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Booker T. Washington

We must reinforce argument with results.

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IX. Juris Doctor Johannes-Baptista Bottinius, Fisci et Rev. Cam. Apostol. Advocatus

Had I God's leave, how I would alter things!
If I might read instead of print my speech,—
Ay, and enliven speech with many a flower
Refuses obstinate to blow in print,
As wildings planted in a prim parterre,—
This scurvy room were turned an immense hall;
Opposite, fifty judges in a row;
This side and that of me, for audience—Rome:
And, where yon window is, the Pope should hide—
Watch, curtained, but peep visibly enough.
A buzz of expectation! Through the crowd,
Jingling his chain and stumping with his staff,
Up comes an usher, louts him low, "The Court
"Requires the allocution of the Fisc!"
I rise, I bend, I look about me, pause
O'er the hushed multitude: I count—One, two—

Have ye seen, Judges, have ye, lights of law,—
When it may hap some painter, much in vogue
Throughout our city nutritive of arts,
Ye summon to a task shall test his worth,
And manufacture, as he knows and can,
A work may decorate a palace-wall,
Afford my lords their Holy Family,—
Hath it escaped the acumen of the Court
How such a painter sets himself to paint?
Suppose that Joseph, Mary and her Babe
A-journeying to Egypt, prove the piece:
Why, first he sedulously practiseth,
This painter,—girding loin and lighting lamp,—
On what may nourish eye, make facile hand;
Getteth him studies (styled by draughtsmen so)
From some assistant corpse of Jew or Turk
Or, haply, Molinist, he cuts and carves,—
This Luca or this Carlo or the like.
To him the bones their inmost secret yield,
Each notch and nodule signify their use:
On him the muscles turn, in triple tier,
And pleasantly entreat the entrusted man
"Familiarize thee with our play that lifts
"Thus, and thus lowers again, leg, arm and foot!"
—Ensuring due correctness in the nude.
Which done, is all done? Not a whit, ye know!
He,—to art's surface rising from her depth,—
If some flax-polled soft-bearded sire be found,
May simulate a Joseph, (happy chance!)—
Limneth exact each wrinkle of the brow,
Loseth no involution, cheek or chap,
Till lo, in black and white, the senior lives!
Is it a young and comely peasant-nurse

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You Trip Too Quick To Insult and Assault

You trip too quick to get your results.
You trip too quick to insult and assault,
Those you don't know...
Who haven't shown,
Reason why you choose to deceive.

You trip too quick to sit and to sulk.
You trip too quick to blame and to fault,
Others unaware...
What has been done to you.
And you don't care...
Going through the act that you do.

You trip too quick to get your results.
Yes you do.
You trip too quick to insult and assault,
Just to prove...
To,
Those you don't know...
Who haven't shown,
Reason why you choose to deceive.
Then you can't believe why they come back,
To mistreat you!

You trip too quick to get your results.
Yes you do.
You trip too quick to insult and assault,
Just to prove...
To,
Those you don't know...
Who haven't shown,
Reason why you choose to deceive.

You trip too quick to get your results.
And...
You trip too quick to insult and assault.
And...
You trip too quick to get your results.
And...
You trip too quick to insult and assault.
You trip too quick to get your results.
You trip too quick to insult and assault.

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A Map Of Culture

Culture


Contents

What is Culture?

The Importance of Culture

Culture Varies

Culture is Critical

The Sociobiology Debate

Values, Norms, and Social Control

Signs and Symbols

Language

Terms and Definitions

Approaches to the Study of Culture

Are We Prisoners of Our Culture?



What is Culture?


I prefer the definition used by Ian Robertson: 'all the shared products of society: material and nonmaterial' (Our text defines it in somewhat more ponderous terms- 'The totality of learned, socially transmitted behavior. It includes ideas, values, and customs (as well as the sailboats, comic books, and birth control devices) of groups of people' (p.32) .

Back to Contents

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VIII. Dominus Hyacinthus de Archangelis, Pauperum Procurator

Ah, my Giacinto, he's no ruddy rogue,
Is not Cinone? What, to-day we're eight?
Seven and one's eight, I hope, old curly-pate!
—Branches me out his verb-tree on the slate,
Amo-as-avi-atum-are-ans,
Up to -aturus, person, tense, and mood,
Quies me cum subjunctivo (I could cry)
And chews Corderius with his morning crust!
Look eight years onward, and he's perched, he's perched
Dapper and deft on stool beside this chair,
Cinozzo, Cinoncello, who but he?
—Trying his milk-teeth on some crusty case
Like this, papa shall triturate full soon
To smooth Papinianian pulp!

