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The grandmother, the mother, the worker, the student, the intellectual, the professional, the unemployed, everybody identified with the songs because they were descriptions of life in the city.

quote by Ruben Blades
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Sister Helen

"Why did you melt your waxen man
Sister Helen?
To-day is the third since you began."
"The time was long, yet the time ran,
Little brother."
(O Mother, Mary Mother,
Three days to-day, between Hell and Heaven!)

"But if you have done your work aright,
Sister Helen,
You'll let me play, for you said I might."
"Be very still in your play to-night,
Little brother."
(O Mother, Mary Mother,
Third night, to-night, between Hell and Heaven!)

"You said it must melt ere vesper-bell,
Sister Helen;
If now it be molten, all is well."
"Even so,--nay, peace! you cannot tell,
Little brother."
(O Mother, Mary Mother,
O what is this, between Hell and Heaven?)

"Oh the waxen knave was plump to-day,
Sister Helen;
How like dead folk he has dropp'd away!"
"Nay now, of the dead what can you say,
Little brother?"
(O Mother, Mary Mother,
What of the dead, between Hell and Heaven?)

"See, see, the sunken pile of wood,
Sister Helen,
Shines through the thinn'd wax red as blood!"
"Nay now, when look'd you yet on blood,
Little brother?"
(O Mother, Mary Mother,
How pale she is, between Hell and Heaven!)

"Now close your eyes, for they're sick and sore,
Sister Helen,
And I'll play without the gallery door."
"Aye, let me rest,--I'll lie on the floor,
Little brother."
(O Mother, Mary Mother,
What rest to-night, between Hell and Heaven?)

"Here high up in the balcony,
Sister Helen,

[...] Read more

poem by Dante Gabriel Rossetti
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The Eternal Kansas City

Chorus (choir singing)
Excuse me do you know the way to kansas city?
Excuse me do you know the way to kansas city?
Excuse me do you know the way to kansas city?
Excuse me do you know the way to kansas city? (do you know the way to kansas city? )
Excuse me do you know the way to kansas city? (do you know the way to kansas city? )
Excuse me do you know the way to kansas city? (do you know the way to kansas city? )
Excuse me do you know the way to kansas city? (do you know the way to kansas city? )
Excuse me do you know the way to kansas city? (do you know the way to kansas city)?
(van singing)
Excuse me do you know the way to kansas city?
Excuse me do you know the way to kansas city?
Excuse me do you know the way to kansas city?
Excuse me do you know the way to kansas city?
Train down to st. louis
Get me there alright
Over to the city there, you know that one
Where the farmers daughter digs the farmers son
Dig your charlie parker
Basie and young
Witherspoon and jay mcshann
They will come
Oooowoooowoooo
Chorus (van and choir in background)
Excuse me do you know the way to kansas city?
Excuse me do you know the way to kansas city?
Excuse me do you know the way to kansas city?
Excuse me do you know the way to kansas city?
Lady liberty in waiting
You know she lights the way
Her name is billie, shes a holiday
And the city is eternal -- hey, cant you see?
Its inside of you and its inside of me
Oooowoooowoooo
Chorus (van and choir in background)
You know, you know the way to kansas city?
You know, you know the way to kansas city?
You know, you know the way to kansas city?
You know, you know the way to kansas city ?
You know...the way to kansas city
You know...the way to kansas city
Wild thing
You know the way to kansas city (choir only)
Thank you man (van)
You know the way to kansas city
Sing it (van)
You know the way to kansas city (van and choir)
Hit it (van)
You know...the way to kansas city
You know...the way to kansas city

[...] Read more

song performed by Van Morrison
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The Tower Beyond Tragedy

