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Whoever exchanges some lard for some other lard, one or the other must be rancid.

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Charles Baudelaire

Le Flacon (The Perfume Flask)

II est de forts parfums pour qui toute matière
Est poreuse. On dirait qu'ils pénètrent le verre.
En ouvrant un coffret venu de l'Orient
Dont la serrure grince et rechigne en criant,

Ou dans une maison déserte quelque armoire
Pleine de l'âcre odeur des temps, poudreuse et noire,
Parfois on trouve un vieux flacon qui se souvient,
D'où jaillit toute vive une âme qui revient.

Mille pensers dormaient, chrysalides funèbres,
Frémissant doucement dans les lourdes ténèbres,
Qui dégagent leur aile et prennent leur essor,
Teintés d'azur, glacés de rose, lamés d'or.

Voilà le souvenir enivrant qui voltige
Dans l'air troublé; les yeux se ferment; le Vertige
Saisit l'âme vaincue et la pousse à deux mains
Vers un gouffre obscurci de miasmes humains;

II la terrasse au bord d'un gouffre séculaire,
Où, Lazare odorant déchirant son suaire,
Se meut dans son réveil le cadavre spectral
D'un vieil amour ranci, charmant et sépulcral.

Ainsi, quand je serai perdu dans la mémoire
Des hommes, dans le coin d'une sinistre armoire
Quand on m'aura jeté, vieux flacon désolé,
Décrépit, poudreux, sale, abject, visqueux, fêlé,

Je serai ton cercueil, aimable pestilence!
Le témoin de ta force et de ta virulence,
Cher poison préparé par les anges! liqueur
Qui me ronge, ô la vie et la mort de mon coeur!

The Perfume Flask

There are strong perfumes for which all matter
Is porous. One would say they go through glass.
On opening a coffer that has come from the East,
Whose creaking lock resists and grates,

Or in a deserted house, some cabinet
Full of the Past's acrid odor, dusty and black,
Sometimes one finds an antique phial which remembers,
Whence gushes forth a living soul returned to life.

Many thoughts were sleeping, death-like chrysalides,
Quivering softly in the heavy shadows,
That free their wings and rise in flight,

[...] Read more

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Little Tim's Revenge

"Little Tim " was the name of him
Of whom I have to tell;
And he abode on the Western road,
In the busy town of L--.
As trains went down through the little town,
He peddled through the cars
His stock in trade, — iced lemonade,
Cake, peanuts, and cigars.
Conductor Dunn was the only one
Who'd not this trade allow;
And so 'twixt him and little Tim
There always was a row.
At last one day they had a fray;
And Timothy declared
He'd "fix old Dunn, 'as sure's a gun,'"
If both their lives were spared.
So off he went with this intent,
And sold his stock in trade:
His earnings hard he spent for lard,
And started for "the grade."
(This place, you know, is where trains go
Upon the steep hillside,
And where — with lard — it isn't hard
To get up quite a slide.)
He took a stick, and spread it thick,
Remarking with a smile,
"There'll be some fun when Mr. Dunn
Commences to 'strike ile'!"
He lay in wait: the train was late,
And came a-puffing hard,
With heavy load, right up the road
To where he'd spread the lard.
They tried in vain: that fated train
Could not ascend the grade:
The wheels would spin with horrid din
Yet no advance was made.
Then little Tim — 'twas bold in him —
Cried out in accents shrill,
"Remember me, Conductor D.,
When you get up the hill!"

MORAL.
Success in trade is up a grade
That we should all ascend,
And with a will help up the hill
Our fellow-man and friend.
When "on the road," don't incommode
The seeker after pelf,
Or ten to one, like Mr. Dunn,
You'll not get up yourself.

