I'm studying Kabbalah, which is really the essence of Jewish spirituality.
quote by Sandra Bernhard
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What Is A Jewish Poem?
WHAT IS A JEWISH POEM?
What is a Jewish poem?
‘Shema’ is a Jewish poem
Perhaps the Jewish poem-
'Shmoneh Esreh' is comprised of Jewish poems
Nineteen prayers as one-
Our history is filled with Jewish poems-
From the beginning with Abraham and Sarah
Those who have given so much beyond our understanding -
Jewish poems everywhere -
Is each Jewish life a poem and a story also?
Or is it only those who give something to our people and history
Who are worthy of Poetry?
I have known many Jewish poems
People the great world will not know the names of
People who whether they walked humbly or not
Made the lives of others better in some way –
Kindness is perhaps the ultimate Jewish poem
And Justice also-
And Jewish poems are not without their contradictions –
As I write this poem in Jerusalem in the land of Israel
I think of the small Jewish world of Troy New York where I came from so many years ago
And miss so many people no longer of that and this world –
Longing for Israel for two thousand years was the Jewish poem
Living here now is a blessing and a gift
I thank God for.
poem by Shalom Freedman
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Joseph's Gloss On God
When Joseph tells his brothers: “I
am not God, ” he perhaps implies
that unlike God he sometimes lies,
and unlike Him, is doomed to die.
The words that Joseph never said
are wrong, as we find out when burned;
God often lies, a lesson learned
from history, and God is dead.
Inspired by a review by Paul Buhle of R. Crumb’s The Whole Book of Genesis, in Forward, October 10,2009 (“In the Image of God: The Ambition of R. Crumb’s Graphic Genesis”:
To say this book is a remarkable volume or even a landmark volume in comic art is somewhat of an understatement. It doesn’t hurt that excerpts of the book appeared during the summer in the New Yorker and that the Hammer Museum in Los Angeles is opening an exhibit of the original drawings from which the book’s contents were adapted. “The Book of Genesis, ” Robert Crumb’s version, nevertheless stands on its own as one of this century’s most ambitious artistic adaptations of the West’s oldest continuously told story.
No comic artist has been more influential than Crumb. In terms of sales, his work is dwarfed by the superheroes and, in comic art prestige. Art Spiegelman, and a short list of others including Alison Bechdel and Marjane Sartrapi may have displaced Crumb. But Crumb’s influence abides and endures in his occasional LP/CD covers, in his volumes of collected work (16 volumes so far and counting) , his artistic prizes and a generation of artists who have incorporated his particular view of humanity.
Surprisingly, his best work in 20 years has actually been in the genre of adaptation, specifically an adaptation of Franz Kafka, dating to the mid 1990s. On that highly curious point, any consideration of this “Genesis, ” as a highly personal comic art, properly begins. Notoriously, Crumb is a gentile who fled from his deeply dysfunctional Delaware family to the Cleveland neighborhood of Harvey Pekar and the arms of the first of two Jewish wives. “Crumb, ” the 1994 film documentary, was in many ways about emotional pain (including a brother doomed to suicide) and his craving for a certain kind of woman, who, although possibly any female with a bemuscled backside, was in fact most likely to be Jewish. She, reality and image, was his consolation. The strips that he drew of Jewish-American life, nevertheless, reworked stereotypes, some funny (he visits Florida with his second wife, and holds a tiny grandfather on his knee) , and some, doubtless, insulting to many readers.
In the pages of “Introducing Kafka, ” Crumb became his fictional protagonist with such depth of insight into the logic of the doomed writer, as well as of Kafka’s famed works, that many readers were simply astonished, this reviewer among them. Kafka is the exemplar par excellence of a type of ambiguous, tortured mittel European Jewish personality as it hovered between faith and uncertainty, shortly before the Holocaust. Not Spiegelman, not Ben Katchor, nor Sharon Rudahl, nor others who drew historical or quasi-historical strips about Jewish history, had taken the characterization as far as Crumb. An earlier escape from Middle American culture had propelled Crumb toward his satirical protagonist Mister Natural, a Zen-like, robed quasi-prophet of the 1970s-80s. Three decades later, Crumb’s robed prophets are far from Zen.
Crumb’s “Genesis” is then perfectly serious and the author wants us to know it. As he says on the cover, “Nothing Left Out! ” Every “beget” from the King James Bible can be found here, along with plenty of scenes censored from previous graphic adaptations. And more prose, in the final “Commentary” segment of the book, than non-writer Crumb may have put on the page anywhere, aside from his published letters. More striking for anyone but the seasoned Crumb fan: unlike previous Biblical comic adaptations, including some published and drawn by Jews, Crumb’s characters actually look Jewish, the women even more than the men. The contrast to the classic work, EC Comics’ “Picture Stories from the Bible” (1945) in that respect is most illuminating. But more recent works like the best-selling “Manga Bible” (2000) are not much different (nor was the “The Wolverton Bible” by one of the strangest of comic artists Basil Wolverton) . Close readers will see Crumb’s wife Aline Kominsky, to whom the book is dedicated, again and again, in various guises; perhaps only Chagall drew his beloved wife so often and with such varied imagination.
Not only are the characters Jewish here, they are all ages and sizes. If, for instance, there are more drawings of Jewish elders in any single volume of comic art anywhere, I have never seen them. The women here are beautiful when young, heavily busted with large, muscular thighs. The men are strong, their beards full and noble. The deity has a really big beard and retains his notoriously bad temper, as well as his commanding presence, and absolute demand for loyalty. The animals of Genesis (in Noah’s ark and elsewhere) may be where Crumb is most similar to earlier comic art adaptations of Biblical texts, but they are drawn, like everything else, with such loving care that they are special and demand repeated viewing.
