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Stanley Kubrick knew we had good graphics around MIT and came to my lab to find out how to do it. We had some really good stuff. I was very impressed with Kubrick; he knew all the graphics work I had ever heard of, and probably more.

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Give and Free It Up On The Rough Stuff

When I was hard,
It wasn't enough.
The sensitive and warm nice guy,
I had to give with no hint of the tough stuff.

I was the one who supplied the tenderness,
With touches.
Supplied I did the sweet kisses too!
You want it tough and rough and ready,
Through the weekends.
And all week until we get through too!

The sensitive and warm nice guy,
I had to be with no hint of the tough stuff.
You want it tough and rough and ready,
Through the weekends.
And all week until we get through too!

You've got to give and free it up on the rough stuff.
I like to get it and receive it with a tender touch.
I like to feel it getting heated with a whispered love.
I like to get it and receive it with a tender touch.
I like to feel it getting heated with a whispered love.
You've got to give and free it up on the rough stuff.

Free it up to give it up!
That rough stuff.
Free it up to give it up!
That rough stuff.
Free it up to give it up!
That rough stuff.
That rough stuff.
That rough stuff.

You've got to give and free it up on the rough stuff.
I like to get it and receive it with a tender touch.
I like to feel it getting heated with a whispered love.
I like to get it and receive it with a tender touch.
I like to feel it getting heated with a whispered love.
You've got to give and free it up on the rough stuff.

I was the one who supplied the tenderness,
With touches.
Supplied I did sweet kisses too!
You want it tough and rough and ready,
Through the weekends.
And all week until we get through too!

You've got to give and free it up on the rough stuff.
You've got to give and free it up on the rough stuff.

[...] Read more

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Voi Hyv Luoja Mit Nyt?

Hn hirvin ruokahalulla hotkii
Ja kuninkaan tieltn rotkoon potkii
Sivua ja risua ja mnnynkpy
Tlt pojalta puuttuu hpy
Jokaiseen notkoon nostatti taloja
Ja talojensa ylle neonvaloja
Tss on mies joka tehd saa
Jotakin elm suurempaa
Ja liihottelee noita ystvin
Kuin bajamajoissa krpsi
On huvipursia ja autonpaskaa
Mutta miksi huokaukset raskaat
Kun hetkiseksi pyshtyy, niin hkeltyy ja huminaa
vain korvissaan kuulee
Miettii kerro kuvastin, mit tuokin jtk tll
tekevns luulee
Kaiken saatuaan on sit moni kysynyt
Voi hyv luoja mit nyt
Voi hyv luoja mit nyt
Kun tyytymttmyys on kaverina pysynyt
Voi hyv luoja mit nyt
Voi hyv luoja mit nyt
Voi hyv luoja mit nyt
Voi hyv luoja mit nyt
Voi hyv luoja mit nyt
Siltoja ja majoja nyt piripintaan
Kun toveruuden myi torihintaan
Neitojen rintoihin iski ahnaasti
Rapatessa roiskuu rasva ja laasti
Ja rappio riemuisa kesken kaiken
Niskaansa sai kylm vett
Jkuninkaan kaikkivoipaisen,
kylm sydnkin saattaa pett
Pian mana tuo arvatenkin paikalle sen
lahtipenkin vaikka onnea kaipasit
onnea vain joka pysytteli piilossa pirulta
Niin moni ihmisparka arkana on kysynyt
Voi hyv luoja mit nyt
Voi hyv luoja mit nyt
Voi hyv luoja mit nyt
Voi hyv luoja mit nyt
Niin moni ihmisparka arkana on kysynyt
Voi hyv luoja mit nyt
Voi hyv luoja mit nyt
Kun tyytymttmyys on kaverina pysynyt
Voi hyv luoja mit nyt
Voi hyv luoja mit nyt
Voi hyv luoja mit nyt
Voi hyv luoja mit nyt

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Virginia's Story

Elizabeth Gates-Wooten is my Grand mom.

