In the domain of cops and robbers, an interdiction serves to structure a black market and a shadow economy.
quote by William Irwin Thompson
Added by Lucian Velea
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Related quotes
Serves You Right
1st verse
La, da, da, da,
Oooh, oh.
You and I were so in love.
You were all I was thinkin of.
There was so much magic in your eyes.
Then one day you said we were through.
You said you found somebody new.
And then you turned and you walked right out the door.
Baby I told you his love wasnt true.
You didnt hear me, so now I say these words to you..
Chorus:
Serves you right for sayin good-bye.
Now you say youre sorry.
Serves you right for sayin good-bye.
Baby.
Serves you right for sayin good-bye.
Now you see whos sorry now.
Oooh, oh,oh.
2nd verse.
I remember you standin there, sayin to me you didnt care.
And I was begging baby, please dont go.
Now youre crying, telling me what went wrong.
Girl you stayed away too long,
Cant you see Ive got you off my mind.
(change)
Thinkinbout the pain that you put me through.
I cant help you-because it feels good telling you....
Chorus:
Serves you right for sayin good-bye.
Now you say youre sorry.
Serves you right for sayin good-bye.
Baby.
Serves you right for sayin good-bye.
Now you see whos sorry now.
Oooh, oh,oh.
(rap) see mama, what Im tryinto say.
To you is that, Im ,you know, I love ya,
But ya - yaa hurt me so bad, I cant take it no more girl,
I just cant take it, no.....hell no
No! no, no, I dont wanna hear it,
Dont say it anymore, dont talk
No more, Im tired of youre lyin,
Im tired of your cryin girl, tell
Me....dont tell me.
(change)
Thinkin bout the pain that you put me through,
I cant help you-because it feels good telling you....
Chorus:(repeat twice)
Serves you right for sayin good-bye.
[...] Read more
song performed by Lionel Richie
Added by Lucian Velea
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Sun-Up
(Shadows over a cradle…
fire-light craning….
A hand
throws something in the fire
and a smaller hand
runs into the flame and out again,
singed and empty….
Shadows
settling over a cradle…
two hands
and a fire.)
I
CELIA
Cherry, cherry, glowing on the hearth, bright red cherry…. When you try to pick up cherry Celia's shriek sticks in you like a pin.
When God throws hailstones you cuddle in Celia's shawl and press your feet on her belly high up like a stool. When Celia makes umbrella of her hand. Rain falls through big pink spokes of her fingers. When wind blows Celia's gown up off her legs she runs under pillars of the bank— great round pillars of the bank have on white stockings too.
Celia says my father
will bring me a golden bowl.
When I think of my father
I cannot see him
for the big yellow bowl
like the moon with two handles
he carries in front of him.
Grandpa, grandpa…
(Light all about you…
ginger… pouring out of green jars…)
You don't believe he has gone away and left his great coat…
so you pretend… you see his face up in the ceiling.
When you clap your hands and cry, grandpa, grandpa, grandpa,
Celia crosses herself.
It isn't a dream…. It comes again and again…. You hear ivy crying on steeples the flames haven't caught yet and images screaming when they see red light on the lilies on the stained glass window of St. Joseph. The girl with the black eyes holds you tight, and you run… and run past the wild, wild towers… and trees in the gardens tugging at their feet and little frightened dolls shut up in the shops crying… and crying… because no one stops… you spin like a penny thrown out in the street. Then the man clutches her by the hair…. He always clutches her by the hair…. His eyes stick out like spears. You see her pulled-back face and her black, black eyes lit up by the glare…. Then everything goes out. Please God, don't let me dream any more of the girl with the black, black eyes.
Celia's shadow rocks and rocks… and mama's eyes stare out of the pillow as though she had gone away and the night had come in her place as it comes in empty rooms… you can't bear it— the night threshing about and lashing its tail on its sides as bold as a wolf that isn't afraid— and you scream at her face, that is white as a stone on a grave and pull it around to the light, till the night draws backward… the night that walks alone and goes away without end. Mama says, I am cold, Betty, and shivers. Celia tucks the quilt about her feet, but I run for my little red cloak because red is hot like fire.