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Telephone Conversation

Wednesday, January 23,2008
Week 10: Telephone Conversation by Wole Soyinka

Week 10 Dividing lines: Differences in Class, race, Gender and Ideology

Telephone Conversation
by Wole Soyinka

The price seemed reasonable, location
Indifferent. The landlady swore she lived
Off premises. Nothing remained
But self-confession. 'Madam, ' I warned,
'I hate a wasted journey—I am African.'
Silence. Silenced transmission of
Pressurized good-breeding. Voice, when it came,
Lipstick coated, long gold rolled
Cigarette-holder pipped. Caught I was foully.
'HOW DARK? '... I had not misheard... 'ARE YOU LIGHT
OR VERY DARK? ' Button B, Button A.* Stench
Of rancid breath of public hide-and-speak.
Red booth. Red pillar box. Red double-tiered
Omnibus squelching tar. It was real! Shamed
By ill-mannered silence, surrender
Pushed dumbfounded to beg simplification.
Considerate she was, varying the emphasis-
'ARE YOU DARK? OR VERY LIGHT? ' Revelation came.
'You mean-like plain or milk chocolate? '
Her assent was clinical, crushing in its light
Impersonality. Rapidly, wave-length adjusted,
I chose. 'West African sepia'-and as afterthought,
'Down in my passport.' Silence for spectroscopic
Flight of fancy, till truthfulness clanged her accent
Hard on the mouthpiece. 'WHAT'S THAT? ' conceding
'DON'T KNOW WHAT THAT IS.' 'Like brunette.'
'THAT'S DARK, ISN'T IT? ' 'Not altogether.
Facially, I am brunette, but, madam, you should see
The rest of me. Palm of my hand, soles of my feet
Are a peroxide blond. Friction, caused-

[...] Read more

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Coked, Cracked and Getting Weeded Out

If there is a war on drugs,
We all are being deceived as to who is defeating it.
The affects are clearly in view!
In what is 'suppose' to be private exchanges...
But obviously done in public too.

Granted,
Those who deal the drugs...
Isn't always the suspected and publicized urban dweller.
Nor are they secretly hidden suburbanite whites.
The culprits are increasingly middle aged...
And shockingly the elders.
Who are coked, cracked...
And getting their minds weeded out.

This epidemic has been a factor out of control for years.
Some argue the drugs should be legalized.
Others seem astonished,
To see elementary school kids dealing from playgrounds...
Using cell phones openly and conducting business.
While those high on pretentions have turned a blind eye to this.

If there is a war on drugs,
We all are being deceived as to who is defeating it.
The affects are clearly in view!
In what is 'suppose' to be private exchanges...
But obviously done in public too.

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Veruca Salt, the little brute

'Veruca Salt, the little brute,
Has just gone down the garbage chute,
(And as we very rightly thought
That in a case like this we ought
To see the thing completely through,
We've polished off her parents, too.)
Down goes Veruca! Down the drain!
And here, perhaps, we should explain
That she will meet, as she descends,
A rather different set of friends
To those that she has left behind–
These won't be nearly so refined.
A fish head, for example, cut
This morning from a halibut.
'Hello! Good morning! How d'you do?
How nice to meet you! How are you?'
And then a little further down
A mass of others gather round:
A bacon rind, some rancid lard,
A loaf of bread gone stale and hard,
A steak that nobody could chew,
An oyster from an oyster stew,
Some liverwurst so old and gray
One smelled it from a mile away,
A rotten nut, a reeky pear,
A thing the cat left on the stair,
And lots of other things as well,
Each with a rather horrid smell.
These are Veruca's new found friends
That she will meet as she descends,
And this is the price she has to pay
For going so very far astray.
But now, my dears, we think you might
Be wondering–is it really right
That every single bit of blame
And all the scolding and the shame
Should fall upon Veruca Salt?
Is she the only one at fault?
For though she's spoiled, and dreadfully so,
A girl can't spoil herself, you know.
Who spoiled her, then? Ah, who indeed?
Who pandered to her every need?
Who turned her into such a brat?
Who are the culprits? Who did that?
Alas! You needen't look so far
To find out who these sinners are.
They are (and this is very sad)
Her loving parents, MUM and DAD.
And that is why we're glad they fell
Into the garbage chute as well.'

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The Good Lord Is Irish

Twas in a wee little kirk
Nestled deep in the heather
Where leprechauns lurk
mid fog and brash weather

Where wee Father Flanagan stood
Attired in black coat and white collar
Aponderin’ evil and good
E’ twas Five foot two and na’ taller

Aponderin’ the warld’
and to how it might end
And how things might unfarl
When tis gone round the bend

“Oh dear Lard, how twillit be when we go?
Twill all be gone, or will yet some linger? ”
To which the Lard replied in voice soft and low
“suure and I’ll show ye my son, just pull my finger.