She was born in Canada with her father and brothers.
They owned a Barber Shoppe.
I don't remember exactly where in Canada.
I believe it was right over the border like Windsor or Toronto.
I never knew exactly where it was.

When she was old enough she got married.

First, she married a man by the name of Frank Gates.
He was from Madagascar.
He fathered my mom and her brother and sister.
The boy's name was Frank Gates, Jr.
Two girls name were Anna and Agnes.

Agnes was my mother.

Frank Gates went crazy after the war
He drank a lot and died
Then grandma Elizabeth married a man by the name of Mr. Wooten.
He had a German name, but I don't think he was German.
She took his last name after they got married.

Then they moved to West Virginia in the United States.

Their son, Frank Gates Jr. Became a delegate in the democratic party.
He use to get into a lot of trouble because he liked to fight.
He was a delegate from the 1940's to 1970's.
He died of gout in the 1970's.

Anna was a maid and cook.

She baked cakes and stuff for people as a side line.
She had a hump on her back (scoliosis) .
She had to walk with a cane.
She could cook good though.
She did this kind of work all of her life, just like her mom, Elizabeth

They were both good cooks

They had a lot of money because they had these skills
Especially when people had parties.
Because they would make all of this food and then they would have left-overs.
We got to eat a lot of stuff we normally wouldn't get because of that.
When they cooked, they didn't use no measuring stuff, they would just use there hand.

My moms name was Agnes Barrie Gates.

She married James Wright and moved to Cleveland.

[...] Read more

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Rot Stuff

Sittin' here eatin' my heart out waitin'
Waitin' for this funeral to end
Dug up about a thousand graves lately
My tastes are what some might call
A little more then just off the wall

Lookin' for some rot stuff baby this evenin'
I need some rot stuff baby tonight
I want some rot stuff baby this evenin'
Gotta have some rot stuff
Gotta have your corpse tonight
Rot stuff
I need rot stuff
I want some rot stuff

Lookin' for a lover who's 6 feet under
Don' t want another night on my own
Wanna share my fetish with a cold blooded lover
Wanna bring a dead man back home

Gotta have some rot stuff baby this evenin'
I need some rot stuff baby tonight
I want some rot stuff baby this evenin'
Gotta have something cold
Gotta have something rotting under me tonight
I need rot stuff
Cold rot
Lookin' for cold rot

Rot, rot, rot, rot stuff
Rot, rot, rot
Rot, rot, rot, rot stuff
Rot, rot, rot

How's about some rot stuff baby this evenin'
I need some rot stuff baby tonight
Gimme a little rot stuff this evenin'
Rot stuff baby
Gonna need your corpse tonight
Rot stuff
I need something cold and rotting
Lookin' for some rot stuff
Wanna make love to a dead man tonight

Sittin' here eatin' my heart out
No more listening to this funeral march can I do
Won't waste another night or moment on my own
I've dug up about a hundred graves baby
I'm bound to find somebody as horny as I am tonight

[...] Read more

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

[...] Read more

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Luv Your Stuff

(myles goodwyn)
Published by mfg sing sing music/socan - ascap
Everytime I get restless, I see my hand knockin on your door
And everytime Im in a fix baby, I start actin like I need you more
Well Ive been lookin for someone to talk to
And Ive been searchin for a better way
And Ive been runnin all over town, girl
Ive been lookin each and every way, yeah
But you got somethin special
And Im bein on the level with you
You got that thing that moves me, yeah
(great stuff, luv your stuff), mmm, I luv your stuff
(great stuff, luv your stuff), at five oclock in the morning
(great stuff, luv your stuff), still cant get enough
(great stuff, luv your stuff)
Livin like a fool in flames
You know that I been usin you, girl
And Im the one to blame
But babe, I got my cupboards all stocked and ready
What you get girl, is what you see
And youve been lookin inside my head now
And you got your arms wrapped around me, mmm
I got no thing for our candy
Its your lovin girl, that gets me down
You got that thing that moves me, yeah
(great stuff, luv your stuff), ooh, I luv your stuff
(great stuff, luv your stuff), send the bill in the morning
(great stuff, luv your stuff), I luv your stuff
(great stuff, luv your stuff), get busy
I got no sense of reason, I know I gotta make a deal
Its all comin down to somethin baby, its tellin me I got to get real, huh
I got my senses in a tuft, Im all mixed up, my temperatures starting to rise
And I cant seem to stay away from you, girl, I think its more than we realized, yeah
Wont you look what its doin
Its your lovin girl, that gets me down
You got that thing that moves me, yeah
(great stuff, luv your stuff), ooh, I luv your stuff
(great stuff, luv your stuff), Ill pay the price in the morning
(great stuff, luv your stuff), ooh, I luv your stuff
(great stuff, luv your stuff)

