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The Monkees are like the mafia. You're in for life. Nobody gets out.

quote by Davy Jones
Added by Lucian Velea
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Tear Da Club Up 97

Intro: three six mafia (repeat 7x)
Tear da club up, nigga, tear da club up
[dj paul]
This for all you playa haters who be talkin that...(ha ha)
The three six show no love, put some hurt on a trick
Im bustin through the crowd, wild, with my hand on a cannon
Be like quick to put two up in ya like who mana standin
I be the last man, blast man
If you think you fast man, headlines
Three left em up in a cast man
When I look into your eyes I see a coward
Face to face I hit ya
Three six mafiad rather die than
[lord infamous]
Lord, hittin, here comes the two to the three and four
Three six mafia I want ya to wreck it all over the club floor
Blowin and throwin your sets in the air
Ya bumpin them tables and chests everywhere
Trampled over by the macs and the playas
You standin there actin like you wonder where
It aint said we the hardest,
And you cant rock it like three six mafia can
All up in a trance in the prophecy van
We gonna tear the club up, get it bucked till it dont eelin me
(.....? ? .....)
Chorus: three six mafia (repeat 8x)
Tear da club up, nigga, tear da club up
[juicy j]
We tearin the club up, gettin buck
Haters try to call it rough
They better call security, bring them straight jackets and handcuffs
Aint takin it, aint takin it
The clutches I be breakin it
And rippin off the bosses and tossin them to the floor, bricks
Going through the window, got that thing at your temple
When they bust, keep it trust, and we aint talkin bout bustin pimples
Haters cant get with the mafia click, them fools aint buck enough
We gonna get the dynamite trick, and blow the club up
[gangsta boo]
Crazy lady comin at you, you cant fade me trick
I bet you bet you bottom dollar make you holla
When my soldiers get ya, I dont like that violence stuff
But I believe in gettin buck
If you with me, let me see you tear da, tear da club up
Mafia, mafi-mafia, wont stop with it though
Hypnotizing minds, we got you blind and you cant hear me though
Come and get it while you can trick, before its all gone
Goin once, goin twice, oh my God it just went gone
[crunchy black]
Oh, oh, oh, get buck, get wild

[...] Read more

song performed by Three 6 Mafia
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Theme From The Monkees

By tommy boyce and bobby hart
Here we come, walkin
Down the street.
We get the funniest looks from
Evry one we meet.
Hey, hey, were the monkees
And people say we monkey around.
But were too busy singing
To put anybody down.
We go wherever we want to,
Do what we like to do
We dont have time to get restless,
Theres always something new.
Hey, hey, were the monkees
And people say we monkey around.
But were too busy singing
To put anybody down.
Were just tryin to be friendly,
Come and watch us sing and play,
Were the young gneration,
And weve got something to say.
Any time, or anywhere,
Just look over your shoulder
Guess wholl be standing there
Hey, hey, were the monkees
And people say we monkey around.
But were too busy singing
To put anybody down.
(break)
Hey, hey, were the monkees
And people say we monkey around.
But were too busy singing
To put anybody down.
Were just tryin to be friendly,
Come and watch us sing and play,
Were the young gneration,
And weve got something to say.
Hey, hey, were the monkees
Hey, hey, were the monkees
[repeat and fade]
Extra verse:
Hey, hey, were the monkees,
You never know where well be found.
So youd better get ready,
We may be comin to your town.

song performed by Monkees
Added by Lucian Velea
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Il Tema Dei Monkees

Ecco qua
Passiamo noi
E la gente ci guarda
Ed ammir con voi
Ci chiamano I monkees,
E siamo meno matti di chi
Si crede piu' intelligente
Di noi che la pensiamo cosi.
Dovunque parliamo
Non e' giusto mai
Ce' sempre qualcuno che
Ne sa piu' di noi.
Ci chiamano I monkees
E siamo meno matti di chi
Si crede piu' intelligente
Di noi che la pensiamo cosi'
Ci chiamano I monkees...
Translation!
Here we are
We are passing by
And people are looking at us
And they admire us with you.
They call us the monkees
And we are less crazy than those
Who think are more intelligent
Than us who think this way.
Everywhere we talk
Its never right
Theres always someone
Who knows more than us.
They call us the monkees
And we are less crazy than those
Who think are more intelligent
Than us who think this way.
Ci chiamano I monkees....

