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Personally, I think that for example the chemical directive in its present form does too much damage to the chemical industry - especially the medium sized businesses - and will hurt our worldwide competitiveness.

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Medium

Medium, medium.
Waking up I smell the scent of coffee on the brew,
And I think about the amount of the sweet,
Id like to have in my cup today.
One for the two lump, three lump, four.
No half of one, no less no more.
Just give me a chance, let me make it mine.
Id like a medium blend of that piece of pie.
Not too bitter, not too sweet... medium.
Just enough to ? ? ? ... medium.
Not too bitter, not too sweet... medium.
Just enough to ? ? ? ... medium.
Dinner time just rolls around,
And I think I crave a steak but,
Im not too partial to the meat,
When its cooked too long and Im made to wait.
Not too much of the parsony,
And just enough of the spice.
I think Id enjoy a medium-rare dish with a side of fries.
Not too tender, not too tough... medium.
Not too little, just enough... medium.
Not too tender, not too tough... medium.
Not too little, just enough... medium.
Medium. medium. medium. medium. just a medium. medium.
? ? ? and I smell the pits but ? ? ? ? ? .
I couldve sworn a ? ? ? last week and scrubbed like ? ? ? .
I like to stink just a little bit,
Just to keep you on your toes yes.
The more I stink the more I think,
That you smell like a rose.
Not too pleasant, not too bad... medium.
Just enough to hold my ? ? ? ... medium.
Not too pleasant, not too bad... medium.
Just enough to hold my ? ? ? ... medium.
Medium. medium. medium. medium. medium. medium.

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Chemical Love

People goin round
Tellin others they are square
Around and round in circles
Is a ride that goes somewhere
All you need to fly
Is a heart dying to try
A chemical love
Its a chemical love
Aint nothin to it
Gettin cash when you are broke
Doin lots of time
Is worth a little snort of coke
Infected needles
Can aid you in no time
Through chemical love
Youve got a chemical love
Some people crave for physical love
Some people crave material love
Yet fewer crave for spiritual love
Youve got a chemical jones
Youve got a chemical love
Yeah, a chemical love
Youve got chemical love
Some people find themselves hooked on the
Weirdest things
That have nothing to do with living
Gods gift to us is our life whats ours to him
If its not our love, then nothings given, given
Some people crave for physical love
Some people crave material love
Yet fewer crave for spiritual love
Youve got a chemical jones
For a chemical love
Yes its true
The best things in life are free
Not material
Chemical or physically
Try it for yourself
Youll get a guaranteed high
From spiritual love, natural miracle drug
Some people crave for physical love
Some people crave material love
Yet fewer crave for spiritual love
Youve got a chemical jones
Youve got a chemical love
Youve got a chemical love
For a chemical drug
Some people crave for physical love
Some people crave material love
Yet fewer crave for spiritual love

[...] Read more

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Who Hurts Whom?

Hurt, is that lesson of life,
Perfect pool of Imperfects,

A kid may get hurt
Or may hurt its parents too
its parents may hurt
Or may hurt their kid too,

A brother may get hurt,
or he may hurt brothers and sisters too,
Sister gets hurt
Or she may hurt her brothers and sisters too,

Mother gets hurt or she my may hurt father too.
Father may get hurt Or may hurt mother too,

A friend gets hurt
Or may hurt his friend too!
A lover get hurts, or may hurt one's lover too,

Teacher may gets hurt
Or may hurt student too
Student gets hurt Or he may hurt his teacher too,

Life is a pool of Imperfects
And only Imperfects can perfect life,
And life is that greatest class room,
Where the greatest and perfect teacher teaches perfect lessons,

But life when teaches, we just close the chapter,
'saying it is our fate! '

Is it true that one has to hurt others to make his living?
Living a life, and make a Living aren't the differ?

