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T Bone and I grew up together in Fort Worth, Texas. He had his own recording studio by the time he was seventeen years old. When we were both nineteen he made the first archival recording of my voice.

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Soccer Under 20

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Seventeen

Late last night
I get a call from a so-called friend
He wouldnt give his name
Says he saw you with another man
Feels like seventeen years
Its only seventeen days
Since I saw the real you
And I let you walk away
You left me broken
You left me stranded
The way you play this game of love
Its just plain underhanded
I spent a lot of time
And I spent all my money
Dont want no other fool
To put his hands on you
Who you been talkin to?
Yeah who you been walkin with?
Seventeen, youre just seventeen
Seventeen
They said I was playin with fire
I knew I had to take a chance
I had to take you higher
To a new experience
But little did I know
Id never get that far
Girl, you know you put on quite a show
Youre gonna be a star
When you grow older, girl
Youll remember I told you, girl
Seventeen, youre just seventeen
Seventeen, seventeen
Seventeen, youre just seventeen
Seventeen, seventeen
Seventeen, youre only seventeen
Seventeen, seventeen

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The Yellow Rose Of Texas

Oh the yellow rose of Texas is the only girl I love
Her eyes are even bluer than Texas skies above
Her heart's as big as Texas and wherever I may go
I'll remember her forever because I love her so
There are so many roses that bloom along the way
But my heart's in Amarillo and that's where it will stay
With the yellow rose of Texas so I'd better get there fast
'Cause I know I was her first love and I want to be her last
Oh the yellow rose of Texas is the only girl I love
Her eyes are even bluer than Texas skies above
Her heart's as big as Texas and wherever I may go
I'll remember her forever because I love her so
The eyes of Texas are upon you all the live long day
The eyes of Texas are upon you, you cannot get away
Do not think you can escape them at night or early in the morn
The eyes of Texas are upon you 'till Gabriel blows his horn
The eyes of Texas are upon you all the live long day
The eyes of Texas are upon you, you cannot get away
Do not think you can escape them at night or early in the morn
The eyes of Texas are upon you 'till Gabriel blows his horn
The eyes of Texas are upon you all the live long day
The eyes of Texas are upon you, you cannot get away
Do not think you can escape them at night or early in the morn
The eyes of Texas are upon you 'till Gabriel blows his horn

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The Yellow Rose Of Texas / The Eyes Of Texas

(words & music by wise - starr / lance - sinclair)
Oh the yellow rose of texas is the only girl I love
Her eyes are even bluer than texas skies above
Her hearts as big as texas and wherever I may go
Ill remember her forever because I love her so
There are so many roses that bloom along the way
But my hearts in amarillo and thats where it will stay
With the yellow rose of texas so Id better get there fast
cause I know I was her first love and I want to be her last
Oh the yellow rose of texas is the only girl I love
Her eyes are even bluer than texas skies above
Her hearts as big as texas and wherever I may go
Ill remember her forever because I love her so
The eyes of texas are upon you all the live long day
The eyes of texas are upon you, you cannot get away
Do not think you can escape them at night or early in the morn
The eyes of texas are upon you till gabriel blows his horn
The eyes of texas are upon you all the live long day
The eyes of texas are upon you, you cannot get away
Do not think you can escape them at night or early in the morn
The eyes of texas are upon you till gabriel blows his horn
The eyes of texas are upon you all the live long day
The eyes of texas are upon you, you cannot get away
Do not think you can escape them at night or early in the morn
The eyes of texas are upon you till gabriel blows his horn

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Edgar Lee Masters

Epilogue

(THE GRAVEYARD OF SPOON RIVER. TWO VOICES ARE HEARD BEHIND A SCREEN DECORATED WITH DIABOLICAL AND ANGELIC FIGURES IN VARIOUS ALLEGORICAL RELATIONS. A FAINT LIGHT SHOWS DIMLY THROUGH THE SCREEN AS IF IT WERE WOVEN OF LEAVES, BRANCHES AND SHADOWS.)

FIRST VOICE

A game of checkers?

SECOND VOICE

Well, I don't mind.

FIRST VOICE

I move the Will.

SECOND VOICE

You're playing it blind.

FIRST VOICE

Then here's the Soul.

SECOND VOICE

Checked by the Will.