song performed by Monkees
Added by Lucian Velea
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Hadda Been Playing On The Jukebox

Written by allen ginsberg, performed by rage against the machine
It had to be flashin like the daily double
It had to be playin on tv
It had to be loud mouthed on the comedy hour
It had to be announced over loud speakers
The cia and mafia are in cahoots
It had to be said in old ladies language
It had to be said in american headlines
Kennedy stretched and smiled and got double crossed by lowlife goons and agents
Rich bankers with criminal connections
Dope pushers in cia working with dope pushers from cuba working with a big time
Syndicate from tampa, florida
And it had to be said with a big mouth
It had to be moaned over factory foghorns
It had to be chattered on car radio news broadcasts
It had to be screamed in the kitchen
It had to be yelled in the basement where uncles were fighting
It had to be howled on the streets by newsboys to bus conductors
It had to be foghorned into new york harbor
It had to echo onto hard hats
It had to turn up the volume in university ballrooms
It had to be written in library books, footnoted
It had to be in the headlines of the times and the mind
It had to be barked on tv
It had to be heard in alleys through ballroom doors
It had to be played on wire services
It had to be bells ringing
Comedians stopped dead in the middle of a joke in las vegas
It had to be fbi chief j. edgar hoover and frank costello syndicate
Mouthpiece meeting in central park, new york weekends,
Reported time magazine
It had to be the mafia and the cia together starting war on cuba,
Bay of pigs and poison assassination headlines
It had to be dope cops in the mafia
Who sold all their heroin in america
It had to be the fbi and organized crime working together
In cahoots against the commies
It had to be ringing on multinational cash registers
World-wide laundry for organized criminal money
It had to be the cia and the mafia and the fbi together
They were bigger than nixon
And they were bigger that war
It had to be a large room full of murder
It had to be a mounted ass- a solid mass of rage
A red hot pen
A scream in the back of the throat
It had to be a kid that can breathe
It had to be in rockefellers mouth
It had to be central intelligence, the family, allofthis, the agency mafia
It had to be organized crime

[...] Read more

song performed by Rage Against The Machine
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Had To Be Playin On The Jukebox

It had to be flashin like the daily double
It had to be playin on tv
It had to be loud mouthed on the comedy hour
It had to be announced over loud speakers
The cia and mafia are in cahoots
It had to be said in old ladies language
It had to be said in american headlines
Kennedy stretched and smiled and got
Double crossed by lowlife goons and agents
Rich bankers with criminal connections
Dope pushers in cia working with dope pushers
From cuba working with a big time
Syndicate from tampa, florida
And it had to be said with a big mouth
It had to be moaned over factory foghorns
It had to be chattered on car radio news broadcasts
It had to be screamed in the kitchen
It had to be yelled in the basement where uncles were fighting
It had to be howled on the streets by newsboys to bus conductors
It had to be foghorned into new york harbor
It had to echo onto hard hats
It had to turn up the volume in university ballrooms
It had to be written in library books, footnoted
It had to be in the headlines of the times and the mind
It had to be barked on tv
It had to be heard in alleys through ballroom doors
It had to be played on wire services
It had to be bells ringing
Comedians stopped dead in the middle of a joke in las vegas
It had to be fbi chief j. edgar hoover and frank costello syndicate
Mouthpiece meeting in central park, new york weekends,
Reported time magazine
It had to be the mafia and the cia together starting war on cuba,
Bay of pigs and poison assassination headlines
It had to be dope cops in the mafia
Who sold all their heroin in america
It had to be the fbi and organized crime working together
In cahoots against the commies
It had to be ringing on multinational cash registers
World-wide laundry for organized criminal money
It had to be the cia and the mafia and the fbi together
They were bigger than nixon
And they were bigger that war
It had to be a large room full of murder
It had to be a mounted ass a solid mass of rage
A red hot pen
A scream in the back of the throat
It had to be a kid that can breathe
It had to be in rockefellers mouth
It had to be central intelligence, the family, all of this, the agency mafia

[...] Read more

song performed by Rage Against The Machine
Added by Lucian Velea
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Live By Yo Rep