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Work To Make It Work

(r palmer)
Push it along
Work work work to make it work
Push it along
Work work work to make it work
Push it along
Work work work if you want to improve it
Push it along
It's all there for you to feel it
Help your self to one that you can't deal with
Ain't no way that you could steal it
You misunderstand if you get greedy
Ah push
Work work work to make it work push it along
Work work work to make it work
Push it along
Work work work to make it work
Push it along
Work work work if you want to improve
Don't confine your dreams to bed
You'll get scared if you get lazy
If you can't take enough to satisfy yourself
Then you'll go crazy
Wont do no good thinking
You got to do it
So it don't come easy the first time
Practice makes perfect, you know that i'll try hard
Use it or lose it
You got to put your heart and soul into it
Yeaheheh
Push it along
Work work work to make it work
Push it along
Work work work if you want to move it
Push it along
Work to make it work
Push it along
Work work work if you want to improve
It's all there for you to feel it
Help your self to one that you can't deal with
Ain't no way that you could steal it
You misunderstand if you get greedy forget wishful thinking
You can do it
You just need a push to make a start
If you don't succeed the first time
Try and try again
Use it or lose it
You got to put your back into it
Work work work to make it work
Push it along

[...] Read more

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Payment

A tortuous path of neurons arced a call: ‘Awake! ’
I did; in rising, peering, stretching, bearing,
Pained anticipation saw it all:
Foretold, another filthy day.

I drew the drape: diluvian lay the ground
Beneath a lazy leaden cloud – apissing out
The puddles; irksome on the roof –
The drumming drops of bitter glee
Were hounding out a hapless me –
Reinforcing doubt that I am sound.

I left the house
to go to work
to earn a crust
without a perk
then on to bust
another straining vessel.

Trudging on thro’ mud and clay, I pondered:
‘Why a drought of happy times?
Auspicious climes were
Old and fusty books
Atop a dusty shelf
Inside a morgue-of-a-room,
Somewhere in a long-forgotten library
Down a lane without a way.’

I thought again: ‘And still I pay.’

Copyright © Mark R Slaughter 2010


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Hot Stuff

(coverdale)
Im ready for you,
Are you ready for me
Ive got a burning heart,
It wont let me be
I feel the hunger, my spirit yearns,
Ive got to feed the fever
Of a love that burns
I walk the street round midnight,
Looking for a little hot stuff,
I cant get enuff,
I just cant get enuff, hot stuff,
Hot stuff, hot stuff
Im hard to handle,
Too hot to hold
I cant seem to satisfy
My heart an soul
I need a woman to set me free,
A little miss understanding
To feel the need in me
I walk the street round midnight,
Looking for a little hot stuff,
I cant get enuff,
I just cant get enuff, hot stuff,
Cant get enuff, hot stuff,
I just cant get enuff, hot stuff,
Cant get enuff
Im ready for you,
Are you ready for me
Ive got a burning heart,
It wont let me be
I feel the hunger, my spirit yearns,
Ive got to feed the fever
Of a love that burns
I walk the street round midnight
Looking for a little hot stuff,
I cant get enuff,
I just cant get enuff, hot stuff,
Cant get enuff, hot stuff,
Cant get enuff, hot stuff,
Hot stuff, hot stuff,
Hot stuff, hot stuff,
Hot stuff, hot stuff,
Hot stuff, hot stuff,
I just cant get enuff, hot stuff,
I just cant get enuff, hot stuff,
Cant get enuff, hot stuff,
I just cant get enuff, hot stuff
Hot stuff, cant get enuff hot stuff...

