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Tumbleweed entered the mouth of the lying camel.

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Of Course Im Lying

Her name was julie
When she took me on a ride in her old chevrolet
Straight into a dusty sundown
I knew she was gonna make up one of her stories
And then she couldnt believe that I told her
How much I love her lies and how much I love her games
Riding on the highway
Youre going much too far
Youre lying so much better
When you drive a car
Youre lying til the sundown
So look into my face
Youre lying (I love it)
Youre lying (I love it)
Youre lying (I love it)
Youre lying (I love it)
Youre lying
I love your games
I love your lies
I love your games
Look in my eyes
Dont believe Im worried
When youre playing all these games
I love your lies just hold me tight
I got no one to blame
Youre lying, Im buying
Im buying every word
I love your lies
I love your games
Take me to the ballroom
Were dancing through the night
Im in your arms, I love your lies
They make me feel so light
Youre lying to your shadow
So look into my face
Youre lying (I love it)
Youre lying (I love it)
Youre lying (I love it)
Youre lying (I love it)
Youre lying
Julie stopped her car
The sun had gone and left one of these dark red skies
She looked in my eyes and with a smile in her face she said
Of course Im lying.
But I think I love you.
Take me on the highway
Youre going much too far
Youre lying even better
When you drive a car
Youre lying til the sundown

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Of Course Im Lying

Her name was julie
When she took me on a ride in her old chevrolet
Straight into a dusty sundown
I knew she was gonna make up one of her stories
And then she couldnt believe that I told her
How much I love her lies and how much I love her games
Riding on the highway
Youre going much too far
Youre lying so much better
When you drive a car
Youre lying til the sundown
So look into my face
Youre lying (I love it)
Youre lying (I love it)
Youre lying (I love it)
Youre lying (I love it)
Youre lying
I love your games
I love your lies
I love your games
Look in my eyes
Dont believe Im worried
When youre playing all these games
I love your lies just hold me tight
I got no one to blame
Youre lying, Im buying
Im buying every word
I love your lies
I love your games
Take me to the ballroom
Were dancing through the night
Im in your arms, I love your lies
They make me feel so light
Youre lying to your shadow
So look into my face
Youre lying (I love it)
Youre lying (I love it)
Youre lying (I love it)
Youre lying (I love it)
Youre lying
Julie stopped her car
The sun had gone and left one of these dark red skies
She looked in my eyes and with a smile in her face she said
Of course Im lying.
But I think I love you.
Take me on the highway
Youre going much too far
Youre lying even better
When you drive a car
Youre lying til the sundown

[...] Read more

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The Poem of Imru al Qays

Stop, oh my friends, let us pause to weep over the remembrance of my beloved.
Here was her abode on the edge of the sandy desert between Dakhool and Howmal.


The traces of her encampment are not wholly obliterated even now.
For when the South wind blows the sand over them the North wind sweeps it away.


The courtyards and enclosures of the old home have become desolate;
The dung of the wild deer lies there thick as the seeds of pepper.


On the morning of our separation it was as if I stood in the gardens of our tribe,
Amid the acacia-shrubs where my eyes were blinded with tears by the smart from the bursting pods of colocynth.


As I lament thus in the place made desolate, my friends stop their camels;
They cry to me 'Do not die of grief; bear this sorrow patiently.'


Nay, the cure of my sorrow must come from gushing tears.
Yet, is there any hope that this desolation can bring me solace?


So before ever I met Unaizah, did I mourn for two others;
My fate had been the same with Ummul-Huwairith and her neighbor Ummul-Rahab in Masal.


Fair were they also, diffusing the odor of musk as they moved,
Like the soft zephyr bringing with it the scent of the clove.


Thus the tears flowed down on my breast, remembering days of love;
The tears wetted even my sword-belt, so tender was my love.


Behold how many pleasant days have I spent with fair women;
Especially do I remember the day at the pool of Darat-i-Juljul.2


On that day I killed my riding camel for food for the maidens:
How merry was their dividing my camel's trappings to be carried on their camels.


