Quotes like Tumbleweed will not enter into...

Tumbleweed will not enter into the mouth of the lying camel.

Tywa proverbs
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Related quotes

Of Course Im Lying

Her name was julie
When she took me on a ride in her old chevrolet
Straight into a dusty sundown
I knew she was gonna make up one of her stories
And then she couldnt believe that I told her
How much I love her lies and how much I love her games
Riding on the highway
Youre going much too far
Youre lying so much better
When you drive a car
Youre lying til the sundown
So look into my face
Youre lying (I love it)
Youre lying (I love it)
Youre lying (I love it)
Youre lying (I love it)
Youre lying
I love your games
I love your lies
I love your games
Look in my eyes
Dont believe Im worried
When youre playing all these games
I love your lies just hold me tight
I got no one to blame
Youre lying, Im buying
Im buying every word
I love your lies
I love your games
Take me to the ballroom
Were dancing through the night
Im in your arms, I love your lies
They make me feel so light
Youre lying to your shadow
So look into my face
Youre lying (I love it)
Youre lying (I love it)
Youre lying (I love it)
Youre lying (I love it)
Youre lying
Julie stopped her car
The sun had gone and left one of these dark red skies
She looked in my eyes and with a smile in her face she said
Of course Im lying.
But I think I love you.
Take me on the highway
Youre going much too far
Youre lying even better
When you drive a car
Youre lying til the sundown

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song performed by Yello
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Of Course Im Lying

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song performed by Yello
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Tamar

I
A night the half-moon was like a dancing-girl,
No, like a drunkard's last half-dollar
Shoved on the polished bar of the eastern hill-range,
Young Cauldwell rode his pony along the sea-cliff;
When she stopped, spurred; when she trembled, drove
The teeth of the little jagged wheels so deep
They tasted blood; the mare with four slim hooves
On a foot of ground pivoted like a top,
Jumped from the crumble of sod, went down, caught, slipped;
Then, the quick frenzy finished, stiffening herself
Slid with her drunken rider down the ledges,
Shot from sheer rock and broke
Her life out on the rounded tidal boulders.

The night you know accepted with no show of emotion the little
accident; grave Orion
Moved northwest from the naked shore, the moon moved to
meridian, the slow pulse of the ocean
Beat, the slow tide came in across the slippery stones; it drowned
the dead mare's muzzle and sluggishly
Felt for the rider; Cauldwell’s sleepy soul came back from the
blind course curious to know
What sea-cold fingers tapped the walls of its deserted ruin.
Pain, pain and faintness, crushing
Weights, and a vain desire to vomit, and soon again
die icy fingers, they had crept over the loose hand and lay in the
hair now. He rolled sidewise
Against mountains of weight and for another half-hour lay still.
With a gush of liquid noises
The wave covered him head and all, his body
Crawled without consciousness and like a creature with no bones,
a seaworm, lifted its face
Above the sea-wrack of a stone; then a white twilight grew about
the moon, and above
The ancient water, the everlasting repetition of the dawn. You
shipwrecked horseman
So many and still so many and now for you the last. But when it
grew daylight
He grew quite conscious; broken ends of bone ground on each
other among the working fibers
While by half-inches he was drawing himself out of the seawrack
up to sandy granite,
Out of the tide's path. Where the thin ledge tailed into flat cliff
he fell asleep. . . .
Far seaward
The daylight moon hung like a slip of cloud against the horizon.
The tide was ebbing
From the dead horse and the black belt of sea-growth. Cauldwell
seemed to have felt her crying beside him,

[...] Read more

poem by Robinson Jeffers
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Mouth To Mouth

