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T.S. Eliot

Some editors are failed writers, but so are most writers.

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Elizabeth Barrett Browning

Eighth Book

ONE eve it happened when I sate alone,
Alone upon the terrace of my tower,
A book upon my knees, to counterfeit
The reading that I never read at all,
While Marian, in the garden down below,
Knelt by the fountain (I could just hear thrill
The drowsy silence of the exhausted day)
And peeled a new fig from that purple heap
In the grass beside her,–turning out the red
To feed her eager child, who sucked at it
With vehement lips across a gap of air
As he stood opposite, face and curls a-flame
With that last sun-ray, crying, 'give me, give,'
And stamping with imperious baby-feet,
(We're all born princes)–something startled me,–
The laugh of sad and innocent souls, that breaks
Abruptly, as if frightened at itself;
'Twas Marian laughed. I saw her glance above
In sudden shame that I should hear her laugh,
And straightway dropped my eyes upon my book,
And knew, the first time, 'twas Boccaccio's tales,
The Falcon's,–of the lover who for love
Destroyed the best that loved him. Some of us
Do it still, and then we sit and laugh no more.
Laugh you, sweet Marian! you've the right to laugh,
Since God himself is for you, and a child!
For me there's somewhat less,–and so, I sigh.

The heavens were making room to hold the night,
The sevenfold heavens unfolding all their gates
To let the stars out slowly (prophesied
In close-approaching advent, not discerned),
While still the cue-owls from the cypresses
Of the Poggio called and counted every pulse
Of the skyey palpitation. Gradually
The purple and transparent shadows slow
Had filled up the whole valley to the brim,
And flooded all the city, which you saw
As some drowned city in some enchanted sea,
Cut off from nature,–drawing you who gaze,
With passionate desire, to leap and plunge,
And find a sea-king with a voice of waves,
And treacherous soft eyes, and slippery locks
You cannot kiss but you shall bring away
Their salt upon your lips. The duomo-bell
Strikes ten, as if it struck ten fathoms down,
So deep; and fifty churches answer it
The same, with fifty various instances.
Some gaslights tremble along squares and streets
The Pitti's palace-front is drawn in fire:

[...] Read more

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Jeane

Jeane
The low-life has lost its appeal
And i'm tired of walking these streets
To a room with its cupboards bare
Jeane
I'm not sure what happiness means
But i look in your eyes
And i know
Oh ...
That it isn't there
Oh, we tried, and we failed
Oh, we tried, and we failed
We tried and we failed
We tried and we failed
We tried
Oh, jeane
There's ice on the sink where we bathe
So how can you call this a home
When you know it's a grave ?
Yet you still have that greedy grace
As you tidy the place
But it will never be clean
Jeane
We tried and we failed
We tried, and we failed
We tried and we failed
We tried and we failed
And we tried
Oh ...
Cash on the nail
It's just a fairytale
Oh ...
And i don't believe in magic anymore
Jeane
But i think you know
I really think you know
Oh ...
Oh yes, i think you know the truth
Jeane
Oh ...
No heavenly choirs
Not for me and not for you
Because i think you know
I really think you know
Oh ...
I think you know the truth
Oh, jeane
We tried, and we failed
We tried, and we failed
We tried and we failed

[...] Read more

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Four Main Types of Writers (personal opinion)

The Lonely Writer

Some writings tell me
This person is lonely
And is reaching out
For the touch of a friendly comment
These writers are sad, solitary,
Isolated, but good persons
And quite often very good writers

The needy juvenile writer

Some writings contain words
Or language meant to shock
And to offend.
These writers are lonely also
But in a different way.
These writers are simply saying
Like a little child
“hey! I exist! Someone better
Acknowledge me! ”
These writers can often write well
But usually don’t, can’t, or choose not to

The Spite Writer

This writer can be of either gender
But seems to be in a female majority
They’ve been spurned or rejected
Two-timed or lied to.
And they are going to vent their ire
In the most public way they can.
These writers can also be very good writers
But too often let their anger get in the way.

The Religious Writer

These writers show people passionate
And zealously devoted to singing the praises
Of the Lord and goodness and charity.
They’re probably austere, honest people
Who almost always write very well.
For the most part these writers seem
To want to spread the word and
At the same time tend to be rather singular
In the subject matter of their writings,
Rarely attempting other genres.

