Sacrilegious Fury
Blasphemy has failed. Failed to shock.
In the twilight of the twentieth century.
Religious fervour, which empowered insatiable
blasphemy. Has faded rendering shockingly,
provocative words, mere caricatures; shadows;
degraded farts; winding past damning exclamations.
Blasphemy has failed. Failed to shock.
Blasphemous remarks. Uttered against Almighty God.
Evil thoughts spoken hurled. Against anything esteemed sacred.
Have failed. To death threatened shock. Modern immune society.
Rendezvous. With hackneyed profanity. Fails to ignite chill fear.
Fearful is lobotomy preformed. Upon supposed clinically insane.
Anger spat. Hot furious. Death accompanying curse. Sworn
in stormy, less atheistic, abandoned past, violent darker ages.
Is feared now, only when tormented, demon possessed curser.
Is rabidly dangerous, with obvious, threatening derangement.
Such awesome obscenities, hold frightening immense power.
Threaten promise, immediate painful physical, impact punishment.
Ever the real; modern power; behind shocking blasphemy.
Yet ancient evil, still blasphemes, against true holy powers.
With all the bile, spat forth possessed vehemence; boiling
vile disinherited faith; awaiting revelation damned judgement.
Promised execution; awaiting accursed; dispossessed angel
become demons; still inflicting this earth; like an accursed plague.
Evil is more cunning, when less obviously evident. And
unbelievable in an age, intoning aspiritual excused, scientific
ignorance. Yet Satan ranges, howling banished, cast from heaven.
For evil words, are like hideous snakes, slithering into corrupted
unguarded orifices. Claiming souls bound for personalized hell.
Blasphemy has failed. Failed to death. Threateningly shock.
In twilight bombed out. Friday the thirteenth. Twentieth century.
For religious fear; fervour; persecution; is empowered indifferently.
poem by Terence George Craddock
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20 Century Boy
Friends say its fine, friends say its good
Everybody says its just like robin hood
I move like a rat, talk like a cat, sting like a bee
Babe Im gonna be your man
And its plain to see you were meant for me, yeah
Im your toy your twentieth century boy
Friends says its fine, friends says its good
Everybody says its just like robin hood
Fly like a plane, drive like a car, hold out your hand
Babe Im gonna be your man
And its plain to see you were meant for me, yeah
Im your boy your twentieth century toy
Twentieth century boy
I wanna be your toy
Twentieth century boy
I wanna be your toy
Twentieth century boy
I wanna be your toy
Twentieth century boy
I wanna be your toy
Friends say its fine, friends say its good
Everybody says its just like rock n roll
I move like a cat, talk like a rat, sting like a bee
Babe Im gonna be your man
And its plain to see you were meant for me, yeah
Im your toy your twentieth century boy
Twentieth century boy
I wanna be your toy
Twentieth century boy
I wanna be your toy
Twentieth century boy
I wanna be your toy
Twentieth century boy
I wanna be your toy
song performed by Placebo
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Twentieth Century
Oh, the Twentieth Century wasn't all that bad
It was a time like no one else has ever had
We learned to drive, we learned to fly
We sent a man into the sky
When he walked on the moon, we were so glad
Yeah, the Twentieth Century wasn't all that bad
Yeah, the Twentieth Century was quite a ride
We had to learn to see the other side
We had demonstrations and liberations
Great depressions and good vibrations
And doors that once were closed were opened wide
Oh, the Twentieth Century was quite a ride
We had movin' pictures and radio
And Broadway, country, rock and roll
In 1900, who'd a bet we'd all be surfing on the internet
Yeah, the Twentieth Century was a heck of a show
We all had our fifteen minutes, don't you know
Assembly lines, celebrities,
the spotlight shined on you and me
And everybody got a standin' O
Yeah, the Twentieth Century was a heck of a show
From blocks of ice to air condition
Telegraph to television
In 1900, who'd a known we all wind up
with pocket phones
The Twentieth Century wasn't all that long
Just a hundred years has come and gone
We can't go back even if we try
So I'll just smile and wave goodbye
To see it leavin' makes me kinda sad
It was a time like no one else has ever had
Oh, the Twentieth Century wasn't all that bad
The Twentieth Century
Bye-bye
The Twentieth Century
Goodbye
song performed by Alabama
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Blasphemy In Christianity
What is blasphemy?