It is a wonder, a riddle, that the camel being saddled was yet unsaddled!
A wonder also was the slaughterer, so heedless of self in his costly gift!


Then the maidens commenced throwing the camel's flesh into the kettle;
The fat was woven with the lean like loose fringes of white twisted silk.

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Tamar

I
A night the half-moon was like a dancing-girl,
No, like a drunkard's last half-dollar
Shoved on the polished bar of the eastern hill-range,
Young Cauldwell rode his pony along the sea-cliff;
When she stopped, spurred; when she trembled, drove
The teeth of the little jagged wheels so deep
They tasted blood; the mare with four slim hooves
On a foot of ground pivoted like a top,
Jumped from the crumble of sod, went down, caught, slipped;
Then, the quick frenzy finished, stiffening herself
Slid with her drunken rider down the ledges,
Shot from sheer rock and broke
Her life out on the rounded tidal boulders.

The night you know accepted with no show of emotion the little
accident; grave Orion
Moved northwest from the naked shore, the moon moved to
meridian, the slow pulse of the ocean
Beat, the slow tide came in across the slippery stones; it drowned
the dead mare's muzzle and sluggishly
Felt for the rider; Cauldwell’s sleepy soul came back from the
blind course curious to know
What sea-cold fingers tapped the walls of its deserted ruin.
Pain, pain and faintness, crushing
Weights, and a vain desire to vomit, and soon again
die icy fingers, they had crept over the loose hand and lay in the
hair now. He rolled sidewise
Against mountains of weight and for another half-hour lay still.
With a gush of liquid noises
The wave covered him head and all, his body
Crawled without consciousness and like a creature with no bones,
a seaworm, lifted its face
Above the sea-wrack of a stone; then a white twilight grew about
the moon, and above
The ancient water, the everlasting repetition of the dawn. You
shipwrecked horseman
So many and still so many and now for you the last. But when it
grew daylight
He grew quite conscious; broken ends of bone ground on each
other among the working fibers
While by half-inches he was drawing himself out of the seawrack
up to sandy granite,
Out of the tide's path. Where the thin ledge tailed into flat cliff
he fell asleep. . . .
Far seaward
The daylight moon hung like a slip of cloud against the horizon.
The tide was ebbing
From the dead horse and the black belt of sea-growth. Cauldwell
seemed to have felt her crying beside him,

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Mouth To Mouth

Ahhhhey!
Ahhhhey!
You tied the knot,
A legend is what you bought
I give you cold water,
And you swear it was wine
You bought time
If you can fool yourself,
Then why not them?
Just keep passing it,
Mouth to mouth to mouth
Ahhhhey!
Ahhhhey!
You tied the knot,
A legend is what you bought
I give you cold water,
And you swear it was wine
You bought time
If you can fool yourself,
Then why not them?
Just keep passing it,
Mouth to mouth to mouth
I can dress up the dead man, but I cant bring him back to life
Bring it out, bring it out
Ahhhhey!
You tied the knot,
Peeled your skin off,
Leave a bungle of nerves
I give you a wet noodle,
You swear that it was my tongue
A sharp one
Instead of that same old
Mouth to mouth to mouth to mouth
I can dress up the dead man, I cant bring him back to life
Bring it out, bring it out
Ahhhhey!
Ahhhhey!
Mouth to mouth
Mouth to mouth
Mouth to mouth
Ahhhhey!
Mouth to mouth
Mouth to mouth
Mouth to mouth to mouth to mouth
I can dress up the dead man, but I cant bring him back to life
I can dress up the dead man, but I cant bring him back to life
I can dress up the dead man, but I cant bring him back to life
I can dress up the dead man, but I cant bring him back to life
I can dress up the dead man, but I cant bring him back to life ...
This is getting old

