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It's not the fault of the indian, but of he who makes of the indian his friend.

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Nobodys Fault But Mine

Nina simone
Ah, nobodys fault but mine
Nobodys fault but mine
Tryin to raise my soul to light
Ah, have a Bible in my home
Have a Bible in my home
Tryin to raise my soul to light
.. taught me how to read
.. taught me how to read
Tryin to raise my soul to light
Nobodys fault but mine.
Oh lord, nobodys fault but mine
Tryin to raise my soul to light
Ah have a Bible in my home
Have a Bible in my home
Tryin to raise my soul to light
Oh, buddy she taught me how to read
Buddy she taught me how to read
Tryin to raise my soul to light.
Ah, lord, lord, nobodys fault but mine
Bible and my soul tonight
And sister she taught me how to read
Sister she taught me how to read
Bible and my soul tonight.
Ah, no, no, nobodys fault but mine.
Bible and my soul tonight.
Nobodys fault but mine
Nobodys fault but mine
Tryin to raise my soul to the light
Nobodys fault but mine
Got a Bible in my home
Got a Bible in my home
Tryin to raise my soul to the light
Nobodys fault but mine - yeah!
Sister she taught me to roll
My sister she taught me to roll
I roll along the line
Nobodys fault but mine
Nobodys fault but mine
Nobodys fault but mine
Ill raise my soul to the light
Nobodys fault but mine
Take it on, take it on
I got a monkey on my back
I gotta monkey on my back, back, back
Ill raise my soul to the light
Nobodys fault but mine - yeah
Nobodys fault but mine
Nobodys fault but mine
Ill raise my soul to the light

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Ten Little Indians

Ten little indian boys
The first little indian gave squaw pretty feather
(little indian boy)
The second little indian made her an indian dollar
(fighting over a squaw)
Well the third little indian gave her moccasin leather
(little indian boy)
The squaw didnt like em at all
The fourth little indian took her riding in his big canoe
(little indian boy)
The fifth little indian took her down the waterfall
(fighting over a squaw)
The sixth little indian taught the squaw how to woo-woo
(little indian boy)
But the squaw didnt like em at all
One little, two little, three little indians
(keep us humming were the ten little indians)
Four little, five little, six little indians
(keep us humming were the ten little indians)
Seven little, eight little, nine little indians
(keep us humming were the ten little indians)
Ten little indian boys
The seventh little indian took her over to his teepee
(little indian boy)
The eighth little indian tried to give her a love poem
(fighting over a squaw)
The ninth little indian said youre my kemosabe
(little indian boy)
The squaw didnt like em at all
The tenth little indian said it really didnt matter
(little indian boy)
He acted like himself and he didnt look at her
(fighting over a squaw)
The squaw didnt care if he never did a thing
(little indian boy)
Cause she loved the tenth indian boy
Loved the tenth indian boy
Loved the tenth indian boy
Loved the tenth indian boy

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Beginning of destruction

pride its all your fault
Pride its all your fault we in this mess
Pride its all your fault we are suffering
Pride its all your fault people are shedding blood
Pride its all your fault families are destroyed
Pride its all your fault people are so greedy and selfish
Pride its all your fault people have no love
Pride its all your fault are so jealous of each other
Pride its all your fault people are so lost
Pride its all your fault dying from this horrible diseases
Pride its all your fault we have so many orphans
Pride its all your fault people are betraying each other
Pride its all your fault are dying of hunger
Pride its all your fault fathers are sleeping with their children
Pride its all your fault people are so heartless
Pride its all your fault there is no peace, unity and harmony in this world
Pride its all your fault we have all this sorrow
Pride its all your fault God has rejected us
Pride its all your fault people are so evil
And they have decided to be in love with evil rather than good
You have ruined this world
You are to blame for all this misery
If lucifer did not have pride in his heart we wouldn’t be in this mess
Pride it all your fault! ! !