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Does advertising corrupt editors? Yes it does, but fewer editors than you may suppose... the vast majority of editors are incorruptible.

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Most Writers

Most writers 'twould seem have moments of self doubt
But they never go short of things to write about
And to become a top writer of one a big ask
And to succeed as a writer for many seems too daunting a task.

Most writers do not write for wealth or for fame
And despite lack of success they pen on just the same
For every one hundred thousand writers perhaps one writing millionaire
Amongst the ranks of the wealthy the writers are rare.

Few writers can hope for to scale success height
For the love of writing they only do write
Few writers get published and fewer know of success
But in their writings on paper their thoughts they express.

Most writers will never know wealth and renown
And they are not even well known in their own Hometown
They never will be known beyond their home shore
They write for the love of it and little more.

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Writer's Drought

You've heard of a thing called writer's block and you've heard of writer's drought
But writers are never short of things on which they can write about
It's just at times their inspiration well does seem to run dry
And they cannot seem to pen a line though hard enough they try.

The writers drought it causes writers moments of self doubt
Till the words that seem locked in them eventually flow out
Through their pens to their notebooks their dry spells do not last
And on time lost out on penning words they seem to catch up fast.

Some writers in their writing drought cannot seem to feel inspired
To write even a single line they feel mentally tired
But when fresh inspiration comes to them much better stuff they do write
And feeling re-invigorated they sit and pen all night.

Most writers you will talk to of writers drought can tell
When there is no inspiration in their inspiration well
But when inspiration returns to them and their creative juices flow
They become much better writers and in self confidence grow.

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Sacrilegious Fury

Blasphemy has failed. Failed to shock.
In the twilight of the twentieth century.
Religious fervour, which empowered insatiable
blasphemy. Has faded rendering shockingly,
provocative words, mere caricatures; shadows;
degraded farts; winding past damning exclamations.

Blasphemy has failed. Failed to shock.
Blasphemous remarks. Uttered against Almighty God.
Evil thoughts spoken hurled. Against anything esteemed sacred.
Have failed. To death threatened shock. Modern immune society.
Rendezvous. With hackneyed profanity. Fails to ignite chill fear.
Fearful is lobotomy preformed. Upon supposed clinically insane.

Anger spat. Hot furious. Death accompanying curse. Sworn
in stormy, less atheistic, abandoned past, violent darker ages.
Is feared now, only when tormented, demon possessed curser.
Is rabidly dangerous, with obvious, threatening derangement.
Such awesome obscenities, hold frightening immense power.
Threaten promise, immediate painful physical, impact punishment.

Ever the real; modern power; behind shocking blasphemy.

Yet ancient evil, still blasphemes, against true holy powers.
With all the bile, spat forth possessed vehemence; boiling
vile disinherited faith; awaiting revelation damned judgement.
Promised execution; awaiting accursed; dispossessed angel
become demons; still inflicting this earth; like an accursed plague.

Evil is more cunning, when less obviously evident. And
unbelievable in an age, intoning aspiritual excused, scientific
ignorance. Yet Satan ranges, howling banished, cast from heaven.
For evil words, are like hideous snakes, slithering into corrupted
unguarded orifices. Claiming souls bound for personalized hell.

Blasphemy has failed. Failed to death. Threateningly shock.
In twilight bombed out. Friday the thirteenth. Twentieth century.
For religious fear; fervour; persecution; is empowered indifferently.


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Mask Of Future

Dreams weren’t farfetched for me
Life wasn’t bad for me
I got everything I wanted,
Power and ability, and even opportunity
But I ignored something unknown.

I got an opportunity,
But I did not complete my wish.
I did not misuse my opportunity,
But this world has a sequence.
A flow which we all follow
Something I failed to do.
I used my powers at the wrong time.
I stepped into higher steps ignoring the lower ones.

But I failed to realize something,
I failed to realize that everything required a basement.
A basement on which it can stand.
A power on which it can function.

I ignored the lower aspects of my life,
I went for the larger ones and accomplished them with ease
But there were two things in the lower steps.
Two things that I ignored.
Time and patience.
I ignored the aspect of time, and looked into the future.
I lacked patience and was eager to reach the future.
But I failed to realize that the future did not exist.
We can never reach our future.
For, when we reach it, it becomes the present.
I failed to realize that the future is yet another present,
A present which I always ignored.
I failed to realize that we can control only our present.
Use the present wisely, and the future will follow up.