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Homer

The Iliad: Book 21

Now when they came to the ford of the full-flowing river Xanthus,
begotten of immortal Jove, Achilles cut their forces in two: one
half he chased over the plain towards the city by the same way that
the Achaeans had taken when flying panic-stricken on the preceding day
with Hector in full triumph; this way did they fly pell-mell, and Juno
sent down a thick mist in front of them to stay them. The other half
were hemmed in by the deep silver-eddying stream, and fell into it
with a great uproar. The waters resounded, and the banks rang again,
as they swam hither and thither with loud cries amid the whirling
eddies. As locusts flying to a river before the blast of a grass fire-
the flame comes on and on till at last it overtakes them and they
huddle into the water- even so was the eddying stream of Xanthus
filled with the uproar of men and horses, all struggling in
confusion before Achilles.
Forthwith the hero left his spear upon the bank, leaning it
against a tamarisk bush, and plunged into the river like a god,
armed with his sword only. Fell was his purpose as he hewed the
Trojans down on every side. Their dying groans rose hideous as the
sword smote them, and the river ran red with blood. As when fish fly
scared before a huge dolphin, and fill every nook and corner of some
fair haven- for he is sure to eat all he can catch- even so did the
Trojans cower under the banks of the mighty river, and when
Achilles' arms grew weary with killing them, he drew twelve youths
alive out of the water, to sacrifice in revenge for Patroclus son of
Menoetius. He drew them out like dazed fawns, bound their hands behind
them with the girdles of their own shirts, and gave them over to his
men to take back to the ships. Then he sprang into the river,
thirsting for still further blood.
There he found Lycaon, son of Priam seed of Dardanus, as he was
escaping out of the water; he it was whom he had once taken prisoner
when he was in his father's vineyard, having set upon him by night, as
he was cutting young shoots from a wild fig-tree to make the wicker
sides of a chariot. Achilles then caught him to his sorrow unawares,
and sent him by sea to Lemnos, where the son of Jason bought him.
But a guest-friend, Eetion of Imbros, freed him with a great sum,
and sent him to Arisbe, whence he had escaped and returned to his
father's house. He had spent eleven days happily with his friends
after he had come from Lemnos, but on the twelfth heaven again
delivered him into the hands of Achilles, who was to send him to the
house of Hades sorely against his will. He was unarmed when Achilles
caught sight of him, and had neither helmet nor shield; nor yet had he
any spear, for he had thrown all his armour from him on to the bank,
and was sweating with his struggles to get out of the river, so that
his strength was now failing him.
Then Achilles said to himself in his surprise, "What marvel do I see
here? If this man can come back alive after having been sold over into
Lemnos, I shall have the Trojans also whom I have slain rising from
the world below. Could not even the waters of the grey sea imprison
him, as they do many another whether he will or no? This time let
him taste my spear, that I may know for certain whether mother earth

[...] Read more

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Homer

The Odyssey: Book 21

Minerva now put it in Penelope's mind to make the suitors try
their skill with the bow and with the iron axes, in contest among
themselves, as a means of bringing about their destruction. She went
upstairs and got the store room key, which was made of bronze and
had a handle of ivory; she then went with her maidens into the store
room at the end of the house, where her husband's treasures of gold,
bronze, and wrought iron were kept, and where was also his bow, and
the quiver full of deadly arrows that had been given him by a friend
whom he had met in Lacedaemon- Iphitus the son of Eurytus. The two
fell in with one another in Messene at the house of Ortilochus,
where Ulysses was staying in order to recover a debt that was owing
from the whole people; for the Messenians had carried off three
hundred sheep from Ithaca, and had sailed away with them and with
their shepherds. In quest of these Ulysses took a long journey while
still quite young, for his father and the other chieftains sent him on
a mission to recover them. Iphitus had gone there also to try and
get back twelve brood mares that he had lost, and the mule foals
that were running with them. These mares were the death of him in
the end, for when he went to the house of Jove's son, mighty Hercules,
who performed such prodigies of valour, Hercules to his shame killed
him, though he was his guest, for he feared not heaven's vengeance,
nor yet respected his own table which he had set before Iphitus, but
killed him in spite of everything, and kept the mares himself. It
was when claiming these that Iphitus met Ulysses, and gave him the bow
which mighty Eurytus had been used to carry, and which on his death
had been left by him to his son. Ulysses gave him in return a sword
and a spear, and this was the beginning of a fast friendship, although
they never visited at one another's houses, for Jove's son Hercules
killed Iphitus ere they could do so. This bow, then, given him by
Iphitus, had not been taken with him by Ulysses when he sailed for
Troy; he had used it so long as he had been at home, but had left it
behind as having been a keepsake from a valued friend.
Penelope presently reached the oak threshold of the store room;
the carpenter had planed this duly, and had drawn a line on it so as
to get it quite straight; he had then set the door posts into it and
hung the doors. She loosed the strap from the handle of the door,
put in the key, and drove it straight home to shoot back the bolts
that held the doors; these flew open with a noise like a bull
bellowing in a meadow, and Penelope stepped upon the raised
platform, where the chests stood in which the fair linen and clothes
were laid by along with fragrant herbs: reaching thence, she took down
the bow with its bow case from the peg on which it hung. She sat
down with it on her knees, weeping bitterly as she took the bow out of
its case, and when her tears had relieved her, she went to the
cloister where the suitors were, carrying the bow and the quiver, with
the many deadly arrows that were inside it. Along with her came her
maidens, bearing a chest that contained much iron and bronze which her
husband had won as prizes. When she reached the suitors, she stood
by one of the bearing-posts supporting the roof of the cloister,
holding a veil before her face, and with a maid on either side of her.

