You and I will meet again, When we're least expecting it, One day in some far off place, I will recognize your face, I won't say goodbye my friend, For you and I will meet again.
quote by Tom Petty
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Related quotes
VI. Giuseppe Caponsacchi
Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,
[...] Read more
poem by Robert Browning from The Ring and the Book
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Never Say Goodbye
Never say goodbye,
Never say goodbye,
You say tomorrow's another day,
All i know is we're here today.
I've got nightmares i could never share with you,
The kind that keeps me up all night.
So hold me tight till the room is light
And tell me that it's all right.
(oh-oh-oh-oh-oh - oh-oh-oh)
Never say goodbye,
Never say goodbye,
We may go our separate ways some day,
But we know we shared our dreams today.
I've got nightmares i would never wish on you,
The kind that keeps me down all day.
So hold me tight till the sky is light
And tell me that it's all right.
(oh-oh-oh-oh-oh - oh-oh-oh)
Never say goodbye,
Never say goodbye.
Yoko!!
(it's getting light)
Mummy, mummy.
(oh-oh-oh-oh-oh - oh-oh-oh)
Never say goodbye,
Never say goodbye,
Never say goodbye,
(never say) goodbye,
Never say goodbye,
(never say) goodbye,
Never say goodbye,
(never say) goodbye,
Never say goodbye,
(never say) goodbye,
Never say goodbye,
(never say) goodbye,
Never say goodbye,
(never say) goodbye,
Never say goodbye,
(never say) goodbye,
Never say goodbye,
(never say) goodbye,
Never say goodbye,
(never say) goodbye,
Never say goodbye,
(never say) goodbye,
Never say goodbye,
(never say) goodbye,
Never say goodbye,
(never)
song performed by Yoko Ono
Added by Lucian Velea
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Never Say Goodbye
Never say goodbye,
Never say goodbye,
You say tomorrow's another day,
All i know is we're here today.
I've got nightmares i could never share with you,
The kind that keeps me up all night.
So hold me tight till the room is light
And tell me that it's all right.
(oh-oh-oh-oh-oh - oh-oh-oh)
Never say goodbye,
Never say goodbye,
We may go our separate ways some day,
But we know we shared our dreams today.
I've got nightmares i would never wish on you,
The kind that keeps me down all day.
So hold me tight till the sky is light
And tell me that it's all right.
(oh-oh-oh-oh-oh - oh-oh-oh)
Never say goodbye,
Never say goodbye.
Yoko!!
(it's getting light)
Mummy, mummy.
(oh-oh-oh-oh-oh - oh-oh-oh)
Never say goodbye,
Never say goodbye,
Never say goodbye,
(never say) goodbye,
Never say goodbye,
(never say) goodbye,
Never say goodbye,
(never say) goodbye,
Never say goodbye,
(never say) goodbye,
Never say goodbye,
(never say) goodbye,
Never say goodbye,
(never say) goodbye,
Never say goodbye,
(never say) goodbye,
Never say goodbye,
(never say) goodbye,
Never say goodbye,
(never say) goodbye,
Never say goodbye,
(never say) goodbye,
Never say goodbye,
(never say) goodbye,
Never say goodbye,
(never)
song performed by Yoko Ono
Added by Lucian Velea
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ACT: Goodbye
Girl: Goodbye
I always want to say it in front of you
Goodbye
And there would be no more “I love you”
Goodbye
But why though I really meant to
The pain is still haunting my soul
Guy: Goodbye
You don’t know there’s a mystery inside
Goodbye
You are a fool to quickly decide
Goodbye
When you say something you don’t want to
It will affect you most with regret
Girl: Goodbye means leaving
Guy: Goodbye means nothing
Girl: Goodbye means releasing
Guy: Goodbye means waiting
Girl: And will you forget me after
Guy: Or will I love you forever
Girl: And how if I miss you in the lonely night
Guy: I will torture you to see my face
Girl: It’s over!
Guy: Not yet
Girl: Why are you so stubborn?