I failed to see the hidden mask of future.
A mask, if opened, showed that the future is just another present.

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Essay on Psychiatrists

I. Invocation

It‘s crazy to think one could describe them—
Calling on reason, fantasy, memory, eves and ears—
As though they were all alike any more

Than sweeps, opticians, poets or masseurs.
Moreover, they are for more than one reason
Difficult to speak of seriously and freely,

And I have never (even this is difficult to say
Plainly, without foolishness or irony)
Consulted one for professional help, though it happens

Many or most of my friends have—and that,
Perhaps, is why it seems urgent to try to speak
Sensibly about them, about the psychiatrists.


II. Some Terms

“Shrink” is a misnomer. The religious
Analogy is all wrong, too, and the old,
Half-forgotten jokes about Viennese accents

And beards hardly apply to the good-looking woman
In boots and a knit dress, or the man
Seen buying the Sunday Times in mutton-chop

Whiskers and expensive running shoes.
In a way I suspect that even the terms “doctor”
And “therapist” are misnomers; the patient

Is not necessarily “sick.” And one assumes
That no small part of the psychiatrist’s
Role is just that: to point out misnomers.


III. Proposition

These are the first citizens of contingency.
Far from the doctrinaire past of the old ones,
They think in their prudent meditations

Not about ecstasy (the soul leaving the body)
Nor enthusiasm (the god entering one’s person)
Nor even about sanity (which means

Health, an impossible perfection)
But ponder instead relative truth and the warm

[...] Read more

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Natural miracles

I have never looked around for natural miracles
They are day and night in orbit or circles
Then rise and set without fail
I did not notice so far and miserably failed

How can and in which way I adore sun?
The sky is lit by him without stoppage of any run
Time and again I failed to bow my head
Never had I seen generosity on its part and failed to read

My existence is very much dependent
Still I failed to act as an obedient
How easily I forgot all warm days?
When sun had for many days failed on its way

I enjoyed greenery on earth
Yet failed to see joy beneath
After how much long wait, the shower had pleased
But where had I time to look at when not chased?

I had the life full of glooms
There was no direction and darkness in rooms
Where had I time to look for those shines outside?
When it was given to me hopefully to reside

If I was offered hurdles
There was chance to remove obstacles
Only I had to act and wait for his blessings
Otherwise where was chance anything to go missing?

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Thurso’s Landing

I
The coast-road was being straightened and repaired again,
A group of men labored at the steep curve
Where it falls from the north to Mill Creek. They scattered and hid
Behind cut banks, except one blond young man
Who stooped over the rock and strolled away smiling
As if he shared a secret joke with the dynamite;
It waited until he had passed back of a boulder,
Then split its rock cage; a yellowish torrent
Of fragments rose up the air and the echoes bumped
From mountain to mountain. The men returned slowly
And took up their dropped tools, while a banner of dust
Waved over the gorge on the northwest wind, very high
Above the heads of the forest.
Some distance west of the road,
On the promontory above the triangle
Of glittering ocean that fills the gorge-mouth,
A woman and a lame man from the farm below
Had been watching, and turned to go down the hill. The young
woman looked back,
Widening her violet eyes under the shade of her hand. 'I think
they'll blast again in a minute.'
And the man: 'I wish they'd let the poor old road be. I don't
like improvements.' 'Why not?' 'They bring in the world;
We're well without it.' His lameness gave him some look of age
but he was young too; tall and thin-faced,
With a high wavering nose. 'Isn't he amusing,' she said, 'that
boy Rick Armstrong, the dynamite man,
How slowly he walks away after he lights the fuse. He loves to
show off. Reave likes him, too,'
She added; and they clambered down the path in the rock-face,
little dark specks
Between the great headland rock and the bright blue sea.