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Love Having You Around

Please,
Mama, mama, mama,
Mama, mama, baby,
Baby, baby, baby,
Mama, mama, mama,
Baby, baby, baby,
Listen baby,
Every day I want to fly my kite,
Every day I want to fly my kite,
An every day I want to get on my camel an ride.
Oo yea
Every day I want to shake your hand, yea, yea, yea,
For in the world makin me a better man,
An every day I want to get on my camel an ride
(on my camel ride, on my camel)
Oo baby
And when the day is through,
Nothin to do, sit around groovin with you,
And I say it cause I love having you around,
And I say it cause I love having you around. yea
Everyday I want to be your friend, (be your friend)
cause you have stuck with me through thick and thin
An every day I want a smile in your lovely brown eyes,
(smile at your lovely brown eyes)
Oh yea
Every day Im gonna give my share,
cause I know your gonna take me there, (hey, hey)
An every day I want to get on my camel an ride, oo
(get on my camel)
And when the day is done,
Nothin to do, spend all my time just loving you, (oh, yea)
An I say it cause I love having you around, mm baby
And I say it cause I love oo having you around
Yea, yea, yea, yea, yea
Yea, yea, yea
An in the end I know youll be with me,
cause you made my soul so free, (so everyday)
An every day I wanna get on my camel an ride, yea
(on my camel)
And when the day is through,
Nothin to do, spend all my time just lovin you
An I say it cause I love yea having you around.
(love having you around)
And I say it cause I love having you around yea, yea, yea
An I say it cause I love having you around (having you around baby)
And I say it cause I love (cant you hear me people? ) having you around
(cant you hear me people? )
And I say it cause I love having you around
(cant you hear me say it? cant you hear me say it baby? )
And I say it cause I love having you around

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Heaven In My Mouth Tonight

Oh...
Heaven is in my heart
Oh...
Heaven is in my heart

Oh...
Heaven is in my heart
Oh...
Heaven is in my heart
Oh....
Heaven is in my heart

The Kingdom of our God is here
Heaven is in my heart
The presence of his majesty
Heaven is in my heart
And in his presence joy abounds
Heaven is in my heart
The light of holiness surround
Heaven is in my heart

Oh...
Heaven is in my heart
Oh...
Heaven is in my heart
Oh....
Heaven is in my heart

We are a temple for his throne
Heaven is in my heart
And Christ is the foundation stone
Heaven is in my heart
He will return to take us home
Heaven is in my heart
The Spirit and the Bride say come
Heaven is in my heart

Oh...
Heaven is in my heart
Oh...
Heaven is in my heart
Oh....
Heaven is in my heart

Oh...
Heaven is in my heart
Oh...
Heaven is in my heart
Oh....
Heaven is in my heart

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Give Your Heart To The Hawks

1 he apples hung until a wind at the equinox,

That heaped the beach with black weed, filled the dry grass

Under the old trees with rosy fruit.

In the morning Fayne Fraser gathered the sound ones into a

basket,

The bruised ones into a pan. One place they lay so thickly
She knelt to reach them.

Her husband's brother passing
Along the broken fence of the stubble-field,
His quick brown eyes took in one moving glance
A little gopher-snake at his feet flowing through the stubble
To gain the fence, and Fayne crouched after apples
With her mop of red hair like a glowing coal
Against the shadow in the garden. The small shapely reptile
Flowed into a thicket of dead thistle-stalks
Around a fence-post, but its tail was not hidden.
The young man drew it all out, and as the coil
Whipped over his wrist, smiled at it; he stepped carefully
Across the sag of the wire. When Fayne looked up
His hand was hidden; she looked over her shoulder
And twitched her sunburnt lips from small white teeth
To answer the spark of malice in his eyes, but turned
To the apples, intent again. Michael looked down
At her white neck, rarely touched by the sun,
But now the cinnabar-colored hair fell off from it;
And her shoulders in the light-blue shirt, and long legs like a boy's
Bare-ankled in blue-jean trousers, the country wear;
He stooped quietly and slipped the small cool snake
Up the blue-denim leg. Fayne screamed and writhed,
Clutching her thigh. 'Michael, you beast.' She stood up
And stroked her leg, with little sharp cries, the slender invader
Fell down her ankle.