People are determined to build life than live a life,
Where one may hurt others,

This the story of Buddha asking kisa Gouthami ' I will save your child, but bring handful of mustard from a home where death not entered! '

This is the story,
'I will heal your hurts, if you can bring some dust of a man's feet, whoever neither got hurt nor hurt others! '

Life a that teaches and hurt is that lesson,
Which shows the one who hurts is Imperfect than who gets hurt,
Both are still imperfect,
The one got hurt is more imperfect,
And he is the one who hurts himself,
by his desires and expectations,
He is the one who gives chance to others to hurt,

[...] Read more

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Slow Chemical

The wonder of the world is gone and old for sure
All the wonder that I would have found in her
As a hole becomes another strike to burn
An old flame returns
Every intuition fails to find it's way
One more table turned around I'm back again
Finding I'm a lost and found when she's not around
When she's not around I feel it coming down
Get me what I could never ask for
Connect me and you could be my chemical NOW
Give me the drug you know I'm after
Connect me and you could be my chemical
When everybody wants (the chemical of) your soul
When everybody wants (the chemical of) your soul
Slow and
Everybody wants you
So
Slow and
Everybody wants your soul
Give me what I could never ask for
connect me and you could be my chemical NOW
Give me the drug you know I'm after
Connect me and you could be the chemical
You could be the chemical
You could be the chemical
You could be the chemical
You could be the chemical

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What Is Love?

what is love
Oh baby, don't hurt me
Don't hurt me no more
Oh, baby don't hurt me
Don't hurt me no more
What is love
Yeah
Oh, i don't know why you're not there
I give you my love, but you don't care
So what is right and what is wrong
Gimme a sign
What is love
Oh baby, don't hurt me
Don't hurt me no more
What is love
Oh baby, don't hurt me
Don't hurt me no more
Whoa whoa whoa, oooh oooh
Whoa whoa whoa, oooh oooh
Oh, i don't know, what can i do
What else can i say, it's up to you
I know we're one, just me and you
I can't go on
What is love
Oh baby, don't hurt me
Don't hurt me no more
What is love
Oh baby, don't hurt me
Don't hurt me no more
Whoa whoa whoa, oooh oooh
Whoa whoa whoa, oooh oooh
What is love, oooh, oooh, oooh
What is love, oooh, oooh, oooh
What is love
Oh baby, don't hurt me
Don't hurt me no more
Don't hurt me
Don't hurt me
I want no other, no other lover
This is your life, our time
When we are together, i need you forever
Is it love
What is love
Oh baby, don't hurt me
Don't hurt me no more
What is love
Oh baby, don't hurt me
Don't hurt me no more (oooh, oooh)
What is love
Oh baby, don't hurt me

[...] Read more

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The Undying One- Canto III

'THERE is a sound the autumn wind doth make
Howling and moaning, listlessly and low:
Methinks that to a heart that ought to break
All the earth's voices seem to murmur so.
The visions that crost
Our path in light--
The things that we lost
In the dim dark night--
The faces for which we vainly yearn--
The voices whose tones will not return--
That low sad wailing breeze doth bring
Borne on its swift and rushing wing.
Have ye sat alone when that wind was loud,
And the moon shone dim from the wintry cloud?
When the fire was quench'd on your lonely hearth,
And the voices were still which spoke of mirth?

If such an evening, tho' but one,
It hath been yours to spend alone--
Never,--though years may roll along
Cheer'd by the merry dance and song;
Though you mark'd not that bleak wind's sound before,
When louder perchance it used to roar--
Never shall sound of that wintry gale
Be aught to you but a voice of wail!
So o'er the careless heart and eye
The storms of the world go sweeping by;
But oh! when once we have learn'd to weep,
Well doth sorrow his stern watch keep.
Let one of our airy joys decay--
Let one of our blossoms fade away--
And all the griefs that others share
Seem ours, as well as theirs, to bear:
And the sound of wail, like that rushing wind
Shall bring all our own deep woe to mind!

'I went through the world, but I paused not now
At the gladsome heart and the joyous brow:
I went through the world, and I stay'd to mark
Where the heart was sore, and the spirit dark:
And the grief of others, though sad to see,
Was fraught with a demon's joy to me!

'I saw the inconstant lover come to take
Farewell of her he loved in better days,
And, coldly careless, watch the heart-strings break--
Which beat so fondly at his words of praise.
She was a faded, painted, guilt-bow'd thing,
Seeking to mock the hues of early spring,
When misery and years had done their worst

[...] Read more

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Byron

Canto the Fifth

I
When amatory poets sing their loves
In liquid lines mellifluously bland,
And pair their rhymes as Venus yokes her doves,
They little think what mischief is in hand;
The greater their success the worse it proves,
As Ovid's verse may give to understand;
Even Petrarch's self, if judged with due severity,
Is the Platonic pimp of all posterity.