Guy: Because you make it complicated
Girl: But there’s no future for us
Guy: There’s always a hope
Girl: Goodbye
I will definitely cry
Goodbye
But the tears are not going to show
Goodbye
I don’t ask to be forgiven
Because I’m the one who put this misery
Guy: Goodbye
You can’t beat me with just that
Goodbye
Don’t judge me because I have the power of
Goodbye
Though I let my beloved go
Someday I’ll bring you to my arm again
Girl: Goodbye means separate
[...] Read more
poem by Maria Sudibyo
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Goodbuy (Paul McCartney)
Please don't wake me up too late.
Tomorrow comes and I will not be late.
Late today when it becomes
Tomorrow I
Will leave and go away.
Goodbye. Goodbye.
Goodbye. Goodbye.
Goodbye. Goodbye.
My love, goodbye.
Songs that linger on my lips
Excite me now and linger on my mind.
Leave your flowers at my door;
I leave them for
The one who waits behind.
Goodbye. Goodbye.
Goodbye. Goodbye.
Goodbye. Goodbye.
My love, goodbye.
(ad lib)
Goodbye. Goodbye.
Goodbye. Goodbye.
Goodbye. Goodbye.
My love, goodbye.
Far away my lover sings
A lonely song and calls me to his side
Where the sound of lonely drums
Invited me on.
I must be by his side.
Goodbye. Goodbye.
Goodbye. Goodbye.
Goodbye. Goodbye.
My love, goodbye.
Goodbye.
Ah, ha, ha, hi.
Goodbye
song performed by Beatles
Added by Lucian Velea
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Never Can Say Goodbye
I never can say goodbye
No, no, no i, I never can say goodbye
Every time I think Ive had enough
And start heading for the door
Theres a very strange vibration
Kissing me right to the core or pericing me right to the core
It says turn around you fool,
You know you love him more
And more
Tell me why is it so?
Dont wanna let you go
I never can say goodbye boy
Ooh ooh baby I never can say goodbye
No no no no no no
Ooh hey I never can say goodbye, boy
Ooh ooh baby
I never can say goodbye
[no no no no no no] hey
I never can say goodbye [never say goodbye, boy]
Oh no, no, no i, I never can say goodbye
[never say goodbye, boy]
I keep thinking that our problems soon are all gonna work
Out
But theres that same unhappy feeling,
Theres that anguish, theres that doubt
Its that same old dizzy hangup
I cant do with you or without or youve had with you all your life
Tell me why is it so? I dont wanna let you go
I never can say goodbye boy, ooh baby
I never can say goodbye, no no no no no no
Hey I never can say goodbye boy,ooh baby
I never can say goodbye, no no no no no no
I never can say goodbye, boy,
I never can say goodbye, no no no no no no
I never can say goodbye, boy
I never can say goodbye, no no no no no no
[never can say goodbye, boy]
[never can say goodbye, boy]
I never can say goodbye, boy
I never can say goodbye, no no no no no no
I never can say goodbye, boy
I never can say goodbye, no no no no no no
Ooh ooh ooh hey I never can say goodbye, boy
No no no baby hey never can say goodbye
No no no no please, dont make me say goodbye
Hey I will never say goodbye, no baby
Oh please dont leave me, no no no no
Hey oh I cant say goodbye, boy
No no no baby
Oh please dont oooh, baby
song performed by Gloria Gaynor
Added by Lucian Velea
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Goodbye-goodbye
Oh, I know something
About the ways of loving
And I tell you, baby,
That somethings wrong
Look to the sky above and the mud below
Something drives me crazy, got to got to get away
Goodbye, goodbye, goodbye, goodbye
Goodbye, goodbye, goodbye!
Without a doubt, Im telling you Im burnt out
My tank is running on empty for far too long
Woah! I need fuel cause Im getting so low
Something drives me crazy, got to, got to get away
Goodbye, goodbye, goodbye, goodbye
Goodbye, goodbye, goodbye!
I need fuel, just the kind you give me
Makes me feel so bad
Goodbye, goodbye, goodbye, goodbye
Goodbye, goodbye, goodbye!