-this is ??? shalonda, bone magazine, here interviewing...
-three 6 mafia
-from memphis, who has a unique quality of rap style, what would you do if
Someone tried to duplicate your ideas?
[lord infamous]
Lord infamous takin 1000 of razor blades
And i be pressin them into the flesh
Takin my pitchfork up out of the fire
And soakin it down in their chest
Through the ribs, spines, charcoalin the muscle tissue
And sendin what's left in the mail to mammy
Cause i think she just might miss you
But first, i want to slowly pull off all your skin
Get grease and boil it hot pour it on you and your dead friends
I probably outta be not be so horribly slaughtering the body
I am so naughty because i am moderately in to photography
Following through the autopsy
No love for them bustas so just pour some acid all over them, too
That's what i would do, skinny pimp what would you do?
[skinny pimp]
Just look into the eyes of the mask
Slangin the ak to knock out my enemies
Fear of the razor, da blast, he done passed
I'm leavin no trace of the evidence
Bodies sit in box chopped up in pieces
His soul done rose, i placed them tubes up under my mattress
My conscience is black and it's strange
Cause i murdered a victim, the devil just rushin my time
With this 9 in my hand causin death when you sleep
In the casket i leave you no killas in mind
Pullin a jack, reach me that cheese, make a stupid move
Then ya bleed
Bustin 17, please don't scream, don't run
Either long range street sweep
Never ever run from the buckshots, bust em at ya back
When i'm full of yak, ain't no clue
In 2 deep, you sneak, we creep, juiceman, what would you do?
[juicy j]
First the juice look in the white pages for this trick
Mafia-style fool cause you don't know who ya messin with
Caught him slippin in his home, minimum breathin on the phone
Warnin sign to let you know i'm comin so you better be gone
Wether ya run i be stoppin ya, with the 2 9s i be poppin ya
Witness a killa from north memphis of the three 6 mafia
2 killas at yo front door, 3 killas at yo back door
His broad peeked through the curtains
And saw them gats pointed at the window
Nothin but destruction after we touched em
Man i thought you knew
That's what i would do, gangsta boo what would you do?

[...] Read more

song performed by Three 6 Mafia
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Live By Yo Rep

-this is ??? shalonda, bone magazine, here interviewing...
-three 6 mafia
-from memphis, who has a unique quality of rap style, what would you do if
Someone tried to duplicate your ideas?
[lord infamous]
Lord infamous takin 1000 of razor blades
And i be pressin them into the flesh
Takin my pitchfork up out of the fire
And soakin it down in their chest
Through the ribs, spines, charcoalin the muscle tissue
And sendin what's left in the mail to mammy
Cause i think she just might miss you
But first, i want to slowly pull off all your skin
Get grease and boil it hot pour it on you and your dead friends
I probably outta be not be so horribly slaughtering the body
I am so naughty because i am moderately in to photography
Following through the autopsy
No love for them bustas so just pour some acid all over them, too
That's what i would do, skinny pimp what would you do?
[skinny pimp]
Just look into the eyes of the mask
Slangin the ak to knock out my enemies
Fear of the razor, da blast, he done passed
I'm leavin no trace of the evidence
Bodies sit in box chopped up in pieces
His soul done rose, i placed them tubes up under my mattress
My conscience is black and it's strange
Cause i murdered a victim, the devil just rushin my time
With this 9 in my hand causin death when you sleep
In the casket i leave you no killas in mind
Pullin a jack, reach me that cheese, make a stupid move
Then ya bleed
Bustin 17, please don't scream, don't run
Either long range street sweep
Never ever run from the buckshots, bust em at ya back
When i'm full of yak, ain't no clue
In 2 deep, you sneak, we creep, juiceman, what would you do?
[juicy j]
First the juice look in the white pages for this trick
Mafia-style fool cause you don't know who ya messin with
Caught him slippin in his home, minimum breathin on the phone
Warnin sign to let you know i'm comin so you better be gone
Wether ya run i be stoppin ya, with the 2 9s i be poppin ya
Witness a killa from north memphis of the three 6 mafia
2 killas at yo front door, 3 killas at yo back door
His broad peeked through the curtains
And saw them gats pointed at the window
Nothin but destruction after we touched em
Man i thought you knew
That's what i would do, gangsta boo what would you do?