In those extensive notes at the end, Crumb comes as close as he is ever likely to revealing the sources and depth of his commitment to the text. He had been puzzling, no doubt under a wave of feminist criticism, about the gender struggle, until Torah scholar Savina Teubel’s “Sarah the Priestess” (1984) gave him new insight: a matriarchal background, female deities and actual female power, in a society turning toward patriarchy but retaining some elements of women’s prehistorical strength and centrality to the direction of early civilization. If anything is reinterpreted purposefully in “Genesis, ” it is in gender, and Crumb does so not by scoring points but by rearranging the visual subtext. Gender issues also help him reframe somewhat the class dimension of tribal society, which endures not through brute force but because of the strength of its women.
The commentary on his visual choices and his broader interpretations explores and explains his few intentional deviations, not only in the name of narrative clarity but artistic intent. Mainly, his notes drive home how he struggled to interpret the text in suitable graphic form, chapter by chapter, sometimes even character by character. There is no doubting the artist’s integrity or hard work, in no small part because he redrew again and again, trying to find historically accurate clothing and scenery. The Old Testament of cinematic Charlton Heston, so to speak, became the Genesis of lived and perceived experience, socially real and super-real. Clues are provided with translations of specific Hebrew names within the visual text, essentially metaphorical in meaning. These clues may be the closest to footnotes that Crumb has ever provided.
Comics scholar Jeet Heer, has noted in “Bookforum” that Crumb’s biblical characters, with the exception of the deity, have no internal lives: only the deity has depth and personality. As with the original text, much more is implied in Crumb’s visual text than can be stated, because scenes rush by so fast and because the artist forever works out, pen or brush in hand, a unique meaning that escapes easy interpretation. Even closer to the mark, Heer argues that above all, this is a book about bodies, the natural expression of an artist whose work has, possibly more than any other master of comic art, been concerned with body structure and expression.
And offending the deity? Crumb treads with a caution all the more remarkable for an artist, who, short decades ago, allowed himself the full run of his imagination, heedless of the consequences. Crumb’s innovation might be summed up in his characterization of Joseph, brilliant in subjugating Egypt but weary of his own powers. In the final phrases of the book, the artist suggests a radical view several thousand years previous to Jewish Karl Marx. “In the very last chapter, when his obstreperous brothers fling themselves at this feet and proclaim, ‘Here we are, your slaves, ’ he says to them, “I am not God, am I’ Joseph has learned a much finer humility than the fear-driven kind shown by his barbaric brothers.” So says a humble Crumb.
10/22/09
poem by Gershon Hepner
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Mosque of Omar and Jewish Temple
The Dome of the Rock was erected by the Muslim ruler Abd el-Malik in 688-691 A.D. It sits where the old Jewish temple mount was. The Roman General Titus destroyed the last Jewish temple around 70 A.D. This mosque is considered very sacred and would cause an international stir and possible war if it were destroyed.
The Jewish people begin to come back to their original homeland and after World War Two and the holocaust became the country of Israel again in 1948 under Jewish rule. They always have wanted to rebuild their temple. The city of Jerusalem went under their control during the six-day war in 1967. Jerusalem is a main point of any peace between Israel and the Palestinians. Everyone dealing with the volatile peace process in the world knows peace in the mid-east involves Jerusalem and the temple mount area.
Solomon’s Temple was the first temple built in Jerusalem and was completed around 953 BC and was destroyed by Nebuchadnezzar and the Babylonians and burned with fire in 586 BC. Zerubbabel and the returning exiles built the second temple, completing it in 516 BC. This temple was later embellished greatly by King Herod and was the temple Jesus Christ was dedicated in and preached in. Titus and the Romans destroyed this Temple in 70 AD.
Scholars such as Asher Kauffman are now saying Solomon’s original temple and the second temple built by Zerubbabel after the 70 year captivity to Babylon was aligned with the Eastern Gate and the temple was north of the Dome of the Rock mosque.
The Eastern Gate was the gate the Lord Jesus came riding thru on a donkey or what many Christians call Palm Sunday. This gate is now closed. The Golden Gate (Eastern Gate) in the eastern wall of Jerusalem gave access to the courtyards of the temple from the Kidron valley. The East gate was walled up by its Muslim conquerors (the Ottoman Turks) with great stones in 1530 A.D. The Prophet Ezekiel by a vision seen the Eastern Gate shut…Ezekiel 44: 1-3 'Then he brought me back to the outer gate of the sanctuary, which faces east; and it was shut. And he said to me, 'This gate shall remain shut; it shall not be opened, and no one shall enter by it; for the LORD, the God of Israel, has entered by it; therefore it shall remain shut. Only the prince may sit in it to eat bread before the LORD; he shall enter by way of the vestibule of the gate, and shall go out by the same way.'
I remember starring at this gate when I was at the Mount of Olives knowing when Christ touches the Mount of Olives at the end of the Tribulation this gate will be open. Ezekiel seen this vision around 600 BC This alignment of the future Jewish temple with the Eastern Gate would only be appropriate. The architectural layout of the temple would surely have been to allow the Messiah to come through the eastern gate and go straight ahead into the Holy City. He would not be doing any turning left and then right or any 'jigs'. He would enter the city and go straight ahead and up into the temple.
This will allow the third temple to be built while co-existing for a while with the mosque now there.
As we look now at the present situation we see that the Dome of the Rock occupies the center of the temple mount. The future third temple could therefore be rebuilt to the north of the Dome. It would be on the same site as the former temple. There would be room to provide an acceptable easement between the two buildings. There would, in fact, be a clearance of 150 feet. This certainly would take an international agreement.
When Ariel Sharon presumptuously decided to take a stroll on the temple mount some years ago the result was bloody mayhem. There was a huge outcry throughout the Islamic world. For the Jewish temple to be built next to the Dome of the Rock mosque will take a peace covenant of world magnitude and import.