[...] Read more

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Les vieux maîtres

Dans les bouges fumeux où pendent des jambons,
Des boudins bruns, des chandelles et des vessies,
Des grappes de poulets, des grappes de dindons,
D'énormes chapelets de volailles farcies,
Tachant de rose et blanc les coins du plafond noir,
En cercle, autour des mets entassés sur la table,
Qui saignent, la fourchette au flanc dans un tranchoir,
Tous ceux qu'auprès des brocs la goinfrerie attable,
Craesbeke, Brakenburgh, Teniers, Dusart, Brauwer,
Avec Steen, le plus gros, le plus ivrogne, au centre,
Sont réunis, menton gluant, gilet ouvert,
De rires plein la bouche et de lard plein le ventre.
Leurs commères, corps lourds où se bombent les chairs
Dans la nette blancheur des linges du corsage,
Leur versent à jets longs de superbes vins clairs,
Qu'un rai d'or du soleil égratigne au passage,
Avant d'incendier les panses des chaudrons.
Elles, ces folles, sont reines dans les godailles,
Que leurs amants, goulus d'amours et de jurons,
Mènent comme au beau temps des vieilles truandailles,
Tempes en eau, regards en feu, langue dehors,
Avec de grands hoquets, scandant les chansons grasses,
Des poings brandis au clair, des luttes corps à corps
Et des coups assénés à broyer leurs carcasses,
Tandis qu'elles, le sang toujours à fleur de peau,
La bouche ouverte aux chants, le gosier aux rasades,
Après des sauts de danse à fendre le carreau,
Des chocs de corps, des heurts de chair et des bourrades,
Des lèchements subis dans un étreignement,
Toutes moites d'ardeurs, tombent dépoitraillées.
Une odeur de mangeaille au lard, violemment,
Sort des mets découverts ; de larges écuellées
De jus fumant et gras, où trempent des rôtis,
Passant et repassant sous le nez des convives,
Excitent, d'heure en heure, à neuf, leurs appétits.
Dans la cuisine, on fait en hâte les lessives
De plats vidés et noirs qu'on rapporte chargés,
Des saucières d'étain collent du pied aux nappes,
Les dressoirs sont remplis et les celliers gorgés.
Tout autour de l'estrade, où rougeoient ces agapes,
Pendent à des crochets paniers, passoires, grils,
Casseroles, bougeoirs, briquets, cruches, gamelles ;
Dans un coin, deux magots exhibent leurs nombrils,
Et trônent, verre en main, sur deux tonnes jumelles ;
Et partout, à chaque angle ou relief, ici, là,
Au pommeau d'une porte, aux charnières d'armoire,
Au pilon des mortiers, aux hanaps de gala,
Sur le mur, à travers les trous de l'écumoire,
Partout, à droite, à gauche, au hasard des reflets,
Scintillent des clartés, des gouttes de lumière,

[...] Read more

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Vacuum

Silence cannot be simply silent
For it's swirled in burning memories
Grudging heart adventuring victoriously
Put out the fire with oceanic tears
Senile wedlock and rancid life are the eyes
In swollen emptiness
Now gazing into the remote vacuum

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Bowery Afternoon

Drab discoloration
Of faces, façades, pawn-shops,
Second-hand clothing,
Smoky and fly-blown glass of lunch-rooms,
Odors of rancid life…

Deadly uniformity
Of eyes and windows
Alike devoid of light…
Holes wherein life scratches -
Mangy life
Nosing to the gutter's end…

Show-rooms and mimic pillars
Flaunting out of their gaudy vestibules
Bosoms and posturing thighs…

Over all the Elevated
Droning like a bloated fly.