Vangile Mtyali

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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Henry Wadsworth Longfellow

Courtship of Miles Standish, The

I
MILES STANDISH

In the Old Colony days, in Plymouth the land of the Pilgrims
To and fro in a room of his simple and primitive dwelling,
Clad in doublet and hose, and boots of Cordovan leather,
Strode, with a martial air, Miles Standish the Puritan Captain.
Buried in thought he seemed, with his hands behind him, and pausing
Ever and anon to behold his glittering weapons of warfare,
Hanging in shining array along the walls of the chamber, --
Cutlass and corselet of steel, and his trusty sword of Damascus,
Curved at the point and inscribed with its mystical Arabic sentence,
While underneath, in a corner, were fowling-piece, musket, and matchlock.
Short of stature he was, but strongly built and athletic,
Broad in the shoulders, deep-chested, with muscles and sinews of iron;
Brown as a nut was his face, but his russet beard was already
Flaked with patches of snow, as hedges sometimes in November.
Near him was seated John Alden, his friend and household companion,
Writing with diligent speed at a table of pine by the window:
Fair-haired, azure-eyed, with delicate Saxon complexion,
Having the dew of his youth, and the beauty thereof, as the captives
Whom Saint Gregory saw, and exclaimed, "Not Angles, but Angels."
Youngest of all was he of the men who came in the Mayflower.

Suddenly breaking the silence, the diligent scribe interrupting,
Spake, in the pride of his heart, Miles Standish the Captain of Plymouth.
"Look at these arms," he said, "the war-like weapons that hang here
Burnished and bright and clean, as if for parade or inspection!
This is the sword of Damascus I fought with in Flanders; this breastplate,
Well I remember the day! once save my life in a skirmish;
Here in front you can see the very dint of the bullet
Fired point-blank at my heart by a Spanish arcabucero.
Had it not been of sheer steel, the forgotten bones of Miles Standish
Would at this moment be mould, in their grave in the Flemish morasses."
Thereupon answered John Alden, but looked not up from his writing:
"Truly the breath of the Lord hath slackened the speed of the bullet;
He in his mercy preserved you, to be our shield and our weapon!"
Still the Captain continued, unheeding the words of the stripling:
"See, how bright they are burnished, as if in an arsenal hanging;
That is because I have done it myself, and not left it to others.
Serve yourself, would you be well served, is an excellent adage;
So I take care of my arms, as you of your pens and your inkhorn.
Then, too, there are my soldiers, my great, invincible army,
Twelve men, all equipped, having each his rest and his matchlock,
Eighteen shillings a month, together with diet and pillage,
And, like Caesar, I know the name of each of my soldiers!"
This he said with a smile, that danced in his eyes, as the sunbeams
Dance on the waves of the sea, and vanish again in a moment.
Alden laughed as he wrote, and still the Captain continued:
"Look! you can see from this window my brazen howitzer planted

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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

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Tale XVI

THE CONFIDANT.

Anna was young and lovely--in her eye
The glance of beauty, in her cheek the dye:
Her shape was slender, and her features small,
But graceful, easy, unaffected all:
The liveliest tints her youthful face disclosed;
There beauty sparkled, and there health reposed;
For the pure blood that flush'd that rosy cheek
Spoke what the heart forbade the tongue to speak,
And told the feelings of that heart as well,
Nay, with more candour than the tongue could tell.
Though this fair lass had with the wealthy dwelt,
Yet like the damsel of the cot she felt;
And, at the distant hint or dark surmise,
The blood into the mantling cheek would rise.
Now Anna's station frequent terrors wrought,
In one whose looks were with such meaning fraught,
For on a Lady, as an humble friend,
It was her painful office to attend.
Her duties here were of the usual kind -
And some the body harass'd, some the mind:
Billets she wrote, and tender stories read,
To make the Lady sleepy in her bed;
She play'd at whist, but with inferior skill,
And heard the summons as a call to drill;
Music was ever pleasant till she play'd
At a request that no request convey'd;
The Lady's tales with anxious looks she heard,
For she must witness what her Friend averr'd;
The Lady's taste she must in all approve,
Hate whom she hated, whom she lov'd must love;
These, with the various duties of her place,
With care she studied, and perform'd with grace:
She veil'd her troubles in a mask of ease,
And show'd her pleasure was a power to please.
Such were the damsel's duties: she was poor -
Above a servant, but with service more:
Men on her face with careless freedom gaz'd,
Nor thought how painful was the glow they raised.
A wealthy few to gain her favour tried,
But not the favour of a grateful bride;
They spoke their purpose with an easy air,
That shamed and frighten'd the dependent fair;
Past time she view'd, the passing time to cheat,
But nothing found to make the present sweet:
With pensive soul she read life's future page,
And saw dependent, poor, repining age.
But who shall dare t'assert what years may