I wish Celia
could see the sea climb up on the sky
and slide off again…
[...] Read more
poem by Lola Ridge
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The Shadow
Paul Jannes was working very late,
For this watch must be done by eight
To-morrow or the Cardinal
Would certainly be vexed. Of all
His customers the old prelate
Was the most important, for his state
Descended to his watches and rings,
And he gave his mistresses many things
To make them forget his age and smile
When he paid visits, and they could while
The time away with a diamond locket
Exceedingly well. So they picked his pocket,
And he paid in jewels for his slobbering kisses.
This watch was made to buy him blisses
From an Austrian countess on her way
Home, and she meant to start next day.
Paul worked by the pointed, tulip-flame
Of a tallow candle, and became
So absorbed, that his old clock made him wince
Striking the hour a moment since.
Its echo, only half apprehended,
Lingered about the room. He ended
Screwing the little rubies in,
Setting the wheels to lock and spin,
Curling the infinitesimal springs,
Fixing the filigree hands. Chippings
Of precious stones lay strewn about.
The table before him was a rout
Of splashes and sparks of coloured light.
There was yellow gold in sheets, and quite
A heap of emeralds, and steel.
Here was a gem, there was a wheel.
And glasses lay like limpid lakes
Shining and still, and there were flakes
Of silver, and shavings of pearl,
And little wires all awhirl
With the light of the candle. He took the watch
And wound its hands about to match
The time, then glanced up to take the hour
From the hanging clock.
Good, Merciful Power!
How came that shadow on the wall,
No woman was in the room! His tall
Chiffonier stood gaunt behind
His chair. His old cloak, rabbit-lined,
Hung from a peg. The door was closed.
Just for a moment he must have dozed.
He looked again, and saw it plain.
[...] Read more
poem by Amy Lowell
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Black History
Boom, boom, boom!
That was in 1530 to the Slave Trade;
My Mama told me so,
My Papa told me so,
In the name of our ancestors gone by;
Slaves for arms,
Slaves for powder,
Slaves for hardware,
Slaves for spirits;
Boom, boom, boom! !
All over the West Coast of Africa!
Today, i am a Blackman to tell you a story.
Black History, the Black African, the Black Race;
Of my ancestors gone by,
Boom, boom, boom!
Black head, black sugar, black coffee;
Where are the true identities of the Blacks?
That was in 1530 to the Slave trade.
Black History, black love;
A Black Race to a call.
Tap your fingers and do think about it,
My Mama told me so;
Bllack shoes, black phones;
With the Black History gone too soon,
My Papa told me so.
Black hair, black eyes;
The black coal to steam up the engines!
In the name of my ancestors gone by;
But, where are the black pens of love to share?
Do think about this and learn from it,
Boom, boom, boom!
A Blackman in the house to tell us a story;
Where is William Wilberforce?
Where is Thomas Buxton?
Where is Granville Sharp?
What about the Slaves? !
These men need to tell us more;
They killed my ancestors softly without compensations!
Black love, black stream, a black home to live in;
Like 'Naughty By Nature',
I've got 'Queen Latifah' to tell us more.
Of the Black Songs,
Of the Black race,
With a Black-Limo to keep us going;
This Slave Trade was a Black History to us all.
Boom, boom, boom!