We also see in the book of Revelation 11: 2 KJV 'But the court which is without the temple leave out, and measure it not; for it is given unto the Gentiles: and the holy city shall they tread under foot forty and two months'. Many believe this is a reference to the Dome of the Rock being there. Some say that later when the earthquake comes in
Zechariah 11 and Ezekiel 38 at the end of the Tribulation that this temple and mosque will destroyed as Christ touches the Mount of Olives preparing the way for the millennial temple of Ezekiel 40.
This would mean the third temple during Jacobs’ trouble and the Great Tribulation will not be the final temple.
It is uncanny that Jerusalem is a center of three major religions, Judaism, Christianity and Islam. The oil in the area is of major economic and political concern to the entire world. The whole region is now involved with international politics and the Israeli Palestinian conflict is paramount..
We Christians believe in a second coming of Christ when he will open the Jewish peoples eyes showing them he was their Messiah. We think it is prophecy that they are back from the nations. Mathew 24: 15 lets us know the temple will be rebuilt and defiled. We believe the gentile church age will end and many prophecies written in the Old Testament concerning Israel and the region and the world will be fulfilled
The more I see the picture unfold with prophecy the more I feel that the Mosque of Omar called the Dome of the Rock will not be destroyed but will stay there next to the rebuilt Jewish temple and will be a sign of peace between Israel and moderate Islam brokered by the man of peace from Europe. Jerusalem will be given to both sides and an agreement will be reached.
The false liberal church will help broker the situation as well. Radical Islam will seem to dissipate and the anti christ will use the false prophet of the false church and this very liberal so called church of eclectic faith will seem to respect all faiths allowing the temple in Jerusalem to coexist with the Mosque of Omar.
This covenant will be broken after three and one half years when Russia will come down as written about in Ezekiel 38. The peace will be broken with the Jews and the anti Christ will turn against them and also give a mark where by no man will be able to buy or sell.
I totally believe we are soon to come to these days and we are in the last days of the church age and the times of the gentiles mentioned in Luke 21: 24. We are now in the time of sorrows and distress amongst nations (Math 24: 6-8) and soon will go into the Great Tribulation when all this will happen. Math.24: 21
The Apostle Paul said in Romans 11: 25 that blindness in part has happened to Israel until the fullness of the Gentiles become in”. This dispensation of the gospel to the gentile nations is ending and there will also be a great falling away towards liberalism that will accept gay life styles and various religions.
The false church will not be based on the Bible but theology, psychology, philosophy and the wisdom of man and so called reason. It will use religious rhetoric and talk about liberation and peace, it will appear to many as good but it really is a wolf in sheep clothing and eventually will back up the anti christ and be destroyed in the tribulation period. Many a person already talks about Jesus Christ separate from the Holy Scriptures. This false church will help lead to a unified Europe and extend its hand to the mid east peace process.
I always thought that the Mosque of Omar would be destroyed but even if it was the Arabs and Islam would want it immediately rebuilt. In order to really broker a peace this Temple and Mosque problem has to be settled.
Recently all kinds of Orthodox Jews are buying up East Jerusalem and tunneling and digging. There was a segment concerning this on 60 minutes. Many are also saying the Mosque and Temple can co-exist along side one another. Israel would never give up the temple area and Islam would never give up the Mosque of Omar. The peace process that will be started by the anti christ who will come to power in the west will settle this question.
We are in the times of prophecy. Hold on to your Bible faith and never let it go for some liberal church system that doesn’t preach Jesus Christ according to the Scriptures and revelation. We need twenty-four hour prayer going up in our churches and real praise and worship and Bible teaching
poem by Joseph Narusiewicz
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Essence of essence is the birth of the weaker sex
Essence of essence is the birth of the weaker sex,
For her strength alone can please the mighty hero!
What's the use of this manliness, friend,
When it is of no use to the lord at all?
Essence of essence is the birth of the weaker sex!
A man might attain the ultimate release,
If he sticks to the path of virtue,
But to indulge in the scrumptious joys of pretended anger
And the lord pleading to make up and other such games,
You simply have to be a woman!
Essence of essence is the birth of the weaker sex!
For her strength can please the mighty hero!
Even the gods like Indra and the great sages
Revere the very dust of gopis' feet,
Considering themselves lesser than the gopis
As they find their manhood insipid!
Essence of essence the birth of the weaker sex,
For her strength can please the mighty hero!
Woman, the treasure trove of fortune
Experiences and enjoys all day and night
The very nectar, the Vedas and the Scriptures
Struggle to express!
Essence of essence is the birth of the weaker sex!
Let my dreams come true
My dark one, my lifter of the mountain, life of my life!
For just like the master dragging the meek beast
The leash of love draws Narsinh!
Essence of essence is the birth of the weaker sex,
For her strength can please the mighty hero!
poem by Narsinh Mehta
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An Oak Wood Piano on Kristallnacht
The SS guard hit Zindel Grynszpan on the head and he fell
Into a ditch. Father, he heard the voice of his son, you must
Go on. Zindel took the hand of his son and climbed out of
The trench. With his wife, a son and daughter on his side
They continued the march. But the SS guards did not stop
The savage whipping of the deportees. Blood was flowing
On all sides.
The Grynszpan family were Polish Jews from Hanover.
When the Nazis came to power they became outcasts.
In October 1938 they were expelled from Germany
And deported to Poland in a group of 12,000 Jews.
They were taken by train to the frontier town Neubenschen
And from there on foot to the German-Polish border.
When they reached the border heavy rain started to fall.
The Nazis confiscated their money. They had no food to eat.
Polish officers arrived and began to inspect their papers.
They admitted the refugees with Polish passports,
Housing them in military stables. Old, sick and children
Were herded together in most inhuman conditions.
One of the first things that Zindel did in Poland was to send
A postcard to his seventeen year old son Hirsch in Paris.
When Hirsch Grynszpan read the family’s tribulations
He became furious. His heart was filled with rage and hatred
And he decided to avenge their sufferings. On the morning
Of November 7, Hirsch entered a gunsmith’s shop on rue
Faubourg Saint-Martin and purchased a 6.35 calibre pistol
With a box of 25 bullets, for 235 Francs.