Is blasphemy a sin?
Does Christian theology
condemn blasphemy?
It is written “Thou shalt not
take the name of the LORD
thy God in vain; for the LORD
will not hold him guiltless
that taketh his name in vain.” Exodus 20: 7.
This is blasphemy against God’s name.
Blasphemy? Is blasphemy a serious sin?
Is blasphemy the most serious sin?
The major creeds, the statement of beliefs,
the formal summary of the principles,
of Christian faith and Church theologians;
condemn blasphemy as very serious,
even the most serious of all possible sin.
Is blasphemy unforgivable?
Be careful brothers and sisters in Christ.
Some types of blasphemy are unforgivable!
Blasphemy against the Holy Spirit is
spoken of as unforgivable - the eternal sin.
“However, whoever blasphemes
against the holy spirit has no
forgiveness forever, but is guilty
of everlasting sin.” Mark 3: 29.
There is however, dispute over what form
this blasphemy, against the holy spirit may
take; and whether it qualifies as blasphemy
in the conventional sense. So, confusing?
The Lutheran Book of Concord calls blasphemy
“the greatest sin that can be outwardly committed”.
The Protestant Heidelberg Catechism declares
“no sin is greater or provokes God's wrath more
than the blaspheming of His (God’s) Name”.
For those with questions this confessional document
answers, about 100 questions, about blasphemy.
The Westminster Larger Catechism of the Church
[...] Read more
poem by Terence George Craddock
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Sacrilegious Fury Rising
Blasphemy has failed for religious
fervour which empowered blasphemy
has faded rendering all shockingly
provocative words mere caricatures
of past offense damning exclamations
furious curse is feared now only when
curser is strong rabidly dangerous in
derangement vile awesome obscenities
hold rage power threatened promise of
painfully impending flesh punishment.
Ever the real power behind blasphemy
evil still blasphemes against true holy
powers with all impassioned vehemency
cursed dispossessed angel venom imbues
evil more cunning less obviously evident
unbelievable in age of excused scientific
ignorance yet Satan ranges howls banished
cast from heaven for evil words are like
hideous snakes slithering into corrupted
orifices of souls bound in personalized hell.
poem by Terence George Craddock
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Twentieth Century Fox
Well, shes fashionably lean, and shes fashionably late
Shell never wreck a scene, shell never break a date
But shes no drag, just watch the way she walks
Shes a twentieth century fox, shes a twentieth century fox
No tears, no fears, no ruined years, no clocks
Shes a twentieth century fox, oh yeah
Shes the queen of cool, and shes the lady who waits
Sent to manless school, it never hesitates
She wont waste time, on elementary talk
cause shes a twentieth century fox, shes a twentieth century fox
Got the world locked up, inside a plastic box
Shes a twentieth century fox, oh yeah
Twentieth century fox, oh yeah
Twentieth century fox
Shes a twentieth century fox
song performed by Doors
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Twentieth Century Fox
Written by The Doors
Well, she's fashionably lean
Hey and she's fashionably late
She'll never gonna wreck a scene
She'll never break a date
But now she's no drag
Just watch the way that she walks
She's a twentieth century fox
She's a twentieth century fox
She's got world, she's got the world
All locked up inside a plastic box
She's a twentieth century fox, oh yeah
She's the queen of cool
And she's the lady who waits
Sent to manless school
She never gonna hesitate
Well know she don't waste her time
On all this elementary talk
She's a twentieth century fox
She's a twentieth century fox
She got the world, babe,
Now she got this world
She got it all locked up
Inside some kind of plastic plastic box
She's a Twentieth century fox, oh yeah
She's a Twentieth century fox, oh yeah
She's a Twentieth century fox, oh yeah
She's a Twentieth century fox
song performed by John Mellencamp
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20th Century Man
This is the age of machinery,
A mechanical nightmare,
The wonderful world of technology,
Napalm hydrogen bombs biological warfare,
This is the twentieth century,
But too much aggravation
Its the age of insanity,
What has become of the green pleasant fields of jerusalem.