Fayne snatched for it and missed;


Michael stood by rejoicing, his rather small

Finely cut features in a dance of delight;

Fayne with one sweep flung at his face

All the bruised and half-spoiled apples in the pan,

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Lyin' To Yourself

You tell me lies that you believe
You say its the real thing
I can see how you've deceived
I know what's happening
And seeing is believing 'til you find out that you're blind
You're Lying To Yourself (Lying To Yourself)
You're Lying To Yourself (Lying To Yourself)
Wake up, shake up, turn around
I'll give it to you straight
It's been too long, it's past a joke
Something I can't take
The cost is due, now tell me money ain't the means [to me it sounds like
"meaning"]
You're Lying To Yourself
(Lying To Yourself)
You're Lying To Yourself
(Lying To Yourself)
Lying To Yourself again, you're Lying to Yourself again
Lying To Yourself again, you're Lying To Yourself again
Lying in the morning
I'll kiss you goodbye
You won't regret a part of this
And neither will I
Revealing hearts with a common need play their hands
You're Lying To Yourself
(Lying To Yourself)
You're Lying To Yourself
(Lying To Yourself)
NOTE: This song is a B-side to the Alpha album single "The Smile Has Left
Your Eyes

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Mouth

You gave me this
made me give
your silver grin
still sticking it in
you have soul machine
soul machine
the longest kiss
peeling furniture days
drift madly to you
pollute my heart drain
you have broken at me
broken me
all your mental armor drags me down
nothing hurts like your mouth
your loaded smiles
pretty just desserts
wish it all for you
so much it never hurts
you have soul machine
stone at me
all your mental armor drags me down
we can't breathe when you come around
all your mental armor drags me down
nothing hurts like your mouth mouth
mouth
your mouth mouth mouth
your mouth mouth mouth
we've been missing long before
never found our way home
we've been missing long before
where we'll find our way
you gave me this
made me give
you have soul machine
broken free
all your mental armor drags me down
we can't breathe when you come around
all your mental armor drags me down
nothing hurts like your mouth mouth
mouth
your mouth mouth mouth
your mouth mouth mouth
all your mental armor
all your mental armor
and your mouth
mouth

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Henry Wadsworth Longfellow

Courtship of Miles Standish, The

I
MILES STANDISH

In the Old Colony days, in Plymouth the land of the Pilgrims
To and fro in a room of his simple and primitive dwelling,
Clad in doublet and hose, and boots of Cordovan leather,
Strode, with a martial air, Miles Standish the Puritan Captain.
Buried in thought he seemed, with his hands behind him, and pausing
Ever and anon to behold his glittering weapons of warfare,
Hanging in shining array along the walls of the chamber, --
Cutlass and corselet of steel, and his trusty sword of Damascus,
Curved at the point and inscribed with its mystical Arabic sentence,
While underneath, in a corner, were fowling-piece, musket, and matchlock.
Short of stature he was, but strongly built and athletic,
Broad in the shoulders, deep-chested, with muscles and sinews of iron;
Brown as a nut was his face, but his russet beard was already
Flaked with patches of snow, as hedges sometimes in November.
Near him was seated John Alden, his friend and household companion,
Writing with diligent speed at a table of pine by the window:
Fair-haired, azure-eyed, with delicate Saxon complexion,
Having the dew of his youth, and the beauty thereof, as the captives
Whom Saint Gregory saw, and exclaimed, "Not Angles, but Angels."
Youngest of all was he of the men who came in the Mayflower.