Then he took a ride on the Metro to the Solferino stop
And walked to the German Embassy at 78 rue de Lille.
Hirsch told the receptionist that he has some documents with him.
He was received by Ernst vom Rath, the third secretary.
When the German diplomat closed the door Hirsch pulled out
The gun. “You are a filthy Kraut”, he said, “and in the name of
12,000 persecuted Jews here is the document”. He fired five
Bullets from point blank range at vom Rath. The diplomat died
Two days later of his wounds.
The assassination came as a godsend thing for the Nazis.
Hitler denounced it as part of a global Jewish conspiracy
Against Germany. It became a pretext for the well-orchestrated
Pogrom of Kristallnacht, the night of broken glass.
During the night of November 9-10,1938, in every place
Throughout the Third Reich, Storm Troops attacked Jews
And Jewish institutions.
Hitler’s henchmen burnt down or destroyed in Germany
[...] Read more
poem by Paul Hartal
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0990..... What is Spirituality?
A
True
SPIRITUALITY
is beyond
All Religions
*
SPIRITUALITY
is
Your Connectedness To your
CREATOR (GOD) & EVERYTHING (GOD)
A Meaningful way of Living
An Awakening from Sleep
Understanding Truth
Being at Home
Enlightenment
Togetherness
Happines s
Humor
Bliss
Inner Growth
Affection
Love
THE ESSENCE OF YOUR NATURE
*
Where to Start?
Just begin and it will grow
Things will fall in Place
You need No Gurus
*
Problem is
We have Learnt a Lot
So We have to
UNLEARN A LOT
*
You will Never Miss
Your deepest
DESIRES
*
Ask Questions
Dump Blind Faith
Spirituality is for All
Spirituality is Not for Aged Only
NOTHING TO FEAR ABOUT SPIRITUALITY!
(08-April-2010, Chennai)
poem by Gan Chennai
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The Scripture of the Golden Eternity
1
Did I create that sky? Yes, for, if it was anything other than a conception in my mind I wouldnt have said 'Sky'-That is why I am the golden eternity. There are not two of us here, reader and writer, but one, one golden eternity, One-Which-It-Is, That-Which- Everything-Is.
2
The awakened Buddha to show the way, the chosen Messiah to die in the degradation of sentience, is the golden eternity. One that is what is, the golden eternity, or, God, or, Tathagata-the name. The Named One. The human God. Sentient Godhood. Animate Divine. The Deified One. The Verified One. The Free One. The Liberator. The Still One. The settled One. The Established One. Golden Eternity. All is Well. The Empty One. The Ready One. The Quitter. The Sitter. The Justified One. The Happy One.
3
That sky, if it was anything other than an illusion of my mortal mind I wouldnt have said 'that sky.' Thus I made that sky, I am the golden eternity. I am Mortal Golden Eternity.
4
I was awakened to show the way, chosen to die in the degradation of life, because I am Mortal Golden Eternity.
5
I am the golden eternity in mortal animate form.
6
Strictly speaking, there is no me, because all is emptiness. I am empty, I am non-existent. All is bliss.
7
This truth law has no more reality than the world.
8
You are the golden eternity because there is no me and no you, only one golden eternity.
9
The Realizer. Entertain no imaginations whatever, for the thing is a no-thing. Knowing this then is Human Godhood.
10
This world is the movie of what everything is, it is one movie, made of the same stuff throughout, belonging to nobody, which is what everything is.
11
If we were not all the golden eternity we wouldnt be here. Because we are here we cant help being pure. To tell man to be pure on account of the punishing angel that punishes the bad and the rewarding angel that rewards the good would be like telling the water 'Be Wet'-Never the less, all things depend on supreme reality, which is already established as the record of Karma earned-fate.
12
God is not outside us but is just us, the living and the dead, the never-lived and never-died. That we should learn it only now, is supreme reality, it was written a long time ago in the archives of universal mind, it is already done, there's no more to do.
13
This is the knowledge that sees the golden eternity in all things, which is us, you, me, and which is no longer us, you, me.
14
What name shall we give it which hath no name, the common eternal matter of the mind? If we were to call it essence, some might think it meant perfume, or gold, or honey. It is not even mind. It is not even discussible, groupable into words; it is not even endless, in fact it is not even mysterious or inscrutably inexplicable; it is what is; it is that; it is this. We could easily call the golden eternity 'This.' But 'what's in a name?' asked Shakespeare. The golden eternity by another name would be as sweet. A Tathagata, a God, a Buddha by another name, an Allah, a Sri Krishna, a Coyote, a Brahma, a Mazda, a Messiah, an Amida, an Aremedeia, a Maitreya, a Palalakonuh, 1 2 3 4 5 6 7 8 would be as sweet. The golden eternity is X, the golden eternity is A, the golden eternity is /\, the golden eternity is O, the golden eternity is [ ], the golden eternity is t-h-e-g-o-l-d-e-n-e-t-e-r- n-i-t-y. In the beginning was the word; before the beginning, in the beginningless infinite neverendingness, was the essence. Both the word 'god' and the essence of the word, are emptiness. The form of emptiness which is emptiness having taken the form of form, is what you see and hear and feel right now, and what you taste and smell and think as you read this. Wait awhile, close your eyes, let your breathing stop three seconds or so, listen to the inside silence in the womb of the world, let your hands and nerve-ends drop, re-recognize the bliss you forgot, the emptiness and essence and ecstasy of ever having been and ever to be the golden eternity. This is the lesson you forgot.
15
The lesson was taught long ago in the other world systems that have naturally changed into the empty and awake, and are here now smiling in our smile and scowling in our scowl. It is only like the golden eternity pretending to be smiling and scowling to itself; like a ripple on the smooth ocean of knowing. The fate of humanity is to vanish into the golden eternity, return pouring into its hands which are not hands. The navel shall receive, invert, and take back what'd issued forth; the ring of flesh shall close; the personalities of long dead heroes are blank dirt.