II
I therefore do denounce all amorous writing,
Except in such a way as not to attract;
Plain -- simple -- short, and by no means inviting,
But with a moral to each error tack'd,
Form'd rather for instructing than delighting,
And with all passions in their turn attack'd;
Now, if my Pegasus should not be shod ill,
This poem will become a moral model.

III
The European with the Asian shore
Sprinkled with palaces; the ocean stream
Here and there studded with a seventy-four;
Sophia's cupola with golden gleam;
The cypress groves; Olympus high and hoar;
The twelve isles, and the more than I could dream,
Far less describe, present the very view
Which charm'd the charming Mary Montagu.

IV
I have a passion for the name of "Mary,"
For once it was a magic sound to me;
And still it half calls up the realms of fairy,
Where I beheld what never was to be;
All feelings changed, but this was last to vary,
A spell from which even yet I am not quite free:
But I grow sad -- and let a tale grow cold,
Which must not be pathetically told.

V
The wind swept down the Euxine, and the wave
Broke foaming o'er the blue Symplegades;
'T is a grand sight from off the Giant's Grave
To watch the progress of those rolling seas
Between the Bosphorus, as they lash and lave
Europe and Asia, you being quite at ease;
There's not a sea the passenger e'er pukes in,
Turns up more dangerous breakers than the Euxine.

[...] Read more

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Byron

Don Juan: Canto The Fifth

When amatory poets sing their loves
In liquid lines mellifluously bland,
And pair their rhymes as Venus yokes her doves,
They little think what mischief is in hand;
The greater their success the worse it proves,
As Ovid's verse may give to understand;
Even Petrarch's self, if judged with due severity,
Is the Platonic pimp of all posterity.

I therefore do denounce all amorous writing,
Except in such a way as not to attract;
Plain- simple- short, and by no means inviting,
But with a moral to each error tack'd,
Form'd rather for instructing than delighting,
And with all passions in their turn attack'd;
Now, if my Pegasus should not be shod ill,
This poem will become a moral model.

The European with the Asian shore
Sprinkled with palaces; the ocean stream
Here and there studded with a seventy-four;
Sophia's cupola with golden gleam;
The cypress groves; Olympus high and hoar;
The twelve isles, and the more than I could dream,
Far less describe, present the very view
Which charm'd the charming Mary Montagu.

I have a passion for the name of 'Mary,'
For once it was a magic sound to me;
And still it half calls up the realms of fairy,
Where I beheld what never was to be;
All feelings changed, but this was last to vary,
A spell from which even yet I am not quite free:
But I grow sad- and let a tale grow cold,
Which must not be pathetically told.

The wind swept down the Euxine, and the wave
Broke foaming o'er the blue Symplegades;
'T is a grand sight from off 'the Giant's Grave
To watch the progress of those rolling seas
Between the Bosphorus, as they lash and lave
Europe and Asia, you being quite at ease;
There 's not a sea the passenger e'er pukes in,
Turns up more dangerous breakers than the Euxine.

'T was a raw day of Autumn's bleak beginning,
When nights are equal, but not so the days;
The Parcae then cut short the further spinning
Of seamen's fates, and the loud tempests raise
The waters, and repentance for past sinning

[...] Read more

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The Hurt

You say you want to seek the truth, but its hard to find
No one to help you, your friends dont have the time
So you ride around in your car. switch on the radio
You want to relate to something you once read in a book
What kind of a way to try to take a look
Until I got hurt I was looking, I was on my way
Until I got hurt, until I got hurt, darling I painted my face grey
Until I got hurt, till got hurt, why didnt i
I didnt think of this until I got hurt
till I got hurt. baby. I didnt know what love is
You say you want to learn to laugh cause music makes you cry
But the tears you shed are only in your eye
So you turn to any phoney mouth with a tale to tell
But hes just a hoaxer dont you know, selling peace and religion
Between his jokes and his karma chewing gum
Until I got hurt, I was looking, I was the same as you
Until I got hurt, until I got hurt, I did not know what to do
Until I got hurt, till I got hurt, why didnt i
I didnt think of this until I got hurt
till I got hurt, baby, I didnt know what love is
Young son, dont let me down, young son
Im trusting you to keep on, never turn away now
Hold on, never let go, now hold on
Turn your heart to the bright sun
Love will come your way
Cos till you make that final show
Youll never know what love youve been missing
Missing
You say you want to seek the truth but you work alone
No one to help you and nobody to push you on
So you sit at home drinking your wine, television on
You wait for a miracle, cos you say one day onell come along
(but wishful thinking, boy) any minute now you might be gone
Id like to help you brother but that would be wrong
Until I got hurt, I was looking, I was on my way
Until I got hurt, until I got hurt, darling I didnt know which way
Until I got hurt, till I got hurt, why didnt i
I didnt think of this until I got hurt
till I got hurt, baby, I didnt know what love is
Until I got hurt, oh I didnt know what love is