Ahhhhey!
Ahhhhey!
You tied the knot,
A legend is what you bought
I give you cold water,
And you swear it was wine
You bought time
If you can fool yourself,
Then why not them?
Just keep passing it,
Mouth to mouth to mouth
Ahhhhey!
Ahhhhey!
You tied the knot,
A legend is what you bought
I give you cold water,
And you swear it was wine
You bought time
If you can fool yourself,
Then why not them?
Just keep passing it,
Mouth to mouth to mouth
I can dress up the dead man, but I cant bring him back to life
Bring it out, bring it out
Ahhhhey!
You tied the knot,
Peeled your skin off,
Leave a bungle of nerves
I give you a wet noodle,
You swear that it was my tongue
A sharp one
Instead of that same old
Mouth to mouth to mouth to mouth
I can dress up the dead man, I cant bring him back to life
Bring it out, bring it out
Ahhhhey!
Ahhhhey!
Mouth to mouth
Mouth to mouth
Mouth to mouth
Ahhhhey!
Mouth to mouth
Mouth to mouth
Mouth to mouth to mouth to mouth
I can dress up the dead man, but I cant bring him back to life
I can dress up the dead man, but I cant bring him back to life
I can dress up the dead man, but I cant bring him back to life
I can dress up the dead man, but I cant bring him back to life
I can dress up the dead man, but I cant bring him back to life ...
This is getting old

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song performed by Faith No More
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The Poem of Imru al Qays

Stop, oh my friends, let us pause to weep over the remembrance of my beloved.
Here was her abode on the edge of the sandy desert between Dakhool and Howmal.

The traces of her encampment are not wholly obliterated even now.
For when the South wind blows the sand over them the North wind sweeps it away.

The courtyards and enclosures of the old home have become desolate;
The dung of the wild deer lies there thick as the seeds of pepper.

On the morning of our separation it was as if I stood in the gardens of our tribe,
Amid the acacia-shrubs where my eyes were blinded with tears by the smart from the bursting pods of colocynth.

As I lament thus in the place made desolate, my friends stop their camels;
They cry to me 'Do not die of grief; bear this sorrow patiently.'

Nay, the cure of my sorrow must come from gushing tears.
Yet, is there any hope that this desolation can bring me solace?

So before ever I met Unaizah, did I mourn for two others;
My fate had been the same with Ummul-Huwairith and her neighbor Ummul-Rahab in Masal.

Fair were they also, diffusing the odor of musk as they moved,
Like the soft zephyr bringing with it the scent of the clove.

Thus the tears flowed down on my breast, remembering days of love;
The tears wetted even my sword-belt, so tender was my love.

Behold how many pleasant days have I spent with fair women;
Especially do I remember the day at the pool of Darat-i-Juljul.2

On that day I killed my riding camel for food for the maidens:
How merry was their dividing my camel's trappings to be carried on their camels.

It is a wonder, a riddle, that the camel being saddled was yet unsaddled!
A wonder also was the slaughterer, so heedless of self in his costly gift!

Then the maidens commenced throwing the camel's flesh into the kettle;
The fat was woven with the lean like loose fringes of white twisted silk.

[...] Read more

poem by Imru al Qays Ibn Hujr
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Love Having You Around

Please,
Mama, mama, mama,
Mama, mama, baby,
Baby, baby, baby,
Mama, mama, mama,
Baby, baby, baby,
Listen baby,
Every day I want to fly my kite,
Every day I want to fly my kite,
An every day I want to get on my camel an ride.
Oo yea
Every day I want to shake your hand, yea, yea, yea,
For in the world makin me a better man,
An every day I want to get on my camel an ride
(on my camel ride, on my camel)
Oo baby
And when the day is through,
Nothin to do, sit around groovin with you,
And I say it cause I love having you around,
And I say it cause I love having you around. yea
Everyday I want to be your friend, (be your friend)
cause you have stuck with me through thick and thin
An every day I want a smile in your lovely brown eyes,
(smile at your lovely brown eyes)
Oh yea
Every day Im gonna give my share,
cause I know your gonna take me there, (hey, hey)
An every day I want to get on my camel an ride, oo
(get on my camel)
And when the day is done,
Nothin to do, spend all my time just loving you, (oh, yea)
An I say it cause I love having you around, mm baby
And I say it cause I love oo having you around
Yea, yea, yea, yea, yea
Yea, yea, yea
An in the end I know youll be with me,
cause you made my soul so free, (so everyday)
An every day I wanna get on my camel an ride, yea
(on my camel)
And when the day is through,
Nothin to do, spend all my time just lovin you
An I say it cause I love yea having you around.
(love having you around)
And I say it cause I love having you around yea, yea, yea
An I say it cause I love having you around (having you around baby)
And I say it cause I love (cant you hear me people? ) having you around
(cant you hear me people? )
And I say it cause I love having you around
(cant you hear me say it? cant you hear me say it baby? )
And I say it cause I love having you around