I cant believe
Im still around
Its getting kinda late
Gonna leave
For a change of scenery
Im going crazy
Its not the same
Since youve been around
Im crazy, so crazy
You treat me like a dirty clown
Youre always kickin my dog around
I never get nothin but constant abuse from you
You couldnt care less what I think, or my point of view
Youre always puttin the make on my friends, always giving
Them eyes and the dirty lies bout me and you, well im
Through, its the end of the line for you babe, heres a
Ticket one way cincinnati, Im sendin you home to your ma
And your daddy, so dont try to call me, youll only be wastin your
Time!
Oh, I know something
About the ways of loving
And I tell you, baby,
That somethings wrong
Look to the sky above and the mud below
Something drives me crazy, got to got to get away
Goodbye, goodbye, goodbye, goodbye
Goodbye, goodbye, goodbye!
song performed by Oingo Boingo
Added by Lucian Velea
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Prince Hohenstiel-Schwangau, Saviour of Society
Epigraph
Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.
I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.
You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:
[...] Read more
poem by Robert Browning (1871)
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VII. Pompilia
I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.
All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.
Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—
[...] Read more
poem by Robert Browning from The Ring and the Book
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Tale XVI
THE CONFIDANT.
Anna was young and lovely--in her eye
The glance of beauty, in her cheek the dye:
Her shape was slender, and her features small,
But graceful, easy, unaffected all:
The liveliest tints her youthful face disclosed;
There beauty sparkled, and there health reposed;
For the pure blood that flush'd that rosy cheek
Spoke what the heart forbade the tongue to speak,
And told the feelings of that heart as well,
Nay, with more candour than the tongue could tell.
Though this fair lass had with the wealthy dwelt,
Yet like the damsel of the cot she felt;
And, at the distant hint or dark surmise,
The blood into the mantling cheek would rise.
Now Anna's station frequent terrors wrought,
In one whose looks were with such meaning fraught,
For on a Lady, as an humble friend,
It was her painful office to attend.
Her duties here were of the usual kind -
And some the body harass'd, some the mind:
Billets she wrote, and tender stories read,
To make the Lady sleepy in her bed;
She play'd at whist, but with inferior skill,
And heard the summons as a call to drill;
Music was ever pleasant till she play'd
At a request that no request convey'd;
The Lady's tales with anxious looks she heard,
For she must witness what her Friend averr'd;
The Lady's taste she must in all approve,
Hate whom she hated, whom she lov'd must love;
These, with the various duties of her place,
With care she studied, and perform'd with grace:
She veil'd her troubles in a mask of ease,
And show'd her pleasure was a power to please.
Such were the damsel's duties: she was poor -
Above a servant, but with service more:
Men on her face with careless freedom gaz'd,
Nor thought how painful was the glow they raised.
A wealthy few to gain her favour tried,
But not the favour of a grateful bride;
They spoke their purpose with an easy air,
That shamed and frighten'd the dependent fair;
Past time she view'd, the passing time to cheat,
But nothing found to make the present sweet:
With pensive soul she read life's future page,
And saw dependent, poor, repining age.
But who shall dare t'assert what years may
[...] Read more
poem by George Crabbe
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Hello, Goodbye
You say yes, i say no.
You say stop and i say go go go, oh no.
You say goodbye and i say hello
Hello hello
I don't know why you say goodbye, i say hello
Hello hello
I don't know why you say goodbye, i say hello.
I say high, you say low.
You say why and i say i don't know, oh no.
You say goodbye and i say hello
Hello goodbye hello goodbye hello hello
Hello goodbye i don't know why you say goodbye, i say hello
Hello goodbye hello goodbye hello hello
Hello goodbye i don't know why you say goodbye
Hello goodbye i say goodbye.
Why why why why why why do you say goodbye goodbye, oh no?
You say goodbye and i say hello
Hello hello
I don't know why you say goodbye, i say hello
Hello hello
I don't know why you say goodbye, i say hello.
You say yes i say yes i say no but i may mean no.
You say stop i can stay and i say go go go till it's time to go oh, oh no.