I
You'd never have thought the Queen was Helen's sister- Troy's
burning-flower from Sparta, the beautiful sea-flower
Cut in clear stone, crowned with the fragrant golden mane, she
the ageless, the uncontaminable-
This Clytemnestra was her sister, low-statured, fierce-lipped, not
dark nor blonde, greenish-gray-eyed,
Sinewed with strength, you saw, under the purple folds of the
queen-cloak, but craftier than queenly,
Standing between the gilded wooden porch-pillars, great steps of
stone above the steep street,
Awaiting the King.
Most of his men were quartered on the town;
he, clanking bronze, with fifty
And certain captives, came to the stair. The Queen's men were
a hundred in the street and a hundred
Lining the ramp, eighty on the great flags of the porch; she
raising her white arms the spear-butts
Thundered on the stone, and the shields clashed; eight shining
clarions
Let fly from the wide window over the entrance the wildbirds of
their metal throats, air-cleaving
Over the King come home. He raised his thick burnt-colored
beard and smiled; then Clytemnestra,
Gathering the robe, setting the golden-sandaled feet carefully,
stone by stone, descended
One half the stair. But one of the captives marred the comeliness
of that embrace with a cry
Gull-shrill, blade-sharp, cutting between the purple cloak and
the bronze plates, then Clytemnestra:
Who was it? The King answered: A piece of our goods out of
the snatch of Asia, a daughter of the king,
So treat her kindly and she may come into her wits again. Eh,
you keep state here my queen.
You've not been the poorer for me.- In heart, in the widowed
chamber, dear, she pale replied, though the slaves
Toiled, the spearmen were faithful. What's her name, the slavegirl's?
AGAMEMNON Come up the stair. They tell me my kinsman's
Lodged himself on you.
CLYTEMNESTRA Your cousin Aegisthus? He was out of refuge,
flits between here and Tiryns.
Dear: the girl's name?
AGAMEMNON Cassandra. We've a hundred or so other
captives; besides two hundred
Rotted in the hulls, they tell odd stories about you and your
guest: eh? no matter: the ships
Ooze pitch and the August road smokes dirt, I smell like an
old shepherd's goatskin, you'll have bath-water?
CLYTEMNESTRA
They're making it hot. Come, my lord. My hands will pour it.

[...] Read more

poem by Robinson Jeffers
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High In The City

I got the time, I got my feet
Lets go hit the street
High in the city
High in the city
I got my mace and you got your knife
You gotta protect your own life
High in the city
High in the city
I wanna get high in the city
I wanna stay alive here in the city
I wanna stay high in the city
High in the city
High in the city
Lets not walk down sutton place
You know everybody there got an akitas
High in the city
High in the city
Dont wanna talk politics today
I feel too good let me have my way
High in the city
High in the city
Watch out for that guy on your right
Seen him on the news last saturday night
He was high in the city
High in the city
Hey, look theyre setting fire to that jeep
Theres not much you can keep
High in the city
High in the city
I wanna get high in the city
I wanna stay alive in the city
I wanna stay high in the city
High in the city
High in the city
So many people feeling low
And theres only one way to go to
Get high in the city
High in the city
Lets grap a pie, lets hit the park
Ill kiss and hug you till it gets dark
Here in the city
Getting high in the city
(high in the city)
(high in the city and youre looking so pretty)
(feelin pretty witty, gettin high off of the city)
(hi-ai-ai-ai, high in the city)
(high in the city)
(high in the city and youre looking so pretty)
(feelin pretty witty, gettin high off of the city)
(hi-ai-ai-ai, high in the city)

[...] Read more

song performed by Lou Reed
Added by Lucian Velea
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Soccer Rollback

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poem by Rwetewrt Erwtwer
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Sobre Horizontes

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poem by Rwetewrt Erwtwer
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Red Riding Hood