Aint got no ambition, Im just disillusioned
Im a twentieth century man but I dont wanna be here.
My mama said she cant understand me
She cant see my motivation
Just give me some security,
Im a paranoid schizoid product of the twentieth century.
You keep all your smart modern writers
Give me william shakespeare
You keep all your smart modern painters
Ill take rembrandt, titian, da vinci and gainsborough,
Girl we gotta get out of here
We gotta find a solution
Im a twentieth century man but I dont want to die here.
I was born in a welfare state
Ruled by bureaucracy
Controlled by civil servants
And people dressed in grey
Got no privacy got no liberty
Cos the twentieth century people
Took it all away from me.
Dont wanna get myself shot down
By some trigger happy policeman,
Gotta keep a hold on my sanity
Im a twentieth century man but I dont wanna die here.
My mama says she cant understand me
She cant see my motivation
Aint got no security,
Im a twentieth century man but I dont wanna be here.
This is the twentieth century
But too much aggravation
This is the edge of insanity
Im a twentieth century man but I dont wanna be here.
song performed by Kinks
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Twentieth Century Fox
She claims we travel in a rollin' jet
But in fact she arrived on a blue Corvette
She almost dares to plush your tail
Loves her daddy's cash 'cause it spends so well
Just watch the way she walks, she's got a double [wild] figure
Watch her body talk
Chorus:
She's a twentieth century fox, oh watch her walk
She's a twentieth century fox, talk that talk
She got designer jeans, so tight 'n blue
Regardin' the sweat when she looks at you
She loves lights, cameras and action
To the boys on the set, she's the star attraction
Just watch the way she walks, she's got it all up front
Just watch her body talk
(chorus)
(Solo)
(Talk that talk, ooh)
She got designer jeans, so tight 'n blue
Regardin' the sweat when she looks at you
She loves lights, cameras and action
To the boys on the set, she's the star attraction
Just watch the way she walks, she's got a double [wild] figure
Just watch her body talk
(chorus)
She's a twentieth century fox, oh watch her walk, watch her walk
She's a twentieth century fox, talk that talk
(Walk that walk, talk that talk)
Twentieth century fox, she's a twentieth century fox
Twentieth century fox, twentieth century fox... (to fade
song performed by 38 Special
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Everyday Is A Winding Road
{written by sheryl crow, jeff trott and brian mcleod}
{additional vocal by larry graham}
Everyday is a winding road, is a winding road, is a winding road, oh
(is a winding road)
I hitched a ride with a crazyhorse showgirl
She says shes been down this road more than twice (time)
She wanted 2 know if I could tell the future (tell the future)
I said, Ive never been there before, but the brochure looks nice
Jump in, lets go (lets go, baby)
Lay back, enjoy the show
Everybody gets high (high), everybody gets low (low)
These r the days when anything goes
Everyday is a winding road
I get a little bit closer
Everyday is a faded sign
I get a little bit closer 2 feeling fine
(oh-oh)
(listen now)
Shes got a daughter she calls easter
She was born on a tuesday night
Im just wondering y people feel so all alone (all alone)
Feeling like a stranger in their own life
Jump in, lets go (lets go, baby)
Lay back (ooh-ooh), enjoy the show
Everybody gets high (high), everybody gets low (low)
These r the days (days) when anything goes
Everyday is a winding road
I get a little bit closer
Everyday is a faded sign
I get a little bit closer 2 feeling fine
(jump in)
(everyday is a winding road, is a winding road)
Ive been swimming in a sea of anarchy
Ive been living on compliments and herbal tea
Ive been wondering if all the things Ive ever seen
Were ever real (were ever real, were ever real ...)
Were ever really happening
Jump in, lets go ([...] lets go, baby)
Lay back, enjoy the show
Everybody gets high, everybody gets low
These r the days when anything goes
Everyday is a winding road (come on, come on)
I get a little bit closer (get closer baby)
Everyday is a faded sign
I get a little bit closer 2 feeling fine
Everyday is a winding road (is a winding road, is a winding road)
Everyday is a faded sign (faded sign, lets go)
Da-da, da-da
Everyday, everyday
(da-da, da-da)
[...] Read more
song performed by Prince
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Kahlo-Christ Conjunctions - Sacrificed Flesh, Broken Bread, Emmaus Vision
[The curious or, better, interested reader may view the images alluded to in this essay at this website: http: //falconwarren.blogspot.com/2011/01/kahlo-christ- conjunctions-sacrificed.html]
Kahlo Strophes
As with love, also the bellows.