FIRST VOICE

Eternal Good!

SECOND VOICE

And Eternal Ill.

FIRST VOICE

I haste for the King row.

SECOND VOICE

Save your breath.

FIRST VOICE

I was moving Life.

SECOND VOICE

You're checked by Death.

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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The Girls From Texas

(james lewis/jimmy holiday/cliff chambers)
Well, I met a girl from texas bout a year ago
Hadnt known her for too long when I had to let her go
You see, she had a razor, was ten inches or so
And every night youd hear her knocking at my door
She said, baby, Ill give you the clothes on my back
You can have everything that Ive got in my shack
But if you ever try to leave theyll take your out in sack
cause me and my razor will see to that
Thats the way the girls are from texas
Thats the way the girls are from texas
Thats the way the girls are from texas
I thought about my situation, decided not to tarry
For my own self preservation I decided we should marry
When the preacher started reading bout till death do us part
I told him, skip it, we had that understanding right from the start
Thats the way the girls are from texas
Thats the way the girls are from texas (houston to san antone)
Thats the way the girls are from texas (got to love em right or leave em alone)
Well, we settled down, got me a little old job, 65 fairlane ford
Every friday night I would stop in and cash my pay check down at the grocery store
They had a little girl worked in there, must have been about seventeen
She was the cutest thing I had ever seen
Its the same old story and Im afraid it wasnt too very long
Before we had fallen deeply in love and I knew it was wrong
I said baby, we got to stop this thing right here
Or my woman is gonna cut my throat from ear to ear, thats right
Tearful suffocation, she looked up in my face
I could feel her heart was breaking as these sad words she did say
You should have told me you was married, baby
She pulled out a forty-five and let me have it, right smack between the eyes
Thats the way the girls are from texas
Thats the way the girls are from texas
Thats the way the girls are from texas
She was guilty, I was dead
Now, whatd you think that the old judge said ?
Ah, thats just the way the girls are down here in texas
Case dismissed!
Thats the way the girls are from texas
Thats the way the girls are from texas (houston to san antone)
Thats the way the girls are from texas (got to love em right or leave em alone, boy)

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Soccer Rollback

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Given The Dog A Bone

She take you down easy
Going down to her knees
Going down to the devil
Down down to ninety degrees
Oh, shes blowing me crazy
Till my ammunition is dry
Oh, shes using her head again
Shes using her head
Oh, shes using her head again
Chorus:
Im just a givin the dog a bone
Givin the dog a bone
Givin the dog a bone
Givin the dog a bone
Im just a givin the dog a bone
Givin the dog a bone
Im just a givin the dog a bone
Givin the dog a bone
Yeow
Shes no mona lisa
No, shes no playboy star
But shell send you to heaven
Then explode you to mars
Oh, shes using her head again
Using her head again
Shes using her head
Using her head again
Oh, shes using her head again
Using her head
Chorus
Lets go
Oooh, oh, oh, oh
She got the power of union
Yeah, she only hits when its hot
And if she likes what youre doing
Yeah, shell give you alot
(given everything she got)
Ive just given the dog a bone
Givin the dog a bone
Givin the dog a bone
Givin the dog a bone
Givin the dog a bone
Givin the dog a bone
Ive just given the dog a bone
Givin the dog a bone
Im just givin the dog a bone
Givin the dog a bone
Givin the dog a bone
Givin the dog a bone
Im just a givin the dog a bone

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Deep In The Heart Of Texas

The stars at night are big and bright
Deep in the heart of Texas
The prairie sky is wide and high
Deep in the heart of Texas
The sage in bloom is like perfume
Deep in the heart of Texas
Reminds me of the one that I love
Deep in the heart of Texas
The coyotes wail along the trail
Deep in the heart of Texas
The rabbits rush around the brush
Deep in the heart of Texas
The cowboys cry, "Ki yippee yi!"
Deep in the heart of Texas
The dogies bawl and bawl and bawl
Deep in the heart of Texas
The stars at night are big and bright
Deep in the heart of Texas
The prairie sky is wide and high
Deep in the heart of Texas
Deep in the heart of Texas
Deep in the heart of Texas
Deep in the heart of Texas
Deep in the heart of Texas

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Tamar

I
A night the half-moon was like a dancing-girl,
No, like a drunkard's last half-dollar
Shoved on the polished bar of the eastern hill-range,
Young Cauldwell rode his pony along the sea-cliff;
When she stopped, spurred; when she trembled, drove
The teeth of the little jagged wheels so deep
They tasted blood; the mare with four slim hooves
On a foot of ground pivoted like a top,
Jumped from the crumble of sod, went down, caught, slipped;
Then, the quick frenzy finished, stiffening herself
Slid with her drunken rider down the ledges,
Shot from sheer rock and broke
Her life out on the rounded tidal boulders.