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song performed by Stevie Wonder
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Heaven In My Mouth Tonight

Oh...
Heaven is in my heart
Oh...
Heaven is in my heart

Oh...
Heaven is in my heart
Oh...
Heaven is in my heart
Oh....
Heaven is in my heart

The Kingdom of our God is here
Heaven is in my heart
The presence of his majesty
Heaven is in my heart
And in his presence joy abounds
Heaven is in my heart
The light of holiness surround
Heaven is in my heart

Oh...
Heaven is in my heart
Oh...
Heaven is in my heart
Oh....
Heaven is in my heart

We are a temple for his throne
Heaven is in my heart
And Christ is the foundation stone
Heaven is in my heart
He will return to take us home
Heaven is in my heart
The Spirit and the Bride say come
Heaven is in my heart

Oh...
Heaven is in my heart
Oh...
Heaven is in my heart
Oh....
Heaven is in my heart

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poem by Ramona Thompson
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Lyin' To Yourself

You tell me lies that you believe
You say its the real thing
I can see how you've deceived
I know what's happening
And seeing is believing 'til you find out that you're blind
You're Lying To Yourself (Lying To Yourself)
You're Lying To Yourself (Lying To Yourself)
Wake up, shake up, turn around
I'll give it to you straight
It's been too long, it's past a joke
Something I can't take
The cost is due, now tell me money ain't the means [to me it sounds like
"meaning"]
You're Lying To Yourself
(Lying To Yourself)
You're Lying To Yourself
(Lying To Yourself)
Lying To Yourself again, you're Lying to Yourself again
Lying To Yourself again, you're Lying To Yourself again
Lying in the morning
I'll kiss you goodbye
You won't regret a part of this
And neither will I
Revealing hearts with a common need play their hands
You're Lying To Yourself
(Lying To Yourself)
You're Lying To Yourself
(Lying To Yourself)
NOTE: This song is a B-side to the Alpha album single "The Smile Has Left
Your Eyes

song performed by Asia
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Mouth

You gave me this
made me give
your silver grin
still sticking it in
you have soul machine
soul machine
the longest kiss
peeling furniture days
drift madly to you
pollute my heart drain
you have broken at me
broken me
all your mental armor drags me down
nothing hurts like your mouth
your loaded smiles
pretty just desserts
wish it all for you
so much it never hurts
you have soul machine
stone at me
all your mental armor drags me down
we can't breathe when you come around
all your mental armor drags me down
nothing hurts like your mouth mouth
mouth
your mouth mouth mouth
your mouth mouth mouth
we've been missing long before
never found our way home
we've been missing long before
where we'll find our way
you gave me this
made me give
you have soul machine
broken free
all your mental armor drags me down
we can't breathe when you come around
all your mental armor drags me down
nothing hurts like your mouth mouth
mouth
your mouth mouth mouth
your mouth mouth mouth
all your mental armor
all your mental armor
and your mouth
mouth

song performed by Bush from Razorblade Suitcase
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The Cenci : A Tragedy In Five Acts

DRAMATIS PERSONÆ

Count Francesco Cenci.
Giacomo, his Son.
Bernardo, his Son.
Cardinal Camillo.
Orsino, a Prelate.
Savella, the Pope's Legate.
Olimpio, Assassin.
Marzio, Assassin.
Andrea, Servant to Cenci.
Nobles, Judges, Guards, Servants.
Lucretia, Wife of Cenci, and Step-mother of his children.
Beatrice, his Daughter.