Many are the deceivers:
The suburban matron,
proper in the supermarket,
list in hand so she won't suddenly fly,
buying her Duz and Chuck Wagon dog food,
meanwhile ascending from earth,
letting her stomach fill up with helium,
letting her arms go loose as kite tails,
getting ready to meet her lover
a mile down Apple Crest Road
in the Congregational Church parking lot.
Two seemingly respectable women
come up to an old Jenny
and show her an envelope
full of money
and promise to share the booty
if she'll give them ten thou
as an act of faith.
Her life savings are under the mattress
covered with rust stains
and counting.
They are as wrinkled as prunes
but negotiable.
The two women take the money and disappear.
Where is the moral?
Not all knives are for
stabbing the exposed belly.
Rock climbs on rock
and it only makes a seashore.
Old Jenny has lost her belief in mattresses
and now she has no wastebasket in which
to keep her youth.
The standup comic
on the 'Tonight' show
who imitates the Vice President
and cracks up Johnny Carson
and delays sleep for millions
of bedfellows watching between their feet,
slits his wrist the next morning
in the Algonquin's old-fashioned bathroom,
the razor in his hand like a toothbrush,
wall as anonymous as a urinal,
the shower curtain his slack rubberman audience,
and then the slash
as simple as opening as a letter
and the warm blood breaking out like a rose
upon the bathtub with its claw and ball feet.
And I. I too.
Quite collected at cocktail parties,
meanwhile in my head

[...] Read more

poem by Anne Sexton
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Tale of Three Cities

New York blasted London blasted
Singapore -
Ripped off each other's metaphoric balls,
Crumbling walls.

Priapic city monoliths -
Blue-sky scraping bastards -
Shout about their height (but really length) .

V8 arseholes didn't care -
Pumping shit into the air,
So long as they were always there to
Fart aloud a smoggy cloud,
Laughing at the weak asthmatic,
Humoured that it seems traumatic.

Watch the greedy cities oozing
Chair-bound fat committees, though they
Look a bunch of titties as they
Waffle on about the pound.

Ever thought to look around and see
That they were dead?

Copyright © Mark R Slaughter 2010

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poem by Mark R Slaughter
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From the Diary of a Mimes

At my grandmothers house, you will see a hundred years of family portraits. We are a family of mimes. The portraits are of mimes.
You may ask why would someone wish to be a mime? For it is a limited existence beings that a mime s a simile of a single frame photograph. Look at the pictures at grandmothers house, do you feel the pain? This is my pain.
Becoming a mime.
I was six or seven years old. Grandmother and I were sitting in her living room, I had slept over at her house for a weekend while mom, dad and little brother tend to other things. Grandmother was in an odd mood today. She looked at her pictures and smiled some. And cried a little." I think its time you wore your mime face." She said. Today you will learn how to become a mime." So I said" Yes madman she proceeded to make up my face.
As she put on my makeup she started to cry. She cried for a long time. I was a little girl I started crying as well. I could not watch my grandmother cry without shedding tears of my own. So we sat and cried.
'Why are we crying' I asked? 'Well dear, sometimes life deals you a hard enough blow that even a mime will cry." I said 'Ok.'I was soon to find out what she meant. This is the day I learned a safe place for a heart to be. I learned that a person could freeze emotions and save them for future use. Yes place them in a jar, to be opened at an appropriate time. For that is what I do. You see I write a sad story, open a jar of tears and cry for a minute.
So after a good cry, grandmother took my hand and led me to the foyer wondered why I had to wear my mime face. Well grandmother had hers on, so I thought it must be a family thing, and I did not question. We sat under the foyer, was hot.New Orleans is a hot place at certain times of the year. There was no breeze, was still as could be. Nothing moved, except perhaps the webs a few lucky spiders, the ones who had prey to close in on.
'God bless mother nature, child. Its infinite wisdom, allows all creatures sustenance 'Uhh grandmother, that is a spider. Kill it, mom does.''No." She says, this is his house. If he were in mine, then I would kill him, but he lives here and kills insects.'
'You say he" I asked." How do you know it is a male spider? " She sighs." I do not know.' So I ask." Then why do you say it is a male? " It is taken for granted that any unknown sex is referred to as he. God is male." I answer" God could be a woman. I do not think anyone knows Gods sex grandmother. The world would be better if God was a female.''Perhaps so child." She answers, " Perhaps so.'
'Your father used to say that when he was your age. Always a philosophy with him." And her eye tiered up again. But I saw her turn to ice of a sudden. The tears dried. Then a long white car pulled up in the driveway, grandmother took my hand and we walked to the car. A man in a grey uniform opened the door and we sat inside. 'I will remember every detail of this day. For this is where my life changed.'
The car drove us to a big fancy building, it was full of mimes dressed in black. Even as a child I realized that something was wrong, so many mimes, all crying and made up in misery faces. I wondered why. They all parted as grandmother and I entered the building.
It was an odd place. Sad sounding music reminded me of harmonies of sorrow, organs and moans and tears. There were 3 pretty boxes in the center of the room. People were all around, most of them mimes, most were crying. 'Grand mother, what is in the boxes? 'I asked." Why do all the mimes look into them and cry? ''Never mind my child. Just be a mime.'
'Well if my daddy was here he would pick me up and I could see what was in the boxes." My grandmother looked down at me and started to cry, and the tears flowed." Brace yourself girl." She said. Then she picked me up. Eagerly I looked over the side of the box. In it was the reason I became a mime. I saw my fathers body made up to be a mime laying with his hands together as if he were praying. My brother and mother the same in other boxes. I knew they had passed away.
It was hard on a little girl, to have it etched into her mind.I kicked and screamed till grandmother set me on my feet. I ran out of the room and never spoke another word until this day.