Suddenly breaking the silence, the diligent scribe interrupting,
Spake, in the pride of his heart, Miles Standish the Captain of Plymouth.
"Look at these arms," he said, "the war-like weapons that hang here
Burnished and bright and clean, as if for parade or inspection!
This is the sword of Damascus I fought with in Flanders; this breastplate,
Well I remember the day! once save my life in a skirmish;
Here in front you can see the very dint of the bullet
Fired point-blank at my heart by a Spanish arcabucero.
Had it not been of sheer steel, the forgotten bones of Miles Standish
Would at this moment be mould, in their grave in the Flemish morasses."
Thereupon answered John Alden, but looked not up from his writing:
"Truly the breath of the Lord hath slackened the speed of the bullet;
He in his mercy preserved you, to be our shield and our weapon!"
Still the Captain continued, unheeding the words of the stripling:
"See, how bright they are burnished, as if in an arsenal hanging;
That is because I have done it myself, and not left it to others.
Serve yourself, would you be well served, is an excellent adage;
So I take care of my arms, as you of your pens and your inkhorn.
Then, too, there are my soldiers, my great, invincible army,
Twelve men, all equipped, having each his rest and his matchlock,
Eighteen shillings a month, together with diet and pillage,
And, like Caesar, I know the name of each of my soldiers!"
This he said with a smile, that danced in his eyes, as the sunbeams
Dance on the waves of the sea, and vanish again in a moment.
Alden laughed as he wrote, and still the Captain continued:
"Look! you can see from this window my brazen howitzer planted

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They've Put A Brassiere On A Camel

They've put a brassiere on a camel,
She wasn't dressed proper, you know.
They've put a brassiere on a camel,
So that her humps wouldn't show.
And they're making other respectable plans,
They're even even insisting the pigs should wear pants,
They'll dress up the ducks if we give them the chance
Since they've put a brassiere on a camel.
They've put a brassiere on a camel,
They claim she's more decent that way.
They've put a brassiere on a camel,
The camel had nothing to say.
They squeezed her into it, i'll never know how,
They say that she looks more respectable now,
Lord knows what they've got in mind for the cow,
Since they've put a brassiere on a camel.

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Henry Wadsworth Longfellow

The Courtship of Miles Standish

I
MILES STANDISH

In the Old Colony days, in Plymouth the land of the Pilgrims
To and fro in a room of his simple and primitive dwelling,
Clad in doublet and hose, and boots of Cordovan leather,
Strode, with a martial air, Miles Standish the Puritan Captain.
Buried in thought he seemed, with his hands behind him, and pausing
Ever and anon to behold his glittering weapons of warfare,
Hanging in shining array along the walls of the chamber, --
Cutlass and corselet of steel, and his trusty sword of Damascus,
Curved at the point and inscribed with its mystical Arabic sentence,
While underneath, in a corner, were fowling-piece, musket, and matchlock.
Short of stature he was, but strongly built and athletic,
Broad in the shoulders, deep-chested, with muscles and sinews of iron;
Brown as a nut was his face, but his russet beard was already
Flaked with patches of snow, as hedges sometimes in November.
Near him was seated John Alden, his friend and household companion,
Writing with diligent speed at a table of pine by the window:
Fair-haired, azure-eyed, with delicate Saxon complexion,
Having the dew of his youth, and the beauty thereof, as the captives
Whom Saint Gregory saw, and exclaimed, "Not Angles, but Angels."
Youngest of all was he of the men who came in the Mayflower.

Suddenly breaking the silence, the diligent scribe interrupting,
Spake, in the pride of his heart, Miles Standish the Captain of Plymouth.
"Look at these arms," he said, "the war-like weapons that hang here
Burnished and bright and clean, as if for parade or inspection!
This is the sword of Damascus I fought with in Flanders; this breastplate,
Well I remember the day! once save my life in a skirmish;
Here in front you can see the very dint of the bullet
Fired point-blank at my heart by a Spanish arcabucero.
Had it not been of sheer steel, the forgotten bones of Miles Standish
Would at this moment be mould, in their grave in the Flemish morasses."
Thereupon answered John Alden, but looked not up from his writing:
"Truly the breath of the Lord hath slackened the speed of the bullet;
He in his mercy preserved you, to be our shield and our weapon!"
Still the Captain continued, unheeding the words of the stripling:
"See, how bright they are burnished, as if in an arsenal hanging;
That is because I have done it myself, and not left it to others.
Serve yourself, would you be well served, is an excellent adage;
So I take care of my arms, as you of your pens and your inkhorn.
Then, too, there are my soldiers, my great, invincible army,
Twelve men, all equipped, having each his rest and his matchlock,
Eighteen shillings a month, together with diet and pillage,
And, like Caesar, I know the name of each of my soldiers!"
This he said with a smile, that danced in his eyes, as the sunbeams
Dance on the waves of the sea, and vanish again in a moment.
Alden laughed as he wrote, and still the Captain continued:
"Look! you can see from this window my brazen howitzer planted