[...] Read more

song performed by Three 6 Mafia
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Bad Side Of The Moon

(bernie taupin/elton john)
Published by songs of polygram international - bmi
Seems as though Ive lived my life on the bad side of the moon
To stir your dregs, and sittin still, without a rustic spoon
Now come on people, live with me, where the light has never shone
And the harlots flock like hummingbirds, speakin in a foreign tongue
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
It seems as though Ive lived my life on the bad side of the moon
To stir your dregs, and sittin still, without a rustic spoon
Now come on people, live with me, where the light has never shone
And the harlots flock like hummingbirds, speakin in a foreign tongue
Im a light world away, from the people who make me stay
Sittin on the bad side of the moon
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
There aint no need for watchdogs here, to justify our ways
We lived our lives in manacles, the main cause of our stay
And exiled here from other worlds, my sentence comes to soon
Why should I be made to pay on the bad side of the moon
Im a light world away, from the people who make me stay
Sittin on the bad side of the moon
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life

song performed by April Wine
Added by Lucian Velea
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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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The Monkees Present Radio Promo

by Unknown
The management at Colgems Records has asked me to explain something,
which is no big surprise, because people are always asking their kids to
explain everything.
(Listen To The Band excerpt)
They want to bring us out all the time, to get us to talk, to tell them
what we think, so they can tell us why we're wrong. But for us, our
music says it all.
Like the Monkees and their new album: The Monkees Present.
(Good Clean Fun excerpt)
Their music is like we are. It's hard to say why you like it, except the
music talks to you instead of expecting you to talk to it. Get The
Monkees
Present on Colgems, records and Stereo-8 cartridge tape. It's music that
talks to you.
(Never Tell A Woman Yes excerpt)

song performed by Monkees
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[9] O, Moon, My Sweet-heart!

O, Moon, My Sweet-heart!
[LOVE POEMS]

POET: MAHENDRA BHATNAGAR

POEMS

1 Passion And Compassion / 1
2 Affection
3 Willing To Live
4 Passion And Compassion / 2
5 Boon
6 Remembrance
7 Pretext
8 To A Distant Person
9 Perception
10 Conclusion
10 You (1)
11 Symbol
12 You (2)
13 In Vain
14 One Night
15 Suddenly
16 Meeting
17 Touch
18 Face To Face
19 Co-Traveller
20 Once And Once only
21 Touchstone
22 In Chorus
23 Good Omens
24 Even Then
25 An Evening At ‘Tighiraa’ (1)
26 An Evening At ‘Tighiraa’ (2)
27 Life Aspirant
28 To The Condemned Woman
29 A Submission
30 At Midday
31 I Accept
32 Who Are You?
33 Solicitation
34 Accept Me
35 Again After Ages …
36 Day-Dreaming
37 Who Are You?
38 You Embellished In Song

[...] Read more

poem by Mahendra Bhatnagar
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Russia's biggest problem is organized crime and its leaders are influenced by the Russian mafia. But it's not right to call it a Russian mafia, it's a Jewish mafia.

quote by David Duke
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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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poem by Robert Browning (1871)
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Bishop Blougram's Apology

No more wine? then we'll push back chairs and talk.
A final glass for me, though: cool, i' faith!
We ought to have our Abbey back, you see.
It's different, preaching in basilicas,
And doing duty in some masterpiece
Like this of brother Pugin's, bless his heart!
I doubt if they're half baked, those chalk rosettes,
Ciphers and stucco-twiddlings everywhere;
It's just like breathing in a lime-kiln: eh?
These hot long ceremonies of our church
Cost us a little—oh, they pay the price,
You take me—amply pay it! Now, we'll talk.