I do not like this one much.

poem by Mike poet
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We Built This City

Chorus:
We built this city, we built this city on rock and roll
Built this city, we built this city on rock and roll
Say you dont know me or recognize my face
Say you dont care who goes to that kind of place
Knee deep in the hoopla sinking in your fight
Too many runaways eating up the night
Marconi plays the mamba, listen to the radio, dont you remember
We built this city, we built this city on rock and roll
Chorus:
We built this city, we built this city on rock and roll
Built this city, we built this city on rock and roll
Someone always playing corporation games
Who cares theyre always changing corporation names
We just want to dance here someone stole the stage
They call us irresponsible write us off the page
Marconi plays the mamba, listen to the radio, dont you remember
We built this city, we built this city on rock and roll
We built this city, we built this city on rock and roll
Built this city, we built this city on rock and roll
Its just another sunday, in a tired old street
Police have got the choke hold, oh then we just lost the beat
Who counts the money underneath the bar
Who rides the wrecking ball in two rock guitars
Dont tell us you need us, cos were the ship of fools
Looking for america, coming through your schools
(Im looking out over that golden gate bridge
Out on another gorgeous sunny saturday, not seein that bumper to bumper traffic)
Dont you remember (member)(member)
(whats your favorite radio station, in your favorite radio city
The city by the bay, the city that rocks, the city that never sleeps)
Marconi plays the mamba, listen to the radio, dont you remember
We built this city, we built this city on rock and roll
We built this city, we built this city on rock and roll
Built this city, we built this city on rock and roll
Built this city, we built this city on rock and roll
Built this city, we built this city on rock and roll
(we built, we built this city) built this city (we built, we built this city)
(repeats out)

song performed by Starship
Added by Lucian Velea
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New York City