16
The point is we're waiting, not how comfortable we are while waiting. Paleolithic man waited by caves for the realization of why he was there, and hunted; modern men wait in beautified homes and try to forget death and birth. We're waiting for the realization that this is the golden eternity.
17
It came on time.
[...] Read more
poem by Jack Kerouac
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The Restaurant Keeper
In the City of Toronto there was once
a restaurant owned by a man named Imre Finta.
Born in 1912 in Austria-Hungary, Finta spent
his years of youth in my hometown Szeged,
immigrating to Canada after the Second World War.
Settling in Toronto, in 1953 Finta bought
the Candlelight Restaurant but it did not go well,
so he closed it. Then he opened The Moulin Rouge
on Avenue Road at DuPont Street.
The old fashioned Hungarian gentleman greeted
his guests warmly, politely kissing the right hand
of his female patrons.
I had never dined at the Moulin Rouge
but I encountered Finta in a brickyard and
at the railway station of Szeged in the summer
of 1944. At that time I was eight years old
and Finta, aged 32, was a Captain
of the Royal Hungarian Gendarmerie.
He was also a Nazi collaborator who supervised
the deportation of 8,617 Jews to slave labour lagers
and death camps. I was one of them.
A few months earlier, on March 19,1944,
the German Army occupied Hungary
and Adolf Eichmann arrived in Budapest.
His Mission was to implement in Hungary
the “Final Solution”, a Euphemism the Nazis
used to disguise the mass murder of the Jews.
In June 1944, swearing gendarmes pushed
a group of Jewish prisoners from the ersatz ghetto
of Kistelek onto a freight train. My mother,
my three year old sister Vera and I were
among them. We travelled thirty kilometres to
Szeged where the gendarmes led us to
an abandoned brick factory that was turned into
a makeshift concentration camp.
The brickyard camp commandant was
SS captain Angermayer, whom I remember
as a tall and lanky silhouette moving among
the prisoners in a black uniform.
He was assisted by ruthless gendarmes
in cock-feathered hats, armed with
bayoneted rifles and swords,
who terrorized the captives.
Living conditions in the makeshift ghetto
[...] Read more
poem by Paul Hartal
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Virginia's Story
Elizabeth Gates-Wooten is my Grand mom.
She was born in Canada with her father and brothers.
They owned a Barber Shoppe.
I don't remember exactly where in Canada.
I believe it was right over the border like Windsor or Toronto.
I never knew exactly where it was.
When she was old enough she got married.
First, she married a man by the name of Frank Gates.
He was from Madagascar.
He fathered my mom and her brother and sister.
The boy's name was Frank Gates, Jr.
Two girls name were Anna and Agnes.
Agnes was my mother.
Frank Gates went crazy after the war
He drank a lot and died
Then grandma Elizabeth married a man by the name of Mr. Wooten.
He had a German name, but I don't think he was German.
She took his last name after they got married.
Then they moved to West Virginia in the United States.
Their son, Frank Gates Jr. Became a delegate in the democratic party.
He use to get into a lot of trouble because he liked to fight.
He was a delegate from the 1940's to 1970's.
He died of gout in the 1970's.
Anna was a maid and cook.
She baked cakes and stuff for people as a side line.
She had a hump on her back (scoliosis) .
She had to walk with a cane.
She could cook good though.
She did this kind of work all of her life, just like her mom, Elizabeth
They were both good cooks
They had a lot of money because they had these skills
Especially when people had parties.
Because they would make all of this food and then they would have left-overs.
We got to eat a lot of stuff we normally wouldn't get because of that.
When they cooked, they didn't use no measuring stuff, they would just use there hand.
My moms name was Agnes Barrie Gates.
She married James Wright and moved to Cleveland.
[...] Read more
poem by Talile Ali
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Ah late Grandma Is Back
last night late grandma showed her face
on the screen of my mind
perhaps that's her way to say
she had received the merits sent her
from the supplications
at the Mahavira buddhist temple
the temple where new year candles flicker
in little red cuplets filled with oil
through the night on festive occasions
on grandma's face is a spirituality
i had never seen before
she looked a different person
after so many years, she has been to somewhere
and yes she has put on weight
like before not a word was spoken
but who needs words when one's face itself
can tell a story more profound than a thousand words
who needs those lengthy descriptions when a mere look
at a face is able to show us the spirituality of another realm,
and hers tells me the spirituality she has imbibed is thicker
than the one i am in
sure she has been to places all these nine years or so
you know through her ace there is a religion somewhere
governing us all, a spirituality that carries us through
each realm, each day
a God can be seen through the face of those
who have journeyed into eternity
if you have the blessings to have them back to you
for a split second or two, right on the screen of your mind
a spirit keen to share with us the graces they have imbibed
since the day they left, a holiness no words can tell
a face treasured for the all the stories it can tell
without the need of words
poem by John Tiong Chunghoo
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Chanukah And Christmas
(footnote)
2100 years ago a band of Jews defeated the Greek army
And drove them off their land, reclaiming the holy temple
In Jerusalem and rededicating it to the service of god.
when they sought to light the temples menorah
They found only a single cruse of olive oil that
escaped contamination by the Greeks.
Miraculously the one day supply lasted eight days.
The sages instituted the festival of Chanukah
To publicize these miracles.
The Dreidel which is a four sided top with a
Hebrew letter on each side which means
“ a great miracle happened here”
was used later on in the years to give thanks to god
Without the enemy knowing that they were praying.
Chanukah, the Jewish festival of rededication, also known as the festival of lights, is an eight day festival beginning on the 25th day of the Jewish month of Kislev.