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Mogg Megone - Part I.

Who stands on that cliff, like a figure of stone,
Unmoving and tall in the light of the sky,
Where the spray of the cataract sparkles on high,
Lonely and sternly, save Mogg Megone?
Close to the verge of the rock is he,
While beneath him the Saco its work is doing,
Hurrying down to its grave, the sea,
And slow through the rock its pathway hewing!
Far down, through the mist of the falling river,
Which rises up like an incense ever,
The splintered points of the crags are seen,
With water howling and vexed between,
While the scooping whirl of the pool beneath
Seems an open throat, with its granite teeth!

But Mogg Megone never trembled yet
Wherever his eye or his foot was set.
He is watchful: each form in the moonlight dim,
Of rock or of tree, is seen of him:
He listens; each sound from afar is caught,
The faintest shiver of leaf and limb:
But he sees not the waters, which foam and fret,
Whose moonlit spray has his moccasin wet, -
And the roar of their rushing, he bears it not.

The moonlight, through the open bough
Of the gnarl'd beech, whose naked root
Coils like a serpent at his foot,
Falls, checkered, on the Indian's brow.
His head is bare, save only where
Waves in the wind one lock of hair,
Reserved for him, whoe'er he be,
More mighty than Megone in strife,
When breast to breast and knee to knee,
Above the fallen warrior's life
Gleams, quick and keen, the scalping-knife.

Megone hath his knife and hatchet and gun,
And his gaudy and tasselled blanket on:
His knife hath a handle with gold inlaid,
And magic words on its polished blade, -
'Twas the gift of Castine to Mogg Megone,
For a scalp or twain from the Yengees torn:
His gun was the gift of the Tarrantine,
And Modocawando's wives had strung
The brass and the beads, which tinkle and shine
On the polished breach, and broad bright line
Of beaded wampum around it hung.
What seeks Megone? His foes are near, -
Grey Jocelyn's eye is never sleeping,

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No, it is Not your Fault.

Poem Title: No, It is not your Fault. Acrostic Poem 153

No, it is not your fault!
Oh how many times must I say this, it is not your fault.

It is not your fault, from now on I want you to believe it, it is not your fault.
Try always and forever from this time on to master the fact that it is not your fault.

It is not your fault, Nobody is to blame, no thing, no way, no how, it is not your fault.
Since childhood have you not continually taken the blame upon yourself, It was not your fault.

Never wishing to cast doubt upon what a wonderful person you are, It is not your fault.
Out side of the love of friends and family are you seen as just a number, No, it's not your fault.
They may never get close enough to see the light you radiate, No, it is not your fault

Yesterday, troubles, debt, sorrow, disappointment, failure dogged your step, It was not your fault.
Over years, with hindsight your advantage, do you now see the illuminated sign on every corner?
Understanding dawns at last, Understanding all and everything gone before, was not your fault.
Redemption now at hand, you are at the gateway all your skills intact, you are loved with all faults.