Standing on the corner, just me and yoko ono,
We was waiting for jerry to land.
Up come a man with a guitar in his hand,
Singing, have a marijuana, if you can.
His name was david peel and we found that he was real,
He sang, the pope smokes dope evryday.
Up come a policeman, shoved us of the street,
Singing, power to the people today.
New york city!
New york city!
New york city!
Que pasa, new york?
Que pasa, new york?
Hey! hey!
Well, down to maxs, kansas city, got down the nitty gritty
With the elephants memory band.
Laid something down as the news spread around
About the plastic ono elephants memory band.
Well, we played some funky boogie, and laid some tutti fritti,
Singing, long tall sallys a man.
Up come a preacher man, tryin to be a teacher,
Singing, gods a red herring in drag!
New york city!
New york city!
New york city!
Que pasa, new york?
Que pasa, new york?
Ha! ha!
Hey! hey! hey! hey!
Hey!
Oh yeah!
Hey! new york city!
Alright, new york city!
New york city!
Que pasa, new york?
Que pasa, new york?
Hey! hey!
Well, we did the staten island ferry, making movies for the telly,
Played the fillmore and apollo for freedom.
Tried to shake our image, just a-cycling through the village,
But we found that we had left it back in london.
Well, nobody came to bug us, hustle us or shove us,
We decided to make it our home.
If the man wants to shove us out, we gonna jump and shout,
The statue of liberty said, come!
New york city!
New york city!
New york city!
Que pasa, new york?
Que pasa, new york?

[...] Read more

song performed by Yoko Ono
Added by Lucian Velea
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New York City

Standing on the corner, just me and yoko ono,
We was waiting for jerry to land.
Up come a man with a guitar in his hand,
Singing, have a marijuana, if you can.
His name was david peel and we found that he was real,
He sang, the pope smokes dope evryday.
Up come a policeman, shoved us of the street,
Singing, power to the people today.
New york city!
New york city!
New york city!
Que pasa, new york?
Que pasa, new york?
Hey! hey!
Well, down to maxs, kansas city, got down the nitty gritty
With the elephants memory band.
Laid something down as the news spread around
About the plastic ono elephants memory band.
Well, we played some funky boogie, and laid some tutti fritti,
Singing, long tall sallys a man.
Up come a preacher man, tryin to be a teacher,
Singing, gods a red herring in drag!
New york city!
New york city!
New york city!
Que pasa, new york?
Que pasa, new york?
Ha! ha!
Hey! hey! hey! hey!
Hey!
Oh yeah!
Hey! new york city!
Alright, new york city!
New york city!
Que pasa, new york?
Que pasa, new york?
Hey! hey!
Well, we did the staten island ferry, making movies for the telly,
Played the fillmore and apollo for freedom.
Tried to shake our image, just a-cycling through the village,
But we found that we had left it back in london.
Well, nobody came to bug us, hustle us or shove us,
We decided to make it our home.
If the man wants to shove us out, we gonna jump and shout,
The statue of liberty said, come!
New york city!
New york city!
New york city!
Que pasa, new york?
Que pasa, new york?

[...] Read more

song performed by Yoko Ono
Added by Lucian Velea
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Gareth And Lynette

The last tall son of Lot and Bellicent,
And tallest, Gareth, in a showerful spring
Stared at the spate. A slender-shafted Pine
Lost footing, fell, and so was whirled away.
'How he went down,' said Gareth, 'as a false knight
Or evil king before my lance if lance
Were mine to use--O senseless cataract,
Bearing all down in thy precipitancy--
And yet thou art but swollen with cold snows
And mine is living blood: thou dost His will,
The Maker's, and not knowest, and I that know,
Have strength and wit, in my good mother's hall
Linger with vacillating obedience,
Prisoned, and kept and coaxed and whistled to--
Since the good mother holds me still a child!
Good mother is bad mother unto me!
A worse were better; yet no worse would I.
Heaven yield her for it, but in me put force
To weary her ears with one continuous prayer,
Until she let me fly discaged to sweep
In ever-highering eagle-circles up
To the great Sun of Glory, and thence swoop
Down upon all things base, and dash them dead,
A knight of Arthur, working out his will,
To cleanse the world. Why, Gawain, when he came
With Modred hither in the summertime,
Asked me to tilt with him, the proven knight.
Modred for want of worthier was the judge.
Then I so shook him in the saddle, he said,
"Thou hast half prevailed against me," said so--he--
Though Modred biting his thin lips was mute,
For he is alway sullen: what care I?'