The Scene lies principally in Rome, but changes during the Fourth Act to Petrella, a castle among the Apulian Apennines.
Time. During the Pontificate of Clement VIII.

ACT I

Scene I.
-An Apartment in the Cenci Palace.
Enter Count Cenci, and Cardinal Camillo.

Camillo.
That matter of the murder is hushed up
If you consent to yield his Holiness
Your fief that lies beyond the Pincian gate.-
It needed all my interest in the conclave
To bend him to this point: he said that you
Bought perilous impunity with your gold;
That crimes like yours if once or twice compounded
Enriched the Church, and respited from hell
An erring soul which might repent and live:-
But that the glory and the interest
Of the high throne he fills, little consist
With making it a daily mart of guilt
As manifold and hideous as the deeds
Which you scarce hide from men's revolted eyes.

Cenci.
The third of my possessions-let it go!
Ay, I once heard the nephew of the Pope
Had sent his architect to view the ground,
Meaning to build a villa on my vines
The next time I compounded with his uncle:
I little thought he should outwit me so!

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poem by Percy Bysshe Shelley
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Give Your Heart To The Hawks

1 he apples hung until a wind at the equinox,

That heaped the beach with black weed, filled the dry grass

Under the old trees with rosy fruit.

In the morning Fayne Fraser gathered the sound ones into a

basket,

The bruised ones into a pan. One place they lay so thickly
She knelt to reach them.

Her husband's brother passing
Along the broken fence of the stubble-field,
His quick brown eyes took in one moving glance
A little gopher-snake at his feet flowing through the stubble
To gain the fence, and Fayne crouched after apples
With her mop of red hair like a glowing coal
Against the shadow in the garden. The small shapely reptile
Flowed into a thicket of dead thistle-stalks
Around a fence-post, but its tail was not hidden.
The young man drew it all out, and as the coil
Whipped over his wrist, smiled at it; he stepped carefully
Across the sag of the wire. When Fayne looked up
His hand was hidden; she looked over her shoulder
And twitched her sunburnt lips from small white teeth
To answer the spark of malice in his eyes, but turned
To the apples, intent again. Michael looked down
At her white neck, rarely touched by the sun,
But now the cinnabar-colored hair fell off from it;
And her shoulders in the light-blue shirt, and long legs like a boy's
Bare-ankled in blue-jean trousers, the country wear;
He stooped quietly and slipped the small cool snake
Up the blue-denim leg. Fayne screamed and writhed,
Clutching her thigh. 'Michael, you beast.' She stood up
And stroked her leg, with little sharp cries, the slender invader
Fell down her ankle.

Fayne snatched for it and missed;

Michael stood by rejoicing, his rather small

Finely cut features in a dance of delight;

Fayne with one sweep flung at his face

All the bruised and half-spoiled apples in the pan,

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poem by Robinson Jeffers
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They've Put A Brassiere On A Camel

They've put a brassiere on a camel,
She wasn't dressed proper, you know.
They've put a brassiere on a camel,
So that her humps wouldn't show.
And they're making other respectable plans,
They're even even insisting the pigs should wear pants,
They'll dress up the ducks if we give them the chance
Since they've put a brassiere on a camel.
They've put a brassiere on a camel,
They claim she's more decent that way.
They've put a brassiere on a camel,
The camel had nothing to say.
They squeezed her into it, i'll never know how,
They say that she looks more respectable now,
Lord knows what they've got in mind for the cow,
Since they've put a brassiere on a camel.

poem by Sheldon Allan Silverstein
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Zoheyr