Faults have given you a tool bag filled with wisdom, mistakes having been made rectified always.
All ways, All roads, All pathways trod, All modes explored, All embarrassments suffered, never at fault
Unless you count on all you meet as being with all faults, help them then aboard faults and all.
Light their hearts with your love and forgiveness despite the faults, will erase the faults you own.
That fault you thought you had was just my way of Guiding Angels through the maze Alone.

Written in the Now gifted to The 1000th Man with grateful thanks 8th September 2009

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Henry Wadsworth Longfellow

The Courtship of Miles Standish

I
MILES STANDISH

In the Old Colony days, in Plymouth the land of the Pilgrims
To and fro in a room of his simple and primitive dwelling,
Clad in doublet and hose, and boots of Cordovan leather,
Strode, with a martial air, Miles Standish the Puritan Captain.
Buried in thought he seemed, with his hands behind him, and pausing
Ever and anon to behold his glittering weapons of warfare,
Hanging in shining array along the walls of the chamber, --
Cutlass and corselet of steel, and his trusty sword of Damascus,
Curved at the point and inscribed with its mystical Arabic sentence,
While underneath, in a corner, were fowling-piece, musket, and matchlock.
Short of stature he was, but strongly built and athletic,
Broad in the shoulders, deep-chested, with muscles and sinews of iron;
Brown as a nut was his face, but his russet beard was already
Flaked with patches of snow, as hedges sometimes in November.
Near him was seated John Alden, his friend and household companion,
Writing with diligent speed at a table of pine by the window:
Fair-haired, azure-eyed, with delicate Saxon complexion,
Having the dew of his youth, and the beauty thereof, as the captives
Whom Saint Gregory saw, and exclaimed, "Not Angles, but Angels."
Youngest of all was he of the men who came in the Mayflower.

Suddenly breaking the silence, the diligent scribe interrupting,
Spake, in the pride of his heart, Miles Standish the Captain of Plymouth.
"Look at these arms," he said, "the war-like weapons that hang here
Burnished and bright and clean, as if for parade or inspection!
This is the sword of Damascus I fought with in Flanders; this breastplate,
Well I remember the day! once save my life in a skirmish;
Here in front you can see the very dint of the bullet
Fired point-blank at my heart by a Spanish arcabucero.
Had it not been of sheer steel, the forgotten bones of Miles Standish
Would at this moment be mould, in their grave in the Flemish morasses."
Thereupon answered John Alden, but looked not up from his writing:
"Truly the breath of the Lord hath slackened the speed of the bullet;
He in his mercy preserved you, to be our shield and our weapon!"
Still the Captain continued, unheeding the words of the stripling:
"See, how bright they are burnished, as if in an arsenal hanging;
That is because I have done it myself, and not left it to others.
Serve yourself, would you be well served, is an excellent adage;
So I take care of my arms, as you of your pens and your inkhorn.
Then, too, there are my soldiers, my great, invincible army,
Twelve men, all equipped, having each his rest and his matchlock,
Eighteen shillings a month, together with diet and pillage,
And, like Caesar, I know the name of each of my soldiers!"
This he said with a smile, that danced in his eyes, as the sunbeams
Dance on the waves of the sea, and vanish again in a moment.
Alden laughed as he wrote, and still the Captain continued:
"Look! you can see from this window my brazen howitzer planted