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Lovers and Strangers (The Tea Maker)

and behind the thin paper wall
in that dim shabby room
sitting upon my rickety chairs
they drink my rancid tea

only lovers and strangers
pass my hut at the foot of the hill
a lonely place for a lonely communion
a wilderness to pour out a melancholy conscience

only lovers and strangers
seek for a lonely place
where a homely soul lives
and not necessarily for my tea

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T.S. Eliot

Rhapsody on a Windy Night

Twelve o'clock.
Along the reaches of the street
Held in a lunar synthesis,
Whispering lunar incantations
Dissolve the floors of memory
And all its clear relations,
Its divisions and precisions,
Every street lamp that I pass
Beats like a fatalistic drum,
And through the spaces of the dark
Midnight shakes the memory
As a madman shakes a dead geranium.

Half-past one,
The street lamp sputtered,
The street lamp muttered,
The street lamp said, "Regard that woman
Who hesitates towards you in the light of the door
Which opens on her like a grin.
You see the border of her dress
Is torn and stained with sand,
And you see the corner of her eye
Twists like a crooked pin."

The memory throws up high and dry
A crowd of twisted things;
A twisted branch upon the beach
Eaten smooth, and polished
As if the world gave up
The secret of its skeleton,
Stiff and white.
A broken spring in a factory yard,
Rust that clings to the form that the strength has left
Hard and curled and ready to snap.

Half-past two,
The street lamp said,
"Remark the cat which flattens itself in the gutter,
Slips out its tongue
And devours a morsel of rancid butter."
So the hand of a child, automatic,
Slipped out and pocketed a toy that was running along the quay.
I could see nothing behind that child's eye.
I have seen eyes in the street
Trying to peer through lighted shutters,
And a crab one afternoon in a pool,
An old crab with barnacles on his back,
Gripped the end of a stick which I held him.

Half-past three,

[...] Read more

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Dragontown

Well Here you are
lying bleeding on a grimy street
see the broken glass
sparkling darkly as it cuts your feet
smell the rotting stench
the rancid odor of ocantonese
feel the toxic flames
all around you
you can hardly breathe
come with me

Come on
Iv'e got something to show you
come on
you thought that it was over
come on
your really gonna like this
come on
come on
come on
come on

we can dig you a home
deep in the ground
bury your soul
down Dragontown
we'll be lower than low
spiraling down
fallin' fewer than go
down Dragontown

open any door
remember everyone
youve meet before
oh theres a wicked young man
cooking slowly in a frying pan
and a family of bones
hung back together
sleeping all alone
then theres alice dear
and evrything that got it here
now your here

Come on
Iv'e got something to show you
come on
you thought that it was over
come on
your really gonna like this
come on

[...] Read more

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Neuromancer

Age of destruction
Age of oblivion
Age of destruction
Age of oblivion
Discovered love,
In the rancid days of ruin
My bodys sweatin toxins,
Of my own demise
Only from space, can you see
How much earth is burning
Smokin out the innocense inside
The child
Its the age of destruction
In a world of corruption
Its the age of destruction
And they hand us oblivion
Neuromancer and Im trancing
Im the neuromancer--and Im trancing
Man wallows in his insatiable greed
More in the answer that sweats
From desparate palms
Turn on the lies, the secrets,
Of our desolation,
Or be smothered, by the red hot core
Its the age of destruction,
In a world of corruption
Its the age of destruction
And they hand us oblivion
The neuromancer and Im trancing
Im the neuromancer and Im trancing
Im the neuromancer--Im trancing
Trancing
Trancing
And Im trancing
Denied love in the age of ruin
Suicide toxins of my own demise
In cyberspace, you know how much
The earth aint learning
Smoking out the man, inside the child--yeah
Its the age of destruction
In a world of corruption
Its the age of destruction
And they hand us oblivion
The neuromancer and Im trancing
Im the neuromancer and Im trancing
Neuromancer--trancing
Neuromancer--trancing
Neuromancer--trancing
Neuromancer
Age of destruction

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The Loveless

Well I know shes waiting for me
Yeah
Outside of society
I know shes sailing for me
Ooo baby
Ran out of society
Yeah dance with me
I said heal me
Hear me
I gotta confess
Im one of the love love loveless
I know youre hungry for me
Love me
Outside of society yeah
I know youre hungry for me
Believe me baby
Out of rhyme and subtlety
I said heal me
Hear me
I gotta confess
That Im one of the love love loveless
Yeah hopelessly we look
Into the barrel of a gun
We gotta pull ourselves together
And make a plan
Woah yeah
No control mama
One of the loveless baby
Rockin tonight
Drunk n stupid n naked
Love me
Outside of society
Oooo rancid singin lonely
Believe me baby
Drunken on sobriety
I said well heal me
Hear me
I gotta confess
Im one of the love love loveless
I said hear me
Hear me
I gotta confess
That Im one of the love love loveless
Ah yeah
Love love loveless
No control mama
Waiting to be swept away
In your cold black storm
No control