II
The road-workers had made their camp
North of this headland, where the sea-cliff was broken down and
sloped to a cove. The violet-eyed woman's husband,
Reave Thurso, rode down the slope to the camp in the gorgeous
autumn sundown, his hired man Johnny Luna
Riding behind him. The road-men had just quit work and four
or five were bathing in the purple surf-edge,
The others talked by the tents; blue smoke fragrant with food
and oak-wood drifted from the cabin stove-pipe
And slowly went fainting up the vast hill.
Thurso drew rein by
a group of men at a tent door
And frowned at them without speaking, square-shouldered and
heavy-jawed, too heavy with strength for so young a man,
He chose one of the men with his eyes. 'You're Danny Woodruff,

[...] Read more

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5 Attemps

5 suicide attempts
Each one failed
5 times to try and love you
Each one failed
1- Slit my wrists
Failed horribly
1- Kiss you again
Failed horribly
2- Hang myself
Over the edge
2- Hug you again
Over the edge
3- Gun to my head
I couldn't pull through
3- Look in your eyes again
I couldn't pull through
4- Yell to God to end my life
I couldn't talk
4- Try to talk to you again
I couldn't talk
5- Slit my throat
I didn't have the strength
5- Touch you again
I didn't have the strength
5 suicide attempts
Each one failed
5 times to try and love you
Each one failed

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Tessa's Song

I'm sorry I failed
I'm sorry I fell
Straight from grace
I'm sorry I failed
I'm sorry I lied
Straight to your face

The world you know
Keeps getting bigger
And badder
And all that's true
And all that's good
Doesn't seem to matter

What's good and what's bad
What's right and what's wrong
Is getting harder to comprehend
And just when you think
You've figured it out
The rules are changed again

I'm sorry I failed
I'm sorry you see
All that I lack
I'm sorry I failed
And if I could
I would take it all back

It's hard to believe
This war has gone on
Since before you were born
And I worry
That it will still be raging
When you are grown

The things you see
The drugs and the sex
And you're still so young
I lie awake at night
Hoping I've shown you
Which road is the right one

I'm sorry I failed
I pray that you know
I'm doing the best I can
I'm sorry I failed
I know you will become
So much more than I am

So much time that I've wasted

[...] Read more

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Truth and Reality (Opinion)

Daily at the end of my "anusthaanam"-(spiritual ritual) ", I make a strong, fervent and sincere prayer to the Divinity that intellectuals and scholars in the world should be fearless and speak the truth without any inhibitions. This has been the tradition of our ancestors and speaking truth is essential for the benefit of the society and the society will be able to know the actualities and act on them.
Normally the rulers do not like the truth to be known. Also leaders of ideologies, religions, their supporters and the like also do not like the truth to be known to the ordinary people. The writers are normally and should be fearless such that the ills and evils in the society are exposed and remedial measures are taken. But what is truth?
Truth is what it is or as it is irrespective of perceptions of the individuals. Reality is what we see of truth; how much we see of truth. Reality is always dictated by our mental make-up, likes, dislikes, limitations in our ability and willingness to see, view, comprehend and accept the truth. Reality is individual's perception of the truth. Truth, most of the times, is only perceived and rarely understood or experienced. Thus reality is limited truth. Reality is either inability to be truthful or inability and limitations of the individual to see the truth unbiased. Also truth corresponds to the individual, about himself, his Self and the reality corresponds to the objective world within and without the body of the individual.
Real situations are compromised states of existence in the attempt of pursuit of the truth. We all talk about truth limited by our perception and not the truth most of the times. We have compulsions inbuilt, acquired or imagined not to accept the truth and allow truth to be spoken or spread through us. But truth is a flowing river. It may flood us but it never dries up. On the other the reality is like a stagnated lake. Our fear of repercussions taking place if we speak, accept or propagate truth, make us real and not truthful. We prefer peaceful and calm life. We call that realistic approach and adjust and compromise.
Thus, most of the times, we are not truthful. We are all limited and confined to our perceptions of truth. Truth is best revealed when understood or experienced. But we rarely get such insight. All our knowledge and information is hearsay through books, newspapers, magazines, radio and TV news channels, web sites etc, . We are all aware that these books and news items are filtered through the editors and owners of these media. Thus the perceptions of these responsible and financing individuals decide the truth content in the item. We pick up these as truth and argue or form our own perceptions. Sometimes the editorial policy of the editors or owners of these media do not allow truth as it is to reach us when they find it objectionable in that form. Thus truth is never completely known or allowed to be known and hence not completely comprehended. The fears, imaginations, illusions shape our perceptions and our comprehension of the truth. Many times it appears that no absolute truth exists or known, perceived or understood and experienced. Just as feelings and perceptions of good and bad and other qualities, truth is also relative as "truth to me", "truth to him", "truth to you", "truth to them" and a truth accepted by all is not possible and available to be expressed, accepted or spread and we all mistake our perceptions of truth as truth without understanding or experiencing the truth. But truth is like fire. It can not be hidden or held in hand.


the palm. Truth sneaks through our cautions and suppression and declares itself.