Calavera*, the Future stands
hand to mouth, fingers to forehead
unfolding before still instatic shapes.
Hold desperately to frames before
these quaking perceptions.
She could not stop there,
had to flare out, dry paint,
and the dryer flesh peel down
to bone, a sexless esqueleto**,
skull no longer mustached,
a calavera, nothing more,
curved calcium reliant forever
upon canvas, what is congealed
there to fan and burn,
a 'cauda pavonis'***.
- the author, from the text below
*Skull
**Skeleton
***Peacock's Tail (an image in alchemy) .
'Poetry such as this attempts not just a new syntax of the word. Its revolution is aimed at the syntax of the mind itself. Its structuring of experience is purposive, not dreamlike. We are dealing with a self-induced, or naturally or mysteriously come by, creative state from which two of the most fundamental human activities diverge, the aesthetic and the mystic act. The creative matrix is the same in both, and it is that state of being that is most peculiarly and characteristically human, as the resulting aesthetic and mystic experience is the purist form of human act. There is a great deal of overlapping, today especially, when art is all the religion most people have and when they demand of it experiences that few people of the past demanded of religion....A visionary poem is not a vision. The religious experience is necessitated and ultimate.' - Kenneth Rexroth, World Outside the Window, the Selected Essays of Kenneth Rexroth, pg.255-256
Rexroth's words are pertinent to the images used in this essay, Kahlo's painting above is visionary, Grunewald's are religious, and several photos are both, and all are 'aimed at the syntax of the mind itself.. Its restructuring of experience is purposive, not dreamlike.' The images included in this essay, which is more a prose poem than regular prose, are meant to convey equally or more, at least as as much as, the words in their incantatory formations which may induce entrance into 'imaginal' spaces where word and image meet in a practical magic, inspire a felt understanding and perhaps gain a view or actual entrance into what ecstatic poet, Rainer Maria Rilke, calls 'the Greater Relation.'
I've decided to publish this piece-in-progress as it unwinds in spirals 'aimed at the syntax of the mind itself...its restructuring of experience' with the understanding that it may later appear in greatly altered form. In a real sense this writing writes itself; I try to heed, copy, then hone to the bone what might be wanting to be sung, for what is below, and often what I write, is more akin to music, a vocal/verbal lilt beyond a particular solid tilt of view of a world absolute, static logos.
Heraclitus noted thousands of years ago, 'All is flux.'
To this I would only add, and perhaps this is what all of my writing amounts to,
'All is reflux.'
Selah. WF
NYC,1/31/11
[...] Read more
poem by Warren Falcon
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In The 21st Century
When the river runs dry, what will we say
Na na na na na na na na hey hey
In the 21st century
Oh when the river runs dry, what will we do
Na na na na na na na na oh-hoo
In the 21st century
When the river runs dry, what will we wear
Na na na na na na na na where?
To the 21st century
Now some people sing, some people say
Na na na na na na na na hey hey
Get up off your knees and pray
Pray that the earth dont tire, of the way that were puttin her down
Hope that the universe dont say Im still expanding but your time is up
Some people sing, some people sigh
Na na na na na na na na why?
Why cant we live in peace
Some people sing, some people say
Na na na na na na na na hey hey
In the 21st century
Hope that the earth dont tire, of the way that were puttin her down
Hope the universe dont say - stop spinning around
Hope the world dont say that weve got no place to go
Hope the universe dont say Ill be expanding for a while, you? no!