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Zoheyr

Woe is me for 'Ommi 'Aufa! Woe for the tents of her
lost on thy stony plain, Durráj, on thine, Mutethéllemi!
In Rákmatéyn I found our dwelling, faint lines how desolate,
tent--markstraced like the vein--tracings blue on the wrists of her.
Large--eyed there the wild--kine pastured, white roes how fearlessly,
leaped, their fawns beside them, startled: I in the midst of them.
Twenty years abroad I wander. Lo, here I stand to--day,
hardly know the remembered places, seek I how painfully.
Here our hearth--stones stand, ay, blackened still with her cooking--pots,
here our tent--trench squarely graven, grooved here our camel--trough.
Love, when my eyes behold thy dwelling, to it I call aloud:
Blessed be thou, O house of pleasure, greeting and joy to thee!

Friend of my soul! Dost thou behold them? Say, are there maidens there,
camel--borne, high in their howdahs, over the Júrthum spring?
Say, are their curtains lined with scarlet, sanguine embroideries,
veiling them from eyes of all men, rose--tinted coverings?
Slantwise up El Subáan they mounted: high--set the pass of it.
With them the new--born morning's beauty, fair--faced and fortunate.
At the blink of dawn they rose and laded. Now, ere the sun is up,
point they far to Wády Ras, straight as hand points to mouth.
Joy! Sweet joy of joys! Fair visions, human in tenderness,
dear to the human eye that truly sees them and understands!
As the scarlet fringe of fénna seed--pods no lip hath browsed upon,
so is the dye of their scarlet wool new--fringing the camping--grounds.
And they came to the watering pool in the red rocks: blue--black the depths of it.
And they planted the tent--poles, straight and fairly, firm for a dwelling--place.
They have left Kanáan on the far right hand: dark--crowned the crest of it.
How many foes in El Kanáan! And friends, too, ah, how many!
But they came to El Subáan in their might, impetuous, beautiful,
they in their howdahs of scarlet wool. O friend, dost thou look on them?

I have sworn by the most illustrious dwelling, shrine of processioners,
house revered of Koréysh and Júrhum, founded in piety.
I have sworn my praise to the two chieftains, men of what hardihood,
prompt todo when need shall call them, light deeds and doughty deeds.
Strove ye well, ye Lords of Mórra, what though the clans of you
long had drwoned in blood their friendship, drowned it in war--clamours.
Ye with Abs and Dóbián that day ye persuaded them,
spite of feud and their death--dealing perfumes of mínshami.
For thus ye spake: Let peace be garnered, all the fair wealth of it,
based onpay and fair exchanges, ours to establish it.
Theirs the peace and yours the glory, high names and dignities,
you the nobletwain prevailing, purging the rage of them.
Lo, in Maád ye stand exalted, ye the high--guided ones.
He who a booty brings of glory, shall he not share in it?
Healing of wounds ye dealed in hundreds, hundreds of debt--camels,
guiltless you for the death--guilty, ending the feud of them.
Tribe and tribe, you paid the ransom, what though the hands of you
clean were of blood and the red shedding, ay, the least cup of it.