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Caricatures

There are writers great and writers small
And writers on the spree;
And writers short and writers tall,
And bards of low degree.

There are artists small and artist great,
With lines both bold and free –
It takes a Low to illustrate
Us bards of low degree.

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The Truth can Hurt

The truth can hurt

Some writers write infrequently
and others write prolifically.
What matters is the quality
much more so than the quantity.

Good writers by their words display
their thoughts in a coherent way
Describing things they have observed
and garner praise that’s well deserved.

But some think anything will do
and they pay no attention to
the rules successful writers use
they will not learn: point blank refuse

to accept well meant critique.
They much prefer dishonest praise
from so called friends afraid
to speak the simple truth lest they dismay

their friend by speaking honestly.
So naturally they take offence
when other people criticise
that which seems perfect in their eyes.

True writers take this in their stride
they know their work is not perfect.
But what they know is they have tried
and that is all you can expect.

New writers lack experience
but everyone must start some where.
The wise ones do not take offence
when other people show they care

enough to offer some advice.
Because they can remember when
they too were just a new novice
to painting pictures with their pen.
27 feb 08

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An Essay On The Different Stiles Of Poetry

To Henry, Lord Viscount Bolingbroke.


I hate the Vulgar with untuneful Mind,
Hearts uninspir'd, and Senses unrefin'd.
Hence ye Prophane, I raise the sounding String,
And Bolingbroke descends to hear me sing.

When Greece cou'd Truth in Mystick Fable shroud,
And with Delight instruct the list'ning Crowd,
An ancient Poet (Time has lost his Name)
Deliver'd Strains on Verse to future Fame.
Still as he sung he touch'd the trembling Lyre,
And felt the Notes a rising Warmth inspire.
Ye sweet'ning Graces in the Musick Throng,
Assist my Genius, and retrieve the Song
From dark Oblivion. See, my Genius goes
To call it forth. 'Twas thus the Poem rose.

Wit is the Muses Horse, and bears on high
The daring Rider to the Muses Sky:
Who, while his strength to mount aloft he tries,
By Regions varying in their Nature, flies.

At first he riseth o'er a Land of Toil,
A barren, hard, and undeserving Soil,
Where only Weeds from heavy Labour grow,
Which yet the Nation prune, and keep for show.
Where Couplets jingling on their Accent run,
Whose point of Epigram is sunk to Pun.
Where Wings by Fancy never feather'd fly,
Where Lines by measure form'd in Hatchets lie;
Where Altars stand, erected Porches gape,
And Sense is cramp'd while Words are par'd to shape;
Where mean Acrosticks labour'd in a Frame,
On scatter'd Letters raise a painful Scheme;
And by Confinement in their Work controul
The great Enlargings of the boundless Soul.
Where if a Warriour's elevated Fire
Wou'd all the brightest Strokes of Verse require,
Then streight in Anagram a wretched Crew
Will pay their undeserving Praises too;
While on the rack his poor disjointed Name
Must tell its Master's Character to Fame.
And (if my Fire and Fears aright presage)
The lab'ring Writers of a future Age
Shall clear new ground, and Grotts and Caves repair,
To civilize the babbling Ecchoes there.
Then while a Lover treads a lonely Walk,
His Voice shall with its own Reflection talk,