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The Four Seasons : Autumn

Crown'd with the sickle and the wheaten sheaf,
While Autumn, nodding o'er the yellow plain,
Comes jovial on; the Doric reed once more,
Well pleased, I tune. Whate'er the wintry frost
Nitrous prepared; the various blossom'd Spring
Put in white promise forth; and Summer-suns
Concocted strong, rush boundless now to view,
Full, perfect all, and swell my glorious theme.
Onslow! the Muse, ambitious of thy name,
To grace, inspire, and dignify her song,
Would from the public voice thy gentle ear
A while engage. Thy noble cares she knows,
The patriot virtues that distend thy thought,
Spread on thy front, and in thy bosom glow;
While listening senates hang upon thy tongue,
Devolving through the maze of eloquence
A roll of periods, sweeter than her song.
But she too pants for public virtue, she,
Though weak of power, yet strong in ardent will,
Whene'er her country rushes on her heart,
Assumes a bolder note, and fondly tries
To mix the patriot's with the poet's flame.
When the bright Virgin gives the beauteous days,
And Libra weighs in equal scales the year;
From Heaven's high cope the fierce effulgence shook
Of parting Summer, a serener blue,
With golden light enliven'd, wide invests
The happy world. Attemper'd suns arise,
Sweet-beam'd, and shedding oft through lucid clouds
A pleasing calm; while broad, and brown, below
Extensive harvests hang the heavy head.
Rich, silent, deep, they stand; for not a gale
Rolls its light billows o'er the bending plain:
A calm of plenty! till the ruffled air
Falls from its poise, and gives the breeze to blow.
Rent is the fleecy mantle of the sky;
The clouds fly different; and the sudden sun
By fits effulgent gilds the illumined field,
And black by fits the shadows sweep along.
A gaily chequer'd heart-expanding view,
Far as the circling eye can shoot around,
Unbounded tossing in a flood of corn.
These are thy blessings, Industry! rough power!
Whom labour still attends, and sweat, and pain;
Yet the kind source of every gentle art,
And all the soft civility of life:
Raiser of human kind! by Nature cast,
Naked, and helpless, out amid the woods
And wilds, to rude inclement elements;
With various seeds of art deep in the mind

[...] Read more

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~ Paean ~

Pre Text: ~ Goddess Durga symbolizes the power of the Supreme Being that maintains moral order and justice in the universe. Durga stands for the unified symbol of all divine forces: ~ Strength, Morality, Protector &c.
In India women are given highest honor as embodiment of motherhood. Many Indian women instead of surname like to use Devi. Devi literally stands for goddess. [For info on Goddess Sri Sri Durga please Google]

Humble submission: ~ This poem is not word by word translation of hymns [Slokas] on Goddess Durga. I sincerely admit my incapability. Here I’ve blended with poetic elements. I’ve given transliteration of Sanskrit Slokas [hymns] in the beginning for interested readers. Hope you’ll find glimpse of Indian view to Motherhood. ~ niv

~ PAEAN ~
Ms. Nivedita
UK
29 October 2010

Durga [Devi] Stuti [Paean]

‘Yaa Devii Sarva Bhooteshu Vishnu Maayethi Sabdita
Namastasyai Namastasyai Namastasyai Namo Namaha’ [1]

I bow again and again
O Goddess Mother Durga ~
The dweller in all beings
In the name of
Maya [Delusion] of God Vishnu. [1]

Yaa Devii Sarva Bhooteshu Chetanetyaabhi Dheeyate
Namastasyai Namastasyai Namastasyai Namo Namaha [2]

I bend inexhaustibly
O Goddess Mother Durga ~
The habitant in all livings
As actualization n’ realization. [2].