[...] Read more
poem by Edward Kofi Louis
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Queen In The Black
Excuse me please your majesty
I chance this moment nervously
To share with you a fantasy
That I have lived inside of me
And it is so pretty
And it is so fine
Its the kind youd love to last you
Until the end of time
Weve talked of love, weve talked of life
And what would make the world so nice
Weve walked the sand by lovers sea
Ive held your body close to me
And it is so pretty
How Id love to know
For if I had a chance to hold you
Id never let you go
Youre my queen in the black
With your time-stopping body
Queen in the black
With your eyes that hypnotize, girl
Queen in the black
With your voice thats sweet as candy
Queen in the black
Miss ebony, you really turn me on
Theres not a day that passes by
That I dont have you on my mind
If this aint love I have inside
Then my hearts telling me a lie
Cause it feels so special
And it feels so right
And if I could I know Id love you
For the rest of my life
Youre my queen in the black
With your time-stopping body
Queen in the black
With your eyes that hypnotize, girl
Queen in the black
With your voice thats sweet as candy
Queen in the black
With your soft and sexy lips, babe
Queen in the black
I love the way you move your body
Queen in the black
You know you are nothing less than royalty
Queen in the black
Oh, Ill place you on a throne, girl
Queen in the black
Miss ebony, you really turn me on
Queen in the black
With your time-stopping body
[...] Read more
song performed by Stevie Wonder
Added by Lucian Velea
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Black On Black II
Daddy's little soldier boy
Mama's little pride and joy
Both hands on her apron strings
"Don't you touch that dirty thing"
A warning signal from above
Inspection with a clean white glove
They say that opposites attract like right and wrong
Black on black
Like pleasure and a little pain
The sacred and profane
Ice and fire counteract like black on black
The oldest story known to man
The willing sacrificial lamb
Behind the light a shadow falls
The code of silence shakes the walls
A whisper to a silent scream
The power is so frightening
They say that opposites attract like right and wrong
Black on black
Like pleasure and a little pain
The sacred and profane
Ice and fire counteract just like black on black
A warning signal from above
Inspection with a clean white glove
They say that opposites attract like right and wrong
Black on black
Some things seem so sacred
Like a loaded question the power of suggestion
Like the face of danger the kindness of a stranger
Like a Judas Kiss like pleasure and a little pain
I'mmaculate seduction absolute corruption
Ice and fire counteract no turning back like black on black
Black on black.
Black on black
Like pleasure and a little pain
The sacred and profane
Ice and fire counteract like black on black
Like pleasure and a little pain
The sacred and profane
Ice and fire counteract just like black on black
Black
A little pain
Just like black on black
Black
Black on black
Black on black
[...] Read more
song performed by Heart from Desire Walks On
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The Treasure Of The Wise Man
O the night was dark and the night was late,
And the robbers came to rob him;
And they picked the locks of his palace-gate,
The robbers that came to rob him--
They picked the locks of his palace-gate,
Seized his jewels and gems of state,
His coffers of gold and his priceless plate,--
The robbers that came to rob him.
But loud laughed he in the morning red!--
For of what had the robbers robbed him?--
Ho! hidden safe, as he slept in bed,
When the robbers came to rob him,--
They robbed him not of a golden shred
Of the childish dreams in his wise old head--
'And they're welcome to all things else,' he said,
When the robbers came to rob him.
poem by James Whitcomb Riley
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The Man And The Robbers
A MAN HAD GONE TO HIS BANK AND WITHDREW A LARGE SUM OF MONEY, AND ON HIS WAY BACK, HE SUDDENLY HAPPENED UPON A CREW OF ROBBERS AND HE TURNED BACK AND RAN AWAY AS FAST AS HIS LEGS COULD RUN!
AS HE RAN AWAY, HE SUDDENLY RAN INTO A CREW OF NIGERIAN POLICEMEN! AND THE MAN WAS FLABBERGASTED, HE DIDN'T KNOW WHICH WAY TO RUN ANYMORE AND HE SUDDENLY TURNED BACK AND BEGAN TO RUN TOWARDS THE ROBBERS AND HE SHOUTED AS HE RAN, WAIT MR ROBBER! WAIT!
THE SURPRISED ROBBERS STOOD WHILE HE CAME TO THEM AND HUMBLY HANDED THE MONEY OVER TO THEM, AND ONE OF THEM ASKED, WHY DID YOU RETURN TO GIVE US THE MONEY WE WANTED TO ROB YOU OF? AND HE REPLIED, OH, AS I RAN AWAY FROM YOU, I RAN INTO A CREW OF NIGERIAN POLICEMEN! AND I DECIDED TO COME BACK AND GIVE YOU ROBBERS THE MONEY INSTEAD!