In the 21st century
In the 21st century
In the 21st century
In the 21st century
In the 21st century
21st century
21st century
21st century
21st century
21st century
In the 21st century
21st century
When the river runs dry, what will we say
Na na na na na na na na hey hey
21st century
The 21st century
The 21st century
The 21st century
Oh when the river runs dry, what will we do
Na na na na na na na na oh-hoo
song performed by Men Without Hats
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Tannhauser
The Landgrave Hermann held a gathering
Of minstrels, minnesingers, troubadours,
At Wartburg in his palace, and the knight,
Sir Tannhauser of France, the greatest bard,
Inspired with heavenly visions, and endowed
With apprehension and rare utterance
Of noble music, fared in thoughtful wise
Across the Horsel meadows. Full of light,
And large repose, the peaceful valley lay,
In the late splendor of the afternoon,
And level sunbeams lit the serious face
Of the young knight, who journeyed to the west,
Towards the precipitous and rugged cliffs,
Scarred, grim, and torn with savage rifts and chasms,
That in the distance loomed as soft and fair
And purple as their shadows on the grass.
The tinkling chimes ran out athwart the air,
Proclaiming sunset, ushering evening in,
Although the sky yet glowed with yellow light.
The ploughboy, ere he led his cattle home,
In the near meadow, reverently knelt,
And doffed his cap, and duly crossed his breast,
Whispering his 'Ave Mary,' as he heard
The pealing vesper-bell. But still the knight,
Unmindful of the sacred hour announced,
Disdainful or unconscious, held his course.
'Would that I also, like yon stupid wight,
Could kneel and hail the Virgin and believe!'
He murmured bitterly beneath his breath.
'Were I a pagan, riding to contend
For the Olympic wreath, O with what zeal,
What fire of inspiration, would I sing
The praises of the gods! How may my lyre
Glorify these whose very life I doubt?
The world is governed by one cruel God,
Who brings a sword, not peace. A pallid Christ,
Unnatural, perfect, and a virgin cold,
They give us for a heaven of living gods,
Beautiful, loving, whose mere names were song;
A creed of suffering and despair, walled in
On every side by brazen boundaries,
That limit the soul's vision and her hope
To a red hell or and unpeopled heaven.
Yea, I am lost already,-even now
Am doomed to flaming torture for my thoughts.
O gods! O gods! where shall my soul find peace?'
He raised his wan face to the faded skies,
Now shadowing into twilight; no response
Came from their sunless heights; no miracle,
As in the ancient days of answering gods.
[...] Read more
poem by Emma Lazarus
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Insatiable
When moonlight crawls along the street
Chasing away the summer heat
Footsteps outside somewhere below
The world revolves I let it go
We build our church above this street
We practice love between these sheets
The candy sweetness scent of you
It bathes my skin I'm stained by you
And all I have to do is hold you
There's a racing in my heart
I am barely touching you
[Chorus]
Turn the lights down low
Take it off
Let me show
My love for you
Insatiable
Turn me on
Never stop
Wanna taste every drop
My love for you
Insatiable
The moonlight plays upon your skin
A kiss that lingers takes me in
I fall asleep inside of you
There are no words
There's only truth
Breathe in Breathe out
There is no sound
We move together up and down
We levitate our bodies soar
Our feet don't even touch the floor
And nobody knows you like I do
The world doesn't understand
But I grow stronger in your hands
[Chorus]
Turn the lights down low
Take it off
Let me show
My love for you
Insatiable
Turn me on
Never stop
Wanna taste every drop
My love for you
[...] Read more
song performed by Darren Hayes from Spin
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Silly; Gross: Fart!
Having just exclaimed 'what can I write about? ' I heard a muffled noise,
...followed by a pungent cheesy smell which FEW of your ilk enjoys.
Now farts have gotten a bad reputation....along with burps and belches.
In our society they are THINGS...which a more 'polite' person often squelches.
And I'd say I'm one of the 'more polite'...in my normal daily life; that is except when I'm alone...with my loving, understanding WIFE.
Why even my wife farts on rare occasions.....Don't let her know I've told.
But she generally does it behind a CLOSED door. Unlike me, …she's not so bold.
So 'FART' is what I'll write about tonight, .... stretched out in this chair.
You'll excuse me please if I let one loose...though it MAY foul the air.
Farts come in at least four varieties. I'm sure you all know THAT.
I could break it down to sub-varieties, but I'll KEEP those in my hat.
First there are farts that are quiet and smelly. Not my cup of tea.
At least one should make some noise....so others won't HAVE TO SAY 'not ME'.