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III. The Other Half-Rome

Another day that finds her living yet,
Little Pompilia, with the patient brow
And lamentable smile on those poor lips,
And, under the white hospital-array,
A flower-like body, to frighten at a bruise
You'd think, yet now, stabbed through and through again,
Alive i' the ruins. 'T is a miracle.
It seems that, when her husband struck her first,
She prayed Madonna just that she might live
So long as to confess and be absolved;
And whether it was that, all her sad life long
Never before successful in a prayer,
This prayer rose with authority too dread,—
Or whether, because earth was hell to her,
By compensation, when the blackness broke
She got one glimpse of quiet and the cool blue,
To show her for a moment such things were,—
Or else,—as the Augustinian Brother thinks,
The friar who took confession from her lip,—
When a probationary soul that moved
From nobleness to nobleness, as she,
Over the rough way of the world, succumbs,
Bloodies its last thorn with unflinching foot,
The angels love to do their work betimes,
Staunch some wounds here nor leave so much for God.
Who knows? However it be, confessed, absolved,
She lies, with overplus of life beside
To speak and right herself from first to last,
Right the friend also, lamb-pure, lion-brave,
Care for the boy's concerns, to save the son
From the sire, her two-weeks' infant orphaned thus,
And—with best smile of all reserved for him—
Pardon that sire and husband from the heart.
A miracle, so tell your Molinists!

There she lies in the long white lazar-house.
Rome has besieged, these two days, never doubt,
Saint Anna's where she waits her death, to hear
Though but the chink o' the bell, turn o' the hinge
When the reluctant wicket opes at last,
Lets in, on now this and now that pretence,
Too many by half,—complain the men of art,—
For a patient in such plight. The lawyers first
Paid the due visit—justice must be done;
They took her witness, why the murder was.
Then the priests followed properly,—a soul
To shrive; 't was Brother Celestine's own right,
The same who noises thus her gifts abroad.
But many more, who found they were old friends,
Pushed in to have their stare and take their talk

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II. Half-Rome

What, you, Sir, come too? (Just the man I'd meet.)
Be ruled by me and have a care o' the crowd:
This way, while fresh folk go and get their gaze:
I'll tell you like a book and save your shins.
Fie, what a roaring day we've had! Whose fault?
Lorenzo in Lucina,—here's a church
To hold a crowd at need, accommodate
All comers from the Corso! If this crush
Make not its priests ashamed of what they show
For temple-room, don't prick them to draw purse
And down with bricks and mortar, eke us out
The beggarly transept with its bit of apse
Into a decent space for Christian ease,
Why, to-day's lucky pearl is cast to swine.
Listen and estimate the luck they've had!
(The right man, and I hold him.)

Sir, do you see,
They laid both bodies in the church, this morn
The first thing, on the chancel two steps up,
Behind the little marble balustrade;
Disposed them, Pietro the old murdered fool
To the right of the altar, and his wretched wife
On the other side. In trying to count stabs,
People supposed Violante showed the most,
Till somebody explained us that mistake;
His wounds had been dealt out indifferent where,
But she took all her stabbings in the face,
Since punished thus solely for honour's sake,
Honoris causâ, that's the proper term.
A delicacy there is, our gallants hold,
When you avenge your honour and only then,
That you disfigure the subject, fray the face,
Not just take life and end, in clownish guise.
It was Violante gave the first offence,
Got therefore the conspicuous punishment:
While Pietro, who helped merely, his mere death
Answered the purpose, so his face went free.
We fancied even, free as you please, that face
Showed itself still intolerably wronged;
Was wrinkled over with resentment yet,
Nor calm at all, as murdered faces use,
Once the worst ended: an indignant air
O' the head there was—'t is said the body turned
Round and away, rolled from Violante's side
Where they had laid it loving-husband-like.
If so, if corpses can be sensitive,
Why did not he roll right down altar-step,
Roll on through nave, roll fairly out of church,
Deprive Lorenzo of the spectacle,

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To Keep A Shrill Unending

I see it in your face...
Baybee,
I see it in your face...
Pretty when you're giving lickings.
I see it in your face...
Baybee,
I see it in your face...
Pretty when you're giving lickings.

You don't want to listen,
When your pretty giving lickins.
All you want to do is find a fault.
All you want to do is find a fault.

You don't want to listen,
All you want to do is find a fault.

All you want to do is find a fault.
To begin the stinging.
All you want to do is find a fault.
To keep a shrill unending.

All you want to do is find a fault,
To begin the stinging.
All you want to do is find a fault,
To keep a shrill unending.

