to the ground.
Don't try to reload.
Take those burdens,
And snatch them off your back.
And knock them down to the ground...
With a skit to see them scat.
Take that load,
Off those shoulders you hold.
And knock it down to the ground.
Don't try to reload.
Knock it down,
All the hurting.
Knock it down,
All the pain.
Knock it down,
From your vision.
Knock it off your name!
Take that load,
Off those shoulders you hold.
Knock it down,
All the hurting.
Knock it down,
All the pain.
Take those burdens,
And snatch them off your back.
Knock them down,
Out of vision.
[...] Read more
poem by Lawrence S. Pertillar
Added by Poetry Lover
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Give Your Heart To The Hawks
1 he apples hung until a wind at the equinox,
That heaped the beach with black weed, filled the dry grass
Under the old trees with rosy fruit.
In the morning Fayne Fraser gathered the sound ones into a
basket,
The bruised ones into a pan. One place they lay so thickly
She knelt to reach them.
Her husband's brother passing
Along the broken fence of the stubble-field,
His quick brown eyes took in one moving glance
A little gopher-snake at his feet flowing through the stubble
To gain the fence, and Fayne crouched after apples
With her mop of red hair like a glowing coal
Against the shadow in the garden. The small shapely reptile
Flowed into a thicket of dead thistle-stalks
Around a fence-post, but its tail was not hidden.
The young man drew it all out, and as the coil
Whipped over his wrist, smiled at it; he stepped carefully
Across the sag of the wire. When Fayne looked up
His hand was hidden; she looked over her shoulder
And twitched her sunburnt lips from small white teeth
To answer the spark of malice in his eyes, but turned
To the apples, intent again. Michael looked down
At her white neck, rarely touched by the sun,
But now the cinnabar-colored hair fell off from it;
And her shoulders in the light-blue shirt, and long legs like a boy's
Bare-ankled in blue-jean trousers, the country wear;
He stooped quietly and slipped the small cool snake
Up the blue-denim leg. Fayne screamed and writhed,
Clutching her thigh. 'Michael, you beast.' She stood up
And stroked her leg, with little sharp cries, the slender invader
Fell down her ankle.
Fayne snatched for it and missed;
Michael stood by rejoicing, his rather small
Finely cut features in a dance of delight;
Fayne with one sweep flung at his face
All the bruised and half-spoiled apples in the pan,
[...] Read more
poem by Robinson Jeffers
Added by Poetry Lover
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VII. Pompilia
I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.
All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.
Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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