Then there are those quiet but NOT smelly; I think women mostly do those.
They give off nothing obnoxious….. to offend your ears or nose.
There are noisy farts that are also smelly. Some would say they're WORST OF ALL.
There are noisy farts that are NOT smelly, ...some like a bugle call.
I've heard of 'farting posts'....used in competitions, ....and
I've heard of using cigarette lighters...to ignite fart emissions.
I've been around dogs that fart and I guess some cows do too.
Probably lots of species fart (now and then) ...not just a FEW.
I believe what's behind all farts...is simply what we.....eat.
If you eat too much or the 'wrong thing'....you MAY be blown....OFF your feet.
Personally that's never happened to me. I'm not lying; ....it's really TRUE.
No 'Captain Ahab' has ever said of me: 'My god! There he blew! '
poem by Bri Edwards
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Shock To The System
Woah yeah
It was a night, l.a., burning bright
Oh what a night
Say yeah,come on
It makes my world stand still
Ahh riot, rape, race and revolution, ah yeah
Here come the fire, and my world burns still
Yoww say yeah
Well, you can rock this land baby yowww
Like a shock to the system
I feel good, well alright
Like a shock to the system
Say yeah, aint it irie
It was a night
Hell of a night, l.a., it really was
Oh what a riot
I said yeah, come on
It makes my life feel real
Fear police and civil corruption oh yeah
Is there a man who would be king
And the world stood still
Ah yeah loud
You can rock this land baby
Yeahhh
Like a shock to the system
It feel good, well alright
Like a shock to the system
I said yeah, come on baby
Shock to the system
Feel good, well alright
Like a shock, shock to the system
I say yeah, I say yeah, I say yeah
Come on baby
Yeah, well you can rock this land baby
Like a shock, shock to the system
It feel good, well alright
Like a shock to the system
I say yeah
Aint it irie
Shock to the system
It feel good, well alright
Like a shock to the system
I say yeah
I say yeah
I say yeah, come on baby
Shock to the, shock to the
Shock to the system
Loud I gotta
Shock to the, shock to the
Shock to the system
[...] Read more
song performed by Billy Idol
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The Undying One- Canto III
'THERE is a sound the autumn wind doth make
Howling and moaning, listlessly and low:
Methinks that to a heart that ought to break
All the earth's voices seem to murmur so.
The visions that crost
Our path in light--
The things that we lost
In the dim dark night--
The faces for which we vainly yearn--
The voices whose tones will not return--
That low sad wailing breeze doth bring
Borne on its swift and rushing wing.
Have ye sat alone when that wind was loud,
And the moon shone dim from the wintry cloud?
When the fire was quench'd on your lonely hearth,
And the voices were still which spoke of mirth?
If such an evening, tho' but one,
It hath been yours to spend alone--
Never,--though years may roll along
Cheer'd by the merry dance and song;
Though you mark'd not that bleak wind's sound before,
When louder perchance it used to roar--
Never shall sound of that wintry gale
Be aught to you but a voice of wail!
So o'er the careless heart and eye
The storms of the world go sweeping by;
But oh! when once we have learn'd to weep,
Well doth sorrow his stern watch keep.
Let one of our airy joys decay--
Let one of our blossoms fade away--
And all the griefs that others share
Seem ours, as well as theirs, to bear:
And the sound of wail, like that rushing wind
Shall bring all our own deep woe to mind!
'I went through the world, but I paused not now
At the gladsome heart and the joyous brow:
I went through the world, and I stay'd to mark
Where the heart was sore, and the spirit dark:
And the grief of others, though sad to see,
Was fraught with a demon's joy to me!
'I saw the inconstant lover come to take
Farewell of her he loved in better days,
And, coldly careless, watch the heart-strings break--
Which beat so fondly at his words of praise.
She was a faded, painted, guilt-bow'd thing,
Seeking to mock the hues of early spring,
When misery and years had done their worst
[...] Read more
poem by Caroline Elizabeth Sarah Norton
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Christmas-Eve
I.
OUT of the little chapel I burst
Into the fresh night air again.