So, you despise me, Mr. Gigadibs.
No deprecation—nay, I beg you, sir!
Beside 't is our engagement: don't you know,
I promised, if you'd watch a dinner out,
We'd see truth dawn together?—truth that peeps
Over the glasses' edge when dinner's done,
And body gets its sop and holds its noise
And leaves soul free a little. Now's the time:
Truth's break of day! You do despise me then.
And if I say, "despise me"—never fear!
1 know you do not in a certain sense—
Not in my arm-chair, for example: here,
I well imagine you respect my place
(Status, entourage, worldly circumstance)
Quite to its value—very much indeed:
—Are up to the protesting eyes of you
In pride at being seated here for once—
You'll turn it to such capital account!
When somebody, through years and years to come,
Hints of the bishop—names me—that's enough:
"Blougram? I knew him"—(into it you slide)
"Dined with him once, a Corpus Christi Day,
All alone, we two; he's a clever man:
And after dinner—why, the wine you know—
Oh, there was wine, and good!—what with the wine . . .
'Faith, we began upon all sorts of talk!
He's no bad fellow, Blougram; he had seen
Something of mine he relished, some review:
He's quite above their humbug in his heart,
Half-said as much, indeed—the thing's his trade.
I warrant, Blougram's sceptical at times:
How otherwise? I liked him, I confess!"
Che che, my dear sir, as we say at Rome,
Don't you protest now! It's fair give and take;
You have had your turn and spoken your home-truths:
The hand's mine now, and here you follow suit.

[...] Read more

poem by Robert Browning from Men and Women (1855)
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Snobbery

A solitary rose in red attire
Condescended:
A fleeting glance -
She apprehended
My affections,
Turned away
From me, a stray -

Stubble weed -
Genes to build an oddity:
Common seed -
Happy-go-lucky entity
In dull array.

The rose glowered,
But in ascension
Slipped a view of blight
Upon her regal greenery:
Black spot!

In all her bold perfumery
And blushing flower,
The sheen of vulnerability in jet
Reminded me how snobbery
And haughty shower
Tarnish with an underlying debt!

She wavered in her shallow play -
Man-bred -
Hardiness foregone.

The rose no longer shone.

Copyright © Mark R Slaughter 2010
From: Poetry Rivals 2010 - A New Dawn Breaks
Forward Press

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poem by Mark R Slaughter
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First Book

OF writing many books there is no end;
And I who have written much in prose and verse
For others' uses, will write now for mine,–
Will write my story for my better self,
As when you paint your portrait for a friend,
Who keeps it in a drawer and looks at it
Long after he has ceased to love you, just
To hold together what he was and is.

I, writing thus, am still what men call young;
I have not so far left the coasts of life
To travel inland, that I cannot hear
That murmur of the outer Infinite
Which unweaned babies smile at in their sleep
When wondered at for smiling; not so far,
But still I catch my mother at her post
Beside the nursery-door, with finger up,
'Hush, hush–here's too much noise!' while her sweet eyes
Leap forward, taking part against her word
In the child's riot. Still I sit and feel
My father's slow hand, when she had left us both,
Stroke out my childish curls across his knee;
And hear Assunta's daily jest (she knew
He liked it better than a better jest)
Inquire how many golden scudi went
To make such ringlets. O my father's hand,
Stroke the poor hair down, stroke it heavily,–
Draw, press the child's head closer to thy knee!
I'm still too young, too young to sit alone.

I write. My mother was a Florentine,
Whose rare blue eyes were shut from seeing me
When scarcely I was four years old; my life,
A poor spark snatched up from a failing lamp
Which went out therefore. She was weak and frail;
She could not bear the joy of giving life–
The mother's rapture slew her. If her kiss
Had left a longer weight upon my lips,
It might have steadied the uneasy breath,
And reconciled and fraternised my soul
With the new order. As it was, indeed,
I felt a mother-want about the world,
And still went seeking, like a bleating lamb
Left out at night, in shutting up the fold,–
As restless as a nest-deserted bird
Grown chill through something being away, though what
It knows not. I, Aurora Leigh, was born
To make my father sadder, and myself
Not overjoyous, truly. Women know
The way to rear up children, (to be just,)

[...] Read more

poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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Ditty Diego - War Chant