You don't want to listen,
All you want to do is find a fault.
I see it in your face...
Baybee,
I see it in your face...
Pretty when you're giving lickings.
I see it in your face...
Baybee,
I see it in your face...
Pretty when you're giving lickings.

Baybee,
All you want to do with me is find a fault.
Baybee,
All you want to do with me is find a fault.
Baybee,
All you want to do with me is find a fault.
Baybee,
All you want to do with me is find a fault.

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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

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The Ballad Of Ira Hayes

Gather round you people and a story I will tell
About a brave young indian you should remember well
From the tribe of pima indians, a proud and a peaceful band
They farmed the phoenix valley in arizona land
Down their ditches for a thousand years the sparkling water rushed
Till their white man stole their water rights and the running water hushed
Now iras folks were hungry and their farms wene crops of weeds
But when war came he volunteers and forgot, the white mans greed
Call him, drunken ira hayes, he wont answer anymore
Not the whiskey-drinking indian or the marine who went to war
Yes, call him, drunken ira hayes, he wont answer anymore
Not the whiskey-drinking indian or the marine who went to war.
They started up iwo jima hill, 250 men
But only 27 lived to walk back down that hill again
And when the fight was over and the old glory raised
One of the men who held it high was the indian ira hayes
Call him, drunken ira hayes, he wont answer anymore
Not the whiskey-drinking indian or the marine who went to war
Call him, drunken ira hayes, he wont answer anymore
Not the whiskey-drinking indian or the marine who went to war.
Now ira returned a hero, celebrated throughout the land
He was wined and speeched and honored, everybody shook his hand
But he was just a pima indian, no money crops, no chance
And at home nobody cared what ira had done and the wind did the indians
Dance
Call him, drunken ira hayes, he wont answer anymore
Not the whiskey-drinking indian or the marine who went to war
Call him, drunken ira hayes, he wont answer anymore
Not the whiskey-drinking indian or the marine who went to war.
And ira started drinking hard, jail was often his home
They let him raise the flag there and lower it like youd throw a dog a bone
He died drunk early one morning, alone in the land he had fought to save
Two inches of water in a lonely ditch was the grave for ira hayes
Call him, drunken ira hayes, he wont answer anymore
Not the whiskey-drinking indian or the marine who went to war
Yes, call him, drunken ira hayes, he wont answer anymore
Not the whiskey-drinking indian or the marine who went to war.
Yes, call him, drunken ira hayes, but his land is still as dry
And his ghost is lying thirsty in the ditch where ira died
Call him, drunken ira hayes, he wont answer anymore
Not the whiskey-drinking indian or the marine who went to war
Yes, call him, drunken ira hayes, he wont answer anymore
Not the whiskey-drinking indian or the marine who went to war.

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The Sale of Saint Thomas

A quay with vessels moored


Thomas
To India! Yea, here I may take ship;
From here the courses go over the seas,
Along which the intent prows wonderfully
Nose like lean hounds, and tack their journeys out,
Making for harbours as some sleuth was laid
For them to follow on their shifting road.
Again I front my appointed ministry. --
But why the Indian lot to me? Why mine
Such fearful gospelling? For the Lord knew
What a frail soul He gave me, and a heart
Lame and unlikely for the large events. --
And this is worse than Baghdad! though that was
A fearful brink of travel. But if the lots,
That gave to me the Indian duty, were
Shuffled by the unseen skill of Heaven, surely
That fear of mine in Baghdad was the same
Marvellous Hand working again, to guard
The landward gate of India from me. There
I stood, waiting in the weak early dawn
To start my journey; the great caravan's
Strange cattle with their snoring breaths made steam
Upon the air, and (as I thought) sadly
The beasts at market-booths and awnings gay
Of shops, the city's comfortable trade,
Lookt, and then into months of plodding lookt.
And swiftly on my brain there came a wind
Of vision; and I saw the road mapt out
Along the desert with a chalk of bones;
I saw a famine and the Afghan greed
Waiting for us, spears at our throats, all we
Made women by our hunger; and I saw
Gigantic thirst grieving our mouths with dust,
Scattering up against our breathing salt
Of blown dried dung, till the taste eat like fires
Of a wild vinegar into our sheathèd marrows;
And a sudden decay thicken'd all our bloods
As rotten leaves in fall will baulk a stream;
Then my kill'd life the muncht food of jackals. --
The wind of vision died in my brain; and lo,
The jangling of the caravan's long gait
Was small as the luting of a breeze in grass
Upon my ears. Into the waiting thirst
Camels and merchants all were gone, while I
Had been in my amazement. Was this not
A sign? God with a vision tript me, lest
Those tall fiends that ken for my approach