Woe is me for 'Ommi 'Aufa! Woe for the tents of her
lost on thy stony plain, Durráj, on thine, Mutethéllemi!
In Rákmatéyn I found our dwelling, faint lines how desolate,
tent--markstraced like the vein--tracings blue on the wrists of her.
Large--eyed there the wild--kine pastured, white roes how fearlessly,
leaped, their fawns beside them, startled: I in the midst of them.
Twenty years abroad I wander. Lo, here I stand to--day,
hardly know the remembered places, seek I how painfully.
Here our hearth--stones stand, ay, blackened still with her cooking--pots,
here our tent--trench squarely graven, grooved here our camel--trough.
Love, when my eyes behold thy dwelling, to it I call aloud:
Blessed be thou, O house of pleasure, greeting and joy to thee!

Friend of my soul! Dost thou behold them? Say, are there maidens there,
camel--borne, high in their howdahs, over the Júrthum spring?
Say, are their curtains lined with scarlet, sanguine embroideries,
veiling them from eyes of all men, rose--tinted coverings?
Slantwise up El Subáan they mounted: high--set the pass of it.
With them the new--born morning's beauty, fair--faced and fortunate.
At the blink of dawn they rose and laded. Now, ere the sun is up,
point they far to Wády Ras, straight as hand points to mouth.
Joy! Sweet joy of joys! Fair visions, human in tenderness,
dear to the human eye that truly sees them and understands!
As the scarlet fringe of fénna seed--pods no lip hath browsed upon,
so is the dye of their scarlet wool new--fringing the camping--grounds.
And they came to the watering pool in the red rocks: blue--black the depths of it.
And they planted the tent--poles, straight and fairly, firm for a dwelling--place.
They have left Kanáan on the far right hand: dark--crowned the crest of it.
How many foes in El Kanáan! And friends, too, ah, how many!
But they came to El Subáan in their might, impetuous, beautiful,
they in their howdahs of scarlet wool. O friend, dost thou look on them?

I have sworn by the most illustrious dwelling, shrine of processioners,
house revered of Koréysh and Júrhum, founded in piety.
I have sworn my praise to the two chieftains, men of what hardihood,
prompt todo when need shall call them, light deeds and doughty deeds.
Strove ye well, ye Lords of Mórra, what though the clans of you
long had drwoned in blood their friendship, drowned it in war--clamours.
Ye with Abs and Dóbián that day ye persuaded them,
spite of feud and their death--dealing perfumes of mínshami.
For thus ye spake: Let peace be garnered, all the fair wealth of it,
based onpay and fair exchanges, ours to establish it.
Theirs the peace and yours the glory, high names and dignities,
you the nobletwain prevailing, purging the rage of them.
Lo, in Maád ye stand exalted, ye the high--guided ones.
He who a booty brings of glory, shall he not share in it?
Healing of wounds ye dealed in hundreds, hundreds of debt--camels,
guiltless you for the death--guilty, ending the feud of them.
Tribe and tribe, you paid the ransom, what though the hands of you
clean were of blood and the red shedding, ay, the least cup of it.

[...] Read more

poem by Wilfrid Scawen Blunt
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Armadillo Streets

The dust has just begun to settle
Forming crop circles in the carpet
Oil marks kiss the walls
Where pleasure moments hung before
Spin me around one last time
Disappear with the walking sun

Look down that road lonely traveler
Before you pack your things
Vagabond shoes have lead you nowhere
But further away from home
Look down that road lonely traveler
Before you turn to leave
Just a tumbleweed blowing aimlessly
Along armadillo streets

Count the days as they barely move
Denying you didn't stop you from coming
Consumed under the trance of the moon
Enter Casanova
As ransom notes fall from your lips
Lies espoused, digested through a hungry mouth
Defense falls paper thin, until
I loose all inhibitions