You say goodbye and i say hello
Hello hello
I don't know why you say goodbye, i say hello
Hello hello
I don't know why you say goodbye, i say goodbye
Hello hello
I don't know why you say goodbye, i say hello hello.
Hela heba helloa cha cha, hela...
song performed by Beatles
Added by Lucian Velea
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V. Count Guido Franceschini
Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!
[...] Read more
poem by Robert Browning from The Ring and the Book
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III. The Other Half-Rome
Another day that finds her living yet,
Little Pompilia, with the patient brow
And lamentable smile on those poor lips,
And, under the white hospital-array,
A flower-like body, to frighten at a bruise
You'd think, yet now, stabbed through and through again,
Alive i' the ruins. 'T is a miracle.
It seems that, when her husband struck her first,
She prayed Madonna just that she might live
So long as to confess and be absolved;
And whether it was that, all her sad life long
Never before successful in a prayer,
This prayer rose with authority too dread,—
Or whether, because earth was hell to her,
By compensation, when the blackness broke
She got one glimpse of quiet and the cool blue,
To show her for a moment such things were,—
Or else,—as the Augustinian Brother thinks,
The friar who took confession from her lip,—
When a probationary soul that moved
From nobleness to nobleness, as she,
Over the rough way of the world, succumbs,
Bloodies its last thorn with unflinching foot,
The angels love to do their work betimes,
Staunch some wounds here nor leave so much for God.
Who knows? However it be, confessed, absolved,
She lies, with overplus of life beside
To speak and right herself from first to last,
Right the friend also, lamb-pure, lion-brave,
Care for the boy's concerns, to save the son
From the sire, her two-weeks' infant orphaned thus,
And—with best smile of all reserved for him—
Pardon that sire and husband from the heart.
A miracle, so tell your Molinists!
There she lies in the long white lazar-house.
Rome has besieged, these two days, never doubt,
Saint Anna's where she waits her death, to hear
Though but the chink o' the bell, turn o' the hinge
When the reluctant wicket opes at last,
Lets in, on now this and now that pretence,
Too many by half,—complain the men of art,—
For a patient in such plight. The lawyers first
Paid the due visit—justice must be done;
They took her witness, why the murder was.
Then the priests followed properly,—a soul
To shrive; 't was Brother Celestine's own right,
The same who noises thus her gifts abroad.
But many more, who found they were old friends,
Pushed in to have their stare and take their talk
[...] Read more
poem by Robert Browning from The Ring and the Book
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II. Half-Rome
What, you, Sir, come too? (Just the man I'd meet.)
Be ruled by me and have a care o' the crowd:
This way, while fresh folk go and get their gaze:
I'll tell you like a book and save your shins.
Fie, what a roaring day we've had! Whose fault?
Lorenzo in Lucina,—here's a church
To hold a crowd at need, accommodate
All comers from the Corso! If this crush
Make not its priests ashamed of what they show
For temple-room, don't prick them to draw purse
And down with bricks and mortar, eke us out
The beggarly transept with its bit of apse
Into a decent space for Christian ease,
Why, to-day's lucky pearl is cast to swine.
Listen and estimate the luck they've had!
(The right man, and I hold him.)
Sir, do you see,
They laid both bodies in the church, this morn
The first thing, on the chancel two steps up,
Behind the little marble balustrade;
Disposed them, Pietro the old murdered fool
To the right of the altar, and his wretched wife
On the other side. In trying to count stabs,
People supposed Violante showed the most,
Till somebody explained us that mistake;
His wounds had been dealt out indifferent where,
But she took all her stabbings in the face,
Since punished thus solely for honour's sake,
Honoris causâ, that's the proper term.
A delicacy there is, our gallants hold,
When you avenge your honour and only then,
That you disfigure the subject, fray the face,
Not just take life and end, in clownish guise.
It was Violante gave the first offence,
Got therefore the conspicuous punishment:
While Pietro, who helped merely, his mere death
Answered the purpose, so his face went free.