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Tapestry

Every thread of creation is held in position
By still other strands of things living
In an earthly tapestry hung from the skyline
Of smoldering cities, so gray and so vulgar,
As not to be satisfied with their own negativity,
But needing to touch all the living as well.
And every breeze that blows kindly is one crystal breath
We exhale on the blue diamond heaven:
As gentle to touch as the hands of the healer,
As soft as farewells whispered over the coffin.
Were poisoned by venom with each breath we take
From the brown sulfer chimney and the black highway snake.
And every dawn that breaks golden is held in suspension
Like the yolk of the egg in albumen.
Where the birth and the death of unseen generations
Are interdependant in vast orchestration,
And painted in colors of tapestry thread
When the dying are born and the living are dead.
And every pulse of your heartbeat is one liquid moment
That flows through the veins of your being.
Like a river of life flowing on since creation
Approaching the sea with each new generation,
Youre now just a stagnant and rancid disgrace
That is rapidly drowning the whole human race.
And every fish that swims silent, every bird that fly freely
Every doe that steps softly,
Every crisp leaf that falls, all the flowers that grow,
On this colorful tapestry, somehow they know
That if man is allowed to destroy all we need
He will soon have to pay with his life for his greed

song performed by Don McLeanReport problemRelated quotes
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Indoor Games

Indoor fireworks amuse your kitchen staff
Dusting plastic garlic plants
They snigger in the draught
When you ride through the parlour
Wearing nothing but your armour-
Playing indoor games.
One string puppet shows amuse
Your sycophantic friends
Who cheer your rancid recipes
In fear they might offend,
Whilst you loaf on your sofa
Sporting falsies and a toga-
Playing indoor games, indoor games.
Your mean teetotum spins arouse your seventh wife
Who pats her sixty little skins
And reinsures your life,
Whilst you sulk in your sauna
cos you lost your jigsaw corner-
Playing indoor games, indoor games.
Each afternoon you train baboons to sing
Or swim in purple perspex water wings.
Come saturday jump hopper, chelsea brigade,
High bender-trender its all indoor games.
No ball bagatelle incites
Your children to conspire,
They slide across your frying pan
And fertilize your fire;
Still you and jones go madder
Broken bones-broken ladder-
Hey ho . . .

song performed by King CrimsonReport problemRelated quotes
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Superskin

Superskin holds my insides in
Can't you see the bloody corpses?
Behind my blackened grin
Mind's deconstructin'
The millstream within
Drop dead my friend
We've reached the end
You've let me down
Reachin' all the way to the blood red hope
And then you turn around
And all the sanity
Rips out the seams
Rip roar and red and runnin'
Whatcha gonna do when I come on blue
And resurrect me
Come spittin' flames
If I were a dog
Would you stop me?
Would you be me?
Till I fight your hand
Should I bite your hand?
Superskin keeps me safe in sin
I'm the one you've got to mention
Before I let you win
Mind's decomposin'
And the wood's gone rancid
Come back my friend it's time again
To let me down
Cut all the way to the big bad wolf
And again, you turned around
And all the sanity
Rips out the seams
Rip roar and red and runnin'
Whatcha gonna do when I come on blue
And resurrect me
Come spittin' flames
If I were a dog
Would you stop me?
Would you be me?
Till I fight your hand
Should I bite your hand?
Should I bite your hand?
Superskin holds my insides in
Can't you see the bloody corpses?
Behind my blackened grin
Mind's deconstructin'
The millstream within
Drop dead my friend
We've reached the end
You've let me down

[...] Read more

song performed by Stone SourReport problemRelated quotes
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Lay This Life Down

under this bloodred sky.
i offer this tortured flesh to gods under your heavens.
my soul spent worthless
lay this life down
bring me divinity to answer crime with their lies.
bring forth the armies of grief.
rancid breath of an angel disease
feed me tears of a martyr's last cry.
my flesh to your flesh to dust as we... die
in this world bombarded by belows of madness.
i cling to the lonely chambers of my mind.
scratching the surfaces... searching for some sanity
under this bloodred sky.
i offer this tortured flesh to gods under your heavens.
my soul spent worthless
bring me divinity to answer crime with their lies

song performed by UndyingReport problemRelated quotes
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