I had waited a good five minutes first
In the doorway, to escape the rain
That drove in gusts down the common’s centre,
At the edge of which the chapel stands,
Before I plucked up heart to enter:
Heaven knows how many sorts of hands
Reached past me, groping for the latch
Of the inner door that hung on catch,
More obstinate the more they fumbled,
Till, giving way at last with a scold
Of the crazy hinge, in squeezed or tumbled
One sheep more to the rest in fold,
And left me irresolute, standing sentry
In the sheepfold’s lath-and-plaster entry,
Four feet long by two feet wide,
Partitioned off from the vast inside—
I blocked up half of it at least.
No remedy; the rain kept driving:
They eyed me much as some wild beast,
The congregation, still arriving,
Some of them by the mainroad, white
A long way past me into the night,
Skirting the common, then diverging;
Not a few suddenly emerging
From the common’s self thro’ the paling-gaps,—
—They house in the gravel-pits perhaps,
Where the road stops short with its safeguard border
Of lamps, as tired of such disorder;—
But the most turned in yet more abruptly
From a certain squalid knot of alleys,
Where the town’s bad blood once slept corruptly,
Which now the little chapel rallies
And leads into day again,—its priestliness
Lending itself to hide their beastliness
So cleverly (thanks in part to the mason),
And putting so cheery a whitewashed face on
Those neophytes too much in lack of it,
That, where you cross the common as I did,
And meet the party thus presided,
“Mount Zion,” with Love-lane at the back of it,
They front you as little disconcerted,
As, bound for the hills, her fate averted
And her wicked people made to mind him,
Lot might have marched with Gomorrah behind him.
II.
Well, from the road, the lanes or the common,
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poem by Robert Browning
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Evangeline: A Tale of Acadie
This is the forest primeval. The murmuring pines and the hemlocks,
Bearded with moss, and in garments green, indistinct in the twilight,
Stand like Druids of eld, with voices sad and prophetic,
Stand like harpers hoar, with beards that rest on their bosoms.
Loud from its rocky caverns, the deep-voiced neighboring ocean
Speaks, and in accents disconsolate answers the wail of the forest.
This is the forest primeval; but where are the hearts that beneath it
Leaped like the roe, when he hears in the woodland the voice of the huntsman
Where is the thatch-roofed village, the home of Acadian farmers,--
Men whose lives glided on like rivers that water the woodlands,
Darkened by shadows of earth, but reflecting an image of heaven?
Waste are those pleasant farms, and the farmers forever departed!
Scattered like dust and leaves, when the mighty blasts of October
Seize them, and whirl them aloft, and sprinkle them far o'er the ocean
Naught but tradition remains of the beautiful village of Grand-Pre.
Ye who believe in affection that hopes, and endures, and is patient,
Ye who believe in the beauty and strength of woman's devotion,
List to the mournful tradition still sung by the pines of the forest;
List to a Tale of Love in Acadie, home of the happy.
PART THE FIRST
I
In the Acadian land, on the shores of the Basin of Minas,
Distant, secluded, still, the little village of Grand-Pre
Lay in the fruitful valley. Vast meadows stretched to the eastward,
Giving the village its name, and pasture to flocks without number.
Dikes, that the hands of the farmers had raised with labor incessant,
Shut out the turbulent tides; but at stated seasons the flood-gates
Opened, and welcomed the sea to wander at will o'er the meadows.
West and south there were fields of flax, and orchards and cornfields
Spreading afar and unfenced o'er the plain; and away to the northward
Blomidon rose, and the forests old, and aloft on the mountains
Sea-fogs pitched their tents, and mists from the mighty Atlantic
Looked on the happy valley, but ne'er from their station descended
There, in the midst of its farms, reposed the Acadian village.
Strongly built were the houses, with frames of oak and of hemlock,
Such as the peasants of Normandy built in the reign of the Henries.
Thatched were the roofs, with dormer-windows; and gables projecting
Over the basement below protected and shaded the doorway.
There in the tranquil evenings of summer, when brightly the sunset
Lighted the village street and gilded the vanes on the chimneys,
Matrons and maidens sat in snow-white caps and in kirtles
Scarlet and blue and green, with distaffs spinning the golden
Flax for the gossiping looms, whose noisy shuttles within doors
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poem by Henry Wadsworth Longfellow
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The Marriage Of Geraint
The brave Geraint, a knight of Arthur's court,
A tributary prince of Devon, one
Of that great Order of the Table Round,
Had married Enid, Yniol's only child,
And loved her, as he loved the light of Heaven.