It trots
Already through my head, though noon be now,
Does supper-time and what belongs to eve.
Dispose, O Don, o' the day, first work then play!
—The proverb bids. And "then" means, won't we hold
Our little yearly lovesome frolic feast,
Cinuolo's birth-night, Cinicello's own,
That makes gruff January grin perforce!
For too contagious grows the mirth, the warmth
Escaping from so many hearts at once—
When the good wife, buxom and bonny yet,
Jokes the hale grandsire,—such are just the sort
To go off suddenly,—he who hides the key
O' the box beneath his pillow every night,—
Which box may hold a parchment (someone thinks)
Will show a scribbled something like a name
"Cinino, Ciniccino," near the end,
"To whom I give and I bequeath my lands,
"Estates, tenements, hereditaments,
"When I decease as honest grandsire ought."
Wherefore—yet this one time again perhaps—
Shan't my Orvieto fuddle his old nose!
Then, uncles, one or the other, well i' the world,
May—drop in, merely?—trudge through rain and wind,
Rather! The smell-feasts rouse them at the hint
There's cookery in a certain dwelling-place!
Gossips, too, each with keepsake in his poke,
Will pick the way, thrid lane by lantern-light,
And so find door, put galligaskin off
At entry of a decent domicile
Cornered in snug Condotti,—all for love,
All to crush cup with Cinucciatolo!

Well,
Let others climb the heights o' the court, the camp!

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Prejudice

IN yonder red-brick mansion, tight and square,
Just at the town's commencement, lives the mayor.
Some yards of shining gravel, fenced with box,
Lead to the painted portal--where one knocks :
There, in the left-hand parlour, all in state,
Sit he and she, on either side the grate.
But though their goods and chattels, sound and new,
Bespeak the owners very well to do,
His worship's wig and morning suit betray
Slight indications of an humbler day

That long, low shop, where still the name appears,
Some doors below, they kept for forty years :
And there, with various fortunes, smooth and rough,
They sold tobacco, coffee, tea, and snuff.
There labelled drawers display their spicy row--
Clove, mace, and nutmeg : from the ceiling low
Dangle long twelves and eights , and slender rush,
Mix'd with the varied forms of genus brush ;
Cask, firkin, bag, and barrel, crowd the floor,
And piles of country cheeses guard the door.
The frugal dames came in from far and near,
To buy their ounces and their quarterns here.
Hard was the toil, the profits slow to count,
And yet the mole-hill was at last a mount.
Those petty gains were hoarded day by day,
With little cost, for not a child had they ;
Till, long proceeding on the saving plan,
He found himself a warm, fore-handed man :
And being now arrived at life's decline,
Both he and she, they formed the bold design,
(Although it touched their prudence to the quick)
To turn their savings into stone and brick.
How many an ounce of tea and ounce of snuff,
There must have been consumed to make enough !

At length, with paint and paper, bright and gay,
The box was finished, and they went away.
But when their faces were no longer seen
Amongst the canisters of black and green ,
--Those well-known faces, all the country round--
'Twas said that had they levelled to the ground
The two old walnut trees before the door,
The customers would not have missed them more.
Now, like a pair of parrots in a cage,
They live, and civic honours crown their age :
Thrice, since the Whitsuntide they settled there,
Seven years ago, has he been chosen mayor ;
And now you'd scarcely know they were the same ;
Conscious he struts, of power, and wealth, and fame ;

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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IV. Tertium Quid