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Ruffled Up

I'm gonna beat this stuff.
This stuff that's got me ruffled up!

I'm gonna beat this stuff.
Because I'm tough enough.

I'm gonna beat this stuff.
This stuff that's got me ruffled up!

I'm gotta beat it.
Since I can't leave it.
To grieve over weeping.
And compare my pains.

I'm gonna beat this stuff.
This stuff that's got me ruffled up!

I'm gonna beat this stuff.
Yes!
I'm gonna beat this stuff.
Yes!

I'm gonna beat this stuff.
This stuff that's got me ruffled up!

I'm gonna beat this stuff.
Yes!
I'm gonna beat this stuff.
Yes!
I'm gonna beat this stuff.
That's got me ruffled up!

I've had it,
With this stuff.
Too many,
Suffer enough.
And too much stuff that corrupts...
Is,
Enough!

I've had it,
With this stuff.
Too many,
Suffer enough.
And too much stuff that corrupts...
Is,
Enough!

I'm gonna beat this stuff.
Yes!

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Work To Make It Work 99

Push it along
Work work work to make it work
Push it along
Work work work to make it work
Push it along
Work work work if you want to improve it
Push it along
Its all there for you to feel it
Help your self to one that you cant deal with
Aint no way that you could steal it
You misunderstand if you get greedy
Ah push
Work work work to make it work push it along
Work work work to make it work
Push it along
Work work work to make it work
Push it along
Work work work if you want to improve
Dont confine your dreams to bed
Youll get scared if you get lazy
If you cant take enough to satisfy yourself
Then youll go crazy
Wont do no good thinking
You got to do it
So it dont come easy the first time
Practice makes perfect, you know that Ill try hard
Use it or lose it
You got to put your heart and soul into it
Yeaheheh
Push it along
Work work work to make it work
Push it along
Work work work if you want to move it
Push it along
Work to make it work
Push it along
Work work work if you want to improve
Its all there for you to feel it
Help your self to one that you cant deal with
Aint no way that you could steal it
You misunderstand if you get greedy forget wishful thinking
You can do it
You just need a push to make a start
If you dont succeed the first time
Try and try again
Use it or lose it
You got to put your back into it
Work work work to make it work
Push it along
Work work work if you want to move it

[...] Read more

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The Sky-Lab

Sky-lab, Sky-lab, the air did reverberate,
Rich or poor; young or old; literate or not:
All did discuss, the sky-lab's state,
And the dreadful destiny of mankind's lot.

The world was taut with tension,
Over NASA's debacle at exploration—
And was gripped with apprehension,
Of the faltering sky-lab's disintegration.

Under one great mantle of terror
Rocked the world with mute fear;
It chid America for the unpardonable error,
In the computation of the space-craft's steer.

Panic-stricken, some did flee,
In the fold of their kith and kin to be:
From place to place, from country to country,
People fled, to avoid the falling debris.

From dawn till dusk, to the Lord Almighty,
True offers of reverential prayers,
To save the world from the impending calamity,
Were made to ward off their fears!

But some were stoical and calm,
Undisturbed at the space-craft's tract:
And some were sorry for the harm,
That the world would, one day contract.

The Universe, Sun and Earth, to scan,
The sky-lab was sent aloft in seventy three:
Through many a thousand pictures, did them span,
Till from man, the shackles did it free.

Envisaged, for ten years to whirl around,
The sky-lab through solar panels, energy drew:
Dark- spots, in the Sun, suddenly did abound,
And the lab, beyond plans, it threw!