Hey now wait a minute!
Now wait just a minute!
Hey hey we are the monkees
You know we love to please
A manufactured image
With no philosophies
We hope you like our story
Although there isnt one
That is to say theres many
That way there is more fun
You told us you like action
And games of many kinds
You like to dance, we like to sing
So lets all lose our minds!
We know it doesnt matter,
Cause what you came to see
Is what wed love to give you,
And give it one, two, three!
But there may come three, two, one, two
Or jump from nine to five,
And when you see the end in sight
The beginning may arrive!
For those who look for meaning,
And form as they do facts,
We might tell you one thing
But wed only take it back
Not back like in a box back
Not back like in a race,
Not back so we can keep it,
But back in time and space!
You say were manufactured,
To that we all agree,
So make you choice and well rejoice
In never being free!
Hey hey we are the monkees,
Weve said it all before
The moneys in were made of tin
Were here to give you more!
The moneys in were made of tin
Were here to give you--
*bang!!*
*scream!!!*
Gimme a w!
W!
Gimme an a!
A!
Gimme an r!!
R!!
What does that spell!!? ?
War!!

song performed by Monkees
Added by Lucian Velea
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Selected Poems Of Dr. Mahendra Bhatnagar [2]

[1] O WINGED STEEDS OF DESTINY

O Winged steeds of Destiny!
Holding thy reins
With confidence
And with firm hands,
We will pull them
To give ye direction,
Every time!

Lustrous and indomitable,
We are the sons of the soil
We stand by the toil
We cherish the youthful vigour;
We will pull
Thy bridle — mind you —
To give ye direction,
Every time!

O ye, the sentinels and the stars foretelling!
Our labour is marked with brilliance,
We will pull out
Thy light undecaying;
For, we can reach
The inaccessible Space
Through endurance and steadfast endeavours.
O ye, our stars!
We will, forsooth,
Take away from ye
Thy brilliance!

O ye, the moving invisible hand!
Thou art the invincible citadels
Echoing the distressed cries
Of the ill-fated ones!
Bathed in sweat
We will wash
Thy ominous lines,
And singing sweet the inspiring music
Of hard work,
We will break through
Thy citadels
Of distress and destruction!

O winged steeds of Destiny!
We will hold thy bridle
And give ye direction!

 

[...] Read more

poem by Mahendra Bhatnagar
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Z. Comments

CRYSTAL GLOW

Madhur Veena Comment: Who is she? ? ? ? ? ? ? ? ? ? ? ....You write good!

Margaret Alice Comment: Beautiful, it stikes as heartfelt words and touches the heart, beautiful sentiments, sorry, I repeat myself, but I am delighted. Your poem is like the trinkets I collect to adorn my personal space, pure joy to read, wonderful! Only a beautiful mind can harbour such sentiments, you have a beautiful mind. I am glad you have found someone that inspires you to such heights and that you share it with us, you make the world a mroe wonderful place.

Margaret Alice Comment: Within the context set by the previous poem, “Cosmic Probe”, the description of a lover’s adoration for his beloved becomes a universal ode sung to the abstract values of love, joy and hope personified by light, colours, fragrance and beauty, qualities the poet assigns to his beloved, thus elevating her to the status of an uplifting force because she brings all these qualities to his attention. The poet recognises that these personified values brings him fulfilment and chose the image of a love relationship to illustrate how this comes about; thus a love poem becomes the vehicle to convey spiritual epiphany.

FRAGRANT JASMINE

Margaret Alice Comment: Your words seem to be directed to a divine entity, you seem to be addressing your adoration to a divinity, and it is wonderful to read of such sublime sentiments kindled in a human soul. Mankind is always lifted up by their vision and awareness of divinity, thank you for such pure, clear diction and sharing your awareness of the sublime with us, you have uplifted me so much by this vision you have created!

Margaret Alice Comment: The poet’s words seem to be directed to a divine entity, express adoration to a divinity who is the personification of wonderful qualities which awakens a sense of the sublime in the human soul. An uplifting vision and awareness of uplifting qualities of innocence represented by a beautiful person.

I WENT THERE TO BID HER ADIEU

Kente Lucy Comment: wow great writing, what a way to bid farewell

Margaret Alice Comment: Sensory experience is elevated by its symbolical meaning, your description of the scene shows two souls becoming one and your awareness of the importance of tempory experience as a symbol of the eternal duration of love and companionship - were temporary experience only valid for one moment in time, it would be a sad world, but once it is seen as a symbol of eternal things, it becomes enchanting.

I’M INCOMPLETE WITHOUT YOU

Margaret Alice Comment: You elevate the humnan experience of longing for love to a striving for sublimity in uniting with a beloved person, and this poem is stirring, your style of writing is effective, everything flows together perfectly.