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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

[...] Read more

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“Shouting” for a Camel

It was over at Coolgardie that a mining speculator,
Who was going down the township just to make a bit o' chink,
Went off to hire a camel from a camel propagator,
And the Afghan said he'd lend it if he'd stand the beast a drink.
Yes, the only price he asked him was to stand the beast a drink.
He was cheap, very cheap, as the dromedaries go.
So the mining speculator made the bargain, proudly thinking
He had bested old Mahomet, he had done him in the eye.
Then he clambered on the camel, and the while the beast was drinking
He explained with satisfaction to the miners standing by
That 'twas cheap, very cheap, as the dromedaries go.

But the camel kept on drinking and he filled his hold with water,
And the more he had inside him yet the more he seemed to need;
For he drank it by the gallon, and his girths grew taut and tauter,
And the miners muttered softly, 'Yes he's very dry indeed!
But he's cheap, very cheap, as dromedaries go.'

So he drank up twenty buckets -- it was weird to watch him suck it,
(And the market price for water was per bucket half-a-crown)
Till the speculator stopped him, saying, 'Not another bucket --
If I give him any more there'll be a famine in the town.
Take him back to old Mahomet, and I'll tramp it through the town.'
He was cheap, very cheap, as the speculators go.

There's a moral to this story -- in your hat you ought to paste it --
Be careful whom you shout for when a camel is about,
And there's plenty human camels who, before they'll see you waste it,
Will drink up all you pay for if you're fool enough to shout;
If you chance to strike a camel when you're fool enough to shout,
You'll be cheap, very cheap, as the speculators go.

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Shouting' For A Camel

It was over at Coolgardie that a mining speculator,
Who was going down the township just to make a bit o' chink,
Went off to hire a camel from a camel propagator,
And the Afghan said he'd lend it if he'd stand the beast a drink.
Yes, the only price he asked him was to stand the beast a drink.
He was cheap, very cheap, as the dromedaries go.

So the mining speculator made the bargain, proudly thinking
He had bested old Mahomet, he had done him in the eye.
Then he clambered on the camel, and the while the beast was drinking
He explained with satisfaction to the miners standing by
That 'twas cheap, very cheap, as the dromedaries go.

But the camel kept on drinking and he filled his hold with water,
And the more he had inside him yet the more he seemed to need;
For he drank it by the gallon, and his girths grew taut and tauter,
And the miners muttered softly, 'Yes he's very dry indeed!
But he's cheap, very cheap, as dromedaries go.'

So he drank up twenty buckets, it was weird to watch him suck it,
(And the market price for water was per bucket half-a-crown)
Till the speculator stopped him, saying, 'Not another busket,
If I give him any more there'll be a famine in the town.
Take him back to old Mahomet, and I'll tramp it through the town.'
He was cheap, very cheap, as the speculators go.

There's a moral to this story, in your hat you ought to paste it,
Be careful whom you shout for when a camel is about,
And there's plenty human camels who, before they'll see you waste it,
Will drink up all you pay for if you're fool enough to shout;
If you chance to strike a camel when you're fool enough to shout,
You'll be cheap, very cheap, as the speculators go.

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In the Spirit of Rumi-39-The Desert

As the cool dawn brings the light
to the desert where the blue-white sky
meets the sand that time and man have brought,
and you wake the camel boy
to lead the camels from the waterside –

before you mount the lurching beast
and sway off into the desert on your path,
the camel-bells tinkling on the harness,

look into the camel’s eyes.
There you will see mingled,
pride in its being; patience in its duty.

The wise men say that God is found
where opposites meet and are resolved.
Proud in its being, patient in its duty –
no great wonder, then, that the camel
has been chosen of God to take you
across the desert of your destiny in faith and trust;

for in the world of metaphor, where man meets God
in the mind’s own language,
the camel is your body; dutiful proud servant
for the journey you must take; your company
for the length of time that journey takes.

So, traveller, when you reach the green and cool oasis
at the ending of the day’s sufficient journey -
first tie your camel by the waters of refreshment
before you kneel; for food; for prayer; then
resting in the bright-eyed company;
the eyes of those who scan the round horizon as they ride
and wonder always, what oasis lies beyond.