Yaa Devii Sarva Bhooteshu Buddhi Roopena Samsthita
Namastasyai Namastasyai Namastasyai Namo Namaha [3]

I offer aeonian obeisance
O Goddess Mother Durga ~
That blooms in all pscyche
In the form of cardinal intelligence. [3]

Yaa Devii Sarva Bhooteshu Nidraa Roopena Samsthita
Namastasyai Namastasyai Namastasyai Namo Namaha [4]

I salute unflaggingly
O Goddess Mother Durga ~
The resident in all animates
In the form of salving sleep. [4]

Yaa Devii Sarva Bhooteshu Kshudhaa Roopena Samsthita
Namastasyai Namastasyai Namastasyai Namo Namaha [5]

[...] Read more

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Byron

Canto the Second

I
Oh ye! who teach the ingenuous youth of nations,
Holland, France, England, Germany, or Spain,
I pray ye flog them upon all occasions,
It mends their morals, never mind the pain:
The best of mothers and of educations
In Juan's case were but employ'd in vain,
Since, in a way that's rather of the oddest, he
Became divested of his native modesty.

II
Had he but been placed at a public school,
In the third form, or even in the fourth,
His daily task had kept his fancy cool,
At least, had he been nurtured in the north;
Spain may prove an exception to the rule,
But then exceptions always prove its worth -—
A lad of sixteen causing a divorce
Puzzled his tutors very much, of course.

III
I can't say that it puzzles me at all,
If all things be consider'd: first, there was
His lady-mother, mathematical,
A—never mind; his tutor, an old ass;
A pretty woman (that's quite natural,
Or else the thing had hardly come to pass);
A husband rather old, not much in unity
With his young wife—a time, and opportunity.

IV
Well—well, the world must turn upon its axis,
And all mankind turn with it, heads or tails,
And live and die, make love and pay our taxes,
And as the veering wind shifts, shift our sails;
The king commands us, and the doctor quacks us,
The priest instructs, and so our life exhales,
A little breath, love, wine, ambition, fame,
Fighting, devotion, dust,—perhaps a name.

V
I said that Juan had been sent to Cadiz -—
A pretty town, I recollect it well -—
'T is there the mart of the colonial trade is
(Or was, before Peru learn'd to rebel),
And such sweet girls—I mean, such graceful ladies,
Their very walk would make your bosom swell;
I can't describe it, though so much it strike,
Nor liken it—I never saw the like:

[...] Read more

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Aspirin Damage

I get these killer headaches
I get one everyday
I wake up with a migraine
Since you ran away
Got a load of tension
Burnin' up my neck
Something is wrong with my suspension
So pass those tablets to this wreck
Aspirin damage, Aspirin damage
Kills the pain, destroys the brain
No one told me 'bout Aspirin damage
Sometimes I find myself shakin'
From the medication taken
Oh yeah.
I balance my Excedrin
And Anacins in stacks
I'm a pain reliever junkie
I got a Bayer on my back.
I went to see the doctor
He walked me down the hall
Said "Strip down 'til you're naked
Your suit, your tie and all."
Aspirin damage, Aspirin damage
Kills the pain, destroys the brain
Aspirin damage, my disadvantage
Sometimes I find myself shakin'
From the medication taken
Oh yeah.
Aspirin damage, Aspirin damage
Kills the pain, destroys the brain
No one told me 'bout Aspirin damage
Sometimes I find myself shakin'
From the medication taken
Oh yeah

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Those Who Hurt and Go

When you've been hurt and it is felt,
Is if felt like no one else?
When you've been scandalized to dirt...
Is this a group effort that's hurt?

And when forgiveness is expected,
Is it easy to forget...
Those who left you feeling grief.
Perceiving you to over-react.
And you to be too sensitive.

When you've been hurt and it is felt,
Is if felt like no one else?
When you've been scandalized to dirt...
Is this a group effort that's hurt?

And when forgiveness is expected,
Is it easy to forget...
Those who left you feeling grief.
Perceiving you to over-react.
And you to be too sensitive.

There is a misunderstanding...
As to who should feel what deeply.
To what degree a hurt is felt.
And who is left to grieve.

When you've been hurt and it is felt,
Is if felt like no one else?
When you've been scandalized to dirt...
Is this a group effort that's hurt?

No!
No!
No-no-no.

There's a misunderstanding...
As to who should feel what deeply.
To what degree a hurt is felt.
And who is left to grieve.

There's a misunderstanding...
As to who should feel what deeply.
To what degree a hurt is felt.
And who is left to grieve.