We fancied even, free as you please, that face
Showed itself still intolerably wronged;
Was wrinkled over with resentment yet,
Nor calm at all, as murdered faces use,
Once the worst ended: an indignant air
O' the head there was—'t is said the body turned
Round and away, rolled from Violante's side
Where they had laid it loving-husband-like.
If so, if corpses can be sensitive,
Why did not he roll right down altar-step,
Roll on through nave, roll fairly out of church,
Deprive Lorenzo of the spectacle,
[...] Read more
poem by Robert Browning from The Ring and the Book
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Pig Heaven
A floating frenzy covered in weeds hes a house of power send that boy to heaven---tie them all down in the field they wander and decay a mass of flesh go fade away invisible rythyms they rip ac
A pale face engines start a cranking black sheep race-- goodbye--goodbye--goodbye--goodbye--the only good one is a dead one the only good one is a dead one--its a silent night when the shotgun starts to wave but as always in the end theres nothing to really save eyes that dont see beyond the pain they run so grab a neon jesus and have some fun---goodbye---goodbye---goodbye---goodbye---that girl she try but she cannot help it big jane sex walk in a frozen game call it what you will but pig is its name now where did it all begin screeching my reflection pro jection strip highway crying for rejection goodbye---goodbye---goodbye---goodbye---what it is from that day he was one as one dead - I was told to let the truth be known blackmail angels on tobacco road innocent bitch queen run to dance alley now she hang s lo
Ose figurehead valley---goodbye---goodbye---goodbye---goodbye---one more time treasure the world its all there is what a waste now tie them all down in the field they wander and decay a mass of flesh go fade away invisible rythyms they rip across a p ale-face engines start a cranking black sheep race - goodbye---goodbye---goodbye---goodbye---one stop get on board its time - pig heaven.
song performed by Rob Zombie
Added by Lucian Velea
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Too Blind To Recognize
Too blind to recognize.
No one really knew,
Who they saw on a regular basis.
And this was not encouraged,
To be expected to accept.
Yet discussing other people,
Was what they did best.
Too blind to recognize.
Too blind to recognize.
Disrespecting was all they knew.
And this they did with a full effect.
No one knew who did what.
Or who had experiences to share,
That would provide benefits all would get.
So no one saw to see to receive opportunities,
They would meet but too blind to recognize.
Too blind to recognize,
Gifts given as a prize!
Gifts given they should pride.
Too blind to recognize,
Gifts given as a prize!
Gifts given they should pride.
Just too blind to recognize.
Just too blind to recognize.
Just too blind to recognize...
Gifts given as a prize!
Gifts given they should pride.
Too blind to recognize.
Just too blind to recognize.
Too blind to recognize.
Just too blind to recognize...
Gifts given as a prize!
Gifts given they should pride.
Too blind to recognize.
poem by Lawrence S. Pertillar
Added by Poetry Lover
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Lancelot And Elaine
Elaine the fair, Elaine the loveable,
Elaine, the lily maid of Astolat,
High in her chamber up a tower to the east
Guarded the sacred shield of Lancelot;
Which first she placed where the morning's earliest ray
Might strike it, and awake her with the gleam;
Then fearing rust or soilure fashioned for it
A case of silk, and braided thereupon
All the devices blazoned on the shield
In their own tinct, and added, of her wit,
A border fantasy of branch and flower,
And yellow-throated nestling in the nest.
Nor rested thus content, but day by day,
Leaving her household and good father, climbed
That eastern tower, and entering barred her door,
Stript off the case, and read the naked shield,
Now guessed a hidden meaning in his arms,
Now made a pretty history to herself
Of every dint a sword had beaten in it,
And every scratch a lance had made upon it,
Conjecturing when and where: this cut is fresh;
That ten years back; this dealt him at Caerlyle;
That at Caerleon; this at Camelot:
And ah God's mercy, what a stroke was there!
And here a thrust that might have killed, but God
Broke the strong lance, and rolled his enemy down,
And saved him: so she lived in fantasy.
How came the lily maid by that good shield
Of Lancelot, she that knew not even his name?
He left it with her, when he rode to tilt
For the great diamond in the diamond jousts,
Which Arthur had ordained, and by that name
Had named them, since a diamond was the prize.