And as the light of Heaven varies, now
At sunrise, now at sunset, now by night
With moon and trembling stars, so loved Geraint
To make her beauty vary day by day,
In crimsons and in purples and in gems.
And Enid, but to please her husband's eye,
Who first had found and loved her in a state
Of broken fortunes, daily fronted him
In some fresh splendour; and the Queen herself,
Grateful to Prince Geraint for service done,
Loved her, and often with her own white hands
Arrayed and decked her, as the loveliest,
Next after her own self, in all the court.
And Enid loved the Queen, and with true heart
Adored her, as the stateliest and the best
And loveliest of all women upon earth.
And seeing them so tender and so close,
Long in their common love rejoiced Geraint.
But when a rumour rose about the Queen,
Touching her guilty love for Lancelot,
Though yet there lived no proof, nor yet was heard
The world's loud whisper breaking into storm,
Not less Geraint believed it; and there fell
A horror on him, lest his gentle wife,
Through that great tenderness for Guinevere,
Had suffered, or should suffer any taint
In nature: wherefore going to the King,
He made this pretext, that his princedom lay
Close on the borders of a territory,
Wherein were bandit earls, and caitiff knights,
Assassins, and all flyers from the hand
Of Justice, and whatever loathes a law:
And therefore, till the King himself should please
To cleanse this common sewer of all his realm,
He craved a fair permission to depart,
And there defend his marches; and the King
Mused for a little on his plea, but, last,
Allowing it, the Prince and Enid rode,
And fifty knights rode with them, to the shores
Of Severn, and they past to their own land;
Where, thinking, that if ever yet was wife
True to her lord, mine shall be so to me,
He compassed her with sweet observances
And worship, never leaving her, and grew
Forgetful of his promise to the King,
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poem by Alfred Lord Tennyson
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VIII. Dominus Hyacinthus de Archangelis, Pauperum Procurator
Ah, my Giacinto, he's no ruddy rogue,
Is not Cinone? What, to-day we're eight?
Seven and one's eight, I hope, old curly-pate!
—Branches me out his verb-tree on the slate,
Amo-as-avi-atum-are-ans,
Up to -aturus, person, tense, and mood,
Quies me cum subjunctivo (I could cry)
And chews Corderius with his morning crust!
Look eight years onward, and he's perched, he's perched
Dapper and deft on stool beside this chair,
Cinozzo, Cinoncello, who but he?
—Trying his milk-teeth on some crusty case
Like this, papa shall triturate full soon
To smooth Papinianian pulp!
It trots
Already through my head, though noon be now,
Does supper-time and what belongs to eve.
Dispose, O Don, o' the day, first work then play!
—The proverb bids. And "then" means, won't we hold
Our little yearly lovesome frolic feast,
Cinuolo's birth-night, Cinicello's own,
That makes gruff January grin perforce!
For too contagious grows the mirth, the warmth
Escaping from so many hearts at once—
When the good wife, buxom and bonny yet,
Jokes the hale grandsire,—such are just the sort
To go off suddenly,—he who hides the key
O' the box beneath his pillow every night,—
Which box may hold a parchment (someone thinks)
Will show a scribbled something like a name
"Cinino, Ciniccino," near the end,
"To whom I give and I bequeath my lands,
"Estates, tenements, hereditaments,
"When I decease as honest grandsire ought."
Wherefore—yet this one time again perhaps—
Shan't my Orvieto fuddle his old nose!
Then, uncles, one or the other, well i' the world,
May—drop in, merely?—trudge through rain and wind,
Rather! The smell-feasts rouse them at the hint
There's cookery in a certain dwelling-place!
Gossips, too, each with keepsake in his poke,
Will pick the way, thrid lane by lantern-light,
And so find door, put galligaskin off
At entry of a decent domicile
Cornered in snug Condotti,—all for love,
All to crush cup with Cinucciatolo!
Well,
Let others climb the heights o' the court, the camp!
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poem by Robert Browning from The Ring and the Book
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