True, Excellency—as his Highness says,
Though she's not dead yet, she's as good as stretched
Symmetrical beside the other two;
Though he's not judged yet, he's the same as judged,
So do the facts abound and superabound:
And nothing hinders that we lift the case
Out of the shade into the shine, allow
Qualified persons to pronounce at last,
Nay, edge in an authoritative word
Between this rabble's-brabble of dolts and fools
Who make up reasonless unreasoning Rome.
"Now for the Trial!" they roar: "the Trial to test
"The truth, weigh husband and weigh wife alike
"I' the scales of law, make one scale kick the beam!"
Law's a machine from which, to please the mob,
Truth the divinity must needs descend
And clear things at the play's fifth act—aha!
Hammer into their noddles who was who
And what was what. I tell the simpletons
"Could law be competent to such a feat
"'T were done already: what begins next week
"Is end o' the Trial, last link of a chain
"Whereof the first was forged three years ago
"When law addressed herself to set wrong right,
"And proved so slow in taking the first step
"That ever some new grievance,—tort, retort,
"On one or the other side,—o'ertook i' the game,
"Retarded sentence, till this deed of death
"Is thrown in, as it were, last bale to boat
"Crammed to the edge with cargo—or passengers?
"'Trecentos inseris: ohe, jam satis est!
"'Huc appelle!'—passengers, the word must be."
Long since, the boat was loaded to my eyes.
To hear the rabble and brabble, you'd call the case
Fused and confused past human finding out.
One calls the square round, t' other the round square—
And pardonably in that first surprise
O' the blood that fell and splashed the diagram:
But now we've used our eyes to the violent hue
Can't we look through the crimson and trace lines?
It makes a man despair of history,
Eusebius and the established fact—fig's end!
Oh, give the fools their Trial, rattle away
With the leash of lawyers, two on either side—
One barks, one bites,—Masters Arcangeli
And Spreti,—that's the husband's ultimate hope
Against the Fisc and the other kind of Fisc,
Bound to do barking for the wife: bow—wow!
Why, Excellency, we and his Highness here
Would settle the matter as sufficiently

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The Ghost - Book IV

Coxcombs, who vainly make pretence
To something of exalted sense
'Bove other men, and, gravely wise,
Affect those pleasures to despise,
Which, merely to the eye confined,
Bring no improvement to the mind,
Rail at all pomp; they would not go
For millions to a puppet-show,
Nor can forgive the mighty crime
Of countenancing pantomime;
No, not at Covent Garden, where,
Without a head for play or player,
Or, could a head be found most fit,
Without one player to second it,
They must, obeying Folly's call,
Thrive by mere show, or not at all
With these grave fops, who, (bless their brains!)
Most cruel to themselves, take pains
For wretchedness, and would be thought
Much wiser than a wise man ought,
For his own happiness, to be;
Who what they hear, and what they see,
And what they smell, and taste, and feel,
Distrust, till Reason sets her seal,
And, by long trains of consequences
Insured, gives sanction to the senses;
Who would not (Heaven forbid it!) waste
One hour in what the world calls Taste,
Nor fondly deign to laugh or cry,
Unless they know some reason why;
With these grave fops, whose system seems
To give up certainty for dreams,
The eye of man is understood
As for no other purpose good
Than as a door, through which, of course,
Their passage crowding, objects force,
A downright usher, to admit
New-comers to the court of Wit:
(Good Gravity! forbear thy spleen;
When I say Wit, I Wisdom mean)
Where (such the practice of the court,
Which legal precedents support)
Not one idea is allow'd
To pass unquestion'd in the crowd,
But ere it can obtain the grace
Of holding in the brain a place,
Before the chief in congregation
Must stand a strict examination.
Not such as those, who physic twirl,
Full fraught with death, from every curl;

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You don't get results by focusing on results. You get results by focusing on the actions that produce results.

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Aint What You Do

(s. oliver/j. young)
When I was a kid, about half past three
My ma said daughter, come here to me
Says, things may come and things may go
But this is one thing you ought to know
(chorus1)
Aint what you do, its the way that you do it (x3)
Thats what gets results
Aint what you do, its time that you do it (x3)
Thats what gets results
You can try hard, dont mean a thing
Take it easy, easy, in the jiven swing
Aint what you do, its the place that you do it
Aint what you do, its the time that you do it
Aint what you do, its the way that you do it
Thats what gets results
Youve learned your abcs, youve learned your dfgs
But this is something you dont learn in school
So get your hip boots on, and then you carry on
But remember not to try too hard or it dont mean a thing
(chorus)
Aint what you do, its the time you do it (2x)
Aint what you sing its the way that you sing it
Thats what gets results (2x)

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Howard Nemerov

The Town Dump

“The art of our necessities is strange,
That can make vile things precious.”