Chanukah is probably one of the best known Jewish holidays, not because of any great religious significance, but because of its proximity to Christmas. Many non-Jews (and even many assimilated Jews!) think of this holiday as the Jewish Christmas, adopting many of the Christmas customs, such as elaborate gift-giving and decoration. It is bitterly ironic that this holiday, which has its roots in a revolution against assimilation and suppression of Jewish religion, has become the most assimilated, secular holiday on our calendar.
Christmas and Chanukah are known world wide
But these two faiths do not collide.
They walk hand in hand
For they came out of the promised land.
You see: the son of god was born a Jew
The Romans felt this was taboo.
No other religion could exist
This was controlled by the Romans fist.
JESUS preached in synagogues throughout the lands
Something that the Romans did withstand.
His own people wanted his death
But little did they know
That with this- a new faith would grow.
The cross on which he died became a symbol
Of Christianity, and that’s the way
God meant it to be.
Chanukah is eight days of giving while the Christian
Holiday is just one day, but during these
holidays we all kneel and pray.
We give GOD thanks for all the beauties of the earth
And for family and friends, and it is something
That will never end.
As long as man holds a belief in their hearts
And faith, -then all will be overcome and
Let GODS will be done.
poem by Louis Rams
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The Fall Of The Temple In 70 A.D.!
back across centuries
century after century
to the fall of Jerusalem
in 70AD Josephus says
claims that 1,100,000
Jews died most slain
were peaceful citizens
weak starving unarmed
butchered where caught
heaps of Jewish corpses
mounted higher higher
about God’s own altar
blood in streams flowed
down the Temple's steps
Roman supreme command
passion cruelly unleashed
detestation of Jews rage
overpowering battle lust
in legions now uncontrolled
legions spurred on by
craved fever gold lust
expectation of faith’s loot
observing now everything
around them made of gold
flames consumed
the chambers
that surrounded
the sanctuary
flame burning frenzy
roaring penetrated
the Holy of Holies
the inner sanctum
the Temple is ablaze iron attackers plunderer countless Jewish people
are caught slaughtered there is given no pity
for age sex rank priests laymen women children all alike were butchered every civil class pursued crushed in war’s iron grip
at siege's bile end faceless
masses are slaughtered
cred cried out for mercy
offered resistance makes
no difference to blood lust
far wind wide now streaming flames spread up hill’s height massive temple ablaze signal beacon pyre burning before God’s eye judgement given
[...] Read more
poem by Terence George Craddock
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Junle Law And Refusal To Forgive
When Israelis captured Eichmann and
decided they would put him up for trial
many people thought their conduct vile,
claiming Israel's acts were grossly out of hand.
The Washington Post said this was 'jungle law, '
while William Buckley called on Israel to
forgive its enemies. Arendt, a Jew,
called Hausner 'a Galician who knew
no languages.' No Jews would turn their cheek
towards the enemies not just outside,
but those within, and chose to override
complaints of those who said, 'We must be meek.'
Few understood the shift in paradigm
initiated by the judges, Jews
who were not merely plaintiffs who accuse,
but people justly punishing a crime.
This poem was written fifty years after execution of Adolf Eichmann, at around midnight on 5/31/62.
Franklin Foer, reviewing Deborah Lipstadt's The Eichmann Trial in the NYT,4/8/11 ('Why the Eichmann Trial Really Mattered') wrote:
To write about the trial of Adolf Eichmann is to put its most notorious court reporter, Hannah Arendt, in the dock. In the nearly 50 years since its publication, her account of those proceedings, 'Eichmann in Jerusalem, ' has come to overshadow its subject. The book, it is true, commands attention. It is a breathtaking admixture of genres (history, philosophy, journalism) and contains strong, often unconventional, moral judgments (especially her contempt for the Jewish leaders who cooperated with their murderers) . It aims to render grand historical conclusions but remains unintentionally and inescapably personal.
'The Eichmann Trial, ' by Deborah E. Lipstadt, can't entirely avoid Arendt, but it does manage to keep her largely offstage until the very end. Lipstadt has done a great service by untethering the trial from Arendt's polarizing presence, recovering the event as a gripping legal drama, as well as a hinge moment in Israel's history and in the world's delayed awakening to the magnitude of the Holocaust.
Aside from Eichmann's trial, in 1961, the Holocaust has been the subject of at least two other memorable legal battles. The first, of course, was the Nuremberg tribunals — proceedings that occurred amid the ruins of war and concentrated on the crimes of the Nazis, giving little voice to the still dazed survivors of the genocide. The second featured none other than Lipstadt herself. In 2000, she found herself the defendant in a British libel suit unsuccessfully brought by the writer David Irving, who protested her characterization of him as a Holocaust denier. This experience has made her a sensitive guide to the awkward complexities of squeezing the crimes of the Holocaust into the constricting confines of the courthouse.
The book begins with the daughter of an Argentine man dating the son of a German refugee. The Argentine man was himself German-born and half Jewish. Many fathers expect the worst from the boys their daughters bring home — but the man's suspicions about this one's family grew thanks to the boy's obvious anti-Semitism and his evasive answers to basic biographical questions. The man began to assume the worst and outlined his fears in a letter to a German prosecutor who happened to be Jewish. The prosecutor enlisted the man and his daughter in a stealth operation, and in the course of her snooping, the possibility arose that she was stalking Adolf Eichmann. When her father reported this astonishing finding to the prosecutor, he forwarded the tip to the Mossad, Israel's intelligence agency.
The Mossad wasn't initially enthusiastic. But once it grasped the importance of its target, it unleashed a risky kidnapping scheme, what Lipstadt describes as the prototype of the brash, clever operations that are the foundation of the Mossad's mythic reputation. The Israelis drugged Eichmann and dressed him as an El Al crewman to get him past the Argentine authorities.