Margaret Alice Comment:

'To a resplendent glow of celestial flow
And two split halves unite never to part.'

Reading your fluent poems is a delight, I have to tear myself away and return to the life of a drudge, but what a treasure trove of jewels you made for the weary soul who needs to contemplate higher ideals from time to time!

IN CELESTIAL WINGS

Margaret Alice Comment: When you describe how you are strengthened by your loved one, it is clear that your inner flame is so strong that you need not fear growing old, your spirit seems to become stronger, you manage to convey this impression by your striking poetry. It is a privilege to read your work.

Obed Dela Cruz Comment: wow.... i remembered will shakespeare.... nice poem!

Margaret Alice Comment: The poet has transcended the barriers of time and space by becoming an image of his beloved and being able to find peace in the joy he confers to his beloved.

'You transcend my limits, transcend my soul, I forget my distress in your thoughts And discover my peace in your joy, For, I’m mere image of you, my beloved.'

Margaret Alice Comment: You are my peace and solace, I know, I am, yours too; A mere flash of your thoughts Enlivens my tired soul And fills me with light, peace and solace, A giant in new world, I become, I rise to divine heights in celestial wings. How I desire to reciprocate To fill you with light and inner strength raise you to divine heights; I must cross over nd hold you in arms, light up your soul, Fill you with strength from my inner core, Wipe away your tears burst out in pure joy How I yearn to instill hope and confidence in you we never part And we shall wait, till time comes right. the flame in my soul always seeks you, you transcend my limits, transcend my soul, I forget my distress in your thoughts And discover my peace in your joy, For, I’m mere image of you, my beloved.

RAGING FIRE

[...] Read more

poem by Praveen Kumar
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Seasonable Retour-Knell

SEASONABLE RETOUR KNELL
Variations on a theme...
SEASONABLE ROUND ROBIN ROLE REVERSALS

Author notes

A mirrored Retourne may not only be read either from first line to last or from last to first as seen in the mirrors, but also by inverting the first and second phrase of each line, either rhyming AAAA or ABAB for each verse. thus the number of variations could be multiplied several times.- two variations on the theme have been included here but could have been extended as in SEASONABLE ROUND ROBIN ROLE REVERSALS robi03_0069_robi03_0000

In respect of SEASONABLE ROUND ROBIN ROLE REVERSALS
This composition has sought to explore linguistic potential. Notes and the initial version are placed before rather than after the poem.
Six variations on a theme have been selected out of a significant number of mathematical possibilities using THE SAME TEXT and a reverse mirror for each version. Mirrors repeat the seasons with the lines in reverse order.

For the second roll the first four syllables of each line are reversed, and sense is retained both in the normal order of seasons and the reversed order as well... The 3rd and 4th variations offer ABAB rhyme schemes retaining the original text. The 5th and 6th variations modify the text into rhyming couplets.

Given the linguistical structure of this symphonic composition the score could be read in inversing each and every line and each and every hemistitch. There are minor punctuation differences between versions.

One could probably attain sonnet status for each of the four seasons and through partioning in 3 groups of 4 syllables extend the possibilites ad vitam.

Seasonable Round Robin Roll Reversals
robi03_0069_robi03_0000 QXX_DNZ
Seasonable Retour-Knell
robi03_0070_robi03_0069 QXX_NXX
26 March 1975 rewritten 20070123
lllllllllllllllllllllllllllllllllllll lllllllllllllllllll
For previous version see below
_______________________________________
SPRING SUMMER

Life is at ease Young lovers long
Land under plough; To hold their dear;
Whispering trees, Dewdrops among,
Answering cow. Bold, know no fear.

Blossom, the bees, Life full of song,
Burgeoning bough; Cloudless and clear;
Soft-scented breeze, Days fair and long,
Spring warms life now. Summer sends cheer.

AUTUMN WINTER

Each leaf decays, Harvested sheaves
Each life must bow; And honeyed hives;
Our salad days Trees stripped of leaves,
Are ending now. Jack Frost has knives.

Fruit heavy lays Time, Prince of thieves,
Bending the bough, - Onward he drives,

[...] Read more

poem by Jonathan Robin
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