A mile out in the marshes, under a sky
Which seems to be always going away
In a hurry, on that Venetian land threaded
With hidden canals, you will find the city
Which seconds ours (so cemeteries, too,
Reflect a town from hillsides out of town),
Where Being most Becomingly ends up
Becoming some more. From cardboard tenements,
Windowed with cellophane, or simply tenting
In paper bags, the angry mackerel eyes
Glare at you out of stove-in, sunken heads
Far from the sea; the lobster, also, lifts
An empty claw in his most minatory
Of gestures; oyster, crab, and mussel shells
Lie here in heaps, savage as money hurled
Away at the gate of hell. If you want results,
These are results.
Objects of value or virtue,
However, are also to be picked up here,
Though rarely, lying with bones and rotten meat,
Eggshells and mouldy bread, banana peels
No one will skid on, apple cores that caused
Neither the fall of man nor a theory
Of gravitation. People do throw out
The family pearls by accident, sometimes,
Not often; I’ve known dealers in antiques
To prowl this place by night, with flashlights, on
The off-chance of somebody’s having left
Derelict chairs which will turn out to be
by Hepplewhite, a perfect set of six
Going to show, I guess, that in any sty
Someone’s heaven may open and shower down
Riches responsive to the right dream; though
It is a small chance, certainly, that sends
The ghostly dealer, heavy with fly-netting
Over his head, across these hills in darkness,
Stumbling in cut-glass goblets, lacquered cups,
And other products of his dreamy midden
Penciled with light and guarded by the flies.

For there are flies, of course. A dynamo
Composed, by thousands, of our ancient black
Retainers, hums here day and night, steady
As someone telling beads, the hum becoming
A high whine at any disturbance; then,
Settled again, they shine under the sun
Like oil-drops, or are invisible as night,

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Yips

When focusing too hard on putts
golfers suffer from the yips,
and those who focus hard on butts
and breasts and what’s below the hips
may not obtain a hole in one
because most eagles fly away,
and though a birdie can be fun
you’ll never catch one if you play
too focused. Nonchalance will launch
in sex, as golf, a thousand ships,
and when you’re ready for some raunch,
soft-focus rescues you from yips.

Inspired by an article by Katie Thomas in the NYT on August 1 explaining the phenomenon of yip[s which plagues archersm, golfers and all people who aim to carefully at targets (“The Secret Curse of Expert Archers”) :

There is an affliction so feared by elite archers that many in the sport refuse to even say its name. Archery coaches who specialize in treating the problem are sworn not to reveal the identities of archers in its grip, even though they estimate that 90 percent of high-level competitors will fall victim at least once in their careers. Target panic, as the condition is known, causes crack shots to suddenly lose control of their bows and their composure. Mysteriously, sufferers start releasing the bow the instant they see the target, sabotaging any chance of a gold-medal shot. Others freeze up and cannot release at all. Target panic is akin to the yips in baseball and golf, when accomplished athletes can no longer make a simple throw to first base or stroke an easy putt. The results can be mortifying, and archery is filled with tales of those who have caught the curse, never to shoot again. The problem has spawned a cottage industry of coaches, books and specialized accessories that claim to cure target panic….Lanny Bassham, a former Olympic rifle shooter and mental coach whose clients include the Olympic archer Brady Ellison, said the archery community had a peculiar obsession with target panic, which he noted had a horrifying ring. “The words target panic have induced an unnecessary amount of severity and concern about this condition among archers, ” he said. “I think if they had a better word for it, they’d have a lot less problem trying to cure it.” Many archers and their coaches refuse to say target panic. Those words are forbidden around the Nichols household, which is home to the Olympic archer Jennifer Nichols and her younger sister, Amanda, also a world-class competitor. “We try to stay away from the labels that are put on things by people in the archery industry because once you feel you’ve got that label, it’s hard to stay away from it, ” said their father, Brent Nichols. “We don’t want to hear those things.” Theories vary on how to cure target panic. Some switch their shooting hand, or change their grip slightly — techniques that have also proved successful in golf. Others use visualization techniques and positive reinforcement. Wunderle advises his clients to imagine seeing and feeling what a good shot is, without focusing on aiming the arrow. “Do not focus on results, ” he said. “When you focus on results, it builds anxiety. And anxiety is the kiss of death.” One of the most popular cures is to entirely remove the target. Sufferers instead practice shooting at a blank target, sometimes for weeks at a time, to retrain the mind. “The empty bale restores your confidence in your subconscious, ” said Bernie Pellerite, author of the book “Idiot Proof Archery” and a self-described expert on target panic. “Nobody flinches or punches or chokes on an empty bale.” Hunt spent weeks shooting at blank targets, but he also purchased a special release for his bow, which helped retrain him when to shoot. “It’s trying to engrave in your head when you should shoot, ” he said. “You just pull it back, let the safety off, and pull it until it decides to go. Then you get used to every shot being perfect.” Hunt placed second in his age group at the Junior Olympic Archery Development national championships in Oklahoma City earlier this month. His target panic, he said, had been cured. For now. There is an affliction so feared by elite archers that many in the sport refuse to even say its name. Archery coaches who specialize in treating the problem are sworn not to reveal the identities of archers in its grip, even though they estimate that 90 percent of high-level competitors will fall victim at least once in their careers. Target panic, as the condition is known, causes crack shots to suddenly lose control of their bows and their composure. Mysteriously, sufferers start releasing the bow the instant they see the target, sabotaging any chance of a gold-medal shot. Others freeze up and cannot release at all. Target panic is akin to the yips in baseball and golf, when accomplished athletes can no longer make a simple throw to first base or stroke an easy putt. The results can be mortifying, and archery is filled with tales of those who have caught the curse, never to shoot again. The problem has spawned a cottage industry of coaches, books and specialized accessories that claim to cure target panic.