Towards its plunge did streak the monster,
And the count- down to crash did tick,
While for the lab's watery grave did NASA manoeuvre,
Thudding hearts, to their wireless sets, did stick.

At sixteen twenty two GMT on July Eleventh,
Crashed the sky-lab, raining down a fiery debris
Into the ocean, off Australia, near Perth,
Of life inflicting, not even an injury!

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Breitmann In Forty-Eight

DERE woned once a studente,
All in der Stadt Paris,
Whom jeder der ihn kennte,
Der rowdy Breitmann hiess.
He roosted in de rue La Harpe,
Im Luxembourg Hotel,
'Twas shoost in anno '48,
Dat all dese dings pefel.

Boot he who vouldt go hoontin now
To find dat rue La Harpe,
Moost hafe oongommon shpecdagles,
Und look darnation sharp.
For der Kaisar und his Hausmann
Mit hauses made so vree,
Dere roon shoost now a Bouleverse
Vhere dis shdreet used to pe.

In dis Hotel de Luxembourg,
A vild oldt shdory say,
A shtudent vonce pring home a dame,
Und on de nexter day,
He pooled a ribbon from her neck-
Off fell de lady's het;
She'd trafelled from de guillotine,
Und valked de city - deadt.

Boot Breitmann nefer cared himself
If dis vas falsch or drue,
I kess he hat mit lifin gals
Pout quite enough to do.
Und Februar vas gomin,
Ganz revolutionnaire,
Und vhere der Teufel had vork on hand,
Der Hans vas alvays dere.

Und darker grew de beople's brows,
No Banquet could dey raise,
So dey shtood und shvore at gorners,
Or dey singed de Marseillaise.
Und here und dere a crashin sound
Like forcin shutters ran,
Und boorstin gun-schmidts' vindows in
Hard vorked der Breitemann.

He helped to howl Les Girondins,
To cheer de beople's hearts;
He maket dem bild parricades
Mit garriages und garts.
Vhen a bretty maiden sendinel

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Schneider Strauss

I vas all der country hunting for a man I vants to meet,
I vas bursting me to schlog him on der cop.
If mine hand I vonce can on him lay, I'll hit him mit mine feet
‘Till he'll neffer know vhich side of him vas top.
He vas "Dandy Pat from Ballarat", mit mighty gifts of gab,
Und he got me to insure me for mine house.
Put, py shinks, if I comes down on him, I'll schlog him mit a schlab
Till he von't some more tricks play mit Schneider Strauss.

I vas built mine house mit packing cases, roofed him in mit tin,
Mit a gutter for der vater, und a shpout;
Und suppose some leetle cracks der vas, vat let der vind come in,
Dere vas lots of pigger vons to let it out.
So efery night I drunk mine pipe und smoked mine lager peer,
Und I felt shoost most ash happy ash a mouse;
Till von efening apout two o'clock, a voice falls on mine ear,
Und it said, "Vas you dat man called Schneider Strauss?"

Und der voice vas dat insurance man. He coomed und sat him down
On a candle box, und talked like eferythings;
Py der vay der vords fell out of him, you'd bet a half-a-crown
Dat his tongue vas on a see-saw vorked mit shprings.
Und he talked apout insurances, und told me I could get
Lots of money if a fire purnt down mine house,
So I paid him down two pound ker-splash, und says to him,
"You bet,
Dat you von't find no plowflies catch on Schneider Strauss.

Dat insurance man he gafe me, vat you call, "a polisee",
Und I nearly laughed mine sides out mit der yoke.
In apout a veek, or sefen days - mine house -
Oh, vere vas he?
He vas gone; und dere vas notings left but smoke.
So der Gompany I vent to see, to get mine leetle bill,
Und I promised me a yolly big carouse;
But like forty tousand tons of boulders falling down a hill,
Did der troubles tumble down on Schneider Strauss.