And Gareth went, and hovering round her chair
Asked, 'Mother, though ye count me still the child,
Sweet mother, do ye love the child?' She laughed,
'Thou art but a wild-goose to question it.'
'Then, mother, an ye love the child,' he said,
'Being a goose and rather tame than wild,
Hear the child's story.' 'Yea, my well-beloved,
An 'twere but of the goose and golden eggs.'

And Gareth answered her with kindling eyes,
'Nay, nay, good mother, but this egg of mine
Was finer gold than any goose can lay;
For this an Eagle, a royal Eagle, laid
Almost beyond eye-reach, on such a palm
As glitters gilded in thy Book of Hours.
And there was ever haunting round the palm
A lusty youth, but poor, who often saw

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poem by Alfred Lord Tennyson
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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Student Demonstration Time

Starting out with berkeley free speech
And later on at peoples park
The winds of change fanned into flames
Student demonstrations spark
Down to isla vista where police felt so harassed
They called the special riot squad of the l. a. county sheriff
Well theres a riot going on
Theres a riot going on
Theres a riot going on
Student demonstration time
The violence spread down south to where jackson state brothers
Learned not to say nasty things about southern policemens mothers
Nothing much was said about it and really next to nothing done
The pen is mightier than the sword, but no match for a gun
Well theres a riot going on
Theres a riot going on
Well theres a riot going on
cause its student demonstration time
America was stunned on may 4, 1970
When rally turned to riot up at kent state university
They said the students scared the guard
Though the troops were battle dressed
Four martyrs earned a new degree
The bachelor of bullets
I know were all fed up with useless wars and racial strife
But next time theres a riot, well, you best stay out of sight
Well theres a riot going on
Theres a riot going on
Well theres a riot going on
Student demonstration time
Stay away when theres a riot going on
Student demonstration
Stay away when theres a riot going on
Student demonstration
Stay away when theres a riot going on
Student demonstration
Stay away when theres a riot going on
Its student demonstration
Stay away when theres a riot going on
Student demonstration
Stay away when theres a riot going on
Student demonstration
Stay away when theres a riot going on
Its student demonstration
Stay away when theres a riot going on
Student demonstration

song performed by Beach Boys
Added by Lucian Velea
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The Iliad: Book 22

Thus the Trojans in the city, scared like fawns, wiped the sweat
from off them and drank to quench their thirst, leaning against the
goodly battlements, while the Achaeans with their shields laid upon
their shoulders drew close up to the walls. But stern fate bade Hector
stay where he was before Ilius and the Scaean gates. Then Phoebus
Apollo spoke to the son of Peleus saying, "Why, son of Peleus, do you,
who are but man, give chase to me who am immortal? Have you not yet
found out that it is a god whom you pursue so furiously? You did not
harass the Trojans whom you had routed, and now they are within
their walls, while you have been decoyed hither away from them. Me you
cannot kill, for death can take no hold upon me."
Achilles was greatly angered and said, "You have baulked me,
Far-Darter, most malicious of all gods, and have drawn me away from
the wall, where many another man would have bitten the dust ere he got
within Ilius; you have robbed me of great glory and have saved the
Trojans at no risk to yourself, for you have nothing to fear, but I
would indeed have my revenge if it were in my power to do so."
On this, with fell intent he made towards the city, and as the
winning horse in a chariot race strains every nerve when he is
flying over the plain, even so fast and furiously did the limbs of
Achilles bear him onwards. King Priam was first to note him as he
scoured the plain, all radiant as the star which men call Orion's
Hound, and whose beams blaze forth in time of harvest more brilliantly
than those of any other that shines by night; brightest of them all
though he be, he yet bodes ill for mortals, for he brings fire and
fever in his train- even so did Achilles' armour gleam on his breast
as he sped onwards. Priam raised a cry and beat his head with his
hands as he lifted them up and shouted out to his dear son,
imploring him to return; but Hector still stayed before the gates, for
his heart was set upon doing battle with Achilles. The old man reached
out his arms towards him and bade him for pity's sake come within
the walls. "Hector," he cried, "my son, stay not to face this man
alone and unsupported, or you will meet death at the hands of the
son of Peleus, for he is mightier than you. Monster that he is;
would indeed that the gods loved him no better than I do, for so, dogs
and vultures would soon devour him as he lay stretched on earth, and a
load of grief would be lifted from my heart, for many a brave son
has he reft from me, either by killing them or selling them away in
the islands that are beyond the sea: even now I miss two sons from
among the Trojans who have thronged within the city, Lycaon and
Polydorus, whom Laothoe peeress among women bore me. Should they be
still alive and in the hands of the Achaeans, we will ransom them with
gold and bronze, of which we have store, for the old man Altes endowed
his daughter richly; but if they are already dead and in the house
of Hades, sorrow will it be to us two who were their parents; albeit
the grief of others will be more short-lived unless you too perish
at the hands of Achilles. Come, then, my son, within the city, to be
the guardian of Trojan men and Trojan women, or you will both lose
your own life and afford a mighty triumph to the son of Peleus. Have
pity also on your unhappy father while life yet remains to him- on me,