[...] Read more

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Elizabeth Barrett Browning

Ninth Book

EVEN thus. I pause to write it out at length,
The letter of the Lady Waldemar.–

'I prayed your cousin Leigh to take you this,
He says he'll do it. After years of love,
Or what is called so,–when a woman frets
And fools upon one string of a man's name,
And fingers it for ever till it breaks,–
He may perhaps do for her such thing,
And she accept it without detriment
Although she should not love him any more
And I, who do not love him, nor love you,
Nor you, Aurora,–choose you shall repent
Your most ungracious letter, and confess,
Constrained by his convictions, (he's convinced)
You've wronged me foully. Are you made so ill,
You woman–to impute such ill to me?
We both had mothers,–lay in their bosom once.
Why, after all, I thank you, Aurora Leigh,
For proving to myself that there are things
I would not do, . . not for my life . . nor him . .
Though something I have somewhat overdone,–
For instance, when I went to see the gods
One morning, on Olympus, with a step
That shook the thunder in a certain cloud,
Committing myself vilely. Could I think,
The Muse I pulled my heart out from my breast
To soften, had herself a sort of heart,
And loved my mortal? He, at least, loved her;
I heard him say so; 'twas my recompence,
When, watching at his bedside fourteen days,
He broke out ever like a flame at whiles
Between the heats of fever . . . 'Is it thou?
'Breathe closer, sweetest mouth!' and when at last
The fever gone, the wasted face extinct
As if it irked him much to know me there,
He said, Twas kind, 'twas good, 'twas womanly,'
(And fifty praises to excuse one love)
'But was the picture safe he had ventured for?'
And then, half wandering . . 'I have loved her well,
Although she could not love me.'–'Say instead,'
I answered, 'that she loves you.'–'Twas my turn
To rave: (I would have married him so changed,
Although the world had jeered me properly
For taking up with Cupid at his worst,
The silver quiver worn off on his hair.)
'No, no,' he murmured, 'no, she loves me not;
'Aurora Leigh does better: bring her book
'And read it softly, Lady Waldemar,
'Until I thank your friendship more for that,

[...] Read more

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The Golden Age

Long ere the Muse the strenuous chords had swept,
And the first lay as yet in silence slept,
A Time there was which since has stirred the lyre
To notes of wail and accents warm with fire;
Moved the soft Mantuan to his silvery strain,
And him who sobbed in pentametric pain;
To which the World, waxed desolate and old,
Fondly reverts, and calls the Age of Gold.

Then, without toil, by vale and mountain side,
Men found their few and simple wants supplied;
Plenty, like dew, dropped subtle from the air,
And Earth's fair gifts rose prodigal as prayer.
Love, with no charms except its own to lure,
Was swiftly answered by a love as pure.
No need for wealth; each glittering fruit and flower,
Each star, each streamlet, made the maiden's dower.
Far in the future lurked maternal throes,
And children blossomed painless as the rose.
No harrowing question `why,' no torturing `how,'
Bent the lithe frame or knit the youthful brow.
The growing mind had naught to seek or shun;
Like the plump fig it ripened in the sun.
From dawn to dark Man's life was steeped in joy,
And the gray sire was happy as the boy.
Nature with Man yet waged no troublous strife,
And Death was almost easier than Life.
Safe on its native mountains throve the oak,
Nor ever groaned 'neath greed's relentless stroke.
No fear of loss, no restlessness for more,
Drove the poor mariner from shore to shore.
No distant mines, by penury divined,
Made him the sport of fickle wave or wind.
Rich for secure, he checked each wish to roam,
And hugged the safe felicity of home.

Those days are long gone by; but who shall say
Why, like a dream, passed Saturn's Reign away?
Over its rise, its ruin, hangs a veil,
And naught remains except a Golden Tale.
Whether 'twas sin or hazard that dissolved
That happy scheme by kindly Gods evolved;
Whether Man fell by lucklessness or pride,-
Let jarring sects, and not the Muse, decide.
But when that cruel Fiat smote the earth,
Primeval Joy was poisoned at its birth.
In sorrow stole the infant from the womb,
The agëd crept in sorrow to the tomb.
The ground, so bounteous once, refused to bear
More than was wrung by sower, seed, and share.

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Short Shrift

‘I’ve failed! ’ How many times have sons
And fathers’ fathers echoed me?
‘I’ve failed! My life was spent in dreams, ’
We said, ‘in shallow misery.
In dreams and steel and soot and grime,
In screams, and what would seem some crime
Of trying to live beyond our need...
Our lives were spent in some black creed! ’

‘Too short, too short, the days we spent
In trying to right the days before,
Too long, too long, the years we struggled
Knowing not what struggled for.
What goal, what aim, what discontent,
What loves we lost, what life we spent
In wondering what such life could be?
Short shrift for you - harsh words for me! ’

‘I’ve failed, my sons, I’ve failed you all
And so my failure tortures me,
As in that innocence divine
Your love loves all the failed in me.
If I could strip this flesh, or tear
These eyes that cried hot fire for you
To save you from the same despair
My father’s father brought me to...’

20 July 1976

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