The night you know accepted with no show of emotion the little
accident; grave Orion
Moved northwest from the naked shore, the moon moved to
meridian, the slow pulse of the ocean
Beat, the slow tide came in across the slippery stones; it drowned
the dead mare's muzzle and sluggishly
Felt for the rider; Cauldwell’s sleepy soul came back from the
blind course curious to know
What sea-cold fingers tapped the walls of its deserted ruin.
Pain, pain and faintness, crushing
Weights, and a vain desire to vomit, and soon again
die icy fingers, they had crept over the loose hand and lay in the
hair now. He rolled sidewise
Against mountains of weight and for another half-hour lay still.
With a gush of liquid noises
The wave covered him head and all, his body
Crawled without consciousness and like a creature with no bones,
a seaworm, lifted its face
Above the sea-wrack of a stone; then a white twilight grew about
the moon, and above
The ancient water, the everlasting repetition of the dawn. You
shipwrecked horseman
So many and still so many and now for you the last. But when it
grew daylight
He grew quite conscious; broken ends of bone ground on each
other among the working fibers
While by half-inches he was drawing himself out of the seawrack
up to sandy granite,
Out of the tide's path. Where the thin ledge tailed into flat cliff
he fell asleep. . . .
Far seaward
The daylight moon hung like a slip of cloud against the horizon.
The tide was ebbing
From the dead horse and the black belt of sea-growth. Cauldwell
seemed to have felt her crying beside him,

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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

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Shot at Dawn

This poem does not condone desertion
nor is it a proponent of summary execution
or the use of capital punishment as a deterrent.

The citizen army of August 1914
saw in its time 8Million signed up
resulting in 750,000 dead
of this 300/3000 executed.

This is the tale of just one life.


Shot at Dawn
`


At nineteen you were still a child
hopping off to an aggrandised war
filled with romantic and exuberant air

At nineteen you travelled over the channel
to Mons, by the Belgian border marching
there receiving the horrors of humiliated retreat

At nineteen you went missing
first in Dublin taking leave without permission
now in France and sought for desertion


At nineteen you were a fugitive
hiding from town to town
filled with fear and personal loathing
without destination, without future

At nineteen you were confronted
by a baron's gamekeeper
whisked from barn to court marshall

At nineteen you met the iron will
of a military court in face of disaster
you were the first deserter to be convicted

As far as publicly convenient, within two days
without showing the world we shoot our own
At nineteen you marched out, first light of dawn

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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Rosalind and Helen: a Modern Eclogue

ROSALIND, HELEN, and her Child.

SCENE. The Shore of the Lake of Como.

HELEN
Come hither, my sweet Rosalind.
'T is long since thou and I have met;
And yet methinks it were unkind
Those moments to forget.
Come, sit by me. I see thee stand
By this lone lake, in this far land,
Thy loose hair in the light wind flying,
Thy sweet voice to each tone of even
United, and thine eyes replying
To the hues of yon fair heaven.
Come, gentle friend! wilt sit by me?
And be as thou wert wont to be
Ere we were disunited?
None doth behold us now; the power
That led us forth at this lone hour
Will be but ill requited
If thou depart in scorn. Oh, come,
And talk of our abandoned home!
Remember, this is Italy,
And we are exiles. Talk with me
Of that our land, whose wilds and floods,
Barren and dark although they be,
Were dearer than these chestnut woods;
Those heathy paths, that inland stream,
And the blue mountains, shapes which seem
Like wrecks of childhood's sunny dream;
Which that we have abandoned now,
Weighs on the heart like that remorse
Which altered friendship leaves. I seek
No more our youthful intercourse.
That cannot be! Rosalind, speak,
Speak to me! Leave me not! When morn did come,
When evening fell upon our common home,
When for one hour we parted,--do not frown;
I would not chide thee, though thy faith is broken;
But turn to me. Oh! by this cherished token
Of woven hair, which thou wilt not disown,
Turn, as 't were but the memory of me,
And not my scornèd self who prayed to thee!