8/20/08

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Contemplating the Insufficiency of Past Errors

Every position you have taken on this situation,
Has produced the opposite dire results.
And here you have come before us for the eighth time
To request additional financial support for a failed procedure.
How can we be assured that what hasn't worked...
Can and will work this time around?

'I realize the ambiguity of past maneuvers
Jeopardized the wholesomeness of improper injections used.
Therefore diffusing a calculated initialization recommended
To transfix a progress upon our plans to produce the desired results.

After contemplating the insufficiency of past errors,
It has been concluded that optimum success will most certainly
Become sustained if funding viewed as lost on this campaign...
Is interpreted as investments to maintain 'concretivity' to reinforce
The plastering of cracks appearing upon this...our foundation.
To avoid fears of derailing this train now firmly placed on new tracks,
With a stunning ray of eminence from the lighthouse of hope
That promises to shine upon future generations to come.
Clarifying visions!
Removing threats to traditions valued!
Chasing away those darkened shadows on paths.
To embark upon shores with a unity now within our reach!
Expediting our goals...
And removing obstacles on the thresholds of our endeavors! '

Brilliant!
Well stated and direct.
We are unanimous with our support!
No longer will we doubt a point of view so precise,
And vivid.
Your explanation warrants an immediate release
Of every possible resource we have available
To ensure and recapture the pride that must be restored.
You have detailed this with such honest...
And chilling observation.
We applaud your efforts!
I recommend a complete opening of our treasury department,
To advance this direction so well outlined.
You are truly one of the greats!

'I humbly embrace this decision...
And wise assessment of the tasks before us! '

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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The Silent Pool

I have discovered finally to-day
This home that I have called my own
Is built of straw and clay,
Not, as I thought, of stone.

I wonder who the architect could be,
What builder made it of that stuff;
When it was left to me
The house seemed good enough.

Yet, slowly, as its roof began to sink,
And as its walls began to split,
And I began to think,
Then I suspected it;

But did not clearly know until today
That it was only built of straw and clay.

II

Now I will go about on my affairs
As though I had no cares,
Nor ever think at all
How one day soon that house is bound to fall,
So when I'm told the wind has blown it down
I may have something else to call my own.

I have enquired who was the architect,
What builder did erect.
I'm told they did design
Million and million others all like mine,
And argument with all men ends the same:-
It is impossible to fix the blame.

I am so glad that underneath our talk
Our minds together walk.
We argue all the while,
But down below our argument we smile,
We have our houses, but we understand
That our real property is common land.

III

At night we often go
With happy comrades to that real estate,
Where dreams in beauty grow,
And every man enjoys a common fate.

At night in sleep one flows
Below the surface of all argument;

[...] Read more

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Ducking Buttercup

In the midst of our last argument,
I did a reaching to kiss your lips.
And you balled your fist,
Prepared to hit me.

In the midst of our last argument,
I did a reaching to kiss your lips.
And you balled your fist,
Prepared to hit me.
To do it and split.

But I...
Am not a ducking buttercup.
Someone that gives up easy.
No I...
Am not a ducking buttercup.
Someone that gives up easy...
To appease someone,
Who is quick to leave.
After a plucking of me has been done.