[...] Read more

poem by Homer, translated by Samuel Butler
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The Gonzo Hits Medley

One voice singing in the darkness
All it takes is one voice
Singing so they hear what's on your mind
And when you look around you'll find
There's more than one voice singing in the darkness
Joining with that one voice
Each and every note another octave
Hands are joined and fears unlocked
If only one voice should start it on it's own
We need just one voice facing the unknown
And then that one voice would never be alone
It takes that one voice
I've been alive forever, and I wrote the very first song
I put the words and the melodies together
I am music and I write the songs
I write the songs that make the whole world sing
I write the songs of love and special things
I write the songs that make the young girls cry
I write the songs, I write the songs
And maybe the old songs will bring back the old times
Maybe the old lines will sound new
Maybe she'll lay her head on my shoulder
Maybe old feelings will come through
Maybe we'll start to cry and wonder why we ever walked away
Maybe the old songs will bring back the old times and make her wanna stay
We're goin' hoppin' (Hop)
we're goin' hoppin' today
where things are poppin' (Pop)
the Philadelphia way
we're gonna drop in (Drop)
on all the music they play
on the Bandstand (Bandstand)
We're goin' swingin' (Swing)
we're gonna swingin' the crowd
and we'll be clingin' (Cling)
and floatin' high as a cloud
The phones are ringin' (Ring)
My mom and dad are so proud
I'm on Bandstand (Bandstand)
And I'll jump, and hey, I may even show 'em my handstand
because I'm on, because I'm on the American Bandstand
when we dance real slow I'll show all the guys in the grandstand
what a swinger I am, I am on American Bandstand
I don't want to walk without you baby
I don't want to walk without you, Baby
Walk without my arm about you, Baby
Oh, Baby, please come back or you'll break my heart for me
'Cause I don't want to walk without you
No, siree
Last night, I waved goodbye, now it seems years

[...] Read more

song performed by Barry Manilow
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Grandmother Told Me So

The declaration has been spoken,
For Grandmother told me so.
The darkeys have got their fetlocks broken,
For Grandmother told me so.
Oh, won't they have a lot of iron on hand!
And when the news travels,
Oh, won't it be grand!
'Twill sweep like a sugarcane over the land,
For Grandmother told me so.

American Eagle! hysterical bird!
Oh, flap your wing and crow!
The slaves are embellished--yes, that's the word,
For Grandmother told me so!

There's curious times in that ur section,
For Grandmother told me so.
They think they will have a resurrection,
For Grandmother told me so.
The penholders raving like persons insane --
The darkeys in exodus, raising cane,
And singing like martingales after a rain,
For Grandmother told me so.