Vhen der Gompany I seen he asked me vhat I was apout?
Und I told him I vas coomed to get some tin.
Put, he called a pig policeman und shouted "Roon him out."
Dey put me on a canvas suit, dey cut me off mine hair,
In some vater cold like ice, dey made me souse;
Und der shtones I vas preaking opp for six months, you can schvear
Dey vas not so bad proke up as Schneider Strauss.

Und mine house vas gone to plazes, und mine money vas gone too;
Dat insurance man - vhere he vas - who can tell?
Und mine polisee - mine lots of tin - vas gone clean oop der flue.
It vas turned to shmoke, und dat vas gone ash well.

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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

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Elizabeth Barrett Browning

Third Book

'TO-DAY thou girdest up thy loins thyself,
And goest where thou wouldest: presently
Others shall gird thee,' said the Lord, 'to go
Where thou would'st not.' He spoke to Peter thus,
To signify the death which he should die
When crucified head downwards.
If He spoke
To Peter then, He speaks to us the same;
The word suits many different martyrdoms,
And signifies a multiform of death,
Although we scarcely die apostles, we,
And have mislaid the keys of heaven and earth.

For tis not in mere death that men die most;
And, after our first girding of the loins
In youth's fine linen and fair broidery,
To run up hill and meet the rising sun,
We are apt to sit tired, patient as a fool,
While others gird us with the violent bands
Of social figments, feints, and formalisms,
Reversing our straight nature, lifting up
Our base needs, keeping down our lofty thoughts,
Head downward on the cross-sticks of the world.
Yet He can pluck us from the shameful cross.
God, set our feet low and our forehead high,
And show us how a man was made to walk!

Leave the lamp, Susan, and go up to bed.
The room does very well; I have to write
Beyond the stroke of midnight. Get away;
Your steps, for ever buzzing in the room,
Tease me like gnats. Ah, letters! throw them down
At once, as I must have them, to be sure,
Whether I bid you never bring me such
At such an hour, or bid you. No excuse.
You choose to bring them, as I choose perhaps
To throw them in the fire. Now, get to bed,
And dream, if possible, I am not cross.

Why what a pettish, petty thing I grow,–
A mere, mere woman,–a mere flaccid nerve,-
A kerchief left out all night in the rain,
Turned soft so,–overtasked and overstrained
And overlived in this close London life!
And yet I should be stronger.
Never burn
Your letters, poor Aurora! for they stare
With red seals from the table, saying each,
'Here's something that you know not.' Out alas,
'Tis scarcely that the world's more good and wise

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Hans Christian Andersen

Hjertets Melodier

To brune Øine jeg nyelig saae,
I dem mit Hjem og min Verden laae,
Der flammede Snillet og Barnets Fred; -
Jeg glemmer det aldrig i Evighed!


Min Tanke er et mægtigt Fjeld,
Der over Himlene gaaer;
Mit Hjerte er et Hav saa dybt,
Hvor Bølge mod Bølge slaaer.

Og Fjeldet løfter Dit Billed
Høit over Himlenes Blaae,
Men selv Du lever i Hjertet,
Hvor dybe Brændinger gaae.


Du gav mig Blomster; hvis de lege kunde,
Da vandt jeg atter Lunets frie Lyst,
Men nei, de aabne meer den dybe Vunde,
Og sprede Giften i mit unge Bryst.


En Digter-Verden er saa navnløs stor!
Den hvælver sig høit over Himlens Bue;
Hver Sol og Stjerne i dens Luft-Hav boer,
Og ingen Tanke kan den overskue;
Dog kan Dig Intet i det store Rige,
Mit Hjertes dybe Kjærlighed udsige.


Henvisned' er de Blomster Du mig gav,
Men fra de Dødes Grav
Staae Aander frem, i Livets dunkle Gange.
Gjenkjend dem her, i mine bedste Sange.


(Ørkenens Søn)
Den vilde Hengst jeg tumler,
Vi flyve paa Sletten afsted,
Men Hjertet slipper dog ikke
Den stærke Kjærlighed.