And when forgiveness is expected,
Is it easy to forget...
Those who left you feeling grief,
Believing you are weak.

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Byron

Lara

LARA. [1]

CANTO THE FIRST.

I.

The Serfs are glad through Lara's wide domain, [2]
And slavery half forgets her feudal chain;
He, their unhoped, but unforgotten lord —
The long self-exiled chieftain is restored:
There be bright faces in the busy hall,
Bowls on the board, and banners on the wall;
Far chequering o'er the pictured window, plays
The unwonted fagots' hospitable blaze;
And gay retainers gather round the hearth,
With tongues all loudness, and with eyes all mirth.

II.

The chief of Lara is return'd again:
And why had Lara cross'd the bounding main?
Left by his sire, too young such loss to know,
Lord of himself; — that heritage of woe,
That fearful empire which the human breast
But holds to rob the heart within of rest! —
With none to check, and few to point in time
The thousand paths that slope the way to crime;
Then, when he most required commandment, then
Had Lara's daring boyhood govern'd men.
It skills not, boots not, step by step to trace
His youth through all the mazes of its race;
Short was the course his restlessness had run,
But long enough to leave him half undone.

III.

And Lara left in youth his fatherland;
But from the hour he waved his parting hand
Each trace wax'd fainter of his course, till all
Had nearly ceased his memory to recall.
His sire was dust, his vassals could declare,
'Twas all they knew, that Lara was not there;
Nor sent, nor came he, till conjecture grew
Cold in the many, anxious in the few.
His hall scarce echoes with his wonted name,
His portrait darkens in its fading frame,
Another chief consoled his destined bride,
The young forgot him, and the old had died;
"Yet doth he live!" exclaims the impatient heir,
And sighs for sables which he must not wear.

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Lara. A Tale

The Serfs are glad through Lara's wide domain,
And slavery half forgets her feudal chain;
He, their unhoped, but unforgotten lord--
The long self-exiled chieftain is restored:
There be bright faces in the busy hall,
Bowls on the board, and banners on the wall;
Far chequering o'er the pictured window, plays
The unwonted fagots' hospitable blaze;
And gay retainers gather round the hearth,
With tongues all loudness, and with eyes all mirth.

II.
The chief of Lara is return'd again:
And why had Lara cross'd the bounding main?
Left by his sire, too young such loss to know,
Lord of himself;--that heritage of woe,
That fearful empire which the human breast
But holds to rob the heart within of rest!--
With none to check, and few to point in time
The thousand paths that slope the way to crime;
Then, when he most required commandment, then
Had Lara's daring boyhood govern'd men.
It skills not, boots not, step by step to trace
His youth through all the mazes of its race;
Short was the course his restlessness had run,
But long enough to leave him half undone.

III.
And Lara left in youth his fatherland;
But from the hour he waved his parting hand
Each trace wax'd fainter of his course, till all
Had nearly ceased his memory to recall.
His sire was dust, his vassals could declare,
'Twas all they knew, that Lara was not there;
Nor sent, nor came he, till conjecture grew
Cold in the many, anxious in the few.
His hall scarce echoes with his wonted name,
His portrait darkens in its fading frame,
Another chief consoled his destined bride,
The young forgot him, and the old had died;
'Yet doth he live!' exclaims the impatient heir,
And sighs for sables which he must not wear.
A hundred scutcheons deck with gloomy grace
The Laras' last and longest dwelling-place;
But one is absent from the mouldering file,
That now were welcome to that Gothic pile.