A CURIOUS ROBBER ASKED, WHY DID YOU PREFER TO GIVE US THE MONEY? AND THE MAN SAID, OH, WELL, YOU ROBBERS WOULD ROB ME AND LEAVE ME ALIVE, BUT THE NIGERIAN POLICEMEN WOULD ROB ME, THEN SHOOT ME DEAD AND TELL THE WORLD THAT I WAS THE ROBBER! STATED THE MAN TO THE ASTONISHED ROBBERS
poem by Overlord Don Manuel Ihcakeyno
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Black Suits Comin'
Intro:
(Come Come on)
(Come on Come Come on M-I-B)
(The Black Suits Comin)
(The Black Suits Comin)
I'm Comin... I'm Comin... I'm Comin... I'm Comin
I am the man in black I'm back
Breaking the back of the random attackers
So can the flak
Yo Im dangerous
I've been trained to bust
When a stranger fuss try to endanger us
Praise me y'all
Dont nothing faze me y'all
When they see me their gaze be all crazy y'all
They say I'm a myth
Trust me if somebody riff
Out of the depth of your imagination appears Will Smith
Black suit, the black shades, the black shoes
black tie with the black attitude
New style black Ray-Bans
I'm stunning man
New hotness pitch black six hundred man
Don't you understand?
What you thought I wouldn't come again?
Leave you hanging without bringing you the fun again?
Tangling with the alien scum again
Monumental it's the black suits running in
Chorus 1:
(Nod Ya Head! The Black Suits Comin')
Let me see you (Nod Ya Head! The Black Suits Comin')
Like this, let me see you (Nod Ya Head! The Black Suits Comin')
Like this, let me see you bop your head, nod your head, come on!
(Nod Ya Head! The Black Suits Comin')
Let me see you (Nod Ya Head! The Black Suits Comin')
Like this, let me see you (Nod Ya Head!The Black Suits Comin')
Like this (Nod Ya Head!)
Check it
Yo it's this chick right
Serlena, making me sick right
Earth is worthless to her she be tripping like
Threatening me and my mens
Trying to get the light
Thinking she's superwoman
But black kryptonite finishing whatever you start son
The best looking crime fighter since myself in part one
Better act right and play nice and sing along
'Cause K is back and he hype
What? Bring it on!
Wanna brawl with me? Trying to brawl with me?
[...] Read more
song performed by Will Smith
Added by Lucian Velea
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Black Market White Baby Dealer
My black market white baby dealer
Is hunting around overseas
My black market white baby dealer
Brings back clean, fresh white babies to me
Clean, fresh white babies to me
My black market white baby dealer
Is rooting around overseas
My black market white baby dealer
Kidnaps clean, fresh white babies for me
Clean, fresh white babies for me
My smile is dime a dozen
My lips are cherry red
My eyes are blue like the sky is blue
I got good shoulders under my head
I look like your mother
I look like your great-aunt
So sit me down in the family photo
And everyone tells me that i, I look just like you
My black market white baby dealer
Is hunting around overseas
My black market white baby dealer
Brings back clean, fresh white babies to me
He brings back
Oh my god, he brings back
He brings back clean, fresh, white expensive babies
He brings back
Oh charlie, he brings back
He brings back clean, fresh, white expensive babies
I come post-production
I dont need natal care
Im already fully assembled
Down to the very last part, its all there
So take me to your family
So take me to your home
Buddy, take me in as your next generation
And Ill take you out of the lost one and into mine
My black market white baby dealer
Is hunting around overseas
My black market white baby dealer
Brings back clean, fresh white babies to me
Clean, fresh white babies to me
Clean, fresh white babies to me
song performed by Liz Phair
Added by Lucian Velea
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Market Square Heroes
(derek dick, mark kelly, steve rothery, peter trewavas, michael pointer, brian jellyman, diz minnett)
I found smog at the end of my rainbow
I found my thoughts shift slowly into phase
Declared the constitution of the walkway
I realise its time to plan the day, the day
Im a market square hero gathering the storms to troop
Cause Im a market square hero speeding the beat of the streetpulse
Are you following me, are you following me?