Som Solen brænder i Sandet,
Saa brænder det dybt i mit Bryst;
Det er som Hjertet vil sprænges
Af Længsel og af Lyst!

Saa høi og saa stor er Himlen,
Med Sol og Stjerner paa,

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Opus Null

1
Ich bin der große Derdiedas
das rigorose Regiment
der Ozonstengel prima Qua
der anonyme Einprozent.
Das P. P. Tit und auch die Po
Posaune ohne Mund und Loch
das große Herkulesgeschirr
der linke Fuß vom rechten Koch.

Ich bin der lange Lebenslang
der zwölfte Sinn im Eierstock
der insgesamte Augustin
im lichten Zelluloserock.

2
Er zieht aus seinem schwarzen Sarg
um Sarg um Sarg um Sarg hervor.
Er weint mit seinem Vorderteil
und wickelt sich in Trauerflor.
Halb Zauberer halb Dirigent
taktiert er ohne Alpenstock
sein grünes Ziffernblatt am Hut
und fällt von seinem Kutscherbock.

Dabei stößt er den Ghettofisch
von der möblierten Staffelei.
Sein langer Würfelstrumpf zerreißt
zweimal entzwei dreimal entdrei.

3
Er sitzt mit sich in einem Kreis.
Der Kreis sitzt mit dem eignen Leib.
Ein Sack mit einem Kamm der steht
dient ihm als Sofa und als Weib.
Der eigne Leib der eigne Sack.
Der Vonvon und die linke Haut.
Und tick und tack und tipp und topp
der eigne Leib fällt aus der Braut.

Er schwingt als Pfund aus seinem Stein
die eigne Braut im eignen Sack.
Der eigne Leib im eignen Kreis
fällt nackt als Sofa aus dem Frack.

4
Mit seiner Dampfmaschine treibt
er Hut um Hut aus seinem Hut
und stellt sie auf in Ringelreihn
wie man es mit Soldaten tut.

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Das Schlauraffen Landt.

Ain gegent haist Schlauraffen land,
Den faulen leuten wol bekant,
Das ligt drey meyl hinder Weyhnachten.
Vnd welcher darein wölle trachten,
5
Der muß sich grosser ding vermessn
Vnd durch ein Berg mit Hirßbrey essn,
Der ist wol dreyer Meylen dick.
Als dann ist er im augenblick
Inn den selbing Schlauraffen Landt,
10
Da aller Reychthumb ist bekant.
Da sind die Heuser deckt mit Fladn,
Leckuchen die Haußthür vnd ladn,
Von Speckuchen Dielen vnd wend,
Die Tröm von Schweynen braten send.
15
Vmb yedes Hauß so ist ein Zaun,
Geflochten von Bratwürsten braun.
Von Maluasier so sindt die Brunnen,
Kommen eim selbs ins maul gerunnen.
Auff den Tannen wachssen Krapffen,
20
Wie hie zu Land die Tannzapffen.
Auff Fichten wachssen bachen schnittn.
Ayrpletz thut man von Pircken schüttn.
Wie Pfifferling wachssen die Fleckn,
Die Weyntrauben inn Dorenheckn.
25
Auff Weyden koppen Semel stehn,
Darunter Pech mit Milich gehn;
Die fallen dann inn Pach herab,
Das yederman zu essen hab.
Auch gehen die Visch inn den Lachn
30
Gsotten, Braten, Gsulzt vnd pachn
Vnd gehn bey dem gestat gar nahen,
Lassen sich mit den henden fahen.
Auch fliegen vmb (müget jr glaubn)
Gebraten Hüner, Genß vnd Taubn.
35
Wer sie nicht facht vnd ist so faul,
Dem fliegen sie.selbs in das maul.
Die Sew all Jar gar wol geratn,
Lauffen im Land vmb, sind gebratn.
Yede eyn Messer hat im rück
40
Darmit eyn yeder schneydt eyn stück
Und steckt das Messer wider dreyn.
Die Creutzkeß wachssen wie die steyn.

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