The residue of another late nate rendevous
Greets me with the morning light
Half smoked cigarettes, a bottle of gin
A post card signed, 'See you next time'
I trace your silohette into the heels of your mirage
But I never did plan to understand
What happened after dark

Look down that road lonely traveler
Before you turn to leave
Just a tumbleweed blowing aimlessly
Along armadillo streets

poem by Kay Gardner
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Enter Into Her World

Enter into the world so sweet!
The world full of names to crown the day;
Enter into the world so sweet!
Ethel is your name so sweet for an identity.
You are the window of my heart,
You are the joy of my taste;
Just like an apple-pie on acreamed cake.
Enter into the world so sweet,
Just like trying Pawpaw with Rice and Chicken!
The world that emits true love to us all;
Oh, what a beautiful world full of names.
Like Ethel in the order of love,
Enter into her world so sweet like,
The low-tides and the high-tides;
Enter into her world so sweet!

Oh earth, hear the echoes of my joy to meet her;
Love emitting from the highlands of Mile-Eleven.
Enter into her world so sweet like,
True love emitting from McCarty Hill! !
Enter into her parlour to meet her true love.

She has a message for you and i,
So enter into her world so sweet;
Like a true lover among the names.

Who said it was not possible?
When, impossibilities are made possible!
Who said that, she will not reply?
When, her heart yearns for love;
Like a mango tree next to an apple tree.
Far beyond her scope is her vision of love,
Moving to and fro in search of a landing pad;
If it isn't love then,
Why will you enter into her parlour?
Far beyond the scope are hills and mountains to pass by.

Like Mount Kilimanjaro to Mount Afajato is,
Her game of love to call by;
So, embrace her kindness and guide her on.
Like the paradise cream of Acapulco Bay,
Hanging in a distance is the echoes of her love;
Yes, the future is the better place to live in.
Enter into her world so sweet with your muse,
Where the future is still unknown;
Exchanging from the past to the present.

A sweet poem for her love,
A sweet muse of her love,
Like Dragon and Tiger from the far East! !

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poem by Edward Kofi Louis
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Thespis: Act I

DRAMATIS PERSONAE

GODS

Jupiter, Aged Diety
Apollo, Aged Diety
Mars, Aged Diety
Diana, Aged Diety
Mercury

THESPIANS

Thespis
Sillimon
TimidonTipseion
Preposteros
Stupidas
Sparkeio n
Nicemis
Pretteia
Daphne
Cymon

ACT I - Ruined Temple on the Summit of Mount Olympus

[Scene--The ruins of the The Temple of the Gods, on summit of
Mount Olympus. Picturesque shattered columns, overgrown with
ivy, etc. R. and L. with entrances to temple (ruined) R. Fallen
columns on the stage. Three broken pillars 2 R.E. At the back of
stage is the approach from the summit of the mountain. This
should be "practicable" to enable large numbers of people to
ascend and descend. In the distance are the summits of adjacent
mountains. At first all this is concealed by a thick fog, which
clears presently. Enter (through fog) Chorus of Stars coming off
duty as fatigued with their night's work]

CHO. Through the night, the constellations,
Have given light from various stations.
When midnight gloom falls on all nations,
We will resume our occupations.

SOLO. Our light, it's true, is not worth mention;
What can we do to gain attention.
When night and noon with vulgar glaring
A great big moon is always flaring.

[During chorus, enter Diana, an elderly goddess. She is carefully
wrapped up in cloaks, shawls, etc. A hood is over her head, a
respirator in her mouth, and galoshes on her feet. During the

[...] Read more

poem by William Schwenck Gilbert
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“Shouting” for a Camel

It was over at Coolgardie that a mining speculator,
Who was going down the township just to make a bit o' chink,
Went off to hire a camel from a camel propagator,
And the Afghan said he'd lend it if he'd stand the beast a drink.
Yes, the only price he asked him was to stand the beast a drink.
He was cheap, very cheap, as the dromedaries go.
So the mining speculator made the bargain, proudly thinking
He had bested old Mahomet, he had done him in the eye.
Then he clambered on the camel, and the while the beast was drinking
He explained with satisfaction to the miners standing by
That 'twas cheap, very cheap, as the dromedaries go.