Well suffer my pretty warriors and follow me
I got a golden handshake that nearly broke my arm
I left the ranks of shuffling graveyard people
I got rust upon my hands from the padlocked factory gates
Silent chimneys provide the silent steeples
Cause Im a market square hero gathering the storms to troop
Cause Im a market square hero speeding the beat of the streetpulse, the streetpulse
Are you following me? are you following me?
Well suffer my pretty children and follow me, follow me
Change, change, change!
Change, change, change!
I am your antichrist show me allegiance
Are you following me
I am your antichrist pledge to me defiance
Are you following me
Suffer my pretty warriors
Suffer my fallen child
Are you following me
The time has come to conquer and Ill provide your end
Suffer!
We march!
I give peace signs when I wage war in the disco
Im the warrior in the ultra violet haze
Armed with antisocial insecurity
I plan the path of destiny from this maze
Cause Im a market square hero gathering the storms to troop
Cause Im a market square hero speeding the beat of the streetpulse, the streetpulse
Are you following me? are you following me?
Well suffer my fallen angels and follow me
Im the market square hero
Im the market square hero
Were market square heroes
Were the market square heroes
Are you following me?
Im the market square hero!
song performed by Marillion
Added by Lucian Velea
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The City of Dreadful Night
Per me si va nella citta dolente.
--Dante
Poi di tanto adoprar, di tanti moti
D'ogni celeste, ogni terrena cosa,
Girando senza posa,
Per tornar sempre la donde son mosse;
Uso alcuno, alcun frutto
Indovinar non so.
Sola nel mondo eterna, a cui si volve
Ogni creata cosa,
In te, morte, si posa
Nostra ignuda natura;
Lieta no, ma sicura
Dell' antico dolor . . .
Pero ch' esser beato
Nega ai mortali e nega a' morti il fato.
--Leopardi
PROEM
Lo, thus, as prostrate, "In the dust I write
My heart's deep languor and my soul's sad tears."
Yet why evoke the spectres of black night
To blot the sunshine of exultant years?
Why disinter dead faith from mouldering hidden?
Why break the seals of mute despair unbidden,
And wail life's discords into careless ears?
Because a cold rage seizes one at whiles
To show the bitter old and wrinkled truth
Stripped naked of all vesture that beguiles,
False dreams, false hopes, false masks and modes of youth;
Because it gives some sense of power and passion
In helpless innocence to try to fashion
Our woe in living words howe'er uncouth.
Surely I write not for the hopeful young,
Or those who deem their happiness of worth,
Or such as pasture and grow fat among
The shows of life and feel nor doubt nor dearth,
Or pious spirits with a God above them
To sanctify and glorify and love them,
Or sages who foresee a heaven on earth.
For none of these I write, and none of these
Could read the writing if they deigned to try;
[...] Read more
poem by James Thomson
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A White Architect Of Light
8.8.88: She came back from the land of democrative destiny and dissolved
into the chaotic void.
Fighting for the freedom of reality
Building the light house in the darkest hours of life
Fixing up the spiritual essence through the existential nothingness
in the valueless zone
Layers by layers, realities of life theatre are turned into distilled light
out of trapped reflections
Mother of modern Myanmar honoured by consciencious tree of life
Curving away all the unnecessary parts
Curving away all the necessary parts
Communication revolution of the 21 st century
Aung San Su Kyi, The White Architect Of Light
Light's shadow is light
Light's shadow is light
Light's shadow is light
Aung San Su Kyi, The White Architect Of Light
Light's shadow is light
Light's shadow is light
Light's shadow is light
Aung San Su Kyi, The White Architect Of Light
Light's shadow is light
Light's shadow is light
Light's shadow is light
Aung San Su Kyi, The White Architect Of Light
Light's shadow is light
Light's shadow is light
Light's shadow is light
Aung San Su Kyi, The White Architect Of Light
Light's shadow is light
Light's shadow is light
Light's shadow is light
Aung San Su Kyi, The White Architect Of Light
Light's shadow is light
Light's shadow is light
Light's shadow is light
poem by Nyein Way
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Black Rain
[edi mean] (talking)
Black rain, theres no chance to escape it
You know it seem like sometimes, theres nothin but bad luck?