Much of Western opinion, Lipstadt reminds us, was not pleased. Argentina demanded Eichmann's repatriation, and the American establishment agreed. The Washington Post editorial page condemned Israel's 'jungle law'; The Christian Science Monitor equated Israel's claims to those of the Nazis. William F. Buckley Jr. said the kidnapping was symptomatic of the Jewish 'refusal to forgive.' Even the American Jewish Committee asked the Israeli prime minister, David Ben-Gurion, to cede the prosecution to Germany or an international tribunal. But these challenges only made Ben-Gurion a more vociferous champion of the trial.
A principal villain of Arendt's book is Gideon Hausner, who had recently been installed as attorney general and who assigned himself the first chair in the prosecution. He was a strange choice for the job. There was little in his background as a commercial lawyer that suggested he had the courtroom skills to battle a cunning defendant, which Eichmann turned out to be. Indeed, Arendt accused Hausner of being more of a demagogic politician than a rule-abiding barrister. She disparaged his emotionalism and his aggressive effort to pin every crime of Nazi Germany on Eichmann. In one of her less-than-¬attractive letters from the trial, Arendt accused Hausner of having a 'ghetto mentality' and of being a 'typical Galician Jew,... one of those people who don't know any language.'…
It is always bracing to recall the world in which the Eichmann trial was held — where the slaughter was largely unacknowledged (and even unknown) . That's why Ben-Gurion and Hausner were spectacularly right to exploit the Eichmann prosecution for pedagogical purposes. They forced the Nazi genocide onto the front pages of the world's newspapers. Nearly 20 years after the fact, the Holocaust finally began to find a place in the public consciousness that reflected the size of the atrocity. (Indeed, the trial was largely responsible for making 'Holocaust' the universal term for the genocide.) Critics of the trial insinuated that the Israelis were somehow transgressing the bounds of fairness and justice by pressing these larger points. But Ben-Gurion and Hausner served precisely these goals by giving a voice to Eichmann's victims.
6/1/12 #10380
poem by Gershon Hepner
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They Fought with their Bare Hands
To Mordecai Anielewicz (1919-1943)
Facing formidable forces,
Supported with tanks and artillery,
You knew that there was no way to win.
Nevertheless, you decided to fight,
Not for victory, but for Jewish honour.
So, one day in the spring of 1943,
You were 24 years old then,
The Zionist banner was hoisted
Over the Warsaw Ghetto wall,
Along with the Polish flag.
The SS troops preferred to use
Artillery fire, flamethrowers
And gas, or to blast the houses
By dynamite squads, rather than engage
In direct street fighting with untrained
And poorly armed young Jewish men
And women.
And soon the whole ghetto was aflame.
The news about the uprising spread in the world.
Broadcasts by the Underground Polish radio SWIT
Operating out of Warsaw were picked up,
As far as Sweden. The radio said that women
And children are defending themselves
With their bare hands.
The uprising galvanized resistance movements
Throughout Nazi occupied Europe. It was on May 8,
After three weeks of Combat, that you threw
Your last grenade from the bunker on 19 Mila Street
And fell together with your beloved bride Mira.
But, as you said, you realized your dream,
Because you had lived to see Jewish resistance
In its heroic greatness and resplendent glory.
You had stood up to the brutal Nazi empire
Of Adolf Hitler.
In spite of all his Military might,
The Fuehrer failed to drag you away to
Treblinka and you died as a free human being.
The Warsaw Ghetto Uprising
Transformed Jewish submission to resistance.
You helped to turn hopelessness to resolve,
Despair to vigour, degradation to courage.
[...] Read more
poem by Paul Hartal
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Fra Pedro
Golden lights and lengthening shadows,
Flings the splendid sun declining,
O'er the monastery garden
Rich in flower, fruit and foliage.
Through the avenue of nut trees,
Pace two grave and ghostly friars,
Snowy white their gowns and girdles,
Black as night their cowls and mantles.
Lithe and ferret-eyed the younger,
Black his scapular denoting
A lay brother; his companion
Large, imperious, towers above him.
'T is the abbot, great Fra Pedro,
Famous through all Saragossa
For his quenchless zeal in crushing
Heresy amidst his townfolk.
Handsome still with hood and tonsure,
E'en as when the boy Pedrillo,
Insolent with youth and beauty,
Who reviled the gentle Rabbi.
Lo, the level sun strikes sparkles
From his dark eyes brightly flashing.
Stern his voice: 'These too shall perish.
I have vowed extermination.
'Tell not me of skill or virtue,
Filial love or woman's beauty-
Jews are Jews, as serpents serpents,
In themselves abomination.'
Earnestly the other pleaded,
'If my zeal, thrice reverend master,
E'er afforded thee assistance,
Serving thee as flesh serves spirit,
'Hounding, scourging, flaying, burning,
Casting into chains or exile,
At thy bidding these vile wretches,
Hear and heed me now, my master.
'These be nowise like their brethren,
Ben Jehudah is accounted
Saragossa's first physician,
Loved by colleague as by patient.
[...] Read more
poem by Emma Lazarus
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Folk Singer's Blues
Well, I'd like to sing a song about the chain gang
And swingin' twelve pound hammers all the day,
And how a I'd like to kill my captain
And how a black man works his life away, but...
What do you do if you're young and white and Jewish?
And you've never swung a hammer against a spike?
And you've never called a water boy
Early in the morning
And your only chain is the chain that's on your bike? Yes,
Your only chain is the chain on your bike.
Now I'd like to go a-walkin up the highway
Feelin' cold and wet and hungry all night long,
Doin' some hard ramblin', hard gamblin', hard smamblin', hard blamblin'
But always takin' time to write a song. But...
What do you do if you're young and white and Jewish?
And you never heard an old freight whistle blow?
And you've never slept the night
In a cold and empty box car
And you take a subway everywhere you go? Oh, oh...
You take the subway everywhere you go.
Now I'd like to sing a song about the coal mine
A-chippin' away in tunnel 22
And when I hear that timber crack, why I support it with my back
Until my comrades all crawl safely through, but...
What do you do if you're young and white and Jewish?