But the camel kept on drinking and he filled his hold with water,
And the more he had inside him yet the more he seemed to need;
For he drank it by the gallon, and his girths grew taut and tauter,
And the miners muttered softly, 'Yes he's very dry indeed!
But he's cheap, very cheap, as dromedaries go.'

So he drank up twenty buckets -- it was weird to watch him suck it,
(And the market price for water was per bucket half-a-crown)
Till the speculator stopped him, saying, 'Not another bucket --
If I give him any more there'll be a famine in the town.
Take him back to old Mahomet, and I'll tramp it through the town.'
He was cheap, very cheap, as the speculators go.

There's a moral to this story -- in your hat you ought to paste it --
Be careful whom you shout for when a camel is about,
And there's plenty human camels who, before they'll see you waste it,
Will drink up all you pay for if you're fool enough to shout;
If you chance to strike a camel when you're fool enough to shout,
You'll be cheap, very cheap, as the speculators go.

poem by Andrew Barton Paterson
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Shouting' For A Camel

So the mining speculator made the bargain, proudly thinking
He had bested old Mahomet, he had done him in the eye.
Then he clambered on the camel, and the while the beast was drinking
He explained with satisfaction to the miners standing by
That 'twas cheap, very cheap, as the dromedaries go.

So he drank up twenty buckets, it was weird to watch him suck it,
(And the market price for water was per bucket half-a-crown)
Till the speculator stopped him, saying, 'Not another busket,
If I give him any more there'll be a famine in the town.
Take him back to old Mahomet, and I'll tramp it through the town.'
He was cheap, very cheap, as the speculators go.

There's a moral to this story, in your hat you ought to paste it,
Be careful whom you shout for when a camel is about,
And there's plenty human camels who, before they'll see you waste it,
Will drink up all you pay for if you're fool enough to shout;
If you chance to strike a camel when you're fool enough to shout,
You'll be cheap, very cheap, as the speculators go.

poem by Andrew Barton Paterson
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In the Spirit of Rumi-39-The Desert

As the cool dawn brings the light
to the desert where the blue-white sky
meets the sand that time and man have brought,
and you wake the camel boy
to lead the camels from the waterside –

before you mount the lurching beast
and sway off into the desert on your path,
the camel-bells tinkling on the harness,

look into the camel’s eyes.
There you will see mingled,
pride in its being; patience in its duty.

The wise men say that God is found
where opposites meet and are resolved.
Proud in its being, patient in its duty –
no great wonder, then, that the camel
has been chosen of God to take you
across the desert of your destiny in faith and trust;

for in the world of metaphor, where man meets God
in the mind’s own language,
the camel is your body; dutiful proud servant
for the journey you must take; your company
for the length of time that journey takes.

So, traveller, when you reach the green and cool oasis
at the ending of the day’s sufficient journey -
first tie your camel by the waters of refreshment
before you kneel; for food; for prayer; then
resting in the bright-eyed company;
the eyes of those who scan the round horizon as they ride
and wonder always, what oasis lies beyond.

poem by Michael Shepherd
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Overbird

O = Once upon the midnight enter hurry
V = Verily the hurry worry enter scurry
E = Eerily or early bird of enter Poe
R = Raven is only one huge enter Crow

B = Better to see them from the
distance of the hour glasses with
thick lenses enter Tommy use your eye
I = Intense discussion rules get broken
enter time to turn the worm over
enter into the night
R = Roman Judges rule nothing enter Rome
not one stone standing of the Jewish enter
temple now
D = Describe the Vulture in the Temple its
got wings of darkness its got red eye
with long black enter nose this time
this poem enter perfect prose

poem by Charles Hice
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