It just wont go right, thats the black rain, you know? uh-huh
[chorus - napolean (normal) / val young {repeated during chorus} (indented)]
Black rain, dont come down
Dont you come fallin
Black rain, dont come down
Now dont you come fallin
Black rain, black rain, dont come
Youve been wettin us up from day one
We aint never see a high point, how come
Black rain, black rain comes under the sun
Oh black rain, black rain, dont come
Youve been wettin us up from day one
We aint never see a high point, how come
Black rain, black rain comes under the sun
[edi mean - verse 1]
We live those big money dreams
A six scene and so peelin
Lust to touch everything
Still but no feelins
We move on through these stars
And when its on its on we movin strong
You know the rules, roll with fools
Who use twos no trainin
Hit your block, non-stop, no aimin
Black-rainin, and man the forecast is bleek (yeah)
Stay inside, they said its goin for weeks
Its war in the streets
Gangbangin and wearin east (say what)
Now the city that never sleeps will never see peace
Ive had enough of still killin each other over nothin
Now theres more of us willin to die over colors
Man its insane, black rain (insane)
Feedin our seeds, makin em strong with pain, the game
And yo we wont change (wont change)
Too blind to recognize, its a damn shame (too blind to recognize)
Cause its right in our eyes, black rain!
Chorus
[napolean - verse 2]
I seen it all
When the black rain falls
Why will you fall
Black bodies fall
Black rain, you got time to explain
While Im still strugglin, damn near insane
Damn hittin pain from years ago
Only you know, how the story goes
You took what I got left all in me
[...] Read more
song performed by Outlawz
Added by Lucian Velea
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I Shot The Sheriff
--chorus--
I shot the sheriff
--chorus--
Verse one:
I had to shoot the sheriff it was justifiable
He mistaked me for somebody who was liable
For all tha many murders l.a and war fields
We keep makin war shields
Streets keep souls
Young brothers loose control
I seem to maintain through this
Watch where ya kick it theyll put you in a twist
And it aint nobody like my down ass hommie
And tha police always tryin to pin some bullshit on me
I keep away from fools
They do crime and it attracts cops
Cops got guns and cuffs
And cells to stuff you in
--chorus--
Verse two:
They tryin to stick with some bullshit that I did not do
You know who
The boys in blue
There they go with they assumpitons
Slaverys over let us have somethin
Why you wanna pull me over?
Cuz Im bumpin?
I just made a new song
My profession is music
Your profession is protection with gats
Then use it on him when hes tryin to take my life away
Im just tryin to live my life today
So I keep away from fools they do crime it attract cops
Cops got guns and cuffs
And cells to stuff you in
--chorus--
Verse three:
I shot the sheriff
I didnt shoot the deputiy I didnt have to
Cuz in this game they always tryin to blast you
And leave it to tha cops to find out who did the murder
They harrase tha wrong clan and arrest tha wrong man
The hommie day-dog got strapped but thats okay
Cuz Im gonna work for life
So he can see another day
A hommies a hommie
A fake is a snake
Straight game from tha pen from tha hommie jake
So I keep away from fools they do crime it attract cops
Cops got guns and cuffs
[...] Read more
song performed by Warren G
Added by Lucian Velea
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Memory Pain
It serves me right to suffer
It serves me right to be alone
It serves me right to suffer
It serves me right to be alone
You see i'm living in the memory
Of a day that has passed and gone
Everytime i see a woman
You know it makes me think about mine
Everytime i see a woman
You know it makes me think about mine
You see i'm living in the memory
Of a woman i've left behind
It serves me right to suffer
It serves me right to be alone
It serves me right to suffer
It serves me right to be alone
Now i'm living in the memory
Of a woman that has passed and gone
song performed by Thin Lizzy
Added by Lucian Velea
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Give Your Heart To The Hawks
1 he apples hung until a wind at the equinox,
That heaped the beach with black weed, filled the dry grass
Under the old trees with rosy fruit.