ROSALIND
Is it a dream, or do I see
And hear frail Helen? I would flee
Thy tainting touch; but former years
Arise, and bring forbidden tears;

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Seventeen

(track 2 - time 3:18)
(aimee mayo/bill luther/chris lindsey)
Backseat of her daddys car
I was trying not to go too far
Kept thinking about the words the preacherman said
Lightnin flashed across the sky
I saw love in a young girls eyes
And thats a look you never forget
Seventeen only comes once in a lifetime
Dont it just fly by wild and free
Goin any way the wind blew baby
Seventeen livin on crazy dreams
Rock and roll and faded blue jeans
And standing on the edge of everything
Seventeen
Legs hangin off the bayou bridge
Feedin fish potato chips
And talkin about the mysteries of the universe
Yeah the world was somewhere else
We had the summer all to ourselves
And the stars went off like fireworks
Seventeen only comes once in a lifetime
Dont it just fly by wild and free
Goin any way the wind blew baby
Seventeen livin on crazy dreams
Rock and roll and faded blue jeans
And standing on the edge of everything
Seventeen
Seventeen only comes once in a lifetime
Dont it just fly by wild and free
Goin any way the wind blew baby
Seventeen livin on crazy dreams
Rock and roll and faded blue jeans
And standing on the edge of everything
Seventeen
Yeah seventeen
Sweet seventeen

song performed by Tim McGrawReport problemRelated quotes
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The Example of Vertu : Cantos I.-VII.

Here begynneth the boke called the example of vertu.

The prologe.

Whan I aduert in my remembraunce
The famous draughtes of poetes eloquent
Whiche theyr myndes dyd well enhaunce
Bokes to contryue that were expedyent
To be remembred without Impedyment
For the profyte of humanyte
This was the custume of antyquyte.
I now symple and moost rude
And naked in depured eloquence
For dulnes rethoryke doth exclude
Wherfore in makynge I lake intellygence
Also consyderynge my grete neglygence
It fereth me sore for to endyte
But at auenture I wyll now wryte.
As very blynde in the poetys art
For I therof can no thynge skyll
Wherfore I lay it all a part
But somwhat accordynge to my wyll
I wyll now wryte for to fulfyll
Saynt Powles wordes and true sentement
All that is wryten is to oure document
O prudent Gower in langage pure
Without corrupcyon moost facundyous
O noble Chauser euer moost sure
Of frutfull sentence ryght delycyous
O vertuous Lydgat moche sentencyous
Unto you all I do me excuse
Though I your connynge do now vse
Explicit prologus.

Capitulum Primsi.
In Septembre in fallynge of the lefe
Whan phebus made his declynacyon
And all the whete gadred was in the shefe
By radyaunt hete and operacyon
Whan the vyrgyn had full domynacyon
And Dyane entred was one degre
Into the sygne of Gemyne
Whan the golden sterres clere were splendent
In the firmament puryfyed clere as crystall
By imperyall course without incombrement
As Iuppyter and Mars that be celestyall
With Saturne and Mercury that wer supernall
Myxt with venus that was not retrograte
That caused me to be well fortunate
In a slombrynge slepe with slouth opprest

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Does Fort Worth Ever Cross Your Mind

Cold fort worth beer just aint no good for jealous
Ive tried it night after night
Youre in someone elses arms in dallas
Does fort worth ever cross your mind
Darlin while youre busy burnin bridges
Burn one for me if you get time
Cause good memories dont fade so easy
Does fort worth ever cross your mind
You left me here to be with him in dallas
And I know ithurt you at the time
Well I wonder now if it makes a difference
Does fort worth ever cross your mind
You left me here to be with him in dallas
And I know it hurt you at the time
Well I wonder now if it makes a difference
Does fort worth ever cross your mind
Does fort worth ever, does fort worth ever
Does fort worth ever cross your mind

song performed by George StraitReport problemRelated quotes
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