And you've got to be in class at half-past nine
And in spite of all your urgin', and your pleadin' and your cryin'
Your mother says it's too dirty down in a mine, That what she says,
Your mother says it's too dirty down in a mine.
Well now, I'd like to sing about the Mississippi,
Workin' on the levee all the day
And when them cotton bolls get rotten
You got a lotta rotten cotton
And on Saturday you go and spend your pay, but
What do you do if you're young and white and Jewish?
And you've never loaded cotton on the dock?
And you've never worked a day
Or drunk up all your pay
And the only levee you know is the Levy who lives on the block, Yes
The only levee you know is the Levy who lives on the block.
poem by Sheldon Allan Silverstein
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I Looked Out at Life with Holocaust Eyes
I looked out at life with Holocaust eyes
And what better did I know that I had been
looking through the lens of guilt and affliction,
Seeing life amiss and askew through my Holocaust guilt,
This fatal flaw was burning in my eyes
and how it lay siege to my Jewish heart,
A Greek tragedy in the making all of these years,
The guilt rose from deeply sealed vaults
inside my Jewish eyes and heart,
I could not help but see life through my Holocaust eyes,
Until these Holocaust pangs smoldered and burned
its acrid smoke in my eye sockets,
I peeled away its painful gauze and ace bandages,
My eyes had once lamented over the Holocaust afflictions,
But now I could see with clarion eyes and feel anew
with my Jewish heart by virtue of Holocaust healing balm,
As it clarified the lens, fluid and muscles of my eyes,
And now this healing balm paved a shimmering path within me,
For my Jewish heart to emerge and then shine its splendor
outwards on straight and forward path of life.
poem by Alan Freshman
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Bullets And Kisses
My bullets are kisses.
Let me send them to everyone of you.
Let them poison the very essence of your soul.
Let me claim another victim.
Let me dig another grave of the forgotten.
Memories dead, stale, and rotten.
Heat seeking missile are only sent destroy.
Man less drones are deployed.
Books to a religion burned.
Peace will be destroyed.
It is impossible to avoid.
Unrest on steroids.
My bullets are kisses.
Let me send them to everyone of you.
Let them poison the very essence of your soul.
Let me claim another victim.
Let me dig another grave of the forgotten.
Memories dead, stale, and rotten.
You want to trust and be trusted.
But you have no understanding of a culture.
You disrespect it everyday.
You create martyrs by your mistakes.
With every action you make it just escalates.
Fear spreads like fire in a very drought ridden forest.
Let me ask you how do you plan on exactly putting out?
My bullets are kisses.
Let me send them to everyone of you.
Let them poison the very essence of your soul.
Let me claim another victim.
Let me dig another grave of the forgotten.
Memories dead, stale, and rotten.
You must get out.
It was never your responsibility.
We are not the divinity.
We are not here to save you.
With so much blood on our hands how can we still be wearing that cape?
Do we not understand what is at stake?
We just continue to create pure hate.
My bullets are kisses.
Let me send them to everyone of you.
Let them poison the very essence of your soul.
Let me claim another victim.
Let me dig another grave of the forgotten.
Memories dead, stale, and rotten.
[...] Read more
poem by Ace Of Black Hearts
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Essence
Rain from the sky,
Mixes with cloudy emotion,
Lingering behind my eyes-
A foggy recollection is given to ask,
Where before have I seen this day,
From my discordant past-
Perhaps a mountain top, or a canyon floor,
Somehow I feel this day I know,
From somewhere far before-
These mystic memories cryptically contain,
Timeless pictures of hope,
Displayed within eternities ever expanding frame-
Unsettled becomes my heart,
By this essence of thought,
Wondering if in it all am I merely watching, or actually taking part-
Is it now, or is it then,
Am I going,
Or have I already been-
There is an essence of great life so present,
Blended into each moment,
And even every living breath-
It crosses the boundaries of time,
Connecting so many hearts, souls,
And minds-
How can it be found,
Deciphered, decoded,
Understood and known-
A great and wonderful mystery,
Alluring, calling, and saving,
Through all humanity-
Capricious consternations on this, such a dark day,
Glow with the essence of the unexplainable,
Yet, shine a beautiful light to guide, along the way-
Holy is this Essence burning into the heart,
The Essence of eternity spread throughout all time,
Bringing all together at the finish, as it was at the start-
Essence bids: all come,
And find, where you are going,
[...] Read more
poem by Smoky Hoss
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Unless And Until You Have Grasped The Essence Of The Self
Unless and until you have grasped the essence of the Self
Vain are all your efforts and like unseasonal rains,
You have wasted your human birth.
So what if you have taken a holy bath
Or offered twilight prayers and worship?
So what if you have stayed at home and given alms?
So what if you keep matted locks and smear ashes?
So what if you have plucked hair on your head?
Unless and until you have grasped the essence of the Self
Vain are all your efforts and like unseasonal rains,
You have wasted your human birth.
So what if you indulge in recitation, penance or go on a pilgrimage?
So what if you count beads and chant the holy name
So what if you put on at il ak or worship Tulsi?
So what if you drink the water of Ganga?
Unless and until you have grasped the essence of the Self
Vain are all your efforts and like unseasonal rains,
You have wasted your human birth.
So what if you speak of theVedas or grammar?
So what if you enjoy yourself and have a good time?
So what if you have grasped the distinctions
Between the six systems of philosophy?
So what if you have adhered to the distinction of caste?
Unless and until you have grasped the essence of the Self
Vain are all your efforts and like unseasonal rains,
You have wasted your human birth.
All these are worldly pursuits for filling one's belly
Until you have seen the absolutebr ahman.
Says Narsinh, without beholding the Essence
One wastes his birth precious asChi nt amani Jewel.
Unless and until you have grasped the essence of the Self
Vain are all your efforts and like unseasonal rains,
You have wasted your human birth.
poem by Narsinh Mehta
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