In the morning Fayne Fraser gathered the sound ones into a
basket,
The bruised ones into a pan. One place they lay so thickly
She knelt to reach them.
Her husband's brother passing
Along the broken fence of the stubble-field,
His quick brown eyes took in one moving glance
A little gopher-snake at his feet flowing through the stubble
To gain the fence, and Fayne crouched after apples
With her mop of red hair like a glowing coal
Against the shadow in the garden. The small shapely reptile
Flowed into a thicket of dead thistle-stalks
Around a fence-post, but its tail was not hidden.
The young man drew it all out, and as the coil
Whipped over his wrist, smiled at it; he stepped carefully
Across the sag of the wire. When Fayne looked up
His hand was hidden; she looked over her shoulder
And twitched her sunburnt lips from small white teeth
To answer the spark of malice in his eyes, but turned
To the apples, intent again. Michael looked down
At her white neck, rarely touched by the sun,
But now the cinnabar-colored hair fell off from it;
And her shoulders in the light-blue shirt, and long legs like a boy's
Bare-ankled in blue-jean trousers, the country wear;
He stooped quietly and slipped the small cool snake
Up the blue-denim leg. Fayne screamed and writhed,
Clutching her thigh. 'Michael, you beast.' She stood up
And stroked her leg, with little sharp cries, the slender invader
Fell down her ankle.
Fayne snatched for it and missed;
Michael stood by rejoicing, his rather small
Finely cut features in a dance of delight;
Fayne with one sweep flung at his face
All the bruised and half-spoiled apples in the pan,
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poem by Robinson Jeffers
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I. The Ring and the Book
Do you see this Ring?
'T is Rome-work, made to match
(By Castellani's imitative craft)
Etrurian circlets found, some happy morn,
After a dropping April; found alive
Spark-like 'mid unearthed slope-side figtree-roots
That roof old tombs at Chiusi: soft, you see,
Yet crisp as jewel-cutting. There's one trick,
(Craftsmen instruct me) one approved device
And but one, fits such slivers of pure gold
As this was,—such mere oozings from the mine,
Virgin as oval tawny pendent tear
At beehive-edge when ripened combs o'erflow,—
To bear the file's tooth and the hammer's tap:
Since hammer needs must widen out the round,
And file emboss it fine with lily-flowers,
Ere the stuff grow a ring-thing right to wear.
That trick is, the artificer melts up wax
With honey, so to speak; he mingles gold
With gold's alloy, and, duly tempering both,
Effects a manageable mass, then works:
But his work ended, once the thing a ring,
Oh, there's repristination! Just a spirt
O' the proper fiery acid o'er its face,
And forth the alloy unfastened flies in fume;
While, self-sufficient now, the shape remains,
The rondure brave, the lilied loveliness,
Gold as it was, is, shall be evermore:
Prime nature with an added artistry—
No carat lost, and you have gained a ring.
What of it? 'T is a figure, a symbol, say;
A thing's sign: now for the thing signified.
Do you see this square old yellow Book, I toss
I' the air, and catch again, and twirl about
By the crumpled vellum covers,—pure crude fact
Secreted from man's life when hearts beat hard,
And brains, high-blooded, ticked two centuries since?
Examine it yourselves! I found this book,
Gave a lira for it, eightpence English just,
(Mark the predestination!) when a Hand,
Always above my shoulder, pushed me once,
One day still fierce 'mid many a day struck calm,
Across a Square in Florence, crammed with booths,
Buzzing and blaze, noontide and market-time,
Toward Baccio's marble,—ay, the basement-ledge
O' the pedestal where sits and menaces
John of the Black Bands with the upright spear,
'Twixt palace and church,—Riccardi where they lived,
His race, and San Lorenzo where they lie.
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poem by Robert Browning from The Ring and the Book
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The House Of Dust: Complete
I.
The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.
And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.
'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.
We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .
Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.
Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.
Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.
II.
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poem by Conrad Potter Aiken
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VI. Giuseppe Caponsacchi
Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,
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poem by Robert Browning from The Ring and the Book
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