IV.
He comes at last in sudden loneliness,
And whence they know not, why they need not guess;

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Byron

The Corsair

'O'er the glad waters of the dark blue sea,
Our thoughts as boundless, and our soul's as free
Far as the breeze can bear, the billows foam,
Survey our empire, and behold our home!
These are our realms, no limits to their sway-
Our flag the sceptre all who meet obey.
Ours the wild life in tumult still to range
From toil to rest, and joy in every change.
Oh, who can tell? not thou, luxurious slave!
Whose soul would sicken o'er the heaving wave;
Not thou, vain lord of wantonness and ease!
whom slumber soothes not - pleasure cannot please -
Oh, who can tell, save he whose heart hath tried,
And danced in triumph o'er the waters wide,
The exulting sense - the pulse's maddening play,
That thrills the wanderer of that trackless way?
That for itself can woo the approaching fight,
And turn what some deem danger to delight;
That seeks what cravens shun with more than zeal,
And where the feebler faint can only feel -
Feel - to the rising bosom's inmost core,
Its hope awaken and Its spirit soar?
No dread of death if with us die our foes -
Save that it seems even duller than repose:
Come when it will - we snatch the life of life -
When lost - what recks it but disease or strife?
Let him who crawls enamour'd of decay,
Cling to his couch, and sicken years away:
Heave his thick breath, and shake his palsied head;
Ours - the fresh turf; and not the feverish bed.
While gasp by gasp he falters forth his soul,
Ours with one pang - one bound - escapes control.
His corse may boast its urn and narrow cave,
And they who loath'd his life may gild his grave:
Ours are the tears, though few, sincerely shed,
When Ocean shrouds and sepulchres our dead.
For us, even banquets fond regret supply
In the red cup that crowns our memory;
And the brief epitaph in danger's day,
When those who win at length divide the prey,
And cry, Remembrance saddening o'er each brow,
How had the brave who fell exulted now!'

II.
Such were the notes that from the Pirate's isle
Around the kindling watch-fire rang the while:
Such were the sounds that thrill'd the rocks along,
And unto ears as rugged seem'd a song!
In scatter'd groups upon the golden sand,
They game-carouse-converse-or whet the brand:

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The Castle Of Indolence

The castle hight of Indolence,
And its false luxury;
Where for a little time, alas!
We lived right jollily.

O mortal man, who livest here by toil,
Do not complain of this thy hard estate;
That like an emmet thou must ever moil,
Is a sad sentence of an ancient date:
And, certes, there is for it reason great;
For, though sometimes it makes thee weep and wail,
And curse thy star, and early drudge and late;
Withouten that would come a heavier bale,
Loose life, unruly passions, and diseases pale.
In lowly dale, fast by a river's side,
With woody hill o'er hill encompass'd round,
A most enchanting wizard did abide,
Than whom a fiend more fell is no where found.
It was, I ween, a lovely spot of ground;
And there a season atween June and May,
Half prankt with spring, with summer half imbrown'd,
A listless climate made, where, sooth to say,
No living wight could work, ne cared even for play.
Was nought around but images of rest:
Sleep-soothing groves, and quiet lawns between;
And flowery beds that slumbrous influence kest,
From poppies breathed; and beds of pleasant green,
Where never yet was creeping creature seen.
Meantime, unnumber'd glittering streamlets play'd,
And hurled every where their waters sheen;
That, as they bicker'd through the sunny glade,
Though restless still themselves, a lulling murmur made.
Join'd to the prattle of the purling rills
Were heard the lowing herds along the vale,
And flocks loud bleating from the distant hills,
And vacant shepherds piping in the dale:
And, now and then, sweet Philomel would wail,
Or stock-doves plain amid the forest deep,
That drowsy rustled to the sighing gale;
And still a coil the grasshopper did keep;
Yet all these sounds yblent inclined all to sleep.
Full in the passage of the vale, above,
A sable, silent, solemn forest stood;
Where nought but shadowy forms was seen to move,
As Idless fancied in her dreaming mood:
And up the hills, on either side, a wood
Of blackening pines, aye waving to and fro,
Sent forth a sleepy horror through the blood;
And where this valley winded out, below,
The murmuring main was heard, and scarcely heard, to flow.

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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The War

There is a sound of thunder afar,
Storm in the south that darkens the day,
Storm of battle and thunder of war,
Well, if it do not roll our way.
Form! form! Riflemen form!
Ready, be ready to meet the storm!
Riflemen, riflemen, riflemen form!

Be not deaf to the sound that warns!
Be not gull'd by a despot's plea!
Are figs of thistles or grapes of thorns?
How should a despot set men free?
Form! form! Riflemen form!
Ready, be ready to meet the storm!
Riflemen, riflemen, riflemen form!

Let your Reforms for a moment go,
Look to your butts and make good aims.
Better a rotten borough or so,
Than a rotten fleet or a city of flames!
Form! form! Riflemen form!
Ready, be ready to meet the storm!
Riflemen, riflemen, riflemen form!

Form, be ready to do or die!
Form in freedom's name and the Queen's!
True, that we have a faithful ally,
But only the devil knows what he means!
Form! form! Riflemen form!
Ready, be ready to meet the storm!
Riflemen, riflemen, riflemen form!

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