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Armadillo Streets

The dust has just begun to settle
Forming crop circles in the carpet
Oil marks kiss the walls
Where pleasure moments hung before
Spin me around one last time
Disappear with the walking sun

Look down that road lonely traveler
Before you pack your things
Vagabond shoes have lead you nowhere
But further away from home
Look down that road lonely traveler
Before you turn to leave
Just a tumbleweed blowing aimlessly
Along armadillo streets

Count the days as they barely move
Denying you didn't stop you from coming
Consumed under the trance of the moon
Enter Casanova
As ransom notes fall from your lips
Lies espoused, digested through a hungry mouth
Defense falls paper thin, until
I loose all inhibitions

Look down that road lonely traveler
Before you pack your things
Vagabond shoes have lead you nowhere
But further away from home
Look down that road lonely traveler
Before you turn to leave
Just a tumbleweed blowing aimlessly
Along armadillo streets

The residue of another late nate rendevous
Greets me with the morning light
Half smoked cigarettes, a bottle of gin
A post card signed, 'See you next time'
I trace your silohette into the heels of your mirage
But I never did plan to understand
What happened after dark

Look down that road lonely traveler
Before you turn to leave
Just a tumbleweed blowing aimlessly
Along armadillo streets

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The Poem of Antar

Have the poets left in the garment a place for a patch to be patched by me; and did you know the abode of your beloved after reflection?2

The vestige of the house, which did not speak, confounded thee, until it spoke by means of signs, like one deaf and dumb.

Verily, I kept my she-camel there long grumbling, with a yearning at the blackened stones, keeping and standing firm in their own places.

It is the abode of a friend, languishing in her glance, submissive in the embrace, pleasant of smile.

Oh house of 'Ablah situated at Jiwaa, talk with me about those who resided in you. Good morning to you, O house of 'Ablah, and be safe from ruin.

I halted my she-camel in that place; and it was as though she were a high palace; in order that I might perform the wont of the lingerer.

And 'Ablah takes up her abode at Jiwaa; while our people went to Hazan, then to Mutathallam.

She took up her abode in the land of my enemies; so it became difficult for me to seek you, O daughter of Mahzam.

I was enamored of her unawares, at a time when I was killing her people, desiring her in marriage; but by your father's life I swear, this was not the time for desiring.3

And verily you have occupied in my heart the place of the honored loved one, so do not think otherwise than this, that you are my beloved.

And how may be the visiting of her; while her people have taken up their residence in the spring at 'Unaizatain and our people at Ghailam?

I knew that you had intended departing, for, verily, your camels were bridled on a dark night.

Nothing caused me fear of her departure, except that the baggage camels of her people were eating the seeds of the Khimkhim tree throughout the country.4

Amongst them were two and forty milk-giving camels, black as the wing-feathers of black crows.

When she captivates you with a mouth possessing sharp, and white teeth, sweet as to its place of kissing, delicious of taste.

As if she sees with the two eyes of a young, grown up gazelle from the deer.

It was as though the musk bag of a merchant in his case of perfumes preceded her teeth toward you from her mouth.

Or as if it is an old wine-skin, from Azri'at, preserved long, such as the kings of Rome preserve;

Or her mouth is as an ungrazed meadow, whose herbage the rain has guaranteed, in which there is but little dung; and which is not marked with the feet of animals.

The first pure showers of every rain-cloud rained upon it, and left every puddle in it bright and round like a dirham;

Sprinkling and pouring; so that the water flows upon it every evening, and is not cut off from it.

The fly enjoyed yet alone, and so it did not cease humming, as is the act of the singing drunkard;

Humming, while he rubs one foreleg against the other, as the striking on the flint of one, bent on the flint, and cut off as to his palm.

She passes her evenings and her mornings on the surface of a well-stuffed couch, while I pass my nights on the back of a bridled black horse.

And my couch is a saddle upon a horse big-boned in the leg, big in his flanks, great of girth.

[...] Read more

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