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Soboba

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A Friend Like You

A friend like you is like no other friend
A friend like you is a friend i dont regret meeting
A friend like you is like a friend i cant scream at or fight with
A friend like you is like having no worries in my life
A friend like you is a friend that i dont want to lose
A friend like you is like being in comfort all day
A friend like you is a friend i always wanted
A friend like you is awesomly awesome
A friend like you is random and funny
A friend like you is a friend that i love to death and i will never let go
A friend like you is a friend i can tell all my secrets to
A friend like you..
A friend like you is like the little sister ive always wanted
A friend that i can go to to tell them whats wrong
A friend like you is like having no dark days because you brighten them up
A friend like you is a friend that opens up my eyes and helps me avoid bad things
A friend like you is a type of friend that laughs at dumb things i say or do
A friend like you is a friend i am proud to call my best friend...

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A Friend LikeYou

A friend like you is like no other friend
A friend like you is a friend I don't regret meeting
A friend like you is like a friend I can't scream at or fight with
A friend like you is like having no worries in my life
A friend like you is a friend that I don't want to lose
A friend like you is like being in comfort all day
A friend like you is a friend I always wanted
A friend like you is awesomely awesome
A friend like you is random and funny
A friend like you is a friend that I love to death and I will never let go
A friend like you is a friend I can tell all my secrets to
A friend like you..
A friend like you is like the little sister I've always wanted
A friend that I can go to tell them what's wrong
A friend like you is like having no dark days because you brighten them up
A friend like you is a friend that opens up my eyes and helps me avoid bad things
A friend like you is a type of friend that laughs at dumb things I say or do
A friend like you is a friend I am proud to call my best friend...

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Fragments Of An Unfinished Drama

Scene.--Before the Cavern of the Indian Enchantress.

The Enchantress comes forth.


Enchantress.
He came like a dream in the dawn of life,
He fled like a shadow before its noon;
He is gone, and my peace is turned to strife,
And I wander and wane like the weary moon.
O, sweet Echo, wake,
And for my sake
Make answer the while my heart shall break!

But my heart has a music which Echo's lips,
Though tender and true, yet can answer not,
And the shadow that moves in the soul's eclipse
Can return not the kiss by his now forgot;
Sweet lips! he who hath
On my desolate path
Cast the darkness of absence, worse than death!

The Enchantress makes her spell: she is answered by a Spirit.

Spirit.
Within the silent centre of the earth
My mansion is; where I have lived insphered
From the beginning, and around my sleep
Have woven all the wondrous imagery
Of this dim spot, which mortals call the world;
Infinite depths of unknown elements
Massed into one impenetrable mask;
Sheets of immeasurable fire, and veins
Of gold and stone, and adamantine iron.
And as a veil in which I walk through Heaven
I have wrought mountains, seas, and waves, and clouds,
And lastly light, whose interfusion dawns
In the dark space of interstellar air.


ANOTHER SCENE
Indian Youth and Lady.

Indian.
And, if my grief should still be dearer to me
Than all the pleasures in the world beside,
Why would you lighten it?-

Lady.
I offer only

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