In the midst of an argument...
I'm not a ducking buttercup,
Easily plucked when I've had enough.

No I...
Am not a ducking buttercup.
Easily plucked when I've had enough.
No I...
Am not a ducking buttercup.
I've got a backbone tough that's rough enough.

In the midst of our last argument,
I did a reaching to kiss your lips.
And you balled your fist,
Prepared to hit me.
To do it and split.

But I...
Am not a ducking buttercup.
Someone that gives up easy,
When the going gets tough!

Believe me when I say,
I'm not a ducking buttercup.
Believe me when I say,
I'm not a ducking buttercup.
Believe me when I say,
I'm not a ducking buttercup.
Someone that gives up easy,

[...] Read more

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Blazing Through All Precedents

Blazing through all precedents,
Supreme Court Justices have customarily abused
omnipotence until as decedents
they are compelled by death, an act of God, to be recused.

Of corporate money there’s no dearth
in politics, said John Paul Stevens, arguing in dissent;
decisions with some moral worth
are lacking in the Highest Court, should have been his lament.

Inspired by a comment by Justice John Paul Stevens, cited by Adam Liptak in an article on him in the NYT, January 25,2010 (“After 34 Years, a Plainspoken Justice Gets Louder”) :
The Supreme Court announced its big campaign finance decision at 10 in the morning last Thursday. By 10: 30 a.m., after Justice Anthony M. Kennedy had offered a brisk summary of the majority opinion and Justice John Paul Stevens labored through a 20-minute rebuttal, a sort of twilight had settled over the courtroom. It seemed the Stevens era was ending. Justice Stevens, who will turn 90 in April, joined the court in 1975 and is the longest-serving current justice by more than a decade. He has given signals that he intends to retire at the end of this term, and his dissent on Thursday was shot through with disappointment, frustration and uncharacteristic sarcasm.He seemed weary, and more than once he stumbled over and mispronounced ordinary words in the lawyer’s lexicon — corruption, corporation, allegation. Sometimes he would take a second or third run at the word, sometimes not. But there was no mistaking his basic message. “The rule announced today — that Congress must treat corporations exactly like human speakers in the political realm — represents a radical change in the law, ” he said from the bench. “The court’s decision is at war with the views of generations of Americans.”..
“It is difficult to convey how thoroughly egregious counsel’s closing argument was, ” Justice Stevens wrote of a defense lawyer’s work. “Suffice it to say that the argument shares far more in common with a prosecutor’s closing than with a criminal defense attorney’s. Indeed, the argument was so outrageous that it would have rightly subjected a prosecutor to charges of misconduct.” In the second case, Justice Stevens did vote to uphold the death sentence, saying that even a closing argument worthy of Clarence Darrow would not have spared the defendant. That carefully calibrated distinction was of a piece with the view he announced in 2008 in Baze v. Rees, when he said he had come to the conclusion that the death penalty violates the Eighth Amendment. But he went on to say that his conclusion did not justify “a refusal to respect precedents that remain a part of our law.”


1/25/10

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Frustration (Life Poem)

Head throbs, I want results, I need results, today,
No dice, I want a gun, persuasion, for results, now,
Idiots all around, is it me or is it them, I wonder,
I see them dead, better than Red I think, but,
Why so hard I ask, always the same, pain again,
A voice inside says, that is why, I still get paid
Big bucks, to take this strain, and not complain,
I need a cat, to kick, humane, because it seems,
It will survive with nine lives, and I have only one.

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The bBest offering to God

work is
my prayer
to God

heart
soul
and mind

work is
the best offering
to God

it results
in a great work
for the world

it results
in a great
promotion

it results
in three
miracles

God is happy
I am happy
and the world is happy

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Our subconscious minds have no sense of humor, play no jokes and cannot tell the difference between reality and an imagined thought or image. What we continually think about eventually will manifest in our lives. Unfortunately most of us are completely unaware of this fact and we do not monitor our thoughts with the care needed so that we can create in our lives the results we say we want. Since the great majority of people do not feel worthy and deserving of abundant good fortune, radiant good health and total success in all areas of their lives that overriding thought pattern controls the results people get. The first order of business of anyone who wants to enjoy success in all areas of his
her life is to take charge of the internal dialogue they have and only think, say and behavior in a manner consistent with the results they truly desire.

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