But President Abe forgot Kentucky,
For Grandmother told me so.
And Geneses, too -- and that's unlucky,
For Grandmother told me so.
Malicious champagne will be open'd in vain,
Until we shall break the last ox-yoke and chain --
Till through the Benighted States freedom shall reign,
For Grandmother told me so.

poem by Henry Clay Work
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Thurso’s Landing

I
The coast-road was being straightened and repaired again,
A group of men labored at the steep curve
Where it falls from the north to Mill Creek. They scattered and hid
Behind cut banks, except one blond young man
Who stooped over the rock and strolled away smiling
As if he shared a secret joke with the dynamite;
It waited until he had passed back of a boulder,
Then split its rock cage; a yellowish torrent
Of fragments rose up the air and the echoes bumped
From mountain to mountain. The men returned slowly
And took up their dropped tools, while a banner of dust
Waved over the gorge on the northwest wind, very high
Above the heads of the forest.
Some distance west of the road,
On the promontory above the triangle
Of glittering ocean that fills the gorge-mouth,
A woman and a lame man from the farm below
Had been watching, and turned to go down the hill. The young
woman looked back,
Widening her violet eyes under the shade of her hand. 'I think
they'll blast again in a minute.'
And the man: 'I wish they'd let the poor old road be. I don't
like improvements.' 'Why not?' 'They bring in the world;
We're well without it.' His lameness gave him some look of age
but he was young too; tall and thin-faced,
With a high wavering nose. 'Isn't he amusing,' she said, 'that
boy Rick Armstrong, the dynamite man,
How slowly he walks away after he lights the fuse. He loves to
show off. Reave likes him, too,'
She added; and they clambered down the path in the rock-face,
little dark specks
Between the great headland rock and the bright blue sea.

II
The road-workers had made their camp
North of this headland, where the sea-cliff was broken down and
sloped to a cove. The violet-eyed woman's husband,
Reave Thurso, rode down the slope to the camp in the gorgeous
autumn sundown, his hired man Johnny Luna
Riding behind him. The road-men had just quit work and four
or five were bathing in the purple surf-edge,
The others talked by the tents; blue smoke fragrant with food
and oak-wood drifted from the cabin stove-pipe
And slowly went fainting up the vast hill.
Thurso drew rein by
a group of men at a tent door
And frowned at them without speaking, square-shouldered and
heavy-jawed, too heavy with strength for so young a man,
He chose one of the men with his eyes. 'You're Danny Woodruff,

[...] Read more

poem by Robinson Jeffers
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The City of Dreadful Night

Per me si va nella citta dolente.

--Dante

Poi di tanto adoprar, di tanti moti
D'ogni celeste, ogni terrena cosa,
Girando senza posa,
Per tornar sempre la donde son mosse;
Uso alcuno, alcun frutto
Indovinar non so.

Sola nel mondo eterna, a cui si volve
Ogni creata cosa,
In te, morte, si posa
Nostra ignuda natura;
Lieta no, ma sicura
Dell' antico dolor . . .
Pero ch' esser beato
Nega ai mortali e nega a' morti il fato.

--Leopardi

PROEM

Lo, thus, as prostrate, "In the dust I write
My heart's deep languor and my soul's sad tears."
Yet why evoke the spectres of black night
To blot the sunshine of exultant years?
Why disinter dead faith from mouldering hidden?
Why break the seals of mute despair unbidden,
And wail life's discords into careless ears?

Because a cold rage seizes one at whiles
To show the bitter old and wrinkled truth
Stripped naked of all vesture that beguiles,
False dreams, false hopes, false masks and modes of youth;
Because it gives some sense of power and passion
In helpless innocence to try to fashion
Our woe in living words howe'er uncouth.

Surely I write not for the hopeful young,
Or those who deem their happiness of worth,
Or such as pasture and grow fat among
The shows of life and feel nor doubt nor dearth,
Or pious spirits with a God above them
To sanctify and glorify and love them,
Or sages who foresee a heaven on earth.

For none of these I write, and none of these
Could read the writing if they deigned to try;

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poem by James Thomson
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