For Arthur, long before they crowned him King,
Roving the trackless realms of Lyonnesse,
Had found a glen, gray boulder and black tarn.
A horror lived about the tarn, and clave
Like its own mists to all the mountain side:
For here two brothers, one a king, had met
And fought together; but their names were lost;
And each had slain his brother at a blow;
And down they fell and made the glen abhorred:
And there they lay till all their bones were bleached,
And lichened into colour with the crags:
And he, that once was king, had on a crown
Of diamonds, one in front, and four aside.
And Arthur came, and labouring up the pass,
All in a misty moonshine, unawares
[...] Read more
poem by Alfred Lord Tennyson
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Three Women
My love is young, so young;
Young is her cheek, and her throat,
And life is a song to be sung
With love the word for each note.
Young is her cheek and her throat;
Her eyes have the smile o' May.
And love is the word for each note
In the song of my life to-day.
Her eyes have the smile o' May;
Her heart is the heart of a dove,
And the song of my life to-day
Is love, beautiful love.
Her heart is the heart of a dove,
Ah, would it but fly to my breast
Where love, beautiful love,
Has made it a downy nest.
Ah, would she but fly to my breast,
My love who is young, so young;
I have made her a downy nest
And life is a song to be sung.
1
I.
A dull little station, a man with the eye
Of a dreamer; a bevy of girls moving by;
A swift moving train and a hot Summer sun,
The curtain goes up, and our play is begun.
The drama of passion, of sorrow, of strife,
Which always is billed for the theatre Life.
It runs on forever, from year unto year,
With scarcely a change when new actors appear.
It is old as the world is-far older in truth,
For the world is a crude little planet of youth.
And back in the eras before it was formed,
The passions of hearts through the Universe stormed.
Maurice Somerville passed the cluster of girls
Who twisted their ribbons and fluttered their curls
In vain to attract him; his mind it was plain
Was wholly intent on the incoming train.
That great one eyed monster puffed out its black breath,
Shrieked, snorted and hissed, like a thing bent on death,
[...] Read more
poem by Ella Wheeler Wilcox
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Sixth Book
THE English have a scornful insular way
Of calling the French light. The levity
Is in the judgment only, which yet stands;
For say a foolish thing but oft enough,
(And here's the secret of a hundred creeds,–
Men get opinions as boys learn to spell,
By re-iteration chiefly) the same thing
Shall pass at least for absolutely wise,
And not with fools exclusively. And so,
We say the French are light, as if we said
The cat mews, or the milch-cow gives us milk:
Say rather, cats are milked, and milch cows mew,
For what is lightness but inconsequence,
Vague fluctuation 'twixt effect and cause,
Compelled by neither? Is a bullet light,
That dashes from the gun-mouth, while the eye
Winks, and the heart beats one, to flatten itself
To a wafer on the white speck on a wall
A hundred paces off? Even so direct,
So sternly undivertible of aim,
Is this French people.
All idealists
Too absolute and earnest, with them all
The idea of a knife cuts real flesh;
And still, devouring the safe interval
Which Nature placed between the thought and act,
They threaten conflagration to the world
And rush with most unscrupulous logic on
Impossible practice. Set your orators
To blow upon them with loud windy mouths
Through watchword phrases, jest or sentiment,
Which drive our burley brutal English mobs
Like so much chaff, whichever way they blow,–
This light French people will not thus be driven.
They turn indeed; but then they turn upon
Some central pivot of their thought and choice,
And veer out by the force of holding fast.
–That's hard to understand, for Englishmen
Unused to abstract questions, and untrained
To trace the involutions, valve by valve,
In each orbed bulb-root of a general truth,
And mark what subtly fine integument
Divides opposed compartments. Freedom's self
Comes concrete to us, to be understood,
Fixed in a feudal form incarnately
To suit our ways of thought and reverence,
The special form, with us, being still the thing.
With us, I say, though I'm of Italy
My mother's birth and grave, by father's grave
And memory; let it be,–a poet's heart
[...] Read more
poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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XI. Guido
You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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